A (33:25)
The theological implications are way better than trying to get that to sort of fit science, you know, that one's a beautiful example. I love it. So Genesis 2. One example. Let's do one more. Well, let's do a couple more. For our next example, let's do the flood of Noah. Okay, that's coming up in. Come Follow me. Pretty soon, people are going to be dealing with this. This is what Genesis 6 through 9. Okay? This is one of the richest examples of applying the principle of what we called earlier on theological historiography. It's kind of the fancy scholarly phrase for the way this is written. Okay? It's meant to do theology by telling a historical or like, air quotes, historical story. So remember in the. In the narrative, what trips people up scientifically is that it says that. That this flood happens and it submerges the whole earth underwater, even the highest mountains. Like, listen to this in Genesis 7, 19 and 20, quote. And the waters prevailed exceedingly upon the earth, and all the high hills that were under the whole heaven were covered. Fifteen cubits upward did the waters prevail and the mountains were covered. All right? So scientists say, Casey, that a truly global flood covering the highest mountains, like Mount Everest is actually inconsistent with everything that we know about geology, hydrology, physics. Like, to put it simple, there is simply not enough water on Earth to actually cover the mountains, even if all the ice caps melt and everything. Like, there's not enough water on Earth, Earth to cover the mountains. Also, scientists say that the sudden disappearance of that amount of water could not happen scientifically. Right? So there again, another big one in the book of Genesis. Science versus religion. What do we do? We are going to recommend always and forever that you see scripture texts as the result of a human divine collaboration written by ancient authors, embedded in their own cultures, crafted by those authors primarily for the purpose of doing theology and not science. So when we do that with this story, what happens? It turns out the author is making some profound theological and covenantal statements here. For instance, remember how in Genesis 1, God separated the waters below from the waters above, and that the waters above were held back by the firmament? Well, it just so happens that in Genesis 7, verse 11, when the waters above, like, collapse in upon the waters below, what theologically is happening here? According to, like, I think the best scholarship on this, I'm thinking of people like John Walton. What's happening here is a reversal of the creation story, all right? That the windows of heaven breaking up, the fountains of the great deep unleashing. What's happening here is there's a dissolution, a dissolving happening between the boundaries that God established during the creation story in Genesis 1. Right. The text is communicating, in other words, a judgment scene of cosmic proportions. Chaos is coming back into the picture here. Remember how we went from Genesis 1, a picture of chaos, of tohu wabohu, into a picture of order and structure and purpose and function and functionaries in functional spaces. Remember this. That is all being undone in the flood story. Right. God is temporarily, in other words, unmaking the world. Why? Because of the sin of violence. That's the great crime. The world is getting so violent that God says, I am going to unmake creation. I'm going to undo what I did. So this idea of water covering the entire Earth and all the high mountains is this ancient, like, author's way of stressing the totality and the comprehensiveness of God's judgment. In other words, nothing was spared God's scrutiny. So there are some liberties being taken here as an author. Right. A literal flood that covers everything, Mount Everest included. That's just based on the author's understanding of the ancient cosmos. Right. And the need to communicate to the reader the absolute divine judgment that's going on here. Right. This is, again, not a modern scientific lesson on geography or hydrology or any of that. Right. So that's an important theological point here. The whole narrative structure of Genesis 7 is framed to convey this eternal truth about God's relationship with humanity. And in this case, it's not good. The human creatures that God has designed to be his image bearers and to reflect his goodness out to all creation, they have gone like nuts. They have started to kill each other in awful ways. And God says, at that point, no, and reverses the creation and says, let's start again. Let's clean the slate and begin again. That's the redemptive side of this story. Right. Is this new beginning in Genesis chapter 8, where it pivots to God being merciful, not annihilating humanity, but saying, let's start over with a new Adam. Right? The new Adam, Noah and his family. So the narrative isn't meant to stay focused on God's anger, but it's about his ultimate choice to preserve life and to reset the creation story one more time. Where the floods recede, the land appears, then we go back to right waters above, waters below, and Noah and his family get to try again. God makes covenant with Noah. Right? Now we're seeing covenantal theology enter into this, right? Salvation is a gift bestowed by God's grace, and it's something that is achieved through covenant here. So there's lots of overtones here. The covenant overtone here. Remember that we talk about the rainbow as a symbol of God's covenant to not do that kind of destruction again. And it's also an expression of God's hope for humanity that we can actually figure it out this time, which, spoiler alert, we don't things will get worse again. In the Old Testament, it's this negative cycle of doing the thing God told us not to do, which we find out does not work and only leads to horrible consequences. But when we covenant with God and try to actually, like, do things God's way, things end up working out really well. That story doesn't really fully come together until Jesus. But, you know, we're getting ahead of ourselves here. So anyway, that's kind of an extended example that the story of the flood, like the facts of the story where you have this single family surviving, There's a big ark, a big boat, there's these animals, you know, two and two of every species, which, again, scientifically not really possible. There's like 7 million species on the earth, and for all them to fit in a little boat, not gonna happen, even a big boat. But the idea of the comprehensive destruction, like all of these are amplified by the author, the ancient author, who's embedded in their own concept, context, in their own cosmic worldview to deliver the absolute theological truth that God is a judge, that God alone saves, that God alone establishes the rules for creation and renewed creation, that God also covenants with his children in order to try to help them, and his mercy is persistent with us. He's not going to scrap the whole creation purposes of the earth altogether. Other without trying again to work with humanity. So these theological points are really what's happening in the midst of this story, which has details that are not scientific. Cayce. But the historical details serve this transcendent message about God's goodness, his mercy, and his willingness to try again when his creatures don't always get it right the first time.