Club 520 - Starlito & Don Trip on Luka Doncic & LeBron James, Step Brothers 4 drop

Summary

Podcast Summary: Club Shay Shay – "Club 520 - Starlito & Don Trip on Luka Doncic & LeBron James, Step Brothers 4 Drop"

Podcast Information:

• Title: Club Shay Shay
• Hosts/Authors: iHeartPodcasts, The Volume, and Shay Shay Media
• Description: NFL legend Shannon Sharpe—3x Super Bowl champion and member of the Pro Football Hall of Fame—sits down with the biggest athletes, celebrities, and influencers to discuss their accomplishments, challenges, and everything in-between.
• Episode: Club 520 - Starlito & Don Trip on Luka Doncic & LeBron James, Step Brothers 4 Drop
• Release Date: March 31, 2025

---

1. Introduction and Guest Background

Host DJ Wells kicks off the episode by welcoming the special guests, Starlito and Don Trip, affectionately referred to as the "Step Brothers." The introduction underscores their longstanding collaboration and mutual respect within the music industry.

• DJ Wells [04:23]: "We got to finally make this happen. For sure, man. We made it happen, man."

2. Musical Beginnings and Inspirations

Starlito and Don Trip delve into their early inspirations and the genesis of their musical careers.

• Starlito credits Kris Kross for igniting his passion for rap during his childhood.

  • Starlito [05:28]: "Kris Kross is what made me want to be a rapper... Kids could do it. It was a light bulb I couldn't dim for sure."

• Don Trip acknowledges influences from West Coast legends like Ice Cube and Snoop Dogg, and later from groups like the Hot Boys and The Squad era.

  • Don Trip [06:38]: "It was probably Ice Cube, Snoop Dogg, early West Coast stuff... The Squad up era was probably the biggest influence when I started rapping."

3. Collaborations and Music Creation

The duo discusses their collaborative process, emphasizing synergy over competition.

• DJ Wells [25:01]: "Our verses are written at the same time. It's like complimentary, not competitive."

• Starlito highlights the effortless nature of their collaboration, noting that their creativity flows naturally when working together.

  • Starlito [21:08]: "It's effortless. The first couple songs we did, it was like one hand killing the shit right away."

4. The Music Industry: Major vs. Independent

A significant portion of the conversation centers around the merits and challenges of signing with major labels versus maintaining independence.

• Don Trip advocates for independence, citing the flexibility and creative control it offers.

  • Don Trip [36:15]: "Signing to a major has a lot of benefits... But whatever you take on the front end, you compromise something on the back end."

• Starlito shares his perspective on the lack of formal education in the rap industry, comparing it to structured learning in sports.

  • Starlito [36:23]: "Rap music don't got no prerequisites... You almost gotta make the mistakes to figure it out."

5. Basketball Discussion: Luka Doncic & LeBron James

Shifting gears, the hosts and guests engage in an animated discussion about the unprecedented pairing of Luka Doncic and LeBron James on the same NBA team.

• Don Trip [08:01]: "When I walked in, I was like, that's why them tickets was so damn high... two legendary players, almost a generation apart."

• Starlito expresses skepticism about the team's dynamics, questioning strategic decisions.

  • Starlito [08:17]: "When I see that... Highway Robbery. What's really going on."

• Don Trip remarks on LeBron's role adjustment within the team.

  • Don Trip [08:25]: "LeBron ain't probably never been... that's different."

6. Fan Interactions and Personal Life

Starlito and Don Trip reflect on their relationships with fans and the challenges of maintaining privacy.

• Don Trip [65:10]: "My music is my personality... I make music that, for me, I might have been crying on the inside making it, but somebody else, like, man, this changed my life."

• Starlito discusses the blurred lines between personal life and public persona, especially concerning interactions involving his family.

  • Starlito [84:31]: "We just keep the boundaries present... if you run into me and I'm with my kids, tone it down."

7. Challenges in Music and Life

The conversation touches upon the pressures of the music industry, fan expectations, and personal struggles.

• Don Trip shares anecdotes about the relentless pace of music production and the criticism that follows.

  • Don Trip [92:35]: "When I did the 12th one, I was like, I can do this for 12 more than this... People will come, people give backhand compliments."

• Starlito emphasizes the importance of genuine connections over superficial interactions.

  • Starlito [87:53]: "Our relationship was never contingent on us being the group... it's been eight years."

8. Upcoming Projects and Releases: Step Brothers 4

Anticipation builds as the trio discusses their upcoming project, "Step Brothers 4."

• DJ Wells [84:32]: "Volume four, baby... Step Brothers for life, May 9th."

• Don Trip elaborates on the creative process behind their extensive discography, highlighting their commitment to delivering authentic music.

  • Don Trip [85:24]: "Every Step Brothers take was recorded in person... We do it in the studio together."

9. Conclusion and Final Remarks

As the episode wraps up, the hosts express gratitude towards their guests and listeners, reiterating excitement for future collaborations and releases.

• Don Trip [106:02]: "It could have been a role I could play to help skip some steps... that's what it's all about."

• Starlito [106:51]: "Cause he was smooth... I was being the permanent devil's advocate."

---

Notable Quotes:

1. Starlito on Early Inspiration:

   • [05:28] "Kris Kross is what made me want to be a rapper..."

2. Don Trip on Signing with Majors vs. Independence:

   • [36:15] "Signing to a major has a lot of benefits... But whatever you take on the front end, you compromise something on the back end."

3. Discussion on Luka Doncic & LeBron James:

   • Don Trip [08:01]: "When I walked in, I was like, that's why them tickets was so damn high... two legendary players, almost a generation apart."

4. On Collaborative Synergy:

   • [25:01] "Our verses are written at the same time. It's like complimentary, not competitive."

5. Starlito on Maintaining Boundaries:

   • [84:31] "We just keep the boundaries present... if you run into me and I'm with my kids, tone it down."

6. Don Trip on Music as Therapy:

   • [80:25] "For me, my music is my personality... I make music that, for me, I might have been crying on the inside making it..."

7. Announcement of "Step Brothers 4":

   • DJ Wells [84:32]: "Volume four, baby... Step Brothers for life, May 9th."

---

Conclusion:

In this engaging episode of Club Shay Shay, hosts DJ Wells and Shannon Sharpe facilitate a deep dive into the musical journeys of Starlito and Don Trip. The conversation navigates through their early inspirations, collaborative dynamics, perspectives on the music industry's evolving landscape, and their notable discussions on basketball's intersection with celebrity culture. The guests' candid reflections on fan interactions and personal boundaries offer listeners an intimate glimpse into their lives beyond the stage. As the episode concludes, anticipation mounts for their forthcoming project, "Step Brothers 4," promising a continuation of their authentic and impactful musical legacy.

Transcript

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[DJ Wells]

All right man, we back another episode of Club 520 podcast. I'm the host. My name is DJ Wells. We got some special special guests in the building, man. Glad we could finally make this happen. For sure, man. We got a special setup. It's only right, man. We got the whole game with us. We're gonna introduce them. Last, but to my far left, we got my dog, Bishop B. Heading out the prayer leagues. How you What?

[Bishop B]

Nasty.

[Young Nacho]

What's happening, family? Let's get to it. It's gonna be a good one right here.

[Bishop B]

Now listen, man.

[DJ Wells]

Normally we ask our guests on this show, you know what I'm saying, how they feel about the mountain, the pile of black forces with the white laces. Alito put up with his own, man. You said the tone. I like this energy.

[Young Nacho]

I appreciate that love, man.

[DJ Wells]

And when you see somebody walk up in them shoes, what you think of Trip?

[Bishop B]

I don't know, man. I don't. I only with Jordan, so I.

[Wendy's Ad]

You like me.

[Bishop B]

That's a unique kind of. I don't know. It took some effort because them shits don't come with white laces. See, he either bought the white ones, took the laces out and ditched them, or he purposefully went and bought white laces and ditched the black laces. But either way, that's a whole lot of effort for some black porches, man.

[Young Nacho]

Nah, but that's just a staple, man. This is what I do.

[Bishop B]

I can dig it. I can dig it. That's like putting that big ass Rolls Royce grill on your Chrysler 300.

[Wendy's Ad]

Pull up to the light.

[DJ Wells]

Oh, bro. Got the black Air Force swallow. It's crazy.

[Wendy's Ad]

Did you ever picture the white laces in that joint at all?

[Trip]

Nah, not till I started watching y'all show.

[Young Nacho]

I appreciate that show.

[DJ Wells]

Bitch.

[Young Nacho]

That's big.

[DJ Wells]

The tree setter for show ain't got.

[Bishop B]

A pile of them.

[DJ Wells]

It's a throw on the black forces.

[Young Nacho]

There's plenty more around this motherfucker, too.

[Wendy's Ad]

That's a fact.

[DJ Wells]

Most definitely. To my far right, my dog, Young Nacho. Young Tig. How you what?

[Wendy's Ad]

I'm chilling and I still Stacey Dash, boy.

[Young Nacho]

Chill, bruh.

[DJ Wells]

I'm sorry.

[Wendy's Ad]

I'm just saying I felt it with.

[Trip]

He said hello.

[Young Nacho]

You out of pocket.

[Bishop B]

He out of pocket.

[Wendy's Ad]

What you going through?

[Young Nacho]

He out of pocket, too.

[Bishop B]

I'm excited, man.

[Wendy's Ad]

It should be a good show. For sure, man.

[DJ Wells]

Listen, special special guest, man. Glad we could finally make this happen, man. Freaky Meyer was early in this podcast. We all had our list of people. We went on this show off the rip. He said we gotta have the step Brothers, we made it happen, man. Lito, Trip. Appreciate y'all pulling up to 5:20, man. It's an honor.

[Bishop B]

For sure.

[Wendy's Ad]

Thank you, man.

[Young Nacho]

Thank you.

[Bishop B]

Appreciate y'all, man. For real, man.

[DJ Wells]

Glad we could finally make this happen. Like we said, all our homeboys, even though us, we big fans, man, but especially our homeboys, they press the line with this, too.

[Wendy's Ad]

Oh, for sure. Yeah, for sure.

[Young Nacho]

Shout out to Jamar. Who say y'all names?

[DJ Wells]

Yeah, shout him out.

[Wendy's Ad]

My older brother, too.

[Bishop B]

I can dig it.

[Young Nacho]

And everybody.

[Wendy's Ad]

Keith. Keith gonna call me.

[Bishop B]

Yeah.

[Wendy's Ad]

We was playing street ball the other day. He's called me. He was like, oh, no, no, no, no. My nigga back.

[DJ Wells]

Play street ball.

[Young Nacho]

You ain't tapped in.

[Wendy's Ad]

I'm like, I got you, man.

[Trip]

I got you.

[Wendy's Ad]

Shout out to my dog, Keith, man.

[DJ Wells]

For sure, man. Listen, we appreciate y'all sliding on us, man. Let's get first into it, man. What made you both start making music? What was your inspiration? Who were some people y'all looked up to early on that kind of molded your sound and how y'all wanted to get to it?

[Bishop B]

I guess I'll leave that, man. Kris Kross is what made me want to be a rapper. You know, being a kid, I don't know how much older they are than I am, but when I first seen them, you know, it was a fucking. You know, it was a marvel to see kids rapping. So, of course I know I gained the inspiration to become a rapper. I thought I would become a rapper right then, which I'm glad I didn't, because what I had to rap about then wasn't worth me rapping about in the first place. But that's where it started, you know, the idea or the passion. I think it grew from that to see that kids could do it. And it ain't really started working out for me to mid-20s, but, you know, I think, you know, it's life. It happens how it happens. You know, things had to take place in order for me to be in the right space. And I think not to be arrogant in any manner, but I think I had to grow to become an artist. And, you know, but that's where it started. Once I seen them, it was a light bulb I couldn't dim for sure.

[Trip]

Yeah, it was probably Ice Cube, Snoop Dogg, early, like, West Coast. West coast stuff, dog. Oh. Lifestyle aesthetic of it. Like, just, you know, being a little kid and seeing that, just thinking that was cool and imagery from the movies and all that a little later. Probably the hot boys would be the next Thing that was a time period when I probably started rapping. Before then, I just thought, you know, rappers were cool or whatever.

[Bishop B]

Yeah.

[Trip]

By the time I was in high school, it was like, one some money, you know, wanted to look like it and et cetera. And then when I actually started rapping, it was like more the lyrical rappers that kind of got my attention. Jadakids, Fab, the East coast, like DJ Clue, mixtapes.

[Bishop B]

True that. Damn.

[Trip]

But it was still, you know, the high boys and Wayne. The Squad up era was probably, like, the biggest influence at the time that I started rapping. Damn.

[Bishop B]

Yeah. When Wayne turned into a whole different kind of rapper.

[DJ Wells]

That's crazy. You said Squad up tapes. People forget how fire them Squad up tapes are. Yeah, that was before the dedications.

[Bishop B]

Yeah.

[DJ Wells]

Do your research. For sure.

[Bishop B]

Yeah, definitely, man.

[DJ Wells]

First of all, we gonna get to the music. But dying that. Man, we pulled up to the game. I know y'all both love basketball. What's your first thought process when you see Luka and LeBron on the same damn team? Cause that shit's still surreal to this point. I know we just watched the game. It's still crazy.

[Trip]

When I walked in, I was like, that's why them tickets was so damn high, too, on me. But it was. I mean, I'm like, you know, two legendary players, like, really almost a generation apart. You know, seeing them on the same team like that is like, damn. I still don't know how they pulled that off.

[Bishop B]

Yeah. That's where I think when I see that. Highway Robbery. What really. You know, what's really going on.

[Wendy's Ad]

Highway Robbery.

[Bishop B]

It's something.

[Trip]

It's also crazy to see LeBron defer to somebody. Like, I ain't. You know, LeBron ain't probably never been. I ain't gonna necessarily say the second best player on the team, but that's kind of the role he playing, and that's. That's different.

[Young Nacho]

Damn. I never thought about that.

[Wendy's Ad]

Cause he was chilling the whole game, the whole.

[Bishop B]

Yeah, he was chilling, bro.

[DJ Wells]

He had two points.

[Bishop B]

Went up to the point he had paid vacation.

[Wendy's Ad]

Yeah. Austere Reese was killing. At first, he was going crazy, but.

[Trip]

It was a few times he really, like, motioning for Luka, like, come get the ball. Like, you got it. I seen LeBron play up here, like, three or four times. It ain't never looked like that.

[Wendy's Ad]

I wish he had did that shit when I was playing. I think he got the ball every time.

[DJ Wells]

Wasn't on the first.

[Wendy's Ad]

Nah.

[Young Nacho]

Can y'all see them winning the chip?

[Trip]

I was Thinking that too. Like, raw players step up. Like, I mean, the way Hayes look and what's still in that Rui, they hitting shots like that, they got timeless. They got some bodies.

[Wendy's Ad]

They got a chance. I ain't gonna lie. They do got a chance.

[DJ Wells]

Most definitely. Obviously, we know your origin with basketball, man. Your man's coaching head coach tsu. How's that man grow up with your potter now he leading men at the university. You know what I'm saying? To round the way.

[Wendy's Ad]

He just called me for sure.

[Trip]

He said, y'all got a point.

[Wendy's Ad]

Yeah, I swear he just called.

[Trip]

Tampering over.

[Wendy's Ad]

He was. I swear he just called. That's funny as hell.

[Trip]

Yeah.

[Bishop B]

Cobbins.

[Trip]

Yeah, I talked to him yesterday.

[Wendy's Ad]

Okay.

[Bishop B]

I like that home cooking.

[Trip]

That's. I mentioned him twice in that song. Cause, like, that's one of the. You know, my partner since middle school, and he wanted a few people, like, still getting paid off basketball, you know, for us to came up together. And it was all our dream at one time. Like, he's still living it, you know, and so that's surreal. I mean, I went to tsu, so it was just super cool. You know, you had the hometown school, hbcu, you know, setting some records, tennis records and everything else. Job security and otherwise. I'm just proud of them.

[Bishop B]

That's why both of y'all hooped.

[Young Nacho]

Who did both of y'all hoop?

[Bishop B]

No, no. I never really been able to get along with people.

[Wendy's Ad]

Y'All want.

[Bishop B]

My mama said, even when I tried to. I tried to go and like, try for a basketball team. Mama said, hell no. I'm like, mama, why? She said, you don't get, you know, you don't play well with others. And I didn't, you know, but I was an angry kid. Yeah, I had a lot going on. So, you know, basketball wasn't gonna work. I would have probably been like, you know, run our test. So it'd be at the elementary school.

[Wendy's Ad]

Draymond gre.

[Bishop B]

No, it had been all going in the stand.

[Young Nacho]

He was a real crash up.

[DJ Wells]

Yeah.

[Bishop B]

Yeah, it wasn't.

[Wendy's Ad]

So you need black forces.

[Young Nacho]

You need to strike like the mid.

[Bishop B]

Tops, see if it be like, I don't know how, you know, I don't know how. How accurate or how often it happens. But, like, when I see, like, basketball films and I see the. Like the. I don't know what the y'all call it, you know, the. The rookie treatment. Oh, yeah. Hold another bag. And man, to be so many on team with black eyes. When we get to the game we got, you know, you gotta catch the bus and all that.

[Young Nacho]

Yeah.

[Bishop B]

When we get there, I'm gonna be the only can suit up. Everybody give me their bag. And I threw the to the side. But, you know, when I realized I couldn't do no. I couldn't be a team player in that aspect, I said, yeah, you know, sports ain't gonna be for me. I can't, you know, it don't work for me. I'm ready to fight when, you know, well, I don't know how to do the. I don't know how to take orders, and I don't respect seniority when it's, you know, I don't know that. It just don't work.

[Young Nacho]

My nigga, I just talked about that on the show earlier today. Like that respecting your elder shit is overrated, bro.

[Bishop B]

I ain't. No, you gonna have to. If you don't give it, you ain't getting it back.

[Young Nacho]

Exactly.

[Bishop B]

And I don't know. And when I was little, when I was a kid, I don't know what kind. Like I said, I had a lot going on. It didn't really matter if he was bigger than me. I might lose the fight, but I'm gonna give you a fight.

[Young Nacho]

Nah, for sure.

[Bishop B]

So, you know, basketball wasn't gonna work out. It wasn't gonna happen. He was like, you know, he won't stop fighting the team, you know.

[Trip]

Yeah.

[DJ Wells]

You said, fuck other team fight my team.

[Bishop B]

We. We ain't got to the game. We gonna have some. It's gonna be some fights at practice, the locker room, all this. It's a lot of shit. I just, you know, I never really been able to tolerate, so I ain't really got, you know, even now, I don't got many friends. The friends I got, I've known since I was fucking 10 or 11. Yeah, I know Craig for like, I think, like 15 years now. But, you know, I don't know. I. I just don't work well or play well with others. So I respect that. Wasn't gonna work out in no kind of way.

[Young Nacho]

Gotcha.

[Trip]

Yeah, I played high school, aau and shooting. I wasn't trying to go to small schools. That was looking at me. I stayed at home.

[Young Nacho]

Oh, damn.

[Bishop B]

Oh, see, he thought he was all star.

[Trip]

Nah, it was like, going to, like, the bottom of.

[Bishop B]

He said, I ain't doing this.

[Young Nacho]

So what, you had like some D2s or something?

[Trip]

Looking at it, it was like D2s, D3s. I had a couple of looks, but I remember, I think Tennessee Tech, one of their coaches kind of holla at me. I was hyped.

[Young Nacho]

That'd have been solid.

[Trip]

I'm trying to tell you what. I go in the coach's office, they looking at film shit, I'm hyped. And, like, first thing the coach asked me, he was like, hey, you know Demarco Pope? Shout out Demarco. He was Mr. Basketball, one of my partners from around my way. I was like, yeah. Like, why? Like, basically it was like, shit, we recruit you if you can help us get him.

[Bishop B]

See? And I would have said, fuck you.

[Trip]

That. And TSU coach at the time was Nolan Richardson third, maybe Arkansas coach, his son, he was at a tournament. And his son, the fourth, played in high school the same time. And I dunked on his son. You know, we knew each other. We was cool and shit, but it was over with, you know, that's why I wanted to play.

[Young Nacho]

But out the gate.

[DJ Wells]

Yeah.

[Bishop B]

So you fucked up your chances.

[Trip]

That was like our rival. Hey, you, like, around locally or whatever. So after that, I skipped the grade and I graduated young. And it was.

[Wendy's Ad]

That's. That's why we. I think we all can relate to y'all music. Cause y'all talk about stuff that, like, seem like around our area. Like, y'all talk about wrestling and shit.

[Bishop B]

Yeah. Yeah.

[Wendy's Ad]

And I'm like, damn. When I first started listening to that, I'm like, damn, they rap about everything I grew up watching and doing. I'm 36.

[Bishop B]

Oh, yeah, we ain't that far. We ain't that far apart.

[Young Nacho]

Yeah, we right by y'all.

[Bishop B]

I turned 40 this year.

[Wendy's Ad]

Yeah, but when y'all said all that shit, like, when y'all was talking about, like, Randy Savage, give me Undertaker, Casket and all that shit, I was like, yeah, I'm tapped in. Cause that's when I first started listening. Cause my brother then was like, you tripping. Cause Lito, you rap like you talking.

[Trip]

Yeah.

[Wendy's Ad]

So I'm like, he ain't rap. He talking. They like, that's the whole beauty. He chilling you like these hype ass niggas. And I'm like, this kind of hard. So I started listening, and they put me on shout out to my brother Terrell, man.

[DJ Wells]

You know, Shout out to big bro, man. Obviously, y'all had careers before I got to each other. What was the first time y'all linked up? Y'all first, like, all right. I kind of with him type shit.

[Bishop B]

Listen, my timelines are hard.

[Trip]

Like, 2010.

[DJ Wells]

Oh, okay.

[Trip]

Yeah, it was 2010.

[Bishop B]

I don't know. No dates and stuff.

[Trip]

We, like, formally met through Yo Gotti, actually shout out to Gotti. I was in business with him, and he was, like, looking to work with Tripp when he was coming up and kind of, you know what I'm saying, placed us around each other. But we started working kind of on our own within that. I mean, Craig can kind of tell you.

[Bishop B]

Yeah, we just. I was on the road with Gotti, and he had a stop in Nashville, and I don't know what the hell Gotti had to do. I don't really like. I don't like tagging along when don't got nothing to do with me.

[Wendy's Ad]

This means.

[Bishop B]

No, no, no. I'm just saying.

[DJ Wells]

Well, you know, he was on a side quest.

[Bishop B]

Not quite. I, you know, in and gotta have shit going on. He had business to tend to, respect. I ain't want to be the sitting watching him do what he gotta do. I want to be along for the part of this that involves me, but certain shit didn't involve me. So, like, you know, God is going to go do a verse for so and so. All right. They might be in the fucking studio five hours. I'm just gonna be a nigga sitting in the studio. I don't smoke, I don't drink, so I'm gonna be a nigga sitting in the studio like this. So when, you know, whatever he was going to do, you know, it was in that kind of, you know, he wasn't doing nothing that I needed to learn from or watch. So while they was doing that, I think Stardom had lined up a verse for another one of got his artists. So I was like, all right, I'll ride with y'all then. So I had no idea we was going to Lito's studio. So when we got to Lito Studio, he set him up to do the feature Fast forward, he said. He. I don't know how he did it, but that was our first time meeting each other. And at some point, his people came down and told me, you know, the guy wanted to buy a verse for me. I'm like, man, I don't, you know, I don't know anybody in here. I just met him. So when I, you know, later on that night, I found out that star pretty much was a person that convinced dude to get. I don't remember who the hell it was that got the verse, but we was on the road and what I was doing for, you know, my profession at the moment, well, at that moment, I couldn't do that traveling. So, you know, my Pockets was a little light. He couldn't have knew that me getting some bread right then was that shit was like oxygen. So him lining that up, that kind of. That kind of changed my perspective of who he was, you know. Again, it was my first time meeting him that day. And all the way up until then, me being only familiar with his music, but being familiar with rappers, I had to. Was preconceived. Preconceived notion that he'd be more like rappers. When you meet, you know, I can't speak for everybody, but when you meet rappers, some rappers don't turn the rapper shit off. Like, you know, you can tell that, you know, you're acting, you know, I don't need the camera version of you. I need the real version of you. And for meeting so many. And it still happens even to this day, but that's how I assume Star would be. So when I met him, you know, I met him, I was doing something, you know, all right. And I went back downstairs. So later on after, you know, finding out, he lined that verse up for me and we sit, we rap for a second, we sit and we talk for a second. And you know, I think that was the thing that make me have to be a little more open minded. Cause I'm like, you know, I assumed he was this kind of guy and he the total opposite. He just made me some bread. He ain't made nothing off it. He had no. There was nothing invested in it for him. He had to have just, you know, fucked with me for, you know, he had to have done that just cause he fucked with me as an artist. Cause he don't know me as a person.

[Young Nacho]

Yeah.

[Bishop B]

So from that, you know, I think, you know, that gave me the. I don't know, like I said, I don't work well with others. So I guess that was like the olive branch, so to speak. And he couldn't have known that. But that was the, you know, the gesture that made me say, ah, you know, be a cool dude. You know, I could, you know, get to know him and see. See where this goes.

[Young Nacho]

For sure.

[Bishop B]

For sure.

[DJ Wells]

All right, man, before we go any further behind, it's time to get some drinks up in here.

[Trip]

Let's get Barbie. Oh, man.

[Bishop B]

I didn't know what my guy was doing.

[DJ Wells]

Well, that's freaky Mike. You got. You got to figure out what that means sometimes. Be a couple things. Barbie, what's happening? What's going on? What you got for us today?

[Young Nacho]

What we got?

[Bishop B]

BlackBerry and blueberry.

[DJ Wells]

Okay.

[Bishop B]

What. What's in the BlackBerry and blueberry. You're. Oh, okay. Get you a mocktail up.

[Trip]

You want to make you one?

[Bishop B]

What's a who? What? No, no, no. Okay. Appreciate I a know what the you saying. Give me a mocktail.

[Wendy's Ad]

All right.

[DJ Wells]

Barbie, I got. But it was record time.

[Wendy's Ad]

Barbie never get out.

[Bishop B]

This I about say she was.

[Trip]

She was on kill.

[Bishop B]

Here we go. You got all the drinks you need.

[Young Nacho]

She gotta get out of here. Usually she stay a while.

[Bishop B]

Yeah. Looking for another chair. All right.

[Wendy's Ad]

She usually stay. Chop it up.

[Young Nacho]

Moving on.

[Wendy's Ad]

So what was that moment? Y'all knew y'all was gonna collab and work together?

[Trip]

Yeah, I was gonna get to that. It was not right away necessarily, that first session, but even prior to then, like, from the first things I heard, like you said, I rock with it. I saw promise in it. I felt like he was. Without knowing him, I felt like he was going somewhere with it. And we started working. It was like, right away, like one. It was effortless for him. And I took to just the new, fresh energy of it. Because when we met, I probably was like five, six years in the game. I had, I think, signed a deal like, five years before then. So I was damn near at a point of almost like turning the corner, finding like, a second win almost, and trying to figure this shit out outside of having a deal and finna go on my own. And he was getting a deal. So it was like part of it for me was like paying it forward. It wasn't like big homie kind of time. Cause we really about the same age, but more so, I'm like, man, if I can help, bro skip some steps or not make the same mistakes I made or any of that, that's what I kind of felt like was almost like a role I was due to play. But as far as making music, it was just effortless, you know what I'm saying? The first couple songs we did, it was like one. He just, like, killing the shit right away. But it was also like the first time I kind of met my match or met my equal as far as on just the talent, skill level. I'm like, man, this n can rap. Like, bar for bar, word for word kind of thing, so. And it wasn't like a competitive, like, you know what I'm saying, Looking over your shoulder. It was more, like complimentary.

[Wendy's Ad]

I was gonna ask you. Cause like I said, all my friends listen to it.

[Bishop B]

So.

[Wendy's Ad]

We used to battle. We used to rap y'all shit and be battling like, nah, he beat him here. He beat him Here. Did y'all feel like that? I know y'all just said it wasn't competitive, but did y'all feel like that? Like, I played my little brother one on one all the time. We competitive. We family, though. At the end of the day, we want each other to get better.

[Bishop B]

Yeah.

[Wendy's Ad]

Like, was it like that for y'all?

[Trip]

Nah, I don't think so. Like, that's. And I think that's probably why we still rocking 15 years later. Cause rap groups don't last. You know what I'm saying? You can kind of run down the list.

[Bishop B]

I think what happens is we might have, like, favorite verses. Like, you know, I would say for every song, I probably got a favorite verse. But all those favorite verses ain't mine, if that make any sense. It could be a particular record, and I really fuck with his verse. And like you said, you know, I should. It's. I don't know. Cause it's not a competition in any shape, form, or fashion. Like, if you ever sat in a session or any person that's ever sat in a session, like, we. Even on that kind of time, like, when we started working, we working in unison. And we might speak to each other about where we going, depending on, you know, what kind of record it is. But for the most part, our verses are wrote at the same time.

[Trip]

Damn.

[Bishop B]

So when he go into the booth to do his, I'm going to do mine, or vice versa, whoever's first or whatever. Order. Most of the time, I. You know, our verses are wrote pretty much at the same time. Or I might be. Well, one of us might be closing the verse and the other one just finished. And he go in and record it. And we like to. At least when it happens, I believe in just letting shit flow naturally. So if I'm writing my verse and he say something in his verse While he recording, nine times out of 10, I know I'm probably at the end of the verse, but either way, if he said something that inspired me to say something, or if I like the line, he said we'll repeat the line. You know where it came from. Or sometimes you don't. We don't much care because what we doing, we both fully aware of what we trying to build. I want you to like the song. I don't want you to like a verse from the song.

[Young Nacho]

Yeah.

[Bishop B]

So, you know, when we doing the shit, we ain't really. I think it's competitive in a sense, but not so much. You know, we don't sit and say, oh, man, I gotta get well, sometimes, but that happens. No, that. But that happens on features. Sometimes people get a verse from both of us. It's seldom, but they get a verse from both of us. And it's only a select few people will allow to get both of us on the song because we feel like that's lending our brand. But when it happens, most times, I don't know the stars on the song. So when it happened, you know, I'mma just do what I do. And then Craig, it's happened a few times. Craig called. Like, they tell me you was. Put a verse on it too. Like, I didn't know you was on it.

[Trip]

48 bars on the song.

[Bishop B]

Sometimes I just take over. But that's, you know. But other than that, when we know when we creating especially like step brothers music, whenever we create music that's stepbrothers, we do it in person. So, you know, I'm fully aware that, you know, that he on the record.

[Young Nacho]

Nah. Right.

[Bishop B]

So we don't really.

[Trip]

It's like steel sharp and steel more than, you know. Like you said, y'all play one on one as like, sparring in that sense. But when we working, it ain't. The end game is for you to feel the finished product. So it's like, shit. I mean, for sure, there's been times I'm like, damn, you killed me on that. But that's like a good thing. That means the song was better. And I'm supremely confident that when I go in and work with him, I know what he gonna do. So I can't half step or, you know, I know I'm gonna get smashed on the song. So it's more so that than, like, you know, you should want somebody to make you better.

[Wendy's Ad]

That's a fact.

[Bishop B]

True that.

[DJ Wells]

Most definitely.

[Young Nacho]

For sure.

[DJ Wells]

I wanted to ask you this question because you said, you know, when y'all first inception of meeting each other, you was just like, all right. I seen somebody at position I could help. Like, he's solid if I can help him skip a couple steps. Cause I first heard you. You know what I'm saying? Grey Goose. That's the first time I heard you. Early back Chevy days. I was like, okay, he cold. So then you said, time progresses. You was like, all right, I learned I'm gonna help you out. Being with the major, being with other artists and then having your own spotlight. Do you see somebody going into that situation? Both of y'all obviously get a lot of respect for being great independent artists in your own right. I always like to be like, Okay, I know what I've learned but I'm not gonna hinder what he going through cause I want him to still have his journey. But I'm gonna still give you the game so you don't make the mistakes. Cause we know this music industry could be really really crazy.

[Bishop B]

Oh yeah, and you the reason why.

[Young Nacho]

I started drinking that nasty ass shit.

[DJ Wells]

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[Bishop B]

Void.

[T-Mobile Ad]

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[Wendy's Ad]

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[DJ Wells]

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[Trip]

Man, it's really like, I don't know, I think you gotta be kind of like a messed up person to be willing to watch somebody, like I said, make the same mistakes, go through the same, like, same things you went through. So to me, at his breakthrough point, he had it more together than I did. I was 19 years old making club crunk music and just trying to, you know, when I get with cash money, it's like a dream come true. Like I said, I was inspired by the hot boys. Five years before that. I ain't started rapping maybe four years before that time. So I'm like, it's whatever. I'm just trying to get in where I fit in versus, like he got in the game really more so off of like emotion driven, like personal passion record, like, and just like no frills. It was like, it wasn't about a single. It wasn't about, you know what I'm saying? It was him just kind of being himself and I'm like, damn. It was more so like on a fan level even, like, man, don't change that. Don't let the game change, steer you away from that. That's what works. That's what got you here kind of thing. And I think it's just like I said, paying it forward, man. I believe in karma and all that, so I would wanna golden rule. Like, I would wanna do what I would have wanted somebody to, you know, the game that I wish somebody would have gave me. It was never like the irony. We had made so much progress and history together, but it was never about trying to make something or get in on a situation. It was like I met him at a point where he had options. Like, she could have signed with them, them or them. It was a little bit of everybody trying to rock with him. I was even in a position where people was like, man, you should get in. I'm like, nah, I think, you know, his trajectory is bigger than help I could directly offer, but I just rather be like in on it. There's a lot of artists where like I met him early on or I was around and whatever small part I might have played in their story, I'm like, I just counted it as like, that's what's up. I mean, it's a part of my legacy too. I was there.

[Bishop B]

I reach out to everybody too. I don't have to know you. I think, you know, many people don't respond. I just use. That's really why I use Social media for. So I be feeling like if I know you about to make a mistake and I don't do nothing to prevent it, then I feel like I'm at fault. I feel like it's my fault you made that mistake. I don't know how much sense that really makes, but. I don't know, it almost seemed like a duty. Like I have to say it. I gotta DM you and say, hey, man, you know, you got this and this moving. You should maybe do X, Y and Z, or not do X, Y, and Z. And, you know, I try not to give people advice. Cause, you know, my. My path wasn't perfect either. I can't tell you what wouldn't work or what won't work, but I can tell you what I did and how it went wrong. And, you know, you take from that what you will, you know, if you can make it make sense for you, then that's great, you know, we can't all dunk, so, you know.

[Young Nacho]

Nah, for sure.

[Wendy's Ad]

That's respect.

[Young Nacho]

Leo, I wanted to ask you, like, what's the benefits of signing to a major, though?

[Trip]

Spending somebody else's money, number one.

[Bishop B]

Yeah, but Owen is back. I mean, but that's it.

[Trip]

If you don't. I mean, if you ain't got it, like. Yeah, but I mean, it's. It's a lot of benefits to it, truthfully. Like, they moved a needle on stuff.

[Young Nacho]

Okay.

[Trip]

It's a lot. It's a lot of relationships, these companies and partnerships with each other. Like, almost like back door type of. Type of situation. So it's better to be on that side of the things that's moving, I guess. Tricks of the trade. But like Tripp said, like, you know, whatever you take on the front end, you gonna compromise something on the back end.

[Young Nacho]

Yeah, for sure.

[Wendy's Ad]

Shout out to the. Shout out to the gang, man.

[Young Nacho]

I mean, the thing now is just to be independent in the rap game, and a lot of people go into it with no education behind it and shit. Don't lay teaser, though.

[Bishop B]

Yeah, not even the least bit. But see, I think it's pros and cons to both sides, and music just happens to be. At least rap music. I can't say music as a whole because I don't have experience in other genres of it. But rap music don't got no prerequisites. Like, you know, you want to play ball. You know, you got to start. Damn. Before elementary school, you got to do the AAU shits and, you know, you gotta do all them camps and shit. But it's things in place to teach you how to become, you know, how to play team ball or how to adapt to it even, you know, as you progress to different levels of it. You know, when you get to high school, you know, you play a little different than you played in elementary or middle school. Then, you know, same for college, same for if you go into like summer league, same for when you go to the actual league. It's a learning process, but it's things and people in place to teach you how to move along with that. In the rap business, man, it's more filled with people that gatekeep if anything. But ain't no, there's no way to learn this shit before you jump in this shit. You almost gotta make the mistakes to figure it out. And a lot of the people, like, we feel the opposite about it. There's a lot of people that feel like shit. Nobody helped me, so I ain't helping you. And, but that's the tricky thing about the music business. So right now the, you know, the fact, the trend is to be independent. Because the word independent sound, you know, you sound self sufficient. You sound like a self made artist, a self made boss. But in real life, you really want to do whatever benefits you. So I wouldn't say don't be independent, I wouldn't say go be independent. You got to go with what work. So if you step in it and you spent however much you spent and you can't sustain doing this shit, because in real life you got real life to deal with, you know, that's why they say it's a young. I don't agree, but I understand why. But they say it's a young man's game. It's a young man's game because you got the time to be able to go through the shit you gotta go through at 19, signing to a label, then owing them fucking $500,000, having to deal with that at 19 is a whole lot smoother than dealing with that at 36 and you got four or five kids, you know, you got more responsibilities. You don't got the room to have to deal. Well, you don't have the room to be able to work through that or learn from that. But in the music business, people think, you know, if they like right now, they think signing to a major is the worst thing in the world. In real time, it's not. I think you just gotta know what you getting yourself into and you know.

[Trip]

It'S more about your plan, right?

[Bishop B]

And if you don't got a plan Out.

[Trip]

You know, you can be signed without a plan and get lost in the sauce, or you can be.

[Bishop B]

Exactly.

[Trip]

You know, you can be independent without a plan and you just saying you're independent kind of thing. I think signing up or whatever, it's just kind of like being able to work your plan. Because even that. That's the thing. Like, the time that I was signed, it was like going to school. I use it. I ended up using the education.

[Young Nacho]

Yeah, okay, like.

[Trip]

Cause it was a lot that I saw things working for other people. I wasn't in the same position they was in, and I had a leverage otherwise, but I saw, like. And they working.

[Young Nacho]

Yeah.

[Trip]

Outside of just the machine and all like, that, I'm like, man, these dudes never stop working. And so I'm like, all right, I'm gonna apply that. I might not be able to scale it the same way, but I'm gonna take what I got and just double down on what works for me.

[Young Nacho]

Okay.

[DJ Wells]

Yeah. And that's what's super dope about y'all, is that obviously, y'all put your head down and the music sells itself and y'all both have co followings. We talk about the independency. I like opportunities and stuff. Now, you think it's a little bit easier for artists to jump into the game now because of social media and stuff like that? Because you got people like Jello who come in. We now even know him as a rapper. Yeah, Jello could have smacked.

[Bishop B]

Now he gone swerve.

[Wendy's Ad]

Hit that cone.

[Bishop B]

Look, I didn't say that man name wrong forever. Then I thought it was like, Jello or something. He said Jello. I'm thinking Jelly Jello. I'm like, sign his name Jello.

[DJ Wells]

Oh, I don't know if you want the Cosby.

[Bishop B]

I was like, damn. I was baffled. I'm like, it's a rapper named Jack.

[Trip]

I mean, it's access. Access is plentiful, man. Like, you know, you can blow up faster. You know what I mean? You can reach. You can go farther, faster. Because of all the resources. The Internet make the world, like, very small. And so people can get hip to the same thing. Like, even for y'all to say, I was on Grey Goose, like, what it took to get that record high was a lot of footwork, was a lot of, like, pressing vinyl records and hand delivering them, putting them in a mailbox, sending them to DJs. Like, going to Louisville for Kentucky Derbys. Like, that's probably the trickle down of it. Reaching Indianapolis from Nashville, going to all The HBCU football classic weekends, like we jumping out in traffic with like guerrilla marketing versus now. It's like a streamer plays your song and it goes everywhere the next day. Like, I mean that's, that's beautiful for, you know. Yeah, I guess for people that can advantage themselves off of it. But it's also like, you know, it's like microwave stuff. Like the food don't taste as good, you know.

[Bishop B]

Yeah. And not only that, but like I said, ain't no, ain't no courses for this shit. So, you know, you take a 19 year old that didn't have any aspirations of being a musician or being in the business and you know, they did a song and it popped and now they in the mix. Imagine how easy it is to manipulate. Well, you know, for the industry to manipulate that person. He learned nothing from them. You know, you don't know how this works. Yeah, all of it is new and this shit move fast as shit when you important and you know, and that's the tricky thing about it a lot of times when you know a lot shit. I'm sure we've all experienced you, you know, especially you. The, whoever recruited you disappeared later. No, they, they, they did all of the fantastic shit to get you where you was going.

[Trip]

Yeah.

[Bishop B]

And then once you got there, you, you won prom queen. No more. They, they moved on to the next one to, you know, to do the same process. And a lot of times what happens when you not know, when you're not familiar, you'll think you're on top of the world and you never start adjusting or you never start. Like you say, you gotta learn from what's going on. So if you on top of the world, you never start learning what happens when. Cause there's no way to be there forever. So what happens when that shit slow down? What's your next step now? And in a lot of cases, that's what create, you know, we see it all the time. It happens almost every day. You'll see a person that was some kind of social media sensation and now they got all kinds of weird legal troubles and shit. But it's because they was at, you know, they was on top of the world at one point and they never fully adjusted to, you know, to be able to manage not being on top of the world. It's almost like a, like an instant high and now you chasing that high. And in some cases you'll never get it again, but that's cause you know, shit's a whole lot. It's a whole Lot easier to get it popping. But that don't necessarily make it easier.

[Young Nacho]

It ain't no such thing as a street team no more.

[Bishop B]

That's not even.

[Wendy's Ad]

You got keyboard media team.

[Bishop B]

Those are called gang members.

[Wendy's Ad]

I had a question. So we was listening to music earlier, and. Yeah, five times. One of my favorite songs. But when y'all heard Seeing Green by, like, Nicki, Wayne Drake and them.

[Bishop B]

What's that?

[Wendy's Ad]

It's just a song, but. Well, you know what I'm talking about.

[Trip]

I know exactly what you looking, man. It's a song use the same symbol.

[Young Nacho]

Yeah.

[Wendy's Ad]

Same Heather.

[Bishop B]

I ain't know what the name of it. I never heard it actually.

[Trip]

What you was asking about the like.

[Wendy's Ad]

Like, do y'all be like, damn. Like, I mean, I know it's a sample, but it's like. Cause we knew when I first heard it, I'm like, damn. I heard this before, man.

[Trip]

I want Shout out. Shannon Sanders is a producer songwriter from Nashville that actually, I think, produced that Heather Headley song that was sampled. Somebody I know for, like, 20 plus years, I thought it was cool that they were sampling his work, you know, the same way we did. It's one of them situations, man, because this happened to me, like, a lot of times, like, where things get recycled, rerocked, repurposed, and very rarely, like, I ain't looking for acknowledgment there, because that's her song. It's their song.

[Wendy's Ad]

Yeah, right.

[Trip]

Shout out to Henry Hedley. It's very solid.

[Bishop B]

I don't know where she is.

[Trip]

It's a very solid beat. And that. I mean, that's hip hop, you know what I'm saying? Like, people are making the same song down there, word for word, note for note, you know, over and over. But when I heard it, I was just like. I thought it was interesting. Cause that's one of our biggest songs, man.

[DJ Wells]

What?

[Wendy's Ad]

Yeah, that's that shit. I'm like.

[Bishop B]

I'm like, nah, I never heard song.

[Trip]

Yeah, but no, I'm thinking. I don't know. I don't really believe in coincidence. So a lot of times.

[Wendy's Ad]

Nah, I didn't either. It's too close, bro.

[Young Nacho]

It is.

[DJ Wells]

It's crazy.

[Bishop B]

But I remember the producer dude doing. Of course not the one that made ours, but the dude that went viral making it in his car.

[Trip]

Yeah. People was tagging us on Twitter, right?

[Bishop B]

So, you know, I guess I was already conditioned for it. I understand the. I guess the process now for how they make beats. It ain't. Is not to say I don't know. He know who made it. Street 7 made it, didn't it?

[Trip]

Greedy money.

[Bishop B]

Okay, my bad. Greedy. You know, shit happens. But either way, like, the sampling process ain't the same no more. It used to be, you know, they take the vinyl and you had to, like, you had to put some work in to create the sample you was creating to make the beat.

[Young Nacho]

Oh, yeah.

[Bishop B]

And now it's a whole lot different. Like, it's websites. They already got the samples already cut.

[Young Nacho]

Up, so that's just an instant transfer.

[Bishop B]

Right. You take it and style and drums.

[Young Nacho]

Yeah.

[Bishop B]

So I never heard Nicki Minaj song on the beat, but I know. I was aware that they used the same beat. I'm just not. Just wasn't nothing I was interested in, so.

[Young Nacho]

So that don't really even bother y'all.

[Wendy's Ad]

With that type shit.

[Trip]

I mean, it just. When it happens over and over and over again.

[Bishop B]

Yeah, you know, he's a. You know, he got. He got prior experience in such.

[Trip]

But they are different too, though, because I can't charge it. I don't know where. Where it comes from.

[Bishop B]

Right. That's what I'm saying. It's happened to you more than. More than that.

[Trip]

It happened like that. I don't necessarily. I've had scenarios where I got to the source of it and figured out, like, yeah, where the inspiration came from. Those songs were the same titles or the same, like, you know, same terminology, same slang. It might have been East Nashville slang. Like, don't nobody even say that. No, like, y'all say how you would. Like if somebody. If a New York artist came out making a song saying that. I think everybody from around here would be like, man, where they. And especially in real time, you know what I'm saying? I put out a song six months later. So big artists with the same song, you know, but every step of the way, like, especially just growing up, just maturing, I take it like it's like, complimentary or flatter. I'm flattered by it in its own way. I do. Like. I guess that's why I think so much when people do give me props or salute me. Cause you don't have to. It's just as easy to act like you don't know who a nigga is or, you know. So for all the people that do, like, give it up, I'm like, that's cool, cuz I know what the opposite feel like, too.

[Bishop B]

Yeah, true that.

[Wendy's Ad]

That was too close for me. I. To say that.

[Bishop B]

I ain't for me for sure.

[Wendy's Ad]

I was just like, it's too close. I. I really.

[Bishop B]

I really just be looking to see how he react to it. Listen clearly on that first take.

[Trip]

Yeah, okay. That's.

[Bishop B]

They did go ham. Yeah, they did.

[Trip]

They did.

[Bishop B]

I go, they. That. That's what it was called.

[Wendy's Ad]

Rock.

[Bishop B]

Go Ham.

[Trip]

My song called.

[Bishop B]

Yeah. What was theirs? They was just Go Ham.

[Wendy's Ad]

Go Ham.

[Bishop B]

Just ham, man. Listen.

[Trip]

Yeah, you gotta.

[Bishop B]

First.

[Wendy's Ad]

That was my song.

[Bishop B]

This is when I. When, you know, we. This is us first working together.

[Trip]

Yeah.

[Bishop B]

So to see him react to or respond to that, man, that was the funniest. Like, Star was on some. Them niggas got cameras in my house. They beat it. It's my shit. I'm like, okay, maybe. I. I don't really know.

[Wendy's Ad]

He addressed the first step, brothers.

[Bishop B]

He did. That's what I'm saying. That's why it was funny. And me just being. Me being the permanent devil's advocate. Gucci, man.

[Wendy's Ad]

Matter of fact, you could Google it, man.

[Bishop B]

Right? Yeah.

[Trip]

It happened.

[Bishop B]

That's crazy.

[DJ Wells]

That's crazy for sure, man. We gotta talk about Naptown, man. Y'all are frequent here. Y'all got hella love in the city. They always show love to y'all, man. What's it like pulling up to Nap, man, for the people who don't know, man.

[Trip]

Man, it felt like home to me.

[Bishop B]

Yeah. That's about to say it's welcoming.

[Trip]

Cause I've only ever been here in the same space and environment, just like where I come from.

[DJ Wells]

Okay.

[Trip]

You know, we was talking about, like, where we performed, and it's been. Yeah, sweet 38, which was limelight and was like cloud nine.

[Bishop B]

Yeah.

[Trip]

Been there for every phase of the same.

[Wendy's Ad]

Every day.

[Trip]

Fusion.

[Young Nacho]

Give me your features, though. Like, shout out to Lil E. You know? Yeah.

[DJ Wells]

You know it's love in the city when you can pull up the fusion comfortably. Yeah, that's love.

[Young Nacho]

That's what I told you. I said, damn. Well, y'all made good in my city. That's a wild spot. They had to shut that motherfucker there permanently.

[Bishop B]

I ain't.

[Wendy's Ad]

It's like. It's y'all and Boosie.

[DJ Wells]

Yeah.

[Wendy's Ad]

Y'all, like, stamped in the city.

[Bishop B]

Like, that's a good space to be in, though. Yeah, bro.

[DJ Wells]

If you ever try to learn rap music from Indianapolis, it would not be your typical people.

[Bishop B]

Here.

[DJ Wells]

It's Boosie Gotti, y'all. Like, it's a. Like, yeah. Platinum here.

[Young Nacho]

We talk to people out of town that we know about, like, big artists, you know, Future. We rock with future. Of course, Jay Z. Hov. And people don't understand when we tell them, like, when they come to my city, it's cool, but we more so like, people who was close to us, like, more relatable. So y'all stand out, like, way more than them, like, in our city, for sure as you. Nah, for real, though, bro. Jay Z come here and be like, cool, you know, for age. Niggas like Lito pulling up. I just told you. My. My boy B just said, man, ask the nigga when he sliding back down to the city, man.

[Wendy's Ad]

That's a fact.

[Young Nacho]

They anticipating y'all pull up for sure.

[Trip]

Yeah. So it's always. I mean, even we didn't have, like, music out, like new music, current music at all. It's always a packed house. We done sold out them spots, like, wall to wall quite a few times. Had Mike Epps pop up on stage and snatch the mic from us.

[Bishop B]

I don't know where he came from.

[Trip]

I mean, wait, mid show. Yeah.

[Bishop B]

Y'All gotta smell like hot dog water. People in the club, they smell like hot dog. Know where he came from. I thought he was just another standing behind his own. You know, the whole hood is standing behind us on the stage. Yeah. So, you know, I don't know who was who. So when he popped up and grabbed the mic, you know, our first reaction is, who the fuck this Mike Epps.

[Trip]

What the fuck?

[Bishop B]

And we had. We had a slightest idea, you know, what was really going on, but it was cool, you know, and he just was showing love because he handed it right back. He say shit about that. That was ridiculous.

[DJ Wells]

That's out of bread.

[Trip]

It's always been. You know, I don't remember the first time I came up here, like, on my own time, but it's. It's always been the same. Like, went to the game early. Like, we walking to the game, probably take four or five pictures and routes when we took hella pictures and shit inside of the game. But it's just like, you know, even going. I mean, I've been coming up here to Pacers games and whatnot, but it's like when people can see you, like you said, as far as being stamped, like, it's some cities that we only saw one side of, but you know what I'm saying? And that's the hood side, the urban side. And I think people appreciate you for it. Cause I do understand a lot of artists don't see that side of it. Nah. Fact and no knocks on them. By the time they was coming to a market like this, they Might almost outgrew the hood or they were going to the hard ticket venues or was on somebody, tour or otherwise. And it's like I'm going wherever they got the bread pulling up too, so.

[Young Nacho]

Nah, for sure.

[DJ Wells]

Most definitely, man. Y'all pulled up to the city one time and performed with. With the Young Nacho jerseys. Yeah, that was legendary, for sure.

[Bishop B]

Yeah.

[Wendy's Ad]

When I got.

[Young Nacho]

I got the picture.

[Wendy's Ad]

I was starting it.

[Young Nacho]

I didn't know what year this was. My bad, kid.

[Trip]

I know.

[Wendy's Ad]

See how your. He do me like this every day. It's cool. I turned up in the morning.

[Trip]

In a video, too. In a boom Shocker Locker video.

[Young Nacho]

Yeah, Okay.

[Wendy's Ad]

I appreciate that, man.

[Young Nacho]

Real fans of y'all music, man. So that's hard that y'all do that.

[Trip]

For sure.

[Wendy's Ad]

I said that mama's revenge to my mama. She's like, what is this? I was like, listen to it. She's like, is this God?

[Bishop B]

For music?

[Wendy's Ad]

Yeah, for me.

[Bishop B]

I said, yeah, for me.

[Wendy's Ad]

I said, for me.

[Trip]

Oh, man.

[Young Nacho]

I wanted to ask, bro, how did y'all cross paths with Kevin Gates?

[Bishop B]

Our story is different.

[Young Nacho]

Well, you know, who wanna tell that motherfucker first, man?

[Trip]

I say, that was like 2013. It was before we actually met. This is just a strange. Like I said, I don't believe in coincidence. So it happened like this. I'm pulling to the crib, and when I hit my garage, I take it this is just dates. It is probably 2012, maybe. I take the CD out, whatever I was listening to. And so the radio pops on, and it's satellite radio at the time. Literally, when I take the CD out, I hear K Slay at the time, rest in peace. He like. I hear him asking the artist he interviewing. He was like, man, so what you listening to right now? Like, what you got in your. Like, if you have a five disc changer, what you listening to? And the artist on there is like, man, I don't listen to nothing but Starlito. I'm like. I'm in the car by myself. So I'm like, what the fuck? Like, you know, I'm about to cut the car off and I sat there and I was like, now I'm curious. Like, who is this? Just shouting me out on satellite radio? So they play some music. When they come back, I figured it was like, Kevin Gayz. I hadn't heard of him at the time. And I was like, damn, that was real. He was like, man, that's the only artist I listen to. And so I went and checked his music out from there. And I was rocking with it. A few months later, he had, I guess, signed with Atlantic and one of his A&Rs that reached out to me through email and was like, man, we got this new artist we signed, and he want to get you on his album or whatnot. And I was like, yeah, I rock with his music. We can swap something out. I do the verse, get him to do a chorus for me kind of thing. Just swap it. They sent the song, knocked it out, and I was on the way to Atlanta to meet Tripp. We was working on Steph Brothers two at the time, and I was like, man, I'm about to send a song. When I get to Atlanta, I'm gonna go through some beats and send you the song for bro to get on. And they was like, oh, Kevin living in Atlanta right now. I'm gonna send you his Send Y'all each Other number. This is the whoever from Atlantic Records at the time, I think Brian Johnston, if I can recall. And so I'm like, cool. You know, I reach out, bro. Like, he rocked with the verse or whatever. We went to the studio that night, and he ended up pulling up at the studio.

[Bishop B]

That was your first time meeting them, too?

[Trip]

Yeah, yeah. That was actually the first day I met. Wow. And so he pulled up to me and Tripp's studio session, and like, he said, I guess Perspectives that day was different. But we did Leash on Life from Steph Brothers 2, and we did A Bout a Bitch Cold Turkey that had all three of us on there together. Tripp ended up leaving, and me and Gay stayed there and did about four or five more songs and just kind of chopped it up. And from there, you know, just like, forged a bond and moving forward. Like, me and Tripp ended up joining this tour, Stranger Than Fiction Tour, that five. I was on his album the NYB Song. He was on our album tour together. And, you know, the rest pretty much history. I talked to him yesterday, actually.

[Young Nacho]

Nah, that's hard, bro. I feel like y'all kind of introduced him well to us. Like, it was y'all shit.

[Bishop B]

He introduced him to me. I ain't know that was their first time meeting. I was, man, it's never personal. I just don't. I live in a bubble, man. It is what it is. So when he was like, you know, my guy Kevin Gates is pulling up. I'm like, I don't know who that is. Okay. Then when Gates got there, Gates is one. Like, again, this is my first time meeting him. So I'm a. I guess I don't really talk much. So when Gase came in, he sat down and he just started talking. And he was just. I thought them niggas knew each other. But Gates was talking, talking, and he was talking about all kinds of shit. A lot of shit made very little sense. A lot of shit made no sense. A lot of shit made sense fucking six years later. But either way, he was just talking. And he was like. One of the things that. It tripped me out. Cause it was random. But me, I guess, following and paying more attention to him afterwards, I understood. For the most part, he just speak his mind. But out of the blue, nigga was like, you know, goats eat cans. They lick the adhesive off the cans. I'm like, why the fuck did you just tell me that? It came out of nowhere. But then when they started playing the music. And when they started playing the music, like, okay, okay, I can. With it.

[DJ Wells]

I.

[Bishop B]

With. I. With the. The passion in it. And all the way up until then, I didn't really. I didn't know who he was. I didn't know who he was or what he do. Ain't no shit. So when he started playing the music, I'm like, okay, no, he got something and start, you know, they started discussing making music. And some of the shit that he was saying. Some of the shit he was saying about music kind of changed how I looked at certain shit. Cause I can't remember what record. Star played him a record, and the record was either too long or too short. I can't really remember. But Star was like, nah, he was scared he was gonna make it too long. He was like, well, you know, I don't wanna do or add another verse to it or something. Cause then the song gonna be too long. Gates was like, man, fuck. Who don't give a fuck how long the song is. It was 40 seconds. You know, that's all you got. That's all you got. Put that shit out. They gonna eat that shit up. And when he said that, I'm like, that's crazy. I don't even listen to a fucking 42nd song. And then fucking two, three years later, everybody's got fucking 40, 52nd songs. Sound like that nigga was on to something. And, you know, the delivery was, you know, a bit odd to me. But it made perfect. Like, why I said, you know, some of the shit made sense later. Yeah, but meeting them then, I could have sworn them niggas had already knew each other. Cause, you know, Gase was having, like, personal conversations. I knew them n knew Each other.

[Wendy's Ad]

Well, this nigga, Funny man, having met.

[Trip]

His music prior to then. And I think the relationship he had with my music. And he, like, wasn't shy about it. Yeah, a lot of it at that point to me was just kind of listening or, you know, hearing him out. Cause he was explaining, like, how he got in, how and when he got introduced to my music, which made a lot of sense to him. And I spent a lot of time in Louisiana, so, like, it was. I think I could understand you go.

[Bishop B]

Understand what you said.

[Trip]

I think I understood some of the.

[Bishop B]

Slang he was using was peculiar. I'll just say that he knew exactly.

[Trip]

What this nigga was saying, and we bonded right away. And it really wasn't much different than me and Tripp working together. Like, the work. The pace of the work just kind of just was a natural flow. Exactly.

[Bishop B]

Like I said, he don't waste no effort.

[Trip]

Six, seven songs in one session, and it was all, like, out of here. You know, they was all smashes. I think he was on my Cold Turkey album, like, four times, Something like that.

[Young Nacho]

Yeah.

[Trip]

As much as, like, you know, some people, I get that. Like, oh, the first time I heard him was here, for sure. I'm sure a lot of people maybe heard me for the first time on his project. And that was. Same thing. I'm saying. That's how I feel like it should go trail kind of thing. Because there's a lot of artists tripping early on with Yo Gotti working, working with Dolph. And it's like, for sure, we trade the audience somewhere, and there's some overlap. And however, whoever you hired first, however you hired us, like, that's what it's all about. Like, me working with the younger artists, working with Lil Baby and no Cap and et cetera. Like, I'm getting new fans, new audience, Even though I'm 10 years older than these artists. And it's just. I mean, it's just really just a solid. But I feel like when it's easy and fun and all that and creative to make music with artists, you gotta just, like. You gotta ride that wave and show it makes sense.

[Young Nacho]

Nah, for sure.

[DJ Wells]

I wanted to ask y'all this question because you both are very vulnerable in your music. You get a lot of your fan base, like, feel like they know everything about y'all when they meet y'all. Like you said, you just met Gates. And y'all locked in because of the music. People hear y'all music, they feel like they know y'all instantly when they meet y'all yeah.

[Trip]

Yeah.

[Bishop B]

In most cases, it get real awkward. Well, you know, I appreciate it. I value it. But I think sometimes people get. They get so invested in it that they forget that you don't know me. So even, like, you know, if you listening to my music and you listen enough for you to feel like you know me, then one of the first things that should stick out is that I'm not. I'm not welcoming, I guess, if that's a word, you know. So what happens? You know, we may. We be moving around. People call. I was in the airport yesterday, and woman walked past. Hey, Chris, I'm like, I don't even know you, right? I like, I love your music. I'm like, you love it enough to think you could call me Chris? Yeah, but that's how you know some people. Some people be so into it that the line between, you know, entertainment and reality is almost invisible. And again, I, you know, I appreciate it. I respect it, but I think. I think, you know, we aware of it enough and background is pretty much the same, so we make sure to keep the boundaries present, if that makes sense. So, you know, you walk up to me and I'm with my kids. I get it. You might not know. I ain't done a trip with my kids. So, you know, I'll politely tell you, we ain't doing no pictures or none of that. I got my kids. And, you know, some people get it. More people get it now than, you know, previously. But, you know, if you don't get it, it's so, you know, I know that if. If this goes sideways, I ain't really gonna get. I ain't gonna interact with it. You know, a lot of. What's the word?

[Trip]

I'm.

[Bishop B]

Try my best to defuse, even if all I'm gonna do is walk away. I was in the fucking Putt Putt one time with my whole family, and a couple asked for a picture, and I was like, you know, this ain't. You know, I can't really do that right now with my family. And guy just started snapping. He was like, man, you Hollywood ass niggas, Nigga think he this, he think he that. And I was like, damn.

[Trip]

Golf clubs.

[Bishop B]

No, see, but that's the thing. See, earlier I told you I don't play well with others.

[Young Nacho]

And you sound like him when he was taking pictures.

[Bishop B]

The way my family, the way we was raised is come one come all. So it don't matter if you 4ft or 9ft, you gonna get everybody's feet on your Ass. So, you know, but I got my kids, so I gotta be a father right now or a role model, so to speak. This shit can hit the fan. When it hit the fan, you vastly out my entire. It was 30 of us in there.

[Young Nacho]

Yeah.

[Bishop B]

And that's just how we rock. So if I. If any physical altercation would have broke out, it would have been the worst case scenario. This shit wasn't gonna end lightly. And no, I gotta think 30, you know, 30 people stomping you out might kill you in here. On top of that, you know, what's the effect they have on our kids? These are small children. You know, at that time, they were small, but these are small children and you know there's gonna be complete chaos. They ain't the. They came to putt. Putt to be at a. I don't know what you call it. Was that. Is that considered an amusement park? Whatever the. It is, they came to have fun. They come. You know, they ain't come to see a brawl. So, you know, I gotta, you know, I gotta be, you know, I have to. I gotta think. Think about the, you know, the consequences of how far it can go. And I get it. You love my music so much that you blurred the line. You don't get it. So I'mma excuse you. Even though, you know, nigga getting louder and louder, I'm like, man, and at this point in time, my brother was alive. And my brother is what was. Was a. He was extremely welcoming, but it was a facade. He was fake welcoming. Like, you know, yeah, man, we cool. They plotting to rob you in like 20 minutes. As soon as y'all go to whatever the they they for, the no they on your ass. So even then I, you know, I gotta defuse him because again, the way my family rock, if he would have set it off, it would have been, you know, I wouldn't have been able to diffuse it out of that. Ain't no. Hey, man, a one on one. We don't. We don't know what those are. So, you know, would have got that right.

[Wendy's Ad]

Mooc.

[Young Nacho]

So know. Now y'all see Tripp, he got some babies with him.

[Bishop B]

If I got. Leave him alone, you know. No, you ain't got. So. No, it ain't that severe where, you know, you can't speak or, you know, I just.

[Young Nacho]

Ain't no pitch, though.

[Wendy's Ad]

Just say what up?

[Bishop B]

Don't do the, you know, don't get upset with me. Cause I ain't, you know, I'm standing on what I'm standing on. And I'm in father mode. I'm in father. Cause think you know what happens when I turn? I take all these fucking pictures with you. And now I gotta go to the front and have them call. Do the fucking all call. Cause I can't find one of my goddamn kids. I was taking pictures with your ass. Now I'm a bad parent. No, you know, I had to. I gotta pick the time and a place for everything. And you know, if I'm in Target solo, I'm with it. You know, I take as many pictures as you want. Shoots just at the game. I ain't turning a single picture down. When we perform, we know shit. We willing to take a picture with every person that's in there. If I got my kids, we ain't taking not a single picture. And I don't agree with the idea of my kids being famous until they old enough to make the decision for themselves. That's real. So I ain't fool to sit here and let you take pictures of me and my family. Or you got videos of me and my. If you familiar with me of any sort, you check my shit. My kids ain't all over my social media. I feel like. I think it's a very thin line between that shit being cute and that shit being exploiting. And I ain't trying to get no points off my cute kids. And they fucking adorable to me. But that ain't what I'm in this for. And I feel like. I feel like in some cases, the more you let people blur the line, the more blurry it's gonna get. And, you know, and that shit make my kids extremely uncomfortable. And people don't get it. I was in. I came out of Target one day. I had my two oldest kids. And you know, I'm naturally paranoid. Cause we come from where we come from. So, you know, when I come out, I peep this guy standing by his truck and he keeps staring at me. And I'm like, man, you know, I had again, I'm paranoid. So I've already taught my kids. I won't say talk. Cause we've never been in the scenario. So I've already talked to them about what to do with shit. You know, shit goes sideways when we out and about. And I've explained to them I got enemies I've never met because I'm successful. That's what success brings. That's real. So when I peep the dude, I keep walking. And I'm walking on one side of the parking lot, he on the other side. And I peep him crossing. So I'm like, all right, what's up, bro? And I tell my kids to keep going. Cause if something happened, I prefer them to be away from right here. He was like, man, I've been circling the park. I saw you go in. I've been circling the parking lot until you came out, man. I fuck with your music so much. He was a fan. And I was like, man, you know how weird that sound? You circle the parking lot. I'm like, in real time, I don't know who you are. Like, I appreciate the love. I really do. But I'm like, man, you know, while I was saying that, he looked at my kids, and my kids was like this. He was like, damn, man. I ain't think about that. You know, I fanned out, and, you know, I ain't people. I just made your whole. Not whole family. But, you know, I made you and your family uncomfortable. He was apologizing to them and shit. And when I got in the truck, I asked my kids, are y'all good? And it was crazy. Cause they, like, I said, I'm paranoid, naturally. And I ain't know that. That rubbed off on them, too. They was like, yeah, dad, we seen him as soon as we walked out. We seen him staring at you. So they never stopped paying attention to him. And I told them to go to the truck when he stepped over. And when he pointed to my left, that's when I realized they only moved, like, two or three cars down. They didn't go all the way to the truck. But that's. Cause they trying to make sure. See what's going on. But I say all that to say, you know, if you run into me and I'm with my kids, you know, tone. Tone it down. Keep this alone.

[DJ Wells]

Motherfucker.

[Wendy's Ad]

Wave at him.

[DJ Wells]

Chuck the D, keeping P.

[Bishop B]

I saw you at Target.

[Young Nacho]

You look good, nigga.

[Wendy's Ad]

You know what?

[Bishop B]

With the music, the handshake would suffice, man, for sure. Just. You know, sometimes that shit just go too far, man.

[Trip]

Yeah.

[Wendy's Ad]

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[DJ Wells]

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[PayPal Ad]

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[Trip]

It's surreal. And it's still as surreal as the first time ever.

[Bishop B]

It would probably. Well, I could imagine it would be. It would feel the same way it would feel when you leaving the game or any time in life when somebody got like a basketball card a year.

[Wendy's Ad]

Nah, nah, that's different though. Cause people buy basketball cards to sell them.

[Bishop B]

Yeah, okay. I don't know about that part of.

[Young Nacho]

Basketball cars I can't sell me rapping.

[Wendy's Ad]

In my front shirt.

[Bishop B]

Well, see, I think that shit is euphoric, you know, I don't know. I don't know a better way to explain it. I think that's just, you know, it's a special feeling.

[Trip]

Yeah, I ain't never like imagined like none of this for myself. Like you said you was listening to the street by song. Like I was wondering who set that shit aside. Wanting to rap just on some cool shit or you know, trying to make some money, trying to get the girls, whatever it was at that time, like I ain't never like expect or you know, look at it as being like embraced or well received. Like I remember the first time somebody I didn't know telling me I was cold. You know what I'm saying? And that meant so much more just truthfully than like my friends and peers, people that I knew was on, they could just say that shit.

[Bishop B]

Cause they cool with me.

[Trip]

I'm like, I'm on the other side of town and these dudes don't know me or you know, I'm up at TSU in a parking lot, like in a cypher, just rapping acapella and people like. Or the next day people like, man, rap something else. I was telling my homeboy about you and it's like, you know, so the level up from there to like you Said something that I wrote down, something I put together, composed, and I'm four or five hours away from home, or I'm 10 hours away from home, or we on a tour and it's like night for night or just period. Even, like the new music just being received. But like you said, seeing people really rocking out to it, and it's like. Like it's they song.

[Bishop B]

Yeah, yeah.

[Trip]

It's like, damn. Cause I ain't.

[Bishop B]

It's a special feeling.

[Trip]

Yeah.

[DJ Wells]

I always want to ask this question, especially for y'all. Where do you get more joy in making the music or actually getting able to perform it and share it with people?

[Trip]

I think it's like, even for me, it's like 50, 50, I think making the music, sometimes I almost like therapy. And then to the last question, when it's received well and it's appreciated, like, it's a whole nother high to share it. Or like, we might have made the music a month or two prior or over the course of time, but, like, at the time I'm putting it out, I'm almost like enjoying it all over again when the other people listening to it in real time. But that feedback, that reception, like, the last question that kind of skipped over of how do you balance, like, giving so much personally to people feel like they know you. That's the give and take of that. It was like, for me, my music is my personality. My music is like, this is all I know how to be. You know, Once I tapped into that, once I got out of, like, trying to work within the system, like, I just went with, I'm gonna be the best me. I'm be the best version of myself. So people taking to that is like, man, I don't really get no better than that. I ain't have to put nothing on it. The good, bad, happy, sad in between. Cause the crazy part is people tend to, like, gravitate toward the darkest, the most extreme. So, yeah, you know what I'm saying? I make music that, for me, I might have been crying on the inside making it, but somebody else, like, man, this changed my life. This got me through this. Or like, he was rapping my life right there, and I'm like, damn, I was rapping my life. But the fact that it had that effect on you, like, it keep me doing it. You know what I'm saying? Let me know I ain't doing it for nothing.

[Bishop B]

I say the same. I think the joy come from. I don't get joy out of creating the music. But like he said, Creating it is the therapy for me creating the songs. Keep me from creating the song, keep me from doing other shit. I'll just say that. Okay, So I think the, you know, the creating process is more like the release. And then, you know, the joy comes from another person being able to relate to something they wasn't present for, if that makes sense, you know, to meet me and say, you went through so and so, so and so. Cause when I'm making the record, I ain't thinking about what you going through. Like you said, I'm thinking about what I'm going through.

[Young Nacho]

Right.

[Bishop B]

And I think that's refreshing for all people to know you ain't the only one in that certain battle, whatever that battle is. So, you know, I think for the most part, the joy come from, you know, receive. From meeting people that receive the music.

[Trip]

Yeah. Even when you say, like, the wrestling stuff or, like, generational stuff, like, a lot of music is a time capsule. So we're just speaking from art. This the era, this the generation we grew up in. Like, it's music that's made today that I just don't get. I don't understand. Cause I ain't trying to tell this nigga, man, I didn't grow up, like, you know what I'm saying?

[DJ Wells]

Your mouth be trying to put us on.

[Wendy's Ad]

He be trying to put us on every day. I just can't get with it. Right.

[Trip]

But I feel like it's still. To say it's still somebody speaking for us or speaking a language that we understand. Cause a lot of my favorite artists that I came up on don't do it for me anymore, like, you know what I'm saying?

[Bishop B]

Same here.

[Trip]

When they making music, present day, they trying to keep up with the new wave. And it's like, man, just give it to me straight the way that you always had. And so that's just something, like, we tap into, like, even the project that. Well, I don't know if y'all was gonna ask about it. Who's gonna touch it?

[Wendy's Ad]

We about to. Don't worry about it.

[Trip]

Yeah, it won't be bad. But, I mean, it's like speaking a language that if you know, you know, or that people that relate to it can understand. It's like a sweet spot, man.

[DJ Wells]

Let's get straight to it, man. It is very hard to make projects with the same name. And they all still great. Y'all on the fourth version of this, man. New set. Brothers on the way, man.

[Bishop B]

Indeed. Indeed. Indeed.

[DJ Wells]

Volume four, baby.

[Bishop B]

Get a date away.

[Trip]

Yeah, we Came here really to drop the date. We was gonna drop it on 5 20, but. May 9, Step Brothers for life.

[Bishop B]

Hey, wow.

[Young Nacho]

We getting the drop.

[Wendy's Ad]

Step brothers for life. Can I ask you this?

[Bishop B]

Yeah.

[Wendy's Ad]

I'm married. I know you married, too.

[Bishop B]

No.

[Wendy's Ad]

Are you still. Oh, you're not.

[Bishop B]

No, I'm talking about.

[Young Nacho]

Clean it up.

[Wendy's Ad]

I'm married, too.

[Bishop B]

Well, I will.

[Wendy's Ad]

I shout out to my wife, man. Yeah, yeah.

[Bishop B]

Shout out to my wife, too. Kind of stop you in your track.

[Wendy's Ad]

Then he starts that Brother three off with that look.

[Bishop B]

I don't even perform hip hop.

[Trip]

Say that line no more.

[Bishop B]

Okay.

[Trip]

My full respect actually censored, so I had to say it for him.

[DJ Wells]

Yeah, we'll let y'all figure that out.

[Bishop B]

Had to be responsible.

[Trip]

Shout out to Stacy.

[DJ Wells]

This is my guys for sure, man. But listen, man, y'all bless us with volume four, man. We made a decision, y'all. To spend it black is this time.

[Bishop B]

See, I think we never. We never. Not in. I don't know how you would put that to the audience or to the people who listen to our music. You'd assume that in between Step Brothers three and now that we ain't a group or tandem, I don't know how you look at it. I understand why people think that. But in real life, in between that we ain't missed a beat. Like he was in my wedding. We know each other. We around each other. We talk to each other. We have an actual relationship. It's not just music. And even with music, I'm sure somebody's gonna go and do it. If you sat and counted all the records we done in between, don't worry about it.

[DJ Wells]

He got the count right there.

[Wendy's Ad]

He just asked this this morning. He was like, besides Step brother, how many songs you think on each other's album? All the time.

[Bishop B]

Oh, you couldn't count. Okay. But you get what I'm saying, that our relationship was never contingent on us being the group. When we met, we was two solo artists. We just worked so well with each other that we never really. It don't feel like work. So at some point, he good with timeline. I don't know how long it's been. So at some point, you know, people keep asking about stepbrother's foe. Stepbrother's foe. And I was like, you know, shit, we'll get to it when we get to it. And somebody told me, I think it might have been him, told me how long it's been.

[Wendy's Ad]

Eight years.

[Trip]

It's been a minute for eight years and 11 days.

[Bishop B]

It's been a minute when he did that shit, I was like, oh, that makes sense. Then why people assume there is no Step Brothers, folks, It's been eight years.

[Trip]

Yeah, but it's just been life, definitely. And that's. I mean, the irony of the album being called Step Brothers for life is we really, you know, really thugging it out. We really living this right. Our music is transparent. Our music is full disclosure, if you will. But like you just said, every step of the way, we've been in weddings, We've been at birthday parties, funerals, for what it's worth. Like, Right. Like, every highs and lows. And we've actually, truthfully, like, only grown that much closer in the time between Stepbrothers three and now. So I don't think it's felt like eight years for us. Cause we was going through everything every step of the way to get here. But I also think it's like perfect timing, divine timing. The original plan, we dropped three was to drop again that year. You know what I'm saying?

[Bishop B]

Yeah, he said it. And people never let us forget it.

[Trip]

But, I mean, you know, like, life happened.

[Bishop B]

Yeah.

[Trip]

You know, just. I mean, we don't gotta win all the.

[Bishop B]

Yeah, it got real tricky. But either way, you know, I think. I think right now we in a space or in a. In a accessible enough space for us to sit down. And like I said earlier, we do all the Stepbrothers records in person together. We don't email, none of that shit.

[Trip]

Yeah. We never sent a song over for.

[DJ Wells]

Right.

[Bishop B]

Nothing. That's. Every Step Brothers take was recorded in person.

[Wendy's Ad]

And how long those take?

[Bishop B]

How long does it take?

[Wendy's Ad]

Yeah, like, the process, if y'all had to.

[Trip]

The first one we did in three sessions.

[Wendy's Ad]

Damn.

[Bishop B]

The second one, I don't know. I don't. I don't know.

[Trip]

It wasn't that long. Yeah. The second one, we started around the time of that session with Kevin Gates, which was like, early 2013. And we. We finished it, like, early summer by the time.

[Bishop B]

Is that the one we did the mixtape for? Two.

[Trip]

Nah, that was three.

[Wendy's Ad]

Three.

[Bishop B]

Okay.

[Trip]

But it was. It wasn't three sessions. It wasn't quite as fast as the first one, but. But we just would link out of town and was going to Atlanta a lot and just getting in Atlanta. It wasn't many sessions, though. And the last one, same thing. We just get together. We did like, an ep, a short mixtape, and an album at the same time. And that was over the course of, like, really. The majority of it in about Two months. Two months time, maybe five or six sessions. And with this one, we've gotten. We're maybe four or five sessions and got the majority of it together. Just. I mean, even our last session, we did four songs in one session. Just not even really thinking about it. But in that time in between, like, we had sessions where we ain't even probably played no beats. We just sat in there chopping it like this, look up and everybody tired, and we just go on our way. Because it just might be necessary as homeboys, just. Just to talk, you know what I'm saying? And them conversations are what make the best records anyway.

[Bishop B]

Yeah, it turns into the art, but we don't really, like, you know, like I said, you know, it's my brother. So Wayne on no schedule, so to speak. So when we. When we do go in, of course, you know, when we book in time, we keep that in mind that, you know, we got paid into whatever, but we don't really. You know, I don't know. It don't feel like work, so I don't much keep up with it. It just happens how it happens. And we don't do the. You know, like, we ain't sitting saying, man, we gotta come up with a fucking single or catch it this or whatever the fuck. We ain't into none of that. We go and whatever happens when we in there, it happens. And that's what we go with. And so far, that's what our careers have been based off, you know, us individually and as a tandem. This has worked because we've been who we really are and, you know, make no sense to try to reinvent the wheel now.

[Wendy's Ad]

I'm just trying to think like, y'all. I never hear y'all recycle shit, but y'all drop so much music. Like, I ain't gonna lie.

[Bishop B]

I was a rapper.

[Wendy's Ad]

I would've recycled so much shit, man.

[Bishop B]

I can't remember all this shit.

[Wendy's Ad]

Yeah, you done dropped 36 albums.

[DJ Wells]

Yeah.

[Bishop B]

So I wanna know.

[Young Nacho]

I wanted to ask, why'd you do that? Like, what made you just get in the studio? Like, man, I'm dropping 25 albums in two years, man.

[Bishop B]

We let people believe that me and him made some kind of bet, but in real time. Cause he dropped 20 times. I sat.

[DJ Wells]

Just dropped.

[Wendy's Ad]

Nah, he od.

[Bishop B]

He wild. I sat in the. I was in the studio with one of my rap friends. He passed away. Long live Casino Jizzle. But while I was in the studio, was working on a record. I was working on a record. Well, I was doing A verse for him. And he was like, man, when you gonna drop something else? I was like, man, I just dropped it. He was like, it's been about two years. I said, what? And, you know, we said, we do the. Go through my timeline. And this was like, maybe 20, 21, maybe. Either way, you know, I looked at my last release and I'm like, damn. You know, it has been a minute, and I had no excuse for why I hadn't released. So after that, that kind of spawned the idea, I'm gonna put a tape out. And every time I said, I'm gonna put a tape out, I didn't put a tape out. And I used to overthink it. You know, I sit and do fucking 40 songs and then pick 15 songs. And then everything else just sit on the hard drive. So at some point, I don't really know what it was, but I sat and I'm looking at all these fucking songs on this hard drive that's just there. Nobody's ever heard any of it. And I said, man, fuck it, I'm gonna put this shit out. Then I thought about it again. I said, nah, fuck it. I'm just gonna put everything out. That shit's still on the hard drive. I'm like, you know, fuck this. I'm gonna put every. From that moment forward, I said, every record I record, I'm gonna release. So it don't much make sense to hold onto it. I ain't. I don't have to answer to nobody, so don't much make any sense. And then I'm in my own studio, so I ain't even on no clock. So I said, fuck it. I'm gonna put out everything. And what was the first one? The first tape is eight records. So I told myself I wouldn't ever put something out that's less than eight records. I feel like. I mean, people do it all the time. To each his own. I felt like that wouldn't be. I felt like I'd be doing my audience a disservice to give you less than eight records. So I had no goal end of that month. I called the distributor. I'm like, you know, hey, I got eight records. I want to put this tape out, so all right, let's do it. I did that and I said, I'm gonna do the same thing and shit. After about four or five of em, I said, you know, I think I can do whole year work for this shit. They said, yeah, sure. You know, they've heard it all before from everybody. So even the Distribution company didn't know I was dead ass serious. So when I did them, 12, really? On the 11th one. On the 11th one, I don't pay attention to the numbers. So they calling me and they telling me how successful the shit was. I said, oh, I can do this for 12 more than this, man. When I started. When I started on that second 12, oh, man, I was so exhausted. When I got to fucking 24th tape, I said, it could. The way I. My process is different now. I used to be one of those artists always in the studio every day. I record a record every day now throughout the whole 24 tapes I probably recorded. I probably was in the studio for three days out of every one of those months. Damn. Wow me. Craig can tell you I don't remember what tape it was, but I was in New York doing a press run and, man, him was on the phone. We was on the phone for a while. We was on the phone and I wanna say he called me about a particular song that he was working on. And throughout the conversation, you know, it really was this particular conversation. I was more an ear than a voice. I'm just listening to him, so I'm hearing him out. So at the end of the conversation, I think I was like, you know, I gotta call our engineer. Cause I can't get this shit to work. Like, it wasn't working. Like, you know, I'm trying to record here in the hotel and I can't get this shit to work right. He said, okay, you know, and he's fully aware of the time frame you have to release music. And it might have been like a Sunday or Monday. We on the phone and he was like, okay, when you dropping? I'm like, Friday. He like, okay, okay. How many you got? Said, not a single fucking song. I don't have anything. And shit's gotta be turned in, like Tuesday or Wednesday for the shit to really be released. And Craig was like, man, how the fuck do you plan on. You don't got nothing. I don't got shit. And, you know, by Wednesday, I had at least 1412 songs. At least. I don't know how many went on that tape, but I had the whole tape. I don't know, man.

[Trip]

Times 24. Like, he did this 24 times?

[Bishop B]

Yeah. Like, how, bro, I have no idea, man. I really. Like I said a second ago, just let whatever happens happens. You if you go to each one of those, every song is probably 300. Some songs, no two songs are the same. I didn't sit and say, you know, I'm gonna do this kind of record or make this kind of song. I cycle through beats and whatever pop in my head. That's what I say.

[Wendy's Ad]

That's what I'm trying.

[Bishop B]

And with it being my real life, I don't have to worry about saying something I can't stand on.

[Wendy's Ad]

That's. I'm just trying to say that's amazing to me, like, how y'all can think of this shit. Like, I don't. I can shout out to y'all, bro, everybody.

[Trip]

Process is different. And when he was going through that, like, at some point, he said he was gonna do it for a year, maybe halfway through or through the first year. So I hadn't dropped in, like, three years. Just I was kind of like, fuck rap. And seeing him go through that and conversations we was having. Cause I was. You know, I was on about half of those projects. I kind of worked my way out of that rut or that space. And I did my Love Drug album. And it was kind of like, at that time, like, all right, I'm gonna drop. In December, he had dropped 11 projects already. I thought we was about to turn the corner and do Stepbrothers after that. Cause he was gonna do the 12. Yeah, I'm trying to get right.

[Wendy's Ad]

And kinda like, he said, I got 12.

[Trip]

And then when he did the 12th one, and I'm like, all right, what's good, bro? He was like, I'm about to drop this January project. I'm like, you just did 12. He's like, do it again.

[Bishop B]

I'm like, you know what? Look what happened when I did the 12. People. People will come. You know, some people gonna give you credit. And a lot of people like to give backhand compliments. So one person will say, man, that's amazing. He did 12 records in a year. And then somebody pop up and say, papoose did it first. Then somebody said, currency did it first. And I'm like, man, I don't know if they did it or not, but that ain't the point. That's like saying, hey, man, I bought a house. And he said, yeah, but my brother bought one before you.

[Young Nacho]

Nah.

[Bishop B]

Yeah, the fuck does that matter? And I never respond to it. Cause I know how quick it'll get twisted. And, you know, my response could make Currency turn around and read it. And, you know. Cause naturally you'd be like, fuck, fuck him. This ain't got nothing to do with him. But it's easy for that to be misconstrued. And that's the last thing I want is for somebody to be able to take something I said and turn it into something. I pride myself on what I say. So when I started seeing that, I said, all right. Okay. Every time somebody mentioned fucking 12, y'all got somebody else did it. I said, all right, show me somebody that done 24. Now, until you show me somebody that done 24, I don't respect your comment about somebody else did it. Before I did it, I had to. I had a point to prove to naysayers.

[DJ Wells]

You for a whole year, yeah, it.

[Wendy's Ad]

Was so much music. Like, me and Mike, like I told you, we be sharing the music. He'd be like, you heard trip album? I'm like, damn, nigga. I just played it last week. He like, nah, he dropped another one. I said, all right, Tripp.

[Trip]

He done lost me now. Goddamn.

[Wendy's Ad]

I was just playing say Less.

[Trip]

I'm on half of them, and I still ain't caught up.

[Bishop B]

But that's the beauty of it. That's. How about to say, I think that's the beauty of it. I ain't put all the music out for. I mean, it happened. There are people who, like, listen to everybody record when it dropped, and I appreciate that. But I also value the person who, you know, out of 24 tapes, they didn't make it past 13 because that 13 tape, they was living in that space, and that tape speak to them. It happens all the time where people reach out and tell me about old records. They just not hearing this record. They like, man, what you said on so and so so and so Record, man, it spoke to me. I had been playing say Less for so long, you know, I was. You know, I was stuck on that. And then I heard this new man. I With it, and I. I kind of look at that shit like Netflix series and shit. Like, you know, you might not be hip to the film or the. The show that came out four years ago. Now it's enough of it for you to binge if you want to binge. Real sure. And if, you know, some of us only like what we like. Like, if I got a playlist right now, it's all R B, and it's probably filled. It probably don't. It might be 10 records that's been put out in since 2020 that's on this. In this playlist. Everything else is from me growing up or, you know, whatever time period it was when I heard it. So I understand when people. When they live with the music so tough that they got no, no, no ear for anything else. I don't want to hear the newer shit. I want to hear this. This is what I love. This is what drives me. And if they never move on to another record, so be it. I know you got enough music for.

[Young Nacho]

Them niggas to hold on to.

[Bishop B]

I say so.

[Wendy's Ad]

I knew y'all was good rappers. They all know my wife, obviously, but my wife, she don't listen to nothing, really. She listen to Spanish music and occasionally Lil Wayne.

[Bishop B]

So she was like, oh, is your wife Spanish? Yeah. Okay.

[Wendy's Ad]

So she like.

[Bishop B]

I was like, that's okay.

[Wendy's Ad]

Don't start.

[Bishop B]

It makes sense now. Okay.

[Wendy's Ad]

No, but she, like, out of nowhere. I swear to God. I never talked to her about music because me and her argue about music. And she was like, the star guy can rap. He's pretty good. I'm like, you. I swear to God. I started laughing, and she was like, what? I was like, you don't. You don't know that. She like, no, I like their voice. And she was like, trip, Don, Trip. I started crying, laughing.

[Bishop B]

I was like, I'm gonna tell them.

[Wendy's Ad]

That we about to interview. She like, you about to interview them. I ride to them in the morning. I'm like, what the.

[Bishop B]

I got.

[Wendy's Ad]

I really need to know where the. She heard that.

[Bishop B]

See, with your G, she added hoop on 2K. It was like that, though.

[Wendy's Ad]

She in the morning. I'm like, in the morning.

[Bishop B]

She was kind of wild, bro. You ain't just do that on accident. I was like, what?

[Wendy's Ad]

Play that to Jill. She was like, what?

[Young Nacho]

What Zelo say? Ain't no such thing as a coincidence.

[Wendy's Ad]

So they about to get you up.

[Trip]

N. That's real, though. That's real. I'm.

[Bishop B]

I fuck with that.

[Trip]

Yeah, that's back to that. Like, for us as artists. I could never, like, imagine the reach of the music or where it's gonna go. I made songs where I would've thought women would've hated me for making a song, and they'd be the one that they take to the one that they love. Or, you know, I make something that's so personal or so vulnerable, and I'm like, maybe nobody else will be able to feel this. Cause it's just uniquely my own experience. And then it's through standout record or whatever. So, like, I mean, that's. That's what's up. I love to know what it was that people.

[Wendy's Ad]

Oh, shit, me too. I was hella confused.

[Young Nacho]

Definitely appreciate y'all longevity of this, man. Definitely appreciate y'all for pulling up too. Definitely big for us.

[DJ Wells]

Yeah, man, listen, I can't wait for.

[Wendy's Ad]

Steph brothers photo drop May 9th.

[Trip]

Tap in May 9th.

[Young Nacho]

He got the drop on Club 520. We appreciate that.

[Bishop B]

Come on, man.

[DJ Wells]

You know we supported up here, man. May knife tap in Sir Brothers Fold Life. We appreciate y'all, man. We're gonna have to do this again, man.

[Bishop B]

Hey, man with it, man. With it. I ain't. You know, I don't much agree to traveling to. To. To people, so. Yeah.

[Young Nacho]

Cause you don't get along with nobody.

[Bishop B]

For me. My bad. I don't know. It always means something to me when people really rock with us. Cause I don't got no. Ain't no CO sign. Nobody hit you and say, here's my artist or here's the guy we working with, or whatever. If you fuck with me, you fuck with me genuinely. Because of me and that shit. I couldn't go without showing my appreciation back. So we created Saves Love, bro. I was like, let's do it. I'm with it.

[Wendy's Ad]

Nah, we appreciate it. Cause we definitely with y'all. For sure.

[Trip]

Yeah. I mean, obviously, from the shoes, you can see I'm. I'm a fan.

[Young Nacho]

Nah, for sure.

[Trip]

I'm a fan of the platform podcast.

[DJ Wells]

My boy Tapio.

[Trip]

I wanted to talk more basketball with y'all.

[Wendy's Ad]

Oh, we can. Oh, no, no, no.

[Trip]

It was a couple of things one of my partners wanted me to bring up. See if you remember playing Nashville. Celtics. Said he gave y'all 35. My homeboy Jamie Graham.

[Bishop B]

That was.

[Trip]

That was one thing you might.

[Wendy's Ad]

Damn. 35.

[Trip]

Yeah.

[Bishop B]

Did we win?

[Trip]

I think he said y'all might have won that one. And they beat y'all in another tournament.

[Bishop B]

That was.

[Trip]

That was 35. But I ain't gonna lie.

[Wendy's Ad]

I never played no defense. He probably had 35. Shout out to, bro.

[Young Nacho]

Shout out to Jim Graham.

[Trip]

Yeah.

[Wendy's Ad]

Cause I'm definitely.

[Trip]

He played at Vanderbilt.

[Wendy's Ad]

He probably did.

[Bishop B]

He said, playing on defense, man, I'm here to shoot this ball.

[Wendy's Ad]

That's what I was about to see.

[Trip]

I wanted to ask. God, it's just an oddball question. What's your favorite basketball movie of all time?

[Wendy's Ad]

Mine's Blue Chips.

[DJ Wells]

Damn.

[Young Nacho]

He got game, bro. No, Ray Allen is the greatest basketball movie character ever.

[DJ Wells]

Basketball movie with the worst script of all time.

[Bishop B]

What's yours?

[Trip]

Oh, man, mine's Hoop Dreams.

[Bishop B]

I.

[Wendy's Ad]

With hoop Dreams.

[Trip]

But it was like, almost like that.

[Wendy's Ad]

Was a documentary that was related.

[Trip]

That was too real.

[Bishop B]

Yeah, yeah.

[Trip]

That was my. All right. I ain't going to the NBA moment when, like, just period, like, Will was out of podcast.

[Bishop B]

So nobody likes Sunset park, but I like Blue Chip.

[Young Nacho]

God damn trip.

[Wendy's Ad]

Sunset park give me Park. Sunset park was cool, though.

[Bishop B]

It was cool.

[Wendy's Ad]

A butter R, I guess I was.

[DJ Wells]

About say a butter R. I a.

[Bishop B]

Play no ball, man. Butter rim. My boy threw the ball.

[Wendy's Ad]

We know they was good, but the way they were, man, Tommy Shepard and.

[DJ Wells]

The Thermal bro was putting in work, bro.

[Wendy's Ad]

Man, he shot the same shot, 23.

[DJ Wells]

The same clip the same minute.

[Wendy's Ad]

I was like, come on, man.

[Trip]

Corduroy is in a long time, bro.

[DJ Wells]

Fresh off the.

[Bishop B]

Not even Space Jam, though.

[Wendy's Ad]

I ain't never was a Space Jam fan.

[Young Nacho]

I didn't like, like, toy movies and stuff like that.

[DJ Wells]

Yeah, I disrespectful. The first page of him is classic, y'all.

[Wendy's Ad]

I'm saying.

[Young Nacho]

That trash.

[Bishop B]

No, if you love basketball, when you was a child, that you might have liked.

[Wendy's Ad]

I grew. I got older brothers and sisters, so I ain't really.

[Bishop B]

Oh, okay. I watch Punching you and when they turn cartoons on. So he had to sneak and watch cartoons.

[Trip]

Yeah.

[Bishop B]

And pretend he don't like them.

[Wendy's Ad]

I grew up thinking Allen Iverson was a creative player for real. My brother was like, excuse me. Nah, you gotta know my brother, like, you know, I'm younger Terrell. He be like, yo, you gonna play like Allen Iverson? I'm like, who the fuck is that? He like, yeah, you gonna play just like him. I'm thinking he done created this nigga in his head. So then he showed me him, and I was like, oh, I'm gonna play like this. He good.

[Bishop B]

Yeah.

[Wendy's Ad]

Then I got break.

[Young Nacho]

Damn near retarded.

[Bishop B]

Why are you always doing me like that?

[Wendy's Ad]

Y'all know I was outside. I ain't really watch TV like that unless it was.

[Trip]

Wrestling was crazy.

[DJ Wells]

I was really. AI.

[Wendy's Ad]

That's what I did, bro. My brother told me, I only watched wrestling, bro. That's all I watched.

[Bishop B]

I can dig it. I used.

[Trip]

Yeah.

[Bishop B]

Used to watch out some wrestling.

[Wendy's Ad]

That's all I watched growing up. Dang.

[Bishop B]

And it probably was not a good thing because I was already violent.

[Young Nacho]

Him too. He took that wrestling to the NBA.

[Wendy's Ad]

I'm glad they came on the show. They about to start playing around.

[Bishop B]

Like I said, it's why I couldn't play, man. I would have definitely been. I would have been run on test.

[Wendy's Ad]

Nah, I had some glimpses around our choice.

[Bishop B]

Yeah, baby. Like, man, he's been injected for first seven games. Every game, it's ejected.

[Wendy's Ad]

Who was your favorite player growing up?

[Trip]

Penny Hardwood, for sure.

[DJ Wells]

Shout out to Coach Penny.

[Young Nacho]

And he a laid back Cool too, though.

[Bishop B]

So that makes sense.

[Wendy's Ad]

Who is your game? Like, if you say you play like.

[Trip]

Somebody who you say, man, that's a.

[Bishop B]

Good Mookie and Bladelock at the time.

[Trip]

Because of the time period, I graduated 02 at one point it was like D. Miles tall and slim and shit.

[Young Nacho]

Is that Dejuan Wagner class too?

[Trip]

02? I think so, yeah. Year before Brian.

[Young Nacho]

Yeah.

[Bishop B]

Yeah.

[Wendy's Ad]

That's J.J. redick in them class.

[Trip]

Yeah.

[Young Nacho]

Okay.

[Wendy's Ad]

Amari Stoudemire, Mellow.

[Young Nacho]

Yeah.

[DJ Wells]

Elba class?

[Trip]

Yeah. Felt, Ryanfield and McAss. We played them Junior Olympics.

[Wendy's Ad]

Did you give them buckets?

[Trip]

Man, they beat the hell out of this.

[Young Nacho]

Nah, people don't.

[Trip]

I'm not gonna lie. Rashar McCants, NFL, was the best player I played against on the court.

[DJ Wells]

For real.

[Trip]

He was a dive. Like, at the time we graduated. Corey Brew was in my. In my district in high school, but he was like a couple years behind me. He was nice.

[Young Nacho]

Okay, damn. So you played against some shit. You just wasn't no regular rug wild player. You played against some NBA talent?

[Trip]

Yeah, we played like all over aau.

[Wendy's Ad]

Yeah, you could hear it in his raps, like, when he talk about basketball. Like, the way he talk about. I'm like, he really play basketball? There's some people who play basketball. Like, I get 30, like curry. It's like, nah, he for real.

[Young Nacho]

Who said that? Or was that one of your boys?

[Wendy's Ad]

That's probably some shit I said we.

[Young Nacho]

Can'T nobody say that. We can't. Yeah.

[DJ Wells]

Come on, dj man, what's the name of T? Hey, you know, I used to have studio in my house for the wrong reason.

[Wendy's Ad]

I just wanted to make the video.

[Young Nacho]

I was getting cracked on that soundboard.

[Wendy's Ad]

With that being said.

[Young Nacho]

Sh.

[Trip]

We out of here.

[Bishop B]

The volume.

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[DJ Wells]

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