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Emily Fang
It's consider this where every day we go deep on one big news story. Over the past two months, NPR journalists have covered the war in the Middle east from more than a half dozen countries.
Kat Lansdorf
We've come here with the permission of Hezbollah. An Israeli surveillance drone buzzes Yusuf Magdad,
Emily Fang
a 35 year old father of four who tells NPR, I live in the street in a tent. Like most people in Gaza, Dual Israeli
Planet Money Host
US Citizen Ari Spitz lost two legs and an arm.
Duri Buskaren
The Iranian government has been so intent at tracking down protesters and the doctors who treated them.
Emily Fang
That last voice you heard was Duri Buskaren reporting from Turkey's border with Iran. Blocked from entering Iran itself, she has spoken with dozens of Iranians about their experiences since the war began more than two months ago.
Duri Buskaren
Activists in Iran are struggling to get information out to the rest of the world.
Emily Fang
Meanwhile, a team of NPR journalists has been reporting from southern Lebanon, where Israel has destroyed towns and vill villages and occupied a large section of the country. Israel says it is creating, quote, a buffer zone to keep Hezbollah from firing rockets or launching attacks into Israel.
Kat Lansdorf
The further we go, the more destruction from Israeli air and drone strikes. We see rows of shops bombed out and blackened tops blasted off high rises, whole buildings toppled to the ground.
Emily Fang
Consider this. Covering a war is not easy and it takes a whole team working both on the air and behind the scenes to bring you accurate and independent reporting from the front lines. From npr, I'm emily fang.
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Kat Lansdorf
I think about that almost every day of my life, Kenny. What could I have done differently?
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Listen to Planet Money on the NPR app or wherever you get your PODC podcasts.
Emily Fang
It's Consider this from npr. For this week's Reporter's Notebook, we speak with two journalists about the challenges of covering the war in the Middle East. Duri Buskaren has been reporting from the Turkish Iranian border and NPR reporter Kat Lansdorf has been covering the war in southern Lebanon. I started by asking Kat about how one even travels from the Lebanese capital of Beirut to southern Lebanon, the area Israel has occupied.
Kat Lansdorf
To get down there, it requires a lot of coordination. You can't just get in your car and drive down south and get to a lot of these places. You have to coordinate with the internal Lebanese security forces to let them know that you're going to be going, you know, as far south as you can. And then, you know, you're also coordinating with Hezbollah because Hezbollah largely controls a lot of these areas. And then this part of it is voluntary. But we are also coordinating with the UN Peacekeepers here, who then will talk to the Israeli military for us to say, hey, there's a group of American journalists with NPR who are going to be in this location. They're going to be in this location telling the Israeli military that we're going to be present and asking them basically if it's safe for us to go to some of these locations.
Emily Fang
This is even before you start your reporting, right.
Kat Lansdorf
There's a lot of conversations that need to happen before you enter any of these more dangerous areas.
Emily Fang
And I want to turn to you, Duri. You have just spent weeks in Eastern Turkey, right next to the border with Iran. What was that like? Was it easy to find people who wanted to speak to you?
Duri Buskaren
Not at all. A lot of these people were scared to talk to us because people who are in contact with foreign media in Iran right now are being hit with espionage charges. It's technically illegal to speak to foreign media if you're in Iran.
Emily Fang
So how do you convince them to speak to you then? I would love to hear maybe some of the more unorthodox or colorful ways that you're finding people.
Duri Buskaren
You just have to ask a lot of different people. And we did that by going to the border and kind of trying to blend into the crowd, discreetly talk to people, share our business cards. At one point when we were at the border, we realized that it was incredibly risky for us to actually approach people. We were told by other people that we spoke to that undercover officers from Iran had actually approached them later asking about us. And that was the signal to us that it was not safe. We were putting people at risk, basically by asking them to speak to us.
Emily Fang
I may have heard a story, Duri, that you were using a dating app at one point to try to talk to people in a safe, private space away from prying Iranian government eyes.
Duri Buskaren
Yes, that was kind of. It was the day after we, you know, were worried about putting people at risk. And we got back to the hotel, and we were like, how? How are we going to talk to people? So we basically tried to match with every Persian speaker in our area. And immediately, you know, when we matched, that person would be told, I'm so sorry to do this this way, but you're not talking to one person. You're talking to a team of journalists. We're here in trying to speak to Iranians about the war, and we realize this is very unorthodox, but actually, people were pretty cool, and we had some of our best interviews with people that we met that way. It's normally maybe not ethical to try and reach out to an interviewee in a place they're not expecting, like a dating app. But in our case, we needed to find a way to give people the chance to accept or decline an interview in a private place that was kind of away from any potential government oversight.
Emily Fang
And to be clear, you were very upfront immediately that you were a journalist.
Duri Buskaren
Oh, absolutely. I mean, there's no way to not do that.
Emily Fang
Both of you are talking to people sometimes about the worst day of their lives, and you're seeing immense destruction. In your case, Kat, you're talking about death. These are heavy topics. And I know you both handle these interviews delicately and with sensitivity, but I have to ask, how do you, as the reporter, deal with those emotions after the fact?
Kat Lansdorf
I think you really try to focus on the person you're talking to. It's their time. To have emotions and feelings is kind of how I look at it. My time to kind of process it and have the feelings about it is on my own time, you know, after I've written the story or when I'm back in my hotel room and I just kind of take a quiet moment by myself and process that. However I need to process that. Sometimes that's crying, quite honestly. Other times, it's just kind of sitting in quiet. Sometimes it's like calling my partner, my family, my friends, and telling them about what I've seen. You know, the number of times just in this trip here to Lebanon that I've watched pieces of bodies pulled out of the rubble in the last few weeks. It's more than I can count on one hand at this point. And that starts to take a toll after a while. It's hard.
Emily Fang
I'm sure it's not possible to continuously disassociate forever. What about you, Durie?
Duri Buskaren
I try to think about the fact that if I wasn't there, if I wasn't aware of it, it would still be happening. And I think that if you do it right, journalism can really help people find agency and find a voice and have their needs and their experiences heard and validated Speaking of voices on air,
Emily Fang
I realize the nature of our business means that there's a focus on the voice, the name of the reporter that gets on air. But there are dozens of people behind all of us, producers, our interpreters, our drivers, our security staff, often who are local to the country that's experiencing war, who are supporting us and helping us do our reporting. Tell us about that collaborative process. And I don't know if listeners realize, but NPR has that infrastructure, that teamwork set up across the Middle east, across multiple countries in Turkey, Egypt, Lebanon, Israel, and so on.
Kat Lansdorf
Oh, my God. I will take any time to talk about our amazing team that we have in this part of the world who have had the great honor of working with for man years now, you know, we're all in a group chat together on WhatsApp, and we're just constantly feeding each other news and what we're seeing in our different areas. And we have this giant team of producers, local, you know, producers who live in the place that they are texting us from, talking to us from, and are constantly feeding us the information they're seeing. And then we have all of the reporters and correspondents in that chat, too, and editors. And everyone's looking at this chat. And it's such a collaborative effort. It's a hugely collaborative effort. And we're running ideas by each other and we're running thoughts by each other. And I think that's such an important thing to know about how we report from these places is it's not at all just me out here with a recorder wandering around. There's a huge team effort behind it.
Duri Buskaren
When we're doing this kind of reporting, especially in countries in this part of the world, the passport that you hold can often determine your access to a story and your safety while reporting that story. So some of our colleagues cannot be named on air for their safety. They're at a disproportionate risk of being either harassed online or actually targeted by security forces. And it's so hard for me to not name my colleagues on air right now because they are such. They're just like the backbone of the work we do out here. And we would not be able to report these stories without their work and without the risks that they take.
Emily Fang
That was Duri Biscarrit in Istanbul, Turkey, and Kat Lansdorf in Beirut.
Duri Buskaren
Thank you for having us on.
Kat Lansdorf
Yeah, thanks so much.
Emily Fang
Thank you both. This episode was produced by Gabriel Sanchez. It was edited by Adam Rainey, and our executive producer is Sammy Yenigun. It's consider this from npr, I'm emily fang.
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Episode: What it takes to report stories from the war in the Middle East
Date: May 2, 2026
Host: Emily Fang
Guests: Duri Buskaren (reporting from the Turkish-Iranian border) & Kat Lansdorf (covering southern Lebanon)
This episode explores the extraordinary efforts and challenges faced by NPR journalists as they report on the war in the Middle East. Host Emily Fang interviews reporters Kat Lansdorf and Duri Buskaren about their experiences gathering stories from southern Lebanon and near the Iranian border, the logistical and emotional hurdles they navigate, and the critical teamwork behind the scenes that makes such coverage possible.
Kat Lansdorf describes the intricate process of traveling from Beirut to southern Lebanon, emphasizing the layers of coordination required:
Quote:
“You can't just get in your car and drive down south... You're also coordinating with Hezbollah... and with the UN Peacekeepers who then will talk to the Israeli military for us.” — Kat Lansdorf (03:00)
Duri Buskaren recounts her efforts to interview Iranians near the Turkey-Iran border, emphasizing the fear people feel due to threats of espionage charges (04:08).
They used creative and sometimes unorthodox methods to reach sources, including blending into crowds and, notably, using a dating app to establish initial contact with Persian speakers for private, safe interviews.
Quote:
“People who are in contact with foreign media in Iran right now are being hit with espionage charges. It's technically illegal to speak to foreign media if you're in Iran.” — Duri Buskaren (04:08)
Quote (re: dating app):
“We basically tried to match with every Persian speaker in our area... Some of our best interviews with people that we met that way.” — Duri Buskaren (05:13)
Ethics & Transparency:
“Oh, absolutely. I mean, there's no way to not do that.” — Duri Buskaren confirming she was always upfront about her identity as a journalist (06:17)
The hosts discuss the emotional impact of witnessing devastation and suffering, with Kat Lansdorf sharing how she copes by delaying her personal emotions until after interviews are conducted.
She recounts frequent exposure to trauma, including witnessing the recovery of bodies from rubble.
Quote:
“It's their time. To have emotions and feelings is kind of how I look at it. My time to... have the feelings about it is... after I've written the story or when I'm back in my hotel room... Sometimes that's crying, quite honestly.” — Kat Lansdorf (06:43)
Duri Buskaren adds:
“I try to think about the fact that if I wasn’t there, if I wasn’t aware of it, it would still be happening... Journalism can really help people find agency and have their needs and their experiences heard and validated.” — Duri Buskaren (07:40)
Both journalists stress how reporting from conflict zones relies on a vast, often invisible network of producers, translators, guides, drivers, and security personnel—most of whom are local and sometimes themselves at risk.
Quote:
“It's not at all just me out here with a recorder wandering around. There's a huge team effort behind it.” — Kat Lansdorf (08:36)
Duri Buskaren underscores the personal risks some team members take:
“Some of our colleagues cannot be named on air for their safety. They're at a disproportionate risk... And we would not be able to report these stories without their work and without the risks that they take.” (09:32)
This episode provides a powerful look into the realities of reporting on conflict: the security challenges, ethical dilemmas, emotional strain, and the vital—but often invisible—support network that makes independent coverage possible. For listeners, it offers transparency into the front-line mechanics and humanity required to bring global news home.
Guests:
Host:
Produced by: Gabriel Sanchez
Edited by: Adam Rainey
Executive Producer: Sammy Yenigun
Key Segments
(Commercials, intro, and closing credits have been omitted.)