Transcript
Christopher Goffard (0:01)
This is an la times studios podcast.
William Mann (0:09)
He was this gopher. He was this errand boy picking up dead body parts. You know, he was allowed to participate as an assistant in some of the surgical procedures, but, you know, he was. He was never. He was never allowed any. Any great responsibility.
Christopher Goffard (0:25)
This is the writer William Mann. He's talking about the most likely candidate, as he sees it, as the murderer of Elizabeth Short, who came to be known as the Black Dahlia. He's describing the military experience of Marvin Margolis, one of Short's last boyfriends, who served as a battlefield medic during some of the worst fighting of World War II.
William Mann (0:46)
And he was resentful about that. So when this reporter in Kansas interviews him about his life and asks him about his war service, he's suddenly an airman with the legendary Flying Tigers. They were like, you know, Tom Cruise maverick types. Right. And one of those Flying Tigers was Elizabeth's fiance, Matt Gordon. I find it interesting that Marvin, in rewriting his past, turns himself into Matt Gordon.
Christopher Goffard (1:25)
He just stole his credentials. He stole his war record.
William Mann (1:28)
Exactly.
Christopher Goffard (1:28)
Made them his own.
William Mann (1:30)
Yeah. And so, you know, and it's. You know, he might have done something like that anyways if he. Even if he had nothing to do with Elizabeth Short's murder, but the fact that he chose the Flying Tigers, of all things, seems very suspicious to me.
Christopher Goffard (1:47)
William Mann's new book is called Black Murder, Monsters and Madness in Mid Century Hollywood. It's a compelling and humanizing portrait of Elizabeth Short and helps to dispel many of the myths that have accumulated around her after her death. It became popular to depict her falsely as a prostitute, or at least dangerously promiscuous with the subtext that she somehow invited her murder. One of the detectives speculated that she found her death by teasing one too many men. Mann paints her sympathetically as an adventurous young woman whose footloose lifestyle would have been condoned or even lauded in a young man. But it's Mann's focus on Marvin Margolis as her likely killer that particularly interests me. I was hoping you could walk us through how it happened that this guy, who to me seems like a very plausible suspect, managed to fall through the cracks in arguably the most notorious unsolved case in California history.
