Co-host or Guest (31:19)
And maybe this is where we have a big misunderstanding about who Ravenclaws actually are, not only just in terms of the way that we understand what it means to be in the house, but also the way that they navigate the world, broadly construed. And I think that, you know, Laura brings up a really good point in that I think the world is very bifurcated. And so we're looking for people who are either, like, outrageously ambitious no matter the cost, or super brave no matter the cost, and everyone else just kind of falls in between. And when you fall through the cracks that way and are extremely intelligent, it's easy for us to then see how we end up with our Gilderoy Lockharts, our Quirrells, our Barty Crouch Juniors. Because no one is really checking for intelligence. No one's really checking for your brain. Everyone's checking for your brawn or your kind of manipulation. And Ravenclaws are like, yeah, okay, can do, but you're never gonna know it. And in the conversation that we had with the chronic overthinkers, we came to a very amazing revelation about the difference between Ravenclaws and Slytherins in particular, which is that they can both be very smart and very manipulative. The difference is, is that Slytherins want you to know it was them, right? Like they wanna let you know, like, I did it. And Ravenclaws are like, I don't necessarily need the credit. Like, yeah, if I can get. And that is where Gilderoy Lockhart falls apart, right? Because he's like, I did all of these other things and I don't need to get the credit for what I pulled off in terms of the manipulation, but I do want to get the credit for the things that I stole from these people. And I think that that is a meaningful distinction and also shines a really important light on the way that we understand the relationship between intention, the relationship between intellect and the way that we understand morals. And the beautiful thing about kind of the deep dive that we've been doing is this kind of the way that we've romanticized some of these houses and some of the traits they're in is that we don't think about the way that they can kind of be warped. And Ravenclaw, even more so than I think Hufflepuff offers us the ability in the canonical text with canonical characters to see see the spectrum of the ways in which we can see curiosity, wit, intellect, wisdom, all used in meaningful and varied ways. Our next question is my favorite question because it is messy, which is if the sorting hat put you into Ravenclaw, would you accept it? 89% of us said yes. 61% of us said don't. No. No. Geez, math much? 89% of us said yes. 6.1% of us said no. And about 5% of us said don't know. When we disaggregate this out by house, 99% of Ravenclaw said yes. I know you're surprised. 80% of Gryffindors said yes. They would accept. 76% of Hufflepuffs said yes, they would. Success would accept. And 86% of Slytherin, Hufflepuffs what is going on? I thought Ravenclaws and Hufflepuffs were sister houses and now something is amiss. Hufflepuffs, you need to sound off. It could be that, like you all just love Hufflepuffs so much. But I think there's more to it than that and I want to hear about it. We're going to hear about it in the post episode chat because what is going on here? And then when I had the statistical significance test done, what we can see is that basically every single house except for Ravenclaw, there is a meaningful difference and meaningful decrease in the yes response and a meaningful increase in the no response. But I think that that's partially due to the fact that, that it's what we call a ceiling effect, where because the baseline is so high, anything that dips below a certain threshold is going to like make everything light up and make it very statistically significant. And these are substantive findings, right? We're talking 19, 19% less Gryffindors. Oh God. And then Hufflepuffs. I'm not doing that math. It's your fault. I'm not doing that. But like the number, the decrease in percentage is not inconsequential. And I really do think that this is fascinating and I'm wondering, like, is it because I want to know what it is, right? Like, in the same way that I'm interested in kind of the notion of being misunderstood as Ravenclaws, I'm interested in understanding what it is about this that feels like you wouldn't say yes. And it could be that like Hufflepuffs, every house has smart people in it, right? Like everyone does. Well, you know, Hermione is obviously the top student in the class and I think we're made to understand that Draco is like second best. He's certainly in the top three. So we've got a Gryffindor and a Slytherin, right? And so that intellect and curiosity is. Intellect in terms of academic success is something that is distributed across all the houses. And so. But maybe curiosity is seen in a very different way. This is fascinating. I'm. Okay, y', all, I need everyone to sign into the post episode chat because I have questions and you are the only ones with answers because I actually, I don't know, like, would I say yes to being accepted into Ravenclaw? Yeah, I would. But like I said, I have a Ravenclaw Moon. I'm an academic for like my career, right? Like, I have a podcast where I literally sit here and talk to you all deep diving into like brainy things, creative things, like that stuff is my bread and butter. And so I would absolutely say yes to this. And I think that there's a reason why right after Ravenclaws, right, who have the 99%, 86% of Slytherins said yes, that they would take being in Ravenclaw. And there's something about that, because we do like that is the next house that is willing to say yes to being in Ravenclaw. And I think that because there's a lot of overlap in a lot of different ways. And again, I think that the fine line between the two is credit and intention. But again, we do see like messy Ravenclaws. So anyways, I'm interested. Other houses, particularly Hufflepuffs, we're signing off. Y' all were big and bad and loud in the last couple episodes. I want that same energy here. Okay? There's a couple of you that I'm thinking out. I'm not going to call you out by name because I'm not going to shame you. But you know who you are and if I, if I don't see you in there explaining yourselves, I will call you on the post episode chat. And so if you like that kind of drama, join us on Patreon. The next question is which character, regardless of House, best embodies Ravenclaw traits? Luna Lovegood was the first. Hermione Granger, Albus Dumbledore, y', all, you all are not going to bait me into talking about Dumbledore before his episodes. You all are dastardly, you're messy. And the thing is, is that I can call out Ravenclaws for the most because you all make up 50% of the people who took this survey, huh? Over 150 of you sat there and said, we're gonna bait him. I know it. I know you did. When we disaggregate out by House, Luna is the best character that embodies Ravenclaw qualities for every single house. Again, we have unanimity. And I think that this is really fascinating because I think that what, like all three of these characters bring up very different things, right? Because Luna brings up the creativity, the kind of curiosity, Hermione brings up the very intellectual scholarly space. And Dumbledore is kind of a combination of both of those things, right? He's very curious. He's also outrageously kind of intellectually intelligent, right? But what he brings to bear in a way that I think is due in part to his age, but also just his Manner is ego, right? Like, he is the person who's like, I am the smartest person in the room. But y', all, he still put on that ring. Like, dude, you know what? Y' all are not about to get me started. Y' all are not about to get me started on this, okay? No, I'm not gonna. I'm not doing it. I'm not gonna do it. I think these are really great choices. I think there's really great choices. And I do think that there is something to be said about what Luna offers us. But at the. I do think that this is one of those instances where we've kind of like, we've made Luna our quintessential Ravenclaw. And I think in defiance of the way that we are meant to take her in based on the text, I don't think we're supposed to walk away after reading her character and say, she is the pinnacle of Ravenclaw Nest. Because if we go back and we look at what it means to be a Ravenclaw, we're talking about individuals who are known for their sharp minds and love of learning and dedicated to their studies and strive for academic excellence. Luna literally believes, like, so many of the things that don't necessarily are not necessarily true in the, like curriculum that's set forth. They're known for their cleverness and quick thinking. She check displaying sharp sense of humor. Her sense of humor is so sharp that people can't even recognize it. They are also encouraged to think out of the box and embrace their creativity. This is what's fascinating, because I'm like, are they really? Because Luna is literally maligned by so many people in the school because of the way that she thinks about things. And I'm wondering how we reconcile that particular idea, because I'm like, is it thinking outside the box? If only within, like, the broader box of the Wizarding world? Right? Like, are there still constraints on what these expectations are? Right. The expectations that Laura talks about and the way that this exists within that kind of Gryffindor Slytherin paradigm. And I feel it's so fascinating, too, because, like, so much of, like, Pottermore and all these things were created after the books were out. And I feel like we got the part of it that was, like, a much more liberal interpretation of some of these things. Because I'm like, in no world are we invited to think of Luna as anything other than the very, very, very weird friend who says weird stuff and, like, is fighting alongside our faves. Right. And so the idea, then, that Somehow, like, we are meant to walk away with her, like from the text as children, upon reading it the first time, some of us may have walked away and said, I see a lot of Luna in myself. But does that mean then that you were like, yeah, and I'm a quintessential Ravenclaw. I don't, I don't think so. Like that, I don't think that that is what JKR wanted us to walk away with. I, you know, I welcome disagreement. If you disagree with that totally fine. But I, I, I think that we are meant to see that Hermione is meant to be a Ravenclaw that we prize and that she just made a choice to not be. When we think about other hats, dolls, like, like Minerva McGonagall, right? And we think about kind of so many of us love and prize her, but we love and prize her because many of us said, like, she's a badass and in a very particular way. And then we look at Phileas and Professor Flitwick, for those of you who are not on a first name basis with him, but I think from the little that we get of him, he is very much about the pursuit of knowledge in a very specific textbook way. And that could be because he's a teacher. But we also get a sense that this is kind of just who he is and he kind of goes by the book. And I think, like, Luna is not the invitation to see. I think she's the invitation to recognize that Ravenclaws can be on a spectrum. But I don't think that she's the one that we're supposed to be trying to emulate. And I don't think she's supposed to be the one that we believe embodies it. But I also think that we are devoid of a lot of other Ravenclaws in the text. So we don't necessarily get a lot. Cause even is it Padma Patil is a Ravenclaw, but we don't get a lot of her. And when we do, it's not in the context of her doing anything particularly like Ravenclaw esque, if you will. And so like, I love Luna and I love what she represents. I don't think, though, that we as readers were meant to walk away thinking of her the way that this, these survey results do. And I think it's the byproduct of us kind of growing up and realizing, oh, what it means to be smart and creative is very different. I think growing up in a time where we have really begun to understand and learn about the beauty that can exist in a space that is not neurotypical also invites us to see Luna in a very particular way. I think that a lot of us discovering our own neurodivergence, in whatever ways they may or may not manifest in our own lives, also invites us. And so some of this, I think, is the byproduct of the space that we are currently in. Which isn't to say that I'm mad about it, but it is to say that I don't think that J.K. rowling was like, this is who I want you all to want to be like. And this is who I want you all to see as the bastion of intellectualism. She's not progressive enough for that. She certainly wasn't then and she certainly isn't now. The next question is, what makes someone a good Ravenclaw? Someone wrote, a good Ravenclaw is always wanting to uncover the mysteries of both the wizarding and Muggle world. Arthur Weasley and his childlike curiosity, even when he has a huge family to take care of, screams Ravenclaw to me. Someone else wrote, good Ravenclaws are driven by curiosity and passion. Even Arthur Weasley is another good example. A good Ravenclaw is always unapologetically themselves. Someone wrote, the willingness to learn and grow, not just intellectually, but as a whole. Another person wrote, what makes an admirable Ravenclaw is what they, is what they use their knowledge for and how open minded they are. So humility would be an essential element. And the last quote I'm going to draw on is Ravenclaws using their intellect to better the world. Not to be pedantic. Now this is interesting. And it was the same kind of thing that we ran into before, right? In that the question persists as to whether or not we're asking too much of these individuals. And there is a tension here because for people who keep invoking Arthur Weasley and his kind of childlike wonder, his knowledge of Muggles and his kind of interrogation of like, Muggle customs and things of that nature were not meant for betterment. That's not what they were for. And he wasn't trying to grow as a whole person like he. That wasn't his intention. Right. I think he operates with a level of humility. But I think that some of this is a really tall order for Ravenclaws, like the notion of using your knowledge only for good, being open minded and being humble like, I don't. Humility is a very hard thing. To come by when, as Eric said in his piece earlier on, like, you're constantly reminded of how smart you are. I will never forget one of my favorite moments. One of my favorite Hermione moments is in Sorcerer Philosopher's Stone where she's like, they're not kicking me out because I got a 112% on my charms essay. And so, like, I don't know what's gonna happen to you, Harry and Ron, but as for me, I'm here. I'm good. I think that there is a way that, like, the constant reification of being the brightest witch of your class. Like, when we listen to the way that people talked about Barty Crouch Jr, Tom Riddle, Albus Dumbledore, Hermione Granger. Right? Like, those things become your calling card. Like, Hermione Granger was always the brightest witch of her age. I don't know how you establish humility there. And Hermione's never like, oh, no. Like, I'm not. And Dumbledore certainly was never, like, not me. Right. Like Tom Riddle. No, Barty Crouch Junior. Absolutely not. Like, how do we reconcile the notion of humility? And also, how do we reconcile the notion of, like, looking outside of oneself? Like, I got in a lot of trouble for highlighting the notion of individualism amongst Ravenclaws, and people were very not pleased with me about that because they're like, what about book clubs? And what about, you know, all these other things? Fine, they're social people. You got it, Ravenclaws. But I do think that there is something about. There is an individualism in the way that you come to understand your intelligence. You may enjoy being around other people who share your intelligence, but, like, it's not like, oh, Hermione, you're part of a cohort of intelligent people. No, you are the brightest witch of your age. And I think that, like, it is interesting to try to think about how do we reconcile that with this kind of broader worldview that we're wanting Ravenclaws to have and using their intellect for good. And I think it's not lost on me, and I don't think it's a mistake that what we ultimately see from a lot of our Ravenclaws that we spend a considerable amount of time with is that they don't use it for good, that they're manipulating the world that they live in. And I think if we go back to what Laura brought to us from the conversation that we had, what we see is that, like, they're operating in a system that does Nothing but use them. And when they use it back, they use it back in ways that are problematic. And that, I think, stands in the face of how we understand Arthur Weasley. To me, it strikes me that Arthur Weasley and his childlike wonder and all those things that people said are again, us, you know, romanticizing and idealizing what it means to be an ideal. Ravenclaw and not necessarily navigating the realities of how difficult it would be to meet the bar for some of these things. Because we are not dealing with people who are taught or conditioned to be community minded. Right? Like the pursuit of knowledge is something that you do yourself. If you decide then to disseminate that knowledge, that's different. That's a different impulse. And even then, for a lot of people, the dissemination of knowledge is not void of ego, Right? Like, it is not. You want to be credited. You want people to know that it was you. You want to be seen as an intellectual. You wanted people to know that you are smart. You want people to know that you came up with that. Right. And I know that we talked a little bit about this as a distinction between Ravenclaws and Slytherins, but I guarantee you that in the real world, people are not out here trying to just create and disseminate information and just let people do with what they will. No, they want to be known as a luminary. I think that there's a way. One of my biggest pet peeves, and then I'll shut up about this, but one of my biggest pet peeves is when people write, particularly academics, we write books and they're completely illegible. Despite being very intellectual. Like, I don't know what you're talking about. You're using words, you're using all these things that are completely and utterly unapproachable. And it makes you come off as very smart and it creates a level of dependency because now people have to ask you all of these questions because they don't know what the heck you're talking about. But to me, that is an ego thing and not necessarily about you wanting to share your intellect. And I think that that's a really important thing for us to think about and really important thing for us to consider. When we think about what it means to be an ideal. Ravenclaw. I think we have to remember the externalities that these individuals were forged in and how it is that they then choose to navigate those things. We've now reached the point in the episode where I'm going to reflect on the Ravenclaws and all the things I want to begin with a fact. Across all four houses, dozens of responses and people who are and love Ravenclaws, One word came up more than any other to describe this house. You already know the word curious. It was the number one word chosen by all of the houses. Everybody. Everyone agreed that Ravenclaws are curious. And what's so fascinating about this invocation of this particular word is that that is not a word that is used in the canonical text to explain who Ravenclaws are. Which means that, like post canonically, we have decided that that is who these people are. Ravenclaw is the house of learning, of questioning, of seeing the world not just as it is, but as a puzzle to be solved or a mystery to be unraveled. It's the house of big questions and the small details, the why nots and what ifs. And have you considered of it? All right, but you know what people say about curiosity. You know what they say? Curiosity killed the cat. And people don't just say that because they hate cats, right? It's a warning. It's used to shut somebody up, to say, ah, ah, you're getting too close. You're asking too much. You're poking the bear and curiosity killed the cat. That is how discomfort maintains control. It's the idea that knowing something is dangerous and wanting to know makes you dangerous. And like, I think the person who best embodies this, and you all said it, everybody said this as well. The person who best embodies this idea is Luna. Because Luna doesn't just represent curiosity. She represents an unfiltered, unregulated, like, unpolished curiosity. The kind that makes people uncomfortable. Right? We see that so much in the text where she says things that people are kind of like, ooh, girl, or she asks questions and I'm like, the kind of curiosity that doesn't fit into a textbook or a standardized test. It asks questions that no one even thinks to ask and doesn't care whether you think it's ridiculous or not. Right? And that's how she's introduced to us, in order of the Phoenix, through the lens of lunacy. She's Looney Lovegood, barefoot, reading upside down, talking about Nargles, floating around in and out of scenes like she doesn't quite belong in the same reality as everyone else. But the thing is, is that Luna is not comedic relief. She is what a ravenclaw looks like when it's its kind of truest, most uncurated self. The unfiltered version that is filled with wonder without permission, that isn't tied to textbooks and chalkboards, but rather asking questions about the world that is outside of the walls of Hogwarts. And I think that that's why people are afraid of her, because her curiosity doesn't really know when to stop and it doesn't know boundaries. And what's more, it, like, doesn't care. And I think that that's why people look at her and that's why she and Hermione kind of butt heads a lot. And so people mock her. They call her loony, and they're not just mocking her. It seems like they're mocking a bit of parts of themselves that they want to do away with. Many of us brought up Arthur Weasley and talked a lot about his childlike wonder and curiosity. And there is something not necessarily juvenile about Luna, but there her questions, the way that she approaches curiosity is through the lens of someone who simply does not have to abide by socially constructed norms and expectations. And now that is childhood, right, where you don't know enough to say, like, let's talk about Nargles. Luna doesn't care. But I do think that there's something about that that makes her much more terrifying to people than I think we as readers find her. And so the thing about Luna's brand of curiosity is that it's not the questions, it's the distance that those questions take her from an accepted and shared truth. Because curiosity isn't always a staircase that takes us up. It's not always something that invites us to kind of learn and grow what is real and what is true. Sometimes it's a rabbit hole and you already know what I'm talking about. The thing about rabbit holes, though, is that you don't always know how deep they go. You don't always realize when you've left the surface or when to stop. It always starts out of curiosity. We begin to search, we begin to dig, we doom scroll, we consume. And sometimes we find ourselves in spaces that might radicalize us, give us more information, more fodder, more ammo for the things that we believe. And sometimes it leaves us untethered, more anxious, more afraid, more entrenched in stories that may not be true, but feel true based on the reality in which we find ourselves. And I'm not saying that we shouldn't be curious, but I do think that it's important for us to think about the fact that sometimes curiosity that is unanchored is dangerous. Because sometimes curiosity is tied to other Things, right, We have to be mindful because sometimes it's tied to prejudice and supremacy and conspiracy. And when curiosity is tethered to the wrong thing, it doesn't protect you, it drags you down. So the danger isn't just that curiosity exists without an anchor, but what if you're anchored to the wrong system? This is very much what we were talking about when we were talking about loyalty. And the question was, who are you loyal to? What are you loyal to? The same thing is said for curiosity. What are you curious about? And what and how are you approaching this curiosity? Because sometimes curiosity can mistake structure for truth, stability for justice, and familiarity for fact. So of course we want to be curious, but we have to ask ourselves, what are we tied to? What is keeping me grounded? And is the thing that I'm curious about worthy of my trust? And can I discern fact from fiction? Because if not, curiosity will not save you. It will lead you right over a cliff and straight into the chaos that is the Internet, the world. And maybe the best person to talk about this with is someone we've also talked about in this episode, and that's Arthur Weasley. Because we see Arthur as this kind of goofy dad who loves plugs and batteries and all things Muggle. But Arthur's curiosity, like all the others we've discussed, isn't neutral. It's shaped by his positionality in society as a pure blood person, his power, his prejudices. Even though Arthur is curious about Muggles, he still fundamentally views them from the lens of a magical person who sees them as less than. His questions are often patronizing. His assumptions are rooted in the magical worldview. And while he's not hostile, his curiosity sometimes slides into condescension, into exoticization, into the kind of enthusiasm that says more about you than the thing you're trying to learn. Arthur is such a good reminder that wanting to learn something doesn't always mean that we want to learn the truth. And we're living in this moment where, you know, truth is basically a subjective thing now. And it always has had a some level of subjectivity. But in the world of fake news and all these other things, right, what we're experiencing is the notion that people can go and try to find information and find the things that already validate what they believe. They can be curious about something and go to sources that will give them something that already matches their belief without necessarily offering them truth. And sometimes curiosity is institutionalized, right? It reaffirms existing prejudices, right? In the magical world, Arthur's curiosity about non magical people comes from the fact that he is part of an institution that his sole aim, it seems, is to kind of protect magical people from non magical people. Right? And so it reaffirms magical norms while appearing on harmless and eccentric. And this is where I think he and Luna's curiosity operates differently. Right? Because Luna's curiosity doesn't go outward, it comes inward towards the structure of the magical world itself. She doesn't ask about non magical people. She's asking about the lies that the Ministry is telling where creatures are being omitted why the truth is not being told to the people that it needs to be told to. Her father literally has another newspaper that while yes is sometimes offering us things that may not be true it's also giving us a subversive understanding of what's happening in the magical world. Her curiosity is intra magical. She's not collecting curiosity, she's questioning the government. And so this tension is really fascinating because curiosity, when directed inward is not safe. It's not charming, it's not tolerated. It's not revolutionary, right? It's how you can get people looking at Arthur and saying like you're just a weird person and looking at Luna and Xena Finlay's Lovegood and saying you guys are absolute kooks and we need to discredit you very quickly. And then there's the reality that sometimes curiosity brings out parts of us that we don't want to see. Think about Helena Ravenclaw. She is the literal ghost of Ravenclaw House. And she is what happens when the pursuit of knowledge becomes entangled with something else. Something quieter but more corrosive. Something like envy. Because Helena didn't steal the diadem out of pure intellectual hunger. She stole it because she wanted what her mother had. Her curiosity wasn't immune to her ego. It wasn't immune to resentment. It wasn't immune to her pain. And that's what we have to sit with. Curiosity is not separate from our basest instincts. In fact, it can shape them, it can fuel them and weaponize them. We've seen it. We see it with Quirrell, we see it with Lockhart. We see it with Barty Crouch Junior. Each of them reminds us that intellect alone curiosity alone is not a virtue. When curiosity is twisted by fear or ego or ambition it doesn't make you wise, it makes you dangerous. Because Dumbledore's early curiosity wasn't immune either. He was brilliant, yes, but also so hungry for power, for mastery, for all the things. And even late in life Listen, we're back. We're back to the ring. That. That damn ring. Knowing what it is, he was so curious, he felt like he had to touch it. And that is a cautionary tale that someone who is so intellectually driven and understanding can still allow their curiosity, that is driven by things that are not necessarily good, to lead them down a path that ultimately leads to his death. Hermione is another one, right? She's not untouched by this. She is also shaped by her desire to be right. Her desire to fit in, her desire to be accepted, her desire to be lauded. Right as a Muggle born person coming into a magical world that she knows nothing about. So much of her intellectual pursuit is informed by her desire to be seen and accepted by people in this world. Her curiosity is driven by the externalities in which she exists. And so while it makes her extraordinary, it also justifies the things that she should question. Obliviating her parents, taking control when others are silenced, equating correctness with morality. So like, like loyalty for Hufflepuffs. Curiosity is not devoid of negativity. So let's go back to the original question. Can curiosity kill a Ravenclaw? Yeah, it can. And it's not because curiosity is bad. And it's not because knowledge is dangerous, but because an unanchored, untethered curiosity, or even worse, a curiosity that's anchored in supremacy, resentment, ambition, ego, can take us far from the truth we set out to find. At the onset. It can isolate us, it can harden us. It can convince us that asking the question is more important than who gets harmed by getting the answer. And it's not inevitable. Curiosity doesn't have to kill the Ravenclaw. It can sharpen them, it can awaken them. It can be the beginning of wisdom. The difference is what we tie that curiosity to, what we do when we find what we're looking for and what we're willing to let go of in order to grow. Because the real test of Ravenclaw isn't how curious you are, it's how carefully you carry that curiosity through the world. This has been another episode of Critical Magic Theory. I'm Professor Julian Womble and if you liked today's episode, first of all, thank you. Please feel free to like, rate, subscribe, follow, do all the things that one does where pods are cast, y'. All. I cannot wait to hear your thoughts about Ravenclaws in our post episode chat, which will be up like it should be up right now. Please feel free to join us if you're not already there with us at patreon.com criticalmagictheory please feel free to join us on social media. By us, I mean me, roffw on TikTok and Prof. JW on Instagram. Check out our website, criticalmagic theory.com you can find our merch, you can find the surveys. You can find everything there y' all. Get the word out about this survey for all of your Ravenclaw friends and your Slytherin friends, because the Slytherin survey is coming up and I cannot wait to hear your thoughts. And remember, Hufflepuffs, I want to hear from you because you have some splaining to do. Until then, be critical and stay magical, my friends. Bye.