Transcript
WSECU Announcer (0:00)
WSECU isn't just one of Washington's best credit unions. We're a Forbes Best in State five years running.
Professor Julian Womble (0:06)
Why?
WSECU Announcer (0:07)
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Professor Julian Womble (1:35)
Welcome to Critical Magic Theory where we deconstruct the Wizarding World of Harry Potter. Because loving something doesn't mean we can't be critical of it. I'm Professor Julian Womble and today is our Prof. Response episode on Fleur de la Cour. You see, this just kind of comes out when I have to say her name and I'm so grateful that I get the opportunity to butcher a French accent for you all to be broadcast. To many of you and that is just my plight in life and you are welcome if you needed a laugh. I hope that gave you one. Anyways, I want to thank those of you who participated in the post episode chat and for those of you who participated in the survey, this episode, as always was one that took a turn for me and I had a lot of thoughts on Fleur and I was really excited to talk about them. And then I think, well, maybe this will resonate with some people. But many of you came into the post episode chat and shared some things that were really, really amazing. And also like the way that you all had to kind of wrestle with yourselves through this episode. Because I think that one of the facets of, you know, revisiting Harry Potter, both as adults, but also as individuals who are trying to think more critically about this, is the reality that we internalize so many things and don't think anything of it. And especially the media surrounding some of the things that we internalize, reifies, hashtag bars our beliefs and our kind of presuppositions and some of the stereotypes that we lean into that are perpetuated not only in the Harry Potter universe, but everywhere. It's easy to not have to interrogate some of the things that we believe. And I'm really, really happy that the episode on Fleur really invited us to have to dive deeper into our own belief structures and not only what we believe, but how we arrived at that belief and how much of it still serves us. And so I'm excited to continue that journey in this episode because many of you brought to bear some of these things in the post episode chat. And I feel like it's a really great conversation to have in advance of some of the other characters that we're going to be talking about, but also because I think that we can kind of go, I don't know, nose blind sometimes. Because when you spend so much time in a world like many of us do in the wizarding world, you kind of just take your feelings and your thoughts about things, you know, for granted and you don't really interrogate them or think them through. And it makes me, as a professor person of life, feel good that I was able to invite to think more deeply, not just about a character, but about how we feel about that character and why we feel that way. And some of us double down and that is totally fine. I am, as you know, and I say this every number of episodes, my intention here is never to have you believe what I believe, but to really fortify why you believe what you believe. And sometimes that fortification process means tearing it down and rebuilding it. Sometimes it just means putting up more buttresses and saying, this is my hill and here is where I stand. And there is no wrong way to do that. And I am so happy that we got the opportunity to do that together with Fleur. Again, it's always the characters that we don't spend that much time with, which is why I'm so excited about Tonks. But we're not talking about Tonks right now. It's not about Tonks. It's about Fleur. Fleur de la Cour. Okay. And before we dive in fully, you know we got a bop. And you know that I was doing this so that I could prepare you for the bop, which is coming to you in three, in two, in one. Let's bop. I hope you danced y' all again. I just want to take the time to welcome you all back and to say thank you to those of you who participated in whatever capacity. I would be remiss to not invite you all to like share, do all the things that one does where pods are cast for those of you who don't make it to the end. I love reading the reviews on Apple podcast also. I just like getting feedback in general about the things that resonated with you. So if you don't feel comfortable being in the post episode chat, that's totally fine. Feel free to DM me on social media. Prof. JW on Instagram, which is where most of the time I'm finding myself these days because TikTok ProfW. Is undergoing something and it's a different place. But that's not why we're here. We're here to discuss Fleur de la Cour. And so that's what we're going to do. We're not going to dilly, we're not going to dally, we're not going to delay. Okay, so let's get into it. Let's get into Fleur de la Cor. As you know, for the Prof. Response episodes, we tend to break up the comments from the post episode chat on Patreon patreon.com Criticalmagic theory where you can join for free to be a part of this conversation. Okay, enough marketing, enough promotion. Back to the task at hand. And so we break it up into themes based on the conversation that was had. And the first theme that came up for us was one that kind of spoke to some of our internalized biases. And Olivia wrote, listening to this episode made me realize that I have always held a sort of negative opinion towards Fleur for basically no reason. And so I guess the misogynistic undertones that JKR wrote in did the trick on me. As a child reading these books, Rachel wrote, I had less than kind thoughts towards Fleur when she arrived in Goblet of Fire. I wanted her to fail because I was of the opinion she had been chosen to compete because of pretty privilege. After having listened to the episode, I have been forced to confront my own bias against her. And Fenty wrote, this is one of the values of a podcast like this. The opportunity to interrogate one. One's own. My own biases as an adult and in some cases find them very wanting, as here it's my turn, y'. All. Of course we have internalized bias against Fleur Delacour. We're supposed to. It's written so that we do. And I think that that's the thing that's at work in these books. And it's one of the reasons why I'm not the biggest fan of, you know, pretending as if JKR didn't write these books, because at the end of the day, she did. And she put in and imbued these books with all of the biases and prejudices that she believes and has. And some of them feel so warranted. Right. I think when we think about the idea of pretty privilege and all of these things, it's like we have watched time and time again the ebb and flow of beauty standards and people receiving things that we as other, that we don't believe they are deserving of. And sometimes they are, and sometimes they're not. We live in a society where we see people being privileged for things that are so far outside of their control. We see people, in an attempt to gain that privilege, doing or going to all kinds of lengths to change aspects of who they are as people for the purposes of gaining that privilege. And so there's no denying that that privilege exists. And the thing about privilege that is true is that when you don't have it, you recognize it much more than the people that do. And I think that that's why many of us really do have an affinity for Hermione, because my good sis clocks it. She recognizes it. I think the thing about it, and we'll talk about that in the next theme, is where she places the blame for it. But I think that at the end of the day, when we think about the notion of internalized anything, I think it is almost inevitable in this text because we are. We are really invited to love Hermione. And what's not to love? She's loyal, she's a good friend, she's smart, she is pretty. She just doesn't necessarily care that much about the maintenance of that and the utility of that in most of the moments that we are with her. But she's amazing, she's brilliant. She's all the things that many of us either want to be, are. Were. Are striving to be, whatever right she is, a lot of things. And especially for those of us who find ourselves in A place where we might not have felt as conventionally attractive, or we might not have been rewarded in the same way as other people who were seen as conventionally attractive. We might have been bullied by people that were seen as conventionally attractive. We might have resented those people. And so there's a lot of reasons why reading this text, reading about Fleur and experiencing her, would really dredge up things for us that feel very familiar. Because I think it's very, very easy to read Fleur as, like, a mean girl. And many of us did. And the reality that's interesting, right, is that we filled in the gaps ourselves with our own experiences. And there's nothing wrong with that. But I do think, and what I'm happy about, is that we had to also take the time in our revisitation of this to think about where that's come from. Is it still true? Because I think it's also so much easier for us to leverage those feelings against girls and women than it is against boys and men. And, I mean, and the reality is, right, that, like, historically, this is a narrative that is as old as time itself. And we live in a time now where it's really fascinating to, like, have to kind of recalibrate our own understanding of, you know, what is warranted reactions to certain things and what isn't. And when we think about Fleur and we think about our own internalized misogyny, y', all, we live in a patriarchal society. This book was written by someone who is a misogynist. We were children in a society that was already conditioning us to view women and girls in a very particular way. We were doomed from the start, if we're being honest. And some of us might have been much better at recognizing it from very early ages. But I think that those of us who were on the receiving end of some of the ire and rancor of the conventionally, Conventionally attractive crowd when we were in school. It felt good. I'm not gonna lie. It felt good to just be mad at a Fleur de liqueur. It felt nice to watch her not succeed, because it's like they always get everything, and she. That's why that skirt caught on fire, right? Like we were children. Pettiness is part of childhood. It's still part of my life and my lived experience. But what I think is more important is that in our revisitation of Fleur, many of us are now recognizing it and seeing it for what it is and recognizing the problematic aspects of it and working on ourselves and that's part of the process, right? Because the notion of these things being internalized is one thing. I think it becomes dangerous when we start to externalize, especially when we start to externalize without being critical of the things that we are thinking and saying. And we are currently living in a time where people are externalizing all kinds of things without being critical in any capacity whatsoever. And so I think that there is a way that it's, it's expected that we would have internalized this. Again, we're living in a patriarchal society. And if we are living in the United States, they're trying to make it even more patriarchal. Right? Like they are actively engaging in behavior. And I think that one of the things that when people say things like, well, books shouldn't be political, hello, we are internalizing politics every time we open up a book. I don't care if it's fairy smut or hockey smut or whatever it is, it doesn't have to be smut. Okay, everyone relax, okay? I'm just talking about the things that I like to read. Don't judge me. Relax. Judgment, I feel it. But there's no way that you can't internalize those things. And I think that there is a way in which, like, we have to be on our guard because authors are not writing in a vacuum and they are not necessarily always writing with the intent of like, you know, brainwashing people. But they're putting their beliefs into these books. And so yes, we were children and yes, we internalized some of these things, but now we're thinking critically about it. And loving something doesn't mean you can't be critical of it. And that includes yourself.
