Chapter Two: Keep the Machine On | Sagas of Sundry: Madness

Summary

Podcast Summary:

Sagas of Sundry: Madness, Chapter Two – "Keep the Machine On" (Ten Candles: Eclipse, Ep. 2)
Critical Role & Sagas of Sundry | Host: Geek & Sundry
Date: April 6, 2026

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Episode Overview

The second chapter in the "Sagas of Sundry: Madness" arc thrusts five broken individuals—Fenley, Abigail, Jude Marley, Selena, and Emmett—ever deeper into a haunting, tragic horror narrative played out through the RPG "Ten Candles." Gathering in a dilapidated LA apartment building for Fenley's rooftop soiree, what begins as a vulnerable attempt at friendship swiftly unravels into paranoia, occult mystery, escalating violence, and the inexorable breakdown of reality. Under Ivan Van Norman's chilling direction, tensions mount, secrets tumble out, and the game's signature Jenga pulls amplify the atmospheric dread and suspense.

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Key Discussion Points & Narrative Developments

1. Setting the Stage: Yearning for Connection

• Mysterious, Intimate Tone: The Landlord (Mr. Ren) sets the mood:

  "Friendship. We each long for it, yearn for it. For a true friendship is eternal. A true friend will lay down their life for you. Would you do the same? ... This is the story of strangers who will become friends." (00:42)

• Character Introductions & Preludes:
  • Each character gets a quick prologue hinting at trauma, secrets, and damaged pasts.
  • Fenley hosts a rooftop "soiree" in hope of forming new connections after fleeing a controlling relationship.

2. Jenga Tower & Tension Building

• Physical Representation of Peril:
  • The tower embodies chance and fate; failing pulls foreshadow disaster.
  • Only Jude fails during prologues, increasing his risk (05:16).
  • "The tension building mechanism that is 52 blocks of wood stacked onto each other." – Game Master (07:51)

3. The Rooftop Soiree: Awkwardness and Unveiled Selves

• Introduction Dynamics: Characters arrive one by one, barely hiding their discomfort and reserve, each seeking but wary of connection.

  • Fenley: Earnest, optimistic:

    "I just want friends. Oh, how bright can you be to make something as hard as this life?" (15:14)

  • Jude Marley: Sardonic, guarded:

    "Is this it or..." (10:27). Later, "Just love me." (08:22)

  • Abigail: Defensive, witty:

    "Everything looks like a vagina to him." (12:12)

  • Selena: Withdrawn, mysterious:

    "I'm not here for the party. Really?" (12:45)

  • Emmett: Brokenhearted, drifting:

    "I mean, I followed a girl." (24:30)

• Subtle Hostility & Humor:

  • Characters trade cutting small talk; trust and control issues are palpable.
  • Fenley's paintings and effort to make friends elicit awkward reactions, e.g., "Kinda looks like a vagina." (12:04)

• Tone: Naturalistic, with dark humor and shifting suspicion.

4. Shifts in Weather, Reality and Mood

• As the sun sets, the sky warps with unnatural clouds, hinting at supernatural interference:

  "Suddenly, a large thunderous strike emits out from the cloud bank... the cloud is pushing itself deeper and deeper into the skyline..." (24:48)

• The group grows uneasy, especially as the landlord's only rule—"Nobody messes with the building"—becomes ominously central.

5. Secrets, Lies, and Pulls

• Selena downplays her role as an "internet person," hiding details and bluffing successfully through a Jenga pull.

  "You're pulling a bluff here, Selena. I feel it. Maybe they feel it, too. Why don't you make a pull?" – Game Master (26:08)

• Abigail attempts to end the awkwardness and is forced to make a pull (27:39).

6. Immediate Escalation: The Landlord's Accusation and Breakdown

• The atmosphere shifts as the Landlord storms the rooftop, armed and angry, accusing tenants of tampering with the building:

  "I have one rule... Nobody messes with the building. Not the walls, not the infrastructure, none of it..." (29:03)

• Fenley sheepishly confesses to removing a ticking lantern/lightbulb device from a pillar, describing it as "warm to the touch" and clearly important (30:08–31:03).
• The Landlord, panicked after seeing the device, bolts out, exclaiming, "There might still be time!" as thunder rumbles and no rain falls (31:03–31:48).

7. Violence Erupts; Consequences Crash Down

• Gunshots ring out from the lower floors—six in total. Anxious debate ensues about whether to flee or call the police (32:21–32:53).
• Rushing downstairs, the group finds the Landlord gravely wounded and delirious:

  "Keep it on." (34:03)

• The Landlord tumbles over the banister to his death, leaving the group utterly shaken (34:21).

8. Aftermath and Arrival of Police

• Panic sets in. The group debates what to do about the body as the police arrive, heralded by the buzzer:

  "You look like a sweet kid. You're a sweetheart. ... Go open the door..." (35:18–35:20)

• Fenley opens the door to officers announcing, "Sir, we've heard that there's been a disturbance." (35:32)

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Notable Quotes & Memorable Moments

• Landlord's Opening, Framing Fate:

  "Friendship... For a true friendship is eternal." (00:42)

• Fenley's Hopeful Vulnerability:

  "I just want friends. Oh, how bright can you be to make something as hard as this life?" (15:14)

• Jude's Tension and Humor:

  "Just love me." (08:22)
  "Kinda looks like a vagina." (12:04)

• Abigail's Defensive Banter:

  "It's just a memory you don't want to remember anymore. I'm just trying to get away from bad memories, that's all. Abigail means Abigail." (02:25)

• Selena's Deflection:

  "There's this thing called the Internet. Uh huh... And there are people that need to keep it running. So I write code for the Internet." (26:54)

• Landlord's Paranoia and Rules:

  "Nobody messes with the building. Not the walls, not the infrastructure, none of it... someone has disobeyed me." (29:03)

• Death and Dread:

  "Keep it on." – Landlord’s last words (34:03)
  "He looks really fucking murdered." – Abigail (35:08)
  "You look like a sweet kid. You're a sweetheart." – Abigail (35:18)

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Timestamps for Key Segments

| Timestamp | Segment Description | |-----------|---------------------------------------------| | 00:42 | Landlord's opening monologue | | 01:42 | Game Master sets up the story | | 05:16 | Jenga prologues; tension explained | | 09:09 | Rooftop soiree begins | | 12:04 | Awkward art discussion/character bonding | | 15:14 | Fenley expresses vulnerability | | 24:48 | Unnatural clouds and weather shift | | 26:08 | Selena bluffs about her job | | 29:03 | Landlord’s confrontation; rules revealed | | 31:03 | Landlord panics after seeing removed device | | 32:21 | Gunshots heard; panic among group | | 34:03 | Landlord's dying words: "Keep it on." | | 34:21 | Landlord falls, dies | | 35:32 | Police arrive at the building |

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Themes & Atmosphere

• Desperation for human connection is soon tainted by suspicion, ghosts of trauma, and supernatural threat.
• Tension is both psychological (trust, trauma) and mechanical (literal tower totem of dread).
• Reality is fragile; rules are breaking down, both mundane and metaphysical.
• The horror is as much about inner wounds and group breakdown as outside forces.

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Conclusion

"Keep the Machine On" brims with atmospheric tension, layered character drama, and creeping supernatural menace. Through deft improvisation and the stark randomness of the Jenga mechanic, the story charts how trust falters and danger rises among isolated souls desperate for connection. By episode end, the characters are abandoned at the brink—haunted, suspected, and surrounded by forces both human and inhuman. The line between inner and outer madness blurs, and only one truth is clear: nothing in this building will ever be the same.

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For listeners new and old, this episode is a masterclass in actual play horror, balancing dark humor, slow-burn dread, vivid roleplay, and the chilling tension of unpredictable fate.

Transcript

[Game Master]

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[Fenley]

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[Game Master]

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[Sponsor Voice 1]

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[Game Master]

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[Game Master]

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[Landlord]

Friendship. We each long for it, yearn for it. For a true friendship is eternal. A true friend will lay down their life for you. Would you do the same? I. Would you do the same for a stranger? This is the story of strangers who will become friends. A tale of five broken individuals who come together to live in an old building, lost to time. It is a story of commonality, secrets, despair, insanity. Open that door. Step in. Find yourself in that old building with your new friends. These are the sagas of Sundry. I am Mr. Ren. And there will be madness.

[Game Master]

This is your building. You all live here. And our story starts with you. Let's all discover who you are. There's a big thing happening tonight. You're hosting this party.

[Fenley]

Yeah, because of the situation that I'm coming from.

[Game Master]

Right.

[Fenley]

I didn't have a lot of friends because I. Well, he wasn't allowed to. My ex boyfriend was very controlling. The best way to make friends is to have a party. I hear it ticking.

[Game Master]

Yeah. No, there's something definitely in this room.

[Fenley]

Okay, so there's some sort of device. It's like a. Like a circuit.

[Game Master]

Suddenly there's an eye looking at you, and it's staring at you with a single slit. And it goes. Child, you are my salvation. Abigail. Why are you coming to me with another name?

[Abigail]

Look, mister, do you ever hear someone else's voice when you hear your original name? It's just a memory that you don't want to remember anymore. I'm just trying to get away from bad memories, that's all. Abigail means Abigail.

[Jude Marley]

Well, she's a pretty girl. You know, she's an actress, so she's got that, like, energy about her. And I like that.

[Game Master]

You see something, it is staring right at you, but it's not. It's looking at you, but it's not. There's something in your mind, and it's trying to find its way in. You see, a black door has chains on it locks. You've been planning this for a while. This infiltration that you're gonna do tonight. Oh, look, the boyfriend's emailing you.

[Fenley]

Yeah.

[Game Master]

What's he saying? Help. Help. Selena, they have me.

[Abigail]

Help.

[Game Master]

And notice that your hand is on the keyboard and it has been placed in the. Help.

[Selena]

You're not real. You've never been real.

[Game Master]

As you pull from underneath the couch, you realize that you grab a fistful of sand. And just as quickly as you thought the sand was there, you find that you've been holding nothing. Emmett, you came out here to LA for someone, right?

[Emmett]

I made a mistake.

[Abigail]

You did this. You made this happen. Was it satisfying?

[Fenley]

Did it feel good to kill me?

[Abigail]

I'm watching you, Emmett. In this wakeful nightmare where all dreams come true.

[Landlord]

It's.

[Game Master]

All right, guys. Welcome back. Everyone managed to complete their prologue without having the tower fall, except for Judah Marley.

[Fenley]

What? Oh, no.

[Abigail]

Is that true?

[Jude Marley]

Yes.

[Game Master]

His tower fell, unfortunately, during his story. So, to begin, I would like everyone except for Mr. Jude Marley to do their pre designated one pull. And he will make his three pulls after that. Fenley, why don't we start with you?

[Fenley]

Okay. Yeah. This one's way bigger.

[Game Master]

It's involved.

[Jude Marley]

Just leave me some.

[Fenley]

Just so that everybody knows, there is blood on one of them.

[Emmett]

For the blood gods.

[Fenley]

Ooh.

[Abigail]

Made a sacrifice, you see.

[Fenley]

Yeah, my blood went into that.

[Jude Marley]

Have to do three of those.

[Game Master]

Yep.

[Fenley]

Good luck.

[Game Master]

All right, Abigail, you're next.

[Abigail]

Are we supposed to, like, talk about ourselves or something?

[Game Master]

Yeah. Do you want to talk about it? I mean, we learned a lot about Abigail, but what would you like these fine people to know? Cause as far as you know, you don't know nobody.

[Jude Marley]

That's not entirely true.

[Emmett]

Nope. Look at it, Teeter.

[Fenley]

You've just made me trapped. Oh, right away.

[Abigail]

I guess you'll get to learn more about Abigail as the night goes on.

[Game Master]

Emmett, would you like to go next?

[Emmett]

Oh, more than anything.

[Fenley]

Oh.

[Emmett]

I felt a little calmer and better equipped before. The little side adventure. Not so much now.

[Fenley]

You're so cavalier about it.

[Abigail]

Like giving a prostate exam.

[Emmett]

I have only received. I have never had the blessing of giving one.

[Fenley]

It's great.

[Game Master]

All right, Selina. Gulp. One of the things I love about this game in particular is just what the Tower means. Because it's different for literally everyone. It represents something that they're going after. And the Tower is the epitome of success. Or failure. Thankfully, we are starting off with a lot of glorious successes. Jude. Jude Marley.

[Fenley]

Don't make it bad.

[Game Master]

There's Nothing more pure. Oh, God. Than the tension building mechanism that is 52 blocks of wood stacked onto each other.

[Abigail]

I definitely kind of immediately feel like an asshole for doing that.

[Game Master]

It was. I'm sure it felt like such an easy choice at the time. It was just ready to go impulsive, just very lightly.

[Fenley]

It was an interesting choice, leaving the middle open.

[Jude Marley]

Just love me.

[Game Master]

The tower is incapable of love, Jude. Excellent, sir. Awesome. All right, well, now that the pre

[Jude Marley]

pulls are done, now that I'm sweating.

[Game Master]

Yes, I have the perfect beginning for our tale. All five of you, for one reason or another, have had a difficult day today. But there is something to look forward to. Something that for many of you, for some of you, may not be something that you would look forward to, but today it just seems right. And that is Fenley's rooftop soiree.

[Fenley]

Thank you.

[Game Master]

I remembered.

[Fenley]

Yeah. It's not a party. It's a soiree.

[Game Master]

It's a soiree. And I think our journey should begin with Fenley's rooftop soiree.

[Fenley]

Huzzah.

[Game Master]

So, Fenley. Yeah? You tell me, are you the first one to arrive to the rooftop to receive everybody?

[Fenley]

Absolutely. I set my alarm early so that I knew that I could get up there and kind of set up a little bit.

[Game Master]

Right.

[Fenley]

So I'm there. I have a couple of paintings that

[Abigail]

I wanted to show you.

[Game Master]

That's right. Do you want to grab them real quick and bring them together? I think we know where they're at. All right. Ben Lee, you've got your paintings.

[Fenley]

I got my paintings.

[Game Master]

Great.

[Fenley]

Just to set the mood. And if anybody feels like buying one, then that's all the better for me.

[Game Master]

Fair enough. Who would like to arrive to Fenley's Rooftop Soiree next? Jude, you look like a great candidate for coming in. Why don't you arrive with a nice swinging, creaking door open as you step out to an empty rooftop patio? With one. Well, how do you. With one guy.

[Fenley]

I'm so glad that somebody showed up. You know, you never know when you put down flyers under doors.

[Jude Marley]

Is this it or.

[Fenley]

Well, I mean, it's early, and I thank you for coming early or on time. And. Yeah, my name is Fenley. Jude, it's nice to meet you. Like the Beatles song.

[Jude Marley]

Something like that.

[Fenley]

Oh. So, Jude, what do you do?

[Jude Marley]

Is anybody else coming to this party?

[Game Master]

That's a good cue. Abigail, why don't you arrive next?

[Abigail]

Yeah, fashionably after Jude.

[Game Master]

Fashionably after Jude.

[Abigail]

Fashionably. Yeah.

[Game Master]

You also walk up. You can hear. Actually, before Abigail even arrives. You can hear the thump, thump. The decisive sound of boots on the old wooden stairs leading up to this simple, jutted, angular building. As the door swings open with the loud. Abigail. You're out on the rooftop patio. You see Fenley and Jude engaging in conversation.

[Sponsor Voice 1]

Hi.

[Abigail]

Oh, hey.

[Fenley]

Thanks for coming.

[Abigail]

Yeah, yeah, yeah, yeah. You decided to come, I guess, then.

[Fenley]

Oh, you guys know each other?

[Jude Marley]

You could say that.

[Abigail]

Yeah, you can say that.

[Fenley]

I did say that. I'm sorry I couldn't decorate more. The landlord's kind of a stickler about everything.

[Jude Marley]

Yeah, yeah, we know, we know.

[Abigail]

Oh, the sparse, dilapidated building look really works for, you know, your postmodern thing you got going on.

[Fenley]

Oh, yeah, yeah. These are my paintings.

[Jude Marley]

Can I see it?

[Fenley]

Yeah, sure. This one might still be a little wet. I just finished that one today, actually, right before coming up.

[Jude Marley]

Kinda looks like a vagina.

[Fenley]

Oh, well, it could be. That's the thing about art, it's subjected.

[Abigail]

Don't worry, everything looks like a vagina to him.

[Game Master]

And that's a great cue, I think, to have. Selena, why don't you come in next? This one, you can barely hear the creaking. But I think all of you have your ears tuned to it at this stage as.

[Fenley]

Hello.

[Selena]

Hey.

[Fenley]

Thanks for coming. I'm just excited that anybody showed up, much less. This is great.

[Selena]

You seem really nice and everything. I'm not here for the party. Really?

[Fenley]

Oh, is this your space?

[Selena]

No, I'm just here. Just carry on.

[Fenley]

Oh, well, I'm Fenley. Just for future reference, if you need to, like, yell at me or something.

[Selena]

Selena.

[Fenley]

Selena. Good to meet you.

[Abigail]

You've been here for a bit, right? I feel like I've seen you around. How long have you lived here? I feel like you moved in shortly after I did.

[Selena]

Before.

[Abigail]

Oh, my bad. I'm Abigail.

[Selena]

Selena.

[Emmett]

Dude.

[Game Master]

And that is a great cue for Emmet, I think, to arrive. Emmett Markham. You step up slowly, rhythmically, but again, you can all hear the telltale wooden sound. No matter how softly you try to move around this building, it always seems to give you away. And door opens.

[Emmett]

Oh, hi.

[Fenley]

Hi.

[Emmett]

Is. Is this cool? I mean, I found this on the. In my hall. It's your.

[Fenley]

Oh, yeah, yeah, yeah. Absolutely. You're in the right place.

[Abigail]

Man, I have never seen a flyer work so well.

[Fenley]

Right?

[Abigail]

I'm so impressed.

[Fenley]

I was a little bit worried. I'm Fenley, by the way.

[Emmett]

Oh, hi. My name is Emmett.

[Fenley]

Emmett.

[Emmett]

Yeah.

[Fenley]

Nice to meet you.

[Emmett]

Hi.

[Jude Marley]

Is that with an A or an E?

[Abigail]

E. Abigail.

[Emmett]

With an a. I remember Jude Nice to meet you. Sorry, I'm a little distracted today, so I just wanted to kind of.

[Jude Marley]

You got any drinks, man?

[Fenley]

Oh, yeah, yeah, we have drinks. We have.

[Jude Marley]

Yeah.

[Game Master]

Make a pull for awkward.

[Emmett]

Me?

[Game Master]

Yeah, Bentley, make a pull. See if you can recover this. Well, this is what you wanted and this is something that we talked about. So get yourself out of this.

[Fenley]

Come on, social skills.

[Game Master]

Come on, social skills. Make these polls because you know that this is exactly what you've been chasing, what you've always wanted, you're hoping for. This is your first time, Fenley, to shine on your own merits. So shine, Shine away, you bright, brilliant, gleaming star, you. I just want friends. Oh, how bright can you be to make something as hard as this life?

[Fenley]

Let's just have a good time, everybody.

[Game Master]

All right, so, Finley, you pass out drinks, you pop open.

[Fenley]

That's how you diffuse the awkwardness.

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[Jude Marley]

What is this?

[Fenley]

That's just vodka and orange juice.

[Emmett]

But you're new in the building, right?

[Fenley]

Yeah, yeah, I just moved in for.

[Emmett]

Where did you move in from?

[Fenley]

Well, I came over from like the next town over and. Yeah, I just. The rent here is amazing. The conditions a little lacking, but I can afford it by myself and I'm out here on my own making friends.

[Jude Marley]

Thanks for having us, Blair.

[Fenley]

Yeah, thanks. Thank you so much for coming. I was terrified that no one would show up.

[Abigail]

Maybe we should do this more often.

[Fenley]

Yeah, it could be like the rooftop club. Got a horse?

[Abigail]

We'll work.

[Emmett]

Show up. Work on the title.

[Jude Marley]

Yeah.

[Game Master]

Appetites.

[Fenley]

So I'm a painter and a barista, but what do you guys do for work or fun?

[Abigail]

Well, I'm in the entertainment industry. Like Everyone else here.

[Fenley]

That's so cool.

[Abigail]

Yeah, yeah, it's fine.

[Jude Marley]

What's your last job?

[Abigail]

Oh, you know, I've just kind of freelance. Just kind of odd jobs here and there. Just getting the work done, whatever. Nothing really identifiable. I guess.

[Jude Marley]

Not much has changed, has it?

[Abigail]

Ooh. How about you, Jude? Why don't you tell people about your line of work?

[Selena]

Yeah.

[Fenley]

I love your style. Really great.

[Jude Marley]

Yeah. Yeah. I work for a hotel.

[Fenley]

Oh, wow.

[Jude Marley]

Very nice hotel downtown.

[Abigail]

Doing what?

[Jude Marley]

I'm a director of hotel operations.

[Fenley]

And you live here, right? I mean.

[Jude Marley]

Yeah, I live here. Yeah. Yeah, I.

[Selena]

You know, it's a great place.

[Jude Marley]

It's a great place.

[Fenley]

Yeah.

[Jude Marley]

It's a great place for me.

[Fenley]

I'm so inspired by the architecture and it's just so breathtaking.

[Game Master]

This point. You can very distinctly tell when a large patch of clouds seem to pass over the waning sunlight as the evening is coming to a close. And that's very interesting because just a few hours ago it was clear skies.

[Selena]

So two struggling artists and a nebulous upper management type in a somewhat rundown building. That's nice. And you?

[Emmett]

I'm doing all right. I write.

[Fenley]

Ah, cool.

[Emmett]

Playwright.

[Fenley]

Do you have anything coming up soon?

[Emmett]

Yeah, I have something running in New York now.

[Fenley]

What?

[Emmett]

A couple more months. Yeah.

[Selena]

Why aren't you in New York? Not much of a theater scene out here.

[Emmett]

I mean, I followed a girl.

[Jude Marley]

Where is she?

[Emmett]

Not. Not here.

[Fenley]

That's rough.

[Emmett]

I'm, like, here for a couple more months. I'm probably gonna go. Head back.

[Game Master]

Suddenly, a large thunderous strike emits out from the cloud bank. And you can see that the clouds are starting to roll. And suddenly, as if the winds high above you are gusting at 100, 200 miles an hour, you're seeing that the cloud is pushing itself deeper and deeper into the skyline, taking up large portions of the overhead scenery.

[Sponsor Voice 1]

No.

[Fenley]

I'm sorry, you guys. I thought. I didn't know it was gonna rain.

[Abigail]

Holy shit. I've never seen anything like that here.

[Jude Marley]

Have you? That doesn't look normal at all.

[Fenley]

I mean, it's just a little rain, but, I mean, we could move the party down.

[Selena]

No, fuck that.

[Abigail]

This is awesome.

[Jude Marley]

Oh.

[Fenley]

Or we could play in the.

[Emmett]

Are you gonna tell us your story before it dumps on us? Or

[Selena]

my. I don't know.

[Emmett]

Whatever.

[Selena]

I do the Internet. Yeah?

[Abigail]

How do you mean?

[Selena]

I do Internet things. It's kind of technical. I don't think that horse type would. No, no, no.

[Fenley]

Do you get a good connection out here or. Oh, yeah, yeah.

[Selena]

Absolutely.

[Game Master]

You're pulling a bluff here, Selena. I feel it. Maybe they feel it, too. Why don't you make a pull? You're keeping yourself as close to your chest as those arms wrapped around you right now. As you look to all of the people in front of you. And Emmett, who is so graciously giving you every opportunity to speak kindly of what you're doing, seems to be a

[Jude Marley]

bit of a hole.

[Game Master]

Are you making that hole?

[Jude Marley]

That was quick, decisive.

[Emmett]

Yeah.

[Game Master]

You covered your tracks extremely well. Selina. Tell them more.

[Selena]

So there's this thing called the Internet. Uh huh.

[Fenley]

I've heard of it.

[Selena]

Right. And there are people that need to keep it running. Oh, right. So I write code for the Internet.

[Fenley]

Hmm. I like her.

[Jude Marley]

Sounds interesting.

[Emmett]

Yeah.

[Selena]

Most of the time it's just sitting in a dark room typing. But yeah, ditto.

[Fenley]

Oh, yeah.

[Selena]

Right.

[Abigail]

Let me know if you want to bounce. I Give this like 15 more minutes before my tolerance starts to grow. I just cleaned my room, guys.

[Game Master]

You're not being obvious at all. Make a pull.

[Abigail]

Who, me? Or both you?

[Game Master]

Abigail, Jude's already owned his three pulls for the day. You started this conversation. Why don't you finish it?

[Abigail]

What was that one? That. But Finley seemed to already have loosened up for me.

[Jude Marley]

If she makes this pull, you guys

[Game Master]

are free to go.

[Jude Marley]

Make sure you land this one.

[Fenley]

Yeah.

[Game Master]

No. Do you need more drinks or. Oh, jeez.

[Emmett]

Yes, please.

[Game Master]

Okay.

[Selena]

Can have mine.

[Emmett]

Thank you.

[Selena]

Jesus.

[Game Master]

Now, as Abigail and Jude start to get themself the idea to move out of here, they start walking towards the door. When suddenly you hear the loud stomping of somebody coming up the door. The door doesn't even open. You can hear a as the door kicks open and you see the landlords come straight up in a fit, in a raging huff.

[Landlord]

Who did it?

[Selena]

Whoa, whoa.

[Landlord]

Who did that?

[Game Master]

Somebody screwed with the walls. All of you, get over there. He points towards the far part of the wall. Having you line up in front of him, don't you two. I see what you're going. Don't go down. Sit down and tell me which one of you touched the walls.

[Emmett]

What are we talking about right now?

[Game Master]

We're talking about the building. I have one rule inside of this house. One very special, specific, important rule. And that is nobody messes with the building. Not the walls, not the infrastructure, none of it outside. Yet someone has disobeyed me. Who did it? Someone just fess up right now.

[Emmett]

Does anybody know what he's talking about?

[Jude Marley]

No idea.

[Abigail]

How do you know that someone messed with the walls? If you can't point to who did it.

[Game Master]

I just know, okay? I just know that there's something wrong. And one of you is responsible for it. I swear to God, I will evict all of you in one swoop unless someone tells me what happened right now.

[Abigail]

What the fuck? New Kid.

[Game Master]

You can see he's starting to pull into his hand.

[Selena]

Did anybody do anything?

[Fenley]

Hey, hey, hey. I did.

[Game Master]

Don't. Wait. What? He pulls a gun out. It's a six shooter revolver. He holds it up in front of you. What? You. You. He throws his hand down, Comes storming up next to you, pulls you by your hand.

[Fenley]

Sorry.

[Game Master]

What did you do?

[Fenley]

There was a ticking. There was a ticking noise.

[Game Master]

Ticking. There was a ticking. What was the ticking?

[Fenley]

It was. I don't know. It was some sort of like cylinder thing.

[Game Master]

What did it look like?

[Fenley]

It was a light bulb. It was a light bulb. I can repair it. I can repair it. It's super easy. I'm a painter. I have paint.

[Game Master]

What did it look like?

[Fenley]

It like, looked. I sketched it. And I have a. It was like a lantern.

[Game Master]

You see, as he comes across, all of you look around. Finley, make a pull. Hold yourself together, man.

[Fenley]

Oh, my God.

[Game Master]

She'll pull this thing out and look at it. You can see he's waving the gun around, looking at all of you.

[Landlord]

God damn it.

[Abigail]

Jesus.

[Game Master]

I just had one rule.

[Fenley]

And this is Selena.

[Game Master]

This is so. You don't know what you've done. You have no idea what you've done.

[Fenley]

I can't get evicted. I can't. This is. I need this place. I need this.

[Game Master]

It doesn't eviction. It doesn't matter. None of this will matter unless you tell me exactly what this looked like.

[Fenley]

It was like a lantern. It looked like it plugged into something. It was in the wall.

[Game Master]

So you show him. You show him the bulb. And he looks at it and you can see, he starts to calm down. He puts the gun down every. So there might still be time. Okay? There might. None of you go anywhere. And he runs and he bolts out through the door and storms down the hallway as fast as he possibly can. You can also hear and look as the skyline is starting to rol and crackle as the clouds are beginning to become a nebulous blob. And you can hear nothing except for the occasional of the thunder as lightning starts to scream across the sky. But not one drop of rain falls.

[Selena]

Are you okay?

[Fenley]

Yeah.

[Jude Marley]

You good?

[Fenley]

Billy.

[Selena]

Did I hurt you?

[Fenley]

Yeah. I didn't think it was that big of A deal.

[Abigail]

Come here.

[Fenley]

There was a ticking sound inside of one of the pillars in my wall. And it looked like it was coming from a specific space. So I just pried it open a little and it just completely fell apart. And then there was this cylinder that was inside of it. It looked like it had just shut off, like it was a light bulb. And it was warm to the touch. And I took it out because I didn't know.

[Game Master]

You hear gunshots.

[Fenley]

Oh my God.

[Game Master]

Rang out on the bottom. And it feels like it's coming from the second floor. You hear an entire six rounds. Lay out out of nowhere. And you hear nothing. Silence, everybody.

[Jude Marley]

Okay,

[Emmett]

Are we getting out of here right now?

[Abigail]

I think Mr. The landlord just lost his fucking mind.

[Fenley]

Do we call the police?

[Emmett]

I think we need to get off the roof. I think we need to get out of this building.

[Fenley]

Agreed.

[Game Master]

Are you all coming off of the roof?

[Fenley]

Yeah, I'll follow.

[Emmett]

I think we should get out. I don't really think we should be waiting here for him to come back to do what he just did.

[Jude Marley]

This looks fucking creepy. Yeah, that was fucking creepy.

[Selena]

I'm sure he has his reasons.

[Game Master]

So as you all make your way down to the second floor of the building. And the first thing that you notice when you get down to the bottom of the second stairs, you see the landlord leaning against one of the rails. And he is holding his head fenally. You're the first one to see him. Oh my God. He holds up and he drops the gun and looks at you as he eyes roll into the back of his head and he reaches out for you.

[Fenley]

Are you okay?

[Game Master]

Make a pull. Make a pull.

[Fenley]

Is he bleeding?

[Game Master]

You can watch as blood is running down the side of his neck. As he starts to look pale and reddish. And he looks to Abigail, he looks to Jude, he looks to Emmett. And he looks to Selina. And he goes back to looking at Abigail. And he moves his hand and stares.

[Abigail]

What the fuck, man?

[Game Master]

And you can watch as he's barely holding his consciousness and starts to roll back. As the final thing he says to the skies above. Keep it on. As he tumbles back off of the banister.

[Jude Marley]

No.

[Game Master]

And you watch as he spirals down. And a loud crunch with a breaking of bones. Oh, my God. As you look over the banister and peer down to the main lobby area. You watch his sprawled body laid out before you.

[Selena]

Oh, fuck.

[Game Master]

And then you hear a knock at the door. The last loud buzzer.

[Fenley]

Meh. Meh.

[Abigail]

Do we.

[Fenley]

Do we cover him? Do we cover?

[Emmett]

Do we move them we're good. We just. We all saw that. We all saw that. We're good.

[Abigail]

But like, are they gonna fucking trust. They're not gonna trust us.

[Fenley]

We didn't do anything wrong.

[Sponsor Voice 1]

I got fell over and we're all

[Emmett]

here like, we just fucking. Bruce didn't murder the man together, but

[Abigail]

he looks really fucking murdered.

[Jude Marley]

I can't go through this shit again.

[Abigail]

Okay, someone cover Benlee.

[Game Master]

You look like.

[Abigail]

You look like a sweet kid. You're a sweetheart.

[Fenley]

Go.

[Abigail]

Go open the door and just.

[Selena]

You're good at people.

[Fenley]

We'll cover it. Okay, I'll go down and open the

[Abigail]

door and can I start trying to like.

[Game Master]

Don't touch anything.

[Emmett]

Don't touch the gun. Don't touch him.

[Game Master]

Don't touch anything. Bentley, as you open the door, you see several police officer standing in front of you and one of them holds a badge out and says, sir, we've heard that there's a disturbance.

[Fenley]

Yes, there's been a disturbance.

[Sponsor Voice 3]

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