Avowed One-Shot

Summary

Critical Role Podcast Summary: "Avowed One-Shot"

Podcast Information:

• Title: Critical Role
• Host/Author: Critical Role
• Episode: Avowed One-Shot
• Release Date: February 25, 2025

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Introduction

In the "Avowed One-Shot" episode, the cast of Critical Role collaborates with Xbox and Obsidian Entertainment to explore the world of Avowed. Set in the expansive universe of Eora, this adventure takes listeners through a gripping narrative filled with suspense, character development, and intense roleplaying moments.

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Setting

The story unfolds aboard the prison ship Dancing Umbrage, journeying from the Idiran capital city of Highcrown to the northern frontier island known as the Living Lands. This island is rumored to host abundant landscapes and prehistoric relics, making it a coveted destination for various factions seeking expansion and resources.

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Characters Introduced

• Lady Minette: An Orlon noble with a mysterious past, skilled in magic and games.
• Galen: A human with a background in accounting, wrongfully accused and now seeking redemption.
• Sable: A rugged, outdoorsy dwarf passionate about conservation and animal rights.
• Ylva: An enigmatic Elven woman with complex motivations and a hidden agenda.
• Medrin Glaukias: A member of a competing criminal family, portrayed as a cunning antagonist.
• Figrun and Alceno: Compatriots of Medrin, each bringing unique skills to the conflict.
• Lyra: A resident game master and supportive character, aiding the group in their endeavors.

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Plot Summary

1. Life Aboard the Dancing Umbrage

The episode begins with the cast settling into their respective prison cells on the Dancing Umbrage. Galen describes the oppressive environment aboard the ship, highlighting the diverse cast of prisoners, each with their own backgrounds and motivations. Tensions simmer as the group anticipates their arrival in the Living Lands.

2. Storm and Shipwreck

As the ship sails northward, a violent storm engulfs the vessel, leading to a shipwreck. The chaos results in the destruction of many guards and the scattering of prisoners. The surviving group, including Galen, Sable, Minette, and Ylva, navigate the wreckage, facing immediate threats from elemental creatures known as Rain Blights—magical storms that threaten their survival.

3. Stranded on the Living Lands

The survivors land on the rocky shores of the Living Lands, a mysterious island with limited resources and potential dangers. They regroup amidst the debris, scavenging for weapons and provisions. Their exploration leads them to a partially functional lighthouse and a makeshift outpost. Here, they encounter Medrin Glaukias and his associates, sparking a series of confrontations driven by mistrust and survival instincts.

4. Encounters with Spirits and Recurring Conflicts

As the group delves deeper into the island, they uncover ancient ruins tied to the enigmatic mineral Audra—a substance of great spiritual and magical significance. Conflict intensifies with aggressive spirits called Rain Blights attacking the survivors. Through strategic combat and teamwork, the group manages to fend off these spectral threats, though not without sustaining injuries and accumulating elemental afflictions like fire and poison.

5. The Final Confrontation

The climax of the episode features a tense showdown between the survivors and Medrin, who becomes increasingly desperate and antagonistic. As they navigate the treacherous halls of an ancient chamber, they confront the malevolent spirit Edea the Kangula—a vengeful entity with ties to the island's mystical energies. In a final bid for survival, the group battles Edea and Medrin, leading to a decisive victory aided by their combined resilience and magical prowess.

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Key Discussions and Insights

• Survival and Trust: The episode emphasizes the importance of trust and collaboration among the prisoners as they face external threats and internal conflicts.

• Magic and Mysticism: The use of magic, particularly in combating elemental creatures and interacting with ancient ruins, highlights the intricate relationship between the characters and the mystical world of Eora.

• Character Growth: Each character experiences significant development, revealing motivations, fears, and alliances that shape their journey from captives to survivors.

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Notable Quotes

• Galen (00:05:00):

  "I tried to help, but I think they've lacked evidence or anyone else to point a finger at."

• Sable (04:45:00):

  "I'm just a dwarf of the land. I know pretty much everything about nature."

• Minette (05:05:00):

  "I owe my entire life to Eleonora. And I regret nothing."

• Ylva (15:30:00):

  "We're smarter than the rest of them."

• Ylva (22:00:00):

  "Being underestimated is a wonderful thing."

• Matthew Mercer (Throughout the Episode): As the Dungeon Master, Matthew Mercer provides vivid descriptions and guides the story, often reacting dynamically to player actions.

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Conclusion

"Avowed One-Shot" offers an immersive experience into the collaborative storytelling that Critical Role is renowned for. By intertwining elements from the Avowed universe with original character arcs and intense gameplay, the episode delivers a captivating narrative of survival, trust, and the battle against formidable mystical forces. The characters' journey from prisoners to heroes underscores the themes of resilience and unity, making this one-shot a memorable addition to the Critical Role canon.

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Thank you for joining us on this adventure! If you enjoyed this summary, make sure to listen to the episode for the full experience and join the conversation with fellow fans of Critical Role and Avowed.

Transcript

[Galen]

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[Matthew Mercer]

I can say to my new Samsung Galaxy S25 Ultra hey, find a keto friendly restaurant nearby and text it to Beth and Steve and it does without me lifting a finger so I can get in more squats anywhere I can. 1, 2, 3 will that be cash or credit? Credit 4 Galaxy S25 Ultra the AI companion that does the heavy lifting so you can do. You get [e-mail] compatible with select apps. Requires Google Gemini account. Results may vary based on input. Check responses for accuracy.

[Sable]

Hey there Critical Role Podcast listeners. We have a special new membership service at Beacon TV where you can get early access to all new podcast episodes including Critical Role. For the first time ever. Beacon members also get things like event presales, merch discounts, access to a private community discord and and new exclusive series like Critical Role Cooldown where we riff after the show. Think of it as our digital Critical role Land, head on over to Beacon TV to check it out for yourself and start a seven day free trial. Thank you so so much for your support for being a podcast listener and for being a part of our community.

[Matthew Mercer]

Hey there critters. We are so excited to share with you our brand new PODC from the world of Exandria, the Re Slayer's Take. In this audio adventure, you'll be guided through the wild continent of Issylra, home to some of the most dangerous creatures. Here, the Slayer's take is the most notorious monster hunting group in the realm, but when previously slain creatures start returning from the grave, it's up to six misfit mercenaries to band together and re slay these supernatural threats as the reslayers take. So come follow along these audio escapades as the second coolest monster hunters this side of Exandria battle a growing undead army of dangerous creatures. The party is led by a duo of game masters, George Primavera and Nick Williams, with the main cast including Jasmine Buellar, Caroline Lux and Jasmine Shion. Listen to new episodes every Monday anywhere you stream podcasts or become a Beacon member and listen to the podcast two weeks early and uninterrupted by Ads. Hi there. This is Matthew Mercer, resident game master here at Critical Role to welcome you to this podcast version of the show. If you'd like to watch the stream as it airs, you can catch It Thursdays at 7pm Pacific on Twitch TV CriticalRole or YouTube.com criticalrole. Twitch subscribers can access the video on demand immediately after the broadcast, and it also becomes available on YouTube Mondays at 12pm Pacific. Podcast episodes land right here on the Critical Role podcast network on Thursdays, a week after the initial broadcast. Okay, with that info dump out of the way, let's dive into the story. Hello everyone, and welcome to a very special one shot in collaboration with our friends at Xbox and Obsidian Entertainment and their new game Avowed, which is out now. You should buy it. It's in the same world of Pillars and Pillars of Eternity and pillars of Eternity 2, and I love it and I'm super excited. You can check it out [e-mail] avowed to learn more about it. And that being said, while you may recognize some of the places and characters explored tonight as inspired by elements from the Avowed game, we just want to emphasize for you all that the characters and events in this one shot are our own creations and are not official content from Avowed. They are just simply inspired by it. But a big thank you to Xbox and Obsidian Entertainment for letting us play in your world of eora. Before we jump in, let's get through a quick roundtable for some of our fantastic players here. We'll go ahead and start on this side. Marisha. Marisha Ray. A wonderful.

[Sable]

That's me. I'm Maria. Marisha Ray. Hello. Hi.

[Matthew Mercer]

Yay. Joining us, I guess for the first time, Seungwon Cho. Thank you so much for coming. Yeah, my pleasure. Thank you. Hell yeah, buddy. Anjali Bhumani, thank you so much for coming along. Hi, guys.

[Ylva]

It's good to see. Oh, no, I won't be doing that voiceover. Do not worry. I know. Someday.

[Matthew Mercer]

Someday.

[Ylva]

Someday. I promise. I promise.

[Matthew Mercer]

Travis. Yes. Travis Williamson. Willingsom.

[Galen]

Yeah.

[Matthew Mercer]

Willingsom. Travis Willingsome. Thank you so much. Travis Willingham. Thank you for coming, buddy. And lovely Whitney Moore. Thank you so much for joining us at the table.

[Minette]

I'm a nice woman who's allowed to be inside an airport.

[Galen]

Oh, what does that mean?

[Matthew Mercer]

You want that information? Okay, we're not going to unpack that at all. We do not have time. But bringing us back to eora without further ado, let us indeed come into the world of Avowed.

[Galen]

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[Matthew Mercer]

New Samsung Galaxy S25 Ultra reduces noise in my concert videos with Galaxy AI taking them from this to this. Now I have time to bejewel my favorite artists faces onto jackets. This one really captures their eyes. Galaxy S25 Ultra the AI companion that reduces distractions so you can do you get [e-mail] compatible with common video formats, accessible in gallery helps minimize six select sounds results for your Galaxy AI features by Samsung free through 2025 welcome to Eora, a vast and mysterious world of magic, politics, and discovery, where empires weave and row over their interests, and the many gods have presided in ages past over the wheel, a cycle of rebirth the soul undertakes with each passing. The soul itself is a studied thing, a being's own essence and its mechanics themselves are studied across many lands within the field of animancy. Texts and great machines recovered from the ancient civilization known as the Ingwithins pertained to and manipulated souls in ways that are still not fully understood. But such matters carry little interest where our story begins as a sizable prison ship recently set sail from the Idiran capital city of Highcrown. Heading northward, this ship, the Dancing Umbrage, carries a cargo of numerous convicts of varying degrees of notoriety, shackled, then prepped into the ship for arrival to the living Lands, the northern frontier island where numerous settlements and foreign colonies now seek to expand and claim dominion over the region's diverse geography and bountiful resources. Rumors swirl of unnaturally abundant landscapes and uncovered relics belonging to prehistoric culture, and the pursuit of such interests requires labor, and, well, no labor is cheaper than Prisoners without choice. Prisoners that now wait within the belly of the dancing umbrage, pushing onward across a choppy sea as a storm brews beyond. So here, deep below the deck, the dull swinging lantern light barely lighting the interior of these barred cells. The strong sense of musky sweat and mildew, salt soaked wood itself giving this awful mixture of smells that sting the senses like an invisible mist that hangs in the air around you. The loud sounds of hard exterior rainfall hitting the hull of the ship. The undulating creaking of the wood with each shift of every heavy wave causing you all to rock and push against the bars and wood that surround you. Here in the shadows of this ship, the many criminals sent on this adventure sit behind these bars, sliding with each of these heavy swings. A wooden cage filled with a unique mix of white collar criminals, grifters, thugs and some career crooks, all eager to be free from this seaside rocking coffin. Travis, as we shift over to one of these two adjacent cells with but a set of bars between them, what do we see in front of us? And what are you doing?

[Galen]

You see a human godlike, sitting there, keeping to himself. Almost appears cold, but it seems like it tremors from the violent shaking of the boat. Not really handling himself very well. His skin looks almost charred or blackened. And you can see these little veins of what look like magma or fire creeping up his and into his cheeks, down his arms, and there's a low glowing flame beneath it. His eyes have this burning coals and blackened hollows behind them and then these horns that protrude from his down along his cheeks and up along his temples as well. But he's not a terribly imposing figure and he actually looks fairly afraid and fearful of of where he is. And he's constantly furtively moving his eyes back and forth and just trying to get a bearing on his situation.

[Matthew Mercer]

All right now, but a few days here deep at sea to this unknown location, you sit there keeping to yourself mostly, hands ringing in your isolation, both here among the distant waters and even amongst a foreign populace of folk more threatening than you by disposition, maybe not by visual appearance, but sharing the cell with you. Whitney, if you wouldn't mind describing who we see and what you're up to.

[Minette]

Yes, I am an orlon, so about 3ft tall with the coloring of a Siamese cat. Dark, all white except for dark on my hands and feet and ears and a little bit right on my nose. And I'm wearing a beautiful silk gown that has a really cinched waist and a bell skirt and it is embroidered with beautiful green stems with pink flowers on it and it's really beautiful lace gloves on it and I am humming to myself, having not a nice time, but I am content and I am fingering the hem of my dress where that seems like there's something, a thread that I'm pulling at but humming and I'm keeping to myself.

[Matthew Mercer]

All right, as you hum and you pluck at that one thread, it begins to slowly unravel as it has been for some time. And as you're lost in distant thought as the song swims through your mind, a heavy wave seems to billow on one side of the ship and as it does it and rocks to one side and you can't help but try and catch yourself before you slide and wham into the other bars across the way as the ship rights itself as you slam into the bars, the heavy sound of metal ringing behind you right into the back of you Seungwon, your character on the opposite side of these bars, feel the impact from behind and who do we see react?

[Galen]

So he's a big blue man, he's very handsomely dressed and I guess prior to getting run into, very relaxed just.

[Matthew Mercer]

Like, I don't know, sticking his finger in his ear, checking for wax blowing.

[Galen]

And just clearly not too bothered by his current circumstance.

[Matthew Mercer]

When she runs into me, I'm vaguely annoyed.

[Galen]

But your character is fairly small, right?

[Matthew Mercer]

Okay, very small. I almost barely.

[Galen]

Because I'm built and I barely notice it and when I like to scoff.

[Matthew Mercer]

Little look of disdain but I don't even acknowledge. Fair enough. As this Aomaoa glances over his shoulder, not terribly bothered, his head turns to look about the rest of this cramped cell where not too far. Anjali, if you would describe who we see also sharing this space.

[Ylva]

Yes. So you see sitting in the back corner, one leg folded under and one leg bent in front, you see a lithe elven woman who is she has long white hair twisted up. You see some kind of golden spirit, something that she's fashioned into some kind of a hairpin of some kind. You can't tell if it's a weapon, a stick or what it is, but it's in her hair and she's wearing a fur lined bolero and a high low skirted leather bodice jacket thing. It's a technical turn. Stay him out of my lane. And long tall boots. And as all of this has been happening, she's been eyeing both of these two very sweet characters across the way. She's been eyeing them and sharpening her nails against the stone or against the stone of one of the walls. You notice that her nails are sharpened.

[Matthew Mercer]

To a fine point, all right, so even noticeably treated a little better in what you're able to bring along than some of the other prisoners on this. There is some difference in station, just easy at a glance to notice. But here, as you gather yourself and feel comfortable in this space, you feel the distant crack of rolling thunder echo and billow through the muffled sound barrier that is the outside of the ship as the movement of the waves make it continue to roll and undulate. The warden's heavy footsteps now being heard beginning to descend down below deck and into the interior of the chamber. As you can glance over to the right in the direction of the sound not far from you on the other side, ears also perked up at what sounds like the warden giving some sort of an immediate walk or pass through. Marisha, would you describe who we see also in this chamber with these two?

[Sable]

You see a very stout, dwarven woman. She looks kind of like the rugged, outdoorsy type. She's covered in a bunch of scars. Face is a little bit worse for wear, a little gruff, a little reddened cheeks from, you know, sunspots from being out in the sun too much. She's got a fur pelt over top of her shoulders, sustainably sourced, and it's got some leathers kind of all over the place. A little bit of some hides hanging from her belt. And a big wide brimmed hat sits on top of her head. Two kind of braided ponytail or pigtails that kind of hang down beside. And she's having a very different experience from everybody else. You would almost think she's having a good time. Right before this, right before this warden came down, she was just like.

[Ylva]

Yeah.

[Sable]

Getting tossed around like a fresh pot of ale and drunkard stuff. Stomach.

[Matthew Mercer]

Let's go, let's go. As you slam on the ground, all of you, your arms and armaments themselves confiscated and not certain where they were taken even before this trip, even if they made it to the boat, you have what was on you when you were set aside for conviction and then quickly thrown onto this ship with what you had on on your back, you slam your fist in the ground before another sound slams into the heavy wood door just beyond where the cell is. As around the corner, you see the dark and outer shape barely lit by the still hanging and squeaking metal of the lanterns that are still trying to recover from the thrust of the ship. From side to side, the outline of Warden Renzano. You see A human man with a big heavy square jaw, with a. A big bushy red beard that consumes most of it. Though the mustache itself is cut down except for a bit stubbly up top. This massive chin beard, short crew cut red hair, and a very intense look. Look to be the green eyes you've seen during the day before you took this trip. But it's hard to even tell much beyond his really thick brow in this top lit lighting as he comes around. All right, need you all to keep down. No more. Too much noise making around here. We still got about a week's path on this. And if any of you be causing any sort of trouble, any rolling down here, we'll strap you to the front of this bow until you right make your face smile.

[Ylva]

Don't make any promises you can't keep.

[Matthew Mercer]

I wouldn't keep plenty of promises, missy. Food's coming around in about two hours. He keeps on walking, moving past. You hear this ting, ting, ting. About 10ft down. He's like, who threw that? Who fucking threw that? Someone laughs around. There's a couple chuckles, comes over and slams into the bars and everything gets quiet and still. And he's like, you gen 4, want to go ahead and take a walk, huh? You're just like, no, no sir. He goes, too bad. Time to take a hike, boy. Opens up the bars and you hear like, no, no, no, no. The sound of chains dragging, manacles being clamped onto somebody. And you see the shape of one of the prisoners in one of the other cells in this part of the deck being dragged out with the warden up to the deck. His whimpers vanish as the trapdoor closes on top.

[Galen]

As that was happening, could I rush up to the bars and just try and see where the warden is pulling keys from or anything like that on his person?

[Matthew Mercer]

Yeah, go ahead and roll perception for me.

[Ylva]

First roll, first roll.

[Galen]

That's roll 20.

[Matthew Mercer]

You see another guard that had been stationed on the far end of this hallway has joined him as this commotion began to begin. So there's a secondary guard helping. It's not just the warden, but the warden indeed. Pushes past his cloak and you see those heavy furs as well soaked. He's been walking up on top of the deck to try and keep everything organized. So there's water dripping from the furs, but as he pulls back, you hear the jangling of metal. And without issue, even here in the low light, your keen eyes see this ring that carries about probably a dozen and a half keys from it of different colors and metals. He goes ahead and plucks past four down, enters it and then enters the cell where this figure's drawn out. You see, this is a poor older dwarven fellow who looks later in his years who he's not fighting. He's just whimpering as he's dragged off, bald of head and long white curls. Both the guards grab an arm and pull him up onto the top of the deck and out of sight.

[Galen]

Can we please keep it down across the. Across the way there. I really don't want to end up.

[Matthew Mercer]

On the bow of the ship.

[Sable]

See how hard he hit that wood? It's strong wood. What do you think, Oak?

[Matthew Mercer]

It's good.

[Galen]

I turn to Ilobud and I go.

[Matthew Mercer]

So they got you too, huh?

[Ylva]

It seems they have, huh?

[Matthew Mercer]

Yeah, well, I made a few too many slip ups and. Yeah, but it'll be fine.

[Sable]

You two know each other or something?

[Matthew Mercer]

In passing, I suppose.

[Ylva]

We're acquainted. Family friends.

[Matthew Mercer]

Yeah. You're with. What's the name of that family?

[Ylva]

The Tyrans.

[Matthew Mercer]

Yeah, yeah. Tyrans. Yeah. Anyway, we've had a few run ins.

[Sable]

Nice. Like, like.

[Ylva]

Definitely not.

[Matthew Mercer]

Not yet.

[Sable]

Well, we're here another week, you know, so. No strangers among thieves, right?

[Ylva]

Are you looking?

[Sable]

How am I watching?

[Ylva]

As much as I appreciate your daring, do I think perhaps our perceptive natures are a little bit more inclined to finding a way out of here before we enjoy each other's company.

[Matthew Mercer]

Yeah, she's got a real stick up her ass.

[Ylva]

Watch it or you'll have one up yours.

[Matthew Mercer]

Promise. I bought this moment. A soft voice from across the way in the shadow of the bars in the cell across the hall from Mew. Does anyone around here know where we're going? Anyone at all? You see just faintly through the shadow, these two little hands curl around as this dirty blond Orlan female, old middle age, blue eyes peer through from beneath. You can see a pale expression of fear on her face as she wears somewhat ragged looking prison clothes that give you the sense that she's probably been waiting in a cell back in the Indiran empire for a while before joining this journey with the rest of you.

[Sable]

Haven't you heard? I imagine they're going to take us where they take all you cells type of folks live in lands.

[Matthew Mercer]

I don't know what that is.

[Minette]

You look like me. I've really seen someone who looks like me. We're going somewhere to do work, I believe. But don't worry, because patience is a virtue and adaptability is a virtue. So if you hang on and think nice thoughts, then you'll get through, and that's what I'm hanging onto. So have that.

[Matthew Mercer]

Okay. Okay. That's good to know. That's good to know. I'm Lyria. Lyra.

[Minette]

Lyra, my name is Lady Minette. It's so nice to meet you.

[Matthew Mercer]

You're a lady?

[Minette]

I'm a lady, yes.

[Matthew Mercer]

Wow.

[Galen]

I, Lyra Hunt. But Galen. That's very nice. By the way.

[Matthew Mercer]

Galen.

[Minette]

I find it helps to hum along, to drown out the thoughts, so. And there's no dread for you. Hum over it.

[Ylva]

I'd like to differ. There is a little bit of dread, just maybe not for you.

[Minette]

I'm sorry to speak out of turn.

[Ylva]

This is quite all right. Yes.

[Sable]

No, you have to oppose.

[Ylva]

Oh, all right.

[Matthew Mercer]

Thank you.

[Minette]

I understand that in polite society, it's important to have manners, and I don't want to speak out of tongue.

[Ylva]

There's another story.

[Sable]

We're not in polite society no more.

[Galen]

Lady Minette, are you a. You're a lady?

[Matthew Mercer]

I am.

[Minette]

I am a lady. Just very much like Ilva, actually. Right, my diva. You went to parties and you drank tea and are educated like me, right?

[Ylva]

I am many things, but definitely not a lady.

[Minette]

Oh, forgive me. Yes, I am a lady, and I am adaptable, and I have strength of character. And so this is something that we will cross the bridge when we get to it.

[Ylva]

Interesting. Do you have any skills?

[Minette]

Yes, yes. I'm highly educated in magic. I was. My friend Eleonora, whose family I joined at a young age, she wanted me to be taught all the things that she was taught. And so I was raised with education, such as maths and literature. And also I can shoot fire out of my hands. So I don't know. I don't typically do it very much, but. Yes. And I'm also very good at dice.

[Ylva]

Dice? Dice.

[Minette]

Games. Card games. Yes. You know, you have to. A lady must always have a rounded set of skills. That's what Eleanora said.

[Matthew Mercer]

So what's a fancy little girl like you doing here? You steal a cookie from the cookie jar?

[Minette]

No, I wasn't allowed to have cookies. No, I. I'm here because of friendship.

[Ylva]

Oh, dear.

[Minette]

Well, my friend Eleonora, she met me when I was a very little girl, and she was small as well, and I was on the streets, and she said, would you like to come home with me and be my pet? And she called me Minette, which I think means cat. And I think she thinks that I am a cat. But that's okay, because she said, I will give you beautiful dresses and hot meals. And you will be educated and you will become a lady. And so she brought me up and I owe her everything. And there was an accident. Forgive my imprudence, but I was reasonably more skilled at spells than she was and she had an accident with a male suitor. And I couldn't let anything happen to my friend, so I took the fall. And I would do it again. I owe my entire life to Eleonora. And I regret nothing. And I am in this situation because I deserve to be. And I will handle it with grace.

[Ylva]

Wait. Just so. So many questions.

[Sable]

Yeah, there's a lot to unpack.

[Ylva]

Honestly, no. So you are a cat that did something to support another creature?

[Minette]

No, no, I.

[Ylva]

A cat that had someone else's better interest in mind. I'm sorry, I've never heard of anything. I don't. I don't. This is not. I. What? What?

[Minette]

Sometimes the most virtuous thing to do is to understand one's place. I'm not a cat. Although I do meow and I.

[Matthew Mercer]

Sounds like you're kind of a cat.

[Sable]

Looks like a cat.

[Minette]

What would you do for a hot meal?

[Ylva]

Oh, many things. It depends on the meal.

[Minette]

Right now I'd meow. And much more than that. Eleonora is someone who's very, very dear to me. And her life was going in a direction that mine could never. And I am very, very grateful to her for what I've learned for her and the very, very many beautiful dresses that I received. For that I take my piece. And I think she will come back for me. I think that she will. I think that she loves me.

[Sable]

Well, thank God we got a week on here because it's going to take about a week to uncode all that.

[Galen]

Well, this is good though. If Eleanora is very powerful or has a lot of means or station, then maybe there would be an effort to free you and us.

[Ylva]

Trust me, if you're depending on love, there's no one coming.

[Sable]

Well, what about you? You look more nervous than gingerbread man in a hot oven.

[Ylva]

Oh, wow.

[Sable]

What did you do?

[Galen]

I. I did nothing. Okay, no, no, I know that's probably said quite frequently, but I literally did nothing. I worked the books. I work in accounting in an import export business. And.

[Sable]

White collar crime?

[Galen]

No, even that. Well, maybe I might have drawn outside of the lines a little bit and. But nothing that deserves this. I found some errors in the accounting of my company and when I brought them to the owner's attention, he paid me a little extra to look the other way and to continue the business as it was. But I was working late, burning the candle at both ends one evening. And when I awoke there was a struggle in the office. And when I turned the light, there were dead bodies everywhere. Someone had broken in and throttled the owner and his wife was there. It was terrible. But as soon as I went out and tried to help them, I realized they were beyond saving. And by raising my hand and flagging down help, I was pinned for this.

[Ylva]

Can I make whatever kind of roll would be made to try to see if anything about this is something that I would have heard of among the families?

[Matthew Mercer]

Sure, yeah. Make an Intellite roll for me, if you don't mind.

[Ylva]

18 plus 6. So 17. Yes.

[Matthew Mercer]

Yeah, yeah, I'm sorry.

[Ylva]

18 plus 6. Did I say 17? I'm an Asian who can't do math, you guys. There's only one of us. Only one of us. And it's me. 24.

[Matthew Mercer]

Very, very good. Actually. The Opalescent Trading Company is known to do quite a bit of business on the eastern side of the Idiran Empire, also between here and the Valian Republic. But they weren't a massive business necessarily. But they were one of the smaller up and comers, had been around for a while and were starting to really make their selves known. But word got around that there was some sort of vengeful wiping out of their upper management. And there's currently investigations going into a number of the competitive businesses. But currently all you've heard is they arrested somebody involved with it.

[Ylva]

But I don't have any inkling that that business, that that crime had something to do with one of the criminal families that either he or I belong to.

[Matthew Mercer]

I would say that from what you can understand, there were many families that had some toes dipped like they do in many of the trade businesses around here. But from what you've heard, no specific whispers about cause or blame.

[Galen]

As you look at Galen, he looks like he's wearing sort of dirty clothes, but it's actually very darkened rust colored bloodstains on his shirt, on his pants, on his sleeves.

[Minette]

Yeah, yeah, it sounds like you were just trying to help. That's a virtue. And I'm sure wherever we're going, you can just explain that and. Right.

[Galen]

No, no one's listened to me. They take one look at me and they assume the worst. And I understand. I tried to help, but I think they've lacked evidence or anyone else to point a finger at.

[Ylva]

Have you ever killed a man or anyone with abundant matter?

[Matthew Mercer]

No.

[Galen]

No, I've never Even killed for food.

[Ylva]

Keep that to yourself. Where we're going, that's not a good thing.

[Matthew Mercer]

Right.

[Galen]

Thank you. I'll keep it to my lady.

[Minette]

Delilva, have you killed someone?

[Ylva]

I'm not a lady. Have I killed someone?

[Matthew Mercer]

Massive shift in the ship suddenly causes you all to slide to one side. You grab out and try and hold onto the bar space you can. Or brace yourself. Remember the battle. The ship settles again and you hear another crack of distant thunder. Stillness takes again.

[Ylva]

I just thought of something. Can all of you swim?

[Matthew Mercer]

Here? Here?

[Galen]

Yes.

[Minette]

Yes.

[Matthew Mercer]

Can you?

[Ylva]

Oh, yes.

[Galen]

Lyra.

[Matthew Mercer]

I learned a long time ago.

[Ylva]

Yeah. Have I ever killed anyone? Oh, that's a. That's an interesting question. With several different answers. It depends on what you mean by killing someone.

[Sable]

Feels like there should only be two answers. Oh, no. Feels like yes or no.

[Ylva]

Was I responsible for someone's death? Maybe I break several hearts here and there. But have I ever physically killed another person? A woman has to have her secrets.

[Minette]

So yes is what I'm gathering. I'm sorry. I'm sorry.

[Sable]

Yeah. It feels like it would be a resounding no if it was anything else.

[Matthew Mercer]

She's got a smile on her face.

[Ylva]

Absolutely got a smile on her face. Looking like sweet death fully got a smile on her face. And continuing to sharpen her fingernails up against the stone. Are there any Wardens nearby? Do I see anybody at the moment?

[Matthew Mercer]

No. You hear heavy footfalls above and there are people shifting around on deck. Probably trying to hold the sails down in the midst of this storm. But nobody at the moment is present in the hall. But you do know that about every 10 or so minutes the Warden or one of the other guards comes through to check in on things.

[Ylva]

When we were brought in to the boat, did we see any dinghies or anything for abandon ship? Did we see any extra boats? Any eject pods for their own people?

[Matthew Mercer]

You know what? Roll a perception check for me, if you don't mind.

[Ylva]

Nope. That's an eight.

[Matthew Mercer]

The path you took into this ship was pretty direct. You were brought across the gangplank onto the deck itself and directly under to your cell. So even the quick glance, you got nothing that leads you to believe that there's any sort of life raft based.

[Ylva]

Any way off this boat other than landing?

[Matthew Mercer]

Do we know how much longer this.

[Galen]

Voyage is going to last?

[Matthew Mercer]

Make an intellect roll for me.

[Galen]

Oh, boy, My character's not good for you.

[Sable]

Can I help?

[Galen]

Come on. Come on, baby. 13 minus 1 12.

[Matthew Mercer]

Let's go, big blue 12.

[Ylva]

All right.

[Matthew Mercer]

Big blue 12. I mean, you've heard of the living lands, you know it's to the north, you know it's a big an island landmass and all sorts of weird rumors about it. But you're not a navigator. Yeah, I haven't really looked at a map. So you have no idea. Are there reports of dangerous. Do people die when they go there? Is there a reputation? You've heard things from people saying it is a rich land of possibility. It's a frontier, unused and unexploited. And you know that there are some colony sets from many of the different major political players both the Idiran Empire, the valiant republics nurtures in the dead fire. There's all sort of figures that are of interest of this northern area, but also it is in its own ways dangerous and unmapped. That's as much as you can gather. And that's just from hearing around from people to discussing it through your life. No direct reports. You do hear though, a chuckle emerge from a cell a little bit at an angle from across the way as a shadowed figure leans against the bars, their shoulders pushing against their head, pushing through carefully. A very thin head. You see a pale elven head pushed through with a dark brown matted long hair that covers one part. Part of the face leans in. Sorry, I couldn't help but listen in on your little conversations here, but little miss here is trying to be cheeky. I think she's killed many times. I think I know a few. You recognize that voice? This pale elven man you know to be Medrin Glaukias.

[Ylva]

Can you spell that, please?

[Matthew Mercer]

Yeah. M E D R A N GLA Kaeth G L A C Y A T H of the Glakiah family.

[Galen]

Like it?

[Matthew Mercer]

This is one of the numerous competing criminal families more to the western side of the empire. They don't work directly near the capital city and he's a middle high member of the family. He's not deeply important, but both of you make intelligence checks for me or intellect Intelligence checks for me real fast.

[Galen]

17.

[Matthew Mercer]

Nice.

[Ylva]

What does that say?

[Matthew Mercer]

Which one? This one.

[Ylva]

I have my glasses over here.

[Matthew Mercer]

That's a 19.

[Ylva]

19 plus 6 25.

[Matthew Mercer]

Okay. You both do know, as you keep tabs in your own ways on any of the the adjacent criminal movements in your spectrums of interest. The Golkayeth criminal family. This Medron figure was known to be a rising star within his particular circle, but recently became arrested and publicly humiliated and more or less disowned by the family. You don't Know if that was to just push any of the blame away from tarnishing their business or keep eyes from prying too deep into what they were doing. But he was definitely made a public example of before disappearing for a good two or three months from any sight. And now apparently, has been placed on a similar journey. As to you. They're just collecting all of us, huh? That's Medrin. Go. What the. What was it? Lakai? Yeah, whatever. Anyway. Yeah, yeah, yeah, I know.

[Ylva]

My face falls a little bit and for the first time you see me not looking coy or holding anything back. Just. Hello, eyes. Hello, Medrin. So they've done to you what he's done to me, have they?

[Sable]

Do you all know each other?

[Ylva]

What is it with you? Has it been a long time?

[Sable]

Yeah.

[Matthew Mercer]

Look, it's all been terribly honest here. Some of us here have some skill, others maybe not so much, not at least where we're going. So if we have a chance, we make landfall. If any opportunity strikes, we have to know who's got our backs and who's going to be useful. After all, last I counted, there's more prisoners in this ship than there are guards.

[Galen]

There are. I did the math.

[Ylva]

I can't do math, apparently so. We've already established that. Sorry, that was above table.

[Matthew Mercer]

Good. What can you do?

[Sable]

Oh, you know, I'm just a dwarf of the land. I know. Pretty good with a gun, pretty good with a dagger, pretty good with nature, kind of in general.

[Matthew Mercer]

Why the fuck are you down here with the rest of us, Riff Raffa?

[Sable]

Well, you see, I consider myself a conservationalist of sorts. A little bit of an animal rights activist. You see, I was just happy and fine in my mountain, protecting my forest, you know, trying to keep it from poachers. You know, they're the type of people that want to exploit the land. And, you know, there's a lot of people who wander into my neck of the woods, generally from the Valian Republic, who have all sorts of interests in the exotic animal trade and trying to find the wildlife and use them for either any type of their criminal mischief or everything from just being an accessory.

[Matthew Mercer]

All right. And she's your team?

[Minette]

Excuse me, sir. Pardon me? We were engaged in conversation and I don't understand why you interrupted and then assumed that we didn't already know that she clearly killed someone and was purposely withholding.

[Matthew Mercer]

He lunges at the bar, suddenly with a hand reaching out, but like, like.

[Ylva]

And as he does, I just step in front of him with a hand up gently. Matron.

[Matthew Mercer]

Be Careful who you're talking to, miss.

[Minette]

I'm not afraid of you. And what can you do?

[Matthew Mercer]

Wait. I can wait.

[Minette]

Ew.

[Matthew Mercer]

Another heavy wave impacts inside of the ship. This time it hits at a heavier angle than you expect. All of you slide the lantern shake. One ends up slamming and breaking the wall. You're the shattering of glass clattering on the ground. And the flickers darken for a second as it eventually rights itself. As it does, the whole room shakes, you all hear. And the bars to your chamber ever so faintly open.

[Galen]

I run up and look like I hold it closed but put my fingers in between so that it looks closed, but I think it's so pretty.

[Sable]

Did we just crash into. Did it feel like we crashed into something?

[Matthew Mercer]

No, you're still rocking. Just a heavy, heavy wave hit. The storm's getting bad.

[Sable]

Damn.

[Ylva]

Medrin was right. I'm saying this to them, but I'm looking at him. Medrin was right. We have to take any opportunity we can get out here.

[Galen]

Can I. Can I look both ways down the hall? Like, just not opening the door any further and making it. It was squeaky when it swung. Right.

[Ylva]

And while he. While he's doing that, can I run over. Is there a keyhole to the R bars? Where R bars are.

[Matthew Mercer]

So what you can see is each one of these has a very hefty metal latch lock on it. When the heavy impact hits. Because you didn't really pay attention until you got there and closed it. The lock that was on yours got pulled and broken and is now lying open on the ground in front of your.

[Galen]

Yeah. Kind of rusty and just old and shit.

[Matthew Mercer]

Yeah.

[Ylva]

So if there's one like that on our door.

[Matthew Mercer]

There is.

[Ylva]

I'd like to run up to it and try to pick the lock, like with your nails. Have you seen these?

[Matthew Mercer]

I understand. I understand. Don't do them. All right. Go ahead and make a dexterity roll for me. This is a very difficult roll. I'm.

[Ylva]

And actually, you know what I'd like to. Instead of using both with nails, one hand with nails. And I'm going to pull this grab onto the hilt here and pull a long stiletto dagger out from there with a very fine point and use both.

[Matthew Mercer]

Very cool.

[Ylva]

Yes or no, you say? No.

[Matthew Mercer]

Make two dexterity checks for me. The first one is to see whether or not you're able to hide a dagger with your swivel.

[Ylva]

Get off my eyes. Yeah, yeah, yeah. Because it was like a. We'll pretend it's a. We could say it wasn't My dagger. It wasn't a shiv, but I'll allow.

[Matthew Mercer]

I'll allow you to go ahead and roll to see if on the way.

[Ylva]

And you're able to do 19 plus 3 is 22.

[Matthew Mercer]

I hit a gun.

[Ylva]

It's a lot of hair.

[Matthew Mercer]

Right? So this is not a stiletto. It is a hairpin. But it is made of harder metal than a natural hairpin or uncommon hairpin is. Because you do use it as a defensive weapon. Being a woman of the realms that you wander in business. I swallowed a cannon. Yeah. Yeah. Roll a constitution Check. And now I need you to go ahead and roll. You need to roll a 22 to pick this lock.

[Ylva]

Oh, no.

[Galen]

You got it.

[Matthew Mercer]

That's 20.

[Ylva]

It's a 16.

[Matthew Mercer]

So you move around and try and pick a lock with this as you can. These locks are built strong. The one that broke off there just from the sheer force. And this one may have been probably the most salt. Sea salt worn over time. But this one's pretty sturdy and it's not budging at this point. Not by picking it at least. So the lock over there broke off. It broke off. So the door is basically. Their door is open. Sorry. Who's in there? Just the two of them. Just the two of them. Okay. Sorry. Yeah.

[Ylva]

Espinal, would you mind using your manly strength to help me?

[Matthew Mercer]

Sure. What do you got in mind?

[Ylva]

Break it.

[Matthew Mercer]

Okay.

[Sable]

Hang on. I think I might have something to kind of help you out a little bit. Let me see.

[Matthew Mercer]

What do you got?

[Sable]

I'm gonna kind of reach around through the bars. And as I glide by. We'll reach around.

[Galen]

It's been too long.

[Sable]

I cup the lock first. No. And then I am going to.

[Ylva]

That's so close to being a big green spit take.

[Sable]

Can I cast corrosive siphon on the lock and try and just weaken it a little bit by corroding it.

[Matthew Mercer]

I'll allow that. Okay. So go ahead and spend the essence. Okay.

[Sable]

Which is 4 essence.

[Matthew Mercer]

Yep. As you clutch this lock and kind of focus on it, you take your particular connection with your particular time in nature as its guardian. Damn sure. To tap into the innate corrosive powers of time, of minerals, of how ore and metals can become pockmarked and drawn to dust and broken rust. You focus your magic. The lock itself seems to tarnish. And you hear the faint twisting of metal straining against its form. It is weaker than it was.

[Ylva]

Much more useful a skill than saving bunnies.

[Sable]

Don't you talk about bunnies like that.

[Galen]

Are the bars wide enough? The Guy that lunged, he put his head and his arm through the bars. Can you get your head through the bars and look left and right down the hallway?

[Matthew Mercer]

You cannot. The gentleman did, so his head was. He's a narrow, thin elf, and he barely fit through. You can probably get your head, but you can't get your full body through the bars.

[Minette]

I will look around, but I think that maybe we should come up with what we're going to do after we get the lockout, because there's a chance that it might make a sound. And I think maybe we should just know what we're going to do next.

[Matthew Mercer]

Run.

[Galen]

The warden had a ring of keys on him, and I memorized which key he was using to open the other cell lock. And I bet if we work backwards from the end of the hallway, we could get each one of these cells open. But I don't know who's at either end.

[Sable]

You said so yourself, right? There's more of us than there is of them.

[Ylva]

Maybe we wait for him to come back around on his rounds. Maybe we wait for him to come back around on his rounds and at the right moment, you open your already open cell door.

[Galen]

That would require someone capable of great violence.

[Matthew Mercer]

Yeah, I'm gonna break this wall. All right. Go ahead. Make a night roll for me, please.

[Ylva]

Thank you.

[Matthew Mercer]

Four plus six. Ten. Ten. Hold on. You. You feel something move and you're like, oh yeah. And you look down and one of your fingers has popped just out of its socket. You're like, oh, no. Okay. You withdraw your hand. Stings. You pop it back in. Trying to hold on.

[Galen]

Feeling.

[Matthew Mercer]

Brute forcing it that way. Probably not going to work. Well, I'm shit out of like this.

[Minette]

So it seems like two pacifist on the ship are the ones that currently have the most freedom and we may have to engage in violence.

[Ylva]

Or you could let us out of here when you get out and we'll.

[Matthew Mercer]

Engage in the violence for you. Plenty of us will do. After all, there's a lot of cells here and a lot of friends here that all got skills. Isn't that right, boys? And he looks off to the side and you see two other shadows shift as another thin looking lanky dwarf kind and goes, oh yeah, yeah, we're ready. You see a female aomao with brownish red skin and this awesome tattoo across her face leaning against the bars, big old fists over glancing over. Bring them here or crush them. Jesus.

[Ylva]

I think I'm in love with her.

[Galen]

I have two plans. One, if we can figure out who's on either end of the hall. We could try and rush them, or we could create a commotion and have them come back down here, open the door, push him towards the bars, and let that scary individual do whatever he does through the bar.

[Minette]

I like that plan. Between us, there are some people that I do not want to let out of the ship. They are very scary to me.

[Ylva]

Lady, I don't think you have a choice right now, darling.

[Minette]

Okay.

[Galen]

To be fair, I concur.

[Matthew Mercer]

You hear one of the trapdoors to the upper deck of the ship shift open, and the sound of heavy rain splattering across the upper part of the ship immediately fills the interior of the hallway. You can hear muffled yells from across the upper deck, barely out of audible range to make out the words. There's definitely commotion up aboard. As a waterlogged guard because begins to step down into the chamber, making his current pass through the hallway.

[Minette]

Distraction.

[Galen]

Distraction.

[Matthew Mercer]

Yes?

[Minette]

Pardon me, sir. I have a question for you.

[Matthew Mercer]

The guard steps forward. Warden runs on him again. It's coming through. And goes, oh, right, right. What can I possibly do you for?

[Minette]

I just wanted to show you my cutscene. You're not listening. I wanted to show you something.

[Matthew Mercer]

She's sees Medrin against the bars and just slams against the metal. Medran backs away and skittles to the back, as does the two other figures that stepped up. And it's like, I don't want to see you stepping up in the front again. I swear to God, it won't be just my fist.

[Galen]

This is the warden.

[Matthew Mercer]

This is the warden.

[Ylva]

Yeah, Ronzana.

[Matthew Mercer]

Yeah, Ronzana.

[Minette]

So my question is, when we arrive, when we arrive, will there be books for us to read?

[Matthew Mercer]

No, no books.

[Galen]

Warden, I just wanted to let you know that gentleman has a weapon.

[Minette]

His weapon.

[Galen]

He made it onto the ship with a weapon. And I feel for my safety.

[Matthew Mercer]

Don't even check.

[Galen]

As soon as he looks or turns away, can I rush, throw open the bar, and I'm going to try and check him into the cell wall.

[Matthew Mercer]

Make a might check.

[Galen]

Okay.

[Ylva]

Come on, busy boy.

[Matthew Mercer]

16, natural 20. You open the barn, rush towards it. The warden turns around and goes. Grabs you and slams you against the bars. Puts his arm up against your throat and lifts you up against it.

[Ylva]

But he's outside.

[Matthew Mercer]

Yeah, he's outside against the bars now.

[Ylva]

Like in the middle of the house in the hallway. Are they. Is his back on the other side? Can we.

[Matthew Mercer]

His back. His back is about maybe 4ft from where you are in the hall outside. And kind of pushing him against the Other bars on the aisle.

[Ylva]

So I have the guys backs against you. Against me I'd like to take much. How far can I hairpin him?

[Matthew Mercer]

You what?

[Ylva]

Can I hairpin him? Am I too far?

[Matthew Mercer]

I think you're a bit far for that, unfortunately.

[Ylva]

I'm just gonna throw my hands down and you see the crackling start to happen at the top of my fingertips and I'm going to. It doesn't say here and I don't know how this works, but jolting touch. Can I cast. Is it a lightning bolt at him?

[Matthew Mercer]

It's a bolt at him and one other target. Can't do it.

[Ylva]

Is there wood anywhere? I don't want to hit another.

[Matthew Mercer]

Oh, yeah, there's wood all across this.

[Ylva]

Great. Then can I hit him and some wood somewhere else? Because there's no people here that I don't want to come. There's no.

[Matthew Mercer]

Here's what I'll say. We'll roll for it because he is wearing metal and there are metal bars behind them. So he's not dodging this because he's not even aware that you're attacking at this point. So go ahead and roll damage.

[Ylva]

Okay.

[Sable]

Do it, dammit. Do it.

[Ylva]

Oh, no. It's 1D12 minus 1. And that's a 1.

[Matthew Mercer]

So you try and reach through the bars and release this blast of jolting magical energy and it arcs into the bars in front of you and dissipates into the bars of the cell affecting no one. You feel the light from your eyes begin to fade from the choking as you all begin to gather.

[Minette]

I can get out. I jump. I jump my body onto the front of the guard and I stick my fingers right in his eyes.

[Sable]

Yeah.

[Matthew Mercer]

So he's faced away and you jump up in front of him. Okay. Make a dexterity check and reach.

[Sable]

Whoa, whoa, whoa.

[Matthew Mercer]

I'm giving him the reach around. Let's go. Roll for reach around.

[Ylva]

Reach around. Round crew dexterity.

[Matthew Mercer]

Honestly? Yeah. Five plus three. He rolled an eight.

[Ylva]

She rolled an eight.

[Minette]

So what does that mean?

[Matthew Mercer]

Rolled an eight. All right, so you start gouging his eyes, pulling back as this happens. Another meaty arm reaches through from the other side of the bars as the amao woman there grabs him by the back of the head and kind of between where your head is the bars, slams his head into the bars and the guard, the warden, blood splatters out of his mouth, grabs you by the side of the face and throws you back towards where you are and the both of you collide and slam into the mars. He pushes you off, but his eyes are hurt. At which point another crack of thunder. The whole ship lists up. Heavy slow motion seems to take over as it tips and tips and tips and all of you begin to shift to one side as the world turns topsy turvy lanterns out. Everything spins like you're in the middle of a dryer and darkness and shadow takes you.

[Sable]

We gotta get out of here. The ship's going down. We gotta get out.

[Matthew Mercer]

All of you are lost to darkness.

[Ylva]

I can say to my new Samsung.

[Matthew Mercer]

Galaxy S25 Ultra, hey, find a keto friendly restaurant nearby and text it to Beth and Steve. And it does without me lifting a finger so I can get in more squats anywhere I can.

[Sable]

1, 2, 3.

[Matthew Mercer]

Will that be cash or credit? Credit. 4 Galaxy S25 Ultra the AI companion that does the heavy lifting so you can do. You get [e-mail] compatible with select apps. Requires Google Gemini account. Results may vary based on input. Check responses for accuracy. Quiet Stillness Absence Slowly you you begin to rouse from this shadow. You pick up on one arm and the majority of you are starting to find yourself again. You begin to feel a sense of body, of physicality and you hurt everywhere. A soreness and aching throb from head to toe takes over and all of you have little to no light to make out your surroundings at this point you can smell the smell of fresh soft rain and what looks like little bits of gray light peeking through cracks in the splintered wood and debris that surround you. Your eyes begin to focus and you can see the semblance of metal bars, bent and jagged, some of which now bear on them other prisoners. You all begin to rummage through the small spaces that you can as you come to realize that you are all partially trapped within the confines of your wrecked prison ship. But you are not underwater and you can hear the rain above. You think it's above. What do you do?

[Sable]

The ship's not taking on water.

[Ylva]

It feels like it's still in shipwrecked.

[Matthew Mercer]

You don't know how much time has passed, but as you come to consciousness the cell that was around you is now a crumpled space, tight and broken, and you are all I'd say the two of you are pretty close together and you are all pretty close together. So you are still in your same clusters, but you are very much through some sheer luck you are not crammed and crushed with with the majority of the spaces around you.

[Ylva]

Can we see in our cell? Can we see any kind of opening in those bars? Or is it cracked? Is it Enough cracked open that the cell is no more a cell.

[Matthew Mercer]

The cell is not really a cell anymore, but it is still bent and closed. You'd have to try and push through to maneuver or try and move some of the debris if you want to.

[Galen]

Can we find the body, I assume, of the warden if he's unconscious or.

[Matthew Mercer]

Alive or you go ahead and get up and move through the remnants of the hallway and you can still see there's planks of wood and it splintered up in places, and part of the deck is collapsed and jammed into it. In fact, where the deck has collapsed in, you can see the wardens there, legs laid out on the ground, arms out to the side, and the wood of the deck splintered into where his head would have.

[Galen]

Can I search for a key ring?

[Matthew Mercer]

Easy enough to find. Okay, he's not.

[Ylva]

Let it go on. Just let it keep going, keep going.

[Matthew Mercer]

Keep going, keep going, keep going, keep going.

[Galen]

Then I grab the key ring and limp my way back over and just say, I think we should try one of these. See if it'll help loosen your cell.

[Matthew Mercer]

You get to the cell and all the bars are tangled and wrecked. And the door that would have been the exit is now partially bent.

[Ylva]

Do we all see each other? We can make an account of ourselves.

[Matthew Mercer]

However, because of the corrosion of the lock and the amount of stress that you had placed on it originally, the lock itself has broken off and the twisting of it. It's just about pushing the door open and it would maybe make enough room to try and squeeze through.

[Sable]

Okay, that's one way to crack an egg.

[Matthew Mercer]

All right. Make sure I get this door. So I'm going to try to push it to give someone else enough room to get.

[Galen]

Let's go, big one.

[Matthew Mercer]

Let's go ahead and roll. Night 13 plus 6 19. Oh, yeah. Without issue. As you shift it out of the way, you feel and hear other parts of the debris shift and settle. Dust and bits of rain muck drip out of the ceiling and you see where it shifts. A little more of the sky is now visible. This gray middaylight peeks through as droplets of water are now coming in from the storm that is not as heavy as it was at the peak that apparently wrecked this. Seems the worst of the storm has passed, though it still probably rains outside.

[Sable]

How long do you reckon we will unconscious?

[Minette]

Tell me, do you think that me jamming my fingers into that man's eyes was necessary considering that the ship was wrecked shortly after that?

[Matthew Mercer]

No, but it was awesome.

[Galen]

See, it certainly saved my life. So for that you have my thanks, Medrin.

[Matthew Mercer]

No response.

[Galen]

Oh, shit.

[Minette]

Lyra.

[Matthew Mercer]

Hello?

[Sable]

Hello?

[Matthew Mercer]

You hear a voice, but you cannot see where she is, where you stand.

[Sable]

I'm going to try and squeeze out of this cell using the the gap that Hasbro has opened.

[Matthew Mercer]

Okay? Yeah. You all. You clear enough where the three of you can square down now. The five of you are in the remnant pocket of the hallway where all the many bent bars are. And no real clear exit. You might be able to see. The stairway that leads to where the deck would be is somewhat visible now that you've exposed some more of the light within.

[Galen]

Was that how we came down into this area as well? Like one entrance, one exit?

[Matthew Mercer]

Correct.

[Ylva]

And are all the cells relatively destroyed and open? Do we see any other prisoners? We heard Lyra.

[Matthew Mercer]

Yes.

[Ylva]

We don't hear Medrin.

[Matthew Mercer]

Now you don't hear. Do you want to go inspect the cell?

[Galen]

We do.

[Ylva]

I do.

[Galen]

We care about life.

[Minette]

Not his.

[Ylva]

But maybe I do.

[Matthew Mercer]

Yeah. Make a perception check for me.

[Ylva]

17 plus 2. 19.

[Matthew Mercer]

2. Great. As you head over to where the bent fragment of bars are, you glance in. The first thing you notice is nobody's moving. The second thing you notice is because there's nobody here. The other end of that cell that's partially collapsed in, you can see what looks like other bits of outer wood have been shifted and pushed out. It looks like there is an exposed opening to the outside that has been reclosed, rolled pretty high. A large piece of wood has been placed against it to reclose the source of exterior light. But we hear Lyra's voice, but we don't see them anywhere at the moment. Well, I'd say with that high enough roll there too. You glance over and you can see Lyra, where the cell is. That cell is also partially collapsed. At first glance, nobody survived that. But you see one piece of broken wood with a bit of stone that fell from something above that crumbled. Looks like some sort of the edge of a cannon may have tumbled in with it. That's holding against the wall. And you can see it. Someone's trying to push it up. And you hear her voice like, hello. I can't move my legs.

[Ylva]

I'm going to run over and start pulling on it.

[Matthew Mercer]

Okay. So you push past the broken bars there. The door opens slightly at this point. You get in and go ahead and make a mite check for me to see.

[Ylva]

This is my lowest stat. But you see also, I think you see in her face a completely different face here. A face of worry. A face of concern. Yeah. 18 minus one. 17.

[Matthew Mercer]

18 minus one. That matronly adrenaline rush hits your body like a mother whose childhood has fallen under something heavy. You just reach down and Hulk pulse those mafia female arms.

[Ylva]

Do these look like hands that do manual labor? Because they do.

[Matthew Mercer]

He's shifted up, and other parts of the Brie crumble and fall to fill some of the space. But thankfully, Lyra's relatively small and pulls her legs up and reaches for your arm. And as you hold it up, she gets up onto her feet before stumbles a bit. Looks like her one ankle is pretty badly injured from the impact, but she manages to pull out just in time for you to release it, and it re. Crumples and settles as other parts settle inward and crush that space where she previously had barely held herself.

[Ylva]

I'm going to hold her under her armpits like I'm holding her up.

[Matthew Mercer]

Oh, thank you.

[Ylva]

Are you all right? Can you walk slowly? Can one of you incredibly strapping young gentlemen help this lovely lady as we try to leave you? Oh, of course.

[Galen]

Of course.

[Ylva]

Thank you.

[Minette]

We need you, Lyra. A rising tide raises all ships. Oh, no. I'm so sorry.

[Matthew Mercer]

I didn't.

[Sable]

I like Sue.

[Ylva]

Sue, I didn't. So we haven't heard anything. There's still no sign of Medra?

[Matthew Mercer]

No. From what you can tell, glancing through here, most of the other. And there are other prison cells throughout here. Most of them up here, crushed or empty as well, in the immediate vicinity. As you begin to inspect the internal space here, you see signs of arms peeking out of crumpled debris. You still only have the view of this one hallway right now, but the. The damage seems significant.

[Galen]

And around the warden and any other areas, around guards, were there boxes, storage lockers, anything that might have broken open that we could try and loot?

[Matthew Mercer]

Not in this hallway, but you can certainly search the wreckage.

[Ylva]

Is there something? Also, I want to check on the warden, if he has any kind of a weapon or something else besides the keys.

[Matthew Mercer]

Indeed, he does have a sword at his side that he keeps sheathed just in case.

[Ylva]

Let's pull that out and see. Someone else is probably better using this than I am.

[Galen]

I took fencing.

[Sable]

Of course you did.

[Ylva]

I'm just gonna turn to Hespero.

[Galen]

Is that not.

[Ylva]

Yeah, that's exactly how you do it. That's very. Sword in the stone.

[Matthew Mercer]

As you pull the sword up, it sticks into the wood.

[Ylva]

Hespero, I know there's no love lost between us families, but I should have you know that I no longer have an allegiance to family. Terran.

[Matthew Mercer]

Well, listen, we're all in this mess. We just gotta work together for now to get out of it. Although he kinda looks at Lyra. What are you gonna contribute? Moral support?

[Ylva]

Do you cook?

[Matthew Mercer]

I can. Yeah.

[Ylva]

We're going to need food.

[Matthew Mercer]

Fine. I can cook. Cook, cooking. I've cooked before, many times. I got you.

[Galen]

Do I believe her?

[Sable]

Yeah.

[Matthew Mercer]

Make a perception check.

[Ylva]

Can I make one too? I actually don't care because I want to see if I want a cover for her. That is big ass. That was the journey. That was poor. That was poor. I don't know.

[Galen]

Dirty job.

[Ylva]

I'm so. Oh, actually 30, 20.

[Matthew Mercer]

Oh. Secret song.

[Ylva]

Secret song is the secret song. We're all playing. We're playing along. I don't write any of these songs.

[Galen]

Beautiful.

[Ylva]

That's all I got. I'm no Sam.

[Matthew Mercer]

Alrighty.

[Galen]

The voices in my head have stuff indeed.

[Matthew Mercer]

You set her down. She's like, I can walk. I can walk. Just, you know, gotta tough it out, you know, put some dirt in it.

[Sable]

Can I. Let me see if I can help you out. I'm gonna look over. Do I see just like a broken stick or splintered piece of wood?

[Matthew Mercer]

Oddly nothing but splintered wood around you. Really great.

[Sable]

I'm gonna take a little splintered piece, take one of my leather straps and just kind of strap it to her and make kind of almost like a little makeshift splint.

[Matthew Mercer]

Great. Yeah. Take a few minutes and splint out her leg as she steps up on it. Still see that twinge of pain. But definitely a lot more functional to follow than a person who's more stumbly than not.

[Sable]

All right, thank you. Yeah, I think I'm going to head on upstairs, see what else we can find.

[Matthew Mercer]

Yeah, I'll join. Yeah. All right.

[Minette]

Shall we all go?

[Galen]

Yes.

[Matthew Mercer]

Yes. All right. You all head towards where the stairs head up to the deck and the trapdoor that normally is easy to press up has heavy weight pressed upon it. But with your all combined up, you push it up and the rain begins to spill into the opening as you step out into the free grand, taking the smell of fresh sea foam and air of that recent storm still settling on this island. And you look around yourselves. You are now standing on the edge of the rocky shore of some isolated island. The ship itself didn't crash into. It crashed onto the rocks like it was lifting and then smashed onto a whole number of heavy, jagged, worn stones that seem to protrude from the surrounding surf. The ship indeed. As you get up to the deck, you can See half of the ship and it is broken open and splintered. And surrounding you in all the water around is a scattered smattering of what is now broken driftwood and bodies floating up on the shore. You can see the few guards that are on the deck right now are no longer living as well. And within a quick glance here and listening around, there's no movement, there's no other voices at the moment. You feel like your crew might be the only ones who survived that you.

[Galen]

Know of our crew. The reach around.

[Ylva]

The reach arounds. Definitely the reach around.

[Matthew Mercer]

Crew immersion narrative, baby. Are there any weapons in sight?

[Sable]

Hell yeah.

[Matthew Mercer]

In sight, like immediate sight. No, but you can if you want to go ahead and search the contents of the ship best you can with what's available to you. I'd say go ahead. Go ahead and make a perception check or resolve check. Your choice for all of us.

[Ylva]

Does it help search or just one?

[Matthew Mercer]

I'm going to let him go ahead and take one now. 13 plus 3. 16. 16 is great. So with all of you at Hasparo's side, you begin to push through, figure out if these are where the prisoners are held, what are the parts of the ship that are unaccounted for that you can even get to. There's a mess area and storage below, but most of that is completely blocked off or missing from that side of the ship. However, you come off to where the side of the ship is and where a portion of it is crashed onto the jagged rocks. There's a part that's a little lower than the others and where that side of the ship is busted open, you see two prisoners, one and a half prisoners smashed on the rocks. And around them, crates that are splintered open and all manner of tools, weapons, armaments. It looks like this is where the guard kept most of their equipment or equipment that was confiscated. As you search through and gather things, you find bows, you find spears, you find shields, a couple of pistols, as well as clusters of ammunition. Pretty much what you may need for simple armaments for protection. You can scavenge from what is smashed across the rocks here. Do I see a great hammer? You do. In fact, it's your great hammer. It looks like some of the things that were confiscated specialty were either being kept as trophies or maybe to be presented as some sort of offering to work towards when you were heading towards maybe working your debt off in the living lands. But indeed you lift up your old faithful hammer and feel solid in your grip.

[Ylva]

I'm looking for. It's going to be Hard to find amidst all of this random splintered wood. But I'm looking for a particular long, gnarled piece of wood with a pointy end.

[Matthew Mercer]

Could you make a perception or resolve check for me, please?

[Ylva]

Okay, Charlie, now's your time. Okay, maybe not your time. You go sleep right now. That was a six.

[Matthew Mercer]

That was a six. Yeah. This is a very scattered wreck and in these particular circumstances you do not see anything that matches what you're looking for.

[Galen]

Look at this. It's a long pointy stick with a gun. I don't know how to use either of these.

[Matthew Mercer]

Oh, it's my gun. Oh, there you go.

[Sable]

And I'll take this utility knife.

[Ylva]

Did he find my long pointy stick?

[Galen]

Is this yours?

[Sable]

Yeah.

[Ylva]

Did you? Did he really? Oh, dm Are we letting this happen? Because I'd be very excited.

[Sable]

Emergent storytelling, Matt.

[Matthew Mercer]

I'll say what you plucked and found and you realize at the time was probably a sack of dried oats that it was in. And as you pull it free, a streak of red emerges with it and you realize, oh, that was a prisoner. But this is a familiar looking.

[Ylva]

That's mine.

[Galen]

Oh, wait, I'm a criminal now. I should act like one. What will you give me for.

[Ylva]

I won't kill you if that's yours.

[Matthew Mercer]

No.

[Minette]

You know, this is most fortuitous because we can start over. We can be whatever we want. We don't need weapons. We can just go explain that we are explorers and. And I can contact Eleonora and. And we don't have to do anything illegal or violent ever again.

[Matthew Mercer]

I like have this playing as she's saying this as I'm taking up this.

[Galen]

Doll.

[Ylva]

Loading up on things.

[Matthew Mercer]

Start over.

[Ylva]

Taking my hairpin dagger and twisting my hair back up again. Always a lady.

[Minette]

Always a lady. Well, I. I do grab a spear because I am very. And it has reach. And I do grab a shield for self defense. I do not intend to use it.

[Ylva]

So there. So, bruh, come at me, bro.

[Sable]

You know, if we're bringing along Lyra, I feel like we should find some food for Lyra to cook on top of all the weapons. Any type of provisions.

[Matthew Mercer]

Go ahead and make a perception or resolve check for me if you don't mind.

[Sable]

I'll do perception. It's all right. 11:11.

[Matthew Mercer]

You spend the better part of the next hour or so searching through the wreckage finding other corpses of those that are aboard the ship before you begin to figure out by process of elimination that whatever placement may have been the storage chamber for the food that was being kept was likely on the other half of the ship that is not present. So you are now here with no provisions, some arms and just your little troop standing amongst the broken rocks of the greater island that you only have the slight view of it just beyond maybe a 15 foot rocky cliff.

[Galen]

Well, first things first. Shelter, warmth and food.

[Minette]

Lady Sable, you're a woman of the woods.

[Sable]

Yeah.

[Minette]

What do you know about foraging?

[Sable]

Oh, pretty much everything. Although I will say, you know, I'm kind of used to the foliage and the natural fauna from where I'm from. So this might be a little bit taking getting some used to. But yeah, you know, just stick with me, we'll be great. Yeah, smarter than a shithouse rat. We're great.

[Minette]

Yes, I'm sure. Well, maybe we should look for some food then. I'm sure you can tell generally what is poisonous. Bright colors or snow.

[Sable]

Just kind of let's stir with the basics. Let's find some fruit, maybe some good greens and grasses. Let's avoid mushrooms. Yeah, you don't want to fuck with this.

[Galen]

So Lyra, try it first.

[Matthew Mercer]

You know she's a cook, right? Yeah, I'm a cook.

[Sable]

That's a great point.

[Ylva]

What time of day did you say? Is it? Still midday? Ish.

[Matthew Mercer]

I mean it's hard to tell because the gray skies still kind of keep the sunlight more or less even throughout the sky here. Especially in the post storm roll. You know, it's daytime, but you're not entirely certain if it's waxing waning, coming towards its end or an early morning.

[Ylva]

One way or the other. We should find some shelter quickly. We don't know what else is on this island or who else do we.

[Sable]

See any signs of life, any signs.

[Matthew Mercer]

Tracks leading away from the island. So as you clamber up the small stone rock slide trail that leads up to the edge of the cliff to get onto the actual island proper. You see now the expanse. It is not a massive island, but indeed there are two hill mountain like topographical rises on the opposite end of the island. Themselves covered in green trees. From what you can see a lumber source here on the island. But between there and where you stand, beyond the low hanging thick mists that sit in the now windless region here. While the rain falls, the winds have halted and everything sits still as the rain droplets still continue to fall. You see a lighthouse that stands up into the center of this island. A in the middle of this sea filled space. And it is from what you can see, ocean to the horizon on all sides. Before the Fog takes it at the end of your periphery.

[Ylva]

How far are we from all the bodies?

[Matthew Mercer]

From all the bodies.

[Ylva]

Did we leave? Did we.

[Matthew Mercer]

In order to see this, you had to climb away from the ship. About probably 50 or so feet.

[Ylva]

Can I retcon one thing?

[Matthew Mercer]

Sure.

[Ylva]

Can we grab some of the. The guards garb? Just in case we run into people who are also part of guards? Can we get some of the guard garbage?

[Matthew Mercer]

You can indeed. You can get this from the guard garbage.

[Ylva]

I just want to grab it just in case.

[Matthew Mercer]

Blah, blah, blah, blah, blah.

[Ylva]

So we have the Garburd.

[Matthew Mercer]

Yes, you may. There are standard issue breastplates that I'm blazoned with the symbology of the Idiran Empire, as well as cloaks, cauldrons.

[Ylva]

Just at least one or two of us looks like they might, so that we can have both.

[Matthew Mercer]

Who would want to be wearing these recovered accoutrements? No.

[Galen]

I'll take some armor.

[Matthew Mercer]

Okay, so you go ahead and fix yourself on the light breastplate of one of the guards.

[Galen]

A Dirian Empire.

[Ylva]

I'm not covering this up.

[Minette]

I'm fixing my sights on someone who understands status. And so I am taking this spear for self defense. But I'm hoping that lighthouse someone will understand, Call for help. Or we can use it as shelter. But I'm not putting anything on to suggest that I'm a violent person.

[Ylva]

No, no, no. This would suggest that you were a guard of the Idiran Empire.

[Minette]

Well, not in this, surely.

[Ylva]

No, no, that's okay.

[Galen]

I've got it covered. And if anyone, I can say that I'm keeping an eye on you rapscallions and everything is in order.

[Minette]

Or you're defending that for the ladies. And also a guard for the ladies. Yeah.

[Sable]

Yeah, sure.

[Galen]

Deception.

[Ylva]

Deception, Deception, deception.

[Matthew Mercer]

So it's one of you in prison guard garb. Anybody else taking. I know I look pretty good the.

[Sable]

Way I am right now. None of that shit fits you anyway.

[Matthew Mercer]

All right, so you have one guard.

[Ylva]

At squirt amongst you. Yeah. Is there anything else? Is there anything that looks good that I could put on?

[Matthew Mercer]

Nothing better than what you have on now.

[Ylva]

Oh, God. Just don't want to. Can I just. I'm just going to bring some. Do we have any way of bringing it just in case? I just want to have the option of putting it on if we need to be sneaky.

[Matthew Mercer]

Sneaky, sure. Amongst the wreckage of the supplies that were scattered amongst the rocks, there are heavy sacks.

[Ylva]

Are there any coins or medals or something like that that would speak to Someone being an envoy of the Empire.

[Galen]

Or a. Oh, like displaced, but not necessarily a prisoner. You could show that you have some coin.

[Matthew Mercer]

I mean, there's coin you find among some of the guards as well. Yeah, some of.

[Ylva]

I more mean like a thing of status, like a badge. Thank you.

[Matthew Mercer]

I would say there are markings on the Warden Renzano's breastplate that do carry with them a symbol of higher rank within the rank and file of the guards that were brought on this prison ship. So if you want to bring that breastplate, it hasn't blazoned on it.

[Ylva]

Let's do that. Okay. Maybe I'll throw that on your body.

[Galen]

Okay.

[Sable]

Now, this lighthouse we're talking about, is it lit? Is the lantern lit?

[Galen]

No, it's not.

[Matthew Mercer]

The candela is not lit. It is dark.

[Sable]

It's dark.

[Matthew Mercer]

It is dark.

[Sable]

Okay, interesting.

[Ylva]

And do we see any signs of. I don't know if the living lands have any. If the Idiran Empire has any kind of foothold here. So do we see anything that. Any signs of that on the lighthouse? Any markings or anything?

[Matthew Mercer]

I mean, it's a good. It's a good few miles from where you're standing. It's further in. And even then, you can only see over some of the rocky hills and some of the tufts of trees that kind of rise up. But you. You can see. It's like your depth perception on how far away it is from you right now is a little tough. If one of you wants to make a perception check to go ahead and go for it.

[Galen]

22.

[Matthew Mercer]

22. A couple things. As you try and get the best high point you can this close to the cliff. Go up behind a cluster of trees and hold on one side and get the best vantage point. You notice. Yeah, the lighthouse is a few miles off. Not a heavy walk, but you'll be able to get there with a short enough walk. This is not a large island, and indeed, it is out in the middle of nowhere. You notice farther up north, there are signs, barely with a high enough roll, like that of almost another shipwreck, but long washed away, just a couple pieces of blanched driftwood, that there was a wreck here probably long before you arrived. Oh, dear. You also noticed at the base of this lighthouse, which itself is not lit, there's a little. Looks like a household near its base, and a number of tents and other shacks settled around it like a small. A very small settlement that is.

[Minette]

I.

[Matthew Mercer]

Want to say, haphazardly built around the base of this lighthouse, made of different materials. The house looks nice and well made. The other smaller structures look like they're more function over aesthetic.

[Galen]

The lighthouse, which is not lit. That seems like, I don't know, a problem. There was also remnants of another shipwreck farther off. The lighthouse is only a few miles away, but there were signs of an encampment at the bottom of the lighthouse. Ramshackled. So I don't think we'll be entirely alone.

[Ylva]

Do they seem like soldiers or civilians.

[Galen]

A few miles off? It's hard to tell, but I think it's fair to assume other people will be here.

[Matthew Mercer]

So sounds like shelter and food to me. Shall we mosey? Yep.

[Sable]

Let's get the molasses out our asses. Let's go.

[Ylva]

I love you so much it makes me want to cry. Except this isn't waterproof mascara.

[Matthew Mercer]

As you gather your still aching selves cold and damp through the continuous though gentler rainfall, you begin to trek up the rocky hills of the outside cliffs edges of the island and in towards the central portion of this landmass. Because of your high perception roll as you continue inward, you still don't see any signs of any liveliness or shifting light or movement within the city from this far distance. But you do pick up the mists that sit around the the walking landscape as you progress sitting still, occasionally shifting in strange ways in the absence of wind. That make you a little uncomfortable.

[Galen]

I don't share that.

[Ylva]

Maybe he is sneaky sneaky ball in there.

[Galen]

Well, I'm just a chicken shit. That's not real. That's my imagination.

[Ylva]

That's not a thing.

[Matthew Mercer]

A strange smell seems to spark through a number of your noses. It's a mixture of. It's almost like an irony taste of blood mixed with a fresh rain. It's hard to describe in our world it would be like that spark of an electric field or a little bit of burned ozone. And as this mist begins to swirl, a light seems to flash and flicker amongst the mist before vanishing.

[Galen]

Did you see that?

[Ylva]

Yes.

[Minette]

I think we should take care and find someone who can help us. And also have a backstory for us to how we are not criminals.

[Matthew Mercer]

And it sounds like the dropping of water, like a small centralized storm. It's like a cluster in the middle of this mist where that light's flickering, there's a localized deluge as little flickering of energy seems to spark through this one area. As Lyra's like what's going on? Again. Pull on the side of your arm to get closer to you.

[Minette]

I tap her shoulder. I don't think that we should talk to that over there. I think that that's not true.

[Matthew Mercer]

Two more of them begin to emerge from the storm. As these strange anomalies of the elements in nature seem to be coalescing into some sort of will. Three different points of some odd elemental nature congeal and converge on all of you. I need you to all roll initiative.

[Sable]

Oh no.

[Matthew Mercer]

15.

[Sable]

Nice.

[Matthew Mercer]

All right, so we have a 20 to 15.

[Minette]

9.

[Matthew Mercer]

Anybody above someone over here? All right, so we have Haspro up first. Alrighty. 15 to 10.

[Galen]

Cool.

[Matthew Mercer]

Oh, all right. 10 to 5. Ooh, rollies. Both of you roll a D. 20.

[Ylva]

15.

[Matthew Mercer]

7.

[Galen]

Nice.

[Matthew Mercer]

All right, so we have Minette followed by Sable.

[Galen]

I had a seven.

[Matthew Mercer]

All righty.

[Galen]

Galen.

[Matthew Mercer]

Opposite to Galen.

[Ylva]

I had a two.

[Matthew Mercer]

All right. Whatever. These strange entities are begin to converge. There are flashes of energy and the deluge of water seems to be expressing and splashing out as energy arcs around it like some sort of electric shock type spark. You are up first, Hasbara. So describe them again. They're like strange clusters of some sort of storm like elemental energy that seem to congeal out of of the surrounding mists and the rainfall. And now begin to rush towards your troop from three different points. Let's see if these fuckers bleed. I'm going to shoot one. Yes, you are. Yes.

[Ylva]

I mean, what else do you do with a pistol?

[Matthew Mercer]

So your pistol is cocked already, Flint. You go ahead and aim it down and fire. It's going to attempt to dodge your strikes. Go ahead and roll off. 20. That's an 11. So it does not successfully dodge, but it does spend its four stamina to do so. So go ahead and roll. Damage. Okay.

[Galen]

All right. That is 15.

[Matthew Mercer]

15 points of damage. The flash and explosion at the front of your pistol sends smoke spilling outward and you watch as this strange entity flickers from the blast and seems to momentarily almost discorporate before it recollects itself. They can be hurt.

[Ylva]

Excellent.

[Matthew Mercer]

Do you want to continue with your turn?

[Galen]

I think since it looked like it worked, he'll just go, ha.

[Matthew Mercer]

Okay. And he's just gonna take another shot. Same one. Let's go.

[Galen]

So do I have to roll for?

[Matthew Mercer]

It's going to also attempt to dodge, this time successfully. So go ahead and roll the hit. 9. 24. The second shot, it shifts out of the way and seems to almost shift closer to you. You can feel there's some sort of inherent electrical energy that's sparking through the swirl of water. Almost like some sort of ill intention spirit has taken on the form of the nearby elements to come upon you all. Does that finish your turn? I'm going to end my turn there. Okay. It now comes to the first of these entities. That's right after you. It is going to use charged shield. It's going to spend 6 of its stamina. All of you lose 2 stamina as it crackles in this field of staticy energy.

[Ylva]

I don't like that.

[Matthew Mercer]

Filters out. And all of you feel the energy of your body grow just slightly more exhausted. And then it's going to spend its last five stamina to come after you. Since you just shot it makes sense. Do you attempt to block or dodge? I don't think I can. I think that last little sucking of stamina. So with that you take that is eight points of damage and you get one point of shock accumulation.

[Galen]

Do you keep track of that or.

[Matthew Mercer]

I'm keeping track of it here for you. You feel as it hits you, your muscles spasm and you feel the energy through your body. It's going to finish its turn with that. Let's go ahead and take it. Two minute.

[Minette]

Okay. Are they all out in front of us?

[Matthew Mercer]

They're more or less or surrounding you, Surrounding you. Okay.

[Minette]

I'm going to fight lightning with lightning and do jolting touch at. That's two targets within close range. So.

[Matthew Mercer]

Okay. Neither of them move to dodge or block. You release the two bolts and they are absorbed harmlessly into the two storms.

[Ylva]

Okay, Good to know. Good to know.

[Minette]

Okay, then.

[Matthew Mercer]

It'S gonna be the gun. Sorry.

[Galen]

The magic lightning storm didn't work. But the gun did.

[Ylva]

Yeah.

[Matthew Mercer]

Is.

[Minette]

Are any of them within poking range?

[Matthew Mercer]

Yeah. I mean, they're converging and there's one that rushed up towards Hasbro to poke. Okay. Are you going to the one that he shot or towards one of the ones that hasn't been wounded yet?

[Minette]

Towards one of the ones that has not been.

[Matthew Mercer]

Okay. That's quite closer to you. So the one that you tried to release one of your bolts towards and it absorbed. You think under your breath how frustrating that is. Shield at the ready. You duck forward and try and spear it. So go ahead and spend your stamina and it is going to attempt to dodge that as well by spending a force damage there rolling for that.

[Minette]

Do I get anything for Maybe you're.

[Matthew Mercer]

To hit bonus on your spear.

[Minette]

Oh, 10.

[Matthew Mercer]

It rolled a nine. Exactly. Natural forward plus five it had. They dodge pretty high. So go ahead and roll damage on that.

[Minette]

One by.

[Sable]

One.

[Matthew Mercer]

One damage. Hey, it all adds up. Do you want to continue to strike. You have quite a bit of stamina power.

[Minette]

Yes, I do.

[Matthew Mercer]

All right, this. Will attempt to dodge again. Same roll to nine.

[Minette]

Thirteen.

[Matthew Mercer]

Yeah. You hit again. So go and roll damage a second time.

[Galen]

16 plus 3.

[Minette]

Oh, plus C. Yeah.

[Sable]

1.

[Matthew Mercer]

It all adds up to tiny little shit.

[Ylva]

She's just a little guy.

[Matthew Mercer]

That's two spear strikes. Keep going. Or are you calling that your turn?

[Minette]

I'm gonna call my turn.

[Matthew Mercer]

Okay, that finishes your go. Sable, you're up next. Yeah.

[Sable]

Almighty Sable starts to run up, and you start to see this manic unstability that probably got here, here in the first place. And she runs up, she takes the knives that she collected. Let's see if we can find this lightning. Then she jumps and wants to try and stab the lightning.

[Ylva]

Amazing.

[Matthew Mercer]

Let's go. All right, so are you gonna go after the one that was shot or the one that was poked or the one that's been untouched?

[Sable]

Let's go after the one that's been poked. Let's start with the poked one.

[Matthew Mercer]

You got it. All right. It only has enough stamina to try and block, which is not as high as its dodge. So it's gonna go ahead and roll. Okay, that's a seven.

[Sable]

It's gonna roll. Okay, that's a 17 on the die.

[Matthew Mercer]

That hits. Go ahead and roll. Damage plus five.

[Sable]

So. All right, nine damage.

[Matthew Mercer]

Nine damage. Nice. Alrighty.

[Sable]

I'm going.

[Matthew Mercer]

Yeah, it just. It doesn't even dodge. It's out of stamina. So you just hit automatically.

[Ylva]

Icky.

[Sable]

A5.

[Matthew Mercer]

Okay. Minus five points damage on that. All right, that's 14 damage on that turn. Are you gonna keep going or are you gonna hold down?

[Sable]

How's. Can I tell how it's looking?

[Matthew Mercer]

It's a circling, sparking kind of storm elemental.

[Sable]

How far away am I from the one that was attacking Hasbro?

[Matthew Mercer]

About 10, 15ft. It's not a quick. It's a. It's a quick jump.

[Sable]

Okay, I'm going to, like, dodge under this little ghost light. I'm going to head over to the other one and give it one more. One more stabby.

[Matthew Mercer]

Stabby what fur? Okay, the one that. The one that.

[Sable]

Give it the what fur. The one that he.

[Matthew Mercer]

That also cannot dodge or block it. Spend all time. So just damage straight up.

[Sable]

Oh, just damage.

[Minette]

I came.

[Sable]

I'm so used.

[Matthew Mercer]

Yeah.

[Sable]

Six, baby. Let's go again. So. And I've got keen. That's plus two on that damage. So that is it. D6.

[Matthew Mercer]

So when you roll max damage and a dice, folks that know here actually I should probably go over some of the rules here since we're in combat for those who are watching. So everyone has stamina they can spend on their turn. It refills at the top of their turn. Any stamina they spend is based on the speed of their weapon. And any stamina they want to try and defend with, they have to spend out of their turn. In the reaction of attacks to either block or dodge, in which case it's a roll off. If you do not have any stamina left to block or dodge, attacks automatically hit and you just do straight damage. So you're doing damage directly unless your target has enough stamina to try and dodge or block. So this creature just takes damage immediately. If you roll your damage dice and any of them are max on the dice, that is a critical hit, and you roll an additional die and they can continue to explode like that. Because your weapon has the keen feature, it gets additional two damage each time that you do that.

[Sable]

So that's 12 on this first one. Let's go. Go one more time. And that's a one balance in nature. So that is going to be 12 on the first one and 5 on the second one. So 17.

[Matthew Mercer]

All right. So 17 on that. As you rush forward and slam into one that's next to you. As it's sparking up in your face, you have your pistol and your army reloading it, keeping the hammer at the side as you do, you watch as Sable rushes up and stabs right into the center of it. You see the spirit Shelton flicker out, and it converges once more. Sparks, but it's flashing and it's starting to show like it's barely holding on at this point.

[Sable]

Stubborn little buggers, aren't they? I'm going to take the last of my turn to spin 2 Essence to cast arcane veil on top of me to keep myself a little bit more protected. That's my turn.

[Matthew Mercer]

All right, Finishing your turntable. The one Rain Blight, as they are called. Rain blight. Rain Blight.

[Galen]

I wrote Water Ghost.

[Matthew Mercer]

That works too.

[Sable]

Water Ghost sound very similar.

[Ylva]

Well done.

[Matthew Mercer]

I mean, it's the Latin subtitle. It's the Riley coyote, like, you know.

[Ylva]

Ding at the bottom italicized underneath.

[Matthew Mercer]

It's going to take its turn here. This is going to be the one, actually. This is the one that you stabbed and poked and then you initially attacked before darting off since this one has taken it. So it gets all its stamina back. It's going to move over towards you since you're the one that Struck hard, its ally, and it's going to go ahead and attack you with a shock burst. It is unblockable, so you would have to spend stamina to dodge.

[Sable]

Ooh, I'll spend my last stamina to dodge.

[Ylva]

Dodge it, baby. Dodge it.

[Sable]

Last one.

[Matthew Mercer]

All right, let's roll.

[Sable]

Let's roll. Okay.

[Matthew Mercer]

1911. So you manage to duck out of the way as the spark emerges out. No impact. So that's going to be be five on there. It's going to spend another five stamina to attack you again.

[Sable]

All right.

[Matthew Mercer]

I can't fall out of stamina. So the hit comes to you directly. Ooh, that's going to be nine points of damage to you. And you take a bit of shock accumulation.

[Sable]

Okay. I'm going to spend an essence to reduce that by a D6 with my Arcane Veil. Okay, that's four. And then my. My armor has three damage reduction, so that's four, five, six, seven. So I only take two damage.

[Matthew Mercer]

Correct. Okay. All right. Finishing that rain blights. Go. Galen, you're up with Ylva on deck.

[Galen]

I'll take out the bow that we salvaged from the crate. And I'll knock an arrow and let one fly at one of the creatures.

[Matthew Mercer]

Okay. There's the one that hasn't been touched. And then there's two that have taken. One that's taking a few hits and one that's looking really hurt.

[Galen]

I'll take the one that's taken a few hits.

[Matthew Mercer]

All right. It does not have enough stamina to dodge or block, so just go ahead and roll damage.

[Galen]

Amazing. That is D8 town. That's not an eight.

[Matthew Mercer]

Why?

[Galen]

Why, why?

[Matthew Mercer]

Here we go.

[Galen]

Six, nine. 15 points of damage.

[Matthew Mercer]

15 points of damage. The arrow strikes it, and you see it kind of flicker. It's also starting to have a hard time holding itself corporeal. The storm itself taking form and then drifting away before pulling itself back up. The sparks shooting off in odd directions. So the two of them look pretty hurt from the best that you can gather from a water ghost, but one of them has been untouched up to this point.

[Ylva]

Oh, gosh.

[Matthew Mercer]

So continue your turn.

[Galen]

I'll take the last shot. I'll take one more on the one that hasn't been touched yet. Just to try and cover some.

[Matthew Mercer]

All right, let's go. This one is going to attempt to dodge.

[Galen]

Okay. 15 plus 6.

[Matthew Mercer]

21. 21. Rolled a 14. So that hits. Go ahead and roll. Damage.

[Galen]

Balls. 14. 14 points of damage.

[Matthew Mercer]

14 points of damage. All righty. Does that finish your go? It does all right, Ylva, you're up next.

[Ylva]

I saw what happened with jolting Touch. So instead of my frisky lightning fingers, I'm going to. That's what the kids are calling them these days. I'm going to just reach out my hand and you see this long magical staff appear in my hand, and I'm going to cast parasitic staff.

[Matthew Mercer]

Okay.

[Ylva]

So I will take away that four essence, and I am going to run after.

[Matthew Mercer]

Describe how you pluck this staff from the ether.

[Ylva]

Yes. So I hold this. This out to my hands and you see. Hold out my hand and you see spiraling down, sort of a spiral of golden light. And then it corporealizes into my hand and I grab around it, holding it.

[Matthew Mercer]

Exactly. It sparks and flashes with a violet black energy.

[Ylva]

Let's try this one. And then I'm going to run after the one that looks like it's super hurt and couldn't respond to that guy. And since it can't respond, I'm just gonna do my 1D8.

[Matthew Mercer]

Let's do it. Spend that stamina and roll 1D8.

[Ylva]

Okay, so stamina, two, three. Wait. One, two. How many stamina do I spend for the staff? Because it's essence, it's not stamina, right?

[Matthew Mercer]

Correct. Should I have next to the staff's statistics under the spell?

[Ylva]

It doesn't. It says four essence, last one, encounter, cooldown, three turns.

[Matthew Mercer]

That's the very bottom of the spell.

[Ylva]

Like I said, it says speed five. I was just testing you and you passed like I said. So, yeah, I'm gonna go after this, dude. Okay, well, that's three minus one, which is a two.

[Matthew Mercer]

So it takes two damage.

[Ylva]

Two damage. But I also regain five essence. So I'm gonna get back my essence.

[Matthew Mercer]

Ooh, interesting.

[Ylva]

You can't go above your maximum, can you?

[Matthew Mercer]

No.

[Ylva]

Oh, that's fine. And then I would like to. Where. How far away is the one that's hitting the one that was relatively untouched?

[Matthew Mercer]

Untouched is probably about, I'd say, 20 or so feet from where you're.

[Ylva]

I'm going to continue to go after the weakened one, the super weak one.

[Matthew Mercer]

All right? They can't dodge, so go for these strikes.

[Ylva]

That's better. Six minus one. Five.

[Matthew Mercer]

Five points of damage. So you take the staff, one impact, it kind of seems to flicker off, almost like the arcing energy of it hits the staff and pushes it slightly off the way, just grazing it. You circle back, whack, and slam the staff in the middle. But it seems to get stuck in the middle of this flick as you focus your essence into it. Energy detonates out from within and the blight just scatters off into nothing. The water hitting the ground harmlessly. One of them had been destroyed.

[Ylva]

Great. I'd like to use any of my remaining movement possibilities to get out of range away from any of these other guys. Or hide behind him.

[Matthew Mercer]

Yeah, you can go ahead and try.

[Ylva]

And I won't rid of him.

[Matthew Mercer]

Fine. Astro.

[Ylva]

Now it's time for you to return the favor. I'm going to hide behind his.

[Matthew Mercer]

I shot it twice. I don't know. Just protect me. The one that was just. Or the one that was impacted by one strike in the distant one seems to shift up quickly over and angrily towards your direction. But you move behind your friend. So it's going to focus now on you. You have not had your turn yet. So you're still out of stamina to dodge.

[Galen]

Or can you dodge?

[Matthew Mercer]

I have one stamina left, so I got nothing. So these can't dodge. The first one's gonna hit you for that's a six in the die. That's an exploding run. That's gonna be the other dice rolls are terrible. So it's nine points of damage. You do gain another point of shock accumulation.

[Galen]

Great.

[Matthew Mercer]

And the last one is only three points of damage. But you gain a third point of shock accumulation. You are now affected by the shock satisfaction. As the blasts hit you. Your body is now rocked with electrical energy. And the rest of you see arcing through Hasparo's body. You are currently shocked. And at the start of your turn, something will happen.

[Galen]

Oh boy.

[Matthew Mercer]

Which.

[Ylva]

Oh no.

[Matthew Mercer]

It's now your turn.

[Galen]

Hey. Let's find out what happens.

[Ylva]

Oh no.

[Galen]

Let's fuck around and find out.

[Matthew Mercer]

However, this. That Rainblight did use pretty much all of its stamina. So it also cannot defend itself. Oh, by the way, the one that was destroyed. You watch as you scatter it. I should have explained this too. A bit of its essence seems to drop to the ground. Almost like two faintly glowing orbs of essence drift there. So the one that finished that round. The top of your round. You immediately take 1d8 damage from the shock. That's three points of damage to you and three points of damage to everyone who's directly around you. Which would be you two. So both of you also take three points of damage.

[Sable]

And I can still. Oh well, I have to still have damage reduction by three points.

[Matthew Mercer]

Correct. So you take no damage. No damage. Okay. Great. All right. With some armor. Armor sounding pretty good right now. But one of Your points of shock accumulation goes away. Now is the beginning of your turn. You. Unfortunately, as you are shocked, you cannot move. However, you do have both blights nearby you, so you can still shoot at them at a distance or if you wanted to shift into your hammer weapon. They're both of them melee range because they did come after you. Okay, So I could hit either of.

[Galen]

Them if I wanted to?

[Matthew Mercer]

Yes.

[Galen]

Okay.

[Matthew Mercer]

How are they looking? One of them looks very hurt, and the other looks hurt. You know what? But I like having a little bit of stamina left, just in case. So I'm gonna stick with the gun. I'm gonna stick with the gun for now. Okay.

[Ylva]

Didn't you get all your stamina back?

[Galen]

Yeah, but my speed is pretty high.

[Matthew Mercer]

So I can only do a couple.

[Galen]

Of things, or else I'll be basically a. There's a cost to switch. Right?

[Ylva]

Gotcha.

[Matthew Mercer]

Okay, so I'm gonna keep the gun. There's any hits of that weapon, I'm.

[Galen]

Gonna go for the one that is more hurt looking.

[Matthew Mercer]

Okay. All right, that one. Neither of them can defend themselves right now because they can spend all their stamina aggressively. So just go ahead and roll damage.

[Ylva]

Get it, get it, get it.

[Sable]

Let's go.

[Galen]

Okay. Get it, get it. Okay, so that is 13.

[Matthew Mercer]

13 damage. Yeah. As you pull the gun back towards the one that's directly in front of you, the first one that engaged you initially and you had the first few shots off, you look in the center and see this spiritual glow. And for a split second, you see a flicker that almost has the faintest of humanoid outlines for a split second. And you aim for it and fire. And as you do, it scatters off and is destroyed. Same like dropping these little motes of essence that just glide there on the ground where it was. Nice. Now there's one more left. I mean, as I always say, nothing beats a gun.

[Galen]

I'm going to shoot the other.

[Matthew Mercer]

You may be thinking, let's go to a gunfight. The other one cannot defend itself because it's out of stamina. So just take the damage. Come on.

[Sable]

Six.

[Galen]

That's what I'm hoping to. No, that's still 19.

[Ylva]

Whoa.

[Matthew Mercer]

19 points damage on that rainblade. It takes the impact from the blast of your pistol. The second firing gets hit and shimmers for a second, then manages to hold itself present. It looks very hurt, but it's still currently aggressive. And then I will end my turn.

[Galen]

There.

[Matthew Mercer]

That finishes your turn. The one that will be taking its next turn was destroyed. So it is up to you, Minette.

[Minette]

Okay, it's time to poke.

[Ylva]

Yeah, that's what she said.

[Minette]

I am going to spend. That's my one, two, three, four.

[Sable]

Whoa.

[Matthew Mercer]

Ooh. One, two, three, four.

[Minette]

I've got five. Oh, wait, no.

[Matthew Mercer]

It starts over right on the round. Nope. This is the beginning of your round. All your stamina. Refill. Okay.

[Minette]

Gray, gray, gray, gray, gray, gray, gray.

[Matthew Mercer]

Gray, gray, gray, gray.

[Minette]

Okay. 1, 2, 3, 4, 5. Okay, I'm going to poke with my spear.

[Matthew Mercer]

All right? So it cannot defend itself. So go and roll damage for your spear. Great.

[Minette]

That's a D10, right?

[Matthew Mercer]

D10 minus one, I think.

[Minette]

Yeah, yeah, that's this one.

[Galen]

You got it.

[Minette]

That's that one. I'm telling you.

[Matthew Mercer]

Just make sure that you're aware.

[Minette]

Five.

[Matthew Mercer]

Five. All right, five points of damage there.

[Galen]

Not a one.

[Matthew Mercer]

Let's you stab it with the spear. It's odd. You're stabbing something that doesn't have or shouldn't have weight or matter to it. But as you stab it with the spear, you can feel some sort of resistance as it does. And as you do, you feel it dip, and it has to readjust itself. It's very hard.

[Minette]

Okay, I'm going to poke again.

[Matthew Mercer]

All righty.

[Galen]

When these things take damage, do they make sound like a. Do they emit anything?

[Matthew Mercer]

Cool. All right, good. Thank you.

[Ylva]

Should I not poke?

[Matthew Mercer]

Are you striking again?

[Minette]

I am.

[Matthew Mercer]

All right, go ahead and roll. Damage.

[Minette]

0.

[Matthew Mercer]

You strike. Strike with the spear, and it kind of shifts out of the way, and the spear kind of takes an arc, and your hand falls numb for a second, and you have to pull back. No damage on that one.

[Minette]

All right, I'm gonna do it again.

[Matthew Mercer]

All right. Get it. Get it nice and angry, Katie.

[Sable]

All right.

[Minette]

And then where I got in my hand. Three minus one, two.

[Ylva]

All right, all right.

[Minette]

That is every chipping away.

[Matthew Mercer]

You finally frustrated. Leap stabilization. Stab, stab. This thing's not going down. You strike through. How do you want to do this? Describe how you defeat the creature. He's out of the thing. That's so funny.

[Minette]

How do I do it? I'm kind of peeking behind him in my mind, and I take both hands, and I kind of straddle and I. Like a lady.

[Matthew Mercer]

Like a lady, yes. As the spear strikes upward, it sends out this sparking spray of electrical energy that dissipates into the nearby atmosphere. The mist arcing out and separating for about 30ft from where you all currently stand. And with that, the blights are no more. Just little motes of essence left around drift before they slowly begin to almost look like they're about to vanish into the mist. No, no, no.

[Ylva]

Grab those, you guys. I'm good.

[Matthew Mercer]

So each of these drops two essence fragments. You can absorb those to restore two points of essence if you'd like.

[Ylva]

Can we pocket the land?

[Sable]

So we wait. Two per orbee?

[Matthew Mercer]

I don't need any. No, each one gives you essence back.

[Sable]

I'll take if anybody. Does anybody else need any?

[Ylva]

I'll take one.

[Matthew Mercer]

I don't use essence.

[Sable]

You'll take one.

[Ylva]

I got mine back.

[Sable]

I used a lot of essence with that corrosion spell, so I'll take what's left if no one else wants it. So what, that's what, four?

[Matthew Mercer]

Yeah, it was a six total. We're left behind from the three blights.

[Ylva]

Oh, question, question, question. When we had the rest in the. When we were unconscious, did that count as a rest? So all our stamina and everything came back to. I just want to make sure I did this right.

[Matthew Mercer]

Yeah. Everything there would have recovered.

[Galen]

It's just essence that doesn't recover automatically.

[Matthew Mercer]

Correctly. Yeah.

[Ylva]

So I would have. I would actually have down. I would be down four, though. I'd be down three because I got back five.

[Matthew Mercer]

Yeah.

[Galen]

Down three also. Do you need one of the ones?

[Sable]

Do you want one?

[Ylva]

Not if you. Did you use up all of yours?

[Sable]

I use five, but I can just use four if you want to take one.

[Ylva]

Yeah. Let me take.

[Sable]

Do that.

[Matthew Mercer]

Okay.

[Ylva]

Thank you. With my useless lightning bolt in the ship.

[Sable]

So rude.

[Minette]

That didn't work.

[Ylva]

Frisky fingers. Sometimes it's not for everyone.

[Minette]

True.

[Matthew Mercer]

So indeed, it seems odd dangers lurk upon this rock beyond just stormy sea wrecks. What would you like to do.

[Ylva]

Through that mist? Is that mist in general still there?

[Matthew Mercer]

I mean, the mist still hangs across the entire island, but it looks like at least where you had walked through a space where something else lurked within the mist that came to awareness at your presence.

[Ylva]

Came to awareness at our presence. So there could be more.

[Galen]

Any signs of tracks now that we're further up and in a little bit.

[Matthew Mercer]

Make a perception check for me, if you don't mind. Come on. 9. 15. 15. The rain here is washed away much. But between the bits of exposed stone, there are bits of hill and earth that still emerge. Between where the trees and roots still hold it. You do see some heavy, muddy footprints as well as some smaller footprints that seem to be heading loosely in the same direction you're traveling that hasn't been completely washed by the storm.

[Ylva]

Heavy like this guy heavy or heavy.

[Matthew Mercer]

Like bigger no, like this guy.

[Ylva]

Like this guy over here this way. This guy talking like your family. Okay, Is that all right? I'm just gonna pick up on that.

[Matthew Mercer]

Yeah, yeah. When you hear your family.

[Ylva]

My family. I'm a friend of yours now. That's it.

[Galen]

Shelter and food. Still in that direction.

[Minette]

Is Lyra still with us?

[Matthew Mercer]

Lyra has been hiding on the ground through all of this encounter. And kind of like. Are they gone?

[Sable]

Did you cook us, Amelia?

[Minette]

I didn't think to bring a weapon when we were all doing that.

[Matthew Mercer]

I'm not a fighter. I was barely a burglar. I'm not supposed to be here.

[Galen]

What did oh a burglar mean? Taking shit you're not supposed to though.

[Matthew Mercer]

You're not ones to judge me. I've been listening to you all talk.

[Ylva]

Listen, she may be of use later. Just be gentle on her. She's small enough to carry.

[Matthew Mercer]

She better be a damn good cook is all I'm saying.

[Ylva]

Speaking of which, if we just look around real quick. Is there anything foragy available around where we are?

[Galen]

You know what, rabbit?

[Matthew Mercer]

Make an intellect check for me.

[Ylva]

Cause you have to be very smart to be a forager. That's a 1212.

[Matthew Mercer]

I mean there's nettles and bush.

[Minette]

Love eating bush.

[Matthew Mercer]

I mean, thank you for saying it.

[Ylva]

Because I felt like someone had to.

[Matthew Mercer]

Reach around. Love eating bush. So sorry, Obsidian. Sorry, not sorry. There are are some scavengeable berries. Not enough to fill a belly, but enough to definitely chew on and make you more frustrated that you're hungry.

[Galen]

Oh great.

[Ylva]

They don't help with anyone's health points.

[Matthew Mercer]

And they wouldn't heal anything. I'll say there's enough berries for someone to heal one hit point.

[Ylva]

Well, that's just sad. Can we give them to Lyra?

[Matthew Mercer]

Give them the Lyra. She didn't do shit. I got shocked like 15 deep.

[Galen]

She hasn't cooked us.

[Ylva]

Will it eat up, I take it?

[Matthew Mercer]

Yeah, I'm still hungry, but I heal one hit point. You heal one hit point.

[Ylva]

Okay, get that one.

[Matthew Mercer]

There we go.

[Sable]

Big blue something.

[Matthew Mercer]

Yeah. Gathering yourselves and wherewithal. Especially the signs of other, hopefully recent life. And this small, almost an outpost that seems to be surrounding the base of this lighthouse of a darkened candela. You pick yourselves up and continue trekking through the falling rain towards the semblance of some civilization and hope. Next we're going to go ahead and take our break. I'll be back here in a few few minutes. We'll see y'all shortly. Oh, hey there, Laura.

[Minette]

Bailey here to tell you all about the glorious goods we create inspired by our stories. Our stores are filled with the basics like character inspired T shirts, dice sets and pins, as well as more specialty items like fancy jackets, puzzles featuring gorgeous.

[Matthew Mercer]

Artwork, the comfiest joggers and pajamas ever.

[Minette]

And much, much more. There's also a few special items that support charity efforts like our dedicated Critical Role foundation merch. You can check out all of our regional online stores by visiting the shop tab on critrole.com or head straight to the US store at shop.critrole.com Every purchase helps support our shows and the stories we tell. Speaking of which, let's get back to the story.

[Matthew Mercer]

And welcome back. So, as you left off, this troop of unlikely companions, survivors from the shipwreck of the prison ship that was carrying them to the living lands, caught up in a terrible storm, have wrecked upon an unknown island. To them, nor it seemed the path they were supposed to tread. After battling with some of these strange elemental creatures, these rain blights upon the island you've pushed through the mist towards the core of this rocky landmass where a singular non lit light lighthouse and a surrounding outpost of a homestead and a few makeshift shacks seem to await your arrival. As you begin to approach the outskirts of this what would you like to.

[Sable]

Do as we're walking up the hill? Kind of just want to get in pace a little bit with Lady Minette.

[Minette]

Meow. Sorry.

[Galen]

Bless you.

[Sable]

You know, I was actually kinda. I was gonna ask about that. Do you meow because you were expected to meow?

[Minette]

I.

[Sable]

Or is that like, do you like that? Sorry, I didn't mean to cut you off.

[Minette]

Thank you for the question. I was playing a role, a critical role in, in the lives of Lady Eleanora.

[Sable]

And.

[Minette]

I was playing a party. Yes. But you know, the funny thing is I did enjoy it because I was cared for so wonderfully and I was fed and I was educated and I slept at the foot of her bed. And it was not where I come from. But I don't regret it and I apologize in advance. It's a bit of a tick at this point, but you know, I'm doing my best.

[Matthew Mercer]

Look, so you understand your other damaged Orlan companion is hobbling alongside you. You're not. You're not made to be a pet at the behest of other people.

[Sable]

Yeah, what she said.

[Minette]

No, let me be clear. I'm an equal. I am. I am an all. And I'm not a cat. But above all, I am a lady and that is the important part.

[Galen]

Who sleeps at the foot of the bed?

[Minette]

I am Eleanora's friend. And she will be coming for me. She will. As soon as I get in touch with this lighthouse keeper or wherever we go, there's going to be a nice noble man or lady. And I will be able to contact my friend and tell her that I am no longer in trouble and none of us are. And how wonderful and fortuitous is that?

[Sable]

Yeah, Look, I don't want to be the one to bust your biscuit.

[Ylva]

Can.

[Sable]

Please don't I feed like. You should just have someone give you a reality check here. She ain't coming to get you. She let you be the fall guy here. All right? And that's not someone who looks at you as an equal. And I want you just like what Lyra over here is saying.

[Matthew Mercer]

What are we saying?

[Sable]

Yeah. To be able to understand that. Recognize that you are strong, independent female Orlan. And that you deserve better than that bullshit.

[Ylva]

Lynette, sometimes people treat us than. Treat us less than people. It can happen to any of us. It happened to me.

[Minette]

Lady Ova and Lady Sable. I appreciate the counsel and I will take it under consideration and I will return to you these words that trust and belief are virtues that I abide by. And if I don't have those, well, I might just fucking kill myself. So. Oh no. What I'll do, frankly.

[Matthew Mercer]

We are alive.

[Minette]

She's coming back for me and she's my friend.

[Sable]

All right, look.

[Minette]

She's my friend.

[Ylva]

You know, this might have escalated.

[Sable]

I think I unlock trauma may be a very untimely place. And manner smoothing my skirtically just you know, like little bit. Little bit lower over here. You know, just it seems might be good to have some other influence from.

[Ylva]

And some other friends.

[Sable]

Yeah.

[Minette]

I am very happy for your companionship.

[Matthew Mercer]

We're smarter than the rest of them.

[Sable]

I could hear that.

[Ylva]

As could I.

[Sable]

Right next to us. But also you're not wrong.

[Matthew Mercer]

No, not.

[Sable]

I may be dumb, but I ain't deaf. Let's keep moving.

[Matthew Mercer]

That was loud. Puts her arm around you. And you both continue inward towards the outpost. Approaching the outpost you can see the cluster of wooden shack like structures. Some heavy tents that are arranged around the base as well. Though some have since been blown over by the recent weather. And mostly a pile of tattered materials that stand up amongst jagged sticks pushing through like a collapsed circus. These temporary structures set up around the central home abode with the massive lighthouse there before you even. It's not hard to make out the lighthouse is incomplete. It looks like the majority of it is constructed, but its apex is only partially finished or at least maybe partially crumbled. But you look amongst the structures as well, and the more you glance around, you can also see almost construction equipment. Number of tools for moving earth and breaking stone. That's the outer glance.

[Ylva]

From whatever distance we're at. Can we tell again? I just want to get a sense of whether these seem like they are people connected to the Idiran Empire, or if these are. Are they the soldier guys or are they the ash guys?

[Matthew Mercer]

Well, you don't see any. Make a perception check for me. S.

[Ylva]

Bad dog. This is a bad day. There are no bad dogs. Only bad people. 4.

[Matthew Mercer]

4. You, peering out beyond as the rest of your troop are approaching, see no signs of movement. The still wind itself not blowing any flaps free. There's no sound of the now still and some crumpled tense moving and shifting with the elements. It is just a stagnant and still cluster of structures with no signs of life or movement.

[Ylva]

Something doesn't feel right.

[Galen]

Yeah, that's different.

[Minette]

You're very tall and receptive. Do you see anything?

[Galen]

Not beyond what you see. I wouldn't mind trying to get a little bit a little closer. If there is anyone in those tents, though, they would greatly outnumber us. So it might behoove us to try and attract their attention this way instead of doing the opposite.

[Minette]

Maybe I could ask if they have any books. That went really well last time.

[Matthew Mercer]

Books, Books, books.

[Galen]

Yes. I'll see what I. Are we in a treeline?

[Matthew Mercer]

The tree line itself is broken and you're kind of jumping from cloud cluster to cluster to move best you can. Unseen. But as you reach the perimeter. Yeah, best you can. But now that you've gotten close enough to see these details, the rest of it is mostly just exposed rock and a bit of looks like sea friendly shrub. But it's an open walk to the rest of this cluster where the lighthouse currently stands.

[Galen]

I could try and get a bit of a closer look if we didn't want to expose ourselves all at once.

[Ylva]

You're the only one dressed as a soldier and I don't.

[Galen]

This is true.

[Ylva]

You know that. This is. Since we don't know if they're friendly to soldiers or other. Don't know.

[Matthew Mercer]

But I'll go with you. Fuck it.

[Galen]

As my prisoner. As your prisoner?

[Matthew Mercer]

Yeah.

[Ylva]

Or vice versa, depending on what you discover.

[Galen]

Yes. If it's scallywags like us, then I'm the bitch. If it's God's you da bitch.

[Matthew Mercer]

Debatable, but okay, we'll go with it. So the two of you are scouting ahead?

[Galen]

Yes.

[Matthew Mercer]

All right. The rain turns to a drizzle, and eventually the drizzle begins to clear. The gray skies still carry above you, but it looks like the threat of rain and perpetual waterlogged fades. But with that, the fog thickens, seeming to choke off your vision from the full perimeter of the island, now becoming obfuscated shadows at the periphery. But as the two of you approach and begin to step into the boundary of this small encampment, this outpost, if you will, you see all manner of sights of work here. You see within some of these shacks that are set up, number of construction tools, excavation pickaxes. You see piles of heavy stone. Looks like warped rock or completely displaced rock. You see lanterns hanging on hooks outside of these structures themselves unlit, the muddy trappings. The way this part of the land is, it looks like a lot of the water and rain pushes wet earth sits above it into this very faint caldera of where the lighthouse is built. The further in you go, the more it becomes mud as your foot falls. Enough. With each step, you come through her, and you can see other foot tracks. At a glance of recent movement, it would have to have been. It's also not too hard to see amongst the mud here. Four skeletal corpses that appear to be partially submerged in this mud. You see the occasional skull, half of it open, its jaw agape, peering out from you as its body is laid out, its arm sprawled. You see another one, that's it, partially collapsed over by the side of one of the collapsed tents. Its ribcage sticking out from it. Looks like bits of cloth torn and weathered with the elements. You see four skeletal corpses, mostly skeletal. Shreds of elements of skin or what they once had while I was here.

[Galen]

Was a long time ago. A long time ago.

[Matthew Mercer]

So there's no signs of recent activity. Make a perception check for me. Ha ha. 4. 4. Most thing you can make out is as you turn, you see little carrion bird that's kind of perched on one of the nearby corpses, picking it with shreds of wet and flick. You want it? Just go ahead and roll. It's gonna try and dodge.

[Ylva]

Get it, get it, get it, get it.

[Galen]

I added up and 22.

[Matthew Mercer]

It rolled a 19. But that's not enough. Don't roll. Damage. Yes.

[Ylva]

Dinner.

[Matthew Mercer]

Hot food.

[Galen]

Oh, four balls, 11 points of damage.

[Matthew Mercer]

That's enough to kill a carrion. So I was like just slumped against the arrow that now has Stapled to the side of one of these shacks.

[Galen]

I killed.

[Matthew Mercer]

I took a life. Oh, my God.

[Galen]

So Hasbro just steps forward and goes.

[Matthew Mercer]

We'Ll see what Lyra can cook up with this later. See if she can pull her weight. But yeah, it looks like nobody's around here. You see anything in the tents or anything?

[Galen]

Oh, look. Can I do a more in depth kind of search for anything dated?

[Matthew Mercer]

Yeah, if you want to make perception or resolve your call.

[Ylva]

Can we catch up to them now since we don't see them?

[Matthew Mercer]

If you'd like to. The rest of you, you want to follow Dirty20?

[Ylva]

Yeah, baby.

[Matthew Mercer]

Dirty20. Looking around, a couple things. One you see, indeed, it looks like there are a number of places where workers would gather building materials. Stones that had been smoothed, that looked like they were carried from elsewhere. They aren't made here on the island. So there was in the construction of this lighthouse. Looks like teams were coming here to build this as a means of extending safer travel across the ocean, possibly towards the living lands, your eventual destination. But they didn't seem to finish. You continue to pour through and find three other bodies. Glancing across them of what you can see, their decay indicates that they haven't died recently. They're not ancient corpses per se. Even the weathering that you see in the surrounding structures here, the home, feels older than the rest of the buildings. Some of these structures seem more recent. There's more weathering on the homestead than some of the shacks. You also see the bodies. There's no signs of violence. There's no broken bones or slash marks. And most of them aren't sprawled. And scenes of violence just collapse.

[Galen]

And some are halfway submerged in the earth.

[Matthew Mercer]

What you can tell, it looks like as the bodies have been here long enough that the mud and the general elements have begun to reclaim them. The lanterns are all unlit, and there are canisters of lantern oil between two of the larger shacks.

[Galen]

We'll grab some lanterns and lantern oil. Yep.

[Ylva]

Useful.

[Matthew Mercer]

You also, as the rest of you approach, hear a whistle coming from the other side of this gathered troop.

[Galen]

Yes. Was that not you?

[Matthew Mercer]

No, no, that wasn't me. Was it the others?

[Ylva]

It wasn't us. We got him.

[Matthew Mercer]

Oh, you're right here.

[Ylva]

That's right.

[Matthew Mercer]

That's all right. It was us. And you see Medrin steps out from behind one of the things, far ends Shaxx, near the household. And you see he has a satchel over his arm. Has. Thank you very much. Look at that. Look at that. Keen delivery.

[Ylva]

Thank you, partner. Very cool.

[Matthew Mercer]

Thank you.

[Ylva]

Delicious. Oh, mine appeared and I didn't even notice.

[Matthew Mercer]

Look at that.

[Ylva]

Magic.

[Matthew Mercer]

Thank you guys. You see has also scavenged arms from the guards. Bladed his side, a little bit of a breastplate set on him.

[Sable]

It's Medron.

[Matthew Mercer]

Medron with a partially filled satchel over his arm. Ah, yeah. You see the two other figures that you had saw in the prison following alongside also with satchels or sacks over their arm. And he says, well, it's very good to see that you all survived.

[Ylva]

Likewise.

[Sable]

You didn't think to maybe check up on us before you decided to head out on your own?

[Matthew Mercer]

It was a tangled message. Same when you woke up in, huh?

[Sable]

Yeah. All right.

[Matthew Mercer]

Excuse me for not truly encompassing the empathy that you hold for yourself.

[Sable]

Well, you're excused.

[Galen]

Yeah, apology accepted, I think is what we mean to say.

[Minette]

Absolutely. I hate this guy.

[Matthew Mercer]

Well. Whisper whistles again and you see from two emerging from the household and from underneath one of the tents as it shifts, you see the muscular female Alma that you saw with the brown burgundy skin emerge from under there as well as the lanky dwarf you can see that pulls out with this dagger and shield at the side. And they all converge off to the side of Medron. So you're all more or less in a two semicircles facing each other.

[Sable]

Are they trying to surround us?

[Matthew Mercer]

No, they're not aggressive, but they're certainly wary.

[Ylva]

Are you the only ones who made it so far?

[Matthew Mercer]

As far as I know. This is all we've seen. No other survivors. It was a terrible accident. And he shifts his shoulder a bit and you can see part of his clothing is bloodied. They've all sustained injuries and they're. You get the sense. Based on the sacks they carry, they're scavenging as well, possibly looting. How many of them are there again? There's three of them. There's just the three of them. Okay. My apologies, I've not introduced you to my little team here. This is Figrun. Motions over to the female Amaoa she herself holds aloft now looks like this massive excavation shovel that has wrapped some leather around the middle of it to make it into a makeshift weapon. Lifts it up and stinks it into the bun goes. How do you do? And this here is Al Sento. Points to the dwarf.

[Galen]

No, not evident. No, not evident.

[Matthew Mercer]

Now we've all got to stay together for survival. Yeah.

[Ylva]

Yes.

[Matthew Mercer]

Yeah. Good, good.

[Sable]

Well, I guess if we're making introductions. That's Minette. That's Galen.

[Minette]

Lady Minette.

[Sable]

Lady Minette. Suri, that's Ilva. That's Hasbro. I'm Sable, and we're Team Reach around.

[Matthew Mercer]

You've got a name.

[Galen]

We recently adopted the name. It was Hasbro's idea.

[Matthew Mercer]

You. Pretty good name, right? I like it. It's promising. We don't have a name.

[Sable]

It's good for morale.

[Matthew Mercer]

This one. He points over, and you see him smile as he points, and you see Elyra's like, oh, none of this one. I guess it's good to keep the food close, eh?

[Galen]

That's wildly inappropriate. Oh, because she's a chef. You heard she's a cook.

[Matthew Mercer]

She's a chef, yeah.

[Galen]

Yes. Wise with his resources, this one is. I can tell.

[Sable]

I'm guessing there's a history between these two. You probably don't need to make a roll for that.

[Matthew Mercer]

You guess that there's something there. Yeah.

[Sable]

All right.

[Galen]

Predator and food.

[Ylva]

Yeah.

[Matthew Mercer]

Nevertheless, whatever this is here, it was man. And something didn't work out. That means they don't need what they left.

[Ylva]

Did you by any chance encounter a sort of water blight. Sorry, Water ghost. A sort of lightning creature?

[Matthew Mercer]

Water drippy little guy. That's what I call him. I saw some weirdness amongst the mist, but we actually dallied right around and kept quick to our feet and just ran, you know, not fighters.

[Galen]

Oh, right. Where was done that?

[Matthew Mercer]

I don't know if you've noticed. We're stranding. We need to get that working. So anyone know how to work a line? House.

[Minette]

Why you say it like that? Like there's an innuendo?

[Matthew Mercer]

Everything else isn't anyone, though.

[Ylva]

God, I hate him.

[Matthew Mercer]

He should join Team Reach Around. I think he fit right in. Oh, I think Team Reach Around's joined us.

[Galen]

I mean, I think we could get it to work.

[Ylva]

I'm sure that we could get it to work one way or the other. There's plenty of lanterns and plenty of oil around. That's a start.

[Matthew Mercer]

Make a fire, grab materials. Stop planning yourself out. There. Anything that's good and decent, bring it. We're gonna pile it here in the center. You two go and keep watch. Me? Sure. Nobody falls out of line. You two also will. Just make sure we don't fall. All right? All right.

[Sable]

You're barking out a lot of orders there, Hound Dog. Why don't you calm down, all right? I appointed you team leader, all right?

[Ylva]

I'm going to go search around and keep an eye on them to see if they're out of line. And you can keep an eye on me to see if I'm out of line.

[Matthew Mercer]

Well, why don't we vote on who could be our team leader?

[Sable]

Yes, that's good.

[Minette]

Diplomatic, democratic. Yes. Yes, that's fair.

[Matthew Mercer]

Make a resolve check for me. That is 11. That is 11. Oddly failed with an eight. He was like, you know what? Fuck it. Why not all they got. Sounds fun to me. See, amongst all of us here, who should be the leader? Isn't that right, boys? You see over there figuring goes. And lady, who wants to be the leader amongst your trooper?

[Sable]

Well, it's gotta be either one of the smarties, I think, or, I don't know, one of the biggies.

[Minette]

I vote for intellect. I vote for Galen.

[Matthew Mercer]

Who is volunteering to be voted for. This isn't an open council. I'll volunteer. Yeah. All right. Whoever wants has Poro. Has Poro. Toledo stranded, dying, shred of a team, raise your hand.

[Galen]

Oh, shit.

[Matthew Mercer]

I wasn't expecting that.

[Ylva]

It's all right, darling. I'm used to being the second hand.

[Matthew Mercer]

Last four votes. Yeah. How about the rest of you lot? And he looks over at Lyra, and Lyra's like, you see the other ones put their hands up? He puts his hand up. That's four on four. All right, which is funny because you didn't vote. But he voted for himself, damn it.

[Ylva]

I don't feel like that.

[Matthew Mercer]

I don't. I'm not that good at math, so. Does that seem funny to anybody?

[Sable]

All right, fine. How about diplomatic partnership?

[Matthew Mercer]

Sure. Let's see what we can find. Quickly. I'm getting hungry. Zedden shifts his bag, and they scatter amongst the ruins and start picking through things. You watch as Figarin takes that shovel and moves aside one of the bodies, pulling it out of the muck and slopping it onto its front, where it breaks apart a little bit and starts sifting through it with a stick. They're essentially just looting the house.

[Ylva]

You said that there was some kind of a house.

[Matthew Mercer]

There is. There is a small abode that is older than the rest of the structures here that is up against the side of the lighthouse.

[Galen]

One of them came out of there, right?

[Matthew Mercer]

Yeah, it looked like El Cendo, I think, was coming out of that one.

[Ylva]

Shall we? I'm going to go check out the house. He said it's attached to the lighthouse.

[Matthew Mercer]

Well, it's, like, right next to it.

[Ylva]

Okay.

[Galen]

If you want to check out the house, we could examine the lighthouse, see what sort of progress has been made on its construction.

[Matthew Mercer]

I'll go with you to the house.

[Sable]

I'll come with you to the little Tiny house.

[Ylva]

And Lyra, why don't you join us in the house?

[Matthew Mercer]

Yeah, that's where I figured I'd have to cook. Right? Oh, yeah, speaking of that, got some grub for you.

[Galen]

Oh, yes. I killed. Our hands will never be clean.

[Ylva]

You made dinner, darling. You simply made dinner.

[Sable]

I don't think Mandarin should have any of that dead vulture. Personally.

[Galen]

It's a pigeon.

[Matthew Mercer]

Pigeon.

[Ylva]

Made a big badass carrion pigeon.

[Matthew Mercer]

The worst kind of pigeon. Big pontoon. Works out.

[Ylva]

There's a pigeon who works out.

[Matthew Mercer]

It's that weird island in every RPG where it's regular monsters, but they're just bigger for no reason.

[Minette]

Galen, I will accompany you to the lighthouse. I think it might behoove us to have someone with mental fortitude to aid you in your quest. So you don't get scared.

[Galen]

Yes, yes, that's excellent thinking.

[Matthew Mercer]

They keep calling us dumbasses over there. I don't really appreciate that kind of talk. It's all right, darling.

[Ylva]

Being underestimated is a wonderful thing.

[Matthew Mercer]

Exactly.

[Galen]

We are all we need.

[Minette]

We're all we need. Team Lighthouse doesn't have quite the same ring to it.

[Galen]

No, it doesn't.

[Minette]

That's okay. We'll workshop.

[Matthew Mercer]

All right, so the two of you head towards the lighthouse, right? You come to the front doorway to it and you can see there is a wooden door, metal trim for both physical load bearing power to it. But it looks like one of the hinges is partially broken away and it's partway open. Dark on the inside. As you move it aside, you have to push hard to push the muck out of the way that's built up on the outside of it. Looks like it hasn't been opened in a while. Immediately there's that smell of wet muck and earth on the inside. You can see stone staircase that immediately spirals up and you can see a little bit of light above that daylight that is coming through the unfinished top of that lighthouse that barely frames the edge of the steps as it spirals upward. There are wooden set off to the side that have themselves some bits of broken stone. Yeah. What do you want to do?

[Minette]

Well, first of all, Galen, now that we're alone, I have something to tell you.

[Galen]

I'm all ears.

[Minette]

You're innocent, correct?

[Galen]

Yes.

[Minette]

I think that once we find an established society, we absolutely abandon the people we're making temporary alliances with. It's important for us. You're a numbers guy, right?

[Galen]

Yes, yes.

[Minette]

I just think that I don't personally want to be associated with criminals. And I think that it Would be a good idea for us to think about an exit plan. That's all.

[Ylva]

That's all.

[Galen]

Sure. Playing the percentages.

[Minette]

Yes, exactly.

[Galen]

All right. They have been very useful. But I see a lot of reason in your thinking.

[Minette]

I didn't come here to make friends. I came here because I was in jail with them.

[Ylva]

And that's all.

[Galen]

Well said, my lady.

[Ylva]

Now that that's sorted. It's a virtue.

[Minette]

Now that that's sorted, how does a lighthouse work?

[Galen]

I thought you knew.

[Ylva]

Oh, you're the big smartie.

[Matthew Mercer]

We're the ones with the Internet.

[Minette]

I have resolved.

[Galen]

I assume you create a light and then something to reflect that light around.

[Ylva]

And that's great.

[Matthew Mercer]

You're.

[Galen]

So we have lanterns and lantern oil.

[Minette]

Can we look around to see if there is anything mirrored that we could use?

[Matthew Mercer]

A piece of glass?

[Galen]

Yeah. Check these crates on the bottom floor.

[Matthew Mercer]

Make a perception. Check both of them.

[Galen]

Yeah.

[Minette]

21.

[Galen]

22.

[Matthew Mercer]

22. You go, which one of you goes up and which one of you checks the floor?

[Minette]

I go up.

[Matthew Mercer]

All right. So as you trek up the stone, it is slick with the recent rain. And you have to put your hand on the wall to make sure you. Because if you were to tumble down these stairs, it would be very bad. Railing hasn't been put in. It's pretty bare. The fine details of it were probably the last thing to go in, and they haven't even finished the full construction. But you head up to the top and you can see there's part of the wall. It looks like it may have been close to construction and something collapsed. And they haven't repaired it yet. But there is a lens installed. You get up at the top and there is an actual lighthouse lamp and lens installed, but it is dirty as hell. The actual hood of the lighthouse looks partially off center. Whether it be through wind and weather, it's just been slowly pushed off to one side. It's mooring come undone a little bit. But it looks like it could be a functional lighthouse if it were to be properly oiled, ignited. You don't know how this works.

[Minette]

Excellent. I take off my petticoat and I get to cleaning.

[Matthew Mercer]

All right. You start scrubbing it. You start checking throughout. Here, the crates. There are some tools. Most of them look empty. One of them looks like it contains some actual sacks of rice and grain. And looking down with it in there, you check it and it is moldy. It is. That gray and white fuzz has fully ingrained itself in this. It's a rough fungus in there. And the smell hits You. And you're like, oh, going to catch yourself for a second. There's another crate. It's pushed off to the side. And then a cold wind seems to be coming through the lighthouse at this. The wind is picking up a little bit as that fog is beginning to choke the center of the island. You reach over and look within the crate, and it tips a little bit to one side, and you're like, what? You catch it and pull it up. The stones in there shift a bit, and it's hard. Make a mite check for.

[Galen]

Oh, shit. Might coming up. Seven.

[Matthew Mercer]

Seven. The rocks shift on the other side of this crate, and it tumbles forward. Do you hold on or let go?

[Galen]

I'm hold on.

[Matthew Mercer]

Hold on. It slams down. It looks like part of the floor here actually was a hole or an opening and the crate was on the side.

[Minette]

Oh, no.

[Matthew Mercer]

As you shifted it, the weight shifted and the crate fell into this opening, and you held onto it as a. It comes forward and tumbles about five, six feet in. Shatters onto this heavy, rough stone floor. Lightless around. You have no sight. It is just this dark expanse where you have landed on your tailbone. Hard. I'll stop. I'll stop. As you slowly catch the wind back in your lungs.

[Galen]

Ooh. We'll be right back.

[Sable]

Like, three days ago.

[Matthew Mercer]

I think she's actually hurt.

[Ylva]

Oh, no.

[Galen]

Classic.

[Matthew Mercer]

If you haven't seen it, classic.

[Galen]

Did the lantern that I have with me, did that break as well in the fall?

[Matthew Mercer]

Roll a D20 for me. Ooh. On a 10 plus. Did not break.

[Galen]

Five.

[Ylva]

Damn. Ruh.

[Matthew Mercer]

Roh.

[Galen]

Okay, just pitch dark.

[Matthew Mercer]

Pitch dark.

[Galen]

Hello?

[Matthew Mercer]

Hello? Hello.

[Galen]

Anybody there?

[Matthew Mercer]

There, there.

[Galen]

Ego.

[Minette]

Can I hear him from up where I am?

[Matthew Mercer]

No. Make a perception check.

[Minette]

Okay. With this one, by the way.

[Matthew Mercer]

Oh, yeah. There you go.

[Ylva]

Come on, get it.

[Minette]

9, 10, 11, 12.

[Matthew Mercer]

12. Nope. Fuck. Just cleaning.

[Ylva]

I'll be humming.

[Minette]

La la la la la la la la la la.

[Galen]

I like the dark.

[Matthew Mercer]

I like the dark. Cinderella. Animals flying.

[Ylva]

Exactly. Just like in there. Like tweeting with the animals.

[Minette]

La la la.

[Matthew Mercer]

The whole.

[Galen]

The entrance that I fell through is like six feet in the air.

[Matthew Mercer]

Five, six feet up. Yeah. You could leap and catch and try and pull yourself up.

[Galen]

Take a couple steps forward in the dark.

[Matthew Mercer]

Okay. You feel it. And you find a rough stone wall and what feels like a wooden brace.

[Galen]

Can I search my hands up the brace and see if there's a joist or a lantern or a hook or anything?

[Matthew Mercer]

No lantern or hook, but it seems to curl up to about a five and A half foot high ceiling. Eventually, as you move forward, ducks down and it's like a tunnel. An excavated tunnel.

[Galen]

That's interesting. No need for me to do this on my own.

[Matthew Mercer]

Help, Help, help.

[Galen]

Try and climb out of there.

[Matthew Mercer]

Yeah. It takes you a few moments, but eventually you do manage to clamber back up into the base of the lighthouse. Great. Lady.

[Minette]

Yes, yes.

[Galen]

I have fallen and found a tunnel.

[Minette]

Oh, okay. I.

[Matthew Mercer]

Do.

[Minette]

I take my petticoat.

[Ylva]

Should I leave it?

[Minette]

I take it with me.

[Matthew Mercer]

Fair.

[Minette]

And. And I carefully descend. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12.

[Matthew Mercer]

Maths.

[Ylva]

Well done.

[Matthew Mercer]

123 steps later.

[Minette]

123. Hello.

[Galen]

I fell into a hole and there's a tunnel and I broke our lamp.

[Minette]

Oh, okay. One thing at a time. There's a tunnel.

[Matthew Mercer]

Yes.

[Galen]

In the ground dark tunnel into the void. Which I didn't want to do on my own.

[Minette]

No. Okay. Well, good news. All of the fastenings for a lighthouse are up there. I was just. Excuse my nakedness. I had to remove my petticoat, clean the glass. But it's all up there. And I think it's just a matter of finding more oil because that was the oil in the lamp that broke, correct? Yes. So why don't we return to our friends and see? Because there was certainly more than one.

[Matthew Mercer]

Lamp, if I recall, a number of lanterns throughout.

[Minette]

The number of. It's one of a number.

[Ylva]

Great, wonderful.

[Minette]

So let's find our friends. Remember, grit is a virtue. So let's get them and let's join our friends and tell them the good news. Good news.

[Matthew Mercer]

In the interim, the three of you have trekked into this household. The front door itself is already partially ajar from looked like one of Medrin's compatriots had begun stepping through the interior. As you step in, Medrin follows you a little bit and then peels off before you enter the building proper and goes off and finds his own interest throughout the rest of the surrounding encampment. His two other compatriots also moved beyond sight. I would say Alcino at this point is rummaging through another collapsed tent and pulling out bits of materials and tools and finding and putting them in the bag. But you enter this house. It's a small abode and it's barely furnished. It likely was a home built for what was to be the lighthouse keeper here, though the interior definitely, while it's not furnished heavily, is covered in all sorts of strange equipment that does not befit necessarily a lighthouse keeper. You can see weathered tripods and massive lensed equipment. You see delicate tools hung on haphazard screwed loops put into the wall. You see the extensions of excavation equipment and all manner of laid out strips of leather on small tables and counters with bits of flecks of broken pale stone of different sizes and areas where notes are kept and some of it missing, some of it present. There's broken instruments on the ground with shattered glass that spread off to one side. All manner of strange scientific or research based equipment. Who is actively helming the investigation into this house? I feel like she let it.

[Ylva]

Sure, yeah, I'll be that person.

[Matthew Mercer]

Okay. If you'd like to make a perception or resolve check, that's up to you.

[Ylva]

Yeah. I should not be leading this anymore. My dice have abandoned me. All of them have abandoned me. That was a four.

[Matthew Mercer]

A four. Glancing through the chambers here, minimal as they are, you can't quite figure out the threads behind what these might have been used for. But a few things also catch your eye. There is a small kitchen area in the back that it looks like some of it's been open and emptied, but others are closed. That is some hope for trying to have some supplies for liveliness. You do see in one of the what would have been the bedroom, though the bed itself has no present mattress on it. There is another small table set with a leather ledger journal, a number of other pieces of paper and sheets, and what looks to be another corpse that is lying on the ground, arms back like this, its jaw just hung open and most of its skin either pull hold stretched or missing.

[Galen]

Oh, not skeletonized though.

[Matthew Mercer]

I mean most of its body is skeletal, but there are elements of strips of stretched mummified skin that still give some semblance of structure and tissue.

[Ylva]

Can I read some of these journals, stuff like that?

[Matthew Mercer]

Sure. Well, you start reading through the notes and journals, you see within the first opening page there is a name marked within, usually denoting the ownership of the journal. You see the name Aedia Koliate. It is very much written in shorthand, scattered chunks of notes and language that at a first glance is tough to glean the purpose behind it. But if you want to roll an intellect, roll to see if you can ascertain. Let's go north of the 10.

[Galen]

North of the 10.

[Ylva]

Come on, babies. I brought so many of you to this party.

[Galen]

Show off. Show off for mama.

[Ylva]

That's better. Let's do an 18.

[Sable]

Hey, hey, hey.

[Matthew Mercer]

Eight. Okay, 18. In reading through the notes of this journal, a couple quick things you pick up. This edea looks to Be a seeker of ancient history or lost culture. Their notes are more about connecting dots between historical excavations. Referring to some sort of university, a higher learning locale where they have connections and trying to more or less figure out parallels with some uncovered elements to this island. You work out through the notes that when this lighthouse was being constructed, the team building it uncovered odd ruins within the heart of the island beneath the lighthouse. And thus the construction was halted before completion. Then Edea and her colleague Dornilsi were called from the Empire to gather a team of researchers to investigate this room and assess if construction could be completed or if the site had significance to the Empire. You rolled really high. Entries also speak of unpredictable weather and harsh living conditions upon the island. And a storm that sundered their long moored ship against the shore before they could return to the mainland for more provisions. Reading through the notes further, they speak about uncovering some of the depths of the ruins as well as massive veins of Adra that dig into this island. You know Adra to be a particularly important and rare mineral across the entire world of Eora. It is a greenish luminescent stone that is believed in many cultures to to perhaps all be connected at the core of the world. Or at the very least it is tied to the very essence of the soul, the spirit. There are many different beliefs. A lot of the ancient Ingwithan Empire and their technologies were based around the manipulation of Adra and the spirit as an energy source. Some people see the Adra as a creation or extension of the gods. But there are a number of significant mysteries around it and a lot of technologies through the use and manipulation of Audra. But these veins were unique for the deeper they plumbed into these ruins they found the green became white spidered veins of white Audra referred to as Audraban. An extremely rare form of White Audra that still isn't fully understood. An incredible find by these notes and likely why this ancient ruin was built here. Edea's instinct is that these ruins might be of the fabled godless of the living lands. But it's too early to confirm without comparison and research back to the Empire and hoping that their attempts to get the lighthouse functional again and to call some sort of help or aid back to the island could help them continue their research. The further into it gets more complaints about dwindling provisions of desperation and conflict within the research team. As these tensions rise and Edea wants to push their efforts towards recovery and acquiring some sort of follow up troop to save them. Danilci began to fall obsessive with these ruins, thinking that perhaps maybe the secret to that lied within them, within this Audra. If indeed it is all connected somewhere in the core here, maybe through some unknown animancy or some sort of ancient power within, maybe these ruins unlocked a way in which they could be saved. But this tension continued to build as the teams began to separate and grow more ornery and divided with each passing week. The notes get more scarce and more concise and more frustrated and hopeless. Then begins to speak about Dorneel C. Wanting to tamper with the pillar and wanting to stop them. While this is happening, you both also find what looks to be an odd skull that's set off to the side of the far back chamber by the kitchen. It is larger than a human skull. It looks humanoid, kind of, but it's. This is big. The big ass skull. It's a big skull.

[Ylva]

Okay, yeah, technical term.

[Matthew Mercer]

What would you like to be doing within the rest of this house while your friend over here is in the process of reading and studying this journal? Do any of the tools look familiar? We would know what these tools were used for. Yeah, a lot of them are. Well, actually, well, the tools inside here, they make an intellect. Check for me. Oh boy.

[Ylva]

Come on, baby.

[Sable]

Eight man.

[Matthew Mercer]

Yeah, eight, eight man. Probably like dentistry. Like, you know, there's like.

[Ylva]

Matthew Mer.

[Matthew Mercer]

Small implements like obviously for scraping plaque and getting between those gum. Like. Yeah, this.

[Sable]

Do you think that this skull was maybe like a practice skull for the dentist?

[Matthew Mercer]

Might be, yeah. Yeah, that would make sense. I mean it's kind of a lot for one skull, but. Yeah, yeah, I can see.

[Sable]

Well, you know, I just. You know how doctors have those like diagrams and stuff.

[Matthew Mercer]

Yeah.

[Sable]

Maybe that's what this is.

[Matthew Mercer]

I think you're exactly right.

[Ylva]

Exactly. I'd like to come running back in and fill them in on everything I tell you, everything that I read.

[Sable]

Wait, wait, wait, wait. Let me see that journal. Oh my God. This is gator hide. This is rare shape.

[Matthew Mercer]

Shut the.

[Sable]

This is good leather.

[Ylva]

I'm just going to turn around and walk outside to try to. And take a deep breath and look for our other friends.

[Matthew Mercer]

You step out of the doorway and right there you see shoulder to shoulder. Figrun and Alceno are stepping up to the house. Look at you. Figrun's like you look spooked.

[Ylva]

Not spooked. I'm intrigued. Have you been in the house?

[Matthew Mercer]

Looks over to Alicena's like amanya, hello, hello, Koran start. You know, not much of interest. I got some food, a couple Things. What'd you find?

[Ylva]

Some papers. Do you read? Not in a chatty way. We found some more information that might be useful to us, but we need to reunite with all of our party before blessing. Even though I can't see you, I bless you. We need to reunite with all of our party to figure out what to do about it. Can you find your medron?

[Matthew Mercer]

Yeah, we'll go find them. You go ahead and both turn around. You can see Figrun looks at you, looks inside the house a bit, grabs ahold of her massive shovel and pulls it from the muck and they both walk off back towards the cluster of structures.

[Sable]

Ilvo you all trust that lot. Might not be a good idea to tell whatever you found.

[Ylva]

Why do you think I just stalled? I'm stalling until we find our party and we can have a better conversation.

[Matthew Mercer]

Lyra's trying to cook up, get the stove going through some cabinets, goes, oh, I got. And pulls out a small box and looks like a sack of some kind. He's like, well, I got some meat and does actually produce amongst the kitchen here. One large piece of smoked meat that you can.

[Ylva]

Oh, excellent. Someone can heal up.

[Matthew Mercer]

And a box of hardtack.

[Ylva]

Oh, all right.

[Matthew Mercer]

So you have two helpings of hardtack that can be used multiple times.

[Sable]

I feel like you should eat some of that right now.

[Ylva]

We need our tank to make some magic over here.

[Sable]

I'm only down a couple of hit points.

[Ylva]

Yeah, me too. I feel like we should hang on to those more for me.

[Matthew Mercer]

I'll use one of these uses now. Get yourself because I'm hit pretty hard. Go for it.

[Sable]

Yes. Four uses. Regain two. I'll take one. Why not?

[Ylva]

How far are our buddies?

[Matthew Mercer]

They're like 20ft, 25ft away. Walking away further. They're sharp.

[Ylva]

I mean, these buddies.

[Matthew Mercer]

Oh, them.

[Ylva]

Yeah.

[Matthew Mercer]

They're still going up the lighthouse. No, we came back. Well, this is happening simultaneously. And the searching and cleaning and all these things take a little bit of time. So you're probably at this point in time probably just convenient and about to start heading back. You as you glance out and look, you also see on the table where all these little tools and implements are. Those small, little broken shards of stone are matching that description of that pale white that you read in the book. And upon a look, one particular piece that's about the size of a coin has the pale glow a luminescent color to it.

[Ylva]

I'm just going to swipe it and pocket it.

[Matthew Mercer]

Okay, Grab that and a few other.

[Ylva]

Pieces that you can it's literally grab them all. So there's a pile of stones, three.

[Matthew Mercer]

Sizable bits of Audraban that you can pocket real fast. The white side.

[Ylva]

Yes, Audraban.

[Galen]

And is it known what the big difference is with Audraban?

[Matthew Mercer]

I know it's rare and stuff, but it's not like unpredictable, I would say you wouldn't know. You just know that from what places you've the rare things that you've heard about and you've seen it used mainly as jewelry for the elite, especially in.

[Ylva]

My business where I've been doing a lot with.

[Matthew Mercer]

But you haven't delved too much into the research of Audra specifically or its source. It's mainly just in your circles used as a sense of station. Okay. Audra and Audra bond. Yeah, well, Audra's used all throughout jewelry, but it's more. More common comparatively. But it's used because it's very resonant to spiritual energy in essence. And so a lot of Animancy research and a lot of magical technology and development of Animancy based magic all surrounds the manipulation and usage of Audra. Okay, yeah. I'd like your friends do approach as you pocket these things and you can smell food starting to begin to coat a little bit and you all come into the household.

[Minette]

Oh, Lady Ylva Ser Galen was an absolute example of gallance and bravery. He discovered a hole and a tunnel.

[Galen]

A tunnel. It's a tunnel.

[Ylva]

Okay.

[Sable]

A hole and a tunnel.

[Galen]

Yes, just the one.

[Sable]

They're connected.

[Minette]

And good news, the lighthouse is almost ready.

[Ylva]

I've cleaned the glass in this tunnel. Did you by any chance see any veins of green in the stone?

[Galen]

No. No, it was pitch dark.

[Ylva]

How many lanterns do we have?

[Sable]

How many do we have a number.

[Ylva]

Can we each grab one?

[Matthew Mercer]

Oh yeah. I'd say there are probably eight unbroken lanterns that are easily within grasping distance of Muffa island and the surrounding structures. But as you're having this conversation in the house, you see the approaching shapes of the two compatriots that you sent off as well as the image of Medrin between them walking forward. The.

[Sable]

He's coming towards us.

[Matthew Mercer]

He's walking towards you.

[Sable]

I'm just going to lean my head out the door and be like, I'm really sorry, Lady Minette is just a little bit indisposed right now. I'm going to close it and lock the door.

[Matthew Mercer]

Oh, okay. All right. There is one other way in which is the door. You can see near the kitchen to the left. Oh shit. I go over to that door.

[Minette]

Please don't come in. I'm having a feminine issue.

[Sable]

She just. It's her lady time.

[Minette]

I'd appreciate you.

[Matthew Mercer]

Please.

[Minette]

Thank you.

[Matthew Mercer]

All right, we have in this moment, they appear to probably still approaching the house, but taken aback, probably by closing and locking the door. What are you doing?

[Ylva]

Have you found anything?

[Matthew Mercer]

Talking to who?

[Ylva]

Medron?

[Matthew Mercer]

You just shut the door on.

[Ylva]

Right?

[Sable]

Just figure we might want to get our story straight.

[Galen]

We don't fully trust.

[Ylva]

No, of course not. I can make up something that was in these journals, but. And I don't know that either of them can read.

[Galen]

Well, we can say that the lighthouse is able to be repaired. We could outfit it, clean it, supply a lantern and get it up and working. And maybe while they're up there, focus on that. We can slip down below.

[Ylva]

That's a great idea, right?

[Sable]

I mean, don't get me wrong, I'm all down for exploring. Very adventurous spirit. But what do we think we're gonna find down there? What are we gonna gain?

[Galen]

A golden corral.

[Sable]

A golden corral. Let's go.

[Matthew Mercer]

I want a bloomin onion, baby.

[Sable]

I know it sounds like steakhouse, but it's the first thing we do in mind. Like everything else in this game, whenever.

[Matthew Mercer]

I go to cribs, I'm like, I wish I could have a blue and onion instead.

[Ylva]

Yeah.

[Matthew Mercer]

I'd like to take this time to remind you that these are all our original things. These are not canon to the world of eora.

[Ylva]

No, there's no Outback Steakhouse in the world of eora, Just in case you were wondering. Um, I don't know, but it might.

[Galen]

Be the only thing of value that's.

[Ylva]

More what I'm thinking of. And. Come on, you've done a certain amount of animancy. Aren't you intrigued?

[Sable]

Yeah, no, of course. I mean, I don't know. I'm so confused. I don't know exactly what you're telling me right now, but I'm into it.

[Ylva]

All right, team, reach around.

[Minette]

Must get in the hall. Do we agree?

[Matthew Mercer]

Oh, yeah, always.

[Minette]

Every hole is a goal.

[Sable]

What are we gonna tell Medryn to keep them?

[Ylva]

Okay, we said we'll take them up to the top of the. To the lighthouse, see if they can get it working because we don't know how to. And then see if we can slip in the hole.

[Sable]

Hurry.

[Matthew Mercer]

You hear a voice outside, be like, what's this?

[Galen]

Oh, shit.

[Matthew Mercer]

That's all.

[Sable]

Are there windows in this little situation?

[Matthew Mercer]

There are glass windows installed, yeah. It's outside the house and probably sounds further Away than where you lock the door.

[Galen]

That's not a voice we recognize.

[Matthew Mercer]

It sounds like Medryn.

[Ylva]

Can we look out the window?

[Galen]

Actually I'll go to the door that's on the opposite side from where the sound's coming from and I'll actually head out outside around the house and try and slice the pie and look around the corner at what that sound's coming from.

[Matthew Mercer]

You follow off to the side and one of the structures, the partially collapsed tent against the side of it, that was on this side of the house. You see Medrin and his crew are gathered around the outside. They were going to go to the other side of the house and stopped to inspect this. And you see Medrine's moving aside some of the rubble and pulls something out from it. You see in his hand this curved on one side and coming to a point on it like this large teardrop shaped massive chunk of this white stone material that's faintly glowing with the faintest bit of pinkish violet internal light, almost like veined through the core of it.

[Galen]

Looking at it, I'll slip back inside and go, I think he found a giant bone. It's like this long white shard.

[Ylva]

Does it look like this? I pull out the white archer. Does it look like this?

[Galen]

It does, doesn't it?

[Matthew Mercer]

Looks pretty close.

[Galen]

It has tadpa bigger.

[Ylva]

Dammit.

[Sable]

Maybe while they're distracted with that we just go ahead and slip in.

[Ylva]

But that. That's what we're looking for.

[Sable]

Well, maybe we can go find more.

[Galen]

It would be a good time to go to the tunnel.

[Ylva]

Oh fine, fine.

[Matthew Mercer]

Come on.

[Ylva]

Ill I just want it. It's shiny.

[Sable]

Yeah, well, we can go to the tunnel, go in the hole, come back and get it.

[Galen]

Yeah, they'll be looking for us.

[Matthew Mercer]

Let's go.

[Ylva]

I'm going to write a note. Be back soon. Going to do some reverse love Ilba heart.

[Matthew Mercer]

Lyra turns from the pot of myself.

[Ylva]

For them because I don't know if they can read.

[Matthew Mercer]

Lyra turns from the pot and is like up likely around five or so minutes. The bird should be ready. This is stirring it.

[Sable]

Let's go.

[Ylva]

Yeah, we'll have to eat it when it's cold. Oh God, they're gonna eat her.

[Matthew Mercer]

Haspur looks longingly at the food as we're leaving. All right. You exit the door and open it, unlatching it and then pulling it open. And right there, occupying the front of the door is Figrun pretty much shoulder to shoulder their massive Amala form. She's standing in your way like a wall. Then peers her head down past the low slung door top. Where are you going?

[Ylva]

Well, she's feeling a little bit better so we thought we'd get her some air.

[Matthew Mercer]

It's not nice to slam doors and friendly faces.

[Ylva]

Apologies. She's a little bit shy when it comes to these particular lady experiences. She hasn't really been in a situation like this where we're quite a. All of us have to be.

[Matthew Mercer]

Are you hungry? Oh, always.

[Ylva]

Well, Lyra has made a delicious meal if you'd like to partake. Can you smell it?

[Matthew Mercer]

Yeah. Yes boss. You hungry? And she steps back and you see there's Alicena walking up. And Medrin's about 30ft back walking, holding this in front. You're saying this shit it's his? Odds are about. I never seen Hydra like this excepting like pebbles. Can you imagine the worth of this piece? A long entire veins beneath this island.

[Ylva]

Maybe we should find them.

[Matthew Mercer]

It's kind of staring at the stone there for a second.

[Sable]

Can it get us home? If. I don't know if you've noticed but there's like no commerce on this island. So it's actually arguably useless. It has no value until we can.

[Ylva]

Get to perception check is what's going on with this.

[Matthew Mercer]

He shush his ear. Yeah, of course. I don't understand. What. What is a biorock? Bjork, this is Beowalk. If anyone would like to make an intelligence roll.

[Ylva]

I would.

[Sable]

I'm not smart.

[Matthew Mercer]

She's smart. Well good.

[Ylva]

That's well done. 16. Can I read some of the Beowac Beowoks?

[Matthew Mercer]

You've. It's funny. It's jostled in your brain because of the recent resurfacing of things you've read. Passing books and things when you in your bored moments when business is a bit slow. Biowocks are also referred to as spirit winds. They are terrible magical storms that are said to shear the soul out of a person's body. Often the cause of wayward souls to become attached to nearby elements and begin to wander aimlessly across aggressively. Not unlike the blights you had encountered before. Medron was like I see a gift, huh? Okay, Medron, it'll be a gift.

[Ylva]

Medrin. Who are you talking to?

[Matthew Mercer]

The. I'll come find you. Bind them and bring them. And he takes the stone and begins to putting it into his pouch.

[Sable]

What's the idea?

[Ylva]

Idea? And he said bind them and bring.

[Matthew Mercer]

Them as his two compatriots. Look at him.

[Sable]

The researcher.

[Matthew Mercer]

He watches Figgren pulls the massive shovel out and palms it as Elsano reaches down and pulls this dagger that's a little bit cris, like, shaked out of the side. And they all look at you.

[Ylva]

Right.

[Matthew Mercer]

I need you all to relax. Yeah.

[Minette]

I told you, Judy.

[Ylva]

Socks. All right.

[Minette]

Sixteen.

[Sable]

Nice. Better rolls.

[Ylva]

I thought it would happen a little bit later. We had to make friends for now.

[Matthew Mercer]

All righty. 20 to 15.

[Minette]

16.

[Matthew Mercer]

16. Let's go.

[Ylva]

Okay, draw. 14.

[Minette]

I've been waiting to get this guy.

[Matthew Mercer]

14.

[Ylva]

Okay.

[Matthew Mercer]

All right. Go ahead and rollies. Rollies. Let's do it. Thirteen.

[Sable]

Twelve.

[Matthew Mercer]

All right.

[Galen]

Oh, so it's Hasbro, lady.

[Matthew Mercer]

Hasbro.

[Galen]

Sable.

[Sable]

Yes, hasbro.

[Matthew Mercer]

All righty. 15 to 10.

[Ylva]

10.

[Matthew Mercer]

10. All right, we have 10 to 5.

[Sable]

Oh, no.

[Matthew Mercer]

5 to 1 1.

[Ylva]

Someone's got to bring up the rear after all is his team. Reach around.

[Matthew Mercer]

All right, Medrin is up first with you all clustered here in the door.

[Sable]

No shit.

[Matthew Mercer]

Medrin steps forward and is going to go ahead and after placing the audra piece into the satchel, brings the hand forward and rushes up and is going to cast fan of flames towards all of you. If you would like to block or dodge, that is your call here.

[Galen]

I will dodge.

[Ylva]

I will block fire.

[Matthew Mercer]

Dodge. I will block. All right, so all of you roll and add your number here.

[Ylva]

Yeah. 20 for 26.

[Galen]

5.

[Ylva]

Natural 20. It's a dark pie, you guys.

[Matthew Mercer]

Success.

[Galen]

16.

[Matthew Mercer]

16. Success. Barely. 22. Success.

[Sable]

16.

[Matthew Mercer]

Success.

[Galen]

5.

[Matthew Mercer]

5. All right, all of you dart off to the side and lean against the inside of the walls of the house as flames burn past. Poor Hasbro standing there. You didn't even get your meal.

[Galen]

I had a little smoked meat, but.

[Ylva]

Oh, that's right, you do have some smoked meat.

[Matthew Mercer]

That's going to be 12 points of damage of hanyu.

[Minette]

I get to parry also.

[Matthew Mercer]

Oh, because you were blocking it. Yeah, yeah. Yes, you can. So we'll get into that in just a second. And you get two points of fire accumulation on Hasbro as the flames are now starting to catch onto your body. The singed smell of your hair burn and curled back. The pain kicking into you. I don't know. It feels good to get the blood pumping a little. You get to parry immediately. You said so.

[Minette]

I also cast fan of flames, too well.

[Matthew Mercer]

Parry. You get to make an attack with your weapon.

[Minette]

I stab him with my spear.

[Matthew Mercer]

There you go, brawny. You turn, you cast.

[Ylva]

Get it, lady. Get it.

[Matthew Mercer]

So after the flames finish, you immediately whip around the edge where you hit and try and actually kind of stand off because of the spear. You can stab from behind your friend. You can Just stab from behind Hasbro.

[Minette]

Stab from behind, Hasbro.

[Matthew Mercer]

All right, so a free attack against Medran. Go ahead and roll. He's going to try and block. Oh, dodge. He can Dodge for three.

[Minette]

All right, there is no zero, right?

[Ylva]

That's a 10.

[Galen]

That's a 10.

[Minette]

Okay, nine.

[Matthew Mercer]

There you go.

[Galen]

Magic dice.

[Matthew Mercer]

Come on.

[Ylva]

You have to hit for your D20. A D20?

[Matthew Mercer]

Well, no, you have to roll to hit him because he's trying to dodge the D20. So D20 plus three. Shit.

[Minette]

Good frapping dis roll, though.

[Matthew Mercer]

Yep.

[Minette]

Nine.

[Matthew Mercer]

Nine, unfortunately, misses. He's quick and dodges off to the side and almost disappears from the open doorway. Out of sight to all of you. He just vanishes. And now you're just looking at it like an open door with this two of the compatriots standing right there waiting to go. That's going to go ahead and let's. Yeah, Medhrin's going to go ahead and hold course at the moment. Having finished that round. That now brings us to Minette with Hasbro on deck.

[Minette]

Okay, I cast Fan of Flames 2. He's behind us now, but there's two.

[Matthew Mercer]

The two in front are still kind of clustered.

[Minette]

To the two in front, I cast Fen of Flames.

[Matthew Mercer]

Let's go. Poo.

[Sable]

Let's go.

[Matthew Mercer]

All right, since they have not gone yet, they're both What?

[Ylva]

He's behind us.

[Matthew Mercer]

I'm confused. Where is everybody? Elseno's going to go ahead and try. Well, he ducked out of the site. You do not have sight. Currently on.

[Ylva]

So he's sort of behind them, but they're blocking us. They're here. And he's gone. Gone.

[Matthew Mercer]

Correct.

[Galen]

We're back here, and everything's still taking in the doorway.

[Matthew Mercer]

Correct. You're all inside the house still. And there's the doorway. Bedroom was standing. Cast the flame. And then Darga off to the side and is out of sight. Got it. His two compatriots are behind. As you step forward and cast phantom flame on the two of them. They're both going to try and dodge. All right, so go ahead and roll and add your intellect.

[Minette]

That's 4D6 minus 1 plus my intellect.

[Matthew Mercer]

Roll to see if you hit the trend Dodge. Yeah. Come on.

[Ylva]

Come on, baby.

[Minette]

11. Wait, wait, wait. Plus 13.

[Matthew Mercer]

Yeah, you hit them both. They both rolled really poorly on their dodge, so go ahead and roll. Damage on that. Okay.

[Minette]

Damage is 4d6 minus 1.

[Matthew Mercer]

Right.

[Minette]

Okay, that's this one.

[Ylva]

That's the square. Yes.

[Matthew Mercer]

Yeah.

[Minette]

Four.

[Sable]

Four of them.

[Matthew Mercer]

Six.

[Sable]

Come on, big six. Five okay.

[Matthew Mercer]

Five, ten.

[Galen]

That's the six. Which explodes.

[Minette]

Explodes one, six and two minus one.

[Ylva]

Okay. And one more. Because the six explodes.

[Matthew Mercer]

Six explodes again.

[Sable]

Again.

[Matthew Mercer]

Oh, fuck. Yep.

[Galen]

24, five, 29.

[Matthew Mercer]

Amazing. That is rough stone ladylike. So you dart forward. This aggressive gout of burning fire emerges from your hand and just engulfs them both. A direct retort on nearly the same level as Medarins against your troop. Although not as lucky in avoiding it. How many points of fire accumulation does it give them both?

[Minette]

Two.

[Matthew Mercer]

All right. They both get two points of fire. They're both on the verge.

[Minette]

Fire is the virtue.

[Sable]

Let's go.

[Matthew Mercer]

They both try to block it.

[Sable]

Sizzling like a slab of pork and a skillet.

[Matthew Mercer]

The smoke got these shits right out somewhere.

[Ylva]

Goodness.

[Matthew Mercer]

Yeah. For not baby. That's nasty. For stealth.

[Ylva]

Thought came in from it.

[Matthew Mercer]

So that's your spell. Do you want to use any more of your stamina to attack?

[Minette]

I am going to. I have so much stamina, so I am going to stab, stab, stab, stab, stab.

[Matthew Mercer]

All right, which one? Tall one or dwarf one?

[Minette]

Tall one.

[Matthew Mercer]

Let's go. They're not going to try and block or dodge, so you just go and roll. Damage.

[Ylva]

Get it?

[Minette]

And that's.

[Galen]

They're not going to try or they.

[Minette]

Can'T because they're crispy.

[Matthew Mercer]

They're standing there.

[Galen]

Uh huh.

[Minette]

3.

[Matthew Mercer]

Three points of damage to Fig run. All righty. Any more on your turn or.

[Minette]

Yes. 1, 2, 3, 4, 5. And I'm going to. They're also not going to block.

[Matthew Mercer]

Nope. Go for it.

[Minette]

Five.

[Ylva]

Oh. Four.

[Matthew Mercer]

Four. All righty. After they're recovering from the flames. Smoke from their burnt hide, armor and guard like cloaks they had put over their shoulder. Smoke billowing up two spears stabs you back. And they're like.

[Ylva]

Smoothing my skirt.

[Matthew Mercer]

Finish your turn and I curtsy. All righty. With that. Hasbro, you are up with Sable Untouchable. So they're both got hit pretty good.

[Galen]

Correct.

[Matthew Mercer]

They're both hurt. They're not looking hurt. They took some heavy damage, but they're a little tougher, I think than the average bear.

[Galen]

And the Amawa's name is Figgren.

[Matthew Mercer]

Figrin is the Amawa. Yeah.

[Galen]

I look at her, I go, you.

[Matthew Mercer]

Know, it's a shame because you're kind of my type. Does that. Does she react at all? Make a resolve roll game.

[Ylva]

Well on that job, baby. Okay, let's go.

[Galen]

14.

[Matthew Mercer]

14.

[Ylva]

What's your result?

[Matthew Mercer]

She goes.

[Galen]

11 plus 3.

[Matthew Mercer]

14. Yeah. Yeah. You're kind of my type. You know what turns me on pain.

[Sable]

Oh, okay.

[Ylva]

This could be a win win for you.

[Sable]

So you. Do you know her?

[Ylva]

Oh my God.

[Matthew Mercer]

Not who, but I'm gonna get to know her.

[Ylva]

Let's go.

[Galen]

I'll pull out the great hammer then.

[Matthew Mercer]

That's what we all call it. All right. Yeah.

[Galen]

So do I have to roll for hit?

[Matthew Mercer]

Figarun is going to attempt to block your hammer.

[Galen]

Now. This crushing five to hit against block opponents.

[Matthew Mercer]

Correct? Oh yeah. Get it back. I forgot about that. All right. Yeah. So let's go. Roll.

[Galen]

It's a 25. Shit.

[Matthew Mercer]

Just roll damage. Yeah. She puts up the front of the metallic part of the shovel to try and block the blow. And just the sheer heft and weight of the hammer as you bring it down. Stepping out of the door frame upon her, she can't even stop it. And just wham. Takes it straight to the front of the clavicle and chest.

[Galen]

Okay.

[Matthew Mercer]

That'S going to be 15. 15 points in one hit. Crack. The hammer hits and she reaches up and grabs it and holds it and looks you in the face and goes, okay.

[Ylva]

I mean. I mean the lady asks.

[Matthew Mercer]

If the lady asks. Now I don't want to kill her, but you know, she looks like she.

[Galen]

Can take another hit.

[Matthew Mercer]

Oh yeah. She's starting to show a little wear.

[Galen]

Okay, so I guess I gotta give.

[Matthew Mercer]

The lady what she asked for then.

[Galen]

So do I have to roll for hit?

[Matthew Mercer]

Yes. She's gonna try and block it again.

[Galen]

All right.

[Matthew Mercer]

18. That's gonna be 20 for her. So she does manage to block it, but she does not get her parry against you. Got it. She does not what? Does not get a chance to parry. Oh, okay. Gotcha. So this time she catches your hammer now and you pull it in close like face to face. She goes. Kisses your nose.

[Galen]

I go back like yeah.

[Matthew Mercer]

Hell yeah.

[Ylva]

Let the two of them have a moment.

[Matthew Mercer]

Does that finish your turn? I will finish my turn there. All right, Cool. Finishing that. Sable, you are up.

[Sable]

All right.

[Matthew Mercer]

Sorry, one question. Yeah?

[Galen]

Food. Can I eat this now?

[Matthew Mercer]

Why not? Okay.

[Sable]

Yeah.

[Matthew Mercer]

I feel like I'm gonna jerky. Can we eat a Lady in the Tramp style? No, Straight up.

[Galen]

Just cause my health is a little low, so I'll use this to heal it.

[Matthew Mercer]

I love it.

[Ylva]

So good.

[Matthew Mercer]

Great.

[Sable]

So I Sable rolled out of the way and she's kind of got her back up against the wall.

[Matthew Mercer]

Where's Medron right now? You don't know if you're inside the building.

[Sable]

Okay, right.

[Ylva]

Because he went on the outside, but there's another door. Can we get to the other door.

[Sable]

Cause she is the. Are they still blocking in and out of the door currently?

[Matthew Mercer]

Yeah, they're all kind of pushed there. You can try and squeeze through if you want to. I kind of stepped out a bit with the hand, so you can probably move out if you wanted to follow the path of midrid.

[Sable]

Yeah, I'm going to go after Medrin.

[Matthew Mercer]

Okay.

[Sable]

Yeah.

[Matthew Mercer]

You step out and move beyond the back of hasbro and about 30ft away, you see Medrin is there holding the back of the satchel and is starting to run towards the lighthouse.

[Galen]

Son of a beach.

[Sable]

Yeah, fuck that. I'm dexterous as fuck. I'm going after him.

[Matthew Mercer]

Okay. If you dart and catch up as fast as you can, you're a quick little dwarf. What are you gonna try and do?

[Sable]

Am I melee with him?

[Matthew Mercer]

Roll a dexterity check for me.

[Sable]

Okay.

[Matthew Mercer]

You'll say you need a 15 or higher total to try and catch up.

[Sable]

Okay, I got plus five, my dex.

[Ylva]

Ooh, that's a two.

[Sable]

No, no, no.

[Matthew Mercer]

Unfortunately, due to the mud and just the general speed of Medron, having a direct goal and a place to go, you can't quite get within melee.

[Sable]

Okay, that's fine. I'm gonna pull out my gun. Get it, get it. I'm gonna like. As soon as I realize that I'm not gonna make it, I kind of just like steady sink down in my knees and try and aim. Take a good shot.

[Matthew Mercer]

Okay.

[Sable]

Also first, wait.

[Matthew Mercer]

First Bedron is gonna try and dodge arcane veil.

[Sable]

I'm gonna do arcane veil really quick as well.

[Matthew Mercer]

Okay.

[Sable]

Natural one.

[Matthew Mercer]

Don't do that.

[Sable]

Failed me. Failed me.

[Matthew Mercer]

You go to fire and the flint kind of like catches and it misfires slightly. Not enough to damage the weapon, but enough where smoke kind of like off the side and you have to kind of like clear it.

[Sable]

God damn. All right, one more time.

[Matthew Mercer]

Another one.

[Sable]

Not that one.

[Matthew Mercer]

Medron has enough to go. Let's go.

[Sable]

Oh, wait, wait, wait, wait, wait. Hang on, hang on, hang on, hang on.

[Galen]

Getting out with stamina.

[Sable]

Yeah, I just marked my 1, 3, 4. That was for my 1, 2, 3. 1, 2, 3. Shit. No, I'm not gonna do it.

[Matthew Mercer]

Okay.

[Sable]

My pistol. I'm not as quick with it. Damn. That's it.

[Matthew Mercer]

All right, that finishes your go. It is now Figrun's turn. Figgren, who is very happily in the space where you are and focused now based on how you interacted with them, is not gonna go after any of your friends and is now just going to drill.

[Ylva]

You can't Take that away from her.

[Matthew Mercer]

Yeah. She's going to go ahead and spend four essence to begin to charge. And is going to go ahead and take a swing with her massive shovel, which acts as a great axe in this instance. Oh, yes. Do you have enough stamina to dodge? Okay, let's go.

[Ylva]

I'm glad you ate the meat. Yeah.

[Galen]

Tell us, Matthew Objective, tell us what you roll.

[Sable]

It's either really good or really bad.

[Matthew Mercer]

Stubble ones. That's still six points of damage to you.

[Galen]

Little love tap.

[Matthew Mercer]

All right, sure. But with the charge is going to be slamming into you and pushing both of you into the wall of the building. The wall kind of cracks in and you watch as the structural where you both slam into the cracks. Spider off to the side and part of the ceiling comes in a little bit and falls. And that is pretty sexy. So am I up against the wall? You're up against the wall right now. Damn, that's hot.

[Ylva]

Right?

[Matthew Mercer]

He's fighting a different battle and she's going to save the rest of her. So now you're both just. She's pressed up against the wall now it's like cracked in behind you and you're both just kind of locked in all.

[Galen]

You'll need that stamina, baby.

[Minette]

Should we all just take a moment.

[Ylva]

To watch what's happening by the seat?

[Matthew Mercer]

All right, finishing Figgren's turn. Ylva, you're up.

[Ylva]

Oh, my. I want to go after Medryn as well, so I'd like to run outside and get. And I'd like to arcane veil first of all. Okay, that's two of these. And then I would like to pull out my wand. And as soon as I get within range of being able to see him, I would like to poe my wand at him and let magic hit him.

[Matthew Mercer]

Alrighty.

[Ylva]

That's what I would like to do. Let's see if I can.

[Matthew Mercer]

Medorin does not have the stamina at the moment to. So just go ahead and roll. Damage.

[Ylva]

I like this game. I don't like this. This wasn't doing very well. That's what I'm talking about. 8.

[Matthew Mercer]

Eight points of damage to Metrin. Alrighty.

[Ylva]

And then I would like to just do the same thing again.

[Matthew Mercer]

You got it.

[Ylva]

5.

[Matthew Mercer]

5. All right. 8 and 5. Medarin as you strike with your wand and sends off Arcane bolts to arc and slam into Medarin as he's running away, takes the hits and skids on one knee and slides into the mud before picking up his momentum and is continuing to run.

[Ylva]

Damn it. What are the chances I can catch up with him is he super duper duper duper freaking far at this point.

[Matthew Mercer]

I will say it hasn't come back to his turn yet. But because you are having to move around, roll a dexterity check for me to see if you can try and keep. Get up.

[Ylva]

That's a natural. 20 plus 3. I'm a speedy little bitch.

[Matthew Mercer]

Hell, yeah. You go ahead and dart past Sable and get up into Melee with Medrin, who glances over his shoulder and notices your approach and is still trying to run. What else do you do?

[Ylva]

I am. Oh, crap. I can't do his trolling touch. Fuck me. I'm going to try to trip him.

[Matthew Mercer]

Okay.

[Ylva]

There's like, if I can get up to melee, I just want to stop him. I want to knock him over somehow.

[Matthew Mercer]

All right, so as you rush up, I'll say this will cost you two stamina. It's not going to be a damaging attack, but you're trying to slow his escape. So I need you to roll a might check for me.

[Ylva]

Wait, he has the bag hanging off his person.

[Matthew Mercer]

He has a satchel he's clutching as he's running.

[Sable]

Yeah, that's what I was gonna do.

[Ylva]

I'm gonna grab for the satchel. Instead of trying to trip him, I'm gonna grab for the satchel.

[Matthew Mercer]

Okay, Roll a might. Check. Okay.

[Ylva]

Oh, a might. Wait, what was the other one?

[Matthew Mercer]

It's either knock him down or try and rip it from him.

[Ylva]

Okay. Oh, no, that didn't happen.

[Galen]

Dice.

[Matthew Mercer]

And what was it? Oh, yeah. No, that doesn't happen.

[Ylva]

Damn it. I can't really try twice, can I?

[Matthew Mercer]

I mean, if you want to spend two more stamina, it's gonna get harder. Each time gets a higher bonus, but you can keep trying.

[Ylva]

I'm just so fucking frustrated. Oh, can I shoot? Can I try it with my wand to shoot it off his person? Like, can I aim with my magic dislodge like a sharp shooter, you know what? And shoot it off his bow?

[Matthew Mercer]

I'll allow you to. But I will say this will give him a free. So it'll be your attack versus his dodge to try and do it. Since it's a targeted shot, yours.

[Ylva]

Come on, Beacon, don't fail me now. That's cocked. But It's a fucking 19.

[Matthew Mercer]

Roll again.

[Ylva]

That's also cocked. Let's roll over here. Okay. 15 plus 2. 17.

[Matthew Mercer]

23 natural. 17. Dart the wand. And Medarin sees what you and gets low to the ground and shoots past. Causes this explosion of mud and dirt to Detonate as he picks up again and just chuckles and just continues into a run towards the lighthouse and shouting over and should have like, please follow me. It's gonna be fun.

[Ylva]

We have to stop. I'm just gonna scream back to everybody, we have to stop him.

[Matthew Mercer]

Are you gonna keep going?

[Ylva]

Well, I caught up to him, so I'm really close to him. I don't know that I want to be in melee with him. I'm gonna. Yeah, no, I'm.

[Galen]

No, you got homegirl coming, right?

[Ylva]

Who's homegirl?

[Sable]

I'm right behind you.

[Ylva]

Oh, you're right behind me. You're next. You're.

[Sable]

Yeah, I just got fucking stuck in the mud.

[Galen]

I mean, she's like behind you geographically.

[Sable]

Yeah.

[Ylva]

Oh, I gotcha. But not.

[Sable]

He ran past me.

[Matthew Mercer]

She's right in front of me.

[Ylva]

But he's the only dude that he could come after. Well, he's not coming after me. I'm gonna try one more time. I wanna try to hit him one more time with the wand. The same thing.

[Matthew Mercer]

Hit the bag again.

[Ylva]

Yeah.

[Matthew Mercer]

Okay. He gets a higher bonus now. Let's go. I respect the.

[Galen]

In Vegas, the house always wins.

[Ylva]

17 plus 2. 19.

[Matthew Mercer]

20. I'm so sorry. I'm so sorry. I'm so sorry. That would have been really cool. That would have been cool. So. Okay. It's not over yet, if that's what you're trying to do.

[Ylva]

Yeah.

[Matthew Mercer]

All right, cool. So it's like. All right, does that finish your turn?

[Ylva]

Yeah, I think so. I think I need to at least hang on to one block.

[Matthew Mercer]

Okay, got it. All right, so finishing your row. It's now Alcino's turn. Seeing. Mm.

[Ylva]

Yes, yes, I'm done.

[Matthew Mercer]

Alcino sees you both running after Medrin and comes. Stay back here. And is put his hand out. And as he does, he flings the stone. As the stone gets flung, you watch as cold apparates around it and it speeds up because you are both charging after Medorin. You're in a line and it's going to go ahead and attack you both with enhanced chill blades for four essence there. Do you both have stamina to dodge or block?

[Sable]

I do, I do. I'm going to dodge.

[Ylva]

I'm going to block.

[Matthew Mercer]

All right.

[Ylva]

Fuck me. That's an 8.

[Matthew Mercer]

17.

[Sable]

Okay. 9 plus 7 is 16.

[Matthew Mercer]

17. Just miss it. Oh, no. All right, so both of you take. Oooh, that's an eight. That explodes. It's 11. Okay. 13 damaged. Each of you.

[Ylva]

Okay.

[Matthew Mercer]

And you both take two points of frost accumulation.

[Sable]

I'll spend an Essence for my arcane veil.

[Ylva]

I'll spend two essence for one. I mean, I'll. Two? Yes, I'll spend two essence.

[Sable]

What did you say it was? 13.

[Matthew Mercer]

13.

[Sable]

I will. Okay, I'll take the 10 hit points from that.

[Matthew Mercer]

Okay.

[Ylva]

I get seven back.

[Sable]

Or wait. It'll be nine hit points.

[Matthew Mercer]

All right.

[Minette]

I don't think so.

[Matthew Mercer]

Both of you feel the ice crystallize and form around you. You feel yourselves shaking and mud on the ground itself frozen around your ankles before you have to break your feet through. You're on the cusp of becoming frozen.

[Ylva]

Can I scream back at him out of turn? He's going to try to kill you too.

[Sable]

I'm right next to you.

[Matthew Mercer]

Stop yelling.

[Ylva]

I'm yelling at the D. The other dwarf.

[Matthew Mercer]

Galen, you're up.

[Galen]

Oh. So Hasbro and Figarin are in the house, engaged in beautiful physical right off.

[Matthew Mercer]

The side of the front door, now pushed into the now partially damaged wall. Minette is just outside of the door. And both of your other allies have run to the left hand side of the exit and are chasing after.

[Galen]

And Al Cento is chasing them.

[Matthew Mercer]

Correct.

[Galen]

Yeah. I'll make a break on Al Cento. And I will. What is it?

[Matthew Mercer]

Alceno.

[Galen]

Alceno. Thank you.

[Sable]

I also heard Alcanto.

[Matthew Mercer]

I might have said Al Cento accidentally.

[Ylva]

But now he's El Cento.

[Matthew Mercer]

That's on me.

[Galen]

I'll rush up behind him and do things. That stealth attack wouldn't work because he knows where we all are. Right.

[Matthew Mercer]

He knows you're present. And you wouldn't be coming from any place surprising to him, unfortunately.

[Galen]

I'll take a very deft swing with the sword, and I'm going to try and aim it right for the backside of his neck.

[Matthew Mercer]

Okay. Is this a standard attack or a power attack?

[Galen]

What is a power attack?

[Matthew Mercer]

Oh, sorry for those. It's in the rules breakdown. You can do a power attack by spending twice the stamina. Oh, yeah, I'll do that if you hit it critically. Hits automatically. So you add enough extra dice and it takes away some of the target stamina. Oh, okay.

[Galen]

No, no, no. I'll do a regular one.

[Matthew Mercer]

Okay. But you have that option if you ever want.

[Galen]

That's great.

[Ylva]

That's a cool option.

[Galen]

Is he gonna try and block or dodge?

[Matthew Mercer]

He is, because he has stamina to do. So he's gonna go ahead and attempt to block.

[Galen]

19, 21, 22, 23. Oh, no, it's just plus 2. 21.

[Matthew Mercer]

5. So that definitely hits.

[Ylva]

I don't like that one.

[Galen]

That's cocked. That's cocked as well. Stop rolling on things. That's a 12. That explodes. Nine, so 21. One points of damage. Oh, plus two. So 23 points of damage.

[Matthew Mercer]

23 points of damage. Nice. The blade carves down. Out you fuck.

[Ylva]

Is that really what he sounds like?

[Matthew Mercer]

I feel like the patchy beard kind of opens up a little bit. He's very hurt.

[Galen]

Fuck me. And I'll take another swing.

[Matthew Mercer]

Come on, let's go. I'm gonna try and use the last one here to block again. 512 shitty rolls.

[Galen]

That is a 9 plus 2. 10. 11 points of damage.

[Matthew Mercer]

11 points of damage onto Alcena. All righty.

[Sable]

Good job, big boy.

[Matthew Mercer]

Heavy hits on him. All right, that's it. That finishes your turn. Back to the top of the round. Medrin's gonna go. Medron seeing you all rushing forward, the two of you right on his heels, is gonna go ahead and grab a. A piece of mud from the ground and toss it over his shoulder. It's going to arc and land between the two of you. As it does, you watch as vines emerge and wrap around the space there.

[Ylva]

Poop stream.

[Matthew Mercer]

He's going to go ahead, and so spending the essence there is going to cast tangle foot between the two of you. So basically both of you, no damage. But in order to move at all on your turn, you have to spend four stamina.

[Sable]

Brutal.

[Ylva]

Okay, but on our turn, he's gonna.

[Matthew Mercer]

Spend the rest of his turn. He's just gonna run. He's just gonna run and hold onto the rest of that stamina and just go charging in the intended path. So he's just now bolting as fast as he can, trying to weave. He's getting close to weaving through some of the structures heading towards the. The lighthouse. Finishing his turn. Minette's up with Hasbro on deck.

[Minette]

Sorry. I am. Okay, so I'm going to. Can I reach Medrin with my jolting touch?

[Matthew Mercer]

Jolting touch. That actually would probably. If you were to full move, you could do. So you would then become in range of the tangle foot, however.

[Minette]

Oh, I have to touch him physically for it?

[Matthew Mercer]

No. But he took his turn to run even further, and he was, like, twice a turn's distance from you, so we're in between him.

[Minette]

Okay, I'm going to use jolting touch on Figaron and Elcino.

[Matthew Mercer]

That you can do.

[Minette]

And that is four of my.

[Matthew Mercer]

Elsino cannot dodge anymore or block, so you just roll damage for Elsino. However, no figure's not gonna block either, so just roll damage that's 1.

[Ylva]

D12.

[Minette]

That's this one.

[Galen]

Yarp.

[Minette]

Minus one.

[Matthew Mercer]

Though. So that's 11, 11, 10.

[Galen]

Yeah.

[Matthew Mercer]

Dang. Senna's looking real bad. The jolt comes out and starts swinging onto both of them. That's great. So Figran's holding up. He's like. And yeah, this is as intimate as you've been in a minute. Al Senno is looking really in a bad place and is like starting to look over towards Boss. Boss. And is starting to look around panicked for something to do. What else you want to do in your turn?

[Sable]

Oh, right.

[Minette]

I've got so much stamina. I'm going to poke with my spear and I'm going to poke at Arsinoe.

[Matthew Mercer]

All right, Roll damage.

[Sable]

Kill him. Come on, baby, he's gold. Wait, Open up. Get him.

[Minette]

What have I. I just completely got lost. That's a D10, right?

[Ylva]

Yeah. Yes. Eight.

[Matthew Mercer]

Eight points of damage. He's like pierced and holding on. Falls to one knee. Looking up at you. Blood from his lip that's like mixing with his patchy beard. He's like.

[Minette]

God, he's a fucking creep. I'm gonna kill him. 1, 2, 3.

[Matthew Mercer]

Come on.

[Minette]

4. 5.

[Matthew Mercer]

Let's go.

[Minette]

2 damage.

[Matthew Mercer]

2 damage. Stabbing it this time. He catches it and deflects it a little bit. Stabs it in the side. Grins at you. A little bit of blood and spittle sprays out a little bit and catches the side of your chin. You hate it. He's still holding on, barely.

[Minette]

I'm going to go again. I'm going to poke him.

[Matthew Mercer]

Okay.

[Ylva]

Come on, kitty cat, let's go.

[Sable]

I want this for you so bad.

[Ylva]

I do too.

[Minette]

5.

[Matthew Mercer]

How do you want to do this?

[Sable]

2.

[Ylva]

Hurdy hurdy hurty done.

[Minette]

I take the spear and I put.

[Sable]

My leg over it.

[Minette]

So I mount it and I thrust right into his fucking dick.

[Galen]

Hell to kill Elder kill.

[Matthew Mercer]

So precise.

[Minette]

Penetration is a virtue. Seem unnecessarily vicious. Respect.

[Matthew Mercer]

And he just crumples over the front of it as you withdraw and falls to the ground to join the other corpses amongst the abandoned outpost. And as he crumbles, a number of. So there's four motes of essence kind of crumble out onto the ground.

[Minette]

Oh, God, I need that so bad.

[Matthew Mercer]

Alrighty. Does that finish? Your turn.

[Minette]

Can I get some essence?

[Matthew Mercer]

Oh, yeah. If you want to try and just take it in right now.

[Minette]

Yes.

[Matthew Mercer]

Four moats. Events of essence, fragments. If you'd like to pull that in.

[Minette]

Does anybody mind if. If I slurp it up?

[Matthew Mercer]

Slurp it Up.

[Ylva]

Slurp it up, baby. We're not close enough to ask.

[Matthew Mercer]

Go for it.

[Ylva]

Take it. Live a little, lady, so it heals.

[Sable]

Four, right?

[Matthew Mercer]

Yeah. You get four essence back. Okay, great.

[Minette]

And a cutscene.

[Matthew Mercer]

All right, that finishes your goal. Kasparo, you're up with Sable on deck. I love earlier your character was like, we shouldn't get weapons. We shouldn't kill.

[Galen]

We should not.

[Matthew Mercer]

And you're just like, that's butchering.

[Minette]

I'm learning a lot about myself on this journey.

[Galen]

Self discovery. I respect it. So I kind of look over, see.

[Matthew Mercer]

Her just fucking waste him and go, yeah, looks like uggo over there got got. How long you know Medrin? Is she open to me asking this question as you're this close up thing good part of five years. However, I mean, we got a spot open on team Reach around if you want to join up with us. Listen, I don't know. I'm not that good at math, but Argo's gone. Numbers aren't looking too hot for you. Looks over. His men are just running off and slipping through the muck and darting. Go ahead and roll Resolve, Kevin. Come on, Lyra.

[Galen]

Sitting there fucking stirring the pigeons all.

[Matthew Mercer]

Night above the table. So what just happened in five minutes? 17 plus 320.

[Sable]

Oh, hell yes.

[Matthew Mercer]

Nine. Figurine goes. I like my chances with a good, richer arm. Gives you a little forehead kiss and then withdraws from pressing you against the edge of the building and hoists the shovel onto her shoulders.

[Galen]

Is she down to make out a little bit?

[Matthew Mercer]

You going for it? Yeah, if she's down, she's down.

[Galen]

Do I have to roll for how much stamina?

[Matthew Mercer]

Does he? No, but you can spend the stamina if you want.

[Galen]

I'll spend two standards.

[Matthew Mercer]

Hell yeah. I love it. Okay, so I'll say this interaction likely will take the majority of your turn, but you have turned figrun for the time being onto your side topic.

[Minette]

Lady acquired.

[Matthew Mercer]

Worth it. It's so hot. She almost gets a 3 3rd fire accumulation. Awesome. So it finishes your turn. All right, so what stamina, if any, do I have left? Stamina, I mean, I'd say you only spent two stamina on the kiss. I'll say the conversation there, it's not about spending stamina. It's more just like that ends your turn. Because you've spent the turn talking and kind of doing this thing. Right. But I mean, if I needed this stamina in case something else happens. Correct. No, you get to keep that defensively.

[Galen]

Okay.

[Ylva]

Only you spent two.

[Matthew Mercer]

Oh, I just Spent two. Okay. Yeah, that's it.

[Ylva]

The chaos.

[Matthew Mercer]

The rest you get to keep mole stable. Disable.

[Sable]

All right. How far away has Medrin made it from me?

[Matthew Mercer]

He's probably 40ft from you.

[Sable]

Is that like, close or far?

[Matthew Mercer]

That would be considered far.

[Sable]

Okay. I'm gonna spin the movement to try and go after him. The stamina to move.

[Matthew Mercer]

Yeah.

[Sable]

And dart to him.

[Matthew Mercer]

Okay. To within Melee, you mean? Or.

[Sable]

How far can I get?

[Matthew Mercer]

If you want to roll dexterity check to try and get up to him.

[Sable]

I do.

[Matthew Mercer]

Okay.

[Sable]

As far as I can get. Yeah, baby. That's gonna be 23.

[Matthew Mercer]

23. You get up into Melee with me.

[Sable]

22, but still pretty good.

[Matthew Mercer]

You're getting up as close as you can. He's about to dart between and basically cut away from other people's line sight. And what do you do?

[Sable]

I'm gonna say. I'm gonna say, hey, that's a pretty cool trick. I know that one, too. And I'm going to take a mud cluster and drop it at his feet and also cast Tanglefoot on him.

[Matthew Mercer]

Okay. So that affects everything within close range to including. That would be included.

[Sable]

I'm not gonna do that. Not gonna do that.

[Matthew Mercer]

What did you hit?

[Sable]

But that's good to know.

[Matthew Mercer]

So you can throw it ahead of him and just get him if you want to.

[Sable]

Oh, yeah. Well, I mean, that's what I was trying to go for.

[Matthew Mercer]

Okay. Yeah. So I'm just saying the same thing. If you're throwing it on him, then it would affect you. But if you throw it beyond that, you can kind of entangle him. Okay. So the vines also rip out of the ground and begin to strike around and wrap around his legs and his arm. He's like, not a problem.

[Sable]

Sure. And then I'm going to take my dagger and I'm going to. Can I try and cut the satchel loose from his body?

[Matthew Mercer]

If you want to try, he'll go ahead and try and dodge with that.

[Ylva]

Hello, baby.

[Sable]

Natural 20.

[Matthew Mercer]

Let's go for a total of.

[Sable]

For a total with my dagger. 25.

[Matthew Mercer]

25. 23. Natural 18. So you cut the satchel from the arm, and it hits the ground with a heavy cracking thud and sounds like multiple things inside. Impact and shift around a bit. It falls like. What else do you want to do in your turn?

[Sable]

Can I grab the satchel from him?

[Matthew Mercer]

Can I grab it away? Take a stamina to do so, but here.

[Sable]

All right, fine. I'm going to turn around. I'm going to go ylva catch.

[Ylva]

Oh, dear.

[Sable]

And try and Throw it back to Ylva.

[Matthew Mercer]

Okay.

[Galen]

Fingernails.

[Ylva]

I'm really bad at this.

[Matthew Mercer]

We try and chuck it backward. Spend two stamina.

[Ylva]

Go on. Do I have to catch it per se, or can it land?

[Matthew Mercer]

It just arcs over and then tumbles back to where you are.

[Ylva]

Excellent.

[Matthew Mercer]

But did you spend the stamina to try and skip from the.

[Sable]

No, I did. I did the four stamina, which is super annoying.

[Ylva]

I can get lots of them, but I'm not catching something.

[Sable]

Hang on. Make sure you put Forge in. He's probably, fuck it, yellow. I'm gonna spend three more. I'm gonna go again. I'm gonna go again. And then just this time, I'm just gonna attack him with the dagger.

[Matthew Mercer]

All righty. He's gonna take it.

[Sable]

He's gonna take it. All right. Come on. Give me a six. That's a six. Okay, so that's gonna be 12 plus 15.

[Matthew Mercer]

15 y. Nice. All righty.

[Sable]

And then I'll stop.

[Matthew Mercer]

All right, that finished. You gotta taste the red streak of blood in the back of his cloak. You see where you carve past and the armor kind of splits a bit. And you can see kind of where the wounds begin to grow red. And he's like. And just seems still singularly focused on the run.

[Ylva]

On the run.

[Sable]

Does he not have Dizzy?

[Ylva]

Dizzy.

[Matthew Mercer]

Okay. Does he have the satchel?

[Sable]

He doesn't have the satchel.

[Matthew Mercer]

Is that your turn?

[Sable]

Was the thing in the satchel? Was the.

[Ylva]

Shape the autobond?

[Sable]

The autobond.

[Ylva]

When I see him not put it in the satchel. We saw him put it in the satchel.

[Matthew Mercer]

Yes, you did.

[Ylva]

Okay.

[Matthew Mercer]

All right. Finishing sables. Go. Figrun is now currently just pulling away from your lock and kind of like. So what does one do in the region at all? I'll show you later. But for now. Wait. What's going on out there? Like your vision has just like you just now coming. Like, wait, Stuff's happening. You look back. Friends have charged around. There's like vines out of the ground wrapping up Yuba.

[Galen]

I'll yell the sable. What's going on out there?

[Sable]

Big man running for lighthouse. Satchel down. Satchel down.

[Matthew Mercer]

I turn to fig and go. Go get Medrin. But he will. And takes the shovel over him and begins running. Not the fastest being, but nevertheless takes the rest of the turn running and catches up to where you're wrapped. But does a wide berth which also loses some ground to try and avoid the vines. But is trying to catch up to where you are. And it's basically a bit behind the rest of the race. But that's going to finish their turn. They're going to hold their stamina at that point. That brings us to Ylva.

[Ylva]

All right, so the satchel is at my feet. It is, but I can't necessarily move. I have to use some stamina to get free of the vines or something.

[Matthew Mercer]

Like that, or just to move away, to move it all from the vines, you have to spend stamina. And you can spend stamina to pick it up if you want to.

[Ylva]

I'd like to spend some. Well, I want to. It's in the sack. I'd like to use my wand to open it up so that I'm not touching it, per se.

[Matthew Mercer]

Right. Like poke through.

[Ylva]

To open it up and. Yeah, like to poke through.

[Matthew Mercer]

Okay. Yeah, you poke through and you can see inside. Indeed. That large piece of Azraban is there within the satchel amongst other bits of recovered implements. Looks like some nice bits of decor, like a pocket watch. A looter's fine.

[Ylva]

All I care about is this Audrabon and I know that I. Okay, cool. So, yolo, as you said. I'm just going to pick up the Audraban and try to see what he was seeing in it.

[Matthew Mercer]

You lift it and look into it. Roll a resolve test for me, please.

[Ylva]

12.

[Matthew Mercer]

12. You look into it and it takes a moment to focus. Your eyes get a little blurry and you see that pulsing bit of violet light at its core of the white stone. And as it does, you feel like a. Almost like a heartbeat is pulling you into it. And there you can see a flash of what looks like an Audra pillar that rises up of this Audraban. It comes to a pointed apex and there is within it this massive crack and a gap in it. And you see a glimpse of what looks like some sort of stranger, some blurred structure, carved stone and other green Audra and normal rock itself adorned with all manner of strange scrolling and designs. And you hear a voice say, come to me. I will make them hurt. Come to me. You feel this draw to the lighthouse that you cannot resist. You feel this is possibly dangerous, but you feel pain. You feel betrayal, you feel sorrow. You feel the sadness of someone lost and hope hurt, and they want to make others hurt. And you understand that feeling and you can help with that feeling. You just have to get below the lighthouse.

[Ylva]

So this is just like. I'm mentally compelled. I don't have to.

[Matthew Mercer]

This turn.

[Ylva]

I still have. I bet I've got a lot of stamina left myself.

[Matthew Mercer]

I know. And you spend some of it to run?

[Ylva]

I did.

[Matthew Mercer]

Yeah.

[Ylva]

Yeah. How much did I spend to run? Oh, I spend some of it.

[Matthew Mercer]

You spend four to move away from the vines.

[Ylva]

I did move away from the vines. Okay. I thought. I did not move away from the vines. I thought I just.

[Matthew Mercer]

It landed. You did. Okay, you look up from the stone and you're running towards the lighthouse. That.

[Ylva]

That's fine. That's fine. Have I caught up with Medrin?

[Matthew Mercer]

No. Make a dexterity check for me. Actually.

[Ylva]

No, I did not catch up.

[Matthew Mercer]

You have not caught up. You're still quite a bit behind.

[Ylva]

What do you do? Is she in between me and him?

[Matthew Mercer]

Correct.

[Ylva]

I don't. I don't want him to get there first. I'm still gonna shoot him. I'm gonna shoot him with my wand.

[Matthew Mercer]

Okay. He's gonna go ahead and attempt to dodge.

[Minette]

It's not my die.

[Ylva]

16 plus two. 18.

[Matthew Mercer]

12. That hits. Go ahead and roll. Damage.

[Ylva]

Six.

[Matthew Mercer]

Okay, six damage on that.

[Ylva]

I'm gonna do it again.

[Matthew Mercer]

All right. He. He is going to attempt to dodge.

[Ylva]

What is going 18, 18, 19.

[Matthew Mercer]

Just beats you. So the first one hits and the second one, as you shoot it, he seems ready for it and leaps off to the side and now darts off between where two structures are off point. And he actually breaks away from your eyeline at this point and has moved away from you and move further in towards where the. This cluster of the outpost sits.

[Sable]

Remember Scat. Tanglefoot.

[Matthew Mercer]

Huh? I know. Then I'm on narratively.

[Sable]

Yeah, yeah.

[Ylva]

So I can't see him. I'm going to continue running to try to catch up as far as I can with. If I used up three more stamina.

[Matthew Mercer]

Well, you've done your running for the turn.

[Ylva]

I've done my running for the turn.

[Sable]

Did she run past me?

[Matthew Mercer]

No.

[Ylva]

Okay, I'm just gonna scream ahead to Sable. We have to stop him. He can't get there first.

[Sable]

You've said this so many times.

[Ylva]

I think that's all I can do at this point. Fuck yes, that's all I can do.

[Matthew Mercer]

All right, Finishing your go. That brings us to Galen.

[Galen]

If I step out after watching Elsendo go down, can I see.

[Ylva]

Can I just eat some essence? I mean, eat some Audraba at the end of my turn?

[Matthew Mercer]

Yeah, yeah. Okay.

[Galen]

Can I see Medron in the distance at all?

[Matthew Mercer]

I'll say where you are now. Timing wise, he's just darting off to the side, vines still wrapping around his foot, and he's trying to leap to break away from them. I'll see you have one. Yeah. This One moment. If you're trying to do something.

[Galen]

Yeah, I'll try and hit an arrow using marksmanship.

[Matthew Mercer]

I'll allow it.

[Galen]

Action. Is he going to try and block or dodge?

[Matthew Mercer]

He has enough stamina to try and block one. And he is out of stamina. Or dodge. 17, 21. Damn. Natural 16 on that one.

[Ylva]

This guy, he's a quick one.

[Minette]

Fucking guy.

[Ylva]

He's very good.

[Galen]

Do I have time to shoot another arrow? Or he wraps around the corner?

[Matthew Mercer]

No, you can. I mean, it's your turn still. So great.

[Galen]

I'll try one more.

[Matthew Mercer]

He cannot block or dodge this one. So he takes the damage.

[Ylva]

Get it.

[Matthew Mercer]

Finish him.

[Ylva]

Sweep the leg.

[Galen]

8. Which explodes.

[Matthew Mercer]

Yeah, nice.

[Galen]

Another 8.

[Matthew Mercer]

Oh, my God.

[Galen]

4, 16, 6. 22 plus 7 is 29.

[Matthew Mercer]

29 damage. That's a rough hit. Oh. Darting out of the way. The arrow sticks through the back of the shoulder blades and protrudes from the front of the shoulder. And the sheer impact from that causes him, as he's trying to jump away from the vines, send him tumbling in the air. And the vines grabbing him, pulling him back to the ground. He slams into it and it's almost drawn back by a foot. And he's like, you bitch.

[Galen]

It'S me.

[Matthew Mercer]

Then finish your turn.

[Galen]

Yeah, I'll take off running after them.

[Matthew Mercer]

Okay, cool. So you're still behind the others, but you're rushing up. Okay, got it. Now it's gonna bring to Medron's turn. Gets his stamina back.

[Ylva]

But I have to get there.

[Matthew Mercer]

He's gonna go ahead and cast Tanglefoot again. The two of you again? Yep.

[Sable]

But I can. Oh, I can't. I can't dodge this.

[Matthew Mercer]

No. It's just about spending stamina.

[Ylva]

And we're close. Close enough to each other that it can hit both of us. Because I thought she was near him, but I was not.

[Matthew Mercer]

Right. But it hits things in the area around it. He casts it between the two of you.

[Ylva]

Gotcha.

[Matthew Mercer]

It's a little very close range there. So the vines disappear from the other thing. Apparate, between the two of you, begin wrapping around. He will spend four stamina to break free and then dart around the corner, injured, dropping blood splatters and disappears from sight.

[Sable]

Damn.

[Matthew Mercer]

Finishing his go. Minette.

[Minette]

He's gone.

[Matthew Mercer]

He's out of your sight. He's now duck between buildings and Alcino's.

[Minette]

Dead and Figaruna's now part of our team.

[Matthew Mercer]

Correct.

[Ylva]

So is the fight over right now?

[Matthew Mercer]

At this point, it's more of a chase than a fight. All right.

[Minette]

Run.

[Matthew Mercer]

Can we run. Okay, so we'll save for the purposes of narrative brevity here. You all now begin to press forward. And as you do, pulling away from the vines and such, trying to get back in the line of sight of where Medron is. He's ducking and weaving between alleys and these tents and stuff. Each time you move over to try and catch up with him, he manages to just get out of your sight and vision until eventually you're not quite sure where he is. And you have a sense that he's likely, if not at the lighthouse. In the lighthouse. Right. As you begin to approach its exterior.

[Ylva]

Where did you say that tunnel was?

[Galen]

It's on the bottom floor behind a box that fell and crashed. There's just a hole in the ground.

[Minette]

He found it with his butt.

[Ylva]

Put a pin in that. I filled them in the ones that haven't been filled. On what I read about.

[Matthew Mercer]

Make a resolve.

[Ylva]

Like I said, I make a resolve check.

[Galen]

Fight the rock.

[Sable]

Fight it. Fight it.

[Ylva]

He's really. I don't think anyone can fight the rock. Dwayne Johnson is. No. I fail.

[Matthew Mercer]

I fail. You all get to the lighthouse and before you have a chance to express what you've said as you all kind of. What do we do? You watch as Ylva just jumps into the hole. You grab the lantern and vanish into the tunnel.

[Ylva]

While I do that, I'm gonna go.

[Matthew Mercer]

Pee in the hole. Go do it.

[Minette]

Goes all the way in the hole.

[Galen]

I guess we're just going in the hole. Should one of us try and get the lighthouse going?

[Sable]

What?

[Minette]

We don't have any lamps. Or did we take those?

[Galen]

We had a lot.

[Minette]

Apparently there was a number of them.

[Matthew Mercer]

There's plenty of oil canisters. And there are lanterns that you likely had with you ready to go affixed to your belt or ready to come along. So you have light sources with you that you'd prepped? Not enough to light a lighthouse on. You'd have to bring the big canisters up there and try and figure out how to light it. I feel like the lighthouse can wait. Let's just go after it. Right? He's right. It's not going anywhere.

[Galen]

Let's go.

[Sable]

All right. Let's go.

[Matthew Mercer]

Figrun puts out the flames and you do as well. You no longer have the fire accumulation.

[Sable]

We get our stamina back.

[Matthew Mercer]

Yeah, get your stamina back. And the frost eventually melts off from the spells that are there. Figgren, fairly hurt, but still at your side and ready. I never saw myself as a turncoat, so Instead I will say opportunist. I like the way you think. You want to share some hardtack? I also do nibblerize. Lady in the trampet.

[Sable]

That's actually a good idea.

[Matthew Mercer]

Can I lady the hardtack? Of course you can. Why would I say no to that? How much do you have in the hardtack?

[Galen]

So I have four uses. They do two health each. Okay, so now I'll just do it once.

[Matthew Mercer]

Okay, figurative. Will take two of them for an additional plus four because Figurum's taking some hits.

[Galen]

All right, you know what? How's our health going in the tunnel?

[Matthew Mercer]

As an ally, I'd Sage probably has a 30 hit points at the moment. 30 health.

[Galen]

Anyone else hungry? We've never been hit.

[Minette]

I have no damage.

[Matthew Mercer]

Show off, Team life.

[Galen]

I've been pushing this whole time.

[Matthew Mercer]

Neither of you need anything?

[Sable]

I'm good.

[Ylva]

I definitely do, but I don't think I'm close enough to you guys.

[Matthew Mercer]

No, you're out. Oh no. That's right. You're mind blowing. You're jumped in the hole.

[Galen]

Yeah, you fell for the hole.

[Ylva]

Thank you.

[Matthew Mercer]

I'll take two bites. She takes two bites. Sure. Sounds good. Let's do it. All righty.

[Galen]

All right, this is done.

[Matthew Mercer]

So you all take a minute. Ylva has vanished into the shadows below with her lantern. You can hear the footsteps vanish into the tunnel below.

[Galen]

She's just running dead ahead. No lantern. Lantern.

[Matthew Mercer]

No, she has a lantern.

[Galen]

Oh, fuck.

[Matthew Mercer]

You all have lanterns? A good number of lanterns, yes.

[Ylva]

Several tied on our belt. We're all running with lanterns.

[Galen]

Well, she's running in heels. We can catch her.

[Ylva]

Yeah, you've never seen me running.

[Matthew Mercer]

Do we know for sure that Medrin ran in there? Or are we just guessing? You don't know for sure?

[Galen]

Yeah, sure, sure makes sense. But after.

[Matthew Mercer]

Okay. You all delve down and begin to hold aloft your lanterns as you begin to keep up as best you can. Ylva hearing the distant rapping of her footfalls upon the stone. The tunnel begins to descend in an occasional drop down and has a gradual angle, but then has these drop offs and four foot, five foot falls. The braces themselves built up into it, some more ramshackle than others, but enough to see that there was intent of excavation building down. You begin to see as you pass by these glowing soft exposed elements of green audra that give off a faint luminescence that occasionally exposed from the edges of the rock wall. Looking smooth. It's not like a jagged geode. It has a smoothed extending texture to it you continue down below and more of the green audra begins to greet you. As the stone begins to come lesser and less until it feels like there is now appearances of worked stone, almost like walkways and walls, elements of an outer structure that begin to appear as these odd twisting veins of audra also now begin to carry their own veins of white, faint, pinkish energy within the audra ban itself. A fractal of audra within itself. You push down immediately coming upon on the outside of some large gateway that is partially open. You see a skeletal corpse, face down on the ground, arms sprawled out in front, legs behind it, facing the direction where you're coming from.

[Ylva]

Oh, trying to flee direction or going forward?

[Matthew Mercer]

Facing you. As you approach it, you see this, but continue to run at it. Roll another resolve there.

[Ylva]

Nope.

[Sable]

What?

[Matthew Mercer]

You just dart past the corpse?

[Ylva]

It's an 11.

[Matthew Mercer]

The gate.

[Sable]

Ylva.

[Galen]

What the fuck?

[Matthew Mercer]

What the fuck, Ylva.

[Ylva]

I really don't want him to get there first. I want to win.

[Galen]

As we approach the skeletal remains, is it wearing anything that we recognize?

[Matthew Mercer]

Not that you recognize. It's wearing standard clothing because it isn't exposed to the elements. It isn't as weathered as the surface is. The outfit it's wearing is a long coat. It looks like, you know, like front pockets. It's got normal pants on, work boots of some kind. Like dirt. And the elbows and the edges. Yeah.

[Sable]

Anything on it? Can we do a quick search of the corpse?

[Matthew Mercer]

Yes, go ahead and make a perception or resolve test. Your choice.

[Sable]

Okay. 12.

[Matthew Mercer]

12 pouring through. The only thing of real note that you find is a pocket watch on it. As you look on the inside, the lid clumps open. It looks cracked. And there's an engraving on the inside that says Dorneelsi. Okay.

[Minette]

Alceno is with us.

[Matthew Mercer]

Still. Alceno is still.

[Minette]

I mean, I know.

[Matthew Mercer]

Figuron. Figuron.

[Ylva]

Figuron. Big lady Figurun is with you.

[Minette]

Okay.

[Matthew Mercer]

Big lady Figurun is with you.

[Minette]

A lady Figarun. Did Medarin say anything about the stones that are all around and why he's running?

[Matthew Mercer]

Not at all. He's acting kind of strange today. Particularly last five minutes. Good.

[Ylva]

I did get to fill you guys in in the house though, right? I talked to you.

[Matthew Mercer]

Yeah, we. Yeah, you filled in, we were told. Yeah. Yeah.

[Galen]

So that pocket watch saying is familiar.

[Sable]

It's one of the researchers, I think that Ilvet was talking about.

[Ylva]

Cuckoo for cuckoo foes.

[Galen]

Well, don't let her get away. Let's keep going.

[Sable]

We're still running. We're still going.

[Matthew Mercer]

All right. You dart past him through the opening. Here it's within. You smell the scent of decay mingled with an odd, I can only say, ashen scent. The chamber interior. Here, as you step in, a baleful cavern of rising large stone columns that surround the perimeter of a cylindrical opening. It looks like most of it is uncovered, though there is dirt and stone that still obfuscates some of the peak of the inside of this chamber. You can see all intricate carving along these massive pillars. The green and white Audra veins seem to twist through the walls in a way that feels intentional, which leads you to believe that the structure was built around the pattern of the Adra and not the other way around. All of the white Adra veins, the Adraban veins, still pulse with that white purple light. You can see levels of wooden scaffolding built into this chamber, which insinuates that whatever these researchers were, they had set up shop within this room and were studying what's within. And there are some chairs and small tables and platforms set around here that gives you the vibes of an unbothered excavation site. Beyond the several skeletal corpses, also in untouched attire, that appear to be scattered throughout the floor, like something had just stolen their flesh in but an instant and they dropped where they stood. What also catches your attention is in the center of this chamber, between all these columns, is one raw, rising mass of white Audrabon that rises up to a point about 15 or so feet in the center of this cylindrical chamber. You can see among it this one massive crack that rides about four feet down. From the top of it, you see, among one of the secondary levels of scaffolding. Medron stands there looking up at a voice of hate and promise. I brought you the gifts that you asked for. And gestures to all of you where you are clambering up the scaffolding after him. What do the rest of you do?

[Galen]

You know, we could obviously go back and just close up the whole. Fix the lighthouse, you know, that lighthouse. I don't think that's something you want to do.

[Matthew Mercer]

I don't know.

[Sable]

What do we do?

[Galen]

How far away is a Medron?

[Matthew Mercer]

Probably about 25, 30ft up on the scaffolding, which has a makeshift ladder affixed to it so far enough away where you couldn't get to him in one turn.

[Galen]

What about an arrow?

[Matthew Mercer]

An arrow could definitely do so. It's about this time, too, that the. The Audrabon column itself pulses. And you feel in the room a similar spark, that same taste that you felt in the mists earlier. But that bloody iron taste is so much stronger. It's like someone had filled your mouth with battery charged pennies. And that begins to turn into a horrible, strange, electric burning smell that mingles then with a sweet decay. There is just an essence of tragedy and fury. The emotions within you feel almost plucked and brimmed sourcelessly. You feel shades of betrayal in your past you haven't thought of in a while seem to brim from nowhere as you all feel that overwhelming, almost nausea take over. You watch as something emerges from the central white crystal. A spectral female form drifts out of the crystal and floats in the air, its tattered blue hair in front of its face, its arms hanging limp. Your chamber grows frightfully cold and the air seems to take up a sourceless gust around you. You, with your high intellect. Roll for me. Roll your intellect.

[Ylva]

High intellect. It might not be a high roll. Therehere we go. 18.

[Matthew Mercer]

18. You've heard myths of things like this. The term used is Kingula, which translates loosely to bloodmother. Horrific spirits who perish under violent, unjust ends and are unable or unwilling to move beyond. And as this thought comes to your mind, you hear this voice. The same voice that reached out to you within that crystal. Fill the chamber I call the Beowa. That which took me shall now feed my fury. You will join me in its binding. The hair pulls back and you watch as her eyes piercing, glowing red hate. Her jaw seems to stretch and distend as she screams. I need you all to roll. Initiative. Scary lady. That's one.

[Ylva]

Oh, boy.

[Galen]

I shit my pants.

[Minette]

18.

[Ylva]

She's a blood mother. Makes her bloody die.

[Minette]

She's really brave.

[Ylva]

Yes.

[Sable]

This little lady, she had her first kill.

[Ylva]

I am 18 as well.

[Matthew Mercer]

Second. All right. So sorry. 20 to 15. 18.

[Minette]

18.

[Galen]

All right.

[Matthew Mercer]

Rollies. Rollies.

[Minette]

Nine. Wait, is this a nine or a six?

[Matthew Mercer]

Nine.

[Ylva]

Well, mine's a two, so you go first.

[Minette]

Okay.

[Sable]

Yes. Let's go.

[Ylva]

Minette. Minette.

[Matthew Mercer]

All right. So brave.

[Galen]

Have fun with the scary lady.

[Matthew Mercer]

All right. And then followed by Ylva. All righty. And that's ultimate. 15. All right. 15 to 10. 13.

[Galen]

14.

[Matthew Mercer]

14. All right, we got rollies, if you don't mind, Marisha.

[Minette]

Oh.

[Matthew Mercer]

Nine figurines going before you. Okay, and then we have. All right, and then. And then 10 to 5. That's all of you, right? Yeah. Oh, no, no, no. One. One. That's right. That's what we got.

[Galen]

Barg.

[Ylva]

Where are you?

[Galen]

I'm right after you.

[Matthew Mercer]

As this entity begins to screech outward, the wind Picking up within the whole interior of it. Shifting in color as the magic begins to sparkle and change around you. This is a tomb now and you may forever be lost in here, but you picking up your bravery. Minette, you go first. What do you do?

[Minette]

Stop. Don't do whatever you're going to do. Let's talk like ladies. I'm going to.

[Matthew Mercer]

That's one option.

[Minette]

I'm going to fuck this ghost.

[Matthew Mercer]

You know.

[Minette]

I'm gonna cast fan of flames. Also.

[Sable]

This is cooldown.

[Minette]

One turn does that.

[Sable]

That doesn't roll over from last time like that.

[Matthew Mercer]

That's it. Just means you can cast it every turn if you want to.

[Ylva]

Oh, right.

[Matthew Mercer]

So you can. But you can choose one or two. There isn't enough between Medrin and this entity. You can't get both. So you can choose one or the other.

[Minette]

Okay, I'm gonna cast out the lady. See if she takes spell damage.

[Matthew Mercer]

Edea or the Kaingula will attempt to block this flame. So go ahead and roll and add your intellect.

[Minette]

Thirteen.

[Matthew Mercer]

Fifteen. Release the flame. And as the flames curl around, they almost arc around and do not even impact the strange dark spirit.

[Minette]

Well, I'm out of ideas. Is anyone? No one's within spear range, are they?

[Matthew Mercer]

You can move. Can I poke her? You have pretty decent range on that. She's high up though. You'd have to climb up onto some of the scaffolding and it's on each side. There's the one that has Medrin and Yorick and you watch as Ylva is climbing up. Currently the other scaffolding is a little higher, but you're going to have to roll to try and get up there. Do you want to try that or.

[Ylva]

Yeah, fuck it.

[Matthew Mercer]

All right, let's go. Go ahead and I'll say roll, might or dexterity. Your call.

[Minette]

Yeah.

[Matthew Mercer]

Okay.

[Sable]

Fuck. Seven.

[Matthew Mercer]

You get most of the way up and the rung that you're holding on just snaps off of the wooden ladder and you fall back. You try and catch but it's too late and you plummet, taking one point of damage. All right, not too bad. But you are unable to get to the top there. This turn.

[Sable]

First time you've got.

[Minette]

I know my first damage.

[Sable]

Damage by ladder.

[Matthew Mercer]

Is that your turn?

[Ylva]

Yes.

[Matthew Mercer]

All righty. Ylva, Make a resolve check, please.

[Ylva]

Come on, for the love of God. Come on, Snowback. I'm going to go back to these blood dice. These have been.

[Matthew Mercer]

She's got to beat at 15.

[Ylva]

15.

[Sable]

Come on.

[Ylva]

16.

[Matthew Mercer]

That'll do it. In this moment when the spirit appears and that connection that held when you held the Audra in your hand, you look up towards it and you feel the urge to turn your spellcraft against your friends. To make this a grand sacrifice in the name of the Bi'oak. And in that moment, you push through in that that influence leaves your mind and you are in control of yourself. What do you do?

[Ylva]

Excellent. I kill my friends.

[Matthew Mercer]

I mean, check those good vibes. You don't know.

[Ylva]

Now I'm pissed. If I can I use. Can I hit Medrin and Adam?

[Matthew Mercer]

Because you're already climbing. Because of the control here, you can move to Medrin. Yes. And if you have ranged attack, you.

[Ylva]

Could go after I have jolting tight. So can it hit both of them is what I mean.

[Matthew Mercer]

Because you could probably do that. Yeah.

[Ylva]

Yeah, that's what I'd like to do.

[Matthew Mercer]

Alrighty.

[Ylva]

That's what I'd like to do.

[Matthew Mercer]

All right, great. So with that, Medrin is going to attempt to dodge and so is Kangula. So go ahead and roll.

[Ylva]

Natural 20 or total of what do I intellectual intellecto 26.

[Matthew Mercer]

Yeah, neither of them dodging that one.

[Ylva]

Yo, yo, you can't do it. All right, so she's so pissed because she has been so eager to exact revenge on the people that put her in the position that got her into this prison, including her fucking husband, that the fact that this revenge got turned against her, her and her friends, fills her with such a fury that she just lashes out as hard as she possibly can with her brain power. I love that one D12.

[Matthew Mercer]

All right, so go ahead and roll one D12 for each of them or jolt ones. And they both take the damage. 9 minus 188 damage to each medrin and Kangula. Your burst of electrical energy shocks into both of them. The spirit takes the hit and Medron looks back at you and gives you that look of like I thought you were on our team and grins.

[Ylva]

I would like to use my wand. 1, 2, 3 and attack between the two of them. Can I make any kind of roll to be able to tell if the pillar is a source of power for. Because I remember reading that we had to get to the. That they were. What is his name? Durhammer. The guy with a D was dying to protect the pillar. D'Orle C, Dorneal C. That guy. Is there anything I can roll to see if that's a thing?

[Matthew Mercer]

Perception check. You don't want to say this will take you a stamina just to take a moment and peer over to ascertain information.

[Ylva]

You sure you don't want that to be an intellect.

[Matthew Mercer]

Well, these could be two things. Back to back, depending on what you see and what you can ascertain.

[Ylva]

Gotcha. Okay.

[Sable]

Come on.

[Ylva]

14 plus. What is it? Perception.

[Matthew Mercer]

Perception.

[Ylva]

16.

[Matthew Mercer]

16. It's not bad. So from the lower ground, you see this crack at the top of the pillar as you stand up on the scaffolding. What you do see is the top of the crack is actually a missing chunk of Audra. That's a good. It's higher than the scaffolding you're on. And it's probably a good 12-15 foot G from where the scaffolding is to where that is. But there is an actual gap at the top of that pillar.

[Galen]

That shit you have.

[Ylva]

It's clearly that shit I have. Oh, fuck me. Is she going to do it? She's got to. Come on. Yolo. That was what you said, right? I'm going to try to get to however I can get to that part of the pillar.

[Matthew Mercer]

Okay. It is a 15 foot gap from the top of the that scaffolding where you are to where that is.

[Ylva]

I can't reach that.

[Matthew Mercer]

So you can run. And then I want you to make a dexterity or might check dexterity.

[Ylva]

19. Plus 3. 21.

[Matthew Mercer]

Plus 3. 21. I'm gonna roll to see what the blows are. 24. This is a very. From where you're standing, it's a very difficult roll. The bonuses, the bonus for the dice. Plus 10.

[Ylva]

Oh, plus 10. Okay. All right.

[Matthew Mercer]

But it's variable as opposed to a solid number. But it's a tough one. So what you do is you see this and you run past medrip holding it in the air, and you miss it by about a foot. Strike the pillar, bounce off of it and fall back about 15ft onto the base of the chamber, hitting 4, 6 points of damage. Damn.

[Ylva]

Where's the chunk of Audra that I had?

[Matthew Mercer]

It falls from your grasp and skids about three feet from where you are and is now just on the floor of the chamber.

[Ylva]

How many stamina was that run? Because I had to run to jump. How many stamina did that cost me?

[Matthew Mercer]

Oh, I would say one stamina. Just each one of these little motions are just spinning a thing. Since you already ran up to there.

[Ylva]

We have to get this in there. We have to. I don't know. And I'm just shaking off everything and I think I'm going to call that my turn.

[Sable]

What's gotten into you?

[Matthew Mercer]

Okay. It is King Ghoul's turn.

[Sable]

That thing you're crazier than a possum in a hen house.

[Galen]

What?

[Sable]

What's the matter with you?

[Ylva]

I don't even know what that means, but yet. Someone get this piece. Someone get this piece into the pillar. Stop it.

[Matthew Mercer]

The Kangula, the spirit of Edea that is now in the middle of this chamber shrieking is going to spend four stamina to wail. This horrible screeching wail rings out the chamber, echoing and shivering. The whole sound of it doesn't hit your ears, it hits your spirit. All of you need to roll resolve, including figurine, which but the two does not make it. 13.

[Ylva]

13 again. 12.

[Matthew Mercer]

13, 12, 21. 11, 21.

[Minette]

21, 21.

[Matthew Mercer]

All right, anyone under 15, which would be you, you and you. Okay, I'm marking all of this here. You are all unable to dodge or block until Edea's next turn with farts.

[Galen]

Big farts.

[Matthew Mercer]

Edea is then going to spin its head towards you. Ylva, as you were the one that tried to leap in the direction of that. As you're on the ground sitting up, it does this screaming yell. You grab your ears and manage to pull it out of the way. You get back up to your knees and glance up and it's going to use its corrupting stare at you for three essence.

[Ylva]

Is this blockable or dodgeable?

[Matthew Mercer]

You manage to roll high on your resolve, right? Yeah. You're not. So you actually can attempt to dodge it. It is not blockable. Okay. It is an unblockable strike.

[Minette]

Okay.

[Ylva]

I keep losing my coat. Oh, God. Sorry. Fuck is that? Oh, that's a big no, we didn't. No, that didn't happen. I'm going down.

[Matthew Mercer]

Okay, so you take two points of poison accumulation as the stair hits you and you feel like your body wither from the inside. You take from the strike.

[Ylva]

Keeping my girlish figure though.

[Matthew Mercer]

That's a natural 12 on the 12 sided dice.

[Ylva]

Oh, no.

[Matthew Mercer]

Plus you guys, 18 points of damage and two points of poison accumulation. You're on the cusp of becoming poisoned.

[Ylva]

And I'm so close to going down.

[Sable]

Oh, no.

[Matthew Mercer]

With that, Edea is now going to to shift over towards the ground. You're the one who tried to climb up. You're probably the closest. Everyone else near the door, it's going to rush towards you and it's going to go ahead and try and strike at you with its claw. This is unblockable. So you can only dodge it if you have the stamina to dodge. I do have the stamina to dodge. Let's go. Go Ahead and roll off.

[Minette]

Oh, did I lose any stamina for trying to climb?

[Matthew Mercer]

Oh, but you cannot dodge because you were affected by the whale. I was gonna not be a fucking narc. But no, that is true.

[Minette]

Just take it.

[Matthew Mercer]

So you take.

[Galen]

Hey, we finally got hit.

[Matthew Mercer]

You take 11 points of damage as she reaches out and claws her spirit into your body. And it seems to pull out almost like a shard of your soul. You watch as energy seems to shriek out of you past the claws. Also, I need you to roll a constitution for me.

[Minette]

Okay.

[Sable]

Damn.

[Minette]

Nine.

[Matthew Mercer]

Nine. You are also weakened, which means any attacks you make against the spirit, she can block or dodge for free until the next turn.

[Minette]

Ooh, nasty business.

[Ylva]

I don't like it.

[Matthew Mercer]

I don't like it. And she's gonna hold the rest of her turn at that point. Finishing Edea's turn. Galen, you're up with figurin on deck.

[Galen]

Shoots real bad. I'm gonna take out my bow. I'll notch an arrow aiming at Medrin. And I'm gonna pull it back as far as I can to make a power attack. Shoot.

[Matthew Mercer]

Ooh, power attack. Alrighty.

[Ylva]

Come on, baby.

[Matthew Mercer]

Come on. All right. So this is Medrin.

[Galen]

Yes.

[Matthew Mercer]

Medrin's gonna go ahead and spend three stamina to try and dodge.

[Galen]

Twelve.

[Matthew Mercer]

Eighteen natural. Three for eight. That hits. Ooh, that's rough.

[Galen]

Two d eight.

[Ylva]

Oh.

[Galen]

But one of them. The first one of them crits. Is that how it works?

[Matthew Mercer]

It's a free crit. So you just roll an additional damage die.

[Galen]

Okay, great. 3. 8. 15. 20. 20 total points of damage.

[Matthew Mercer]

20 points of damage. That's a heavy hit. Medrin who's healed up a little bit since the battle with some of the scavenge with the found still kind of hurt though. Takes the harrow and falls and curls over onto the top of the scaffolding to basically get out of your view from where you're standing. But took a heavy hit. And since it was a power attack and it's a two handed weapon that does five points of stamina damage to him. He is out of stamina currently. He cannot dodge or block at the moment.

[Galen]

I have some stamina left over. Could I use some stamina to start climbing the scaffolding?

[Matthew Mercer]

You haven't moved yet so you can try and climb the scaffolding to get up there. To get up to him. Make a dexterity check to see if you can get up there.

[Galen]

Yeah. Let's do it. And burn. Two stamina or a stamina burn.

[Matthew Mercer]

A stamina to do so.

[Galen]

Awesome.

[Matthew Mercer]

1919'S enough. You need to beat a 15. So you put the arrow or the bow over one shoulder and climb up real fast, get to the top, pull it off over the side. And you can see Medran's on the ground trying to pull the arrow from. From his chest without noticing you right there. Glances over the shoulder. Just as he hears your feet hit the top of the scaffold. And the scaffolding shakes. They're not very sturdy bits of scaffolding. As it shakes a little bit, you get your boat ready and you can make another strike if you want to, if you have the stamina.

[Galen]

I don't. But I'm up.

[Matthew Mercer]

But you're up. I'm up there. Yep. All righty. That finishes your go. Figgren is going to go ahead and try and clamber after you. Actually, no. Currently it's more focused on the spirit because that's scarier to figurein. It's like the date was. Not expecting this tonight. Looks over at you, Ghost. Yeah, fuck that ghost. Yeah, fuck that ghost. And she's going to go ahead and. She's going to go ahead and. Yeah. Is going to go ahead and spend last of her essence to charge against his, which means she's gonna go ahead and try and attack. Speed seven can do one attack natural, one figurin. That sucks. But that's okay. She's gonna save four stamina to try and protect herself for the coming turn. Finishes Figurine's turn. Sable, you're up.

[Sable]

Okay. Ylva seems not crazy anymore, right?

[Matthew Mercer]

Maybe.

[Sable]

She said she wasn't crazy. So I'm gonna trust my bitch. I'm gonna run over. I'm gonna grab the big teardrop thing of Audrey Bond.

[Matthew Mercer]

Okay.

[Sable]

I'm gonna grab it. I'm gonna look up. I'm real short. I'm a dwarf Hasbro. Here's my pitch.

[Matthew Mercer]

Okay.

[Sable]

I get on your shoulders. Minette gets on my shoulders. Human tower.

[Matthew Mercer]

Put it back.

[Sable]

Ghost not mad no more.

[Minette]

I agree.

[Matthew Mercer]

Do we know what's gonna happen we put that shit in there?

[Sable]

Nope. It could arguably get worse.

[Matthew Mercer]

Okay. All right.

[Ylva]

Excellent.

[Sable]

I'm gonna just scooch it up, run over, and start climbing the top of the scaffolding and. And wait for this team maneuver.

[Matthew Mercer]

Okay. So it is a 15 foot gap to this pillar. So we're going to get to the top of the scaffolding to get to the top from where you were standing at the bottom. Roll a dexterity check to see if you can get up there for your full turn.

[Sable]

Okay. 15.

[Matthew Mercer]

15 is exactly what you needed. You clamber up there without issue. You step next to and move past where Galen is and near where Medrin is currently on the ground and getting himself more prepped and ready. And indeed, there's a little bit of five foot Runway and then there is the distance to the top of this pillar.

[Sable]

Did I run past Midrin? I did.

[Matthew Mercer]

You're just up against Medrin with this.

[Sable]

Yeah.

[Galen]

Then.

[Matthew Mercer]

Cannot block or dodge because that power attack knocked out all of his stamina. So go for it.

[Sable]

Oh, okay. And wait. So with power attack main attacking and choose to spend double stamina cost of attack to make it a power attack, additional damage die. And if damages the opponent, the opponent loses stamina.

[Matthew Mercer]

Right. He has no stamina at the moment, which means it can't block or dodge. So your attacks just do damage.

[Sable]

They just do damage. So even if I do a power attack, it's all the same for me because it's 1D6. So whatever. I'll just do three for right now to just do a regular attack.

[Matthew Mercer]

Too much difference.

[Sable]

Six. Nope, that's a one. Five damage.

[Matthew Mercer]

Five damage. All righty.

[Sable]

I'll do it one more time. Why not? See what happens.

[Minette]

Jesus.

[Sable]

One again. So another five damage.

[Matthew Mercer]

Another five damage. Mediren's turning it up and you just come over. What are you doing? Come on. All right, so finish your turn and.

[Sable]

I'm gonna scurry away. And then like wait.

[Matthew Mercer]

Okay. Medron finally pulls away from your dagger and you're right there at the. There's like a five foot rock to the scaffolding. Medrin's right in front of you and Galen's behind you. And it's like you fuck us unleashes fan of flames, the improved fan of flames on you all. So with that, I do either have stamina to try and dodge or block.

[Sable]

I will dodge.

[Matthew Mercer]

Let's go. Come on, kid. Need to be to 18.

[Minette]

Eighteen.

[Sable]

Okay.

[Galen]

Negative, negative.

[Sable]

Oh, natural one.

[Matthew Mercer]

Damn.

[Sable]

That is my third one in a row.

[Matthew Mercer]

All right, so both of you.

[Sable]

Damn.

[Matthew Mercer]

Didn't roll any. Any Max dies on this though. That's going to be 13 points of damage to each of you. And both of you get two points of fire accumulation. Okay, so you are now both starting to burn. The flames are starting to burn. And one more bit of that and you both ignite with that Medrin who is pissed at you for just coming over and shanking him as he's getting up, he's going to pull out his blade and then come and attack you. Oh, he doesn't have all the stamina back here. So with that, are you dodging or.

[Sable]

I will.

[Matthew Mercer]

Do you have stamina to do so?

[Sable]

I do. I have four stamina on the left.

[Matthew Mercer]

Up to you.

[Sable]

I'll block just in case.

[Matthew Mercer]

Let's go.

[Sable]

Yeah. 20 total.

[Matthew Mercer]

15. You beat it. So the first goes wide. Pist is gonna go ahead and spend four more stamina to attack you again.

[Sable]

I'll let it happen.

[Matthew Mercer]

You can't dodge it. All right, So I only have to roll for that.

[Sable]

That will be stamina left.

[Matthew Mercer]

That is gonna be 10 points of damage to you. Is the blade. The first one you manage to just get out of the way, he flips it around in his hand and then backslices you with the blade. That shanks you into the chest. Okay. Yeah. And that's gonna go ahead and end his turn. Haspero, you're up.

[Galen]

So is she in position to do this maneuver?

[Matthew Mercer]

She is right at the edge, about 5 foot of a Runway, holding onto this otter, by the way. End of your turn. Make a resolve check for me.

[Ylva]

Oh.

[Sable]

Cause I'm holding it. Yeah, but I'm not looking at it.

[Matthew Mercer]

No, but you've been holding it for a moment. Come on.

[Ylva]

Come on, baby.

[Sable]

Come on, Come on.

[Matthew Mercer]

Hold it.

[Sable]

Oh, okay. Okay. 18.

[Matthew Mercer]

Yeah. Unaffected. Okay.

[Sable]

I don't let no ghost rocks get.

[Matthew Mercer]

In my head, so I'm still on.

[Galen]

The ground, so I gotta get up there.

[Matthew Mercer]

You do? Yeah.

[Galen]

So what do I spend for that one stamina?

[Matthew Mercer]

Spend one stamina and roll dexterity for me.

[Galen]

Okay.

[Matthew Mercer]

Oh, no, that's five. Five. So you spend a get partway up, because this isn't the other one, which is very, very tall that you were trying to get at the top of. This one is halfway up. You do get to the top of it, but you don't get to the edge of where she is. So you manage to get to where it is. You're halfway to position, and I don't have any more movement I can do. I'll say in this instance, because it's cinematic and fun. If you want to spend 3 stamina, I'll let you close that distance. I'll do it. Okay.

[Galen]

So then she has it.

[Matthew Mercer]

She's not corrupted. We could potentially go for it now if you wanted to spend another three stamina to take it from her and attempt to make that leap.

[Sable]

Well, I was going to get on his shoulders.

[Matthew Mercer]

Oh, okay.

[Sable]

That's the thing.

[Ylva]

And then.

[Sable]

Unless. If we can make it, awesome. If not, then Minette can. We can do a little Circus pyramid.

[Matthew Mercer]

Got you. Okay, so what you're doing is you're now gonna send the. Get into position. Sure. And then you're gonna hold your turn or. Hmm.

[Galen]

What do you think?

[Sable]

Well, if I can just go for a little shoulder ride, then I can wait for Minette and maybe she can get up there and do the date.

[Galen]

In terms of turn order.

[Ylva]

But doesn't what's her face go bad guy?

[Matthew Mercer]

Doesn't mean.

[Galen]

And that's gonna go.

[Sable]

The turrets are next turn.

[Ylva]

But when does the bad guy go after you?

[Sable]

So it's gonna be Hasbro and then it's gonna go Manette.

[Ylva]

Oh, oh.

[Matthew Mercer]

So either I can hold or. I mean, I should maybe attack Medron, right? Or something.

[Sable]

Am I able to get on his shoulders? Is he able to.

[Matthew Mercer]

On your turn. You can.

[Sable]

On my turn.

[Galen]

But that's so far away.

[Sable]

I mean, I can try and I can try and hand it off to you real quick if you think you can do a little like 8 foot and dunk 8 foot vertical.

[Matthew Mercer]

What I need to roll? Might. This would be a might roll. I think that's your.

[Ylva]

That's your.

[Matthew Mercer]

All right.

[Galen]

How much time do I need to do that?

[Matthew Mercer]

I'll put this at five stamina.

[Sable]

Five stamina.

[Matthew Mercer]

You're more or less attacking the pillar. I could take a shot and then go for it. I think I'm gonna do it. Cause it's just funny.

[Galen]

And Medrin isn't within sight.

[Matthew Mercer]

Medron is. Yeah. Like maybe 15ft from me. I'm gonna shoot him with a gun. Yeah, shoot him with a gun. I'm gonna shoot him with a gun.

[Ylva]

He doesn't have any stamina.

[Matthew Mercer]

He doesn't have any stamina. Right? He does. Cuz he's had his turn since. So he got. He got the stamina back. So he has enough to try and dodge once. Okay. So he will spend that. So let's go ahead and roll, see what we got. I'm gonna go ahead and roll this out. Oh, no.

[Galen]

Two.

[Matthew Mercer]

Okay, a two. What's your bonus? My bonus?

[Galen]

What do you mean?

[Matthew Mercer]

To hit with your gun.

[Galen]

I only have keen.

[Matthew Mercer]

Sorry. One plus one. Two.

[Galen]

That's what.

[Matthew Mercer]

Oh, I see, I see. Yeah. So he does unfortunately, dodge. You go to fire with the gun. Pistol, and you go to shoot. It's a cloud of smoke and he's already ducking out of the way, spinning off to the side and bracing himself on the edge of the wall. The scaffolding now with all of you standing on it is like it's rocking for precariously.

[Minette]

This is a slippery zombie by design.

[Matthew Mercer]

This guy, but he's out of stamina. All right, take that. I'm just gonna go for it. Come on. Okay, what's your might bonus?

[Galen]

Plus six.

[Matthew Mercer]

Plus six.

[Ylva]

Get it, Big Blue.

[Matthew Mercer]

All right, the DC on this is a 20, so you have to roll a 14 or higher to try and accomplish this.

[Ylva]

Big blue. Use a blue.

[Matthew Mercer]

I love it. Let's go. 18. Yes. You run, you push off of this. The rest of you feel the scaffolding. I'm going to go ahead and 15 on that. The scaffolding holds 5 or a 10. The scaffolding would have collapsed, but you leap full on, like Michael Jordan. Yeah.

[Ylva]

Slam dunk.

[Matthew Mercer]

Slam it into that missing chunk of the crystal pillar. As you do, putting all your weight behind it, it hits and slides in. As it does, the crystal seems to glow from within that purple light pulsing outward. It seems to spread and fill the chamber with bright white light. And as you all have to withdraw from the pain of it on your eyes, you then hold on to the top, slide from the top and plummet 15ft to the ground. The wind for three points of damage as you hit the ground. This Audra Bond pillar is bright within the room. And you see Edea the Kangula, like as it lights up this beam of light, emergency emerges from it. That the rock above seems to crack away. It burns and carves some sort of beam of burning light up through the ceiling of the chamber. Is that your turn? Yeah. Okay, that brings us back to Nanette. I ruled.

[Ylva]

I was so sick.

[Matthew Mercer]

I don't even know if it was a good thing. But worth it. I know.

[Galen]

The Ghostbusters reactors.

[Matthew Mercer]

Yeah.

[Minette]

How close? We're still fighting Medrin, right?

[Matthew Mercer]

So fighting Medrin and Edea.

[Ylva]

So she's still there.

[Matthew Mercer]

She's still there.

[Minette]

That didn't fuck her up. All right.

[Matthew Mercer]

You have removed some of her abilities.

[Galen]

Oh, okay.

[Ylva]

Okay, that's it.

[Minette]

Well, then I'm going to spend four.

[Sable]

Essence, which is 1, 2, 3, 4. That's all of my essence.

[Minette]

I've got one left, so I hope this works. And I'm going to use jolting touch on the two of them.

[Matthew Mercer]

Okay, let's go. So let's see here. You were weakened, so Edea gets the block for free from you. And Medrin has no stamina. So Medrin just takes a go ahead and roll for the.

[Minette]

For damage or for.

[Matthew Mercer]

Yeah, to hit. So roll and add your intellect.

[Ylva]

Fuck.

[Minette]

Four.

[Matthew Mercer]

Four, unfortunately, misses the spirit of Edea. However, Medrin cannot dodge and is Standing up on the side, you can just barely see where the shaking scaffolding is. And you do strike him. So he takes the damage. Go ahead and rol.

[Ylva]

Six.

[Matthew Mercer]

Six points of damage. Magic gets knocked to the back and falls back onto my knee. And he's like breathing deep in his eyes now, seeing what's happening with the spirit. You seem to shake something out of his mind. And now there's panic in his eyes. The drive and the will of whatever brought him here and continued to push on is gone. And now it's just survival instinct and literally looking for an escape route. Ooh. Okay. The spirit is still screeching and wailing and furious at what's occurred. What do you want to do with your turn?

[Minette]

Am I in poking?

[Matthew Mercer]

You are. It flew down and struck you. Its turn to now focus on the chamber, but it's right next to you.

[Minette]

I am going to try to poke her.

[Matthew Mercer]

Okay. She gets to dodge and block you.

[Minette]

She still gets to block a fuck.

[Ylva]

Just forever.

[Matthew Mercer]

Oh. Until her next turn because she struck you and weakened you.

[Minette]

Okay.

[Matthew Mercer]

Oh, my God. Let's go. Is it rolled a hit.

[Sable]

Plus what?

[Minette]

Intellect.

[Matthew Mercer]

Next to your spear, it should say plus. Oh, shit.

[Minette]

I've not been adding that. Oh, well, six anyway.

[Matthew Mercer]

Six.

[Minette]

Yeah.

[Matthew Mercer]

Dodge's out of the way, unfortunately. You want to keep going or.

[Minette]

Yeah, let me. 1, 2, 3, 5. Yes. Keep going.

[Ylva]

8.

[Matthew Mercer]

16.

[Minette]

God damn it.

[Sable]

Dice have not been on your side.

[Matthew Mercer]

I know.

[Minette]

I'm gonna go again.

[Matthew Mercer]

Let's go. Roll again. Come on.

[Ylva]

5. Come on, big money.

[Minette]

16.

[Matthew Mercer]

800. Roll damage. Yay.

[Sable]

Finally.

[Matthew Mercer]

Sticky Roll damage.

[Sable]

And good damage. Good damage.

[Minette]

Three.

[Matthew Mercer]

Three points a day. Hey, it all adds up.

[Minette]

And I'm going to go use the litter box. That's right.

[Galen]

Yes.

[Minette]

I used to shit in the litter box.

[Matthew Mercer]

All right, that finishes your turn. Ylva, you're up.

[Ylva]

Oh, crap.

[Matthew Mercer]

With Adiya coming up.

[Ylva]

Am I close enough to use Jolting Touch on the two baddies?

[Matthew Mercer]

I'd say so, yeah. Crap.

[Ylva]

But I have 10 health, so I could arcane veil and use the wand.

[Galen]

Do it.

[Ylva]

At this point, she's so angry and she knows she fucked up, so she's not even worried about her own self preservation. She just wants them to go. So Jolting Touch. So I roll to hit. I'm assuming, because I'm assuming they're both.

[Matthew Mercer]

Gonna try, she's going to spend three or four to try and dodge your.

[Ylva]

Attack, and that's plus intellect.

[Matthew Mercer]

Medron cannot. So go ahead and roll. Add your intellect.

[Ylva]

18 plus 6. So 24.

[Matthew Mercer]

She rolled a 20 total. So that hits excellent. So go ahead and roll damage. And they Both take it.

[Ylva]

11 minus 1. 10.

[Matthew Mercer]

10. 10. 6. The shock arcs off, hits the spirit. She pulls back and it damages her. It arcs off of her and strikes up to Medron as it impacts. How do you want to do this?

[Sable]

Yeah.

[Ylva]

Just with severe fury in her eyes. Especially at being taken by him. She takes out all of the vengeance that she wishes she was able to take out on the people who wronged her. And as she's staring at him, she just watches him as she hands the. As she sends the lightning bolt through him and into Edea is her name.

[Matthew Mercer]

Yep.

[Ylva]

And sends her in, but watches him as he hopefully just. And falls.

[Matthew Mercer]

So you watch as he's seeing all of this having the panic in his eyes. He gets up and starts sprinting towards the edge of the scaffolding to try leap down and over the rest of you out the exit. As he runs, he slows down and steps up to the edge of the scaffold where there's burned hole in his torso. He looks over and slowly tips forward, smacking harder into the stone floor. No longer moving.

[Sable]

Yes.

[Ylva]

I am going to use some stamina to fire at Edea from my wand. Edea. Adea wand. 19 plus 2. 21.

[Matthew Mercer]

Well, Edea doesn't have any stamina to dodge you.

[Ylva]

Oh, fantastic. I wasted a roll for nothing. That's a great roll. Can I save that for later? My wand is 1d6 plus 3. 6 damage.

[Matthew Mercer]

All righty.

[Ylva]

And then I would like to use three more stamina to do it again.

[Matthew Mercer]

Let's go.

[Ylva]

Seven damage. I would like to use three more stamina to do it again.

[Matthew Mercer]

Come on.

[Ylva]

Four damage.

[Matthew Mercer]

All righty.

[Ylva]

I would like to use three more stamina to go again.

[Matthew Mercer]

There's no tomorrow. Let's go.

[Ylva]

There is no tomorrow. And I have so few hit points left or health points left. Five plus three. Eight damage.

[Matthew Mercer]

Eight damage. All righty.

[Galen]

One hits.

[Matthew Mercer]

Does that finish your turn? It's just like just one strike after one strike. One strike blasting into the spear.

[Ylva]

And I would like to. If there is any possibility of using. Because I can't block with two stamina or dodge with two stamina. Can I use two stamina to just roll behind something? Because I've been. If there's any possibility of me getting hit.

[Matthew Mercer]

I mean, you haven't moved. You're on the scaffolding still.

[Ylva]

So there's no way to hide.

[Galen]

Hang off.

[Matthew Mercer]

Well, no, you leapt to try and get in there. So you're actually stolen the ground.

[Ylva]

Right, Right. I've been doing this from the ground.

[Matthew Mercer]

You can try and move behind one of the pillars as part of your movement.

[Ylva]

Yeah. Let me try to get behind something so that they can't.

[Matthew Mercer]

You don't have to spend stamina for that. You just move behind it because you haven't moved. This turn.

[Ylva]

I'd like to do that.

[Matthew Mercer]

That finishes your go.

[Ylva]

Yes.

[Matthew Mercer]

All right. Top of the round brings us back to Edea, who is furious has lost the weakened ability of her strikes. So that is gone. Is going to go ahead and corrupting stare you at the top of the round.

[Ylva]

You can't stare at me. I'm hiding.

[Matthew Mercer]

I can move to follow you if she does.

[Ylva]

I don't see you. I don't see you. I can close my eyes, so I can't see you. You can't see me.

[Matthew Mercer]

Do you have enough stamina to block her dodge?

[Ylva]

I don't.

[Matthew Mercer]

So you take.

[Ylva]

I'm going down, kids.

[Matthew Mercer]

That's going to be 19 points of damage.

[Ylva]

I am down.

[Matthew Mercer]

All righty. So when you go to zero health, go ahead and roll and add your resolve.

[Ylva]

Roll a 20. Roll a D20.

[Matthew Mercer]

Correct.

[Galen]

You're gonna pick that one.

[Ylva]

The blood dice.

[Galen]

You're gonna pick that one.

[Ylva]

The blood dice have been very good now that I've said that. Please deliver, kids. Please deliver. Is it plus anything?

[Matthew Mercer]

Plus? This is your resolve.

[Ylva]

16 plus 2 and 18.

[Matthew Mercer]

All right. You remain standing at one hip. Just barely push through.

[Sable]

Throw her some hard tack.

[Matthew Mercer]

However, you do take a third point of poison because you are now poisoned. So now that means you cannot dodge. And at the start of your next turn, you take 1d8 poison damage.

[Ylva]

Oh, so I'm gonna potentially go down right away.

[Matthew Mercer]

So she is going to go ahead and swoop up to you as you stand on your feet and strike at you with an attack. You cannot dodge because. Because you are poisoned. So you immediately take 2d8 damage, which takes you down. Make another resolve roll.

[Sable]

Oh, my God. Oh, my God. Yeah.

[Ylva]

15 plus 2.

[Galen]

17.

[Matthew Mercer]

17. You barely hold on.

[Ylva]

Wow. I'm not dead yet. I think I'll go for a walk.

[Matthew Mercer]

Well, let's see. No, it's 15 originally. It goes up 2 every time. So 17. You barely hold on. Furious. She's gonna go ahead and make another strike on you.

[Sable]

She's out for you.

[Ylva]

Down she goes.

[Matthew Mercer]

Oh, my. Rolling.

[Ylva]

You can't even take damage.

[Matthew Mercer]

You go down again. Make another resolve roll. This is now a 19 blood draw through the ring.

[Ylva]

Nope.

[Matthew Mercer]

You are now Unconscious. If you aren't stabilized by the beginning of your next turn, you will be dead.

[Galen]

We didn't use all that hardtack for happy snuggle time, did we?

[Matthew Mercer]

Well, I don't have anymore.

[Sable]

You don't have any more.

[Matthew Mercer]

You used it all up.

[Sable]

Does anybody have anything?

[Ylva]

All right, well, you know.

[Matthew Mercer]

And then Edea's gonna shift back out of the chamber, like. And this is going to spend four more stamina to try and wail. I need all of you players to make a resolve roll.

[Galen]

Resolve roll.

[Matthew Mercer]

Jeez Louise. It's like it's a boss or something. 18. 18. You're fine.

[Sable]

15.

[Galen]

22.

[Sable]

Nope. 6.

[Matthew Mercer]

All of you avoided, except for you. So, Sable, you are unable to block or dodge until Kangula's next turn.

[Sable]

Okay?

[Matthew Mercer]

And she is focused. Focused intensely on you for vengeance. All right, that's going to go ahead and finish her turn. Galen, you're up.

[Galen]

Am I able to get within a swords strike distance of our floating, shrieking lady?

[Matthew Mercer]

She's down towards the ground at the moment. Floating up above. You can try and leap off of the scaffolding and strike on the way down. You have to roll a dexterity check to do so.

[Galen]

Yeah, let's do that.

[Matthew Mercer]

All right, so roll a dexterity check. Not too hard. It's a ten.

[Galen]

Oh, great. It's. Oh, that's a seven.

[Ylva]

I know.

[Matthew Mercer]

Total seven. Yep. You're a little bit short. And you do, like, face plant on the ground. You do take six points of damage. Love it from the impact, but you do get up and you're able to approach. It was more or less to see if you avoid the damage from it, so go for it.

[Galen]

Yeah, I'll take strike with the sword.

[Matthew Mercer]

All right.

[Galen]

She gonna block her dodge.

[Matthew Mercer]

She doesn't have the stamina.

[Galen]

2. Oh, that's a 12. Which explodes.

[Matthew Mercer]

Yep.

[Sable]

Let's go.

[Galen]

6. 18 plus 2 is 20 for the first strike.

[Matthew Mercer]

You don't have to. Well, is that a D20?

[Galen]

It is.

[Matthew Mercer]

Sorry.

[Galen]

See, it's catching. Be a 12, not a 12. That's six points of damage for the first one.

[Matthew Mercer]

All right, six points of damage and.

[Galen]

Then I'll burn another four for another strike. Five. Eight points of damage.

[Matthew Mercer]

All right. Alrighty. Four.

[Galen]

And one more swipe with the sword. Cause fuck not to be a bitch. Also, eight points of damage.

[Matthew Mercer]

Eight points of damage. Three heavy strikes. Your ankle's aching. You may have sprained or broken something, but you're still swinging away with this blade.

[Ylva]

Swing away.

[Matthew Mercer]

Still swinging away with each impact. The light's Getting brighter from the Audra. And the spirit seems to be diminishing with each blow. Some heavy hits on it. Does that finish your turn?

[Galen]

It does.

[Matthew Mercer]

All right. At the end of Yoro Galen. It is now Figrun's turn. Who has been preparing for this moment. Now the spirits and range is going to go ahead and regain the stamina. You got this, babe. I do got this. He's going to go ahead and spend seven stamina to strike this time. Doesn't even have to roll the hit because cannot strike. That's going to be holy girl 2d8 plus 4. One's an 8 that explodes.

[Sable]

Yay.

[Matthew Mercer]

That's 1314 plus 4. Oh. Plus another 4 on a crit. So that's 32 points of damage.

[Sable]

How do you want to do this? Npc?

[Matthew Mercer]

That is the end of Figurine's stamina. Figurine takes the one heavy strike. A heavy hit. Massive blow that sends the spirit like shooting that goes through the pillar and emerging from the other side. The jaw is getting more open and crooked.

[Ylva]

Avenge me.

[Matthew Mercer]

Figure I'm going to take a few steps back, babe. I'm scared. I got you, babe. Finishing vigorous. Suit and Sable, you're up, babe.

[Sable]

So I can't block or dodge until.

[Matthew Mercer]

The end of the Kangala's next turn.

[Sable]

So you know what that means. All damage all day, baby. Can the spirit block or dodge?

[Matthew Mercer]

No. Also out of Stamina.

[Sable]

We're just rolling damage here, guys. First attack. Let me just make sure. One, two, three. First attack. That's gonna be seven damage.

[Matthew Mercer]

Alrighty.

[Sable]

Second attack. Seven damage. Third attack. Five damage. Not great. Fourth attack. Give me a six. Five, nine damage.

[Matthew Mercer]

Alrighty.

[Sable]

That's my turn.

[Matthew Mercer]

Fantastic. Once again, you're all swarming in now on the Spirit. Almost like ping ponging between your weapons as you all kind of begin to fill the chamber around. The spirit tries to escape one and falls right into the clutches of another. Just being knocked between each of these flurry of blows on all sides. That finishes starting to. The spirit's starting to flicker. And you can see it. The tether, this weird ephemeral bind that holds it to the Audrey Pillar is starting to break and pull apart. All right. So finishing Sables. Go Hasbro. You're up. Am I within striking distance? You can move to get striking distance if you want to. Actually, no. Yeah. Because you're on the ground after the fall. Get up. Yeah, you totally. You can move up to it. Yeah. I'm going to switch to the great hammer.

[Sable]

Let's go.

[Matthew Mercer]

Finish Stamina. To switch it. Let's go. Okay.

[Ylva]

That is a great hammer.

[Matthew Mercer]

Let's go. I'm going to do a great hammer strike.

[Galen]

So she cannot dodge.

[Matthew Mercer]

She cannot block or dodge.

[Sable]

Come on.

[Ylva]

Come on, baby.

[Galen]

That is 13.

[Matthew Mercer]

13 points of damage. Yes. How do you want to do this? Yeah.

[Sable]

Avenge me.

[Galen]

So I look at her and I go.

[Matthew Mercer]

Gonna be totally honest, I don't really know what's going on. But my homie Eva, Eva said some stuff about you're like a researcher or something. But anyway, Figgrin, this is for you, babe. Not a swing. That wakes the chamber with its pullback and quakes it even harder with the impact. As you slam it down, the blast hits the spirit and you hear one final echoing scream as the hammer cracks the ground. The central of the chamber itself caving in Dragon Ball Z style. You see rocks and stones kind of get thrown in the air around it before they drop from the sheer blast. You see cracks in the nearby walls slightly, not enough to make it dangerous, but enough to show that that was fucking hard hit. As the bits of the spirit energy scatter and the barely visible tether to the Audra fades, you all sit around and breathe heavy. Split second moment on your turn before you lose your friend Ilya or Ylva, what do you do? Okay.

[Minette]

Medrin died while I was peeing, right?

[Matthew Mercer]

Yeah.

[Minette]

Did he drop any food?

[Matthew Mercer]

You can go and attempt to quickly.

[Minette]

Did he drop any essence also?

[Matthew Mercer]

Oh, he did drop essence. He dropped eight essence. Can I help? Help, help, help, help.

[Minette]

Or can I force that down my friend's throat?

[Matthew Mercer]

I mean, you can, but that doesn't really.

[Minette]

That doesn't do anything.

[Sable]

Food.

[Minette]

Will food heal her?

[Matthew Mercer]

If you have food that could functionally, you could force her to eat. Okay, there's pigeon tongue. It's going to take a lot of stamina to force an unconscious friend to eat food, but it's not impossible.

[Minette]

Okay, I am going to.

[Sable]

See if.

[Minette]

Medron, he healed himself with some food, so I'm assuming he's got snackies.

[Matthew Mercer]

All right, so here's what we're going to do. You want to use your movements partially to rush over to. To Medrin's singed corpse. I need you to roll a perception check or a resolve check to try and push through his body to see if you can find anything that still remains that is edible perception or what? Resolve. Resolve.

[Minette]

Fuck yeah, resolve.

[Matthew Mercer]

Seven total of seven.

[Sable]

Day off, day off.

[Matthew Mercer]

No food on his body. He healed a bit because he. He ate it all.

[Minette]

Can I I get her shoes? Is there any other Way to heal. To heal, my friend. Can I give her a speech? Can I talk to her?

[Matthew Mercer]

I don't want you to die. The last thing you can do is try and stabilize her slipping into death. But since you used movement to Church's body in the middle of this rush, you can try and spend, I'll say, the rest of your stamina to try and remove any bits of cloth that you might have any semblance of remnant healing interests that you might conceive. This will be an intellect roll.

[Minette]

I never put down my petticoat.

[Ylva]

I still have it with.

[Matthew Mercer]

With me. So, wait, so you've been fighting naked this whole time?

[Minette]

No, a petticoat goes underneath.

[Matthew Mercer]

Okay, so make sure she boy doesn't.

[Ylva]

Have any knickers on so everyone can see all her naughty bits. When she was on the scaffold, that's.

[Matthew Mercer]

What I was like. Yeah, it was a view.

[Minette]

Meow.

[Matthew Mercer]

Meow.

[Ylva]

Indeed.

[Matthew Mercer]

So with the petticoat under your arm, you rush over and are going to attempt to essentially triage your friend where the poison is into the body. I need you to roll an intellect check to see if you can logic out and remember anything about solving this. This is going to be.

[Sable]

Can I use one of yours?

[Galen]

Which way would I. 120.

[Matthew Mercer]

This is going to be a 16.

[Sable]

Rolling.

[Matthew Mercer]

Shit.

[Ylva]

I'm reaving you for my friend.

[Minette]

16 total.

[Matthew Mercer]

Exactly. Holy shit. There's a four tea on the die. Are you fucking kidding me? Oh, thank you so much.

[Sable]

When it counts, my friends.

[Minette]

Ladies don't die.

[Matthew Mercer]

I'm taking a picture of that shit.

[Ylva]

Very unladylike to die.

[Matthew Mercer]

Not dying is a virtue after all. In the faintest of gentle moments, you wait for your friend to cross the threshold. But her breath never stops. And then it grows stronger until eventually her eyes open. You're alive.

[Minette]

Ylva.

[Ylva]

Very ladylike indeed.

[Minette]

Please don't be mad.

[Matthew Mercer]

Please.

[Minette]

All of my underwear is in your open wounds. But I think it helps.

[Ylva]

Won't be the first time. No, hopefully the last.

[Sable]

You know, I think there's some really good pigeon stew waiting back at the lighthouse for us.

[Ylva]

I'm so sorry. I thought exacting revenge was what I needed it. But it only caused so much pain and so much trouble and I'm sorry.

[Minette]

It's okay.

[Matthew Mercer]

Yeah.

[Sable]

We're Team Reach Around.

[Matthew Mercer]

Team Reach Around.

[Sable]

Yeah.

[Galen]

What goes around comes around.

[Matthew Mercer]

As you pick up your arms and march outside of the blazing chamber. You crawl through the subterranean tunnels back to where the base of the lighthouse remains. It is here that you see the lighthouse is partially crumbled, for the base of this pillar and its beam of energy has torn through it. So while the lighthouse remains no beacon for salvation, the beam of light that seems to climb into the sky should be enough to get someone's attention. With a glimmer of hope of being saved by any passing ship, you smell the delicious scent of freshly cooked odd carrion seabird in a nearby kitchen as your new interesting lady friend slaps you on the ass. You all look at each other with a smile and a nod and continue to where dinner is waiting. That's where we're going to go ahead and finish the night. That was fun y'all. Thanks for coming along for that. That's fun, weird and perfect. I love it. I love it. Really appreciate y'all for coming. Friends. Old news has been so fun and thank you again to our friends at Xbox and Obsidian Entertainment for letting us play in the world of Avowed tonight. And thank you all for joining us for that. A reminder that while you may have recognized the spaces and characters explored tonight as inspired by elements from Avowed and into Universe, we want to emphasize that these characters and events in this one shot were our own creations. As if you couldn't tell and are not official content. As if you couldn't tell from the Avowed game, they were only inspired by it.

[Ylva]

But I'm gonna put up a recipe for carrion pigeon. I'm gonna find one for us and make a delicious dinner for celebration.

[Matthew Mercer]

And when we get out of the hospital we can thank you again for joining us. But all that being done, go check out Avowed. It's a great game. It's out now. Some people at the table are in it so check it [e-mail] avowed for more info. Thank you all so much. We love you. Good night. Thank you so much for joining us on this adventure. To help new listeners discover the show, please give us a rating and review on watching whatever podcasting app you're listening on. Until next time. Is it Thursday yet? My amazing new Samsung Galaxy S25 Ultra reduces noise in my concert videos with Galaxy AI taking them from this to this. Now I have time to bejewel my favorite artist's faces onto jackets. This one really captures their eyes. Galaxy S25 Ultra the AI companion that reduces distractions so you can do you yours at samsung. Com. Compatible with common video formats. Accessible in gallery. Helps minimize six select sounds results for your Galaxy AI features by Samsung free through 2025.