Murder & Magnolias - Ep. 1: Marked for Death

Summary

Dateline NBC – Murder & Magnolias: Ep. 1 – Marked for Death

Release Date: February 23, 2026
Host: Keith Morrison (NBC News)

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Episode Overview

The inaugural episode of "Murder & Magnolias" unravels the shocking transformation of a seemingly idyllic Southern family—Chris and Nancy Latham—who occupied places of privilege and social standing in Charleston, South Carolina. The story kicks off with the disintegration of their marriage and escalates into a labyrinthine plot involving a murder-for-hire scheme that collides high society with the criminal underworld. Through analysis, key interviews, and gripping first-hand accounts, Dateline meticulously details how an unraveling marriage and the pursuit of money, pride, and revenge can destroy lives.

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Key Discussion Points & Insights

1. The Lathams: Picture-Perfect on the Surface

• [00:00–03:43]:

  • The two-week Latham family vacation to Lake Greenwood in 2011 is painted as an idyllic escape but is later regarded as a haunted memory—the final moments before everything changed.
  • Nancy Latham recalls:
    • "[Chris] was insistent we take a two week vacation." [01:27]
  • Keith Morrison foreshadows:
    • "The rippling consequences of that Twilight chat between husband and wife would damage everyone they knew and many they didn't. It was really a tangled web." [02:41]

• [04:14–07:42]:

  • The family is established as successful pillars of their community: Chris, a high-flying banker; Nancy, sharp and social in her own right.
  • Their married life began with instant chemistry from a blind date.
  • Nancy Latham on her and Chris's instant connection:
    • "I've always believed that the day I meet the man I'm going to marry, I'll know." [07:42]
    • "No, I knew." [08:08]
  • Chris Latham:
    • "I had the best job in the world. I loved it." [06:24]

2. The Marriage Deteriorates

• [08:16–11:40]:

  • Chris's job absorbs his time, creating distance from Nancy and the children.
  • Friends and Nancy herself note changes—Chris withdraws, sleeping in a separate guest room.
  • Nancy reveals the routine:
    • "Whether he was sleeping in my bedroom or not. We had sex every Saturday night like clockwork..." [09:30]
    • "Did he tell me he loved me? Never." [09:30]
    • "If I did that, there was no fighting the rest of the week." [09:46]

• [10:02–11:40]: The Boat Ride

  • The final evening of vacation becomes infamous: Chris asks Nancy for a divorce in a detached, emotionless moment, which Nancy describes as numbing and surreal.
  • Nancy’s account:
    • "And Chris said, 'I want a divorce.' It was so blasé. And I said, 'excuse me.' And he said it again... I said, 'okay, okay.'" [10:52]
  • Chris claims he discovered evidence of Nancy’s affair, but Nancy denies all accusations.
  • Chris Latham:
    • "I confronted Nancy with text messages and emails... so she admitted it." [12:03]
  • Nancy (sarcastic):
    • "Are you offering? No. No. I mean, Chris accused me of a plethora of affairs." [12:24]

3. Keeping Up Appearances

• [13:04–14:13]:
  • The Lathams continue a façade for their daughters, even celebrating Nancy’s birthday together at their traditional spot.
  • Nancy on the family photo:
    • "If you see the photo, you can see that I'm practically sitting on his lap... And so in that photo, we're both sitting there just happy as clams..." [13:45]
  • This photo later resurface in ominous circumstances.

4. The Murder-for-Hire Plot Surfaces

• [14:45–18:27]:
  • The scene shifts to Charleston’s gritty east side. Officer Daniel Wilson stumbles upon Aaron Wilkinson, an ex-felon from Kentucky, during a late-night traffic stop.
  • Officer Wilson:
    • "It's a very dense area. It's a very populated area." [17:09]
  • Suspicion escalates with the discovery of a loaded weapon and a convoluted story begins to unfold.

5. A Hitman’s Confession: Setting the Plot in Motion

• [21:24–23:16]:

  • Aaron Wilkinson, in police custody, unexpectedly confesses involvement in a contract killing targeting someone named "Latham."
  • Officer Wilson:
    • "I called a detective... and I said, 'I've got a guy down here that is telling me he is part of a murder for hire story. And I kind of believe him.'" [22:14]

• [25:33–28:05]:

  • Aaron, a heroin addict, recounts being recruited by a former cellmate, Sam Yenawine, under the pretense of a drug run.
  • Aaron Wilkinson describes Yenawine:
    • "Big, loud and. And funny and violent at the same time. If he was your friend, he was. He was a good friend. If he was not your friend, he was not. Not a good friend." [27:18]
  • Yenawine reveals the real plan: a $30,000 contract to kill a Latham spouse before a looming divorce trial.

6. The Mechanics of the Murder Plot

• [28:46–33:09]:

  • The conspirators receive a "hit packet" containing Google maps, property photos, and a family portrait—cut in half—of the Lathams.
  • Aaron describes seeing the packet:
    • "It just kind of hit home, I guess, whenever... I mean, it just seemed so surreal. I was... almost looking at it from just like a detached a way." [33:59]

• [35:06–36:16]:

  • Tumultuous internal drama: Yenawine fights with his girlfriend Rachel over the phone, further destabilizing the situation.
  • Aaron:
    • "While we were in Walmart walking around trying to find gloves, him and Rachel were arguing on the phone, still just screaming back and forth at each other... just making threats and threats and threats." [35:48]

7. Sabotaging the Scheme

• [36:31–38:45]:
  • Aaron, fearing for his life and his wife's safety, agrees to take on the "hit" himself as a stall tactic, never intending to follow through.
  • He drives to Charleston, trucks his wife and dog for safety, but his plan is thwarted when he is arrested seeking drugs.
  • Aaron, on his hesitation to call the police:
    • "I've done quite a bit of time in prison. I know you don't talk to the police... Bad things happen to people that do..." [37:37]

8. Proof of the Plot and Ongoing Threats

• [39:44–40:36]:

  • Aaron tells police the incriminating "hit packet" is still in his hotel room.

  • Cops affirm the gravity:

    • Officer:
      • "In 26 years in law enforcement is the first one I've ever gotten like that about a murder for hire, about a murder for hire that was in play." [40:36]

  • Nancy Latham expresses fear:

    • "I was feeling a lot of emotions. I was scared because I didn't know if our lives were still in any danger." [40:45]
    • "My school told me that I was a danger by being on campus, so they made me leave." [41:10]

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Notable Quotes & Memorable Moments

• On human nature and morality:

  • Host, Keith Morrison:
    • "So a question. How low will a good person go? For money, for pride, for desire, the need to win?" [04:02]
  • Nancy Latham:
    • "No matter what, I think people are really capable of anything." [04:02]

• Family photo used as part of the murder plot:

  • "The photo was clearly a family picture that had been cut in half... As Aaron Wilkinson leafed through the packet, he must have felt the prickling sensation of panic rising." [33:31–33:59]

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Timeline of Crucial Moments

| Timestamp | Segment | Notes | |------------|--------------------------------------|--------------------------------------------------------------------------------| | 01:23 | Lathams' vacation reflections | Nancy and Chris describe the family's last idyllic vacation | | 03:43 | Moral dilemma invoked | Morrison introduces the philosophical line between good and evil | | 06:24 | Chris describes job, success | Transition to Lathams' heights in society | | 09:30 | Marital routine detailed | Nancy describes mechanical, loveless marriage | | 10:52 | Divorce revealed | Chris asks Nancy for a divorce during the boat ride | | 13:45 | The birthday photo recounted | Nancy describes the birthday dinner and the now-infamous family photo | | 17:09 | Officer Wilson surveyed neighborhood | Set-up for unravelling the murder-for-hire plot | | 21:50 | Aaron Wilkinson’s confession | Wilkinson volunteers shocking murder-for-hire plot details | | 27:18 | Yenawine’s violent history | Aaron explains Yenawine’s volatility | | 33:09 | Hit packet and cut photo | Evidence that the plot is real and targeted | | 37:37 | Aaron's prison code | His reluctance to involve police, despite mortal danger | | 40:36 | Police reaction | Officers emphasize the unique seriousness of the case | | 40:45 | Nancy on fear and school exile | The real, ongoing danger to Nancy post-discovery |

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Tone and Style

True to Keith Morrison’s signature style, the episode walks a careful line between Southern Gothic drama and cool police procedural. Listeners are drawn in by measured, sometimes sardonic narration and emotionally raw interviews with those closest to the case. Morrison’s voice—and the subjects he interviews—imbue the retelling with tension that never lapses into sensationalism while highlighting the contradictions in all the major players.

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Summary

“Marked for Death” exposes how cracks in a privileged marriage can escalate, and the shadow those personal betrayals cast can darken far beyond family and friends. The episode meticulously follows the unraveling—from family vacation, to allegations of adultery, to the assembly of a murder plot by outsiders with their own chaos and addiction. By episode’s end, we see both how fragile facades can shatter and how criminal ambitions seep into all social levels—with a literal cut family photo signaling that no one is truly safe once the line between good and evil is crossed.

To Be Continued: The investigation is now fully underway—authorities hold proof of the murder-for-hire intent. The key question now: Who wanted Nancy Latham dead, and why?

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For anyone new to the story, this episode serves as a compelling, thorough entry point into the Lathams’ world, blending Southern charm, societal ambition, and destructive impulses into a riveting true crime saga.

Transcript

[Narrator (Keith Morrison)]

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[Nancy Latham]

We had never in our lives taken a two week vacation. Ever.

[Narrator (Keith Morrison)]

That's the voice of Nancy Latham.

[Nancy Latham]

And this particular year, Chris was insistent we take a two week vacation.

[Narrator (Keith Morrison)]

Chris Latham, the workaholic, finally had the time. He'd grown up nearby in the town of Greenwood. And you had a good vacation?

[Nancy Latham]

We'd had a great vacation.

[Narrator (Keith Morrison)]

And the girls, the teenagers? Well, they spent those two weeks in July 2011, perfecting their tans and roaring around the 11,000 acre lake on Jet skis. Not a care in the world. Idyllic, oh yes. It lives only in haunted memory now. The last day of that splendid vacation, its peaceful, mundane moments preserved as if on an old film, played back in agonized Technicolor again and again. The last moments of the time before

[Chris Latham]

we were at the lake house. I was working up in the house.

[Narrator (Keith Morrison)]

That's the voice of Chris Latham.

[Chris Latham]

She was down with the girls in the water jet skiing or whatever.

[Narrator (Keith Morrison)]

The sun was setting on that last day. In the fading light, an attentive observer could have seen the Latham's pontoon boat drifting in the middle of the lake, a hundred yards out or more, may have recognized the darkened silhouettes of Chris and Nancy sitting in that boat, facing each other. And something in their postures, perhaps a quick jabbing gesture, the staccato sound of a distant voice, sharp but too dim to make out the words. What were they talking about? Only they knew. But afterward, well afterward, the rippling consequences of that Twilight chat between husband and wife would damage everyone they knew and many they didn't. It was really a tangled web. This is the story of that moment on the lake and the strange dark turn of sun bright lives.

[Officer Daniel Wilson]

The line between good and evil sort of runs through the heart of each person.

[Nancy Latham]

The truth be told, we were both horrible.

[Narrator (Keith Morrison)]

So a question. How low will a good person go? For money, for pride, for desire, the need to win?

[Nancy Latham]

No matter what, I think people are really capable of anything.

[Narrator (Keith Morrison)]

I'm Keith Morrison and this is Murder and Magnolias, a podcast from Dateline.

[Chris Latham]

Wave to Daddy. Wave to dad. Dassa.

[Nancy Latham]

Hey, can you tell Uncle John thank you?

[Narrator (Keith Morrison)]

Oh, the ghost of Christmas past. Holy Marco.

[Nancy Latham]

Ho, ho, ho.

[Narrator (Keith Morrison)]

Where they're preserved on film or video, Whether recorded last year or 50 years before, the clips all look the same.

[Nancy Latham]

Look on that chair. What's right in front of you that you didn't ask for?

[Narrator (Keith Morrison)]

That you got sleepy children in pajamas, twinkling lights, the season's bounty arrayed beneath the tree. Dolls, a bike, new clothes.

[Aaron Wilkinson]

Look at that yellow dress.

[Nancy Latham]

Very nice.

[Narrator (Keith Morrison)]

The old videos have the feel of the final scene of a Hallmark holiday movie. Chris Latham in his sweater vest. Nancy directing the scene from behind the camera.

[Nancy Latham]

You need to show Poppy what your favorite thing is so I can get you on tape.

[Narrator (Keith Morrison)]

And fade to black. Yes, those were the days for Chris and Nancy. The days in the mid to late 90s when their girls, Emily and Madison, were much younger and life, if not simpler, at least seemed easier to manage. Tell everybody.

[Chris Latham]

Bye bye.

[Narrator (Keith Morrison)]

Bye bye. Chris was rising rapidly through the ranks of corporate banking back then. By the mid 2000s, the Lathams had reached the upper tiers of Charleston society. As head of bank of America's U.S. trust Division in the Southeast, it was Chris job to schmooze the high rollers and represent the bank at Charleston's big charity soirees. The United Way, the Spoleto Arts Festival, that kind of thing.

[Chris Latham]

I had the best job in the world. I loved it. And you know, I enjoyed working for people. I really do. I'm a people person and that. That part was my drive.

[Narrator (Keith Morrison)]

And Nancy, well, she was Chris's indispensable better half at those functions. With her striking auburn hair and flashing blue eyes and razor sharp wit, Nancy was the perfect counterpoint to Chris's more reserved personality.

[Nancy Latham]

And I loved it. I mean, I would walk into a room and love to find the one person who feels a little bit uncomfortable that's sort of off at the side and make sure that they're pulled into the conversation that they feel comfortable and included. So that was my job.

[Narrator (Keith Morrison)]

You're good at it.

[Nancy Latham]

To pep it up. Yep, that's what I did.

[Narrator (Keith Morrison)]

Hmm.

[Nancy Latham]

Don't you feel enthused already?

[Narrator (Keith Morrison)]

I do, actually, yeah. For a couple of small town South Carolina kids, they've come a long way in a relatively short period of time. Thanks to Chris's banking connections, Nancy got into real estate. A close friend with political pull helped Nancy get a seat on the state lottery commission. She became treasurer. And to think, it all started with a blind date.

[Nancy Latham]

Over lunch, he said to me, you are so fabulous. Why aren't you dating somebody? And I said, well, the day. I've always believed that the day I meet the man I'm going to marry, I'll know. And he said, I've always thought the same thing. So when do you want to get married? And I said, well, I tell you what, let's give it a few months so our parents can meet and get to know each other and then we'll tie the knot.

[Narrator (Keith Morrison)]

You were joking at the time, but

[Nancy Latham]

really, no, I knew.

[Chris Latham]

We laughed about that and we still did for a number of years. You know, that was a very fond memory I had.

[Narrator (Keith Morrison)]

Sure, yeah, I love Nancy, but no marriage is perfect. As Chris Latham's career flourished, friends noticed that he seemed to have less time for them. Less time for Nancy and the girls, too.

[Nancy Latham]

Chris became very preoccupied with his job. He was away from home more often.

[Narrator (Keith Morrison)]

That's Kathy Harrell, one of the Latham's oldest and closest friends.

[Nancy Latham]

We went from socializing together and doing things as younger couples together to maybe seeing Chris once or twice a year.

[Narrator (Keith Morrison)]

Did he seem like the same old Chris?

[Nancy Latham]

He seemed to always be just busy, busy, busy with his work.

[Narrator (Keith Morrison)]

By the time the Latham's 22 year wedding anniversary rolled around in March 2011, Chris had taken to sleeping in a guest room, said Nancy. He told her at the time he didn't want his snoring to keep her up nights. Thoughtful? Well, maybe. But to Nancy, it felt as though her husband had, in the words of the old song, lost that loving feeling

[Nancy Latham]

whether he was sleeping in my bedroom or not. We had sex every Saturday night like clockwork. Did he tell me he loved me? Never. Did he kiss me on the mouth? Not once, but every Saturday night he would come in to have sex. And I did. I did because it was easy. If I did that, there was no fighting the rest of the week. There was no argument the rest of the week.

[Narrator (Keith Morrison)]

It had been that way for Six months. And then came that last night on the lake. Nancy had been down on the dock of her in laws lake house when she saw her husband walking toward her.

[Nancy Latham]

He made some comment about one last boat ride, and I. I probably asked, do you want to have the kids join us or whatever? And he said, no, just the two of us. And okay, fine.

[Narrator (Keith Morrison)]

The lake looked like black satin in the dying light, and for several minutes no one spoke. Chris switched off the motor, then said, nancy. He turned to her with a look she hadn't seen before. Cold like rigor mortis.

[Nancy Latham]

And we're out in the middle of the lake. And Chris said, I want a divorce. It was so blase. And I said, excuse me. And he said it again. And I remember just almost as if he said, could you hand me a glass of water? I said, okay, okay.

[Narrator (Keith Morrison)]

Nancy was too stunned to say more. Her two decade marriage unceremoniously dumped overboard like so many dead fish. But in her telling, there was no shouting, no pleading, no tears. There is, of course, another version to that story.

[Chris Latham]

How can you do this to me? How can you do this to our daughters?

[Narrator (Keith Morrison)]

In Chris's version, the issue was adultery, his wife's adultery. As soon as he shut the motor off, he said he confronted Nancy with text messages and emails he found on her phone. Proof, he said, that Nancy was having an affair.

[Chris Latham]

She denied it at first, but then I started going through and repeating verbatim exact phrases out of those emails. And so she admitted it. She said, we can go to counseling. We can put this behind us. I said, no, we can't. I want a divorce. I don't want to be married to you anymore.

[Narrator (Keith Morrison)]

Were you having an affair?

[Nancy Latham]

No, I was not. Are you offering? No. No. I mean, Chris accused me of a plethora of affairs.

[Narrator (Keith Morrison)]

Well, he said, she said, yes. That's usually the way of it. Hard to know the truth, really. There were only two people on the boat. And then a few days later, back in town, they were celebrating. How was that possible? It was Nancy's 45th birthday, and according to Latham family tradition, her birthday was always celebrated at one of her favorite restaurants, Miyabi's Japanese Steakhouse in downtown Charleston. They got the whole show. Flames whooshing, knives slashing, sizzling meat and flower veggies. Chris and Nancy had agreed not to tell the girls about their divorce plans. Not yet. Instead, they kept up appearances. There were no icy silences, no cutting remarks. When the check came, Chris asked the waiter to take a picture to mark the moment. The family, all together, just Like Christmas. One, two, three, smile.

[Nancy Latham]

If you see the photo, you can see that I'm practically sitting on my his lap. So we're kind of very, very compact and tight. And so it was my youngest daughter, myself, Chris, and then my oldest daughter. And in that photo, we're both sitting there just happy as clams, taking the picture, you know, of course, that night he went back to the guest bedroom. And there you go.

[Narrator (Keith Morrison)]

And for the next 18 months, as the mechanics of divorce ground slowly along, that photograph was forgotten. Water under the bridge, that is, until a piece of that photo turned up in a very unlikely pair of hands. Hands connected to men with murder on their minds.

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[Narrator (Keith Morrison)]

look at him eating whatever he wants, never gaining a pound while I'm stuck with the boring special and can't lose an ounce.

[Aaron Wilkinson]

How's your lunch, man?

[Narrator (Keith Morrison)]

Amazing.

[Officer Daniel Wilson]

Yours?

[Narrator (Keith Morrison)]

So good. Oh, I'm so happy for you.

[Officer Daniel Wilson]

Cool, buddy.

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[Narrator (Keith Morrison)]

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[Nancy Latham]

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[Narrator (Keith Morrison)]

These people are crazy. Starring Emmy award winner Keke Palmer. So what's the deal with that old Victorian house?

[Nancy Latham]

There have been whispers of murder, murder, murder.

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[Narrator (Keith Morrison)]

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[Aaron Wilkinson]

So are we gonna go in?

[Narrator (Keith Morrison)]

Do white ladies love salads? Hell yeah, we're going in. Mention Charleston, South Carolina to just about anybody who's been there, and you're likely to hear swooning remarks about historic homes, Sweet magnolias, Spanish moss. But you probably won't hear many people rhapsodizing about the city's east side, the grittier section of town where residents tend to be poor and streets are named for confederate generals. This was the part of the city that Charleston police officer Daniel Wilson knew well. He seemed more neighborhood dad than tough minded cop. But tough minded? He would have to be on occasion.

[Officer Daniel Wilson]

It's concentrated area drug and narcotics violations, weapons violations, things of that nature.

[Narrator (Keith Morrison)]

That's the voice of officer Wilson.

[Officer Daniel Wilson]

There's a very hot police presence, specifically because it's. It's a very dense area. It's a very populated area.

[Narrator (Keith Morrison)]

It was a Thursday night, April 4, 2013. Graveyard shift. As he cruised the east side in his black and white patrol car, Wilson would have seen all the usual signs of decay. Abandoned storefronts, litter, broken glass. He'd been on the job for about 90 minutes when he saw something odd up ahead.

[Officer Daniel Wilson]

I was on Hanover street traveling northbound, and I observed a car sitting stationary in the intersection of Hanover and line. I had no idea how long the car had been there. I didn't know how long the car was planning on staying, but that time of night, it gave me a little bit of concern as to why the car is there, what its intended purpose was.

[Narrator (Keith Morrison)]

It was a silver Volkswagen Passat. And as the cruiser got closer, Wilson noticed a man leaning into the passenger side window. Wilson didn't know what was going on exactly, but given the neighborhood and the time of night, he figured it was probably a drug deal. Then standing man noticed the cop, turned and ran. Then suddenly, the driver of the Passat drove away. Wilson followed.

[Officer Daniel Wilson]

As I basically catch up to the car on Cooper street, the car turns westbound on Cooper street towards Nassau.

[Narrator (Keith Morrison)]

It was at that point that officer Wilson was turned on his flashing blue lights and the driver of the silver car pulled over.

[Officer Daniel Wilson]

I step out of the car. Once the car stopped, I approach him. The driver's side window rolls down, and I see a white male in his 30s. He's got some indicators of his personality in the sense that he's got tattoos pretty much up to his neck.

[Narrator (Keith Morrison)]

No, nothing expresses attitude quite like a shaved head and an armful of skeleton tats up to the neck. The cop could see a woman in the passenger seat. There was a dog in the back. Kentucky plates.

[Officer Daniel Wilson]

I requested his license, registration, insurance, and explained to him why I'd conducted a traffic stop on his vehicle pretty much immediately. He informed me that he did not have a driver's license as it had been suspended by the state of Kentucky.

[Narrator (Keith Morrison)]

Not a good start. But the driver seemed congenial enough, cooperative. He even volunteered that he was a convicted felon. He had done time for forgery.

[Officer Daniel Wilson]

I asked him, you know, I said, well, why is your license suspended? He said, oh, you know, Kentucky suspended it. I hadn't had it in a while, but I thought I could drive with her in the car. I explained South Carolina law and said, no, you can't. You know, technically, you are driving without a license right now.

[Narrator (Keith Morrison)]

The driver said his name was Aaron Wilkinson. He and his wife and dog were in Charleston on vacation. They'd been out looking for a liquor store. Wilkinson said later his wife said they'd been looking for a restaurant. The officer wasn't inclined to believe either one of them.

[Officer Daniel Wilson]

There are definitely some red flags that are coming up. Number one, it's. It's. It's pretty late in the evening. It's in a part of town where there's not a whole lot of traffic at the time, especially at a mid. At around midnight.

[Narrator (Keith Morrison)]

And then Officer Wilson looked at the rental agreement for the silver car. It was in somebody else's name.

[Officer Daniel Wilson]

It was at that time that I actually called for backup because of the level of concern I was experiencing.

[Narrator (Keith Morrison)]

Concerns? Oh, yes. Every cop knows traffic stops can go south fast. So he asked Aaron Wilkinson for permission to search the car.

[Officer Daniel Wilson]

I said, listen, if there is anything in this car that's going to get you in trouble, you need to tell me now. He said, no, no, no. There's nothing in the car. I began to search the car. Under the driver's seat, I found a box of.32 caliber ammunition. And I said, okay, well, where's the pistol that goes to this ammunition? He said, it's back at the hotel. So I conducted a second search of the car, and underneath the steering column, I found a loaded.32 caliber revolver. So now we have multiple problems going on.

[Narrator (Keith Morrison)]

An ex con driving without a license in somebody else's rental car and lying about a concealed weapon. Yes, you could say there were multiple problems going on.

[Officer Daniel Wilson]

I placed him under arrest. I put him in the back of my cruiser. I started to try to conduct all of my paperwork. In the meantime, Aaron is in the backseat telling me, you just want to take me to jail. You don't want to hear what I have to say. And he was adamant enough and persistent enough that I finally stopped what I was doing, and I said, okay.

[Narrator (Keith Morrison)]

Wilson took a look in his rearview mirror. The guy in the back of his cruiser looked agitated.

[Officer Daniel Wilson]

And Aaron Wilkinson proceeded to explain to me how he and another gentleman were involved in a murder for hire plot and that they were going to be paid X amount of dollars to come to Charleston and conduct a hit.

[Narrator (Keith Morrison)]

The cop had heard his share of cock and bull stories coming from the backseat of his cruiser, but this one, he thought this one got high marks for originality and creative flair.

[Officer Daniel Wilson]

My thought was he has an exceptional amount of details for a story that he possibly could have just concocted. I called a detective that worked and worked in our central investigations unit and I said, I've got a guy down here that is telling me he is part of a murder for hire story. And I kind of believe him. And she said, well, sure, bring him up here. Let's talk to him. Let's see what his deal is.

[Narrator (Keith Morrison)]

As he waited to be interviewed by detectives, Aaron Wilkinson went through all the contortions of withdrawal. He paced. He scratched. He doubled over his lanky frame and put his bald head between his knees. And then he unfolded like a carpenter's ruler and did it all again.

[Nancy Latham]

You all right?

[Chris Latham]

Yeah.

[Aaron Wilkinson]

I'm starting to get sick.

[Nancy Latham]

Is it Michael?

[Narrator (Keith Morrison)]

It had been his hunt for heroin that that brought Aaron to the east side that night. But he told detectives it had been murder that brought him to Charleston. A contract killing.

[Aaron Wilkinson]

Don't want to make it look like a either.

[Officer Daniel Wilson]

Like a murder.

[Aaron Wilkinson]

Robbery on home invasion.

[Narrator (Keith Morrison)]

And who was the target of this plot? Well, Wilkinson wasn't sure of the pronunciation, so he spelled it out.

[Aaron Wilkinson]

It's L a T H a M W. Latham.

[Narrator (Keith Morrison)]

That was a name the cops knew. The Lathams were prominent people. Chris a high society banker. Nancy on the lottery commission. Now, it seemed one of them had been marked for death. But which one.

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[Nancy Latham]

Oh, I know you just ate, so

[Narrator (Keith Morrison)]

you're craving something a little sweet.

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[Narrator (Keith Morrison)]

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[Narrator (Keith Morrison)]

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[Aaron Wilkinson]

Shh.

[Narrator (Keith Morrison)]

Learn [e-mail] Mochi members have access to licensed physicians and nutritionists. Results may vary. Aaron Wilkinson was beat strung out, dog tired after logging thousands of highway miles in less than a week.

[Nancy Latham]

Is there anything I can get you?

[Aaron Wilkinson]

No, ma'.

[Narrator (Keith Morrison)]

Am.

[Aaron Wilkinson]

Just another body.

[Narrator (Keith Morrison)]

Oh, yes, the body he had hurt. His head ached. His eyelids were heavy. Aaron figured it must be two, maybe three in the morning. The Charleston cops had taken the first crack at him because that's where he'd been arrested. But then North Charleston cops took over because that's where his hotel was, and detectives wanted to search his room. Talking, talking, talking. They'd been at it for hours, ever since his arrest. The same questions asked a dozen ways. Detectives digging for details of a murder plot. A plot Aaron said he wanted to stop. It had all started six days earlier in Louisville, Kentucky. Aaron told the cops a friend had asked him to tag along on a midnight run to Nashville to pick up some drugs.

[Aaron Wilkinson]

And then part of the way down here, I realized we weren't on the road to Nashville, that I was in

[Narrator (Keith Morrison)]

the mountains somewhere outside of Louisville. Aaron said he dozed off, and when he woke up, he was at a truck stop and easily east Tennessee. The driver that night, the friend who talked Aaron into going to Nashville, well, that was Sam Yenowine, a guy Aaron had done time with back in Kentucky. They'd been cellmates. They'd become friends. Though to hear Aaron tell it, he didn't really have much choice. Nobody in prison wanted to be on Sam Yenawine's bad side.

[Aaron Wilkinson]

Big, loud and. And funny and violent at the same time. If he was your friend, he was. He was a good friend. If he was not your friend, he was not. Not a good friend.

[Narrator (Keith Morrison)]

Once Sammy finished pumping gas, Aaron asked him why they were headed eastbound away from Nashville. Sammy just gave him the corner of a smile and said, change of plan. They were going to South Carolina.

[Aaron Wilkinson]

I asked him why. He didn't tell me because I would rather tell my wife where I was really going. And he said, for that exact reason, because he didn't want my wife to know where I was going, that we were coming to South Carolina because he had taken money to kill someone.

[Narrator (Keith Morrison)]

Shocking. Well, yes, but not a complete surprise. Aaron knew Sam Was a killer, knew he'd once stabbed a man to death who'd rented a room in his house, then slashed his throat. Sam always claimed it was self defense, but really, Sammy had set fire to the dead man's body, left it burning in the kitchen, according to Sammy. Then he nonchalantly went back to bed and was sound asleep when his wife smelled smoke and called 911. The house burned to the ground, leaving his wife and three kids homeless. No, Sammy was not a deep thinker.

[Aaron Wilkinson]

It takes very little to set him off. He doesn't have talks, he doesn't argue. He just kind of lashes out. He had never done so with me, but I'd witnessed it numerous times.

[Narrator (Keith Morrison)]

A volatile and violent man, to be sure. One who could quickly turn on a friend, too. But Aaron said he told Sammy he wanted no part of a murder scheme.

[Aaron Wilkinson]

I got out of the car and started walking. He came and just asked me to get in the car so he could talk to me. And he asked me if I would just ride with him, that he would give me $2,500 if I would just ride along.

[Narrator (Keith Morrison)]

Of course, Aaron should have said no, could have kept on walking. But 2,500. Aaron had a serious heroin habit, and so he got back into the car. Once they got to Somerville, a small town about 25 miles north of Charleston, Aaron said Sammy stopped at a Walmart and bought a drop phone so he could call his contact. And as they rolled on toward Charleston, said Aaron, he began to pick up bits of those conversations. Chief among them, Sammy's contact, was a woman.

[Aaron Wilkinson]

She had called him from her drop phone. And as they were talking on the way into Charleston, they agreed to meet at a hotel on West Montague. He had parked at a waffle House and had her park at the hotel. And whenever he got out of the car to go meet her, I saw her coming out of the hotel. I saw him get in the truck and start talking. And probably two minutes later, he came back to the car and got in. And he had the money.

[Narrator (Keith Morrison)]

Ah, yes, the money. Five grand in cash on top of the 5,000 Sammy had already been paid. And Aaron understood there would be at least another 20,000 coming once the job was done. Aaron told the cops that Sammy's contact drove a white Durango SUV and checked him into a cheap roadside motel, a gaudy lemon yellow place that had a red roof and one of those long balconies on the second floor that offers expansive views of the parking lot.

[Aaron Wilkinson]

When we went to the hotel, Sammy went in and went to sleep. And when I went to the bank to deposit money, he asked me to. And when I called my wife, she told me the whole plot and what was really going on.

[Narrator (Keith Morrison)]

Aaron's wife Bethany, back in Louisville, had gotten the full story from Sammy's girlfriend Rachel, after the boys had left on their little road trip. The hit had to happen within a week. Bethany told him there was a deadline. The Latham divorce trial started Monday, April 8th. Sammy's mission was to make sure that one of the Lathams did not show up for that trial. After a few hours of shut eye, said Aaron, he and Sam Yenawine drove out to Sullivan's Island, a barrier island off the Charleston coast. Sammy's contact had something she wanted to give them. They drove in silence, mostly taking in the sights as they crossed the big iron swing bridge that connects the island to Mount Pleasant. They could smell the salt air now, hear the slow swells thump and hiss along the beach. It sounded like the ocean was somehow

[Aaron Wilkinson]

breathing the house that would stop the back of it was on the beach. There was like a beach access, I think, in between that house and the house next door. Sammy got out and walked around the back of the house and in between the lattice, you could see the pylons that the house was sitting on. And she handed him the packet, the vanilla envelope, and then he just came back and got in the car.

[Narrator (Keith Morrison)]

Inside the envelope was a trove of information, call it a hit packet. Everything a couple of out of town assassins might need.

[Aaron Wilkinson]

It had some Google map images, I guess, of the location of the house. It had some pictures of the house that were taken off of a, like a realty website. And they had a. Another picture of the front of the house. And there was one picture. It looked like it was a family picture.

[Narrator (Keith Morrison)]

The photo was clearly a family picture that had been cut in half. Snapped in a restaurant, perhaps some festive, happy occasion long past. As Aaron Wilkinson leafed through the packet, he must have felt the prickling sensation of panic rising. In a later interview with Dateline, Aaron told us it hadn't seemed real before. And then he saw the photos.

[Aaron Wilkinson]

I mean, it just kind of hit home, I guess, whenever, even like when my wife had told me who was supposed to be murdered, it just seemed so. It seemed so surreal. I was. It was almost looking at it from just like a detached a way. I didn't. It just seemed unreal. And the condition I was in, it didn't. It didn't help any.

[Narrator (Keith Morrison)]

Aaron told the detectives he'd wanted to derail the murder Plot right then and there. But he didn't know how hothead Sammy was committed. Money had changed hands. The slightest flinch by Aaron he knew could be fatal. Sammy wouldn't tolerate doubt or hesitation now. And the worst of it was he wasn't just a threat to Aaron. No Aaron's wife, Bethany. What would Sammy do to her? Then, as if by divine intervention, Sammy's phone rang. It was his girlfriend Rachel back in Louisville, and she was livid.

[Aaron Wilkinson]

Sammy and Rachel began arguing and just like crazy, screaming at each other all the way into North Charleston.

[Narrator (Keith Morrison)]

What were they fighting about? Well, let's say for now that Rachel thought Sammy was cheating on her and in retaliation she threatened to have sex with her ex husband and take the money Sammy had already collected for the hit.

[Aaron Wilkinson]

We went back to the hotel and Sammy and Rachel were still arguing and screaming.

[Narrator (Keith Morrison)]

At one point, said Aaron, Sammy wanted to go to the Walmart to pick up some essential hit, masks, supplies, like rubber gloves. And he brought the phone and his running argument with Rachel with him.

[Aaron Wilkinson]

While we were in Walmart walking around trying to find gloves, him and Rachel were arguing on the phone, still just screaming back and forth at each other. It was ridiculous. People were looking at us in the store, I mean, screaming at the top of his lungs and he don't care who's listening, who's looking at him, just saying that when he gets back there, he's going to kill her husband, he's going to break her jaw, he's gonna, I mean, just, just making threats and threats and threats.

[Narrator (Keith Morrison)]

Sammy was so torqued up, he trashed the hotel room when they got back. It was then, Aaron said he saw an opportunity to sidetrack Sammy and maybe put an end to all this murder for hire business.

[Aaron Wilkinson]

We just kind of sat on opposing beds and I told him it might be a good idea to get to just go back to Louisville and get whatever him and Rachel has got going on settled and because he couldn't do anything and he was probably going to make mistakes if he was so agitated and he said that it might be a good idea.

[Narrator (Keith Morrison)]

So less than 24 hours after arriving at Charleston, Aaron and Sammy were on the road again, headed home to Louisville. Aaron said he briefly thought the whole murder plot idea might have died on the highway that night. But no, when they rolled Into Louisville at 6 o' clock the next morning, Sammy said that after he dealt with Rachel, he was going back to Charleston to finish the job.

[Aaron Wilkinson]

I don't really know what to do now.

[Narrator (Keith Morrison)]

Many people in a moment like that might choose to walk away. A solid citizen might even alert the police, tell them someone was about to be murdered. But Aaron. No, Aaron didn't do that.

[Aaron Wilkinson]

I've done quite a bit of time in prison. I know you don't talk to the police. It's kind of like a rule of thumb. Bad things happen to people that do talk to the police and do cooperate with them. So I was just hesitant to do that.

[Narrator (Keith Morrison)]

Then, in a flash of drug addled genius, Aaron got an idea he would volunteer to do the hit all by himself.

[Aaron Wilkinson]

The only thing I could think of was just tell him that I would do it instead, that I would go in his place. And it didn't take just 10 or 15 seconds. He consented to doing it. He consented to let me do that. I think he just was relieved that he wasn't gonna have to deal with the hassle of doing it or figuring out a way to do it.

[Narrator (Keith Morrison)]

But here's the thing. Aaron's plan was a ruse. He said he never intended to carry out the hit. No, he told the cops he was just playing for time.

[Aaron Wilkinson]

The new plan was just to wait it out, to stay in a hotel and act like that. I was going to carry it out

[Narrator (Keith Morrison)]

the way Aaron said he figured it, if the hit didn't happen before the divorce trial began, then the motive for murder would be moot.

[Aaron Wilkinson]

I figured if I could just make it five days, and it would kind of, by default, fix my problem. I just figured I could. I could just wait it out in a hotel, But I didn't have enough money to stay the full six days.

[Narrator (Keith Morrison)]

So. Okay, the money thing would have to be worked out on the fly. But the important thing was Aaron had a plan. He packed up his wife and dog to keep them safe in case Sammy got wise and he hit the highway. Charleston, 600 miles. That was the plan. The problem was Aaron and Bethany didn't plan on running out of heroin.

[Aaron Wilkinson]

I'm addicted to heroin. I googled on my phone where to buy heroin in Charleston, South Carolina, and it told me to go to America street.

[Narrator (Keith Morrison)]

And then that cop intervened. And now here was Aaron Smith spilling the whole sordid story. The detectives were impressed with Aaron's command of the details, but still, was any of it really true? They only had the word of a squirming junkie and his strung out wife. So they asked Aaron, what did he have in the way of, I don't know, proof? Could he give them any tangible evidence of someone named Latham was about to be murdered? Well, yes, said Aaron. Yes, indeed. The hit packet, which just happened to be back in his hotel room. Next on Murder and magnolias.

[Officer Daniel Wilson]

In 26 years in law enforcement is

[Narrator (Keith Morrison)]

the first one I've ever gotten like that about a murder for hire, about a murder for hire that was in play.

[Nancy Latham]

I was feeling a lot of emotions. I was scared because I didn't know if our lives were still in any danger. My school told me that I was a danger by being on campus, so they made me leave.

[Narrator (Keith Morrison)]

Murder and Magnolias is a production of Dateline and NBC News. Tim Beacham is the producer, Brian Drew is the audio editor, Thomas Kemen is assistant audio editor, Keani Reed and Reese Washington are associate producers. Susan Nall is senior producer, Adam Gorfein is co executive producer, Liz Cole is executive producer and David Corvo is senior executive producer from NBC News Audio. Bryson Barnes is technical director. Sound mixing by Bob Mallory. Nina Bisbano is associate producer. With VRBoCare. Help is always ready before, during and after your stay. We've planned for the plot twists, so support is always available because a great trip starts with peace of mind.