Sean Combs: "Jane's" last day and more Combs recordings.

Summary

Dateline NBC: Sean Combs - "Jane's" Last Day and More Combs Recordings Release Date: June 13, 2025

In this gripping episode of Dateline NBC, NBC News delves deep into the high-stakes trial of Sean Combs, popularly known as Diddy, who faces serious allegations of racketeering. The episode, titled "Sean Combs: 'Jane's' Last Day and More Combs Recordings," provides listeners with a comprehensive overview of the courtroom drama, featuring compelling testimonies, strategic legal maneuvers, and intimate recordings that shed light on the complexities of the case.

Background of the Case

Sean Combs stands accused of orchestrating a scheme that allegedly involved coercing women into compromising situations, raising serious questions about consent and manipulation. Combs has pleaded not guilty to all charges, vehemently denying the allegations brought forth by the prosecution.

Key Testimonies and "Jane's" Story

At the heart of the prosecution's case is Jane, a pseudonymous witness who claims she was forced into participating in "hotel nights" with male escorts under Combs' influence. Jane, a single mother, asserts that these encounters lasted three years, painting a picture of manipulation and control.

Andrea Canning, host of the episode, introduces the tension surrounding Jane's testimony:

"[...] it is day six on the witness stand for Jane who is testifying under a pseudonym. She's the single mom who the prosecution says spent three years being forced into hotel nights by Combs. The defense says quite the opposite. She was a willing and sometimes eager participant."
(02:37)

Defense's Cross-Examination Strategy

The defense team, led by attorney Tenny Garagos, challenges Jane's credibility by presenting a series of text messages, voicemails, and voice notes from Combs. Their goal is to portray Jane as a willing participant rather than a victim.

Key Defense Argument: Garagos attempts to demonstrate that Jane was not coerced but rather engaged willingly in the activities, citing voice notes that suggest a consensual relationship.

Notable Quotes:

1. Voice Note from Combs:

   "Hey, baby, we had a great time staying the light. It's all good. Get your rest. You are the crack pipe."
   (04:09)

   This recording is used by the defense to illustrate a seemingly affectionate and supportive relationship, undermining claims of coercion.

2. Defense Interpretation:

   "That's him being supportive. And when it comes to, you got your contract. Remember, we've talked about Jane testifying about this love contract, that she would participate in these hotel nights as long as he paid her rent."
   (05:06)

   Garagos suggests that Jane's participation was transactional and voluntary, driven by financial support rather than force.

Prosecution's Counterarguments

The prosecution counters by highlighting the power dynamics and financial dependencies that could have coerced Jane into compliance. They argue that Combs' continued financial support, including paying $10,000 a month for Jane's LA home and legal fees, created an environment where Jane had limited autonomy.

Prosecution Highlights:

• Financial Control: The ongoing financial support from Combs is presented as evidence of his controlling behavior.
• Emotional Manipulation: Incidents observed during the trial, such as Combs appearing emotional or distressed, are interpreted as signs of manipulation and coercion.

Additional Recordings and Their Implications

The episode features multiple voice notes that serve as pivotal evidence in the trial. These recordings are dissected to understand the nature of Combs' relationship with Jane.

Additional Voice Note:

"I really don't know what's going on with you, but I just want to just give you a heads up that I'm about to really disappear on you. You feel me? I'm not going to be playing these games with you at all. At all. So I don't know. You think you silence treating me and you think I'm gonna be. Nah, you'll have a rude awakening."
(07:57)

Analysis: This voice note is scrutinized for its ambiguous language, with the defense interpreting it as an attempt by Combs to end the relationship amicably, while the prosecution views it as a threat indicative of manipulative behavior.

Courtroom Dynamics and Emotional Underpinnings

The episode also touches upon the emotional toll the trial is taking on those involved. Observations from outside the courthouse, such as Combs appearing emotional or distressed, are noted:

"[...] Combs was seen taking a handful of tissues, putting them up to his eye. Not sure if he was crying or what happened..."
(08:32)

This moment is used to humanize Combs and suggest vulnerability, adding layers to the narrative of manipulation versus genuine emotional connection.

Ongoing Developments and Future Proceedings

As the trial progresses, the episode hints at upcoming testimonies and the broader implications for both the prosecution and defense teams. The question remains whether additional witnesses will bolster the prosecution's case or if the defense will successfully dismantle it.

Andrea Canning's Closing Remarks:

"The big question remains is who else is the prosecution planning to call before they hand things over to Combs team to begin their defense?"
(09:09)

This anticipation sets the stage for future episodes, promising continued coverage of the unfolding legal battle.

Conclusion

This episode of Dateline NBC offers an in-depth exploration of the Sean Combs trial, presenting both sides of a highly contentious case. Through detailed testimonies, strategic legal arguments, and the revelation of personal recordings, listeners gain a nuanced understanding of the complexities surrounding consent, power dynamics, and the pursuit of justice. As the trial continues, Dateline NBC remains a crucial source for updates and analysis, ensuring that the story remains both engaging and informative.

Notable Contributors:

• Host: Andrea Canning
• NBC News Correspondent: Chloe Melas
• Producers: Franny Kelly, Alison Orr, Liz Brown Karloff
• Executive Producers: Paul Ryan, Liz Cole
• Original Music: Jesse McGinty

For those interested in following the trial closely, Dateline NBC provides informative and compelling coverage, making complex legal proceedings accessible to all listeners.

Transcript

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[Andrea Canning]

This is On Trial, a special series from Dateline True Crime Weekly bringing you daily coverage from the Sean Combs racketeering trial. He has pleaded not guilty to all the charges against him. I'm Andrea Canning and it's Thursday, June 12th. Just a heads up. In this episode, we're going to be talking about some graphic details and harrowing subject matter. It is day six on the witness stand for Jane who is testing, testifying under a pseudonym. She's the single mom who the prosecution says spent three years being forced into hotel nights by Combs. The defense says quite the opposite. She was a willing and sometimes eager participant. Today the defense continued their cross examination of Jane, confronting her with text messages, voicemails and even voice notes she got from Combs during their relationship. We're going to play you two recordings the defense played earlier in the week so you can get a sense of what the jury is hearing. NBC News correspondent Chloe Melas is back joining us from her spot on the sidewalk outside the courthouse. Hey, Chloe.

[Advertiser 2]

Hey, Andrea.

[Andrea Canning]

Let's start with these two messages that were played by Combs attorney Tenny Garagos on Tuesday. Actually, that was the day that the defense began their cross examination of Jane. And I was surprised by how far they went into the complicated feelings Jane seems to have about Combs.

[Advertiser 2]

This is a couple that didn't break up a couple years ago. This is a couple that were together as of just a few months ago. They were dating up until Combs arrest. And on the stand, she has testified that she did these hotel nights with these male escorts because she didn't want Combs to feel judged for being what he was into sexually. So Teddy Garagos, who is one of Combs attorneys, she's the one who's leading this cross examination of Jane. And I remember I was like, taking all these notes when she said this on Tuesday. She said, you loved him, right? Jane testified, yes. Tenny Garagos then says, currently, and she says, I do. And also keep in mind that this is the first time that Jane is seeing Combs since they broke up. So it's playing out almost like a X rated soap opera.

[Andrea Canning]

Yeah, no kidding, Chloe. That's the context for the voice note that we're about to play. You actually talked about it earlier in the week. You said this message was used by the defense to show that Combs wasn't, quote, holding a metaphorical gun to Jane's head before she engaged in these sexual performances with escorts. So let's take a listen to it.

[Chloe Melas]

Hey, baby, we had a great time staying the light. It's all good. Get your rest. You are the crack pipe. That's my new name for your crack pipe. Should I call you C.P. but yeah, I don't. I want you to stay in the light. You know, I'm saying we had a very, very good time together. Like, so much, so much, so much, so much, so much fun. So much fun. Now go rest up. Get in your bag. You know what I'm saying? You got your contract. Find a nice little spot, put your mind at ease. And yeah, I had a great time. And I really, really want you to get some rest. I didn't know about you throwing up and all that. That's when I was like, hold up a second, all right. Get some rest, baby. Love.

[Andrea Canning]

It's kind of hard to hear now given all the information that we've. That we now know from this trial.

[Advertiser 2]

Yes, I mean, bizarre nickname to call her his crack pipe. But what he's Basically saying is that he was addicted to her love, addicted to her sex. And when he says in the voice note, get in your bag. We learned through Jane's testimony that that was something that he would say about get back to work. Like, focus on your career, your dreams, get back into your routine. So that's him being supportive. And when it comes to, you got your contract. Remember, we've talked about Jane testifying about this love contract, that she would participate in these hotel nights as long as he paid her rent. And we know that he's still paying that $10,000 a month rent of her LA home to the state and her legal fees.

[Andrea Canning]

Yeah, I mean, that's certainly an argument for the defense to make when you listen to that. So let's listen to another. This is a voice note that the defense played, and they played this to show Jane's initiative in all of this.

[Chloe Melas]

So if you come in for 24 hours. Yeah, you always wanted to set some up, so now you got the opportunity. So set some up for tomorrow night. That last vision we had, that was dawn and atl. See, you put it together, baby.

[Andrea Canning]

Okay, so Jane on the stand, she said that she heard that differently than the defense.

[Advertiser 2]

You know, I think that what's really interesting, Andrea, is that you're hearing a lot from the prosecution that these women, Cassie Ventura, Jane, you know, Mia, were forced to participate in things that they didn't want to. But when you're listening to this particular voice note, Combs is saying you've always wanted to set some up, meaning you've always wanted to set up one of these hotel nights. And now you have the opportunity to. And we have heard Jane testify that she would, on her own accord, hire some of these escorts, text them, call them, fly them in without Combs even knowing that it would be a surprise for him. She testified that she did that, though, because there was this undertone, this undercurrent that Combs wanted that what was really going on is that she was actually trying to get out of this hotel night. But again, it's her word versus his, and it really muddies the waters here when it comes to sex trafficking.

[Andrea Canning]

Right. And earlier this week, the prosecution played messages he sent to Jane as well. So both sides are choosing the ones they think show the version of Combs they want to show.

[Chloe Melas]

I really don't know what's going on with you, but I just want to just give you a heads up that I'm about to really disappear on you. You feel me? I'm not going to be playing these games with you at all. At all. So I don't know. You think you silence treating me and you think I'm gonna be. Nah, you'll have a rude awakening.

[Advertiser 2]

We've already heard Tenny Garrigo Sandria say that like there's thousands of voice notes. So obviously they're picking the ones that best fit them.

[Andrea Canning]

Yeah. A lot of today's questions were about the end of their relationship. Chloe, you say that Combs seemed to get emotional at one point.

[Advertiser 2]

So we're not exactly sure because earlier in the morning I saw him blowing his nose, so I actually thought to myself that maybe he was sick. But today he was listening to her talk about a final phone conversation, and he was seen taking a handful of tissues, putting them up to his eye. Not sure if he was crying or what happened, but we'll definitely keep you posted on that.

[Andrea Canning]

Chloe, are we done with Jane now?

[Advertiser 2]

Yes. Prosecutors had always said that they needed to get her off the standard by Thursday, but really the big question remains is who else is the prosecution planning to call before they hand things over to Combs team to begin their defense?

[Andrea Canning]

Okay, thank you so much, Chloe.

[Advertiser 2]

See you tomorrow.

[Andrea Canning]

Thanks for listening to everyone else. We'll be back with a new episode tomorrow. If you want to read the latest developments and analysis from inside the courtroom, check out the NBC newsletter. Diddy on trial go to nbcnews.com diddy to find that. On Trial is produced by Franny Kelly with help from the Dateline True Crime Weekly team. Our senior producers are Alison Orr and Liz Brown Karloff. Original Music by Jesse McGinty. Paul Ryan is executive producer and Liz Cole is senior executive producer of Dateline.