
Blayne Alexander sits down with José Díaz-Balart, anchor of “Dateline en español,” to discuss his episode, “Missing Ana.” In December 2023, after separating from her husband, 40-year-old Ana Maria Knezevich moved from South Florida to Madrid, Spain, for a fresh start. Just two months later, Ana vanished. Close friends received text messages from Ana claiming she had met a man and gone on a trip. Skeptical of the messages, the friends sprang into action to find Ana. What followed was an international investigation spanning Serbia, Spain, and Florida. José shares what it was like reporting from Madrid, the city where he grew up. He and Blayne discuss Spain’s elite detective unit and the extraordinary lengths investigators went to in their search for the person responsible. Plus, José and Alex Lo Re, one of the producers of the episode, answer your questions from social media. Have a question for Talking Dateline? Send us a DM @DatelineNBC or leave a voicemail at (212) 413-5252 – you...
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Blaine Alexander
Hi everyone, I'm Blaine Alexander and this is talking dateline. And today I am so excited to be joined by the one, the only, the incredible Jose Diaz Bailard. Jose, thank you so much for joining me today.
Jose Diaz Bailard
What a treat, what a privilege and what a pleasure it is.
Blaine Alexander
This is so much fun. So, Jose, we're going to be talking about your DATELINE debut episode entitled Missing Ana about the disappearance of Ana Maria Kanesevich, a South Florida businesswoman who moved to Madrid hoping to start a new chapter after separating from her husband. But just months later, after making that move, she vanished. And what followed was an international investigation that ultimately led authorities to focus on Anna's estranged husband, David Kanesevich. And as of today, Anna has still never been found. Now, if you haven't seen this episode yet, you need to go back, watch it. You can stream it on Peacock or listen in the Dateline podcast feed and then come right back here. And then later we'll have an extra clip from Ana's friends speaking with Jose about their memories of her. And of course, we'll answer some of your questions on social media. All right, Jose, let's talk dateline.
Jose Diaz Bailard
Let's talk dateline.
Blaine Alexander
So number one, just congratulations. The storytelling was beautiful. Your questions were just so, I mean, they have the heart that I know that you have, Jose. That's, that's who you are. And it came through in your episode. So it was, it was really a pleasure to watch.
Jose Diaz Bailard
Oh, thanks. You know, it was also going back to, to me home in many ways. I grew up in Madrid, close to where Ana spent her, her last months of life. And so returning to a city that I so much is so much part of My life. And so to. To be able to go back to a city that has opened its arms to immigrants for generations and see that Ana was starting a new life there, and she. Boy. I mean, the fact that she was able to move and live anywhere in the world and that she decided Madrid was the place, and then meeting her friends, you know, Blaine, her friends are just like this. This story is about Ana. It's also the story about women who loved Anna and refused to accept that she could disappear.
Blaine Alexander
That was what struck me about this, is that this story of friendship, the story of the persistence, her friends. But let's first talk about Madrid, because so often in Dateline, we talk about the fact that the cities, the locations where we go to report these stories are so often a character in and of themselves. And that's really what we saw with Madrid. I thought that you did a fantastic job of just describing it, of bringing the city to life. We had the Spanish guitar woven in there. I mean, you really got a sense of the city as you were watching this episode.
Jose Diaz Bailard
Yeah. You know, there's a saying in Madrid, the Madrid from Madrid to heaven. Sad that in this case, Madrid to heaven for Anna meant one thing, but. But Madrid is its cobblestone streets that have seen so much, and it's. It's culture, its history, its vibrancy. It's very much a part of this story.
Blaine Alexander
It is a city that makes you feel alive. I want to say that I've had the pleasure of going to Madrid. I spent some time there, and I. To say this is kind of a. A random, small, known Blaine fact. That was the one place and the one time in my life where I had a very strong impulse to get a tattoo because I was so moved by the city that.
Jose Diaz Bailard
I want to hear about this.
Silk Protein Narrator
Tell me.
Blaine Alexander
Here's the thing.
Silk Protein Narrator (Alternate)
Okay.
Blaine Alexander
I have no tattoos. Got piercings and whatever, but I don't have any tattoos. And for whatever reason, I don't know, the spirit just got in me, and I was like, but what?
Jose Diaz Bailard
What? I mean, what spirit got into you to tell you, Blaine Alexander, you don't have any tattoos, but this is the place to get your Madrid centric tattoo.
Blaine Alexander
Here's the thing. I did not get said tattoo, but I was like, this city makes me feel so alive. And, like, I was running around the streets, and I was gonna get some sort of saying in Spanish, mind you, I do not speak Spanish, as you and I have discussed, but I was like, I want to get some sort of something about, like, life and vibrancy. Translated into Spanish. Then my kind of like analytical, investigative mind was like, wait, do I know what the health regulations are here? Is this the best place to do it? Should I do? And then I, you know, I was like, maybe the language barrier. I might get something I don't want. So then my kind of rational mind took over and the dreamy blame went away. So the, the urge was stopped. But that's the closest I've ever been to getting a tattoo was when I was enjoying and living in the streets of Madrid. So I thought you.
Jose Diaz Bailard
That's so interesting because it, it does have an impact and an influence on everyone. And it's a place where you can immediately feel at home and at the same time realize that there is so much history there to be found.
Alex Loray
Yes.
Jose Diaz Bailard
Even if you don't put on a tattoo, it's still moving.
Blaine Alexander
It's still moving. I was moved. I was very moved. And I think that's why when you said in your episode that this is the place where Anna chose to basically start anew after divorcing her husband, one, I thought it was such a. Such a brave act on her part. Because it can be difficult, I would imagine, to live a life, build a life with somebody in a city and then in that marriage and stay in that same city, because it would have to be that every place, everywhere you go, everywhere you turn, you're reminded of that person and that life that you're now walking out of. And so to step into a new country, it just told me so much about her, just hearing that she did that.
Jose Diaz Bailard
Yeah, they did keep in contact. I mean, things seem amicable from the beginning, but she had Sana, who is a friend that lives in South Florida, and they traveled throughout Europe together. And she. Then she had Elisa Romero, the friend, a Colombian young lady who she met in Madrid. And they become fast friends in no time. As a matter of fact, when, when Anna first got to Madrid, she lived with Eliza for some weeks until she found that apartment on the sixth floor in Salamanca. And that kind of tight knit, small group really covered her with confidence and with love and gave her the confidence to start a new life.
Blaine Alexander
And you could feel that, I mean, there really was this sisterhood that formed amongst these ladies to the point that, I mean, we see this in so many Dateline episodes. Jose, is that somebody thinks they can kind of in some way use technology to throw someone off of the descent of their trail. Right? Like, okay, if I send these text messages or, you know, post on Facebook. Right. That people will not be wise to the fact that this person's gone missing. And I love that her friends immediately looked and said, this doesn't sound like the way Ana and I text. This does not sound like her at all.
Jose Diaz Bailard
Yeah, you know, I keep this, I keep this. This is the, the text communication that Anna had with, with Sana. I love that. I don't know if you could see just the background, the background that the two ladies chose. There's bicycles and there's hearts and there's BFF and, and then that text which, you know, just a day after she disappeared, immediately Sana said, this doesn't sound, this is not how, this is not how she speaks. This is not how we speak. And then when Elisa said I was, I was speaking, I was texting with Ana 15 minutes before she disappeared. And then she actually, and you know, in the episode, you can see how painful it is for Eliza to think back that on that night Anna was asking her, let's go out, let's do something. And that three times Elisa said, not tonight, not tonight, I'm not feeling good. And then she disappeared. And for Eliza, knowing that, you know, there are always the question marks. What if I had said yes? What if Ana had come out and we had gone to dinner and, you know, she wouldn't have been home? What if? Yeah, what if are the questions that I guess remain with so many people affected by this tragedy.
Blaine Alexander
Of course, of course. When we get back, we'll have an extra clip from friends of Ana talking about how special she was.
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Blaine Alexander
The detective here, Detective Rodriguez, he, you mentioned that he was going through so many different small clues and pieces of evidence. Let's talk about some of that. First, the spray painting on the cameras. One, I've got to say that there are a few things to me more chilling than watching somebody spray paint or manipulate a surveillance camera. Right, because you know that they're coming there for a nefarious purpose, no doubt.
Jose Diaz Bailard
And the fact that there were so many pieces of video that had to be strung together. But that initial spray of the camera that's in the, you know, hallway right by the elevator. And then to see how even when he spray painted, Detective Montilla and others were able to see through that drying paint evidence that tied David directly to the crime.
Blaine Alexander
It was striking because as you went through the investigation, it was very clear that David had thought this through. I mean, David really, I mean, you would think, thought of everything. The fact that he switched license plates. Switched it again. Switched it again. I mean, he really thought all of this through.
Jose Diaz Bailard
He put in so much planning, you know, when he, he, you know, wrote the text and then had his Colombian friend that was wild in Colombia translate the exact text to Colombian Spanish to send to Anna's Spanish speaking friends.
Blaine Alexander
Quick question there. In Spanish, that's different than span and there's a distinction.
Jose Diaz Bailard
Yes, what's that? So in a way, you know, every Latin American country has a different accent. And I'm just thinking you could think of, for example, you know, British English to American English. It's the same language, but there are certain differences in accents and even in words. So David, who had spent time in South Florida, in South Florida, such a mix of all cultures and languages, knew that, you know, Spanish has different accents. And so he reaches out to his Colombian friend, Anna, being Colombian American, and says, hey, can you translate this for a friend of mine that's working on a project in Colombian Spanish? And, and then the fact that he thought of how do I get from Serbia to Spain when there are, he knows borders, right? And cameras and license tag readers in Spain, every other block almost has a license plate reader. And I Don't know if he knew that, but he knew that he had to go through at least five countries. How do I do that undetected? And he got a burner phone, then stole these license plates, tinted the rental car. He's thinking there's even put down the
Blaine Alexander
sun visor along the way when he was going through that.
Jose Diaz Bailard
Even that one really got me. Even put down the sun. Yep. But David thought of all of these steps.
Blaine Alexander
It's really striking. It really, really is striking. I have to ask, I mean, this is your first time doing a Dateline. I would assume that this is your first time really kind of like diving in and following an investigator with such detail as they go through a case. Right. You interview law enforcement all the time, but this, it's different when you do it for dateline. Did this kind of give you a different perspective or a different insight when you look into the work that detectives do on these cases?
Jose Diaz Bailard
Absolutely. I've got to tell you, 42 years as a journalist and this first opportunity to work with DATELINE gave me a completely new perspective, understanding and respect for not only law enforcement, but also for the work that we do. Blaine. That you do, that every single person does on dateline.
Blaine Alexander
You know, I think here's why I get so excited talking to you, Jose, among many reasons. But I've never spoken to anybody doing their first Dateline episode. It was always the questions directed at me. And so to hear this coming from you, it's so exciting. It's so interesting to hear your perspective of what it was like doing this for the first time. And, and, and yes, that was one of the things that shocked me as well, is just how in depth we're able to go in these stories. Right. And how much we're able to learn. Like, you have this now, knowledge of this case that you never would have had before. You know so much about it. Right. And, and you feel so much about it, too.
Jose Diaz Bailard
Yeah. And, you know, in these 42 years, for me, there are just countless people that remain with me as I have covered them. And, and to, to shine a light where there is darkness, to, to listen to those who are often silent or silenced, and to see that those life experiences and life lessons can be helpful to others is extraordinary. So let me ask you what has been in your process, the most satisfying and maybe the most surprising thing you have learned from and through.
Blaine Alexander
I'm smiling so big because this is, this is classic Jose, by the way, mind you, I am the interviewer, and here you are asking me questions. Now you have flipped it and you have turned this thing on its head. I will. You know, I think that the, the, the most gratifying thing for me is the fact that we're able to have such long conversations. I think that, you know, in my days of doing Nightly News, Today show, msnbc, like all of those things where it's like we're doing interviews, but there's a deadline that's right there. And so you go in, we can maybe have a 15, 20 minute snippet of a conversation, and then it's kind of like, okay, got to get it, got to, you know, cut it for air. In this position, you're able to let the conversations breathe and you're able to really go where people want to go with the discussions and you're able to let the emotions come out. Right. Because these are people who have gone through something horrible, and now we're in this place where they're able to talk about it and sit down across from somebody who will listen for two hours, three hours, sometimes more about this. And so I just love living in those interviews. It gives me chills even talking about it.
Jose Diaz Bailard
And going back to Anna, I, I, you know, she stays with you. You know, for Sana and for, for her friend Lisa and so many others, this is something that is a permanent scar that they need to heal.
Friend of Ana
Yeah.
Blaine Alexander
Let's talk about David. I'm curious. As you were reporting this story, as you were talking to the detectives, what did you learn about David, about the type of individual this person was a
Jose Diaz Bailard
Driven, crazed, I have to succeed. I have to make money. My American dream is to be wealthy. And as Sana says in, in our chat, you know, David felt as though he was in control of the car he was driving and that he could be the only driver of the car of life. And Anna was just a passenger in the back seat. And that's how a lot of his friends describe him, too.
Blaine Alexander
Let's talk about David's demise, dying by suicide there in his jail cell. I mean, I think that it really speaks to just everything you've said about his personality.
Friend of Ana
Right?
Blaine Alexander
This. I have to win. I have to be, I'm, I'm driven. Everything will be perfect. Everything will go my way. And then when it doesn't, I love the question that you asked. You said, was that his confession because
Jose Diaz Bailard
he was a coward, as Sana said, because he was a coward. There is no other explanation for it.
Blaine Alexander
I think that when someone goes through a tragedy like this, when something like this happens to their loved one, there Is, of course, the pain of losing a person. But there is this added indescribable pain that people have to carry when they don't know where their loved one is, when a body is not found, when you know that they're dead. But you only know that because you have to assume. I mean, it's. And we've done stories like this one that comes to mind for me is bringing Jay home. I remember speaking with Jaylee's mom and she said every time she drove a stretch of road, she almost broke down because she just imagined her baby out there lying somewhere. Right. And this was for more than two years. So I cannot imagine the pain that Ana's family, her incredible friends are dealing with. Not only not knowing where she is, but it's such a wide area that she could be. I mean, she could be somewhere in Spain. She could be on the road back to Serbia. Like, there are just so many questions that they really just have to carry with them every day. And that's so terrible.
Jose Diaz Bailard
Yeah, yeah. And, you know, and all of the people, all of them that I spoke with say that they will continue searching for Anna in every way that they can. This is a 1600 plus mile distant trek where David could have left her. And then there are some questions. I have my theory. There are theories by her friends and by officials. I'm brought back, dear Blaine, to this text, the text that he wrote and sent to her friends. I met someone wonderful. He has a summer house about two hours from Madrid. We're going there. Signal is spotty. Why would you, as the killer, mention a summer house two hours from Madrid with no signal? And if by chance you leave the body two hours from Madrid, maybe that would get authorities on a whole different,
Blaine Alexander
you know, who was it that said the best lies have some hint of truth in them?
Friend of Ana
Right.
Blaine Alexander
That makes a lot of sense.
Jose Diaz Bailard
Yeah. Yeah. Why mention a house two hours from Madrid if you're not going to have a reason to mention it? You know, he thought of a lot of things through and I don't. Certainly detectives aren't taking this as being the only place, but they have searched the area two hours around Madrid. They've searched into Italy, they've gone through France, they've gone through that entire 1600 mile. I mean, look at this.
Hotels.com Narrator
Here's.
Jose Diaz Bailard
I love that you have these. But, but, but look at this thing. I mean, look at where it goes through. It's, it's. You got to go through different countries. But then Italy and France up there in the Italian area, those Are. That's very close to the mountainous areas and, and then, you know, France, obviously into Spain. That's really mountainous stuff. So along the way, and they've actually gone searching through mountainous areas of Italy and through the areas there of the border with Spain. But it's difficult to put your mind in the mind of someone who has lost his.
Blaine Alexander
Jose, I have to say that you have many talents, my friend, but clearly being a detective is one of them, because that is such good insight. And also the fact that you have these printed out pieces of evidence here, the visual aids, is striking. You jumped into this case yourself. It's very, very clear.
Jose Diaz Bailard
I do think about her a lot, and I know you do. All of the people that we are privileged to speak with that have gone through very difficult moments, one keeps them in one's heart and in one's memory.
Blaine Alexander
Well, to that point, let's close this by hearing a little bit more about who Ana was. I know that you spoke with some of her friends. There were some beautiful remembrances of her, stories about her that didn't make it into the episode. But let's listen to a little bit of that now.
Friend of Ana
Ana was a very nice person and a very good friend, and she was very kind and you can talk to her and she was never judging you.
So I remember the first time we met, we just met up for a little girl happy hour, and we immediately started talking about travel memories and discovered that we had the same interests, same likes and dislikes on destinations where we had been and where we wanted to go. I remember she told me about a trip that she had planned already to Colombia, where she's from, after a couple of weeks. And I remember thinking to myself, maybe I can come and join her, and said, maybe she think it's too early for me to suggest that, but she didn't. So after a few weeks, after meeting, we went to Bogota together. She even said to me, she said, oh, no, you don't have to get a hotel. I have a bigger room and, you know, you can stay with me.
I remember our conversations, our jokes. We have very deep conversations.
She is a very bubbly person, great smile. You know, you could tell she's adventurous. She was a sweetheart.
Blaine Alexander
You know, I think one can hope to go through life and have friends as good as the friends Ana had. I mean, friendships that. That rich, you know?
Capital One Narrator
Yeah,
Jose Diaz Bailard
yeah. And, you know, it's interesting that that one moment that Elisa shares with us, her all. She keeps all of the texts and the. And the voice recordings that Anna sent her and the one of Anna laughing, yes, for one entire minute was so representative of what Elisa says their friendship was based on. And Anna, who, you know, loved to learn new dances and cumbias and merengues and even flamenco when she got to Spain. And, and her laughter and her joie de vivre and her determination to make a that wasn't based on money but rather on love.
Blaine Alexander
Well, it was, it is a tragic story, but you, you told it beautifully and with such heart and compassion. So, Jose, it was just a joy to talk DATELINE with you on this, your first DATELINE episode. I can't wait for more.
Jose Diaz Bailard
Blaina, I am, can I just tell you, I am so touched and privileged to be able to share this with you whom I so admire. So thank you.
Blaine Alexander
The feeling is absolutely mutual, my friend. And up next, we'll answer your questions from social media.
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Jose Diaz Bailard
And we're back and I'm joined by wonderful producer, the wonderful producer of this episode, Alex Loray to answer some of your your questions from social media. It's our Harpaz who is also our producer on this hour has been extraordinary as well. Alex, how are you?
Alex Loray
I'm good, Jose. I'm actually at the Miami courthouse today covering another case. How are you?
Hotels.com Narrator
Great.
Jose Diaz Bailard
And just looking forward to answering some of the questions that we were sent. And this one by Francis MP says, does the FBI Call the shots. Or is it the local authorities in this case?
Alex Loray
Yeah, good question. So this story was a little bit different just because there was a lot of local authorities that were working together. So at first, Anna's case was taken by the local Salamanca police, which was the jurisdiction she lived in, which is the smaller sort of municipality. So they took it over, and then it was handed over to the Spanish National Police, which is Remo's team and Emilio's team. And then once the FBI sort of gets involved, that's when the family contacts the FBI, lets them know that there's an American citizen that's been missing in Madrid for a few days. And that's when the FBI sort of gets involved. But initially it's the local police who's doing all the legwork.
Jose Diaz Bailard
So this one is from Felicious 1908. So were the security cameras not being watched in real time? Security cameras in an apartment, to me, are only going to be useful if they are viewed in real time.
Alex Loray
Yeah, no, not in this case. The Ramos team actually only watched the cameras 10 days after Anna went missing. In Spanish law, you know, the person can't be declared as a missing person unless 10 days have passed. So the surveillance footage was only viewed by his team after that.
Jose Diaz Bailard
Another one from Felicious 1908. It takes bravery and a sense of adventure to so to go solo abroad.
Alex Loray
Totally. I mean, her and Santa. I think Anna and Santa's relationship was so special because they had this love for travel, you know, and. And Santa talks to us a little bit about that in the episode. And they love to travel together as solo female travelers. That's what she loved to do.
Hotels.com Narrator
Yeah.
Jose Diaz Bailard
I mean, Bobby G62 says she was so lucky to have such a friend to go look for her. I think that this is really a story of extraordinary women and extraordinary friendships.
Alex Loray
Yeah, definitely. I mean, Santa was planning on seeing her, so she just says, you know what? I'm gonna jump on this plane earlier than I was anticipating on going to see what's going on with my friend.
Jose Diaz Bailard
Yeah. And that joint effort with Sana and Eliza in. In Madrid, that's something that, as we say in the episode, they were acting like detectives.
Alex Loray
Totally. A lot of that legwork that they were doing in the beginning was helpful to investigators later on.
Jose Diaz Bailard
Yeah. Let's highlight a little bit. Agent Alex Montia. She's a 30 year vet of the FBI. This was her last case before she retired, and she put everything into this. Alex.
Alex Loray
Oh, yeah, no, we were actually lucky. The reason we got to interview her was because she was ret. So we got, you know, if she was still working on the case, we might not have been able to speak with her. But, yeah, she put everything, everything into this.
Jose Diaz Bailard
All right, so, Alex, we asked a question from our Dateline account on Friday, which is, if you could live anywhere in the world, where would you go? Alex? Lorraine, where would you go?
Alex Loray
I think I would actually move to Madrid, to be honest with you. I lived there before for about a year right after I graduated college. And it's just. It's my favorite city in the whole world, so it would. It would be Madrid, honestly, for me.
Jose Diaz Bailard
You're a very madrielena in many ways, I've got to tell you.
Alex Loray
Thank you. And you live there as well.
Jose Diaz Bailard
I know I did. I. We grew up there. We were exiled there for some time. My parents, you know, Cubans. We were exiled in 1959 and ended up spending pretty much my entire childhood in. In Madrid. And I, too, I think after Miami, I'm a guy who, if I could live anywhere in the world, I'd live exactly where I live, Miami. But Madrid is a very close number, too. So what about this story Alex left you? What are some of the things that. That this story left in you?
Alex Loray
I mean, I. I learned about Anna's case right. Right away, sort of right when she went missing. I remember hearing a lot of the stories. I'm from Miami, so originally I heard about the case through our affiliate down here, NBC 6. And I think what was striking to me initially was that, again, this is a woman going to Spain, a place that I've been to many times, a place that I loved, a place that I moved. So I think I saw a lot of myself in her in that way. And throughout learning about the investigation and the incredible steps the police made, you know, to come to David, it was just. It's incredible, Alex.
Jose Diaz Bailard
Just. It was in April that the FBI came up and upped the ante to $25,000 for information leading to the remains of Anna.
Alex Loray
Yeah.
Jose Diaz Bailard
Is there any way to think that they could find her body?
Alex Loray
Remo says that he's never going to stop looking, you know, and, and I. I really believe that he feels strongly that he will. You know, he wants to give Anna's family closure, and they're going to continue putting resources into looking.
Jose Diaz Bailard
Alex, thank you so much.
Alex Loray
Yeah, thank you, Jose. It was a pleasure talking to you.
Jose Diaz Bailard
Likewise. And that's it for talking Dateline this week. And thank you for listening. Remember, if you have any questions about our stories. You can DM us your audio or video on our socialsatelinenbc. You can also leave us a voicemail at 212-413-5252 for a chance to be featured right here. And you can watch the video version of Talking Dateline on Peacock or YouTube or subscribe to the NBC News app. And before we go, be sure to check out Keith's new original podcast series, five Miles from the Story of the Murder of a High School Track Star in a Small Desert Town. The first four episodes are available now, or you can subscribe to Dateline Premium to binge the entire series ad free. We'll see you Friday for an all new Dateline on NBC. And you can catch Dateline en Espanol whenever you'd like at Peacock and on Telemundo. Thank you for the privilege of your time.
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In this episode of Talking Dateline, host Blaine Alexander is joined by correspondent José Diaz-Balart to discuss José’s Dateline debut, the episode "Missing Ana." The story centers on Ana Maria Kanesevich, a South Florida businesswoman who moved to Madrid to start anew after separating from her husband, David Kanesevich. Just months into her new life, Ana vanishes. The resulting investigation becomes an international case, placing Ana’s estranged husband under a spotlight. Ana has never been found, and the episode delves into themes of friendship, perseverance, and the search for truth amid tragedy.
On Madrid as a story element:
“There’s a saying in Madrid, ‘De Madrid al cielo’ (from Madrid to heaven). Sad that in this case, Madrid to heaven for Anna meant one thing, but ... its culture, its history, its vibrancy, it’s very much a part of this story.”
— Jose Diaz-Balart [03:51]
On friendship recalling Ana:
“Ana was a very nice person and a very good friend, and she was very kind and you can talk to her and she was never judging you.”
— Friend of Ana [24:17]
On calculated deceit:
“He put in so much planning, you know, when he ... wrote the text and then had his Colombian friend that was wild in Colombia translate the exact text to Colombian Spanish to send to Anna’s Spanish-speaking friends.”
— Jose Diaz-Balart [12:15]
On the agony of not knowing:
“There is, of course, the pain of losing a person. But there is this added indescribable pain...when you don’t know where their loved one is...”
— Blaine Alexander [19:35]
The episode underscores both the international complexity and the intensely personal heartbreak of Ana’s story. Through José’s fresh eyes and Blaine’s seasoned perspective, listeners experience the pain, love, and relentless search for answers that define "Missing Ana." It’s a tribute to a remarkable woman lost too soon, and to the resilience of those who refuse to let her story fade.