C (2:20)

Yeah, sounds very familiar. Yeah. I mean, it's not this is a first for me in dateline. I don't think I've ever met anyone, to be honest with you, who has five daughters and a boy. I know it exists out there, but I've never personally Met anyone. And then to have a victim in a Dateline, have five girls and a boy, it was really surprising when I heard that.

B (2:42)

Did it help you, I mean, relate at all to Angela in terms of her day to day routines and what it's like to be a mother of so many kids?

C (2:51)

There were hundreds of hours of footage from that house, from their home, surveillance camera cameras in the house. And we. We start the whole show where you see, you know, these moments from a daily, you know, daily life. It's like when I saw her in those videos, when I saw her in the kitchen and the kids are fighting or she's welcoming her husband home or whatever it may be, that's when I really related to her, you know, because that's like our kitchen here in my house with all these children and all the chaos of daily life with six children, it's. It's a lot.

B (3:25)

People obviously have security cameras, doorbell cameras, that sort of thing. This was a camera over the kitchen. With audio.

C (3:34)

With audio. I know. It's like, what was that about? You know, I don't know why. I think from what I understand from a conversation that I had is that they didn't even realize that it was actually like saving the videos, you know, that it wasn't, like intentional where every video needed to be saved and it was some kind of weird thing. I think they didn't even realize that it was.

B (3:56)

Yeah, and there's a. There's a scene in there where Angela is confronting her husband over, I guess, his availability while she was in the hospital. She somehow was. You felt like there was something more to this argument, that this was coming down the pike for a while.

C (4:14)

Yeah, you could see them. They had some testy moments in the videos. And I'm sure, honestly, any parents might have some testing moments when you have six kids. I mean, that's always possible. But these ones were pretty specific about, you know, him. It was like him not having her back or something in the hospital, or not acting the way that he should have from her perspective with what she was going through.

B (4:43)

So, Andrea, I mentioned that the title of this is a real grabber. Right away. What happens in exam room nine. He is a dentist. Of course, Mr. Craig is. Dr. Craig is a dentist. And ultimately it was his wife falling sick very, very quickly that sent detectives and this whole thing into motion.

C (5:03)

Yeah. And Lester, as to the title, I called it during filming. I said, this title will have Exam Room 9 in it. And I had nothing to do with coming up with the title. So I just felt like, that was the sort of the pivotal point in the story, you know, where everything kind of came to a head was Exam Room 9. Right. That's where they figured out that he had the secret email address, that he was ordering the poisons, that he was communicating with other women, you know, having these affairs. And this all came from Exam Room 9?

B (5:37)

Yeah. And the thought was that he believes, well, if I just log on to a random computer, they'll never search it. They'll never find the history. Yeah, but they did.

C (5:46)

They absolutely did. And, you know, he said he was charting patients. He was, of course, doing a lot more than that. But it's the woman at the office, you know, that figured this out, Right. That's like, hey, something is up here.

B (6:01)

Yeah. But she did it very quickly, so it made me think that she was. She was already suspicious.

C (6:07)

Yeah, maybe. I mean. I mean, you know, it all starts with the package comes in. He's told people, do not open this package that is coming for me. So a woman working in the office didn't get that message not to open the package. So she opens the package, and then she goes to her manager and she says, you know, it seems kind of, you know, when you hear the word cyanide. Right. Like most people. Right. And it's not something that you hear in a dental office. Right. Cyanide. And then once these symptoms start happening to Angela, this office worker, to her credit, is like Googles the symptoms of. Of potassium cyanide. And she's like, wow, that sounds a lot like what Angela has. And so she tells the business partner, and then he tells the doctors and nurses. And so the cr. There's so much credit, really, that needs to be given to this office worker, you know, who. Who got start. You know, started the domino effect of all of this.

B (7:07)

Can you imagine that conversation, though? I think my boss may have been poisoning, Right?

C (7:12)

Yeah. What if you're wrong? Right. And you're implicating your boss in a possible murder? I mean, or you're implying that at least that it's possible. And then can you imagine if we said something like that about one of our bosses and we were totally wrong? Yeah. That's a big deal.

B (7:32)

Yeah. It's the ultimate, you know, see something, say something, but, you know, you don't want. You don't want to get it wrong in this case.

C (7:37)

Right. What's. What's life like at the office after that if you're wrong?

B (7:41)

Yeah, no, I mean, that's one of the things I thought of as I was watching this, I'm like, you know, someone's got to step forward. All right. When we come back, we'll have some of Andrea's interview with the two lead detectives in the case.

C (7:55)

Good morning. Welcome to you today.

A (7:57)

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B (8:26)

The guy thought he had a good thing going, a good job and two lovers. That is, until this triangle got complicated and somebody had to go. I'm Josh Mankiewicz and this is Deadly Engagement, an all new podcast from dateline.

A (8:43)

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B (8:45)

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B (9:39)

Can we talk about the police in this case? The two female detectives, they, they smelled a rat right away.

C (9:47)

They did. And it a lot of it was we go back to Exam Room 9, you know, because they they're trying to sort it out. Like, no, no detectives know exactly what's going on in a case right away. Right? They don't know these people's backstories. They don't know anything about them. They're just learning. But they were exceptional detectives, Bobby and Molly, they were really, really good. And they're called the Twins, which we mentioned because not only do they kind of look alike, but they have the same work ethic. And it was funny because our producer Hailey Barber, who was on the shoot, actually looked a lot like them as well. So we were like, well, I guess we have the triplets on set today.

B (10:26)

And we have some more of the interview you did with the detectives in this case. That didn't air, and I think we're gonna play it now.

C (10:36)

And you are the only women in the Aurora PD Homicide Unit? Yes. There's 14 of us total. And we're the only two girls. What is that like, being the only two women? I think, naturally, as women, we have a different perspective. We typically have a background different than our male counterparts. We've had instances where a luxury purse was taken, and the guys are like, I have no idea what that. What you're even talking about. And that's just like, a random aspect that we know, but also just kind of like the ins and outs of communicating with other females on our scenes. I think they feel more comfortable when they're talking to a female who's like. You understand what I'm saying? And when you're dealing with domestic violence, which a lot of females. Women. Are victims of domestic violence, this is a case that really had a lot of those aspects. Right. Of domestic violence. No doubt. Bobby actually came from the Special Victims Unit prior going to Homicide, and then I was from the domestic violence unit. And so watching this unfold is. It's just a different caliber of domestic, intimate abuse.

D (11:46)

I mean, I think everyone thinks of.

C (11:47)

Domestic violence as being physical, and this was not physical.

D (11:51)

But again, that.

C (11:52)

Years of manipulation and her just staying to fight, fight for her kids, fight for a marriage, and be the best she could be for Jim.

B (12:01)

In another time, I would have made a Cagney and Lacey reference, but that would date me.

C (12:07)

No, I know exactly what you're talking about with Cagney and Lacy. No worries, Lester.

B (12:11)

All right, good to know. But clearly, they were not. I don't want to say obsessed, but they were clearly focused on unraveling this mystery. And it seemed to become clearer and clearer that this was a person, this Dr. Craig, who thought he could cover his tracks. And the story doesn't end there. The story continues into when he's locked up, awaiting trial.

C (12:31)

Yeah.

B (12:32)

And essentially, I guess you'd call it witness tampering. You know, working his daughter.

C (12:38)

Right. James Craig asked his daughter to get this letter from this inmate. And in this letter, he asks her to make a deep fake video and. Of Angela. So what the deep fake video that he wanted was to entail was Angela saying that she wanted to end her life, essentially that she was suicidal. So he wanted his daughter to create this video of her mom suicidal. Like, it just was. It. It's crazy.

B (13:11)

It's Crazy. And it seems to cross over lines we normally hear in these cases. You know, a spousal murder. This goes to a whole new level of thinking that you can manipulate, you know, from the inside.

C (13:22)

Yeah.

B (13:22)

The outcome of this case.

C (13:23)

Yeah. And I think that was James Craig. Right. Like, that's what they said about him, was that he was manipulating everybody all the time. You know, that. And that. That's. That's from the prosecutors that he was the ultimate manipulator. And then, of course, he tried to have. According to prosecutors, again, he tried to. And he was convicted of this. Tried to have Bobby killed, the detective, you know, which is really scary for someone who has already carried out a murder. And at this point, you know, when. When he's doing this, he's not been convicted yet, but they believe he murdered his wife, so why wouldn't he murder somebody else? Like, you know what. What. You should feel very afraid for your life if someone is. Already. Has already been accused of killing one person.

B (14:11)

Yeah. Did the police feel there were areas that they couldn't quite nail down? I mean, as I'm watching it, I'm thinking this is open and shut case. Clearly, you know, he poisoned his wife to death for detectives. Was it that simple?

C (14:22)

You know, you still have to put a case together and you still have to do it. Right. And these things are never easy. And they had a lot of material to go through, all those hours of surveillance footage and, you know, getting tests for her blood. And, I mean, there was so much that they needed to gather and put together for their case. So while, yes, he looked very guilty, it doesn't mean that their job was, you know, a slam dunk or easy. They. They had a lot of work to do on this.

B (14:50)

Andrea, there's an assistant DA here that you're familiar with that's involved in this case.

C (14:54)

Yeah, Ryan Brackley, he was in a very early dateline that I did, Secrets of Cottonwood Creek, and he's been in four Datelines. So, yeah, he just seems to get the. The more diabolical cases in his career.

B (15:10)

I didn't feel, you know, the little bits of the trial that you included in the hour, it didn't feel like the defense had a good case or a strong case.

C (15:19)

I mean, I personally, I don't think they did, because you would have to believe that Angela wanted James Craig to help her kill herself. Like, this is a woman who was, you know, active and was, you know, on her peloton and was present for all of her children's activities. I Don't think anyone bought that, that this was a woman who wanted to end her life and she was asking her husband for help.

B (15:42)

I thought it was remarkable the way that the kids chose to. Dealt with. Deal with this. They kind of stood back and let the legal process go forward, but yet they were very, very much involved.

C (15:52)

They were. And I was there for the verdict and for the sentencing. And I have to say, like, when the kids got up to read their victim impact statements, I was bawling because it was just so sa. And the son, the only son, you know, he said. It was this crazy thing that he said that he. He set an alarm. I don't know if he still does he. But he set an alarm every single day at the same time to think about his mom, you know, and it was an interesting little anecdote of how he was dealing with it, but that's what he said. Every day at that time, the alarm would go off.

B (16:31)

Did I get it correctly, though, that they purposely held back judgment early on?

C (16:37)

I think they. I mean, I. I think that's probably right. You know, they. They haven't been very vocal. I know the family's having a really hard time dealing with this, and I. I think some days they sat on the dad's side, some days they sat on the mom's side. But as far as how they're all really thinking, you know, I don't know, because other than those two, the two children giving the victim impact statements, we haven't heard from them.

B (17:00)

Well, we'll take a break. After the break, Andrea and I will be back to answer some of your questions from social media.

C (17:08)

Department of rejected dreams.

D (17:09)

If you had a dream, rejected IKEA can make it possible.

C (17:12)

So I always dreamed of having a man cave, but the wife doesn't like it. What if I called it a woman cave? Okay, so let's not do that, but.

D (17:20)

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C (17:23)

And now it's a cozy retreat. Nice. A cozy retreat, man. Cozy retreat, sir. Okay.

D (17:30)

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C (17:32)

Cozy retreat dreams in store or online at ikea.us dream the possibilities.

A (17:37)

I'm Julio Vaqueiro, anchor of Noticias Telemundo. You can watch Dateline, the hit true crime series on Telemundo. And now you can listen to Dateline as a podcast. Stories of love and betrayal, of secrets revealed of the men and women who stand between evil and justice. Every twist and turn can now be heard in Spanish, with new mysteries arriving every week. Just search dateline en espanol, wherever you get your podcasts and start listening.

C (18:07)

Good morning. Welcome to today.

A (18:09)

From back to school to tackling your to do list, the Today show is your best start to the day. It's a new season, and every morning we're here to help you take it all on. As the fourth called for football all across the country, blockbuster stars, live concerts, and so much more. Wake up to where it's all happening.

C (18:27)

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A (18:31)

Watch the Today show weekday mornings at 7:00am on NBC.

B (18:40)

Okay, Andrea, we got some questions coming our way via social media. You ready for a couple of them?

C (18:45)

I'm ready.

B (18:46)

All right, this is from Marissa3232, who said, For Andrea Canning, what would you say is the episode slash case that most affected you?

C (18:56)

Oh, my gosh. This is, this, this question is so hard. I mean, you know, I've done almost 200 datelines. Oh, Marissa. I will say I will answer this question. Generally, when there's a teenage girl involved, those ones hit me really hard because I'm the mom of teenage daughters and younger. And also there's something about dads when they're talking about their daughters. And yes, moms are just as devastated. There's something about a dad who loses their composure in the interview that just, like, I just fall apart.

B (19:36)

Yeah. It's a hard question to answer. I recognize. All right, this is From CRW or CRWolf13, who says, how do you select the stories you'll cover? It's fascinating how some are more recent, but some go back decades. I think we can both answer that question. It's a lot of combing through newspapers from what's happening in local communities. It's crimes that we've been, you know, crimes or stories that we've been watching develop over a certain amount of time. And sometimes we do peel back for decades. And a lot of that is because new information becomes available or a key character emerges and expresses a willingness to go before the camera. So there's no formula for it. I don't know. I would say sometimes, Andrea, it's like, you know, when it's our kind of story.

C (20:26)

Yeah. And, you know, we also get tips from law enforcement who will tell us about a story, connections that we've made over the years. You know, they'll call us up or we get stuff from social media. Or it could come from Missing in America, you know, where somebody has reached out that their loved one is missing, and then that turns into A Dateline, you know, so there's many different avenues of how a show gets on the air.

B (20:51)

We've got an audio message, some audio messages here. This one is pretty interesting. It comes from a listener named Leslie.

D (20:57)

Hi there. My name is Leslie, and I love listening to your podcast. I have a question for you. Have you ever thought about going through all of your shows and podcasts, et cetera, and looking at the original or the polygraphs and comparing that to the outcome that happened? I'm just curious to see over your 20, 30 years that you've been doing this. Could you go back and say how the polygraph aligned with your outcome?

C (21:30)

Usually the polygraph seems to get it right. So even though they're not admissible in court, as we know, I would say usually these people fail. Right. Or. Or it's. And some polygraphers will say, oh, it's not a fail thing, but it's like a deceptive. Right. Deception has been detected. Some will. Some will outright say fail. Some will say that. And I think that usually it matches. Gosh, I don't. I don't know if I've ever had anyone who failed or was deceptive and then turned out they were innocent. Maybe I have, but I can't think of one.

B (22:05)

Interesting thought, though. Interesting thought. This is a. We've got another audio question that comes from someone who didn't leave their name, but here's their message.

D (22:13)

Hello. This message is for all of the Dateline correspondence. I would like to know when y' all are going to have a book release. I want to hear the background and, like, how your life has been affected by your reporting on Dateline. I would definitely buy it, so. Looking forward to hearing the answer. Thanks.

B (22:35)

Oh, let's get to work, Andrea. Here we go.

C (22:39)

I love that. Yeah, I think Keith should write that book. I don't know. Keith just came to mind. I feel like he would be. And then he could read it. He could do the audiobook.

B (22:48)

Right, the audiobook.

C (22:49)

And more people would buy the audiobook than the book. Right?

B (22:53)

No, he'd be great at it. It's actually kind of an interesting thought. I mean, collectively, we all have a lot of stories of what it took to put these things on the air.

C (23:05)

Maybe it should be then. Different chapters with all of us. Somebody can ghostwrite it, and we can all be a part of it.

B (23:13)

Well, we may not be writing a book, at least not one that we're willing to talk about right now, but you can hear more about the stories, our stories, by coming to Nashville for the DATELINE Live event that is Sunday, September 28th. It is creeping up on us. Be fun to have you be a part of it with us.

C (23:29)

Yeah.

B (23:29)

Tickets are on sale now@datelinenbc.com event and you can also find a link in the description of this episode.

C (23:40)

Thank you, Lester. Thank you.

B (23:42)

This was a great conversation. Well, that's it for talking DATELINE this week. We're glad you were here. If you have any questions for us about stories or about Dateline, you know, you can reach us 24. 7 on social media at Dateline NBC. And if you have a question for talking Dateline, leave it to us as a voicemail at 212-413-5252. Or send us a video on socials for a chance to be featured on a future broadcast. We will see you Fridays on DATELINE NBC. In the meantime, thanks for listening.

C (24:22)

Department of Rejected Dreams if you had.

D (24:24)

A dream, rejected IKEA can make it possible.

C (24:26)

So I always dreamed of having a man cave, but the wife doesn't like it. What if I called it a woman cave? Okay, so let's not do that, but.

D (24:34)

Add some relaxing lighting and a comfy IKEA hofburg ottoman.

C (24:37)

And now it's a cozy retreat. Nice.

A (24:39)

A cozy retreat.

C (24:41)

Man Cozy retreat, sir. Okay.

D (24:44)

Day Find your big dreams, small dreams.

C (24:46)

And cozy retreat dreams in store or.

D (24:48)

Online at ikea.us dream the possibilities.