Talking Dateline: The Night of the Audition

Summary

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Podcast Summary: Dateline NBC – Talking Dateline: The Night of the Audition

Host: Blaine Alexander
Guest: Keith Morrison
Episode Date: September 17, 2025

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Overview: Main Theme and Purpose

This episode’s focus is on the compelling Dateline NBC case, “The Night of the Audition,” originally reported by Keith Morrison. The episode unpacks the disappearance and murder of Shannon Medill, a vibrant 25-year-old aspiring actress from Calgary, Alberta, and the eventual unraveling of the case involving her husband, Josh Burgess. Blaine Alexander and Keith Morrison dissect the emotional and investigative journey, spotlighting the impact on Shannon’s mother and the enduring repercussions of violent crime on families.

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Key Discussion Points & Insights

Starting with Grief and Unpredictability

• Opening Structure:
  • Unlike typical Dateline stories, this episode doesn’t begin with the mystery, but rather the aftermath—Shannon’s mother, Lisa, boxing as a way to process her grief.
  • [01:49] Blaine Alexander: “Just from the very first shot, the very first line, the story drew me in because it began in such a different way from a lot of our other stories.”
  • [02:06] Keith Morrison: “That’s a good way to start this story because it really was a very important way for a mother to deal with what happened to her daughter.”
• Emotional Resonance:
  • Morrison reflects on Robert Munsch’s poem:
    [02:41] Keith Morrison: “‘I’ll love you forever. I’ll like you for always. As long as I’m living, my baby you’ll be.’ I think any mother could relate to that, probably.”
  • This poem becomes a recurring touchstone throughout the conversation, encapsulating parental grief.

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Shannon Medill: A Portrait of Vibrancy

• Shannon’s Personality and Family Role:
  • Described as the “spark” of her family—unpredictable, funny, sometimes difficult, but ultimately magnetic.
  • [03:36] Keith Morrison: “She was vibrant, she was witty, she was funny … the sort of vibrant life spark in the middle of the family … that was her.”
• Unique Access to Her Life:
  • The story benefits from a trove of video footage showing Shannon’s auditions and personal moments, rare for Dateline and making her absence feel more tangible.
  • [04:29] Blaine Alexander: “To be able to really… bring her to life in this story. Very quickly, I felt like, okay, I know her. … And that’s not something we can often do.”

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The Disappearance and Investigation

• Confusing Early Clues:
  • Shannon was reported missing after not showing up for a family dinner—the family assumed she’d spontaneously traveled for an acting job.
  • Her husband, Josh Burgess, initially claimed she’d left for an acting job 200 miles away; later, a credit card was used in New York, adding to the confusion.
  • [05:12] Keith Morrison: “Her unpredictability was such that when she didn’t show up for a family dinner, the expectation was that … maybe she’d gone there … they had no reason to suspect her husband.”
• No Early Suspicions:
  • Both police and Shannon’s family trusted Josh until his eventual confession.
  • [05:59] Blaine Alexander: “Even her family seemed… up until kind of the day that, you know, there was a confession, she never thought that it would be him.”

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The Chilling Confessions and Police Work

• Unconventional Confession:
  • Josh confessed through a doorway to an officer, with no video or audio recording—posing challenges for the investigation.
  • [07:33] Blaine Alexander: “The first, through the door, underwear clad, no recording, covered in blood confession… I just can’t imagine being the investigator who gets this confession through the door.”
  • [08:05] Keith Morrison: “It was frustrating for us not having video of that. So, you can imagine what it’d be like for her.”
• Canadian Policing and Delays:
  • Morrison notes the differences in policing procedures between Canada and the US—how warrants and evidence requirements complicated and delayed the case.
  • [07:31] Keith Morrison: “Just applying for a warrant to look inside the husband’s house seemed to take forever. There had to be sort of more evidence of guilt than… would have been required in an investigation in, you know, New York or LA or something.”
• Skillful Interrogation Techniques:
  • Morrison draws a parallel to a notorious Canadian case and highlights how respectful, methodical police interrogations can yield confessions where aggressive tactics might fail.
  • [09:26] Keith Morrison: “When they finally get to the place where they have enough evidence… and that guy who did the interrogation was so incredibly skillful… it’s that kind of interrogation … pretty successful generally.”

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Processing Grief: Boxing as Healing

• Boxing for Strength and Healing:
  • Lisa Medill’s turn to boxing—guided by trainer Jeff Starling, who also suffered a family tragedy—became a means of channeling pain and finding control.
  • [13:49] Keith Morrison: “They both went through this terrible, traumatic thing, so they understood each other.”
• Trainer’s Perspective:
  • [14:14] Jeff Starling: “We had the bond of that shared loss, which gave us an anchor to work off. Lisa and I kind of joke that no matter what’s happening in your day, the bar always weighs 45 pounds.”
  • This consistency offered stability amidst emotional chaos.

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Reflection on Grief and Transformation

• Turning Grief into Action:
  • Morrison recounts a personal story about friends who lost their daughter and started a dance school as part of their healing, emphasizing how transformative grief can be when channeled into something meaningful.
  • [17:29] Keith Morrison: “She opened a school for little girls to learn dance in the inner city. And it’s what saved her life. In a similar way… if you’ve got some specific thing that you’re going to do that is going to channel this into something positive, that’s what a parent can do.”
• Enduring Parental Love:
  • Morrison returns to Munsch’s poem, reinforcing the message that parental love endures beyond loss.
  • [18:25] Keith Morrison: “‘I’ll love you forever. I’ll like you for always. As long as I’m living my baby, you’ll be.’ And that’s what her mother feels. I can tell you for sure. As long as she’s living, Shannon will be her baby.”

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Notable Quotes & Memorable Moments

• [02:41] Keith Morrison: “I’ll love you forever. I’ll like you for always. As long as I’m living, my baby you’ll be.”
• [03:36] Keith Morrison: “She was vibrant, she was witty, she was funny… the sort of vibrant life spark in the middle of the family.”
• [07:31] Keith Morrison: “Just applying for a warrant to look inside the husband’s house seemed to take forever… it is very complicated and it takes a long time.”
• [14:14] Jeff Starling: “Lisa and I kind of joke that no matter what’s happening in your day, the bar always weighs 45 pounds.”
• [17:29] Keith Morrison: “If you’ve got some specific thing that you’re going to do that is going to channel this into something positive, that’s what a parent can do.”

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Listener Q&A Highlights

(Timestamps from 20:50 onward)

• On Staying in Touch:
  • [21:08] Keith Morrison: “Stay in touch. Yeah. On behalf of parents everywhere, stay in touch.”
• Most Impactful Case:
  • [22:05] Keith Morrison: “There are so many of them that I can’t land on anyone in particular… the way human beings tick… what we are capable of, good and bad.”
• How Stories Are Assigned:
  • [23:38] Listener Becky: “How is it determined which journalist does which stories?”
  • [24:16] Keith Morrison: “It’s a whole group of people who will consider all the facts… and have a meeting about it… And then if we can adequately do it, who should produce it? Who should be the person, who’s the correspondent…”

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Tone and Language

Throughout, the exchange is warm, reflective, and gentle, drawing on Morrison’s signature empathy and narrative depth. Both host and guest maintain compassion toward victims and their families, underscoring the emotional realities beneath the crime story.

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Conclusion

This episode is a thoughtful meditation on loss, healing, and the complexities of human behavior—both criminal and redemptive. It stands out for its deep focus on the personal aftermath of tragedy, the painstaking nature of investigation, and the profound ways families cope and transform.

For listeners seeking insight into the ripple effects of crime, the resilience of victims’ families, and the art of storytelling, this episode is especially poignant and richly textured.

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Transcript

[Keith Morrison]

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[Blaine Alexander]

Hi, guys. I'm Blaine Alexander and this is talking dateline. Today's episode is a Keith Morrison story. The night of the audition. It begins with the disappearance of 25 year old Shannon Medill, a rising actress in Calgary, Alberta, just days after a promising audition in November of 2014. Shannon was gone. At first, her husband said she'd headed 200 miles away for an acting job. But as police investigated, they uncovered secrets about the marriage, inconsistencies in Josh Burgess story and ultimately his chilling confession. So if you haven't watched this episode yet, you know what to do. You can find it right below this podcast or stream it anytime on Peacock. And when you come back, we'll share more of Keith's interview with the trainer who helped Shannon's mother, Lisa channel grief into strength. All right, Keith, let's talk dateline.

[Keith Morrison]

All right, let's do it.

[Blaine Alexander]

I have to say that just from the very first shot, the very first line, the story drew me in because it began in such a different way from a lot of our other stories. Right. I mean, usually it's this, the death or whatever's happened kind of the mystery right off the bat. But here we have a woman who's boxing.

[Keith Morrison]

Yeah. Yeah. Well, you know, my brilliant producing partner Tim Ewlinger decided that's a good way to start this story because it really was a very important way for a mother to deal with what happened to her daughter. I was reading about. I'm changing the subject just a little bit for a moment if that's permissible in this program. Yes, please do reading about this wonderful children's author named Robert Munsch, who lives in Guelph, Ontario, Canada, with his wife Anne. But there was a phrase he did for a book, see if I can remember it, that, you know, was appropriate, I think, for Shannon's mother. I'll love you forever. I'll like you for always. As long as I'm living my baby, you'll be. I think any mother could relate to that, probably.

[Blaine Alexander]

Absolutely. I know that book. I know that line. Yeah, I know it well. It's beautiful. It's beautiful. And. And I think that's exactly it. I mean, you know, there are so many different ways to start a Dateline story, to get into a Dateline story, but to start immediately with the pain of the person left behind, I think was a very striking way to do it, because immediately I thought, oh, my gosh, what happened? Where? You know, what led her to this place? You know.

[Keith Morrison]

Sure.

[Blaine Alexander]

Let's talk about Shannon. 25 years old. What did you come to find out about her?

[Keith Morrison]

Well, Shannon was really the heart of this thing as far as I was concerned. It's what really attracted me to this story as much as anything else was her character. Her the type of person she was. She was vibrant, she was witty, she was funny. She was a. You know, she spent some time doing standup comedy. She was a talented young actress. You know, some families where there is one person who is. I'm not even sure what you'd call them, but the sort of vibrant life spark in the middle of the family, unpredictable, difficult, not always successful, but you can't take your eyes off them. And that was her.

[Blaine Alexander]

You know, I got that sense immediately. I have to say that watching this, obviously, from the standpoint of, you know, putting together Dateline stories, you all had a tremendous gift, which was a trove of video of Shannon.

[Keith Morrison]

Yes.

[Blaine Alexander]

And that's not something that we often have when we talk about, you know, people who've been taken away. And so to be able to really, I mean, in so many ways, Keith, bring her to life in this story. Very quickly in that piece, I felt like, okay, I know her. I got a sense of her. I got a sense of her personality, what she's like. And that's not something that we can often do.

[Keith Morrison]

Right. Almost in real time. Because, you know, the audition she did was it just a couple of days before she was reported missing. And in fact, you know, we've already done the spoiler alerts. I know. But the day she did the audition was the day she died.

[Blaine Alexander]

That added a bit of a sort of eerie factor to it as well, didn't it?

[Keith Morrison]

Yeah, very much so. Her unpredictability was such that when she didn't show up for a family dinner, the expectation was that she, you know, had suddenly got an audition somewhere up in Edmonton, or she. And then later on they found the evidence of a credit card being used in New York City. Maybe she'd gone there. You know, the idea that she would up and take off and go somewhere was not out of the realm of possibility. And she was missing, and they had no reason to suspect her husband. They seemed to have a very close relationship. He seemed to worship her. And he also was very happy to be included in family events. And so they didn't have any reason to suspect that he was responsible.

[Blaine Alexander]

Even her family seemed. I mean, I think there was a sound bite where she said, up until kind of the day that, you know, there was a confession, she never thought that it would be him.

[Keith Morrison]

Right.

[Blaine Alexander]

This great surprise. Right.

[Keith Morrison]

Yeah.

[Blaine Alexander]

Which in a lot of the stories that we do, it's thinking, okay, gosh, I hate to think this, but maybe it was her husband, maybe it was the partner, maybe it was somebody. But the fact that they really, in their mind, stuck by him for so long was also very striking to me.

[Keith Morrison]

Yeah. Yeah, it was striking. One of the other interesting things about this, he confessed through a doorway to a cop who was standing outside by herself. She heard it alone, and so she had to get more corroboration before she could actually use it. But then we started to talk about the methodologies of police work in Alberta and much of Canada, and they're quite a bit different than they are here. I say quite a bit different. I'm not schooled in this, so I may be going too far. But they are different, and it is very complicated and it takes a long time. So that was part of the reason this took so long to solve, Months and months. Because just applying for a warrant to look inside the husband's house seemed to take forever. There had to be sort of more evidence of guilt than. I think I'm right when I say this. And there would have been required in an investigation in, you know, New York or LA or something, I believe.

[Blaine Alexander]

That's interesting.

[Keith Morrison]

Yeah.

[Blaine Alexander]

Can we talk about this confession? And there were two confessions, but the first, through the door, underwear clad, no recording, covered in blood confession. I mean, there are so many bits of drama to that moment that it was almost kind of hard to sift through it. But I just can't imagine being the investigator who gets this confession through the door. And has no way to prove it. No recordings, no body cams, no anything running. That has to be the most frustrating thing. I can't imagine anything more frustrating in that situation.

[Keith Morrison]

It was frustrating for us not having video of that. So could. You can imagine what it'd be like for her, right? Yeah.

[Blaine Alexander]

I mean, you've done a number of these stories. There have been confessions all over the place. Have you seen anything quite like that one?

[Keith Morrison]

No, no, that was. He was an unusual character. You know, I don't know if you remember a story about talking about Canadian stories, but a Canadian colonel who was attacking young women. First, he started out by sneaking into their houses and stealing their underwear, and then he graduated to killing them. He had been a highly regarded, decorated senior member of the Canadian military. So it was a terrible scandal. We get to the interrogation. When they finally get to the place where they have enough evidence that they can put him into a room and they can ask him the questions about what really happened. And because he has confessed to nothing, he doesn't even know he's a suspect until that moment he's brought into the room, or he has lots of reason to not think he's a suspect. And that guy who did the interrogation was so incredibly skillful. He was very polite, very friendly, treated the colonel with great respect. But it's that kind of interrogation, which, again, I think we saw something of that in this conversation that you watched is pretty successful generally.

[Blaine Alexander]

Absolutely. Because I wondered, watching it and now talking to you, if he had taken the complete opposite approach. Come in, yelling at him, cursing him, I know you did this, blah, blah, blah. Certainly you wonder what that would have yielded because Josh all along had. Certainly had everybody fooled. And so you just wonder what. Certainly different approaches make all the difference.

[Keith Morrison]

Well, they worked at him for quite a while before this fellow came in, and they weren't getting anywhere. So they were running out of time. They had to get. They only had him in there for, I can't remember how many hours, but they had to get whatever they were going to get from him within that period of time. They weren't there yet, so they wouldn't be able to charge him, so they'd have to let him go. So with just a few hours left, in walks this fellow who does the victim blaming routine. And that worked.

[Blaine Alexander]

It was. It was very. It was fascinating to watch. It really was.

[Keith Morrison]

Yeah.

[Blaine Alexander]

When we come back, you'll hear from Lisa's trainer, Jeff Starling, who also lost a family member to a tragic murder, about how he turned workouts into therapy and how the gym became for him a place of healing.

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[Listener Debbie]

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[Keith Morrison]

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[Keith Morrison]

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[Blaine Alexander]

I'm always struck by someone who has knowledge and has close proximity to a family who was trying to find answers for so long and to be able to be with them as they're suffering and wondering and not really sure what's going on and still keep that sort of a secret is just really, really chilling.

[Keith Morrison]

You could go and be apparently Mr. Nice Guy with the family over Christmas, take them Christmas gifts and he knows full well that their daughter is in a Tupperware container on his porch.

[Blaine Alexander]

On the porch, yeah. You know when you spoke with Shannon's family and I really loved the interview with the with her mother, how was that for her to find out that bit of information? On the one hand, there is the answer, right, that you've sought for so long, but the answer is so painful.

[Keith Morrison]

Well, she's been dealing with that for a long time now, for about a decade and I think that and she has found some measure of I won't say peace, but some way to deal with it through the boxing that we showed at the beginning and the end of the program, that was hugely important to her to be able to take out the aggression and the anger.

[Blaine Alexander]

Let's. Well, you talked about Lisa, Shannon's mom, and just the ways that she has dealt with this, which of course has been tremendously difficult for her boxing. We start with those images of her there in that Calgary gym. And we actually hear a little bit more from a trainer, his name is Jeff Starling, who also lost a loved one to. To a murder. Talk to me about that connection.

[Keith Morrison]

They both went through this terrible, traumatic thing, so they understood each other. I think had she not gotten the impression that her instructor knew where she was coming from, it wouldn't have been quite as helpful to her. It was just, you know, it was as a way to release their grief, as a way to get it out. It's been wonderfully helpful to both of them, I think.

[Blaine Alexander]

Sure. Keith, let's play a little bit of your conversation with Jeff.

[Jeff Starling]

So I lost my brother, my younger brother Laurie, around the same time that Lisa lost Shannon. And then we met at a support group for families who've been impacted by homicide. It took a few conversations over a few months to convince Lisa to come and try this out. She had done exercise and movement and fitness in the past, but this was going to be a very. A more intense relationship coach, client. Yeah. But we had the bond of that shared loss, which gave us an anchor to work off. Lisa and I kind of joke that no matter what's happening in your day, the bar always weighs 45 pounds. And in a time when there is so much chaos and unpredictability and people making decisions on you and your family's behalf that impact your life very intensely, being able to come to a place where everything is very predictable and stable and non chaotic was very important, very helpful.

[Blaine Alexander]

That was really powerful. He said several powerful things in there. One I really loved. The bar always weighs 45 pounds. No matter what's going on on the outside. Right. And in a world of where everything's going crazy, you know, in your life as you're dealing with this tragedy, you know that there is at least one source of consistency.

[Keith Morrison]

Yeah, it's true. Which I think people really need.

[Blaine Alexander]

One of the most fascinating things to me, Keith, about being in this role is talking to sometimes after the cameras stop rolling and talking to families and just kind of hearing how they've channeled their grief, what it looks like to try and heal, what it looks like to try and find some New semblance of life after an event like this. And some people who take it and say, I want to help other families find justice. I want to start a foundation in my loved one's name and do a lot of good that way or certainly something like this when it comes to boxing or channeling that grief into something with someone who can understand them as well.

[Keith Morrison]

The first time I encountered this was years and years ago when good friends of my wife and I, we lived in a different part of Los Angeles, but they went on a summer trip. They were riding along the highway on their bicycles and their 13 year old daughter wanted to ride on ahead. Maybe she was 11, a young daughter. And so they wanted to give her a little more freedom. You know, one of the parents was a little more protective. The one who wanted to give her more freedom said let her go on ahead, let her go ahead, have her private time. So they did and she rode on ahead, quarter of a mile or so, went around a bend, hit by a car, killed instantly. So we went with that, that mother and father through the process of, you know, when they brought the girl home, when they went to the, the funeral home with them, were there the day that she was able to say goodbye to her daughter's body in the casket and saw that a kind of raw grief that I'll never forget for as long as I live. But the reason I'm telling you is because she put this grief of hers to work also. She formed an organization that her daughter had loved dancing that age, so many girls do. So she opened a school for little girls to learn dance in the inner city. And it's now been, I don't know, quarter of a century or so that it's been going great guns and it's what the thing that saved her life. And in a similar way, as you pointed out, you've got that 40 pound weight you're going to have to deal with or if you've got some specific thing that you're going to do that is going to channel this into something positive, that's, that's what a parent can do.

[Blaine Alexander]

I mean, I wonder if that is one of the things that will kind of go forward, this the power of taking your grief and being able to put it somewhere or find some sort of way to move through it.

[Keith Morrison]

Yeah, yeah, probably. But you know, you lose somebody in a family, it does change your, your perspective on things a lot. And I think that's why that little bit of doggerel struck me so so much. That little line I'll love you forever. I'll like you for always. As long as I'm living my baby, you'll be. And that's what her mother feels. I can tell you for sure. As long as she's living, Shannon will be her baby.

[Blaine Alexander]

Well, it was a beautiful interview and a very powerful story, certainly in learning about Shannon, but just in the many ways that this person was ultimately brought to justice. Coming up, we will answer some of your questions from social media.

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[Keith Morrison]

And I owe it all to you.

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[Blaine Alexander]

Well, as you can imagine, Keith, we have a lot of social media comments, questions.

[Keith Morrison]

Oh, yes. All right, sure.

[Blaine Alexander]

So let's go to some of those.

[Keith Morrison]

Okay.

[Blaine Alexander]

Southern Southern Beach Girl. I love that name. Southern Beach Girl says don't be flaky about meetups with family or friends or they'll never know you're missing.

[Keith Morrison]

Well, that's a good bit of advice, I think. I guess.

[Blaine Alexander]

Interesting take.

[Keith Morrison]

Yeah. Stay in touch. Yeah. On behalf of parents everywhere, stay in touch.

[Blaine Alexander]

There. There you go. But no, certainly we've seen a lot of stories where people it's been a family gathering. I've actually done a story like that where it was a Thanksgiving gathering and you know, their daughter didn't show up, and they said, what's going on there? And that's how they ultimately found out that she was in trouble. We have a few audio questions as well. Let's play one from Debbie.

[Listener Debbie]

Hi, my name is Debbie. I'm from Millington, Tennessee. Really wish I could join y' all in Nashville. That would be awesome. But anyway, my question is for Keith, and I just wonder over the years, is there one case that has just stuck with you that you just. This still eats at you? That's my question. Thanks. Right.

[Keith Morrison]

Well, it's a good question, but. And. And it's. You know, I have to tell you, people have asked that before, and. And I. There are so many of them that I can't land on anyone in particular, but I keep thinking of other stories and bringing up moments in them that live with me. And. Yeah, you know, one of the things about this, it's not just a question of, is there a murder? Will they solve the murder? But what it. What a few decades of doing this kind of work will do is, is give you an experience of. Of the way human beings tick that you will never get in any other kind of reporting. You can report on politics, as I have done in the past, until you're blue in the face, but it's not really going to tell you the nature of human beings. Like, this kind of reporting will do what we are capable of, good and bad, what families are like, what. How. How. How everybody lies about things, how secrets are kept, how just it goes. It's endless. Just the way human beings behave is. Is the fascinating takeaway from this kind of reporting.

[Blaine Alexander]

Yeah. Well, we have a question. Another audio question. This is from Becky. Listen.

[Keith Morrison]

Hello.

[Listener Debbie]

This is Becky from Shreveport, Illinois. My question is, how is it determined which journalist does which stories? By the way, I think Keith Morrison is the best storyteller. Thank you.

[Blaine Alexander]

We agree, Becky. We agree.

[Keith Morrison]

I think Blaine is a better storyteller. Oh, no, we. We arm wrestle. Is that what we do? No, we're going to be doing some arm wrestling in Nashville.

[Blaine Alexander]

That's what we. We get together in a room, they throw out a title on the table, and we arm wrestle over it. And Keith is clearly the strongest among us and Josh, they're very strong right now. It comes down to a number of different factors, but, you know, I mean, a lot of us, sometimes we bring stories to the table. Right. There will be stories that we're particularly interested in that, you know, you've been following or that you have a passion for. Wanting to tell.

[Keith Morrison]

Sure. It's a little different than, than a lot of the reporting that you imagine a newspaper reporter or TV reporter doing. It's a whole group of people who will consider all the facts of a, of a story that you can ascertain at least and have a meeting about it and go over it and will it fit into the, you know, is this the kind of story we can adequately do? And then if we can adequately do it, who, who should produce it? Who should be the person, who's the correspondent, who should, you know, that there's an awful lot of thought that goes into these decision decisions. And, you know, we're fortunate to have some people who are pretty good at that kind of decision making.

[Blaine Alexander]

A whole army of a team that is fantastic at this. Yes. Well, no, these were great questions. And somebody mentioned Nashville. We'll do some arm wrestling in Nashville, won't we?

[Keith Morrison]

You bet. You bet. I'm looking forward to it.

[Blaine Alexander]

Well, Keith, it's always such a pleasure to talk DATELINE with you, my friend. Thanks so much for joining me today.

[Keith Morrison]

Thank you. It's been a delight, as always.

[Blaine Alexander]

As always. All right, that's it for talking DATELINE this week. Thank you so much for listening. If you have a case that you want us to cover or a question for our team, you can reach out to us anytime on social ainenbc. You can also leave us a voicemail at 212-413-5252 or send us a voice memo in a DM. Keith, you check those voice memos, don't you, personally?

[Keith Morrison]

Oh, yeah. Let's spend most of my day doing that.

[Blaine Alexander]

Exactly it. And one more thing, we are just one week away from DATELINE live in Nashville. That's taking place Sunday, September 28th. You still have a little bit of time to get your tickets, but they are going fast. Head to datelinenbc.comevent that's datelinenbc.comevent to grab your tickets now. We'll make sure to see you there, of course. And we will always see you every Friday night on DATELINE NBC. What does possibility mean to you?

[Keith Morrison]

That's a hard question.

[Blaine Alexander]

Something that you can strive for. I'm able to do anything I set my mind to. You're confident in yourself and you believe in yourself. So stuff that you could achieve, I feel etsider Eddie Ling is possible when you're more confident. Shoes are a huge part of that.

[Keith Morrison]

They are the most important part of my style. You can express yourself in the right shoes.

[Blaine Alexander]

Anything is possible. Dsw Countless shoes at bragworthy prices. Imagine the possibilities.