Sean Combs: "Jane's" last day and more Combs recordings.

Summary

Dateline: True Crime Weekly - Episode: "Sean Combs: 'Jane's' Last Day and More Combs Recordings"

Release Date: June 13, 2025

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Overview

In this compelling episode of "Dateline: True Crime Weekly," host Andrea Canning delves deep into the Sean Combs racketeering trial, focusing specifically on the intense testimonies surrounding a key witness, known as Jane. Joined by NBC News correspondent Chloe Meloss, Andrea provides listeners with an in-depth analysis of the courtroom dynamics, the unfolding narratives from both the prosecution and defense, and the critical pieces of evidence that could sway the jury's decision.

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Jane's Testimony Under the Lens

Day Six of the Trial:
The trial has reached its sixth day, with Jane taking the stand under a pseudonym. She alleges that she was coerced into spending nights at hotels with male escorts, a claim central to the prosecution's case against Sean Combs. According to the prosecution, Jane was forced over a span of three years, painting a picture of manipulation and control exerted by Combs.

Defense's Counter-Narrative:
Contrarily, the defense argues that Jane was a willing and sometimes eager participant in these encounters. They suggest that the relationship between Jane and Combs was consensual, aiming to dismantle the prosecution's claims of coercion.

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Defense's Cross-Examination Strategy

Tenny Garagos' Approach:
Leading the defense's cross-examination, attorney Tenny Garagos presents a series of text messages, voicemails, and voice notes from Combs to Jane. These pieces of communication are strategically selected to portray Combs in a less coercive light.

Notable Quotes and Analysis:

1. Voice Note Excerpt (04:39):

   "Hey, baby, we had a great time staying the light. It's all good. Get your rest. You are the crack pipe..."

   Andrea Canning remarks on this messaging, highlighting its complexity:

   "It's kind of hard to hear now, given all the information that we've now know from this trial."

2. Another Voice Note (06:46):

   "So if you come in for 24 hours. Yeah, you always wanted to set some up, so now you got the opportunity..."

   Lily interprets this as Jane having the initiative in setting up these encounters:

   "You always wanted to set up one of these hotel nights, and now you have the opportunity."

Defense's Argument:
By showcasing these recordings, the defense aims to demonstrate that Jane had autonomy and was not under duress, thereby challenging the prosecution's claims of forced participation.

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Prosecution's Counter-Evidence

While the defense presents messages to humanize Combs and suggest mutual consent, the prosecution introduces their own set of communications to underpin their narrative.

Prosecution's Voice Note (08:27):

"I really don't know what's going on with you, but I just want to just give you a heads up that I'm about to really disappear on you..."

Lily points out the significance of this message:

"There's clearly a strained dynamic here, which could suggest coercion."

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Emotional Dynamics Inside the Courtroom

Chloe Meloss' Observation:
Reporting from outside the courtroom, Chloe Meloss shares her observations of Combs' demeanor during witness testimonies. Notably, there were moments where Combs appeared visibly emotional, such as wiping his eyes, leading to speculations about his reactions to the testimonies.

"He was seen taking a handful of tissues, putting them up to his eye. Not sure if he was crying or what happened..."

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Key Takeaways and Future Proceedings

• Complex Narratives: The trial showcases a tug-of-war between the prosecution's portrayal of coercion and the defense's depiction of consensual participation.

• Strategic Use of Evidence: Both sides are meticulously selecting communications that bolster their respective narratives, making it challenging for the jury to discern the truth.

• Upcoming Testimonies: With Jane's testimony concluded, the prosecution is gearing up to introduce new witnesses before shifting the focus to Combs' defense team. The selection of these witnesses will be crucial in determining the trial's direction.

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Notable Quotes

• Andrea Canning (03:08):

  "I'm surprised by how far they [the defense] went into the complicated feelings Jane seems to have about Combs."

• Sean Combs Voice Note (04:39):

  "Hey, baby, we had a great time staying the light... You are the crack pipe..."

• Sean Combs Voice Note (06:46):

  "So if you come in for 24 hours... you always wanted to set some up..."

• Sean Combs Voice Note (08:27):

  "I really don't know what's going on with you... I'm about to really disappear on you."

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Conclusion

This episode of "Dateline: True Crime Weekly" provides a nuanced exploration of the Sean Combs racketeering trial, highlighting the intricate interplay between witness testimonies and strategic legal maneuvering. With Andrea Canning and Chloe Meloss at the helm, listeners gain a comprehensive understanding of the case's developments, the conflicting narratives presented by both the prosecution and defense, and the emotional undercurrents that could influence the trial's outcome. As the courtroom drama unfolds, the episode sets the stage for what promises to be a pivotal phase in the trial.

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Stay Informed

For the latest updates and in-depth analysis from inside the courtroom, subscribe to the NBC newsletter or visit nbcnews.com/diddy. Produced by Franny Kelly with contributions from the Dateline True Crime Weekly team, this episode is a testament to meticulous journalism and thorough investigative reporting.

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Original Music by Jesse McGinty | Executive Producer: Paul Ryan | Senior Executive Producer: Liz Cole

Transcript

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[Andrea Canning]

This is On Trial, a special series from Dateline True Crime Weekly bringing you daily coverage from the Sean Combs racketeering trial. He has pleaded not guilty to all the charges against him. I'm Andrea Canning and it's Thursday, June 12th. Just a heads up. In this episode, we're going to be talking about some graphic details and harrowing subject matter. It is day six on the witness stand for Jane, who is testifying under a pseudonym. She's the single mom who the prosecution says spent three years being forced into hotel nights by Combs. The defense says quite the opposite. She was a willing and sometimes eager participant. Today, the defense continued their cross examination of Jane, confronting her with text messages, voicemails, and even voice notes she got from Combs during their relationship. We're going to play you two recordings the defense played earlier in the week so you can get a sense of what the jury is hearing. NBC News correspondent Chloe Meloss is back joining us from her spot on the sidewalk outside the court. Hey, Chloe.

[Lily]

Hey, Andrea.

[Andrea Canning]

Let's start with these two messages that were played by Combs attorney Tenny Garagos on Tuesday. Actually, that was the day that the defense began their cross examination of Jane. And I was surprised by how far they went into the complicated feelings Jane seems to have about Combs.

[Lily]

This is a couple that didn't break up a couple years ago. This is a couple that were together as if just a few months ago. They were dating up until Combs arrest. And on the stand, she has testified that she did these hotel nights with these male escorts because she didn't want Combs to feel judged for being what he was into sexually. So Teddy Garagos, who is one of Combs attorneys, she's the one who's leading this cross examination of Jane. And I remember I was like taking all these notes when she said this on Tuesday. She said you loved him, right? Jane testified? Yes. Tenny Garagos then says currently, and she says, I do. And also keep in mind that this is the first time that Jane is seeing Combs since they broke up. So it's playing out almost like a X rated soap opera.

[Andrea Canning]

Yeah, no kidding, Chloe. That's the context for the voice note that we're about to play. You actually talked about it earlier in the week. You said this message was used by the defense to show that Combs wasn't, quote, holding a metaphorical gun to Jane's head before she engaged in these sexual performances with escorts. So let's take a listen to it.

[Sean Combs]

Hey, baby, we had a great time staying the light. It's all good. Get your rest. You are the crack pipe. That's my new name for you. Crack pipe. Should I call you C.P. but yeah, I don't. I want you to stay in the light, you know, I'm saying we had a very, very good time together. Like so much, so much, so much, so much, so much fun. So much fun. Now go rest up. Get in your bag. You know what I'm saying? Got your contract. Find a nice little spot. Put your mind at ease. And yeah, I had a great time. And I really, really want you to get some rest. I didn't know about you throwing up and all that. That's when I was like, hold up a second, all right? Get some rest, baby. Love. Ugh.

[Andrea Canning]

It's kind of hard to hear now, given all the information that we've. That we now know from this trial. Yes.

[Lily]

I mean, bizarre nickname to call her. His crack pipe. But what he's basically saying is that he was addicted to her love, addicted to her sex. And when he says in the voice note, get in your bag. We learned through Jane's testimony that that was something that he would say about get back to work. Like, focus on your career, your dreams. Get back into your routine. So that's him being supportive. And when it comes to, you got your contract. Remember, we've talked about Jane testifying about this love contract, that she would participate in these hotel nights as long as he paid her rent. And we know that he's still paying that $10,000 a month rent of her LA home to the state and her legal fees.

[Andrea Canning]

Yeah, I mean, that's certainly an argument for the defense to make when you listen to that. So let's listen to another. This is a voice note that the defense played, and they played this to show Jane's initiative in. In all of this.

[Sean Combs]

So if you come in for 24 hours. Yeah, you always wanted to set some up, so now you got the opportunity, so set some up for tomorrow night. That last vision we had was. That was dawn and atl. See, you put it together, baby.

[Andrea Canning]

Okay, so Jane on the stand, she said that she heard that differently than the defense heard it.

[Lily]

You know, I think that what's really interesting, Andrea, is that you're hearing a lot from the prosecution that these women, Cassie Ventura, Jane, you know, Mia, were forced to participate in things that they didn't want to. But when you're listening to this particular voice note, Combs is saying you've always wanted to set some up, meaning you've always wanted to set up one of these hotel nights, and now you have the opportunity to. And we have heard Jane testify that she. She would, on her own accord, hire some of these escorts, text them, call them, fly them in without Combs even knowing that it would be a surprise for him. She testified that she did that, though, because there was this undertone, this undercurrent that Combs wanted. That what was really going on is that she was actually trying to get out of this hotel night. But again, it's her word versus his, and it really muddies the waters here when it comes to Sex trafficking.

[Andrea Canning]

Right. And earlier this week, the prosecution played messages he sent to Jane as well. So both sides are choosing the ones they think show the version of Combs they want to show.

[Sean Combs]

I really don't know what's going on with you, but I just want to just give you a heads up that I'm about to really disappear on you. You feel me? I'm not going to be playing these games with you at all. At all. So, I don't know. You think you silent treating me, treating me. And you think I'm gonna be. Nah, you have a rude awakening.

[Lily]

We've already heard Tenny Garrigo Sandria say that. Like, there's thousands of voice notes, so obviously they're picking the ones that best fit them.

[Andrea Canning]

Yeah, a lot of today's questions were about the end of their relationship. Chloe, you say that Combs seemed to get emotional at one point.

[Lily]

So we're not exactly sure because earlier in the morning, I saw him blowing his nose, so I actually thought to myself that maybe he was sick. But today he was listening to her talk about a final phone conversation, and he was seen taking a handful of tissues, putting them up to his eye. Not sure if he was crying or what happened, but we'll definitely keep you posted on that.

[Andrea Canning]

Chloe, are we done with Jane now?

[Lily]

Yes. Prosecutors had always said that they needed to get her off the standard by Thursday, but really, the big question remains is who else is the prosecution planning to call before they hand things over to Combs team to begin their defense?

[Andrea Canning]

Okay, thank you so much, Chloe.

[Lily]

See you tomorrow.

[Andrea Canning]

Thanks for listening to everyone else. We'll be back with a new episode tomorrow. If you want to read the latest developments and analysis from inside the courtroom, check out the NBC newsletter. Diddy on trial go to nbcnews.com diddy to find that. On Trial is produced by Franny Kelly with help from the Dateline True Crime Weekly team. Our senior producers are Alison Orr and Liz Brown Kurloff. Original Music by Jesse McGinty Paul Ryan is executive producer and Liz Cole is senior executive producer of Dateline.

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