Summer Blockbusters & Jurassic World Rebirth (2025)

Summary

Podcast Summary: Dear Movies, I Love You – Episode: Summer Blockbusters & Jurassic World Rebirth (2025)

Hosts: Millie De Chirico and Casey O'Brien
Release Date: August 12, 2025
Platform: Exactly Right and iHeartPodcasts
Instagram: @dearmoviesiloveyou

---

Introduction

The episode kicks off with the hosts exchanging light-hearted banter about their podcasting experiences and personal quirks. Millie reflects on re-listening to old episodes, leading to self-deprecating humor about their on-air personas.

Notable Quote:
Millie De Chirico [02:01]:
"I have to keep rewinding Casey because he's saying funny things about how Macaulay Culkin is his favorite actor of all time."

---

Summer Blockbusters and the Evolution of the Genre

Discussion Highlights:

• Jurassic World Rebirth (2025):
  The primary focus of the episode revolves around the latest installment in the Jurassic Park franchise. The hosts delve into their personal connections to the original movies, with Millie expressing nostalgia for the 1993 classic and Casey sharing his lifelong admiration for Steven Spielberg’s work.

• Changing Landscape of Blockbusters:
  Millie and Casey discuss how the concept and impact of summer blockbusters have evolved. They observe that modern blockbusters no longer guarantee mass attendance as they once did. The "Barbenheimer" phenomenon is cited as an example where two distinct movies became cultural events, but such occurrences are rare.

• Impact of Soundtracks:
  Casey reminisces about the significance of iconic soundtracks in blockbusters, referencing Will Smith’s 90s hits and Aerosmith’s "I Don't Want to Miss a Thing" from Armageddon. He emphasizes the cultural synergy between hit songs and blockbuster films.

Notable Quotes:
Casey O'Brien [46:10]:
"When Armageddon came out, and I don't wanna miss a thing by Aerosmith was all over the radio airwaves. It just felt like a cultural event that was bigger than the movie itself."

Millie De Chirico [47:20]:
"You need to have Bad Bunny doing a sweeping, romantic power ballad for the new Superman movie, is what you're saying."

---

Film Diary: Recent Movie Experiences

Host Insights:

• Millie De Chirico's Watchlist:

  • Beetlejuice (2024 Sequel): Described as "fine" but questioned its necessity.
  • Napoleon Dynamite (2004): Maintains a strong affinity, enjoying repeated viewings.
  • Volunteers (1985): A lesser-known film featuring John Candy and Tom Hanks, appreciated for its zany humor.
  • Chopping Mall (1986): Loved for its straightforward, fun appeal.
  • Happy Gilmore 2 (2025): Critiqued for excessive cameos diluting the film's essence.

• Casey O'Brien's Watchlist:

  • Christian F. (1981 West German Film): Praised for its intensity and unique storytelling, especially appreciated for scenes like the train station sequence with David Bowie’s music.
  • Clueless (1995 30th Anniversary): Enjoyed for its effortless humor and memorable performances.
  • 2001: A Space Odyssey (1968 in 70mm): Highly recommended for its immersive experience and cinematic brilliance.

Notable Quotes:
Millie De Chirico [30:54]:
"I just imagine those people on TikTok that basically taken wild animals and they create these insane videos with that tender song that they always play on TikTok."

Casey O'Brien [24:05]:
"So I decided that I like the term consensual movie grope."

---

Jurassic World Rebirth (2025): In-Depth Analysis

Plot Overview:

• Set after previous sequels where dinosaurs roam freely, a pharmaceutical company, InGen, sends a team to extract biomaterial from the largest dinosaurs to create a new heart medicine.
• The team comprises Zora Bennett (Scarlett Johansson), Dr. Henry Loomis (Jonathan Bailey), and Duncan Kincaid (Mahersha Ali). Their mission leads to encounters with hostile dinosaurs and unforeseen challenges.

Hosts' Perspectives:

• Millie De Chirico:
  Criticizes the film for its inconsistent character development, particularly towards Scarlett Johansson’s and Mahersha Ali’s characters. Expresses emotional connection with the family subplot, noting, "I feel like I care about the family more than anything else."

• Casey O'Brien:
  Highlights the lack of emotional stakes with the main characters and finds the addition of a family subplot forced and ineffective. Points out, "That was not working for me." He also critiques the overcomplication of dinosaur designs and the introduction of the "D Rex" as an antagonist.

Notable Quotes:
Millie De Chirico [62:16]:
"The D Rex has two sets of arms. What does the little one do?"

Casey O'Brien [58:03]:
"It almost doesn't feel like a movie at the end."

---

The State of Summer Blockbusters Today

Key Points:

• Fractured Viewing Habits:
  With the rise of streaming services, audiences are more fragmented, reducing the mass appeal once guaranteed by summer blockbusters.

• Reliance on Star Power:
  Previously, actors like Will Smith or Arnold Schwarzenegger could consistently draw large audiences. Today, no single actor holds the same pull, making blockbuster success less predictable.

• Cultural Events vs. Reliance:
  While rare events like "Barbenheimer" can still generate significant buzz, they are exceptions rather than the norm in the current cinematic landscape.

Notable Quotes:
Millie De Chirico [50:01]:
"I still think that movies bring people to movie theaters. I definitely think superhero movies do. I definitely think big movies like Jurassic Park, you know, Marvel things. Horror. Horror always brings people to movie theaters."

Casey O'Brien [52:01]:
"Or, you know, I think this would happen a lot too. With blockbusters. It was kind of like... You don't have Tom Cruise movies every summer anymore."

---

Movie Theater Etiquette

Discussion Highlights:

• Handling Disruptions:
  Millie expresses her aversion to conflict, making it difficult for her to address disturbances like talking or phone use in theaters. She recounts an incident where calling out noisy teenage girls made her anxious about potential violent reactions.

• Creative Disruptions:
  Both hosts share experiences with audience members making MST3K-style jokes or having loud conversations during screenings. Casey narrates an instance where he had to shush a playful 12-year-old boy disrupting his viewing experience.

• Food Policies:
  Millie advocates for allowing diverse and home-prepared foods in theaters, critiquing the quality and expense of traditional theater concessions. Casey agrees but prefers non-intrusive snacks like candy over odorous or messy foods.

• Trailers and Phone Use:
  The hosts lament the blurred lines between trailers, advertisements, and main features, leading to increased phone usage and distractions during screenings. They advocate for stricter enforcement to preserve the sanctity of movie-watching.

Notable Quotes:
Millie De Chirico [76:33]:
"I just imagine a dinosaur producing our podcast. There would never be a moment in my brain where I thought I would not think that."

Casey O'Brien [80:07]:
"He tried to say, that's gotta hurt, but I was ready for him. I shushed him right in the middle of it."

---

Movie Recommendations

Millie's Pick:

• Son of Godzilla (1967):
  An eighth installment in the original Godzilla franchise, Millie praises the film for its humor and charm, particularly favoring the portrayal of baby Godzilla.

Casey's Pick:

• Monsters (2010):
  Directed by Gareth Edwards, this film is lauded for its compelling storytelling and impressive creature designs. Casey encourages listeners to watch it, highlighting its methodical pacing and emotional depth.

Notable Quotes:
Millie De Chirico [93:09]:
"Son of Godzilla, 1967. It is so freaking funny and cute."

Casey O'Brien [96:18]:
"Monsters (2010) is really good. It stars Scoot McNaty and Whitney Abel, and it takes place in Mexico. The creatures look really good, and it's a highly recommended watch."

---

Conclusion and Teasers for Next Episode

The episode wraps up with the hosts encouraging listeners to engage via email and social media, sharing their movie etiquette rules, grievances, and recommendations. They tease the next episode, which will delve into the works of director David Cronenberg, promising an in-depth discussion.

Notable Quotes:
Millie De Chirico [102:27]:
"This has been an exactly right production. Hosted by me, Millie De Chirico, and produced by my co-host, Casey O'Brien."

Casey O'Brien [104:07]:
"We've talked about how the movie industry is evolving, and next week we'll dive into the works of David Cronenberg. Strap in!"

---

Key Takeaways

• Evolving Blockbuster Dynamics:
  The podcast underscores the shifting trends in summer blockbuster success, attributing changes to fragmented viewing habits and diminished star power.

• Critical Reception of Sequels:
  Jurassic World Rebirth receives mixed to negative reviews from the hosts, highlighting issues like character development and overcomplicated villain designs.

• Movie Theater Etiquette Challenges:
  Both hosts express frustration with disruptive behaviors in theaters, advocating for greater respect and stricter enforcement of viewing norms.

• Appreciation for Classic and Niche Films:
  Recommendations lean towards cult classics and genre-specific films, emphasizing quality storytelling and unique cinematic experiences.

---

Follow Dear Movies, I Love You:
Stay updated with Millie and Casey’s latest discussions by following them on Instagram @dearmoviesiloveyou and subscribing to their podcast on iHeartRadio, Apple Podcasts, or your preferred podcast platform.

Transcript

[Millie de Cherico]

This is exactly right.

[Ryan Seacrest]

You can make a difference in someone's life, including your own, with a job in home care. These jobs offer flexible schedules, healthcare, retirement options and free training. They also provide paid time off and opportunities for overtime. Visit oregonhomecarejobs.com to learn more and apply. That's oregonhomecarejobs.com.

Hey, it's Ryan Seacrest for Albertsons and Safeway. Now through August 26th, it's back to deals time, where you can enjoy storewide deals and earn four times points. Look for in store tags to earn on eligible items from Hershey's, Cheez It, Kellogg's, Gatorade, Smart Water, Skinny Pop, Oberto, Zoa and Activia. Then clip the offer in the app for automatic event long savings. Shop in store or online for easy drive up and go pick up or delivery subject to availability restrictions. Apply. Visit Albertsons or Safeway.com for more details.

[Casey O'Brien]

At homes.com we do whatever it takes.

[Millie de Cherico]

To get you the in depth info.

[Casey O'Brien]

On local schools you won't find anywhere else. Things like student teacher ratio, test scores and school programs. And sometimes that requires attending school recitals. So many recitals. That's my son. Isn't he terrific? Yeah, a real prodigy. Homestopcom, we've done your homework.

[Millie de Cherico]

Um, hi, Casey, how's it going?

[Casey O'Brien]

Hi, Millie. How are you? You sound like shit.

[Millie de Cherico]

Thank you. I know I do. I've been listening to old episodes of our podcast, which we're doing right now. And you know, I had a long drive to Tampa, Florida.

[Casey O'Brien]

Yeah.

[Millie de Cherico]

Recently.

[Casey O'Brien]

How long is that drive?

[Millie de Cherico]

It's roughly like six and a half hours from where I'm at.

[Casey O'Brien]

Damn.

[Millie de Cherico]

Yeah, it's long.

[Casey O'Brien]

I mean, that's like Minneapolis to Chicago.

[Millie de Cherico]

Yeah. The drive to my parents, they live like across the state, pretty much on the other side, like almost directly. And it takes longer for some reason, I think, because it sucks more.

[Casey O'Brien]

Yeah, yeah.

[Millie de Cherico]

But anyway, I was like, I very rarely go back and listen to things that I've done. Yeah, because you always have that moment of assessment and you're just like, why did I say that? Why did I do that? You know, we used to joke about this all the time and I saw what you did, how it just kind of comes out of our bodies, then we just leave it, we don't return. But for some reason I was like, oh, shit, I'm gonna listen to it. And I was like cringing. I was like going, why do I say the word, like so much? Why do I sound like I have copd? Why don't I get my nose replaced? Why don't I have my personality replaced?

[Casey O'Brien]

Yeah, I think you and I are both coming at the show sort of similarly. I think you're perfect, and I think I am an atrocity to the audio medium. And I think we were talking before we started recording how both of us would like to change our personalities, our voices, how we say words, our senses of humor, everything, essentially, once we listen to the show. Show. Once we listen back to the show.

[Millie de Cherico]

Well, and I was listening to the episode that we did about Materialist, and you were so goddamn funny. And I was getting jealous. I was getting jealous where I was like, oh, I have to keep rewinding Casey because he's saying funny things about how Macaulay Culkin is his favorite actor of all time. And I. I actually left you. I was like, you know what? I'm going to be the bigger person and I'm gonna leave you a voice message to tell you how much I laughed at you in that episode. Like, genuinely laughed. And then I started getting in my head about it.

[Casey O'Brien]

I'm like, God, I wish I could.

[Millie de Cherico]

Be as funny as Casey. What the hell is wrong?

[Casey O'Brien]

Oh, my God, Shut the fuck up.

[Millie de Cherico]

We're having bad self esteem days right now.

[Casey O'Brien]

Well, you know, if you take a look at our, you know, Apple reviews, I would say that most of them say, I love Millie and I hate Casey and wish he was dead and wish he was a piece of roadkill on the side of the road. That's basically what our reviews say.

[Millie de Cherico]

It's just because I'm a dynamic woman and you're simply a man.

[Casey O'Brien]

Well, it's hard to refute that, but this is in some ways a promise to our listeners that Millie and I are, from this point, moving forward, are changing ourselves entirely. The show is gonna be. It was bad. Now it will be good and we'll be different people moving forward. So that's a promise to our listeners.

[Millie de Cherico]

Can I get a voice replacement surgery? Has that ever happened?

[Casey O'Brien]

Yeah, how does that work? Yeah, you know, I got the leg lengthening surgery a few episodes ago. Is there a way? Yeah, is there a way? You know, Joseph Gordon Levitt and a lot of men do this in movies. They talk with them. They kind of pitch down their voices and they kind of talk. So maybe I'll start doing that more.

[Millie de Cherico]

I need to talk slower and less annoying. I should literally get my nose replaced. Maybe my throat replaced as well.

[Casey O'Brien]

Okay, we can see an ENT specialist and just.

[Millie de Cherico]

I need a complete and utter overhaul.

[Casey O'Brien]

Yeah, we both do we both do? Well, speaking of things that need an overhaul, we're talking about a movie this week, Jurassic world, Rebirth from 2025. And we're also going to talk about some summer blockbusters and the concept of the summer blockbuster and what it means to the culture.

[Millie de Cherico]

Yeah. Even like, if it is as important as it was before.

[Casey O'Brien]

Yeah. You know, I'm going to say the answer is no. Yeah.

[Millie de Cherico]

I don't know. They're certainly chucking them out as they used to. Are they hidden? Is the question. We'll see.

[Casey O'Brien]

And we also have another segment we're going to do, which I literally forgot to even mention to Millie before recording right now. But Millie, I thought it would be good if we talked about some movie theater etiquette. I have some questions for you, actually, specifically your takes on kind of like movie theater etiquette and where you stand on them, because I don't know.

[Millie de Cherico]

Oh, I'm ready. I mean, we gotta talk because I. We do. This gets brought up a lot in these parts about the movie theater that I go to. So let's get into it. All right, well, listen, well, let's just try to feel good about ourselves and get through this podcast without wanting voice replacement surgery or a personality overhaul. Okay.

[Casey O'Brien]

Yeah. Some sort of lobotomy.

[Millie de Cherico]

Yeah, let's just feel good. You're good? I'm good.

[Casey O'Brien]

Okay. Fresh start.

[Millie de Cherico]

Keep this gravy trainer rolling. All right, on that note, you're listening to the podcast. Dear Movies, I love you. Dear movies, I love you. And I've got to know if you love me too. Yes or no?

[Casey O'Brien]

Check the box below.

[Millie de Cherico]

Yes. We're back. This is Dear Movies, I love you. This is the podcast for those who are in a relationship with movies. Perhaps they're out one night, they're having a few cut waters, and they start thinking about that old flame, that old movie that they haven't talked to in a while. And then they get on the phone and they're texting, like at 2:30 in the morning, being like, what you doing? You know who this is? You still have my number.

[Casey O'Brien]

Been on both the receiving and the sending side of those text messages.

[Millie de Cherico]

You know, I gotta tell you, I'm not trying to gas myself up. I get them more than I res. Than I.

[Casey O'Brien]

That's the. That's the golden ratio. You don't want to be sending those more than if you're sending. I mean. Yeah, that's good.

[Millie de Cherico]

Well, because I. Whenever I'm trashed, I don't want to like, remember old. I just want to like be in the moment or whatever.

[Casey O'Brien]

Sure.

[Millie de Cherico]

I don't get sentimental. I guess that's maybe what it is. I just kind of fall on my face in the moment. So, Casey.

[Casey O'Brien]

Yeah.

[Millie de Cherico]

Our episode this week is kind of crazy. Cause we're doing another new film.

[Casey O'Brien]

Yeah, Wild.

[Millie de Cherico]

It is wild. We've done a couple. That materialists episode that we did. I mentioned it in the open was like very like. I got a lot of text from. Actually got a voice message from one of my friends, Maggie Thrash, who's a great author, wrote a great book called Rainbow Black. She was like activated. She sent me a message and was like. It was like a three minute message being like, I have to talk about this episode with you. And it was great because then I got to just like have conversations with people about the movie. So I don't know. I feel like now I'm inspired to do more new films.

[Casey O'Brien]

That's great. And just recently it was announced that Celine song's gonna be doing the My Best Friend's Wedding sequel, which is kind of like crazy.

[Millie de Cherico]

See, that movie, to me is also kind of strange.

[Casey O'Brien]

It is. I do like that movie.

[Millie de Cherico]

Yeah.

[Casey O'Brien]

And I love the soundtrack. That was a beloved soundtrack in my house growing up.

[Millie de Cherico]

Who's on the soundtrac?

[Casey O'Brien]

There's songs like, you know, say a Little Prayer is on there and like the. If you want to be happy for the rest of your life.

[Millie de Cherico]

Oh, so it's like a boomer 60s.

[Casey O'Brien]

Yeah. Yeah.

[Millie de Cherico]

Yes. Cute. Okay. Okay. Well, that tracks, I guess. The whole silly song. Doing another.

[Casey O'Brien]

Yeah, it does. I mean, does. But I'm just surprised she's going back to that. Well, a little bit.

[Millie de Cherico]

Oh, by the way, before we get into a film diaries, I have to ask because we. When I was at the movie seeing Jurassic World. Rebirth. Rebirth.

[Casey O'Brien]

Is there a colon?

[Millie de Cherico]

Is it a dash? Is it an ellipses?

[Casey O'Brien]

There's nothing. It's one. It's. There's no punctuation. It's Jurassic World Rebirth.

[Millie de Cherico]

That drives me. There's nothing that drives me Nutty for some reason. Why is it like that?

[Casey O'Brien]

I don't know, but continue anyway.

[Millie de Cherico]

That's a film grape.

[Ryan Seacrest]

You can make a difference in someone's life, including your own. With a job in home care. These jobs offer flexible schedules, healthcare, retirement options, and free training. They also provide paid time off and opportunities for overtime. Visit oregonhomecarejobs.com to learn more and apply. That's oregonhomecarejobs.com foreign. Let's be real. Life happens. Kids spill. Pets shed and accidents are inevitable. Find a sofa that can keep [e-mail] Starting at just $699, our sofas are fully machine washable inside and out so you can say goodbye to stains and hello to worry free living. Made with liquid and stain resistant fabrics, they're kid proof, pet friendly and built for everyday life. Plus changeable fabric covers let you refresh your sofa whenever you want. Need flexibility? Our modular design lets you rearrange your sofa anytime to fit your space, whether it's a growing family room or a cozy apartment. Plus, they're earth friendly and trusted by over 200,000 happy customers. It's time to upgrade to a single stress free mess proof sofa. Visit washablesofas.com today and save that's washablesofas.com offers are subject to change and certain restrictions may apply.

Hey, it's Ryan Seacrest for Albertsons and Safeway. Now through August 26th. It's back to deals time where you can enjoy store wide deals and earn four times points. Look for in store tags to earn on eligible items from Hershey's, Cheez It, Kellogg's, Gatorade, Smart Water, Skinny Pop, Oberto, Zoa and Activia. Then clip the offer in the app for automatic event long savings. Shop in store or online for easy drive up and go pick up or delivery subject to availability restrictions apply. Visit Albertsons or Safeway.com for more details.

[Millie de Cherico]

Did you see the trailer for the new Naked Gun movie with Liam Neeson?

[Casey O'Brien]

I It's so funny you bring this up because I just before recording brought it up to Tricia, my wife, how I was excited for the new Naked Gun movie and the trailer. I laughed out loud.

[Millie de Cherico]

I lulled.

[Casey O'Brien]

I was really like, this is hitting and I want to see it. I'm excited.

[Millie de Cherico]

I do too. And it's like I kept thinking to myself, am I crazy for laughing at this thing so hard? Like. Cause I was looking around and everybody that was in the theater was like pretty much between the ages of like 11 and 30 or something. There was a lot of young people at my screening and they were probably like, this is some stupid old people shit.

[Casey O'Brien]

Yeah. But the thing, it felt electric watching it. Cause I was like, you know what? We don't have silly comedies anymore. Like there aren't movies like the Naked Gun or even movies like Austin Powers that are just like silly and kind of stupid, but just pure comedy fun. You know what I mean? It's like they don't have just like dumb stupid comedies like that anymore. And so it was refreshing to see that trailer in the theaters.

[Millie de Cherico]

So my question is. Okay, so you know, the original Naked Gun movies were done by Zucker, Abrams and Zucker. This kind of like.

[Casey O'Brien]

Yes.

[Millie de Cherico]

Classic trio of filmmakers and writers. They were kind of in, you know, they did like Top Secret and Kentucky Friedman. Airplane. So this new Naked Gun is not affiliated with them, Right? They're not involved.

[Casey O'Brien]

I don't know.

[Millie de Cherico]

I don't think so either, so. But I think it's interesting that Akiva Schaefer from what, Lonely Island.

[Casey O'Brien]

Yeah.

[Millie de Cherico]

Is directing and then Seth MacFarlane is involved, I think, somehow.

[Casey O'Brien]

Okay.

[Millie de Cherico]

So I'm kind of going. I don't know. It feels like those lowly island guys are maybe the new Zaz, if you.

[Casey O'Brien]

Know what I'm saying. Well, I did love Pop star Never Stop. Never Stopping, which is directed by Akiva Schaefer.

[Millie de Cherico]

Yeah, I loved that movie too. And I loved Hot Rod. I liked everything. What's the one?

[Casey O'Brien]

I like those guys.

[Millie de Cherico]

Yeah, See, that's what I'm thinking is that I like. I don't know, it's kind of exciting. I think my point is that there's kind of like new blood in these slapstick comedy streets.

[Casey O'Brien]

Yeah. I'm all. I'm excited about it. I want com like the Comet. They don't make comedies anymore. I mean, we just saw Materialists. Is that what we're calling a comedy these days? I mean, that's dark.

[Millie de Cherico]

I know. I want something extremely silly again. Is this the movie where Liam connected with your girl Pam Anderson?

[Casey O'Brien]

Yeah.

[Millie de Cherico]

And now they're a couple.

[Casey O'Brien]

She's in it. She's the femme fatale in Naked Gun.

[Millie de Cherico]

But that's how they got together is because.

[Casey O'Brien]

Yeah. They're dating now. And I'm. I love it.

[Millie de Cherico]

Oh, my God. I love it too. I love that Meryl Streep and Martin Short are dating. Even though I always thought Martin Short was gay.

[Casey O'Brien]

Well, of course.

[Millie de Cherico]

But he could be gay and date Meryl Streep.

[Casey O'Brien]

I mean, just because he's a, you know, a fabulous short lived little dandy, you know, that doesn't.

[Millie de Cherico]

But Martin Short is not like he's. He comes from a generation where somebody of that persuasion is most likely gay.

[Casey O'Brien]

Yes.

[Millie de Cherico]

Would you say just basically, you know, I'm just saying I feel like in. In the modern context you could make that argument. But I'm like, he's from the old school. The old closet school.

[Casey O'Brien]

Yes, exactly.

[Millie de Cherico]

But whatever. Whatever his persuasion, I'm happy for him and happ for all of These. It's kind of like stars who are just like getting together later in life.

[Casey O'Brien]

Yes.

[Millie de Cherico]

Which I think is lovely. I love that. Listen, I am possibly going through perimenopause right now. I don't really know. All I know is that literally everything makes me cry. Especially when it comes to, like, love.

[Casey O'Brien]

Yeah.

[Millie de Cherico]

We'll talk about this in a second when we get into Jurassic World. Rebirth.

[Casey O'Brien]

Oh, boy.

[Millie de Cherico]

I know. I can't even believe I'm teasing.

[Casey O'Brien]

That I don't even know what you could be referring to. And I have seen that movie.

[Millie de Cherico]

But all will be revealed. Okay, so do you want to do Film Diary or what?

[Casey O'Brien]

Yes, I do. And I have something to. Well, first of all, let's open up.

[Millie de Cherico]

The Film Diary with this heavy motherfucker.

[Casey O'Brien]

So. Okay. I watched a lot of movies this week because I was on vacation. Not really on vacation, but every year we go. I go up north with my family and some of my extended family and we. My parents have a cabin up north and there's a little resort nearby where extended families stay. So it's like this week long thing that we've been doing for over 30 years.

[Millie de Cherico]

Wow.

[Casey O'Brien]

And a big part of it is we watch movies every night. And so we watch a lot of movies. But I guess I wanted to kind of get your thoughts about this because the movie picking. I don't remember even how we picked what movie to watch, you know, when we were children. But it has become so contentious and there's arguments and fights every single night. It almost ruins the entire movie night watching. So I just wanted to. I think this has been a question of some kind in the past. But how do you decide when you're in a group of people what movie to watch? Are you the leader in being like, we should watch this movie, or are you more laid back and like, let's let the chips fall where they may? What's your kind of attitude?

[Millie de Cherico]

Oh, I'm absolutely not the leader. I'm absolutely. I'll do whatever you want to do. I have realized that about myself in pretty much every group setting. I think I've talked to you about how I think I told the story. Maybe on I Saw what yout did about the time that Danielle and I went to an escape room with some other folks. And I had never been to one before. And I just assumed that I would be a real type A person and want to get everything going. Like wanting to find out clues and stuff. Hell no. I was actually the opposite. When put in the situation, I just kind of sat there and let everybody else do the work. I don't really know why that happened. And that's kind of how I feel about group movie choosing.

[Casey O'Brien]

I am quite forceful. I take control. It pisses people off, including members of my family. We have gotten in like shouting matches this year. I recommended because it was a smaller group up there. It was me and my brothers and a few cousins. I recommended, hey, why don't we just take a turn every night? There's like few enough people where each of us could just take a turn because I'm tired of this.

[Millie de Cherico]

Yes.

[Casey O'Brien]

And my brother goes, I don't want to do that because I think you guys are going to pick a shitty movie. I don't trust you guys.

[Millie de Cherico]

All right.

[Casey O'Brien]

And then my other brother goes to that brother, I don't trust you. And this is the kind of thing we're dealing with.

[Millie de Cherico]

This is like Love island or something. It's very. Yes, it's very.

[Casey O'Brien]

It's just like Love Island.

[Millie de Cherico]

Well, everybody's fighting and everybody's like thinks that they're out to get each other. Can I get some demographic info?

[Casey O'Brien]

Yeah. Okay. So currently it's me and my two brothers who are both in their 30s. My youngest brother is 30, I believe.

[Millie de Cherico]

Okay.

[Casey O'Brien]

And my other brother is 34 and I am 37. And then. Okay. So it's like ridiculous.

[Millie de Cherico]

So you're the oldest?

[Casey O'Brien]

I'm the oldest, yeah.

[Millie de Cherico]

Okay. Okay.

[Casey O'Brien]

And then occasionally my wife Trisha will be there or Brady's wife Jade will be there, but they didn't like attend any movie watching maybe because of the fighting. Then the other two people that joined movie night this year were not even my cousin, my cousin's children, who One is 19 and one is 12, so.

[Millie de Cherico]

Oh boy.

[Casey O'Brien]

And they're not, they're kind of getting involved. Well, the 19 year old, I was like, you need to pick. And she's like, that's too much pressure. Cause of how much fighting there is goes on. So I don't know, it's like a big to do and I need help. I need, I have, I need film advice.

[Millie de Cherico]

Is part of the problem that, because this happens to me quite a bit is that you're the only, like it sounds so pompous but I'm gonna say like, people are like, you're the film professional and the like, you know about movies more than anybody.

[Casey O'Brien]

There is zero respect for my, my film knowledge.

[Millie de Cherico]

I kind of love that actually.

[Casey O'Brien]

There is, I am probably the least respected opinion wise of the group.

[Millie de Cherico]

That is so fucking funny because.

[Casey O'Brien]

And I Think this leads back? Cause I always try to pick a fun movie. And so a few years ago, I was like, we should watch Waterworld. Cause it's outrageous and it's stupid and it'll be fun.

[Millie de Cherico]

Yeah.

[Casey O'Brien]

That movie is, like two and a half hours long. And my cousin, who's 19, she is still so mad that I made her watch it. And she brings it up all the time.

[Millie de Cherico]

Well, I mean, I will just generally, I feel like if you want real advice, off the rip, I think taking turns, choosing is, like, probably the only thing you can do.

[Casey O'Brien]

That's what. But they wouldn't. But the thing is, I'm so not respected that even my suggestion at the solution to the problem was ridicule and thrown away, so.

[Millie de Cherico]

Well, why don't you consider then taking a little zanny or something? Or like, you know, just like, deescalating your involvement.

[Casey O'Brien]

I need to de escalate, but it's hard for me. I like to be involved. I like to lead. I like things to be efficient. I like to make decisions.

[Millie de Cherico]

And, you know, you got big Capricorn energy.

[Casey O'Brien]

I know. I know.

[Millie de Cherico]

That's why I'm suggesting. What about a Xanax? What about a. I need to drink water.

[Casey O'Brien]

I need to drink a couple more buzz balls. That's the. That's the. The. That's what will help. Okay, can I go first? Because I have, like.

[Millie de Cherico]

I was gonna suggest that, actually.

[Casey O'Brien]

Okay. So I'm just gonna. I'm just gonna throw out a bunch of these movies. I don't really want to discuss them because there's not much to say about them, but these are what I watched.

[Millie de Cherico]

Fine.

[Casey O'Brien]

Okay.

[Millie de Cherico]

Yeah.

[Casey O'Brien]

So I watched beetlejuice. Beetlejuice from 2024, sequel to Beetlejuice. It was fine. I don't know if it needed to get made. I watched Napoleon Dynamite, which is a movie from 2004. I actually. I have such a strong affinity for Napoleon Dynamite, and I like watching it every time.

[Millie de Cherico]

Sure.

[Casey O'Brien]

So I liked watching that. Then I watched a movie I'd never heard of. My brother picked this. It's a movie from 1985 called Volunteers with John Candy, Rita Wilson, and Tom Hanks.

[Millie de Cherico]

Wow.

[Casey O'Brien]

And it was kind of fun. I'd never heard of this movie. It's like Tom Hanks and John Candy, Rita Wilson. They're in the Peace Corps, and it's kind of zany.

[Millie de Cherico]

Okay.

[Casey O'Brien]

Okay. And it was fine. It was a good cabin movie. Then this was my choice. We watched chopping mall from 1986. I love this movie. Sure. And I Think people had a lot of fun, and it's only like an hour and 15 minutes.

[Millie de Cherico]

Oh, so they liked.

[Casey O'Brien]

They liked that one.

[Millie de Cherico]

Okay, that's great.

[Casey O'Brien]

And then on the last night, my brother was so excited to watch this. My brother Brady. The whole week was kind of catered around this. We watched a movie that came out on Netflix Friday night, and that movie is from 2025, and it's called Happy Gilmore 2. Oh, now I like Happy Gilmore.

[Millie de Cherico]

Sure.

[Casey O'Brien]

And there were things that were working for this movie, I thought. But, I mean, everyone is saying this. There are, like, 8 billion cameos in this movie.

[Millie de Cherico]

It's Shooter McGavin in it.

[Casey O'Brien]

Yes. Shooter McGavran.

[Millie de Cherico]

Thank God.

[Casey O'Brien]

Shooter McGavin is in it.

[Millie de Cherico]

God.

[Casey O'Brien]

And. But, Millie, you would. The. The. The. The amount of cameos per minute is so insane, and it's terrible. I mean, it's really bad.

[Millie de Cherico]

That's a bummer.

[Casey O'Brien]

So. And it almost doesn't feel like a movie at the end.

[Millie de Cherico]

Okay. Okay.

[Casey O'Brien]

Anyways, yeah, there's nothing else to say about Happy Gilmore, too, but that's all the movies I watched this last week.

[Millie de Cherico]

Wow.

[Casey O'Brien]

So that's interesting.

[Millie de Cherico]

So, yeah, I was on vacation a little bit over the same week that you were on vacation. Like I said, I was in Tampa, Florida, for, like, a weekend. We had an Airbnb. I was with two of my friends, and we. Instead of watching a movie with us, and I watch movies with these two a lot. Like, maybe at least once a week, we get together, we have this, you know, scenario play out of who gets to pick the movie. And I never do because I just was like, guess what? I don't give a shit if I don't want to watch it. I'll just text while I'm watching.

[Casey O'Brien]

Oh, you won't even voice an opinion if it's something you don't want to watch? You just, like.

[Millie de Cherico]

I just.

[Casey O'Brien]

Take yourself out.

[Millie de Cherico]

I just feel like. I think it's. What is. What do they call it? It's choice exhaustion.

[Casey O'Brien]

Yes.

[Millie de Cherico]

I feel like.

[Casey O'Brien]

Yeah, that is. There's a term for that that I can't think of.

[Millie de Cherico]

I can't think of it either.

[Casey O'Brien]

Decision fatigue.

[Millie de Cherico]

Decision fatigue or choice exhaustion, whatever you want to call it. My whole life is choosing movies. So when I'm, like, in the streets, like, hanging out with friends, I don't give a fuck. I, like, do not want to choose. If I'm at your house and you got, like, a nice couch set up and there's a lot of snacks and, you know, like, the mood lighting is great. There's like, some nice candles. I would just literally watch whatever the hell you put in front of me. I don't want to choose. I just want to vibe.

[Casey O'Brien]

Yeah. I mean, like, you choosing a movie is like someone going up to a doctor while they're at a dinner party and asking them to, like, look at a mole. You don't want to, like, you're off the clock. I'm off the clock.

[Millie de Cherico]

I'm like, I just want to brain rot. I don't give a shit. And so that, having said that, we decided not to watch a movie in the Airbnb. We instead watch and I've never seen this show before. The show Pretty Little Liars. Have you ever seen the show?

[Casey O'Brien]

Yeah, I've seen a lot of Pretty Little Liars when it came out. I can't remember too much. Ashley Benson is in that show.

[Millie de Cherico]

Correct.

[Casey O'Brien]

Okay. So I have seen, I would say 50% of the episode episodes of that entire series.

[Millie de Cherico]

Okay.

[Casey O'Brien]

I've seen a lot of it, but it's been, I watched it when it came out, so it's been over 10 years.

[Millie de Cherico]

Well, we watched like the first maybe two or three episodes.

[Casey O'Brien]

It's like a Gossip Girl ripoff. Yeah.

[Millie de Cherico]

But it's, it's so nutty. Like, it's.

[Casey O'Brien]

Yeah, very nutty.

[Millie de Cherico]

Nutty and like, ridiculous. And just a lot of storylines, a lot of, like, dumb things happening. I enjoyed it. I wanna, I'm kind of on the fence on whether or not I want to commit to it because I know it was on long time.

[Casey O'Brien]

Yeah.

[Millie de Cherico]

But I'm also, I think there's a.

[Casey O'Brien]

Storyline about a student dating a teacher.

[Millie de Cherico]

There's a student. There's the, like, I know what you did last summary type of vibe of like, these random texts coming from a possible dead person. I mean, it's just a lot.

[Casey O'Brien]

That takes me back.

[Millie de Cherico]

I love that Sydney from Melrose Place plays one of the moms. I So I don't know. We'll see. I, I But I enjoyed it. But that we watched Pretty Little Liars in lieu of a vacation movie. Okay. However, in my film diary this week, I do have three. The first movie that I saw this week was a movie from 1981. It's a West German film called Christian.

[Casey O'Brien]

F. I know it well.

[Millie de Cherico]

Great. Because I did an intro for it at the Plaza Theater. You know, it was restored by Janice most recently.

[Casey O'Brien]

It was very hard to find for a long time. I had to rent a physical copy from my local video store. When I lived in la, I had to Rent it from videotech.

[Millie de Cherico]

Yeah. And that's my suspicion, is that Janice, who is the distribution arm of the Criterion Collection, is going to release it on a Blu ray.

[Casey O'Brien]

Cool.

[Millie de Cherico]

So, I mean, I don't know. Not 100% confident, but I'm like, 99.2% confident. So, anyway, that movie still hits.

[Casey O'Brien]

Timothy Chalamet famously wore a shirt, a Christian F T shirt a few years ago.

[Millie de Cherico]

Yeah, it's a great.

[Casey O'Brien]

It's one of the best drug movies. It's a very terrifying, stark, stark film. But it also has some beautiful David Bowie music moments in it.

[Millie de Cherico]

Yeah, the scene where they're, like, running through the train station and Heroes is playing. Yes. So beautiful. Although I was told later by somebody that's in the crowd, I believe this person was possibly Gen Z or maybe late Millennial, that there were people in the audience going, well, this isn't that big of a deal. I mean, the Safdie brothers made Blee. Blah, blah, blah, blah. And I'm like, shut up.

[Casey O'Brien]

Shut up.

[Millie de Cherico]

If you were one of those people to downplay the importance of Christian F. Because the Safdie brothers exist. Yeah, you can go kiss my ass at Dear Movies at exactly right. Media Dot com. Okay, so Christian F, then with my other friends, my aforementioned Airbnb friends. I did watch something earlier in the Little Liars. Yeah, my Pretty Little Liars friends. Yeah, we watched actually something earlier in the week before we left. We watched Clueless, 1995 30th anniversary.

[Casey O'Brien]

I. I love that movie.

[Millie de Cherico]

Oh, I did, too. It's so funny. Like, it's so funny. And like. I mean, it just rolls off the tongue, like, every line. Paul Rudd looks effectively the same as he does now. Donald Faison is the funniest to me.

[Casey O'Brien]

What a charming man. I loved him in that. Loved him on Scrubs. I love when he's like, because I'm keeping it real. Because I'm keeping it real. Because I'm keeping it real. When he's getting his head shaved.

[Millie de Cherico]

Oh, it's my favorite. I clipped it out and put it on my Instagram. As will you. That's what his friend says. But it's. It's a good movie. I mean, it's so. It's just so easy. It's such an easy watch. And then my biggest. My biggest hit for the week is that I watched 2001 A Space Odyssey from 1968 in 70 millimeter in Atlanta. I have never seen that movie in a movie theater before. Have you?

[Casey O'Brien]

Wow. I've seen it in 70 millimeter. At the Arrow Theater in Santa Monica.

[Millie de Cherico]

Amazing.

[Casey O'Brien]

It's a good one.

[Millie de Cherico]

It's a good one. I'm so glad I watched it at 70 mil. Cause I was like, I. Like, first of all, it's three hours. It doesn't feel like three hours. And I think that part of that fact is because there's an intermission. And part of what I want to propose is that if your movie is over, maybe even two and a half hours, if it's pushing three minutes, you need an intermission. I'm sorry. If it's pushing three hours, you need an intermission.

[Casey O'Brien]

I think two and a half hours. Definitely, you need an intermission because that's really long.

[Millie de Cherico]

God, it's so long. And I feel like the intermission is such a perfect thing that needs to come back because it gives people the chance to pee and to reset and to, like, you know, buy a hot dog, go outside and vape whatever it is that they have to do. And I'm just like. I think it makes people like the movie more in a weird way. Does that make sense? Sure.

[Casey O'Brien]

It's more of an experience. And you're like, I'm having a good time.

[Millie de Cherico]

Yeah.

[Casey O'Brien]

I'm here to party.

[Millie de Cherico]

I will say that seeing 2001 and 70 millimeter made me realize how much of a horror movie that movie is. And that Hal is a movie. Movie villain.

[Casey O'Brien]

Yeah.

[Millie de Cherico]

Throwing it out there.

[Casey O'Brien]

I can feel it.

[Millie de Cherico]

I was like, you little bitch. I was so pissed. I was like, oh, he's unplugging you. And now you're like, I have feelings.

[Casey O'Brien]

Yeah.

[Millie de Cherico]

Kier Dulay, don't unplug me. Cause then I will be sad. I'm like, no, motherfucker, you're a machine.

[Casey O'Brien]

It's really. What an effective movie. And it is scary. Like, you said, like that where that shot of the other astronaut getting, like, jettisoned out of the.

[Millie de Cherico]

Oh, Gary Lockwood.

[Casey O'Brien]

Yeah. And it's completely silent. That's freaky.

[Millie de Cherico]

Yeah, the, like, the Kubrick silence stuff really hits in the theater. And then also just that whole, like, sequence of Jupiter, and it's real trippy, and it looks like they shot it in, like, Death Valley National Park. And it's all, like, LSD colors. I mean, I was like, well, there you go. That's 1968, 1969 for you. So. But great. What an experience. I Recommend Everybody see 2001 in the theater and preferably in 70 mil. So.

[Casey O'Brien]

Yeah, it's. Well, yeah, it's fabulous. That's great.

[Millie de Cherico]

Y.

[Casey O'Brien]

Well, I'm done. All right, that's the diary.

[Millie de Cherico]

Close that, close it.

[Casey O'Brien]

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[Casey O'Brien]

All right, we're back for our main discussion today, which is about summer blockbusters and we're focusing in on Jurassic World Rebirth, which came out this year in 2025 and by the time this episode comes out, I feel like people have completely forgotten about this movie. Millie, what's your relationship? Jurassic park, huge summer blockbuster, but what's your relationship to Jurassic park and the Jurassic park franchise as a whole? Do you have any affinity or love for these movies or the original one?

[Millie de Cherico]

Well, this is an interesting question because I did see and enjoy the Original Jurassic Park 1993. Am I right about that?

[Casey O'Brien]

I believe that's Correct. Yeah.

[Millie de Cherico]

Okay. When you get into this period, though, of like, 93 to, like, 97. All right. These are my high school years. And I was a burgeoning shithead. I was a burgeoning shithead. And that's why there's a gap in, like, family classics in this time period. For me. This is why Titanic was never seen back when it came out. This, like, I. I cannot stress enough how being a teenager, for me specifically, was about purposely trying to watch things that were not commercial, not family oriented, not blockbustering. Okay. And that maybe has changed for children of the new generations. Because, I mean, I was a. I grew up. You know, I was a teenager in the 90s. And, yeah, I was very much not. You know, I was a. I was like. I thought I was, you know, a Marxist and, you know, was punk rock and hanging out with people who huffed and things of that nature. So I was not, you know, like, the original Jurassic Park. I pro. I saw. I might have seen that one in the theater. I definitely saw it on video and I enjoyed it, but then I just kind of forgot about it afterwards. And then by the time the Chris Pratt stuff was happening, I was like, I don't even know. I feel so lost. I feel like it's a lost world, no punishment. But I. You know what I mean? So I have this weird. I have a. Appreciation for the first one. Then I completely fell off. So how about you?

[Casey O'Brien]

Well, I was a little boy when Jurassic park came out, and it was so huge with children.

[Millie de Cherico]

Yeah, of course.

[Casey O'Brien]

And it was the first PG13 movie I ever saw. And I was obsessed with it. And I would say that love for that movie carries on to this day. I think it's my favorite Steven Spielberg movie.

[Millie de Cherico]

Wow.

[Casey O'Brien]

I love Jurassic park. And it has grown into something different because I really love movies about men being destroyed by their own technological inventions, like the Fly, and also like a lot of David Cronenberg movies. More on that later. But that's, like, one of my favorite types of movies. And so my love for Jurassic park has only grown, I think. And I just think it's kind of a marvel of filmmaking. Like, those dinosaurs still look really good and scary in that movie. And so I love Jurassic Park. I watch it all the time. We watched it in the delivery room when Trisha was giving birth to our daughter.

[Millie de Cherico]

Wow.

[Casey O'Brien]

That's. True story.

[Millie de Cherico]

Radical, amazing.

[Casey O'Brien]

And I really loathe all of the sequels. I think they're all. I really don't really like any of them. And it's kind of A bummer, because I love Jurassic park, and I just feel like none of the sequels have recaptured that one, so that's sort of my relationship.

[Millie de Cherico]

Okay, so explain to me what happened. So you have the original, then you've got the ones that feature. Well, Spielberg did the first two, so he did.

[Casey O'Brien]

So Steven Spielberg did the Lost World, then I can't even remember who did Jurassic Park 3, but that's another.

[Millie de Cherico]

Joe Johnson is who?

[Casey O'Brien]

Jones? Yes, Joe Johnson. He did that. And Dr. Alan Grant is kidnapped and brought back to the island to find this couple's son, who ended up on the Jurassic park island because he was parasailing and accidentally landed on the island.

[Millie de Cherico]

That's Sam Neill's character.

[Casey O'Brien]

Yes, Sam Neill's character. And then this Jurassic World movies came out with Chris Pratt and. These all are bad.

[Millie de Cherico]

Well, I was gonna say.

[Casey O'Brien]

I shouldn't say they're. I. I just. I don't. These kind of feel more like kiddie action movies to me and aren't really about anything. And when Chris Pratt was on Parks and Rec, I really loved him, and I just feel like he's so bland in these Jurassic World movies. And there's three of them. Yeah, and there was. So those all came out.

[Millie de Cherico]

Yeah, there was a huge jump from. So, like, you know, 2001 was Jurassic Park 3. And then it, you know, the first Chris Pratt iteration came out in 2015. So are they. So I guess my question to you is they're not really continuations of the original story at some point. They're just kind of their own little world.

[Casey O'Brien]

The three, Jeff Goldblum, Laura Dern and Sam Neill all return for the last Jurassic World that came out a few years ago. Dominion, Dominion.

[Millie de Cherico]

Those have colons, by the way. Jurassic World, Fallen Kingdom, Jurassic World, colon, Dominion.

[Casey O'Brien]

Oh, my.

[Millie de Cherico]

I'm just saying the consistency is fucked up at this point.

[Casey O'Brien]

So it says Jurassic World, colon, rebirth on the IMDb, but on the Wikipedia, there is no colon. So I was wrong about that. But the Wikipedia, there is no colon. There is no colon. But anyways, these are all just. These are kind of boring sequels. And I feel like it's sort of disappointing because we're kind of in the age of when people kind of figured out how to make sequels good. I feel like in the last 20 to 30 years, because previously sequels were always terrible, but I just feel like Jurassic World and Jurassic park has never really figured it out. So that's where we're at.

[Millie de Cherico]

Yeah. I mean, I feel like we're gonna get into the new film for sure. Maybe it's useful if we take a little step back and talk about the blockbuster, the summer blockbuster.

[Casey O'Brien]

Love to.

[Millie de Cherico]

Okay, Love to. If we talk about summer blockbusters in terms of, like, the financial component or the tone. Right. Because you can kind of think of it as two separate things. Right. You can kind of see a summer blockbuster as a movie that is being made for mass markets. It's usually very easy entries into plot, huge stars, lots of action. Do you have a famous summer blockbuster that you love? Love, Love.

[Casey O'Brien]

So in the 90s, when I was growing up, I would say Will Smith had a run of summer blockbusters that felt very big and important to me. Men in Black, Independence Day. And then I will throw Wild, Wild west in there.

[Millie de Cherico]

Sure, sure.

[Casey O'Brien]

Even though that movie is worse than those other two, I would say they all were like Will Smith sort of owned summers for a stretch there. And I have such a joyful affinity for Will Smith movies of the 90s.

[Millie de Cherico]

Well, and that's exactly what they're made for, is they're made for people's affinities and they have their place. And then there's also the idea of a movie that comes out in the summer. And I think that that's the Barbenheimer example of a movie that. I mean, it was obviously. These are two movies that were obviously made to make as much money as possible. Sure. But at least they were. They were kind of quirky. I mean, I would never expect that they would become blockbusters on their own, much less together.

[Casey O'Brien]

Yeah.

[Millie de Cherico]

I mean, these are not Men in Black films. I mean, no. Greta Gerwig making a summer blockbuster and, you know, Christopher Nolan making a historical drama biography. Right. So that's an interesting thing, and I feel like it. You know, obviously, a huge part of why movies become blockbusters, specifically in the summertime is because there's people are out of school and the people are. It's hot. Nobody wants to go outside. They want to go into a movie and they're trying to watch as many things as possible because they're on vacation and this kind of stuff. So, you know, it's kind of. I don't know, it's kind of a nice place to be, if you're a film in that way, to come out in the summer.

[Casey O'Brien]

I think also I have such a connection to a type of movie that would then have a hit song on their soundtrack that was featured in the movie. Will Smith certainly had this in a lot of his movies. But also, I remember when Armageddon came out, and I don't wanna Miss a Thing by Aerosmith was all over the radio airwaves. And it just felt like a cultural event that was bigger than the movie itself, you know, and that's sort of my memory of summer blockbusters.

[Millie de Cherico]

So you're saying bring back the original song.

[Casey O'Brien]

Yes, I think, you know, Top Gun had original songs attached to it. Titanic did. I want people to bring back the original song. And I actually think the Barbie movie kind of did do that.

[Millie de Cherico]

Yeah. You need to have Bad Bunny doing a sweeping, romantic power ballad for the new Superman movie, is what you're saying.

[Casey O'Brien]

Yes.

[Millie de Cherico]

Okay.

[Casey O'Brien]

Bad Bunny, the star of Happy Gilmore 2. Yes.

[Millie de Cherico]

Well, I actually like that idea, too. Cause I was a huge soundtrack girly when. I mean, I love those soundtracks. So, you know. Of course I'm with you on that.

[Casey O'Brien]

Do you feel. I guess I want to ask you, Millie, do you feel like we still have. What's, like the current state of blockbusters right now? Is it like it was 20, 30 years ago, or how does it compare to now?

[Millie de Cherico]

Well, no, I mean, because the viewing is so fractured now. You know, people are watching. They're not coming en masse to the movie theater as they were 30 years ago. Right.

[Casey O'Brien]

Yeah.

[Millie de Cherico]

I still think that movies bring people to movie theaters.

[Casey O'Brien]

Yes.

[Millie de Cherico]

I definitely think superhero movies do. I definitely think big movies, like, yeah, Jurassic park, you know, Marvel things. Horror. Horror is. Always brings people to movie theaters. And so those will persist. But in terms of it being this extremely bankable. No question about it, we're making our money back no matter fucking what scenario. I think that that's not the case as much as it was back then.

[Casey O'Brien]

I think you're right. I think that it can still happen. Like with the Barbenheimer Effect, it was achieved a heightened frenzy of people wanting to go to the theater, dressing up to go to the theater. And that can still happen, but before, it just happened, regardless of the movies kind of being put out. I feel like where. Now it feels more like it has to be sort of a special case or like a movie people are really hyped about. It's just not a guarantee anymore.

[Millie de Cherico]

Right. I mean, and the big. I think the best example of that, but from the. From the kind of maybe opposite end of this conversation is something like Top Gun Maverick, which. I mean, when I saw the trailer for it, I was like, who the fuck is gonna see this? Apparently everybody around the world saw Top Gun.

[Casey O'Brien]

Everyone's dad went and saw it.

[Millie de Cherico]

Yeah. Yeah. I certainly wouldn't have predicted that to happen. Even with it being a Tom Cruise Top Gun, I think. But then there are movies where you think, oh, that's absolutely gonna hit. It's no question that are, like, not making any money. And so now I feel like that's a weird variable, like you can't count on it anymore. Whereas I think, especially in the 90s, you're like, we're gonna do another Men in Black. We're gonna make another $500 million, no problem.

[Casey O'Brien]

Yeah. Or, you know, I think this would happen a lot too. With blockbusters. It was kind of like. Like I was saying with Will Smith, it's like, oh, what's this? What's the will SM? You know? Or like, in the 80s, it was like, what's the Arnold Schwarzenegger movie this summer? What's the Sylvester Stallone movie this summer? There was like, kind of these actors that you would be like, kind of blockbuster actors that would just, like, have a movie every summer. And you're like, I'm gonna go see it.

[Millie de Cherico]

Yeah.

[Casey O'Brien]

You know, we don't have. And I think Tom Cruise has had that in the past, too, but we don't have actors that are like. Like that carry that weight as much now, I would say.

[Millie de Cherico]

Yeah, there are summer girls from the LFO song. Summer Girls we don't have.

[Casey O'Brien]

I mean, I do like girls that wear Abercrombie and Fitch. I'd take her if I had one wish.

[Millie de Cherico]

Well, this is interesting because. Yeah, that's a good question to ask, because ultimately you wonder whether or not this tradition is going to persist in another 20 years.

[Casey O'Brien]

Yeah, yeah.

[Millie de Cherico]

You know, so we'll see.

[Casey O'Brien]

Interesting, Interesting stuff. All right, I'm going to give a brief synopsis on the movie Jurassic World Rebirth. And here we go. So this is, like we said, this is a sequel to the Chris Pratt Jurassic World movies. And something you have to understand is at the end of those movies, dinosaurs have gotten out of their cages and they live out in the world. And now, by the time this movie starts, a lot of them have died off, but there's still, like, a pocket of them that live around the equator for some bullshit reason. So this movie is about a pharmaceutical company called InGen. They hire Zora Bennett, played by Scarlett Johansson, who is a covert operation expert, whatever that is. And they also hire Dr. Henry Loomis, played by Jonathan Bailey in some very fun little glasses. He's a paleontologist. And they are to go to the equator to extract some biomaterial from the three largest dinosaurs to create a new heart medicine. And then they go with Duncan Kincaid, who is like, Scarlett Johansson's pal, played by Mahersha Ali. And yeah, they go down there and they go get that bio material. And some people get eaten by dinosaurs along the way.

[Millie de Cherico]

That was an amazing overview.

[Casey O'Brien]

There's also a family that gets kind of tied up, but I can't even remember them.

[Millie de Cherico]

Oh, it's. I don't know where they're from. They seem to be from the Caribbean. I don't know if they're from. I don't know if they're from the Caribbean or if they're from Mexico or what. I know they're people of color. This is one thing that I will say that I appreciated about this Jurassic park film is that most of the people of color did not die in this movie.

[Casey O'Brien]

Some did.

[Millie de Cherico]

Some. We won't tell you who.

[Casey O'Brien]

Not most.

[Millie de Cherico]

By the way, spoiler alert from the rest of this episode, if you haven't seen.

[Casey O'Brien]

Yes, spoiler. Big spoil. We're going to spoil this movie. I'm sorry, we just are.

[Millie de Cherico]

Something that I feel is possibly inherent to this franchise is the Children in Peril scenario. There always seems to be children in peril in the Jurassic park multiverse.

[Casey O'Brien]

And as a father, as a girl dad, I wouldn't let her near a dinosaur.

[Millie de Cherico]

Okay, this is another component to this specific film that we gotta talk about. Now you got me chomping at the bit. Okay, sorry, let me go back and say this before we move on to this other thing that I just teased you with this family. Is this ostensibly a single father or the father? Mother's not on the trip with them, but it's a father and his two daughters. One's a teenager who's included her boyfriend on the trip who is like, bad bunny. Yeah, he's like a bad Bunny esque looking stoner boyfriend. And then this little girl who's probably like, I don't know, eight or nine or something, they're on a sailboat trip and of course they're in the middle of the ocean somewhere and all of a sudden these dinosaurs are kicking up and they capsize the boat and then they get rescued by the Mahersha Ali boat.

[Casey O'Brien]

Yes.

[Millie de Cherico]

Which is how they're even in this fandango to begin with. So they're basically innocent bystanders that got roped into this ridiculous Henry Loomis scenario.

[Casey O'Brien]

Yes.

[Millie de Cherico]

So there's kind of two stories happening at the same time in this weird way. And I kept thinking to myself, I think I care about the family more than anything else.

[Casey O'Brien]

I mean, you're supposed to. Yes, you're Supposed to be like, that's like tugs at the heartstrings. Because the other side of the story with the Scarlett Johansson, Mahersha Ali and Jonathan Bailey's little glasses, they barely get any character development at all. Scarlett Johansson recently suffered some loss, and you see her getting teary at some. But it's, like, so not discussed, and there's not really any emotional stakes with those people at all. So they just cram this. This family storyline in there to kind of, like, give it some heart. But I don't know. That was not working for me.

[Millie de Cherico]

What wasn't working for you? The family.

[Casey O'Brien]

The family. I didn't care.

[Millie de Cherico]

See, I. I beg to differ. I feel this is why I'm not a producer in Hollywood, is because if it were up to me, I would scrap all of the people on the Scarlett Johansson side, only focus on the family, and then it becomes this, like, Reuben Auslund movie of class and race.

[Casey O'Brien]

Sure, I see.

[Millie de Cherico]

It's like another triangle of sadness, if you will.

[Casey O'Brien]

Yeah. But with some dinosaurs. But with dinosaurs sprinkled in there.

[Millie de Cherico]

Triangle of sadness with dinosaurs. That's my elevator pitch. Who wants to give me money?

[Casey O'Brien]

That's pretty good.

[Millie de Cherico]

So let's move on to this other thing I want to talk about.

[Casey O'Brien]

Yes. Sorry to interrupt.

[Millie de Cherico]

No, no, no. I love an interruption, especially on this podcast. And when we're talking about Jurassic park, here's the thing, okay. This movie, very early on, presupposes this idea, I guess, that the world has become bored of dinosaurs.

[Casey O'Brien]

Yes.

[Millie de Cherico]

And they're like, oh, people of the world are so bleh. About the idea that dinosaurs live among us and are around in some capacity. And we gotta get these people re interested in dinosaurs, so let's create mutant dinosaurs so that they're like, whoa, it's crazy like this. It's like a dinosaur that I used to like back in the day, except a little weird, and now I love them again. It was this weird. I guess it was, like, a fact of the film that propelled the film, which is that generally we live, like, in this universe. We have hung out with dinosaurs so much on the regs that now are bored of them.

[Casey O'Brien]

Yeah.

[Millie de Cherico]

And I just kept thinking that is absolutely never gonna happen. Like, who would be bored of. If you live amongst a dinosaur, you're telling me that you're like, oh, this.

[Casey O'Brien]

It's like this movie, it does suffer from kind of like the dinosaur industrial complex, where it's like, well, how many, like, bigger dinosaurs can we make? You know? It's like, dinosaurs are fine just as they are. This is something that was brought up in the previous Jurassic World movies. This is a concept that was introduced in the first Jurassic World with Chris Pratt. There are like, mutant dinosaurs that they make to, like, heighten the frightening nature of dinosaurs. But I'm like, like, I 100% agree with you that it's like dinosaur. The dinosaurs are fine point. They're scary and interesting. We, I, I, we are not going to get bored with them.

[Millie de Cherico]

You know, if you were just like, if you were in the Jurassic World universe where we've become so integrated with life with dinosaurs, let's just say that say like a dinosaur was producing this episode right now.

[Casey O'Brien]

Yeah, sure.

[Millie de Cherico]

There would never be a moment in my brain where I thought I would not think that. That was an incredible fact. Like, I'd be like, a fucking stegosaurus produces our podcast. Or a brontosaurus is my co worker or my neighbor's pet. This is, this is why it goes down this rabbit hole of like, oh, well, we have to create these mutants.

[Casey O'Brien]

Wait, I have one more pitch to that. A pterodactyl is using pro tools. So. Sorry, continue.

[Millie de Cherico]

From your film school days, your buddy. From your film school days. I. The idea that people got sick to death of dinosaurs and then they were like, well, let's juice them. We gotta, we gotta juice them. We gotta make them better. And then everything goes rogue is probably one of the stupidest ideas to me. And I realized that this movie wouldn't exist if that weren't the fact. But I. Maybe it shouldn't have existed. I don't know. It just seems so crazy to me.

[Casey O'Brien]

I feel like there is, I. You bring up a good point, though. There is so much, like, interesting concepts to mine from. People have brought back dinosaurs.

[Millie de Cherico]

Yeah.

[Casey O'Brien]

There's just more to do with that. We don't have to be like, the dinosaurs need to be bigger. It needs to have more heads or whatever. Like, it's just such a weird storytelling thing to do.

[Millie de Cherico]

Well. And like, okay, spoiler alert for those who need it. The. But the baddie, the, the final boss, the baddie of this film is the D Rex. Did the D Rex exist in the Chris Pratt films, by the way?

[Casey O'Brien]

I don't think so.

[Millie de Cherico]

Okay, let me talk about a D Rex. First of all, the name D Rex. I mean, are you kidding? Jesus, that's a Magic Mike stripper name.

[Casey O'Brien]

Oh, my God, the D Rex.

[Millie de Cherico]

I. This is the most mutated out of all of them. And so imagine this is what a T Rex looks like. A T. Rex. A Tyrannosaurus rex, except a smooth head, sort of like the Xenomorph from Alien.

[Casey O'Brien]

That's a good description.

[Millie de Cherico]

And then has two sets of arms. Okay, so it has the little T. Rex arms, which we've all joked about them being kind of inefficient. I'm assuming if you're a paleontologist, you will disagree with me. But, you know, we all think, oh, tiny arms. What. What can this monster do with tiny arms? But it also has big arms. And I just kept thinking, this is insane that this, that this D. Rex has two sets of arms, little and big. And who was the scientist that decided why not give them both things?

[Casey O'Brien]

Yeah, yeah.

[Millie de Cherico]

What does the little ones do? The little ones are for close up stuff, and then the long ones are for the other thing. I don't know.

[Casey O'Brien]

The little arms are for, like, eating, like, tiny cookies and biscuits. And then the big arms are for, like, manual labor, hammering stuff.

[Millie de Cherico]

I felt for two dinosaurs in this entire film.

[Casey O'Brien]

Well, I think I know one of them.

[Millie de Cherico]

I think I do too. Right.

[Casey O'Brien]

Little Dolores, the little jar.

[Millie de Cherico]

Jar of the film.

[Casey O'Brien]

Yeah.

[Millie de Cherico]

Was Dolores around for any. I keep asking you about this Chris Pratt. I've never seen.

[Casey O'Brien]

I've seen all of them, so I can tell you. No, the little baby.

[Millie de Cherico]

Yeah.

[Casey O'Brien]

Where'd she go?

[Millie de Cherico]

Okay, first of all, I feel like Dolores needed more screen time. Just throwing it out there. Well. And then, spoiler alert. But, you know, at the end of the movie, she escapes with the girl that she, you know, because. Bayonet. Let's get serious. The little girl is the one that connects with Dolores. And it was a lot of snack placement, product placement involved with their bonding.

[Casey O'Brien]

Yes.

[Millie de Cherico]

So Dolores is like this tiny little dinosaur that fits in her backpack. And then at the end of the movie, they're on the escape boat together. And then I just kept. I just imagined like this little girl taking this baby dinosaur home with her. And if that. I just imagine those people on TikTok that basically taken wild animals and they create these insane videos with that. That tender song that they always play on Tick Tock, where it's like Heart Beat Fest, trying to be brave, trying to be this. And it's like this. You know, these people felt like a wild boar or something. And they're like, trying to. They're trying to, like, trade it to be like a baby that drinks from a bottle. And like, they're. They're making this tender hearted video. And then everybody in the comments is like, are you insane? You're not supposed to domesticate a wild boar or whatever. I just imagine this is what this little girl was gonna do is gonna make this dinosaur her tick tock pets.

[Casey O'Brien]

God almighty.

[Millie de Cherico]

The other dinosaurs, and I've alluded to this earlier is there was a part of this movie. God, I feel so embarrassed about to tell you this.

[Casey O'Brien]

Please.

[Millie de Cherico]

There was a part of the film where they were. Because they basically have to extract juice or blood or whatever from three sets of dinosaurs.

[Casey O'Brien]

Biomaterial.

[Millie de Cherico]

Biomaterial. One of them. The second one was supposed to be sort of this like, I don't know, it felt like this kind of plant eating, gentle brontosaurus with this like long whiptail.

[Casey O'Brien]

Yeah.

[Millie de Cherico]

And there was this moment where they basically encountered this dinosaur and it was. The dinosaur was in love with this other dinosaur.

[Casey O'Brien]

Yes. That was nice.

[Millie de Cherico]

I teared up, Casey. I don't know what's wrong with me. I swear to God, I think it's Paramo. Why did I tear up watching these dinosaurs in love? Like they were like tenderly. They had their like little necks wrapped around each other.

[Casey O'Brien]

And that's how they got the biomaterial. They took advantage of their love because they were distracted.

[Millie de Cherico]

They shot one in the ass while it was having a fucking tender snuggle with their beloved. I, I.

[Casey O'Brien]

Listen, Millie, I'm not, I would never Yuck your yum. Sometimes being in a movie theater is such an emotional experience that you can't help but I get teary eyed during trailers sometimes of movies I've never seen. And it's a highly emotional place. So I understand. You're safe here.

[Millie de Cherico]

Thank you. I very much appreciate that. I was alone. I was alone in the movie theater with other 12 year olds. But I don't know, it just tugged to my heartstrings. I teared up. But that, that's the other dinosaur that I was. But for the most part, yes. I didn't connect with any of these others. Any of the other dinosaurs. I felt nothing for.

[Casey O'Brien]

Yeah. I mean this movie I feel like has had zero cultural impact. I feel like people never really talked about it online or had any reaction to it. I think it made like $750 million. So I think it did okay. But like I don't know. Here's what I have. I have a question. What's your pitch for the next Jurassic World movie?

[Millie de Cherico]

Well, I have a side pitch. A side quest pitch first.

[Casey O'Brien]

Cool.

[Millie de Cherico]

I would love to see Scarlett Johansson join the Expendables.

[Casey O'Brien]

I think she would, she'd do great.

[Millie de Cherico]

She's, she's a mercenary in this film. By the way.

[Casey O'Brien]

Yeah.

[Millie de Cherico]

Slightly believable at times.

[Casey O'Brien]

I could see it.

[Millie de Cherico]

But I was just thinking, well, shit, they need a woman in the Expendables pretty badly like her.

[Casey O'Brien]

They don't have any women in there.

[Millie de Cherico]

I don't think so. It's pretty macho. But I also think that star power is her.

[Casey O'Brien]

Well, I mean, yes, I think she would bring a lot of that to the table. I don't know if there's ever been a write in. I've never seen an Expendable.

[Millie de Cherico]

You have. Speaking of. I mean, you were talking about people like Arnold. I mean, they're fun. They're fun as shit.

[Casey O'Brien]

I'm sure.

[Millie de Cherico]

But I would say make one. Make her an Expendable. I don't think. She's too young, to be honest. You could use some. Some ladies in there. And then she can wear her little tight tank tops for all you boys.

[Casey O'Brien]

For all you boys.

[Millie de Cherico]

So I feel like that's my side pitch now.

[Casey O'Brien]

Okay.

[Millie de Cherico]

You're asking me, what is the next Jurassic Park?

[Casey O'Brien]

Yeah. What would you. What would your idea be for the next Jurassic Park?

[Millie de Cherico]

I say the next Jurassic park is Dr. Henry Loomis. Jonathan Bailey being very emotional about dinosaurs.

[Casey O'Brien]

Okay.

[Millie de Cherico]

I feel like we could maybe pitch it as, I don't know, some sort of tender love story of him falling in love with his job of being a museum researcher.

[Casey O'Brien]

I see.

[Millie de Cherico]

He cried. Did you know that?

[Casey O'Brien]

Did you see?

[Millie de Cherico]

He cried when he saw the dinosaur eggs. Was it when he saw the eggs?

[Casey O'Brien]

He was charming. You have to admit, he was kind of fun to watch on the screen.

[Millie de Cherico]

Who is that, by the way? I don't even know who that actor is.

[Casey O'Brien]

Jonathan Bailey. He's a theater guy. I believe he was in Wicked. He was in Bridgerton and Wicked. Yeah, Bridgerton and Wicked. So that's kind of.

[Millie de Cherico]

I don't. I don't know anything about him. Of course, they were sort of teasing at the idea that him and Scarlet's character were kind of connecting. Although.

[Casey O'Brien]

Yes.

[Millie de Cherico]

I didn't.

[Casey O'Brien]

I didn't get that. Didn't play for me.

[Millie de Cherico]

I actually thought he was not in the Women if.

[Casey O'Brien]

Yeah, he is gay in real life.

[Millie de Cherico]

Yeah.

[Casey O'Brien]

So.

[Millie de Cherico]

Well, and like, then I was like, well, she can't get with this guy. He's gonna slow her down and she needs to be in the Expendables.

[Casey O'Brien]

That's right.

[Millie de Cherico]

Make money for herself, parachuting out of airplanes. Now, the other guy. Here's the thing. No, no, no. I'm talking about the evil capital.

[Casey O'Brien]

Oh, the evil guy.

[Millie de Cherico]

The.

[Casey O'Brien]

He works for ingen. The pharmaceutical company.

[Millie de Cherico]

The pharma bro. The pharma bro. I am not joking when I say this, dude. I did not realize that that was not Orlando Bloom until, like five minutes before the movie ended.

[Casey O'Brien]

Mmm. That he is, of course, play. It's the character of Martin Krebs, played by the British actor Rupert Friend, who I do really like. He was in the movie Death of Stalin. Have you ever saw that movie? So he is good, but he does look like Orlando Bloom.

[Millie de Cherico]

Should I know more British actors? I feel like I don't know any of these people. That's so sad.

[Casey O'Brien]

You know, the British, they are way overrepresented in our movies. They're taking our jobs and they're doing perfect American accents. And so, no, I don't think you need to know anymore.

[Millie de Cherico]

Okay, well, his character died with no love lost. As all Farmer Bros should should.

[Casey O'Brien]

Yes.

[Millie de Cherico]

I don't know anything else to say about Jurassic park rebirth.

[Casey O'Brien]

I'm gonna do my pitch for the next Jurassic Park.

[Millie de Cherico]

Let's hear it.

[Casey O'Brien]

I think, number one, there should be some guy living on the island, like some hermit.

[Millie de Cherico]

Oh, sure, sure.

[Casey O'Brien]

Living among the dinosaurs. Okay, that's one. One idea. Number two, I think it should be like, a bunch of TikTok bros are going. You know how there was like, Those Urban Explorer YouTube TikTok pages? This would be like the same thing where they're going to the island to, like, check out the dinosaurs and a bunch of them get eaten. So that's my pitch.

[Millie de Cherico]

So you want to see a guy in voiceover? Go, Come with me as I'm here in Jurassic Park.

[Casey O'Brien]

Yes, exactly.

[Millie de Cherico]

Look at this. Cool dinos egg crunch body. Exactly.

[Casey O'Brien]

See, this is good. Pit Millie. This is good. That's good. That's a good idea.

[Millie de Cherico]

That's why. That's why I'm a podcaster and not a producer.

[Casey O'Brien]

No, there's nothing more to be said about this or blockbusters. I think we've kind of exhausted it. I'm exhausted. So I think it'd probably be best to move on.

[Millie de Cherico]

We can do that.

[Casey O'Brien]

Our final segment for today is movie theater etiquette. Millie, this is something I wanted to talk to you about because I have some questions. You know, I am kind of particular when it comes to movie theater etiquette. I have ideas about how things should go down in there, but I was just curious about you. You know me. You know you're not supposed to talk in the movie theater, but people do. Are you a shusher? And how do you handle talking if there's like someone behind you talking throughout the whole movie.

[Millie de Cherico]

Oh, God. This is really hard for me because I hate conflict.

[Casey O'Brien]

Yeah.

[Millie de Cherico]

Although I do. I mean, there have been times, I think, in the past where I just have had to say something because something is just so ridiculous. I think that's my. My fear. Well, my fear is being killed by someone over an altercation in public that has no. No, nothing to do with real life. I'm always afraid to incite, like, a really violent reaction from someone.

[Casey O'Brien]

It is hard because sometimes, even if you're like, hey, do you think you could be quiet? Or like, if you slightly. Reverend Sometimes people go insane. And that is the scary part.

[Millie de Cherico]

That's the scary part. And like, I think I told the story about when I once saw Lisa Frankenstein with my friends, and one of them, these girls were teenage girls were behind us and they were throwing things, and people were getting crazy, like, in the audience. Like, they were turning around being like, oh, my God, who's throwing popcorn? And somebody finally said, hey, stop talking. And one of the girls screamed, you. I was like, oh, okay. Wow, I'm scared. Like, I'm officially scared just to be a shusher.

[Casey O'Brien]

But there have, because that can happen.

[Millie de Cherico]

Oh, my God.

[Casey O'Brien]

You could get a you right? Thrown right at you. And then what do you do?

[Millie de Cherico]

Oh, I know. You know, then I'm. Then I'm sitting there thinking about it all day long, like this teenager.

[Casey O'Brien]

I'd probably leave.

[Millie de Cherico]

Oh, I would leave. Huh? But there have been times, maybe not in a movie theater necessarily, but there have been times in life where you just. I don't know, you just have to say something because it's the right thing to do. So I think it has to be an extremely elevated case for me to shush. I know people who shush with no hesitation whatsoever. Maybe I might have done a podcast with one of those people. Oh, it's kind of boss.

[Casey O'Brien]

I like it.

[Millie de Cherico]

Oh, Danielle would tell anybody any. Like, she is amazing in that regard. And as a weak person like that, we need her. We need.

[Casey O'Brien]

We need her to protect us.

[Millie de Cherico]

So.

[Casey O'Brien]

Protect us from the teenage girls out there. Do you like it when. Because sometimes this happens in a theater also, I will say I'm in agreement with you. I shush very sparingly. I want to do it more, but I'm scared. That's the answer. Do you like it when an audience member makes a MST3K style joke during a movie? Have you ever been to one of those movies where there's someone making kind of jokes at the screen?

[Millie de Cherico]

I'm shaking my head. Like the minute you started talking and I knew it was going in this direction, my head started shaking. No, I hate improv. Shit like that is so. And, and there was a time where I was hosting a movie screening here in Atlanta many, many years ago. I can't remember the movie. It was something like. It wasn't the room, but it was something. I think it was like an Andy Sedaris movie or something like Hard Ticket to Hawaii or something like that. And I watched a little bit of it and could hear somebody just riffing, like doing their whole improv routine. I wanted to go up to them and scream in their face, you bitch. Basically, I was so upset by it because it just felt like their stage, like they just kind of said, well, I don't care if anybody else wants to actually see this movie, I'm gonna like provide.

[Casey O'Brien]

Yeah.

[Millie de Cherico]

The comedy. And I just hate that. I hate that.

[Casey O'Brien]

Me too.

[Millie de Cherico]

In public? Hell no.

[Casey O'Brien]

It's crazy.

[Millie de Cherico]

You could do it in your home with your buddies, but not in a theater.

[Casey O'Brien]

I know, I know. I was in a movie theater. I was seeing a Mission Impossible movie and you know how I hold those movies in such high regard. So this was a special experience. And there was like a 12 year old boy, he was drinking a big old Icee and eating a big thing of Milk Duds and he was riffing away, making jokes and I was like, oh my God, this kid is driving me nuts. And. Cause he got a big laugh. I don't remember what he said, but he got a big laugh with a comment and that really emboldened him.

[Millie de Cherico]

Oh, of course it does.

[Casey O'Brien]

And I could feel him charging up for a big one and there was some. He was waiting for something, I could tell. And I don't even exactly remember what happened on screen, but like, let's say Tom Cruise got like crashed a motorcycle or whatever and Tom Cruise crashes the motorcycle and the kid goes, he's. He tried to say, that's gotta hurt, but I was ready for him. And so he went, I shushed him right in the middle of it. So it came out like this. He was like, that's gotta hurt. So I like deflated him because I shushed him mid riff and he didn't talk for the rest because I was sitting right next to him. And I like, you know, but this is me being brave against a 12 year old boy, you know? Yeah, there's. I. I'm prepared to take that kid on, but like if it was a full grown adult, I don't know if I would have been as ready.

[Millie de Cherico]

You know, there's gonna be a TikTok of you tomorrow in slow motion of you shushing a kid. And then that song is gonna be. Try to be brave.

[Casey O'Brien]

Try to.

[Millie de Cherico]

Oh, my God, you killed that kid.

[Casey O'Brien]

He's never gonna do comedy.

[Millie de Cherico]

He's never gonna. He's gonna think about this for the rest of his fucking life.

[Casey O'Brien]

Well, I hope he does. I hope he does because he was really being annoying.

[Millie de Cherico]

Wow.

[Casey O'Brien]

Now what to you? How are you not allowed to eat in the movie theater? And what are you allowed to eat in the movie theater?

[Millie de Cherico]

Listen, this is gonna be an unpopular opinion perhaps. I think you can eat whatever the fuck you want to eat.

[Casey O'Brien]

Ooh, I disagree.

[Millie de Cherico]

I think you could eat Thanksgiving dinner in there if you want.

[Casey O'Brien]

I don't want a stinky. I don't want to smell your chipotle burrito.

[Millie de Cherico]

Oh, I don't care. This is the thing. Movie theater food is so terrible and so expensive that to me, it's a class uprising to bring delicious food from your home or wherever into a movie.

[Casey O'Brien]

You want people bringing in chicken Kiev and eating it in the movie theater. This is outrageous. I don't think you should. I think hot dog is like the smelliest food. I think you should be able to eat in the theater. I just don't. I don't like. Cause I've been in the theater where I'm like. Like someone brought in something and it stink. I just don't like it. It's like being on an airplane.

[Millie de Cherico]

Sure. I mean, that's another place where you're allowed.

[Casey O'Brien]

I'm not. I'm not against bringing in food, but I just. I. There's certain type. I just feel like it needs to be like, candy pop. Something that doesn't. That isn't like a bit like a turkey dinner.

[Millie de Cherico]

Like, listen, I feel as though leaving the house is just basically being an open air market for anything to happen at this point. And to me, I'm like, I will allow for the stinky limburger cheese and crackers, whatever you got. I'm fine with it. It's like, it has to happen. We're not eating these goddamn flatbread margarita shits that they put in a microwave. They're not good. The upscale food that they have at, like, chains or whatever where it's like nachos or flatbread pizzas or anything are so terrible that I'm like, no, like, bring in chipotle. Bring in whatever you got. As long as you can nourish yourself. I'm fine with it.

[Casey O'Brien]

Okay. Okay. Have you ever been in a movie theater where the police came in and took somebody out?

[Millie de Cherico]

Is that absolutely 100? It happened Christmas Day, 2024. Nosferatu, Melbourne, Florida.

[Casey O'Brien]

Did you tell this on the pod?

[Millie de Cherico]

I sure as did. I said that the police came in because they were looking for somebody. They stopped the movie. They stopped.

[Casey O'Brien]

They stopped the movie.

[Millie de Cherico]

Oh, they stopped Nosferatu. And the theater manager and a police officer came in and were, like, looking at people's faces. It was insane.

[Casey O'Brien]

Whoa. That's like, out of a movie.

[Millie de Cherico]

It lasted probably about five, five to seven minutes, but it was insane. I was like, okay.

[Casey O'Brien]

Did I ever talk about my screening of the movie Mother? Darren Aronofsky's mother?

[Millie de Cherico]

No, I don't think so.

[Casey O'Brien]

So we saw this at the. I can't remember the name of the movie theater. It was. It's like, right next to the Staples center in downtown la, which is like a cuckoo kind of movie theater. We were, like, the only people in there seeing Mother, exclamation point, which is an insane movie. And like, 15 minutes into it, this couple comes in, and I'm like, ooh, I can really smell alcohol. They are drunk.

[Millie de Cherico]

Uh oh.

[Casey O'Brien]

And they sit directly behind us. And the guy leans forward, like, and whispers in my ear. He's a. Hey, can you move over a couple seats? And I'm like, no one is in here. And I smell is, like, stinky breath. And I'm like. And I said. I was, like, pissed off because I was like, why don't you move? Like, there's no one in here. And then I go, no. Two seconds later, a bare foot comes and rests on my seat and is touching my head. It's like, right next to my head.

[Millie de Cherico]

Gross.

[Casey O'Brien]

And I'm like. And so that did get me to move far away from this man. But I would say about 20 minutes later, the police came in and took them out. And I had not reported them, so, like, obviously they were doing hijinks outside the theaters.

[Millie de Cherico]

I'm sure that. That. That wasn't the first or last stop, really, for them. Wow. I would. Oh. If a barefoot came into my face from a stranger. Oh, my God.

[Casey O'Brien]

Casey gives me chills. Still. It also sort of felt the, like, the vibe of the movie because the movie is so outrageously insane. It felt. I don't know, it was a memorable experience. Okay, okay, here's the last question I have for you, okay? Movie etiquette, okay? When is the last, the absolute last moment you're allowed to Use your phone.

[Millie de Cherico]

Okay. This is an interesting one, because I feel like it is for me, it was based on the city. I will say la. They don't want. Once the trailers begin. You cannot touch your phone in LA. In LA.

[Casey O'Brien]

You know, that's interesting. You're 100% right. And I noticed a shift when I moved back to Minneapolis and I was like, ooh. Also, the lights stay on during the trailers at all my theaters here.

[Millie de Cherico]

Me too. Me too. I gotta tell you, I think the LA film etiquette is a different animal. I just think it's based on. It's the center of movies. Everybody is super respectful and their culture of seeing movies is just at a high level and they won't let you get away with shit. I feel like Austin is probably the only other town where that's true. Maybe New York. But it's. It really has to be. You have to be shamed into acting that way. I gotta say it. You gotta be shamed into doing it. Atlanta is not that. Atlanta is full on. I'm gonna film this movie as it's playing. There's no rules. Just right here. Like, it's.

[Casey O'Brien]

It's absolutely Outback Steakhouse rules.

[Millie de Cherico]

Oh, it's got. It's like gob. Smackingly bad here. And I. Like I said, I think that you. You have to be. You basically have to organize everybody to be a shusher and a complainer, and you have to put trailers in front of the movies that feature prominent celebrities telling you that you will die if you take your phone out like they do at Drafthouse. It's a problem. So there's the reality, which is that I feel like people are using their phones wherever in my life at this point. But in my preference, I feel like trail.

[Casey O'Brien]

Like.

[Millie de Cherico]

Like once, maybe once Maria Menounos is.

[Casey O'Brien]

Gone, once she says bye bye.

[Millie de Cherico]

When she's like, bye bye, go and listen to my wellness podcast. Why would you say that?

[Casey O'Brien]

Like, sorry, Maria Menounos did like a genie trap you in the movie theater pre screening things? It's like, I haven't seen her anywhere else and all of a sudden she's popping up in this weird pre movie entertainment. It's very odd.

[Millie de Cherico]

I. I think once she tells you about the wellness podcast, you are. You got to turn your phone off. I. I feel trailers are important to people. Okay. They're not filler before the movie. I think people love seeing trailers and so respect that shit and don't.

[Casey O'Brien]

I think the mute. The movie industry also is to blame for this or the movie theater. Industry. Because now, you know, Ria Menounos is bouncing all over the screen. There's that bullshit. There's commercials and then there are like these like fake trailers, which are like commercials for movies, but they're not the trailers. You know, it's like this weird in between. And then it's like. And then it's the trailers. But as a viewer, it gets kind of gobbled up. So there doesn't feel like there's a delineation mark for people to be like, okay, now we're entering a sacred space. Which I think the trailers is a sacred space.

[Millie de Cherico]

But I do too. And the craziest part about when I saw Jurassic, I said just Jurassic. This one that we just talked about.

[Casey O'Brien]

Rebirth.

[Millie de Cherico]

Rebirth. I don't know if this was your experience, but they did the whole trailer run. Then they did the AMC branded stuff pre roll. They did Nicole Kidman, the whole Song of Dance. And then they played the new trailer for their new Christopher Nolan movie. Yeah, okay. I think that was weird because I was like, oh, I've already set up for the movie to start because I saw Nicole Kimmin's pantsuit. So now they're tucking in the Christopher Nolan trailer. So what ended up happening is someone in front of me pulled out their phone and started taking pictures of the Christopher Nolan trailer and then texting them to their friend. And I'm just like, fuck this. Are you kidding?

[Casey O'Brien]

Yeah, See, that's that, that's. That shows that there's now a new section where it's like, well, this is the real trailer section, the Christopher Nolan movie. It's like the trailer section has gotten so disrespected that now we have to create this new category for more elevated movies like Christopher Nolan movies. So it's sickening. It's sickening.

[Millie de Cherico]

Well, at any rate.

[Casey O'Brien]

And you know, I don't like talking during trailers either. I like that pisses me off almost more than the phones during the trailers is when people are having full on conversations during the trailers.

[Millie de Cherico]

Oh, I agree. I agree. I mean, I'm not saying you can't laugh if you see a funny trailer, but you also can have a conversation. I feel like that is the line of demarcation. Trailers is movie time.

[Casey O'Brien]

Yeah.

[Millie de Cherico]

If you need to, like do your improv routine, do it during Maria Marunos. Please, please.

[Casey O'Brien]

Well, Millie, maybe we'll bring up more movie theater etiquette in the future. I have many more thoughts, so I'm glad we were able to discuss this a little bit today.

[Millie de Cherico]

I did too. This was great. Also, if you have any film etiquette rules, you should email us. Right?

[Casey O'Brien]

Yes, please. I want to hear your rules because it's important. This is important. Moving on. Employees picks film recommendations based on the theme of the discussion today. Millie, do you have a employee's picks for us today?

[Millie de Cherico]

I was just thinking about this. I don't know. This is gonna possibly be inflammatory. I don't know. I'm gonna recommend. So right now I'm currently, I'm looking. I just googled list of films featuring dinosaurs.

[Casey O'Brien]

Sure.

[Millie de Cherico]

Because I was like, do I want to recommend another Jurassic park movie? No. Do I want. Need to recommend another Steven Spielberg movie? No. Or Chris Pratt movie? Absolutely not. Or anyone. I don't know. Like, you know, I was like, what about another dinosaur movie that I enjoy. And I enjoy quite a few. However, I feel like my most favorites, and this is the inflammatory part, is that I'm not even sure if this is an actual dinosaur, if it would be classified as a dinosaur. Really? I don't know. I'm a huge fan of the Godzilla movies. The old ones.

[Casey O'Brien]

Hell yeah.

[Millie de Cherico]

So they look like dinosaurs. I think they're classified as monsters. I mean, like I said, I don't know, some Godzilla. There's a lot of hardcore Godzilla fans. Maybe they're going to tell me.

[Casey O'Brien]

I think they would be classified as Kaiju.

[Millie de Cherico]

Okay. And what is that? It's like a monster.

[Casey O'Brien]

Like a big dude, big, strange beast monster.

[Millie de Cherico]

They are a. They come from eggs from remote islands. So it feels like, okay, well maybe that's sort of close enough to a dinosaur. Somebody is going to call, gonna tell me what a. What Godzilla actually is. For the purposes of this film recommendation, the only reason why I'm bringing it up, because I really want you to see Son of Godzilla from 1960. Because Godzilla's son is amazing. Blows Dolores out of the water if you want to get really serious.

[Casey O'Brien]

He's so cute.

[Millie de Cherico]

He's a little, little chunky fucker. So funny looking and cute and aw, I am obsessed.

[Casey O'Brien]

He kind of looks like my daughter. So cute.

[Millie de Cherico]

What? I love that for you. And also I just love baby versions of like famous monsters. I love, you know, you know, whatever. The baby versions of everybody. Like Muppet babies was great for a reason, folks. So anyway, son of Godzilla, 1967. I think it's the eighth movie in the, in the original Godzilla franchise. It is.

[Casey O'Brien]

Yes.

[Millie de Cherico]

It is so freaking funny and cute. So. So anyway, you can come into battle with me if you want at dear [e-mail] of whether or not. I should be recommending this movie as part of this episode, but I'm just doing it, so I think it's great. Thank you. What about yours?

[Casey O'Brien]

I'm not gonna. Okay, so we didn't get into this for one second, but Jurassic World Rebirth is directed by a guy named Gareth Edwards. Now, this guy has directed a few movies about big movies, monsters. He directed a Godzilla movie in 2014, which I thought was fine, but his first movie he ever directed. And he was the cinematographer, editor, visual effects artist on it. He did everything. Basically, it's called monsters from 2010.

[Millie de Cherico]

Okay.

[Casey O'Brien]

Have you seen this movie?

[Millie de Cherico]

I have not.

[Casey O'Brien]

It is really good. It is really good. It stars Scoot McNary and Whitney Abel, and it takes place in Mexico. And basically, there are these giant, tentacled monsters that appear after a NASA probe crashes in Mexico. And it's really kind of slow and interesting and methodical, and the creatures look really good. And scoot McNairy and Whitney Abel are kind of these drifters through Mexico. And I think he's a. Yeah, he's a photojournalist, and he is tasked with escorting his employer's daughter back to the United States by crossing through Mexico's infected zone, where the creatures reside. And it's a really good movie.

[Millie de Cherico]

Movie.

[Casey O'Brien]

I really loved it and highly recommend it, so.

[Millie de Cherico]

Well, great. Scoot McNary. Fans of Scoot here.

[Casey O'Brien]

You're a fan of Scoot, aren't you?

[Millie de Cherico]

Don't we talk about him once?

[Casey O'Brien]

I haven't talked about him, but I like Scoot McNairy.

[Millie de Cherico]

Maybe I'm forgetting everything. I've had my brain zapped at Jurassic Park.

[Casey O'Brien]

I kind of feel. I felt like there was a little bit of an energy that you were mad at me for making you see this movie. Talking about.

[Millie de Cherico]

No, I mean, listen, I am here for love of the game. Like I said, I'll see, like, any movie. I.

[Casey O'Brien]

And I just want to say I'm sorry. Don't apologize.

[Millie de Cherico]

I will pay you back. I'm sure, if I have not already, I will.

[Casey O'Brien]

But I actually.

[Millie de Cherico]

It's fun to watch these movies because then we can have this very buoyant, fun convo about the ridiculousness of these types of movies, in a way. You know what I mean?

[Casey O'Brien]

Yeah. And I love going to, like. I love going to the AMC theater to see a big movie, you know, that's the joy of the summer blockbuster. It really is a ride. And so I enjoyed my experience.

[Millie de Cherico]

I did, too. I mean. I mean, I'm never gonna be mad to see something like this. I mean, you know, despite the fact that it was probably too long and had a lot of things that probably didn't make much sense, for the most part, it was fun to be able to just talk about it with you. So don't apologize, bruh.

[Casey O'Brien]

Bruh. Well, Millie, we did it.

[Millie de Cherico]

We did it.

[Casey O'Brien]

Another episode of our podcast recorded. Unbelievable. So, well, if you'd like, you know, we give out film advice on this show. We also talk about movie etiquette. If you have any movie etiquette rules, please write in. If you have any movie gripes. If you have any movie regrets, Please write into DearMoviesactlyRightMedia.com you can also ask advice by sending us a voicemail. Just record a voicemail on your phone that's under a minute and email it to dearmovies at exactly right.

[Millie de Cherico]

Media.com I decided that I like the term consensual movie grope.

[Casey O'Brien]

I do too. I actually was thinking about that the other day.

[Millie de Cherico]

Okay, let's.

[Casey O'Brien]

Let's gripe or grope. Parentheses, Consensual.

[Millie de Cherico]

Consensual movie grope. Also, we have social media. Unfortunately, we are at Dear Movies I love you on Instagram and Facebook. Our letterbox titles are Casey Lee o' Brien and M. De Chirico. And if you want to listen to us, we are on the iHeartRadio app, Apple Podcasts, or wherever you get your podcast.

[Casey O'Brien]

That's right. And you know, at the top of the show, we were bemoaning the fact that we suck and hate ourselves. So if anyone wants to leave us like a review or an email, that's like saying they have a crush on us. You know, I think we were kind of bemoaning the fact that not enough people are commenting on how hot we are. We'd love that too. So, you know, th. These, these types of reviews help the show the show because it helps the hosts feel better about themselves.

[Millie de Cherico]

It brings our self esteem up when you tell us that we're hot. So please, please do that.

[Casey O'Brien]

Next week. Millie. Ooh, I'm excited.

[Millie de Cherico]

This is gonna be a. Well, it's both of our episodes because I think we're both, both in love with this director. But it's going to feel like you are going to go off sis.

[Casey O'Brien]

I might go off. And I mean, we're talking about. He's in my, I would say like my top three favorite directors of all time.

[Millie de Cherico]

Really?

[Casey O'Brien]

Yeah. I love him.

[Millie de Cherico]

I can see that for you.

[Casey O'Brien]

We're talking about the Shrouds, which came out last year 2024. And we're going to be talking about the work of David Cronenberg. Strap in.

[Millie de Cherico]

God. We're doing a lot of new movies recently.

[Casey O'Brien]

Yeah, this one is. This one's interesting because it's streaming on the Criterion channel and I think that's the only place you can watch it right now.

[Millie de Cherico]

Listen, I'm fine with it. It's just the next week we're going to have to do a fricking Harold Lloyd movie. I'm kidding.

[Casey O'Brien]

We're going to do a Sergei Eisenstein Battleship Potemkin.

[Millie de Cherico]

We're gonna do Disa Vertov's man with a movie camera from 19. Whatever. I don't even remember when that came out.

[Casey O'Brien]

So we're gonna look at the Lumiere brothers.

[Millie de Cherico]

Oh, it's gonna be a spicy one. Oh, God. All right. I feel like we should only record a night from now on and we should only talk about dinosaurs forever, so.

[Casey O'Brien]

Oh, my God. Thank you, Millie, for a great ep.

[Millie de Cherico]

Yep, it was a blast. And thank everybody. See you soon.

[Casey O'Brien]

Bye.

[Millie de Cherico]

This has been an exactly right production. Hosted by me, Millie de Cherico, and produced by my co host, Casey o'. Brien.

[Casey O'Brien]

This episode was mixed by Tom Breyfogel. Our associate producer is Christina Check Chamberlain. Our guest booker is Patrick Cotner, and our artwork is by Vanessa Lilac.

[Millie de Cherico]

Our incredible theme music is by the best band in the entire world, the Softies.

[Casey O'Brien]

Thank you to our executive producers, Karen Kilgariff, Georgia Hardstark, Daniel Kramer and Millie Di.

[Millie de Cherico]

We love you.

[Casey O'Brien]

Goodbye.

[Millie de Cherico]

Be kind. Foreign.

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[Casey O'Brien]

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[Millie de Cherico]

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[Casey O'Brien]

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[Millie de Cherico]

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[Casey O'Brien]

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[Millie de Cherico]

Hmm.

[Casey O'Brien]

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