We Are All Sizzlin’

Summary

Dear Movies, I Love You: Episode Summary - "We Are All Sizzlin’"

Hosts: Millie de Chirico and Danielle Henderson
Release Date: November 19, 2024
Network: Exactly Right Podcast Network
Instagram: @dearmoviesiloveyou

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Introduction: A Nostalgic Journey

Timestamp [00:00 – 02:01]

Millie de Chirico and Danielle Henderson kick off this special episode by announcing it as a nostalgic recap of their podcast's entire run. Excitement fills the air as they express eagerness to revisit favorite moments and clips from the past four years. Millie humorously notes, "I have not heard some of these episodes since we recorded them" (00:26), highlighting the fresh perspective they bring to each revisited segment.

Highlighting Memorable Episodes

1. Episode 8: "Drop a Pin" – Exploring "The Fly"

Timestamp [02:01 – 04:10]

Millie and Danielle delve into their earliest podcast discussions, reminiscing about their analysis of iconic scenes from "The Fly." Danielle humorously questions the scientific plausibility of the protagonist's experiments, saying, "Why didn't he start with the steak?" (02:14). They critique the film's plot choices and express fascination with the ethical dilemmas presented.

2. Episode 11: "Freddy the Krueger" – The Mystery of Rat Actors

Timestamp [04:10 – 07:20]

In a deep dive into "From Beneath You," the hosts explore the baffling presence of rat actors. Millie muses, "There are so many inside jokes" (06:59), reflecting on how this episode spurred long-running humor on the podcast. They ponder the logistics of training rats for film roles, adding comedic flair to their critique.

3. Episode 14: "Sexy Living in Midair" – Discussing "Shame" and "Lovers Rock"

Timestamp [07:20 – 12:30]

Focusing on director Steve McQueen's works, the hosts analyze themes of vulnerability and exhibitionism in "Shame." Millie critiques the protagonist's lack of privacy, remarking, "That's a rich guy confidence" (10:01). Their conversation seamlessly blends film analysis with personal anecdotes, enhancing the episode's relatability.

4. Episode 25: "Gangle Jangle Dance" – Emotional Depth in "Stand By Me"

Timestamp [12:30 – 21:33]

Millie and Danielle reflect on the emotional impact of "Stand By Me," particularly River Phoenix's poignant performance. Millie shares, "That scene really wrecked me" (19:37), emphasizing the movie's lasting resonance. This segment underscores their ability to balance critical analysis with heartfelt appreciation.

5. Episode 36: "Vampire Dave" – Comedy in "Lost Boys" and "Watermelon Woman"

Timestamp [21:33 – 32:13]

Injecting humor, the hosts dissect the quirky characters in "Lost Boys," especially the vampire gang's mullet hierarchy. Danielle jokes, "The best thing about this vampire gang is that they automatically arrange themselves by the impressiveness of the mullet that they have" (26:22). Their comedic take offers a light-hearted contrast to their more serious discussions.

6. Episode 61: "I Don't Have the Neck Muscles" – Action-Packed "Crank Two" and "The Transporter"

Timestamp [32:13 – 39:35]

Analyzing high-octane films, Millie and Danielle critique the over-the-top elements of "Crank Two." Millie can't contain her amusement, exclaiming, "Chev Chelios absolutely sounds like that" (31:22), highlighting the film's absurdity with sharp wit.

7. Episode 64: "Chocolate Millionaire" – Workplace Frustrations in "Atonement" and "Heaven Allows"

Timestamp [39:35 – 50:55]

Danielle shares a personal story about misogynistic experiences while discussing "Atonement." Millie empathizes, stating, "They were giving so much unsolicited advice to you" (35:15), fostering a heartfelt connection that transcends film critique.

8. Episode 34: "She's Blowing, She's Going" – Absurdities in "Joe vs. Volcano" and "Dante's Peak"

Timestamp [50:55 – 58:04]

The hosts humorously dissect plot inconsistencies in "Dante's Peak," such as the improbable survival of the grandma after jumping into an acid lake. Millie sarcastically remarks, "How is this even possible?" (39:07), showcasing their knack for combining humor with critical thinking.

9. Episode 38: "Ding Dongs in the Hinterland" – Strength in "Misery" and "Piranha"

Timestamp [58:04 – 63:37]

Millie and Danielle highlight Annie's formidable strength in "Misery," sparking discussions about character dynamics and physical prowess. Their playful banter, "I'm gonna deadlift Sonny Corleone" (40:36), exemplifies the camaraderie that defines their podcast.

10. Episode 135: "I Was a Teenage Edgelord" – Serial Killers in "Seven" and "No Country for Old Men"

Timestamp [63:37 – 68:00]

This segment critiques the overly intricate methods of serial killers in modern cinema. Millie vents frustration, "Why do we got killing? Isn't it" (53:14), expressing annoyance at the excessive plot complexities that detract from the narrative's impact.

11. Episode 161: "I'm Your Therapist Now" – Nostalgic "Guest at Madhouse"

Timestamp [68:00 – 74:22]

In their latest discussion, Millie and Danielle reminisce about shared cultural references, such as Dan Stevens in "Guest at Madhouse," blending nostalgia with humor. Danielle comments, "The references. It's just so easy to do this podcast with you" (56:06), highlighting the deep connection between the hosts.

Personal Reflections and Growth

Timestamp [74:22 – 74:22]

Towards the end of the episode, Millie and Danielle open up about their personal growth and the strength of their friendship. Millie expresses gratitude, saying, "I was like, you get me" (57:49), while Danielle acknowledges Millie's influence in fostering her own vulnerability. This heartfelt exchange underscores the podcast's role in their personal development and the authentic bond they share.

Closing Remarks: Looking Ahead

Timestamp [74:22 – End]

As they wrap up, Millie and Danielle tease upcoming episodes, assigning "homework" for listeners to watch "Alien" (1979) and "Faster Pussycat Kill Pussycat" (1965) for the final episode. They maintain their signature humor, encouraging fans to continue engaging with the podcast's content until the end.

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Notable Quotes:

• Millie de Chirico: "Why didn't he start with the steak? And who keeps giving him all these baboons?" (02:14)
• Danielle Henderson: "These rat actors should have all been nominated for like some kind of Screen Actors Guild award" (05:42)
• Millie de Chirico: "That's a rich guy confidence. That's a big dick energy situation." (10:01)
• Danielle Henderson: "Don't get me writing Boondock Saints 3. I would do a better job." (46:35)
• Millie de Chirico: "Why do we got killing? Isn't it, you know?" (53:14)
• Danielle Henderson: "We're all sizzling." (61:22)

Insights and Conclusions:

• Balanced Critique and Humor: The hosts adeptly balance in-depth film analysis with humor, making their critiques both insightful and entertaining.
• Personal Connections Enhance Discussions: Personal anecdotes and reflections deepen the conversations, fostering a relatable and authentic atmosphere for listeners.
• Evolving Friendship: The podcast serves as a vessel for Millie and Danielle's growing friendship, showcasing their ability to connect on both professional and personal levels.
• Consistent Thematic Exploration: Whether dissecting plot holes or celebrating exceptional performances, the hosts maintain a consistent focus on character motivations and narrative structures.
• Engaged Community: Listener reactions and ongoing themes demonstrate a strong, engaged community that resonates with the hosts' unique perspectives.

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Part of the Exactly Right Podcast Network: Bringing bold, creative voices to your ears. Explore more shows like My Favorite Murder, This Podcast Will Kill You, and Bananas.

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Note: This summary is crafted based on the provided transcript and podcast information. For the most accurate and comprehensive understanding, listeners are encouraged to tune into "Dear Movies, I Love You" directly.

Transcript

[Millie de Chirico]

Foreign. Hey, everybody. Welcome to another episode of I saw what you did. My name is Millie de Chirico.

[Danielle Henderson]

I'm Danielle Henderson.

[Millie de Chirico]

And we are here. This is gonna be a fun one, right?

[Danielle Henderson]

It is our penultimate episode.

[Millie de Chirico]

No, this is exciting. We did. So we did something like this. Like after our first year, we did kind of like a look back on. On our favorite moments. And so now we're doing it, except it's now the entire podcast run. And I have not heard some of these episodes since we recorded them.

[Danielle Henderson]

Yeah.

[Millie de Chirico]

So I am excited to kind of go back and. And revisit some of our faves.

[Danielle Henderson]

I'm really psyched. I think that when I was picking my clips, I was. I didn't have time to go through from the beginning and just listen to every full episode for the last four years. So I just thought of the ones that made me laugh the hardest or the ones that were thoughtful or just tried to remember. Oh, yeah, this episode that was really funny. So I picked clips that were based on things that I remembered on the show that have always made me think or laugh.

[Millie de Chirico]

Yeah, no. Yeah, me too. This is gonna be super fun. Okay, so what we're gonna do is we're just gonna kind of set up that we're gonna probably tell you what episode it's from, just in case you wanted to go back and listen to the actual full length episode. But then we'll play a little bit of the audio, which again, I said, I think it's gonna sound. We're gonna sound different.

[Danielle Henderson]

I don't know.

[Millie de Chirico]

I feel like. Yeah, especially early days, we. We were in a different headspace. Different. There was like Covid happening in a major way. And maybe we'll hear the stress of that in our voices. Maybe not. We'll see.

[Danielle Henderson]

Well, I am excited to jump in.

[Millie de Chirico]

Yeah.

[Danielle Henderson]

So again, it'll be a fun episode. And we're going to start way back. Episode 8. The episode title is drop a pin. It's the episode where we discussed the fly. And seconds.

[Millie de Chirico]

Oh, boy.

[Danielle Henderson]

This is a clip that we've chosen to discuss. So he kind of shows Rani the Geena Davis character. He shows Rani his experiment with her on her stockings. And she's like, ooh, what happens when you send something living through there? And he's like, I'll show you. And he puts a baboon in the telepod, sends it through. And again, iconic scenes in this. There are at least two, maybe three iconic images from this film. One of them is he sends his baboon through. And in the haze and smoke of the teleportation. You just see, like, a bloody hand hit the. The. The door screen and then, like, kind of slide down. But then here's the thing that me up. The next thing he sends through is a steak. Why didn't he start with the steak? And who keeps giving him all these baboons? Can you not start with the flesh of a steak?

[Millie de Chirico]

I mean, presumably he lives in. It's like a warehouse or a loft or something like that.

[Danielle Henderson]

Yeah, it's.

[Millie de Chirico]

It's keeping these baboons in this warehouse with him, right?

[Danielle Henderson]

Like, how is he getting these fucking. Like, if you come and you even need three baboons, I'm going to be like, dude, what are you doing with these baboons?

[Millie de Chirico]

I like. So that episode was. We had this tradition on the podcast where we would do, like, a New Year's episode, and it was called New Year, New Me. And every year we did it. It was like, in. How do we, you know, play. How do we figure out this, like, concept, right, of, like, changing? You know, a lot of times it was about, like, people's bodies changing or sometimes they were teleporting through time and, you know, like, becoming children again and stuff. But, yeah, this was, I think, our first one, our first dip into the New Year episode, and we picked two bangers, for sure.

[Danielle Henderson]

And it's legitimate questions, the kind of questions that you can only consider years later after first watching a film is, who's giving him these baboons?

[Millie de Chirico]

Yeah, and that's. That's, I think, a question that I've always had generally is how do scientists working in the home procure wild animals for their experiments? Certainly there's laws against that, right?

[Danielle Henderson]

Oh, good. Just. Just a glimpse. A glimpse of a taste of. Of our thought processes and personalities.

[Millie de Chirico]

Yeah, absolutely. Well, so clip comes from this episode that I believe. Like, when we recorded it, I was like, this was so fun. And then a lot of people responded to it. So I felt like, you know, we really, like, hit the nail on the head. But it comes from episode 11. The name of the episode was called Freddy the Krueger, which I don't even remember why we even named it that.

[Danielle Henderson]

You said at one point, Freddy the Krueger. And we just, you know, of course, focused and ran with it.

[Millie de Chirico]

Freddy the Krueger, like Megan the. But the movies that we did were Graveyard Shift and Chud. And I think it was called From Beneath you. It dwells, it devours. It devours. That's right. It's like Subterranean Creatures. And listen, I don't know where they found all these rat actors to be in this movie because they look like they're acting in a menacing way.

[Danielle Henderson]

Oh, completely. There's that one. I was like, I wanted to ask you, like, which, which rat are you? Are you the rat that like CAS is into the bloodied up cotton ball, just eating that, or are you like the chomping on a cigarette rat? Like, these rats are trained to do some stuff I've never seen.

[Millie de Chirico]

I swear to God. They should have all been nominated for like some kind of Screen Actors Guild award because they were like the part at the beginning where they're like lined up on the top of that wall. I was like, damn, no, these are good acting ass rats, man.

[Danielle Henderson]

They had like facial expressions. It was.

[Millie de Chirico]

They looked mean, like one of them. But the weirdest thing is that one of them looked okay, like he was chill. But then the next one would look super fucking mean. And I'm like, how does that work out? Like, oh, no. And they are fucking professionals.

[Danielle Henderson]

I feel it, I feel it. I want to know who trained you? Who trained you? Was it pizza rat? Is it like a lineage? What's going on here? Like the guy in suit, his dad was in graveyard shift and your dad was in graveyard shift, but you're a pizza rat.

[Millie de Chirico]

They're like the great, like the Barrymores, the Houstons, you know, it's like this lineage of rat actors. Right.

[Danielle Henderson]

I felt like that was an important one to pull out because we have a lot of long running jokes. Yes, true, like inside jokes. And if you'd ever heard the origin of the rat actors joke that we've made continuously throughout the four years of this show, that is where it's started. And it just always makes me laugh to think about you listing off the bar.

[Millie de Chirico]

Well, it's like Houston, to this day I have not found out more info about those rat actors. Like, like, I want to know, like who owns them? I mean, listen, I watched a whole ass documentary about the butterfly bug guy from Silence of the Lambs. I was like, certainly we can find the person who owned these rats and trained them to have different facial expressions in a scene.

[Danielle Henderson]

Like, did anyone even own them?

[Millie de Chirico]

Were they.

[Danielle Henderson]

Did they just show up and they're like, we need some rats. And a bucket of rats showed up and they all knew what to do.

[Millie de Chirico]

I was so impressed by those words.

[Danielle Henderson]

You and me both. Now our next clip comes from episode 14. The title of the episode is Sexy Living in Midair, which is a Millie specialty that Again, we referenced tons of times on the show. The films that we discussed were Shame and Lovers Rock because we were focusing on the director Steve McQueen and Shame Kind of ruined Millie's life. That's all right. But this clip explores something else that was pretty consistent in our podcast. Does our podcast need to come with a disclaimer about how we keep subconsciously picking movies with Full Frontal? Is this a ceremony?

[Millie de Chirico]

I thought this is why he picked it. No, I'm kidding.

[Danielle Henderson]

But this is like out the gate. Like the first thing you see aside from him kind of sprawled out in bed in this really beautiful shot actually is him just walking around his house just naked. Just wangs a flyin'so. I don't know, maybe think a little bit more deeply about us.

[Millie de Chirico]

The one thing that I did notice about this tendency of him walking around naked in his. He's that he lives in one of those apartments with no window coverings on in a high rise, which I call sexy living. Where you're like in a city and you don't have like shades or drapes or anything and you're just kind of like, I'm so hot and successful. I'm walking around naked living my life with no fucking privacy. I want you to see it. And I'm just like, really?

[Danielle Henderson]

It's such guys, Such an exhibitionist approach to life that I do not have. I am the exact opposite. Give me those, like thick Victorian drapes.

[Millie de Chirico]

Yes.

[Danielle Henderson]

I want to put drapes over every reflective surface. Like get them on the microwave. I want drapes on my oven.

[Millie de Chirico]

It's like when you watch episodes of the Crown and you see like a one person coming in and opening these heavy ass queen drapes and I'm like, that's how I live. I can't live sexy in the air like that. That's just too crazy to me.

[Danielle Henderson]

Okay. I can't lose Sexy in the Air like that is the title of this episod episode for sure. Sexy in Midair. Is it? Oh gosh.

[Millie de Chirico]

Still, still true. Still true. I don't know about you.

[Danielle Henderson]

Absolutely true. Although I am sexy living in the woods, I'm always Donald ducking it with.

[Millie de Chirico]

No curtains is what you're saying.

[Danielle Henderson]

No curtains.

[Millie de Chirico]

Okay, that's fine. There's nobody around.

[Danielle Henderson]

I can't put up curtains cuz every window upstairs in my house is a skylight. It's on angle.

[Millie de Chirico]

Yeah, yeah, yeah. But there's somebody around who's going to watch groundhogs. Like nobody cares.

[Danielle Henderson]

And even, even if they are watching, it's like, well, Knock yourself out.

[Millie de Chirico]

No, I'm talking about. I think when we, we were doing the episode, it was really about like, I mean, he was living in a major metropolitan area with no curtains, so.

[Danielle Henderson]

Downtown New York, just weighing out.

[Millie de Chirico]

No, no covers, no blackout curtains. I was like, damn, man. Like, that is confidence. That's a rich guy confidence. That's a big dick energy situation. Right.

[Danielle Henderson]

It truly is. It just, it brought up an interesting concept that I'd never considered sexy living in midair.

[Millie de Chirico]

And I have. And you're right again. I have to like. That whole conversation was really inspired by my friend Will Tate, who is a obsessed listener of the podcast. He loves Danielle more than he loves me. I've talked about this many, many times where he's like, yo, I just straight up like your friend more than you at this point. She's funnier, she's smarter. And I'm like, yo, you're not wrong, but you know to yourself, you don't gotta tell me about it. But he, he's the original sexy living in midair guy because I went to his high rise apartment in downtown Atlanta. He lived on like the, the 19th floor and he's a lawyer. He got it like that. And I was like, there are no curtains on any of these windows. People are just looking. I was like, people are just looking at you. And he's just like, well, no, it's like, you know, whatever. And I'm like, this is bold. Like, I could not live like that. It's crazy.

[Danielle Henderson]

This, this goes also to what we talked about in our last episode about wealth. You get so wealthy, you don't need curtains anymore. You got no shame.

[Millie de Chirico]

Yeah, there is something to that point. My friend Will is disgusting capitalist who makes people watch him live. Not kidding. But. But yeah, that is what made me think of this when we were. And plus, we've talked about Michael Fassbender so much on this podcast, I feel like he should be like a third co host.

[Danielle Henderson]

It's between Modine, Fassbender.

[Millie de Chirico]

Yeah.

[Danielle Henderson]

And probably one other person that I can't think of right now.

[Millie de Chirico]

Gregory Peck, perhaps. We talk about him.

[Danielle Henderson]

I cannot believe we didn't pick that clip for this.

[Millie de Chirico]

There's so many. There's so many inside jokes.

[Danielle Henderson]

I think we did pick it for the first year though, right?

[Millie de Chirico]

Yeah, I think we did the first year.

[Danielle Henderson]

Yeah. I tried not to overlap.

[Millie de Chirico]

Which, by the way, ever since, like, you revealed that you love a high ass Gregory Peck whose dick you would destroy, people send me Gregory Peck memes. Like, they send them to Me and I was like, now we've become so affiliated with the high ass Gregory Peck vibe that people sending me, you know, slow motion fan edits of him like traipsing through with like a hot look. I'm like, damn, he is pretty.

[Danielle Henderson]

And his, his ass is always, always next to somebody's ear because he's a high ass man.

[Millie de Chirico]

He's got that high donk. So our neck. Our next clip we pulled. Speaking of classic Hollywood, this was from episode 25. We called this a gangle jangle dance, which is definitely you. You said that term, the gangle jangle dance.

[Danielle Henderson]

That's what Baby Jane looks like to me on that stage. Just gangling and jangling.

[Millie de Chirico]

And this was an episode where we did hereditary and whatever happened to Baby Jane Hereditary, which fucking destroyed me.

[Danielle Henderson]

Like life ruining.

[Millie de Chirico]

Ruined my life in a way. Like, this was like one of the classic moments where you just made me watch some that gave me nightmares for weeks. But yeah, let's.

[Danielle Henderson]

And it also, it set the precedent for. It set a bar for comparison for the podcast of how much did this movie fuck you up? Was it hereditary level or higher?

[Millie de Chirico]

Lower absolute tone setting?

[Danielle Henderson]

I can't believe you watched this movie with your mom. That is still. I'm never going to stop cracking up about this.

[Millie de Chirico]

I know. I truly went in blind. Like, I, I had obviously heard of this movie. I've obviously heard about Ari Aster. You know, I remember when Midsommar came out like it was all the rage. But I truly didn't know what this movie was going to be about. Like, I just thought, okay, well, Danielle's picked it for this theme, so I might have an inkling, but let's just watch it with my mom and see what happens. And.

[Danielle Henderson]

Yes, what happened was your mom now has a lot of questions about this podcast.

[Millie de Chirico]

She said that? Yes. Want to know why she's podcast at all?

[Danielle Henderson]

She loves you, she supports you, and now she's deeply worried about you and probably me too.

[Millie de Chirico]

Yeah, I mean, it's so funny because like she. This was when we recorded this episode, I was like living in their guest bedroom. Right. Because it was Covid. And you know, I have not lived with my parents since I was like 17 years old.

[Danielle Henderson]

Right, right.

[Millie de Chirico]

Because the moment I was able to, I left their house.

[Danielle Henderson]

Absolutely.

[Millie de Chirico]

You know what I'm saying? Like, I was gone when I, when I could be gone. And this was the first time that I had lived with them like for an extended period of time. And it was really interesting because it kind of got me back into, like, noticing just their habits and what they do with their spare time. And I realized that my dad goes to bed at like 8pm Hero. Yeah, he's a. He. He plays golf so much that he basically gets up at 5 o'clock in the morning. So he goes to bed really, really early. And then my mom is the night owl. She stays up really late and she watches movies. And a lot of times she's watching like, action shit. Like John Wick, you know, she watches, you know, whatever, like, stuff that's like. She likes action and sort of drama and that kind of stuff. And then there would be. There were times where, you know, I would tell her, like, I gotta watch this movie for the podcast. You want to watch it with me? And she'd be like, okay, sure. And so, yeah, put on Hereditary. And she was just like, what is this? She couldn't. She was. She couldn't. Like the part with the daughter. And I think you know what part I'm talking about.

[Danielle Henderson]

Yes.

[Millie de Chirico]

She was basically like, oh, what?

[Danielle Henderson]

And that is so early in the movie that you're like, what else could happen? Oh, I just. I love it. Your mom is the real third. Third co host of the podcast.

[Millie de Chirico]

Yeah, we gotta get a round table with Michael Fassbender, my mom and 100. We'll relaunch a new podcast and I don't know, call it the.

[Danielle Henderson]

We'll call it sir, why is your wang out? It'll just be your mom asking actors why they're doing full frontal.

[Millie de Chirico]

God bless.

[Danielle Henderson]

Or it could be called what's wrong with you? And she's just questioning directors like Ari Haster.

[Millie de Chirico]

Yeah. No, and that's the thing too, is, like, he's so famously. His movies are so famously about mom issues that I was like, okay, don't watch his movies with your mother, if possible. Oh, my God. Well. Well, the.

[Danielle Henderson]

The next clip that we picked out is a little bit more gentle. This comes from episode 27, the title of which is pour one out for Ms. Havisham, where we discussed Stand By Me and Deliverance.

[Millie de Chirico]

That scene that you talked about with Gordy and Chris, like that. I was crying my eyes out.

[Danielle Henderson]

I was a mess. They're around. This is part of the Fireside conversation, too. Is that like when Teddy and Vern go to sleep, Chris and Gordie have a conversation. Because Gordy's father has earlier said that he doesn't want Gordie hanging around Chris. Cause he's bad news and he stole the milk money. Right. And then around the fire, you get the other side of that story, which is Chris did steal the milk money. Cause he's, you know, he's a little badass. But he brought it back and the teacher didn't give it in. She bought herself a new outfit. And so he's now like this town pariah. And he's just crying and it's so evocative. Like, he really starts weeping about this. He's revealed a layer of the adult world and it has devastated him.

[Millie de Chirico]

Yeah. And River Phoenix. My God, it's like he is. He was truly conveying emotion in that scene. Like, it doesn't feel like a fake kid actor cry. It feels like somebody who was way more sensitive and intuitive beyond his years. Like just such a good actor and at such a young age. I mean, it's just, it was really incredible. It really hit me this time just how talented he was. But then all of them are, and they're all talented, you know, as children. They were incredible actors. But I mean, that scene really just wrecked me. And I was like, oh, my God. I. These sweet babies that are, you know, having these big feelings and I just, I wanna hug them all, you know.

[Danielle Henderson]

I completely agree. And it was, they do that like high pitched little kid cry thing where they're talking and squeaks. And it went right to my heart. And it also reminded me a little bit of the Steve McQueen episode that we did. Sexy living in midair.

[Millie de Chirico]

Yeah.

[Danielle Henderson]

And how Steve McQueen in his own life talked about how there were so many boys who were pushed aside into these parts of school that were meant for kind of a more remedial life and weren't even given a ch. And it just reminded me of how often that happens and how you can condemn someone at childhood, essentially, is what Steve McQueen was saying. And I could see that here and it just really made me so sad. I love that episode. And I think that one of the reasons I picked that clip is that, yes, we have fun, yes, we laugh a lot, but we also do such great critical work on this show. And it's a nice mix to me. It's nice to remember that we, we've had such a mix of, of opinions and of, you know, of films themselves that we brought to the table and, you know, put together in these strange ways, possibly because of the theme we picked. But we're smart sometimes.

[Millie de Chirico]

Yeah. No, no, I, I listen, I think I've said this before. I think that not to toot our own horn, but we are. That's why we're doing this. We, I think, have We've done a different thing with this podcast from, I think, a lot of other film podcasts, perhaps, or at least when we started. I mean, now I think, you know, I don't know if we ushered in a new era of film podcast criticism perhaps, but, like, we really are obsessed with characters within the context of a story. Right. And I think part of that is because, I mean you more than I, but we're both writers, and we both love books and reading and narrative structures. And that is, like, one thing that I think we've done particularly well over the course of this podcast is we're able to, like, really drill down into the emotional centers of film characters and kind of figuring out, like, what their motivations are or, like, what they're conveying.

[Danielle Henderson]

Yes.

[Millie de Chirico]

And maybe if it wasn't. Because that's the thing that's ultimately really interesting to me about film and about scripts, is that the way the, like, the methods of how a script has an intention for a character and what the motivation is, what the character is, how that actor chooses to display that characterization, and then how, as, you know, viewers interpret it, you know.

[Danielle Henderson]

Exactly.

[Millie de Chirico]

It's very textured. And I love discussing it. I love picking it apart, because, you know, obviously, I think in that moment, I think that River Phoenix was doing an incredible job of conveying that, like, nuance of being the, like, bad seed kid in a school, which is really painful, like you said. It's like, it sets this agenda for someone's life at such an early age that it becomes a part of their identity where they think they're this bad kid who does bad things. And it has all these ramifications, obviously, for later in life, but just the ways that we have processed that performance in our own, like, via our own lives and our own experiences. And I know that you and I are super protective of people, or we have that instinct to protect people that maybe society has deemed unlovable or, you know, they have thrown away. So I don't know. I just felt in that moment, it was like both of us, like, having that, like, super empathetic moment with that character. And I just love that they picked it.

[Danielle Henderson]

Oh, thank you. You said that so beautifully. So beautifully. And it. Yeah, I just. I also love. I just love that we've had the chance to really showcase who we are and that you don't have to pick one or the other. You don't have to be super goofy all the time. You have to be super academic all the time. That we also kind of discuss the importance of Going back to films, which I think is. Is crucial because you don't get that kind of depth of revelation unless you've seen it before and have something to compare it to emotionally. So.

[Millie de Chirico]

Yeah. Yeah. Oh, yeah, absolutely. Well, in spite of this, we did decide to pick a couple of funny, goofy ones, Right. For this next one, because these are both. We got, like, two clips from the same episode, which is the episode from episode 36. It was called Vampire Dave, I believe. And it was an episode where we talked about people who worked in video stores. So we picked the Lost Boys and Watermelon Woman.

[Danielle Henderson]

This is where we meet after the concert. He tries to chat her up. And this is where we meet the Kiefer Sutherland character of David, which, again, you're gonna be a vamp named David. I don't know why. That just fucks me up a little bit. What's your name? It's not like Nikolai or like Boris. Yeah, my name's David. I'm Dave. I'm vampire.

[Millie de Chirico]

Vampire Dave down at the boardwalk.

[Danielle Henderson]

It's like a character from what we do in the shadows. Come on, Dave. Hi, Bab camp. Can't stop me. I'll bite your face right now.

[Millie de Chirico]

Kiefer was working that mullet, man. Holy.

[Danielle Henderson]

Oh, my God. The best thing about this vampire gang, which consists of Alex Winter, Billy worth, and Brooke McCarter. The best thing about this vampire gang is that they automatically arrange themselves by the impressiveness of the mullet that they have.

[Millie de Chirico]

Yes.

[Danielle Henderson]

Like, the mullet with the big tease bangs is always right behind David because David's the leader. He's got the most serious coat and the most intense mullet. So he is the leader. And they just automatically line up that way. And then Alex Winter comes along. Alex Winter looks like a little doll. He looks like an American girl vampire. Just like a doll that you've let out, sit outside in the snow for a season. He's just, like, so cute, but so withered. I love this vamp gang Being arranged.

[Millie de Chirico]

By mullet size is such an astute observation. I don't think anybody's pointed that out. I'm just gonna say it right now. You might need to trademark that.

[Danielle Henderson]

Look. I'm all for being the vanguard when it comes to discussing Lost Boys. And the second clip that we have is something I think about just ought just on a random day sometimes and just crack the up.

[Millie de Chirico]

Okay, this. Let's talk about this vampire.

[Danielle Henderson]

Laird, let's talk about this. I have, like, a full page of notes about this layer alone. First of all, nothing good is happening in a sunken resort. But more importantly, there's this little fucking kid that hangs out with them and nothing good is happening. If you belong to a gang of people where there's a little kid hanging out with you after 11pm if you're a sibling and you brought your little sibling along because you have to babysit them, then you're being a bad sibling. If you're a parent, you already know this kid has a bedtime, get his ass home. And if you're the leader of a vampire gang, try to be a little more subtle. Don't be dragging this little kid around who's got missing posters up all over the place.

[Millie de Chirico]

This little kid is so weird. Like, so weird. He's kind of like Shaka from Land of the Lost. He's just this like little creature that runs around everywhere and he's also wearing one of these jackets, you know what I mean? I'm just sort of like, how are.

[Danielle Henderson]

You getting a child sized Russian revolutionary jacket out here in these boardwalk streets? Again, be more subtle. You can't dress up a missing kid like Rasputin on these streets. David.

[Millie de Chirico]

Oh my God, this little kid. Every time, every time he comes on screen, I scream with laughter.

[Danielle Henderson]

He's so weird.

[Millie de Chirico]

Rasputin.

[Danielle Henderson]

It's Chaka from Land of the Lost, yo.

[Millie de Chirico]

That is one of the most true facts you have ever uttered on this podcast is a kid that's hanging out after 11pm this gang is up to no good.

[Danielle Henderson]

No good is coming from this. Anyone hanging out near or around this kid ain't right. It ain't right. Oh, God, that episode makes me laugh so hard. But then we also had the Watermelon Woman, which is this very touching, quintessential film. Again, we mix it up. We mix it up. But I think about that little up kid and just crack up sometimes when you call him Chaka from Land of the Lost.

[Millie de Chirico]

Okay, so this next one is from a very classic episode, I have to say. It was from episode 61. It was called I Don't have the Neck Muscles. I have no idea what that is in reference to now, but it is the episode in which we discussed Crank two and the Transporter, which was one of the most exhilarating double features I think we've ever watched. To give you a little bit of background about the first movie, just sort of to orient you in this second movie. Okay, the first Crank movie is about this ex hit man who is played by Statham. His name is Chev Chelios. And for the record, I cannot get Over Chev Chelios.

[Danielle Henderson]

I'm losing my mind. I'm losing my mind.

[Millie de Chirico]

Like, this is what actually makes me think that this movie was written by a 15 year old. Because only teenagers would create this like stupid prank phone call name like Chev Chelios.

[Danielle Henderson]

Absolutely. Absolutely. Chev Chelios has. Has ordered 10 pizzas to their best friend and made him pay for it. Like, it's like.

[Millie de Chirico]

May I speak to Mr. Smith? This is Dr. Chev Chelios from you're dying.

[Danielle Henderson]

Bye. You got small dick disease. Ha ha. By like it is so busy. You've got a boner disease.

[Millie de Chirico]

Chim chili bones are in.

[Danielle Henderson]

Oh my God.

[Millie de Chirico]

I. I am literally crying huge, massive tears.

[Danielle Henderson]

Chef Chelios absolutely sounds like that. Like, this is Chef Chelios. You got boner problems. Bye.

[Millie de Chirico]

Yeah.

[Danielle Henderson]

I live to make you laugh. So that is one of my all time favorite clips.

[Millie de Chirico]

It's so true.

[Danielle Henderson]

You lost your mind. I love it.

[Millie de Chirico]

I like the minute Chev Chelios happened, I could not stop laughing. Even now. I'm like crying now. Oh my God. Boner problems. Yeah, that. God, that name, that whole franchise. Just everything about that and that.

[Danielle Henderson]

That was a great episode in general. That was. That was one of our all the Way up episodes, which I don't think anyone ever really understood.

[Millie de Chirico]

We've.

[Danielle Henderson]

We've apparently introduced some somewhat complex issues to the podcast, which did not feel complex to us, but no one ever really got all the way up, so we kind of just stopped doing it at some point.

[Millie de Chirico]

We were like, all right, nobody's getting it. It's just making us laugh. At what point do we call it?

[Danielle Henderson]

Yeah, but this was a banger episode. Oh my. Please go listen to the whole thing. It is so funny.

[Millie de Chirico]

Yeah. Yeah, for sure.

[Danielle Henderson]

Oh, God. This next clip comes from episode 64. The title is the Chocolate Millionaire where we discussed atonement and all that heaven allows was about these shitty little kids. But I will say that I. So I bought a house about a year into the podcast, which became kind of a, especially for that first year, an ongoing discussion about what I was experiencing in my house. Primarily that a bunch of men kept coming in to do work on my house and making me feel small and making me feel like shit and just. Just engaging with a level of misogyny that I hadn't in a long time. Like so boldly so this is now a miss A palace of misandry and I will only. I'm gonna go so far as to have those signs engraved. I'm gonna remembered. I will unearth the last things remembered in this nation. And I'm having them fucking engraved because I have absolutely fucking had it. Like, sir, you're here to do one thing. Drop off drywall. I am not here for your unsolicited opinions about what you would do if this was your house. The guy who came to measure for my countertops was like, oh, you're not going to do a tile backsplash. You do a top backsplash. I said, sir, I ordered what I ordered. I want what I want. That sounds great. Do it in your house.

[Millie de Chirico]

Yeah. Okay. Imagine if the situation was reversed. Okay. Imagine if you walked into this guy's unfinished garage delivering drywall, and you just, like, walked around the joint being like, you know, would be cool. In here is a cat cafe. Right?

[Danielle Henderson]

Like, this would be a great hole or whatever instead of man cave hole.

[Millie de Chirico]

If there is not a current cat cafe called the Pussy Hole, I will. I will walk into the sea.

[Danielle Henderson]

That could be our next act. That could be. We have a lot of good business ideas on this pod, and that should be one of them. I was just so mad just over this. Just any simple thing that had to be done in my house, if a man showed up, it was always a fucking problem.

[Millie de Chirico]

Yeah. Oh, my God. They were giving so much unsolicited advice to you in that time that I was just, like, absolutely pissed on your behalf. Oh, my God.

[Danielle Henderson]

You made. You actually had a very beautiful custom banner made for me that now hangs above the bed in my guest room because of this experience. And it says, do right and fear no man. And I love it.

[Millie de Chirico]

Absolutely. That was, like, your mantra during this episode. Sure. Okay, so this next clip. So I feel like this episode was a real high point for us. I feel like we. We really, like, talked about this for a long time afterwards because we both. This episode, like, sort of in a weird way defined the podcast in certain ways because we were just, like, going really hard on both these movies, and it was this very specific theme. It was about volcanoes. Right.

[Danielle Henderson]

I think it was. The floor is lava. Was the.

[Millie de Chirico]

Oh, yeah, yeah, the floor is lava. Where we're like, oh, let's talk about movies that feature volcanoes, which is such a random thing to talk about, but it was really funny. And then the ways in which we talked about both these movies, I think people really connected to. But it's from episode 34. The name of the episode is called She's Blowing, She's Going, which is a direct quote from the. From one of our movies. And we talked about of course, Joe versus Volcano and Dante's Peak. They're in this acid lake which is eating this boat that they're in. I mean, now I question whether or not they would have even had five seconds in this boat before they were just like, it was just destroyed by the acid in this lake. Okay? But they're in the boat. They're, like, getting there. They're getting there. They're singing fucking, like, rounds of like, what is it like, Row, row, row your boat. I'm like, what the fuck? So suddenly the boat motor gets eaten, okay, by the acid. And the boat's just sitting in the river and they're, like, yards from the dock. And they can see it. They're almost there. And in a truly stunning moment, the grandma jumps in the fucking lake and pulls the boat to safety. And I screamed. I screamed when this was happening.

[Danielle Henderson]

Especially because the whole time she's been so obstinate and she's the reason that they're in. Taking a metal boat across an acid lake. So I'm like, yeah, jump in that water and save your family. You're the reason they're here, you asshole.

[Millie de Chirico]

And let me just tell you, she is. She is sizzling when they pull her out, okay? Like, I legit screamed. She is sizzling. Okay. It's not. I mean, quite honestly, pointing out the plot holes in Dante's Peak was. Oh, God, one of the most memorable moments of my life, let alone this podcast.

[Danielle Henderson]

Mine as well. I had never looked that deeply at that film. And you had me rolling.

[Millie de Chirico]

And plus, we always love a stunning and dramatic grandma turn in a film. Like, anytime a grandma comes through for something, we're always, like, on our feet, slow clapping. But yeah, the whole thing about the acid lake in Dante's Peak is so stupid because it's like the acid lake destroyed a boat motor.

[Danielle Henderson]

Yeah.

[Millie de Chirico]

So why do you think it wouldn't destroy the boat?

[Danielle Henderson]

The boat is the same metal.

[Millie de Chirico]

And the fact that the grandma comes out of the water with her skin was really impressive to me. I was like, how is this even possible?

[Danielle Henderson]

Especially because we had seen two bodies before in a little pool, little waiting pool that were like piranha, like, style eaten alive from being in an acid league.

[Millie de Chirico]

Oh, my God. I. Dante's Peak just gives so much. So glad.

[Danielle Henderson]

It's a perfect movie in so many ways. As are the movies in our LA. Our next clip, this is from episode 38. The title is Ding Dongs in the Hinterland, which is a Millie special. And the movies we discussed were Misery and Piranha but this is also the origin of another I saw what you did. Classic reference Annie, because she's been kind of following him. She crowbars him out of the car and drags him back to her house with what I'm assuming is just a preternatural strength because she really drags him around a lot in this movie.

[Millie de Chirico]

Oh, yeah. She picks him up and carries him down the stairs. I'm like, hell, yeah. My fucking Jeeves. My gym queen.

[Danielle Henderson]

James caught as a stocky guy. And she's like, I do not need to do your TikTok weight workouts. I'm just gonna throw Jimmy Khan around for a couple of hours.

[Millie de Chirico]

I'm going to deadlift Sonny Corleone.

[Danielle Henderson]

I want this episode to be called Ding Dongs in the Hinterland or Deadlifting Sonny Corleone.

[Millie de Chirico]

Holy shit.

[Danielle Henderson]

This actually kicked off for you, a weightlifting goal or series of goals in your real life.

[Millie de Chirico]

Oh, yeah. I mean, this, like, this episode, this stupid observation that we made was the launch pad for so many things. Like, in my personal life, I was like, oh. Because it would be. It became this thing where we. We said it and then we used it as, like, we just kept mentioning it as this, like, fitness challenge that, like, we want to be. We both want to be strong enough to. Where we could potentially deadlift James Khan. Right.

[Danielle Henderson]

Which also resulted in us having to figure out how much we thought James Caan weighed at any given moment.

[Millie de Chirico]

Absolutely. And then I was like, well, I should join a weightlifting club so I could work towards this fucked up goal that we mentioned on the podcast. And like, two years later, I'm still doing that shit. I was like, wow, I can't believe that this, like. And when I told my coach about why, she was just like, wait, what? And I'm like, oh, it's a long story, but basically I do a podcast about movies and my co. My co host and I talked about the movie Misery and blah, blah. I was like, walking it back. And then I started, like, as I was talking, I was like, oh, nobody will get this but us. It was like, no one's gonna get this but us.

[Danielle Henderson]

No, this is just as wild as I think it sounds in my head.

[Millie de Chirico]

Yeah.

[Danielle Henderson]

Oh, I just. And then James Khan had the nerve to die right after we announced this challenge. So then we had to include his coffin in the deadlifting weight ratio, and you surpassed it. I feel like you could deadlift Sonny Corleone and his goffins.

[Millie de Chirico]

Yeah, I. I hope so. I could. I could do a 1 rep max I know that, but it's. Yeah, it was so funny how that's the origin for so many other things. But. But, yeah, that was a really fun episode. Okay, so this next one is kind of semi recent within the past, like, year or so. It was from episode 139, and the episode was called the Doo Doo Room. I think you know which one we're talking about. We're talking about the movie Saw and the movie Total Recall. And this is one of the funniest things that you've ever said on this podcast.

[Danielle Henderson]

Danny Glover enters the scene as Detective David Tapp. And this was definitely my like, oh, you got divorced. Your children, your grandchildren need to go to college. Like Enron, Bernie Madoff. Something happened that Danny Glover said yes to. This. Like, you live in Texas and your. Your lights are going off all the time in the winter.

[Millie de Chirico]

I love that we've connected Danny Glover to Enron.

[Danielle Henderson]

Well, you remember when Kevin Bacon got Bernie Madoffed. Like, this shit happens, y'all. We start making decisions.

[Millie de Chirico]

Danny Glover was working at Enron and lost his. Lost his retirement fund. He now has to do the.

[Danielle Henderson]

So he tried method acting. He worked at Enron for a smooth 10 years, and now he's doing. Saw the residual crying right now.

[Millie de Chirico]

I'm crying. There were so many times where Danielle would, like, gently float this, like, idea on the podcast to where it was, like, a real person's life, but then she would just, like, drop in this, like, fake mythology about them. And we would always joke like, oh, we should just change the Wikipedia of this famous person, this actual person in real life, to reflect whatever it is that you said. And this is so funny to me, the idea that, like, you were just like, oh, yeah. Danny Glover worked at Enron at one point in this life.

[Danielle Henderson]

He's a method. He's a method actor. He goes deep.

[Millie de Chirico]

And then was like, oh, I gotta do these Saw movies now because I need money. I need my retirement.

[Danielle Henderson]

Enron, me out of my retirement, which I probably wasn't gonna take anyway because I am a. And I set this up in the. The episode when discussing this film.

[Millie de Chirico]

Yeah.

[Danielle Henderson]

A star of stage and screen, like a legacy actor. And I'm like, well, he must be doing Saw because something happened and it must have been Enron.

[Millie de Chirico]

Bernie made off Enron. Oh, my God. Cracks me up.

[Danielle Henderson]

Oh, that episode. That episode was great. But I have to say our next clip is from the episode directly after it. And these two episodes combined are my absolute favorite one, two punch that we've ever done.

[Millie de Chirico]

Oh, God. Totally.

[Danielle Henderson]

So the next clip is from episode 140. The title was the Boondock Ain't where we talked about Boondock Saints and Goodwill hunting. And I feel like I disassociated and lost my actual mind while we were talking about the Boondock Saints. They have jobs as. As you know, they're butchers.

[Millie de Chirico]

Yes.

[Danielle Henderson]

So they do their butcher job at. During the day, and then they become human butchers at night.

[Millie de Chirico]

Oh, my God. Very astute observation, Daniel.

[Danielle Henderson]

Don't get me writing Boondock Saints 3. I would. I would do a better job.

[Millie de Chirico]

What would you call Boondock Saints 3, by the way?

[Danielle Henderson]

I would call it Boondock Saints 3. I can't believe we have another chance at this. Boondock Saints 3. Toxic masculinity shows up again.

[Millie de Chirico]

Oh, my God. More like Boondock ain't. Oh, my God.

[Danielle Henderson]

Why did you ask me what I would call it when you just had that in your pocket? That's Perfect.

[Millie de Chirico]

Boondock Saints 3. More like Boondock Eights. Oh, my God. I'm always advocating for you to do sequels to.

[Danielle Henderson]

Yes.

[Millie de Chirico]

Classic films. And I'm.

[Danielle Henderson]

I'm gonna have to go back through and listen and take you up on some of those because this was hilarious.

[Millie de Chirico]

Yeah. Oh, man. The. Like, I. The whole episode about Boondock Saints was. I mean, I had never seen it before. And like, again, if you go back and you listen to that episode, there's just all of this, like, weird Hollywood mythology around that movie and the people involved in that movie. And so when we finally watched it, I think we were having, like, genuine reactions to it. Like, we were both like, what the fuck is going on? And I just love the idea of just like picking it apart. And that's like, one of my favorite things to do on this podcast is to just, like, ask the questions, Right?

[Danielle Henderson]

Absolutely. Absolutely. Loved it, loved it, loved it.

[Millie de Chirico]

Okay, so this, this next clip is from episode 135. It was called I Was a Teenage Edgelord. And we talk about the movie Seven and the movie no country for Old Men. And I feel like we were in this, like, weird moment of movies where we had seen, like, multiple movies in a row about, like, intelligent serial killers. And we were both annoying. Annoyed by it. We were both like, oh, my God, like, what, like, what are these movies about? These, like, serial killers that are just like very detail oriented. Like, because it was saw. Like the movie before was saw. That's an about another. It's like a lot of, like, setup for these. For these characters. And we were like, asking the question, like, what the fuck? And I think that's what inspired this conversation for us.

[Danielle Henderson]

I hate that scene to this day. It's so graphic. I'm just gonna say there's a knife dick involved.

[Millie de Chirico]

Yeah, the dick knife. This is, again, annoying. The serial killer sucks so bad. He's so annoying. He had to go to, like, get a custom dick knife made to enact his stupid crimes.

[Danielle Henderson]

There is nothing funnier to me than you getting angry at a serial killer for how dumb they are. We get it. You're smart and lonely. We get it.

[Millie de Chirico]

And you hate everybody so much.

[Danielle Henderson]

Join the goddamn club. None of us are out here making knife dicks just because we're part of the human condition. So by the time we get to fucking Sunday, we're like, wait a minute, what's going on here? We still got two fucking killings to go. Or two, you know, killings to go. And Somerset's about to fucking retire. Well, don't worry, because the killer walks himself into the precinct and terms and self in.

[Millie de Chirico]

Yep.

[Danielle Henderson]

And this is why I chose this for this theme. Okay. Even though I don't want to. I know it's. Some of you are probably like, it's so unfair that you don't want to talk about the killer. I chose this because this is a killer who would have. Who would have gotten away with it fully if he hadn't walked himself into the police station, but who also still gets away with it after he's caught. I will explain. Because the last two murders still take place. So he doesn't turn himself in until he knows he has completed his cycle.

[Millie de Chirico]

Yes.

[Danielle Henderson]

Brilliant. Fucking brilliant.

[Millie de Chirico]

And he's like, I can't wait for you to see it. Oh, shut up. So annoying. In 95, this was all terror. Terror filled details. Like, I was like, I can't believe a man would do that. I can't believe that that would happen. This guy is so insane. He's done this. And now I'm like, God. Because he has a lot of pomp and circumstance at the end. Like, this is to your exact point. It's like this thing that's like, he got away with it. Oh, good for you. Aren't you cute with your, like, murderous Rube Goldberg. Like Rube Goldberg of murder. Still irritating as fuck, man.

[Danielle Henderson]

I was gonna say, I love how genuinely irritated you are and were at this concept. It cracks me the fuck up.

[Millie de Chirico]

Oh, it's like looking into the mirror of, like, a deep seated nerdiness. It's like, oh, here's a fucking serial killer. That's such a Nerd. Such a detail oriented nerd that he's going to create this entire infrastructure to make these crimes, like, just fucking kill somebody. Why do you got to do the, like, you know, the setups of all of this intricate shit. I just, in that moment, I was like, fuck these dudes. Like, just.

[Danielle Henderson]

Just head up his own ass making me do homework. Fucking algebra, Algorithmic equations.

[Millie de Chirico]

Yeah, Riddles. Kill riddles. Like all these fucking riddles. I'm just like, come on, just like kill people in the old style. Why do we got killing? Isn't it, you know?

[Danielle Henderson]

No, the killing is bad enough. Jigsaw threw me over the edge for this. Like, oh, you want me to crawl through barbed wire and solve a lock, like lock and key puzzle and then do a crossword? And I only have 10 minutes. I'm like, you and this. I'm just dying.

[Millie de Chirico]

I know. And this is like the thing that is so annoying to me is that so much of it depends on what that this murderous psycho feels like should happen in order for the next part. Like, you've got to set up a domino for it to fall. And so that's the thing is that in Saw in particular, it's like, oh, like, let's hope that Carrie Elwes pulls his fucking wallet out because the rest of the movie won't happen if that happens.

[Danielle Henderson]

Exactly.

[Millie de Chirico]

You know, if that doesn't happen. And I just am like, fuck these serial killers, man.

[Danielle Henderson]

Well, it delights me how much. How much you don't like the movie Serial Killer and the reasons why.

[Millie de Chirico]

It's just because they're deep nerds and I can't take it.

[Danielle Henderson]

They're annoying setup based on their nerdery.

[Millie de Chirico]

Well, okay, this is the last one, huh? Last clip.

[Danielle Henderson]

The last clip. The last clip we pulled. And I think you should set this one up too.

[Millie de Chirico]

Well, the reason why I picked this one and ultimately, like, this is from our most. A pretty recent episode, episode 161. It's called I'm youm Therapist Now. I can't even say it. I'm your therapist now, bitch. We talked about movies featuring, you know, like guests, like house guests. Right. So we picked the guest at Madhouse. And I feel like this is the joy of doing this podcast with you because we're the same, around the same age. We have the same references for like, music, movies and culture. And it's like this moment was so funny to me because it really, like, was very specific about like, stuff that we had grown up with. And it just makes me fucking laugh even to this day. One of the best things that happens in this movie is that Dan Stevens at one point is throwing grenades to the song Because I love you. The postman song by Stevie B.

[Danielle Henderson]

That makes the entire movie for me. That scene makes the whole fucking movie for me.

[Millie de Chirico]

I like. That was such a middle school song, and it just brought it all together. I was like, this is exactly what needs to be happening right now.

[Danielle Henderson]

I was like, I need to see what's next. Is he gonna stab someone? To Al B. Sure. What's going on? Let me tell you how I feel about you. Stab. Stab.

[Millie de Chirico]

Stab. I was like, if you pull out assault rifle to Tevin Campbell, I'm in. Like, can we talk for a minute?

[Danielle Henderson]

Not fucking.

[Millie de Chirico]

I'll be sure. I can't even believe you. Ugh.

[Danielle Henderson]

Not Devin Gamble.

[Millie de Chirico]

Oh, my God. That. Yeah. That made me laugh so hard. What I heard.

[Danielle Henderson]

Still does. God still does. Because, like, you said, the references. It's just so easy to do this podcast with you because it's. And it's so fun to do this podcast with you. It has been wonderful. Yeah. Because of stuff like this. You're exactly right. Like that. That clip is us.

[Millie de Chirico]

Yeah. In a nutshell. And that's like. I'm gonna get a little sentimental here, only because I feel like we can. But there is such an ease of talking to you and getting the pleasure of doing that every week. Pretty much every week, multiple times a week for the past, like, four years. That is one of the most special things I think, in my life is to be. You know, how I've talked about this. I've gone on record about this. I've always cr. Always tell, think, and perceive that I'm like, you know, complicated, and no one gets me, and I'm, you know, this and that. But honestly, like, you get me. You, like, you get. It's like, I can say some stupid shit like that, and you. You know exactly what I'm talking about. And that. That is. That's what life is about, is to be understood in that way. And I just have to say it. Like, I just have to.

[Danielle Henderson]

Well, that makes me want to cry. And I agree completely because it's. It's beyond just the references. It's like you said, the ease of talking to you and just being myself.

[Millie de Chirico]

Yeah.

[Danielle Henderson]

And being able to just be ourselves and learning more about you and learning more about, you know, what makes you laugh and the references that you love. And it's. It's. It's so similar for both of us that it's. It's really a friendship enhancer.

[Millie de Chirico]

Yeah.

[Danielle Henderson]

Like, nothing I've ever experienced. It's just been so. And like you said, we've been able to do this multiple times a week, sometimes for. For four years, which is just the best feeling in the world.

[Millie de Chirico]

Yeah. Oh, I totally agree. And it's like, you know, we. We were able to talk about, like, serious stuff. We've cried on this podcast. We've, you know, talked about really hard things, but we've also laughed so much and have had. And we have, like, a little language between us that I feel like our listeners really picked up on. And I appreciate that, too, because it, you know, a moment where you're like, oh, I'm doing this thing. I'm having this kind of, like, weekly conversation with somebody. We know each other, we get each other, but then, like, does that translate to other people? And, I mean, I was so surprised about the reactions that we were getting from listeners because it was like, they totally understood the references. They totally got it. They understood, like, what we were trying to, you know, uncover when we were, like, going hard on some of these movies. And. Yeah, I mean, I gotta say, somebody who just really, like, really just, you know, makes compassion and empathy and being understood like, a priority. And, like, it's. It's. I know you feel the same way, too. It is a great feeling. So I just have to say, I love this.

[Danielle Henderson]

Well, I'm glad you. I'm glad you did. I love this, too. And it's. It's something special that I've also noticed, which now is my turn to be a little sentimental. I feel like you've never been, like, a wilting flower at all. You've always been super funny and out there. But I feel like this podcast opened you up in a different way to your own capabilities and how you could be vulnerable and present yourself to people. Because I think that was a fear of yours in the beginning of. How much should I say, or could I say a lot of it was because of. Of the job you had at the time. But I think it really just helped you realize that what you were just saying about how people connected to what we were saying, I felt the shift of you feeling more at ease with talking about yourself and talking about things that were important to you, which I just love.

[Millie de Chirico]

Yeah, well, and, you know, to give you a little bit more compliment, you helped me do that. Like, your vulnerability, your ability to, you know, go into what you're thinking and your deep thoughts and your emotions and be able to, like, you have that bravery to talk about it really encouraged me to go, to be more honest about things, which is like, you know, I think I've learned and grown a lot on this podcast. I mean, it's weird to say it because it's like a public place, you know, but at the same time, you. Yeah, I mean, you were completely influential in me doing that. So I have you to thank. You making me a better and honest. More honest person. You're the best.

[Danielle Henderson]

It's. It's because I'm mentally ill and I've been in therapy for 20 years. So.

[Millie de Chirico]

Listen, we're all mentally ill. We're all here together, jumping in the acid lake together, so why not?

[Danielle Henderson]

We're all sizzling.

[Millie de Chirico]

We are all sizzling. Ah. Well, we hope you enjoyed this little, like, little time machine episode that we've done. Like you said, I think it was the last episode. All of our prior episodes will still be available on the. On the feeds on your favorite podcast platform. So listen, it's still there. You have still have an opportunity to tell people about us if they want to go back and start from the beginning and, you know, figure it all out and. Well, yeah, those will be up forever. So check it out.

[Danielle Henderson]

And we. We do have some great films for you next week. For our last episode. You do have homework.

[Millie de Chirico]

Yes, you do.

[Danielle Henderson]

So, Millie, do you want to tell them what their last homework assignment is for next week?

[Millie de Chirico]

Yes, I will. It's a bittersweet moment. You're. We're giving you your last bit of homework. So the movies for the last episode of I saw what you did are alien from 1979 and faster pussycat, kill kill from 1965.

[Danielle Henderson]

I love the theme so much.

[Millie de Chirico]

Will they guess the theme?

[Danielle Henderson]

Will they? Will they? Will this be the one where someone finally guesses the theme? I know, as people have commented and said I'm 0 for 1 or like, whatever, they've never gotten it. Will this be the one?

[Millie de Chirico]

They have to get every single word correct or else they're wrong. So I'm hoping.

[Danielle Henderson]

Yeah, for this one. Same rules apply. We're not. We're not letting up on the gas just because this is the last episode. You gotta guess the actual whole. Every word.

[Millie de Chirico]

That's right.

[Danielle Henderson]

Of the theme.

[Millie de Chirico]

Yeah, we're very consistent about that plea. Well, listen, Danielle, well, as always, a fucking pleasure doing this podcast with you.

[Danielle Henderson]

A true pleasure. You're the best. This is so much fun.

[Millie de Chirico]

Bab boner problems.

[Danielle Henderson]

This has been an exactly right production. Our senior producer is Casey O'Brien. Episode mixing and theme Music by Tom Breyfogel. Artwork by Garrett Ross. Our executive producers are Georgia Hardstart, Karen Kilgariff and Danielle Kramer. You can follow us on Instagram and Twitter. Saw Pod and you can email us at. I saw what you did. Podmail.