
Molly Mielke talks people, investing, self-knowledge, authenticity, agency, and more
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Molly Mielke McCarthy
The thinking beyond moths at the beginning was like, I saw that there was just an abundance of capital for people that were credentialed and legible and went to Stanford, executemind, whatever it is. But there was another type of person that wasn't following a linear path and wasn't legible and they were just consistently underpriced. There is a long period before they've built and shipped something successful when if you met that person, I think you could still see in their eyes that there's something very deeply special about them. If you got to know them.
Host of Dialectic Podcast
Might take three months, it might take
Molly Mielke McCarthy
three months, it might take a year. But it is deeply worth it, I think, because they're the ones who you really can change the trajectory of. And from a purely financial perspective, they are underpriced. My core belief is that magnetism is a byproduct of authenticity and just like living as you were intended to on the thing that you were meant to. I think I'm a really strong believer in the pure concept of vocation, meaning that, like, there is a right thing for people to be working on. I think it's really hard to be agentic if you're not present.
Host of Dialectic Podcast
If you.
Molly Mielke McCarthy
If you're not present to the reality of the world around you and you're not present to yourself and what you're feeling and what you want and what you need, you can have something that some people might call agency, but I don't know if I would because it's not very authentic to you. It's like it's making moves in the world that are moving you in a direction. But is it even the right direction? I guess part of my definition personally of agency is I would hope that it would be something that is true to you and true to where you should be going and feel is destined for you to go.
Host of Dialectic Podcast
Welcome to Dialectic Episode 38 with Molly Mielke McCarthy. Molly is an early stage investor at her fund Moth Fund where she focuses on finding special eligible commercial and mission driven individuals or people she likes to call moths. She calls them moths because they're a little less obvious than the proverbial butterfly. And yet she is so drawn to them and she thinks that in many ways they tend to be undervalued. Early on, Molly describes her professional and creative lives as a mix between peopling and making, and she spent her career doing just that. She studied film at NYU Tisch and computers and creativity at ucla and during school and afterwards spent time at a number of technology companies, including Figma Notion, the browser company Stripe Press and others, and was a Sequoia Scout before deciding to go out on her own and focus on full time investing. Molly brings a creative and intuitive and yet pragmatic approach to all of her work, and I think her creative background clearly influences both the people and the types of companies she tends to work with. That said, at this stage she's almost entirely focused on the people side of investing and her work, and we start the conversation by talking extensively about what makes the special mothy type people that Molly works with so enamoring to her and so compelling from an investment standpoint. We also talk at length about the way she's been able to tailor the job of early stage investing specifically to her so she doesn't experience FOMO or distraction or try and compete on somebody else's game. Molly's also an incredible writer and one of the things I love about her writing is she's constantly rotating between introspection and action, a theme that's covered often on this podcast. And we talk about the way she's evolved her relationship with self knowledge. I I hope this conversation inspires you to draw closer to the people who you find special, to know yourself more deeply, and to, as Molly has done, yield to your vocational and creative calling, whatever that might be, and however unexpected that might be, whether a grand change or even to settle in more deeply to the thing you know you're meant to do. Before we get into the episode, I'd like to thank Notion Dialectics Presenting Partner Notion is a creative workspace for your life's work, and it's used by all kinds of teams, from small startups to large organizations to collaborate, work with, and get leverage from AI and ultimately turn their ideas into action. Notion spent years creating a robust and yet remarkably simple tool for anyone collaborating on words, ideas, databases, and more, and now they continue to make the product even more powerful thanks to AI. And what I love about Notion's approach to AI is that they're focused not on delegating all of the work, but instead on giving you more leverage to focus on the important stuff, the creative stuff, the collaborative stuff, and automate the rest, whether that be with their agents that can run inside Notion workspaces, or even just simple AI tools that can pull out patterns and ideas from what you're writing. I use Notion to both prepare and to review dialectic conversations afterwards, and it gives me so much leverage for thinking high level about the ideas that matter that I cover on the show. If you haven't tried Notion you can check it out@notion.com dialectic and whether it's your first time or you've been using Notion for years, I hope you're inspired to make something. I'll link to Notion in the description as well as all of the links and references that might be helpful for this episode with Molly. As always, you can find more information, a full transcript and all those links at Dialectic FM and this episode is Slack McCarthy. With that said, here is my conversation with Molly. I hope you enjoy it. Molly Milky McCarthy, we are here. Thank you for doing this.
Molly Mielke McCarthy
I'm delighted to be here.
Host of Dialectic Podcast
We are going to start with something I know you know a lot about, which is people, and particularly exceptional people. I'm going to start with a quote from you, but what I do know is an exceptional person when I meet one. I like to say that Mothfund is sector agnostic, but in no way person agnostic. I'm uninterested in investing in anyone but people who I'm positive will mold the future to their liking. How do you know an exceptional person when you see one or meet one?
Molly Mielke McCarthy
I think it's more feeling led than anything else. Something about them that creates this feeling of like, I've never met anyone that has this combination of qualities and experiences and characteristics before. And then I think there's something about them pursuing excellence and actually attaining it that I like to look for some kind of flywheel around competency that I think is hard to find. I think one of the underlying premises to mothfund and my approach to people is that I think competence is hard to find and storytelling could be taught. And I think that that is something that guides a lot of where I spend my time as someone who can help with storytelling.
Host of Dialectic Podcast
How long does it take you to like, is there a minimum viable threshold of time with someone or question things you need to know about their background to be able to kind of like get to that feeling.
Molly Mielke McCarthy
Three months?
Host of Dialectic Podcast
Really?
Molly Mielke McCarthy
Yeah, it's very, very clear.
Host of Dialectic Podcast
That's like a. That's like a. You've done. You've done a lot of this.
Molly Mielke McCarthy
I've done a lot, Yeah. I think anything less than three months doesn't give me an accurate representation of their slope of growth. And I care a lot about that. I think so much of my job as an investor with the strategy that I have is to find the strangest, most spiky people and then see which ones start to gain momentum and take off. And what I like to see is they're getting better at all of These things that they were previously not good at and they're tackling things that were previously holding them back. And I think three months is a pretty accurate representation of. If they've made no progress at three months, then they're probably not going to in the next three months either. And I think it's being open to all the different ways they could change too. It's not necessarily just company progress, but it might be a personal milestone in how they're thinking about things or whatever it is. And typically though, I know people that I invest in for minimum a year, but three months is what I look forward to, really get an accurate barometer before I can really say, oh, yeah, they're exceptional, or I don't know. It's much just harder to say.
Host of Dialectic Podcast
Does it have to be like first party data? Like, let's say it's someone you trusted, you know well and you trust.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
And they have a history with this person. They've known them for a year.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
And you've only known this person for two weeks. Like, can you substitute that?
Molly Mielke McCarthy
You can, but I think it's at only like half as no 0.5x my own experience. That's what I'm gonna say.
Host of Dialectic Podcast
No one knows like me.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
It's not even necessarily that. It's. No one knows what I'm looking for like me.
Molly Mielke McCarthy
Totally. I think I just. I wanna see that the people that I really respect in my network are impressed by them. But I also want my own evaluation because I think that it actually. It tells me a lot about the person that I'm trying to get to know and the person that spoke highly of them. I think that there's a lot to be gleaned there. And if you just take it verbatim that I'm not actually developing my own taste.
Host of Dialectic Podcast
One thing that has continued to come up in the taste stuff, both in conversations I've done for this and in general is like a very core product or input to taste is eating lots of food. It's like so easy to, like, get lost in the sauce of ideating about it. It's like, no, you taste like. Let's not forget what that literally means. You mentioned spiky spikiness. That's something that has come up a lot in your writing and I certainly resonate with. And other people I know who care a lot about people. Talk about you. Describe it, Spike, as. I want to understand what a person's greatest strength is and how that functions doubly as their greatest weak.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
I think that's like a common trope and is certainly poetic and broadly feels right to me. I'm curious how it, like how it sort of actually shows up and how you learn to see that, maybe especially in this three month period where you're getting to know someone.
Molly Mielke McCarthy
I think it's trying to understand what their core competency, like what is almost like their dominant leg that they lead with and how does that make their other leg weaker, basically is what I'm trying to see. And people usually show you by the place basically just how they allocate their time. I think that most people are much more comfortable spending time on the things that they're good at. And if you look at the stuff that they're neglecting, it gives you a lot of signal on what's really going on here.
Host of Dialectic Podcast
But I should insert like a lot of these people, maybe not all of them, but many of the people you spend time with and eventually invest in, you meet when they're very young.
Molly Mielke McCarthy
Definitely.
Host of Dialectic Podcast
And so they're not well rounded by default. Like they're probably not doing their laundry or whatever. Like. Yeah, so it's versus maybe analyzing. On a 35 year old it would be different.
Molly Mielke McCarthy
Yes. Well, I think that it's for the young people that you're right. I spend most of my time evaluating. I think that it's trying to understand their growth trajectory over those three months that I can accurately predict what it'll look like in 10 years, whatever it might be. And I think that that is something that people actually give you a lot more signal on than you'd expect. I think you just have to listen to them a little bit closer, like what are they telling you, what are they not telling you? And how honest are they with themselves? I think I've never set out to look for people who are like the most fluent in therapy speak or whatever it is. But I am looking for a certain kind of person that I think fits my archetype of how I could help them. And I think it is, like I said, the one that spikes in competency. But maybe storytelling is more weak. And I think that's harder to find. And I call it a moth. It's a quirky, quiet missionary. But I do think that you have to also, when evaluating young people, have a lot of humility because I've been wrong just as many times as everybody else. And I think it's realizing how often our own judgments of ourselves and how we see the world cloud our vision on a person in front of us. And I think that that's, that's a really interesting pursuit to me, that keeps me motivated to keep showing up. It's like figuring out the person that I'm evaluating, but also figuring out what am I learning about myself in this process.
Host of Dialectic Podcast
Yeah, what am I even putting into the observation? One of the things I love in that classic Graham Duncan, what's going on here with a human is just the ways that you, as an interviewer or as an investor might be totally warping the context. A person is absolutely.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
And thus you're actually getting like a wildly unreliable perspective on them. You have on the, on the spikiness note, you have a few paragraphs that I thought were interesting in this context that I'll read quickly. First, you say, the main commonality tying all my friends together is how incredibly individual we are. The idea that each of us was designed to work on specific things in the world, that we must first do the work to reveal to ourselves. And in many ways this is the opposite of the Silicon Valley thinking that surrounds us, which sees humans as interchangeable workers regarded most highly for extremely uneven development. Precocious spikiness is what gets you noticed in the world of startups, so it's no surprise how many competitive people become razor sharp, functionally turning themselves into tools tailor designed to solve specific problems. But obviously that's no way to live, or at least it's definitely no way to live long term. All of my favorite people contain all manner of superfluous, silly and soft parts that make them so much more than a tool. Beautiful writing. I'm curious how you square this, because, and maybe this is not quite the point you're making, but it does seem sort of like you're saying spikiness is a trait, maybe even like a burden that is best reserved maybe for founders and like, while the rest of us aim for generality or something. Or am I being too prescriptive there?
Molly Mielke McCarthy
No, I think that pretty accurately slices down. I think that a lot of the people that I bet on have a very specific reason that they want to do the thing, and it's very close to their heart and their brain, and they care a lot about it and they feel the need to almost exercise this vision in their head. But I think that the people that I find myself most gravitating towards are the ones that are actually more focused on living well. And I think for better or worse, like I, I, I both really deeply enjoy serving the people that have a mission to embark on, but they're not necessarily the ones that I want to spend all my time with.
Host of Dialectic Podcast
To be completely honest, they probably don't have the time to hang out with you anyway. Or hang out with you.
Molly Mielke McCarthy
They're busy. Hmm.
Host of Dialectic Podcast
I do think it's interesting to wonder about, like, there are probably people who at the beginning of their career started off as very spiky, maybe even like, to take an extreme, like a Mark Zuckerberg or whatever.
Molly Mielke McCarthy
Yep.
Host of Dialectic Podcast
And who have gradually figured out how to like add color or resolution to that picture.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
As it's needed.
Molly Mielke McCarthy
Totally. And then it's also a question of like, I wonder if you got close to him. Has his. Have his spikes doubled a bit?
Host of Dialectic Podcast
Yeah, yeah.
Molly Mielke McCarthy
Or have they remained razor sharp and he's just filled in everything else with having money and help.
Host of Dialectic Podcast
Right. It's funny, I. The way I've used spikiness to describe people is I'm almost. I find my. Because I always say I'm kind of. I like to spend time with spiky people, but it's not quite in the way you're describing it, which is this like very one. Almost like one dimensionality.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
I like people who have several spikes, but I like those people much more than I like people who are like very well rounded everywhere.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
But I don't like people with one spike.
Molly Mielke McCarthy
That is a very good.
Host of Dialectic Podcast
Not that I don't like them, but
Molly Mielke McCarthy
like, I actually think in practice, like, people that I spend the most time with are T shaped. Like, I think that the ultra spiky one dimensional spike are typically just very young. The ones that are a little bit older, they turn more T shaped or whatever. Polygon shape.
Host of Dialectic Podcast
Yeah. Brie has this metaphor of the fork shape.
Molly Mielke McCarthy
That's good too.
Host of Dialectic Podcast
That's kind of what I'm.
Molly Mielke McCarthy
Yeah, totally.
Host of Dialectic Podcast
You mentioned moths and the sort of the notion that you're. And we'll talk more about this later. But like you're kind of working with people who are. Aren't totally legible. You also describe magnetism as a really valuable trait or something that you're looking for. What makes people magnetic and particularly maybe how do you think about that in the context of people who might not be the most legible yet?
Molly Mielke McCarthy
Yeah, yeah, yeah. I mean, my core belief is that like magnetism is a byproduct of authenticity and just like living as you were intended to on the thing that you were meant to. I think I'm a really strong believer in the pure concept of vocation, meaning that there is a right thing for people to be working on. And I just think that magnetism is Something that. There's the version of magnetism that is large scale and something that you would ascribe to the hottest startup or whatever it might be that's less interesting. That's a commercial magnetism that is produced by a team. Then there's a smaller scale magnetism that one person has. And that can either be charisma or it can be them actually just being deeply, deeply authentic. And I think charisma is usually the version that is actually a bit more. It's a skill. It's also a bit more performed. Authenticity in that form of magnetism, I think is much more durable and it doesn't drain a person in the same way a performance does. And I think it's also just innately and quietly and deeply attractive to the right people and not to the wrong ones. And so I think that that's the kind of magnetism that I'm looking for at the earliest stages.
Host of Dialectic Podcast
You could totally imagine how a fairly introverted someone who's kind of understood in the world and who's like, very nerdy could be very magnetic in a specific way.
Molly Mielke McCarthy
Exactly.
Host of Dialectic Podcast
Right.
Molly Mielke McCarthy
Yeah. Because get them going, talking about their favorite, you know, part of the nerd world. And then they. People just like them are like swarming and they're like, you are one of me, one of us.
Host of Dialectic Podcast
Yeah. So it kind of goes back to your competence thing too, which is like radical competence or knowledge or curiosity or whatever is. It's like you can catch the thing that makes somebody's eyes light up and they can go really deep on it. It's quite. It's compelling.
Molly Mielke McCarthy
It's very compelling. And it's also like to the wrong people, they just. They don't even pay attention. They're like, what are you going on about? But that they were never the people that you should spend time with anyways.
Host of Dialectic Podcast
You mentioned trajectory. A couple other quotes. I've learned a lot about how to evaluate smart people by how they've evaluated me. Many of the investors that bet on me made it extremely explicit that they aren't betting on who I am now, but instead betting on the future version of me that sees success from sticking to this. And then you say discernment can be glimpsed in their reflections. They should have exchanged their innocence for wisdom. Not just experience, I think is really, really powerful. How do you start to see the potentiality of that? Particularly that last bit, which is like being able to trade innocence for wisdom. Everyone trades innocence for experience if they stay on the track.
Molly Mielke McCarthy
Yeah, I mean, I think that it usually Just comes down to actually mining the wreckage of your experiences and the winds of your experience and learning things from it. It's usually just self reflection is what turns it into wisdom, but it's self reflection that extends beyond just yourself. It's not just about, like, what is it about me? It's also what is it about the world and what is it about the other people that I can learn from these experiences. And I think that that is. Is something that is the kind of help and support that I like to provide to founders. Is this kind of quasi coaching relationship where we're doing just that, basically, like, how can you grow faster in the direction that you want to grow? I find that to be an endlessly interesting question. It's much less constrained to, like, how can you build this startup? Well, maybe you shouldn't be building this startup, but like, that's the thing we should be talking about. Not like, what is the next product to build.
Host of Dialectic Podcast
Yeah, getting you closer to the vocation thing too. Or you also talk a lot about discernment, which I think is really close to this.
Molly Mielke McCarthy
Yes. Yeah.
Host of Dialectic Podcast
Which is, as you say, not just seeing yourself clearly, but seeing the context and the world and the other people and the situation and all of it clearly. And like also knowing it's some line somewhere that I can't remember. But it was along the lines of like being able to like drop the thing and not just like stay in the inertia of it, which I feel like that's part of this.
Molly Mielke McCarthy
I. Discernment is like the, the ultimate goal that I hold up in my mind in, in really everything I do, but especially in my investing and in what I call the peopling part of my career, which is like, how can I pick people, support people, help them grow, but like, in doing so, it's about being discerning about which ones I pick. Yes, that's the obvious, like what is the investor relationship? But I think it's also, to me, it's really about like being discerning about, like how I help them. Like, am I really helping them in the direction that they are meant to be helped? Am I being very responsive to this person and discerning about the things that they're saying, like that that's just as interesting as the picking, I think. And I'm not saying it's going to change the outcome of the startup, but I am saying that I think it's a deeply different relationship that can change people's worldview a bit and how they feel about their work. And I Think that that's very impactful at the beginning stages.
Host of Dialectic Podcast
Yeah. There's a stewardship of that position that acknowledges that. Yeah. In many cases, it won't matter that much. But in the world where it actually very. Like you are in a position where you could significantly inflect somebody's situation, life, whatever, direction.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
And it's. It's like almost carrying that weight. Like, understanding the weight of what you're
Molly Mielke McCarthy
carrying, maybe, and trying to wear it lightly, too. I think I definitely gone through phases of being like, this is way too much responsibility. And then I'm like, I'm overthinking. It's not that deep. But I do think that there is something about just accurately reflecting back a person at the beginning stages of them working on something that could be their magnum opus that is like, very, very. It is deep. It can be very deep.
Host of Dialectic Podcast
Another quote. You say discerning founders do everything they can to stay rooted in the present, forgiving themselves a thousand times so they can continue to see the bigger picture and act. How do presence and agency relate to each other?
Molly Mielke McCarthy
Hmm. I think it's really hard to be agentic if you're not present. Like, if you're not present to the reality of the world around you and you're not present to yourself and what you're feeling and what you want and what you need, you can have something that some people might call agency, but I don't know if I would because it's not very authentic to you. It's like it's making moves in the world to that are, you know, moving you in a direction. But is it even the right direction? I guess part of my definition, personally, of agency is I would hope that it would be something that is true to you and true to where you should be going and feel is destined for you to go.
Host of Dialectic Podcast
You have another quote that is along these lines. You say from the outside, agency is often misinterpreted as ambition. But I learned through observing these two types of people that they're actually quite different. Ambition means you're motivated to play games that others have already created in the world. Agency means you're driven to play a game of your own. I guess, maybe I have two questions, which is like, one, piggybacking on the last thing. The presence thing's so interesting to me because in part, I think there's some intuition that agency is kind of about knowing what to do in the future or has more of a future orientation. I guess the other part of that is just like, how do you Think that distinction between ambition and agency affects how people should maybe interpret the classic for phrase you can just do things.
Molly Mielke McCarthy
I think that so much of like agentic people, so many of them are actually just deeply experienced just doing things and they know that the possibility is there. And then they become more in alignment with like what do I want to do? Like what is the game I want to play?
Host of Dialectic Podcast
Because they have a high feedback loop.
Molly Mielke McCarthy
Basically they have a high feedback loop. They've just been, they have been just doing things for a while. I think ambition is usually more like you can just do things, but do things that are on a tracked path that will get me status, prestige, whatever it might be. I actually, it's funny because like that was my kind of core thesis to Moth at the beginning was kind of this idea of the difference between agency and ambition and wanting to target more the people that were acting from agency because I thought that they were undervalued. I think that over time I've realized that it's, it's muddy, it's not that clean. It's nice to make a neat distinction on the page. But I think in practice ambition is often deeply interrupt with agency. I think that we're status minded creatures and it's not always clear what is a game that someone else set that is actually the right game for you versus one that do you have to make it all from scratch? I think part of realizing that I was a little bit black and white in that thinking is realizing that like the way that I see the world is as someone who is much more of an individualist and I, I, I really care about doing everything my own way.
Host of Dialectic Podcast
Right.
Molly Mielke McCarthy
And like I would never want to play someone else's game. But that's not true of everybody. In fact most people do not feel the same way.
Host of Dialectic Podcast
And there are bonus points for being purely original. Like being the most special snowflake.
Molly Mielke McCarthy
Absolutely, yes. And I think it's a beacon for other people. They like to see it, but I, I don't think it's necessary at all. I think there are good stock games that you can play that are actually the right fit for what you want to do.
Host of Dialectic Podcast
Totally. And by the way, there's a, there's a huge gradient. Like I, I suspect the other part of this that's interesting even in the time you haven't been investing for that long with the time you have like the Overton window on unique or original or, or off the beaten path is moving like 10 years ago y Combinator was pretty like not ambitious. It Was like weird. And now it's obviously like it's closer to Harvard, right?
Molly Mielke McCarthy
Absolutely. Yeah.
Host of Dialectic Podcast
And so like that I guess is always gradually shifting too.
Molly Mielke McCarthy
Yeah. And it, I think that that was a lot of the, the thinking beyond moths. The beginning was like I saw that there was just an abundance of capital for people that were credentialed and legible and you know, went to Stanford, executemind, whatever it is. But there was another type of person that wasn't following a linear path and wasn't legible and they were just consistently underpriced until they had actually built something that proved how good they were. But I was like, there is a long period before they've built and shipped something successful when if you met that person, I think you could still see in their eyes that there's something very deeply special about them. If you got to know them.
Host of Dialectic Podcast
Might take three months, it might take
Molly Mielke McCarthy
three months, it might take a year. But it is deeply worth it I think because they're the ones who you really can change the trajectory of. And from a purely financial perspective, they are underpriced until they have shipped something like real.
Host of Dialectic Podcast
One last thing on agency and maybe this point is a little bit over discussed but you, you first off all, you have a line, you say I want all of us to know just how much ownership we have over the future. Which is a really beautiful way of kind of framing the positive side of agency. You also have this articulation that I, I thought was quite interesting and I think is fairly old. So I'm curious for you to reflect on. It is like the inputs to agency along this notion. What I was referring to when I started the question, which is like can agency be improved particularly in adults.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
Or is it sort of fixed? And you describe it as the hook, the catalyst, then the sustainer, as these like frames of inputs for increasing it. I'm curious, like one, do you, do you think that holds? Would you addend it or amended it? Excuse me. And then more broadly like, as you've continued to do this, have you. Do you have any updated sense of like, what types of like particularly in the sense where somebody can go from not that agentic to somewhat agentic, which to me seems like the big one because once you get into the agentic loop it starts to compound.
Molly Mielke McCarthy
Yeah, I think I was very idealistic when I read that. It was like 2022 or something like that. I think that there's some truth to it, but I think it is pretty capped. I think that like people can be inspired by someone else's story, try something out and then be in a more like agentic filled other people environment and get to a slightly different baseline. But I do think it's hard. I mean, I think my counter argument is just seeing how people from other environments, if they're not young and they say decide to move to the Bay Area and get into startups. It is quite hard if you're in your 30s or something to change your attitudes about the world. And I think it's definitely possible if you are open minded enough. But I think very rarely are people. I think I again, a piece of self reflection from writing that piece a while ago is like I grew up in a very open minded environment and it was like full of hippies that were constantly thinking about how can we change the world? And it was more about constantly figuring out what was wrong and figuring out the solution. And while that is completely different really than the approach that started People think about Things, it has the same tenor of like, let's just do things, except
Host of Dialectic Podcast
one of them is very California. No coincidence. Yeah. You didn't grow up in Silicon Valley,
Molly Mielke McCarthy
but you grew up in a very hippie small town. Yeah, but I think that, that it made me think that all people have a higher level of agency than I think that they do. And I think I've also just chased environments where the people are agentic and interesting and unafraid and original. And I have found myself constantly trying to find those. I mean, I think I was drawn to film first because I was around people like directors who were building a world. And in the same way, once I got into tech, I was like, oh, these founders, they are also building a world.
Host of Dialectic Podcast
Very entrepreneurial, both of them are.
Molly Mielke McCarthy
Exactly, yeah. And there was something deeply interesting about both of those and compelling. And I wanted to help and be a part of it and help them refine and calcify and grow it. But I do think that, like I said, I think that I've just been lucky. Like I've been in environments where it has been encouraged to be ambitious and to do things and to take risks. And I think a lot of this learning has just been being in other countries and being with visiting friends, home environments and just learning that it's, it's not at all like what I thought the rest of the world was.
Host of Dialectic Podcast
I'm reminded of one other thing on this note, maybe somewhere where you're citing. David Brooks describes this as adhering to the theory of maximal taste. And you have this little excerpt which is this theory is based on the idea that exposure to genius has the power to expand your consciousness. And if you spend a lot of time with genius, your mind will end up bigger and broader than if you spend your time only with run of the mill stuff. The theory of maximum taste says that each person's mind is defined by its upper limit, the best that it habitually consumes and is capable of consuming. Which again, I think still your, your main point stands, which is like on a relative basis, but like it.
Molly Mielke McCarthy
There's something to that though.
Host of Dialectic Podcast
There is something to that.
Molly Mielke McCarthy
Yeah. It's just probably only in the people that have already self selected for agentic environments and then the ones that choose to like fill their mind, things that push the bounds are going to grow and that's it.
Host of Dialectic Podcast
Yeah, it's interesting. I, I think, I always think I maybe I talked with Bri about this as well because we were reflecting on like these really impressive people when they're really young and usually it's very clear when you're 20 or like. Yeah, I don't know, I, I was not in an environment where like there were 15 year olds doing great like startups and stuff.
Molly Mielke McCarthy
And like, I mean, me neither. Yeah.
Host of Dialectic Podcast
Right. And so I have to actually like I went from a. And again, I don't know where the baseline was, but like I went from a world where like you really don't know what great looks like until you see it.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
And so that would be my one bit of like hope on this note is like environments are really powerful.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
And perhaps the, the real answer to your, the thing that you're pointing at is that most people are just have never even gotten close to an environment that would allow them to like see how high the bar can be.
Molly Mielke McCarthy
I think that's exactly it.
Host of Dialectic Podcast
Yeah.
Molly Mielke McCarthy
Yeah. And like the bar doesn't need to be, you know, just startups or just whatever your chosen profession. It could be in a completely unrelated field. Like I think competence is, is impressive and magnetic. No matter what it is. You can just kind of feel it.
Host of Dialectic Podcast
Right.
Molly Mielke McCarthy
And I think even being around like an amazing lawyer or something in their environment, in their zone of genius, like I think that that would be also like, wow, you can be like that. But I just think that.
Host of Dialectic Podcast
But see, you'd have to see the process in person.
Molly Mielke McCarthy
You have to be around it, you have to absorb it and you have to see how they spend their time, just who they are, how they relate to their work.
Host of Dialectic Podcast
Yes.
Molly Mielke McCarthy
And I think so much of my career was a story of like once I got into Tech. I was very lucky to be around excellent people and having my bar raised so much in this field where I was seeing that I was suddenly given so much more autonomy and agency than I had been in any other environments. And so it was just. I was like, I'm never going to leave, but it is a story of this happening to me and then me staying around because of it.
Host of Dialectic Podcast
Yes. Yeah, yeah. My sense is the process, like, the garage door up part of it is really important. It makes me think. I was chatting with a friend this morning. There's a Jerry Seinfeld line where he says something along the lines of, all art is disguising work. Meaning it's like sort of like the magic trick.
Molly Mielke McCarthy
Yeah, yeah, yeah.
Host of Dialectic Podcast
And I actually think to your. To your earlier point, like, people are exposed to great things, but they. It looks easy. And so maybe the thing is actually getting to see, like, the process.
Molly Mielke McCarthy
I think it's a process. Yeah. Because, I mean, everyone can look up a Mona Lisa or, like, any given.
Host of Dialectic Podcast
Even a great film or a great song.
Molly Mielke McCarthy
Exactly.
Host of Dialectic Podcast
But you don't see the slugging.
Molly Mielke McCarthy
Totally. You don't know what went into it, and you don't know, like, how the person making it was. Was feeling about their work through the whole process. What they. What were they doing? Were they micromanaging? Were they going crazy? Like, that's the stuff that makes you. Like, this is the level of sacrifice that a person who really cares about what they're doing puts in.
Host of Dialectic Podcast
Yes, yes, yes. Well, and also, like, I don't know. I. I just wrote east of Eden by John Steinbeck, and I'm reading these letters he was writing while he was writing the east of Eden.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
And it's so, like, honestly, the main emotion I had is like, oh, he's. He's. He's just like, me. Like, he's basically just like. Some days he's like, I'm a genius. I'm so good at writing. And other days he's like, this sucks. I suck. And so I think there's a bit of that. There's almost an accessibility of it, too.
Molly Mielke McCarthy
Absolutely. Seeing that they're human, seeing that they, like, yeah, the peaks and the troughs. Really. I do think that that's actually a huge part of it.
Host of Dialectic Podcast
Right.
Molly Mielke McCarthy
It humanizes it for people of, like, wow. Excellence can look like not always having a good day, but still just slugging,
Host of Dialectic Podcast
showing up every day. Right, right.
Molly Mielke McCarthy
Exactly. Yeah.
Host of Dialectic Podcast
One of the more important traits in my view, and I think you express a similar view when it comes to early stage in any kind of investing, but maybe especially early stage, because less obvious is commerciality. You have an essay called the Lost Charisma of Capitalism, which I thought was really great. Kind of like describes the essence of this. A couple quotes. First, I became obsessed with understanding the defining aspect of the successful entrepreneur, Their commercial aptitude. And then commercial instincts are the result of exposure, perhaps even more than inherent talent. The latter I'm particularly interested in. Maybe it's kind of like the agency thing. Like, yeah, I think like when people talk about commerciality and maybe it's also worth being more specific about what we mean by that. I'd be curious for your definition, but people talk about like, oh, it's like they've been, they started their first business when they were sick selling lollipops. Like, it does feel like it's more of one of these innate things. And yet you're saying, or at least you were saying at the time, that it was a. Largely a product of exposure. Yeah, so yeah, maybe, maybe. First, I love your perspective on commerciality and why it's so important. Then two, that thread on exposure, I
Molly Mielke McCarthy
think I define it as like, knowing how to capture the value you create and having a hunger for it. I think highly commercial people typically see the world in terms of money and like, where it flows, how it can be captured. They just understand the world that way. It's almost like their version of math in their head. And I do think that that is something that some people are just born with and do have that like the quintessential cliche entrepreneurial lemonade stand streak. And I think that that's really special. I think also though, there's many tales of people growing up in families where somebody else in their family was more commercial and they learned it from them. And I do think it can definitely be the kind of thing that, you know, you join an early stage startup, you're around a highly commercial CEO and you pick it up from them, you're like, oh, this is how it works. This is how they made money.
Host of Dialectic Podcast
Right.
Molly Mielke McCarthy
Like, I saw the hunger in their heart.
Host of Dialectic Podcast
I'm seeing the Matrix almost exactly.
Molly Mielke McCarthy
Yeah. And then I think that they, they just start to see those opportunities as well out in the world for themselves. And so I think that it, it really is just like a, a lens that you can acquire. Some people are born with it, other people learn it from other people. But I do think that it's, it's not as complicated as people think it is. I guess I say that as someone who was like, very not commercial and grew up with like a very anti money hippie background and then came into tech and now working in venture capital. And I think like a, you can definitely like just feel it when you're around people who are commercial. Like there, there's a hunger and desire there that like is not just ambition, it's also just like their view of the world. But also then you just, you start to like even myself, I would just start to look around and be like, I can kind of see like these people have it, these people don't. These, these are the kinds of opportunities they'd look at. And then I something out in the world I'd be like, if I were that person, I'd be interested in that commercial opportunity. But it's one of the. I actually think it's a lot easier to train than agency or anything like that because it's less risky. It doesn't necessarily mean that you're going to start the business. You're just seeing that a business could be started.
Host of Dialectic Podcast
Right. Maybe another piece that the less commercial people might react to or anyone would be like a little bit of a, in the negative, like a griftiness or something or transactional nature. I love this from you. You said most people do want something from you. It's just on what timescale their urgency is what dictates whether the experience will feel good or bad on the receiving end. After all, being transactional on the scale of a human lifetime is how most productive partnerships are structured. Can you talk about like the specific positive sum bent on the commerciality that makes such great entrepreneurs?
Molly Mielke McCarthy
Oh, I think it's just they are not looking to extract value right now. That's the main difference.
Host of Dialectic Podcast
People feel it just patience.
Molly Mielke McCarthy
It's just patience. They're seeing that there's something interesting. They, they are drawn to you. Like there's some kind of kismet to the relationship. Yeah, you, the commercial person and somebody else and they understand that there's something special here and they're willing to wait around until it's obvious what it is. I think that most successful founders, entrepreneurs, they collect special people and then they figure out how to slot them in. And I think that that's the same for investing too. I collect special people and then I see if it makes sense to invest in them. But I think it's a certain style of thinking that is very people centric. And I think I was very surprised in my jobs how it seemed like the style of thinking of the leaders that I worked for was incredibly people Centric in almost a way that was similar to being an investor. Even though they were running an organization, it was completely different, but they were still thinking in these terms of recruiting is basically the most important thing and making this business grow and flourish. And that requires talent. And I think that that was really interesting because I was interested in thinking in a similar way of like, how can I find special people and support them in their growth really. But I wasn't interested in having them build my thing. So it's very clear that I shouldn't be a founder.
Host of Dialectic Podcast
It's interesting. It makes me think of. You have this thing about idea people and people people. And I know it's almost like entrepreneurs probably need to start as idea people, but at some point, at enough scale, if you're trying to build something ambitious enough, you kind of need to graduate into being people oriented.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
In terms of where your leverage comes from.
Molly Mielke McCarthy
I totally agree.
Host of Dialectic Podcast
And certain investors can, can, can split both ways.
Molly Mielke McCarthy
And many founders hate it when you say that. They're like, no, you can be idea centric forever. And you're like, okay, sure, but your business is capped if you are thinking that way because you're not actually thinking on.
Host of Dialectic Podcast
Yeah, I mean, maybe that world's gonna. Maybe we're heading into a world where people let matter less. But I'm a little skeptical maybe.
Molly Mielke McCarthy
Yeah, I'm skeptical too.
Host of Dialectic Podcast
You have this frame on truth seeking people versus social cohesion oriented people. Yeah, that was a while ago. Do you still believe in that? I'm curious for you to. One just like, if, if that's another thing you've evolved your perspective on or if it actually kind of holds as a. I think it holds.
Molly Mielke McCarthy
I mean, it's just, it's more like a general thing that I'm constantly asking when I'm getting to know a person is like, do they lean more in one direction or the other? Are they going to stay quiet even when they have something to say, but they think it'll disrupt the crowd? That would be more social cohesion. Are they actually just going to. If they see a truth, they feel compelled to say it. If they detect that someone's lying, are they going to needle at it? That would be more truth seeking. And that's actually very, very useful to know, I think. And I think typically most founders skew more truth seeking.
Host of Dialectic Podcast
So I think in this. So with that description, I think most people listening would be like, oh, obviously you only invest in truth. Well, yeah, I'm truth seeking. And also you should only invest in truthing. I think in the thing you were talking about this, you actually describe Jeff Bezos as being a little bit more on the social cohesion.
Molly Mielke McCarthy
Yes.
Host of Dialectic Podcast
On the note of being a customer obsessed. So I'm really curious about that.
Molly Mielke McCarthy
Well, I think social cohesion can look like just being an amazing salesperson. Like, I think that the detractor, the not so good side of someone who's very truth seeking is that they can actually, they can be very brash and very hard to build a relationship with. They're very hard to be the level of smoothness that they need to do like some kind of sales that is actually in one given industry. I think that Jeff Bezos is a good example. I think also people that have built successful software in vertical specific industries where they were had to build a lot of trust with their customers. I actually think like Dylan Field of Figma is a good example. They're not necessarily just social cohesion, but they definitely have that skill. They definitely could bring it out and they definitely know when it's important to have it and play that card. And I think that that is not possible for a lot of the people that are so truth seeking that they can't even put that on. And that's more the skill thing. I mean, I'm sure that Jeff Bezos was fed up and saw in many instances that this is not true, this is what we should be doing. But did he have to name it and like lose the deal or was he able to put on the salesman face and say, okay, I'm actually, it's fine, like we'll make it work. Dah, dah, dah, dah.
Host of Dialectic Podcast
Yeah, that's a. That is a much more interesting and useful orientation of it, I think than the like obviously you just want to be the truth seeker. Yeah, I think a relevant transition to talk a little bit about investing. On the note of commerciality, you wrote that you got advice from someone who suggested an investor is ideally a finance bro with a dash of Engelbart and even compared or observed that Neil Mehta feels like a very like quintessential version of that. And you also noted that you didn't change yourself to become this, but it inspired some amount of career more commerciality in yourself.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
Do you think you've grown in that direction? Do you think you've just gotten better at spotting it in the people in the mods you look for? Like, what is your kind of relationship to commerciality been over time?
Molly Mielke McCarthy
I think that a framing that I've been using a lot recently has Been, I think it was Will Meneetis his like in the flow versus out of the flow investors. I am most definitely an out of the flow investor. Like I'm doing a very strange long term strategy that like really only makes sense for me. I think that that is something I find deeply intrinsically motivating and I love, but I don't really experience fomo. Like I think that so many investors are trying to be the in the flow investor, which means just being very competitive really and playing the game that everyone else is playing, but ideally winning at that game. And I have no desire to do that. Like none.
Host of Dialectic Podcast
Right.
Molly Mielke McCarthy
And so I think that the commerciality for me is like, has always been something along the lines of I want to be my weirdest, most original, unique self, attract people who see like for like they're not necessarily like me, but they also understand how I can help them and maybe some really feel misunderstood or whatever it might be and rise up and win that way and prove to everyone that investing in moth and
Host of Dialectic Podcast
like you're on the back door or whatever.
Molly Mielke McCarthy
Right, exactly. Is good business. And like that was, that was the goal of my fund. One was just like, this is a proof of concept to prove out my hypothesis of the type of person that I think is undervalued and that I think I can successfully attract early.
Host of Dialectic Podcast
Yes.
Molly Mielke McCarthy
And then the long term vision has always been to legitimize that archetype in the same way that YC legitimize young technical talent and the Thiel Fellowship legitimize dropouts. I think Moss, which I define as this kind of quirky, quiet, mission driven founder, is consistently underpriced in part maybe
Host of Dialectic Podcast
because they don't seem that commercial, but still are.
Molly Mielke McCarthy
Exactly. Because I think that they're not. They come to their commerciality in a very roundabout way. It's almost like they care more about the mission, but they want the mission to be rewarded and to exist and to grow.
Host of Dialectic Podcast
Yeah.
Molly Mielke McCarthy
And I think that is, it's very rare. Yeah. You want to find people that are not just mission driven, artist driven, but they actually care so much about the mission, they think the mission is so big that they, they of course need to have the flywheel of making a lot of money basically when it comes
Host of Dialectic Podcast
to finding people who are more commercial than you, which feels kind of important as someone who doesn't default to being very commercial given the context of everything we talked about earlier and the fact that these people aren't that legible, like maybe in the three month period or whatever. Like what? It's not going to show up in the way that somebody more salesy. It might be much easier to clock into the commercial part of it. Yeah, like what do you look for? How do you notice that? Like what you talk about, like looking for the sign of growth or trajectory or like becoming resourceful or competent. But this feels like a slightly different thread.
Molly Mielke McCarthy
I think it's often looking at actual proof from the past that you can do it if it's so early. But then if it. If they're like in the process of building the thing and in the early days of potentially getting money for it, it's like how much do they care about that? Are they actually good at sales? Are other people kind of coming in to help them get this thing off the ground in this way that is magnetic and gives you a hint at their ability to like sell too? I think that the ability to sell and being magnetic are usually kind of one in the same. But I do think it's.
Host of Dialectic Podcast
But sales comes in different flavors to the it totally.
Molly Mielke McCarthy
I think obviously the flavor that I'm more interested in is the one where it's almost mission driven sales, if that's even a thing. Where it's like the person clearly cares so much about the thing and is so authentic in doing the thing that they were meant to do. That of course you want to work with them or give them money or whatever it might be. But I do think that commerciality is actually something that you at the end of the day need to see proof of.
Host of Dialectic Podcast
Most people who are verge on the mission driven or authentic side, even if they're commercial, I find don't they have a really negative relationship to sales?
Molly Mielke McCarthy
Yeah, tell me about it.
Host of Dialectic Podcast
Maybe, I mean, candidly you've even expressed this with fundraising. Yeah, right. Like what is that process like? Like what have you observed either in yourself or in watching the founders you work with? Like, yeah, what is it like to sort of improve at the sales muscle in a way that like, does it mean becoming inauthentic or can you do it in an authentic, like can you, can you improve its sales in an authentic way? If this isn't your lean, I think
Molly Mielke McCarthy
I've like, I only came to believe that you can still be authentic and be a good salesperson from seeing the founders that I back doing it and then being like, okay, it was cope, I should be doing the same. But I do think that this is one of the main things that I like help my founders with is like, it's so easy for me and Always has been to be like, of course you should be getting paid for this. You should be getting paid way more for this. You should be advocating. There's a certain level of. Often the mission driven founder is the one that is a little bit more scared to put their thing out there or whatever it might be, but they still have this hunger and desire to capture the value they create. And that's very important. But I do think that it's something that it's very easy to be an outside observer and be like, clearly you should do, you should sell.
Host of Dialectic Podcast
It's hard to do for yourself. Hard to take your own advice.
Molly Mielke McCarthy
Very, very hard. Yeah, it took a very long time for me to finally take my own advice and get better at selling.
Host of Dialectic Podcast
On a note of like, something I've certainly experienced in investing and I think people don't know coming in and eventually realize is the lack of feedback loops. You write about this. You say, that's because the craft adventure is not for people who derive their satisfaction from external indicators of progress. It's for people who find the development of their relationships and refinement of their internal model of the world to be motivation enough to keep going. And then separately, you have a, you have a line where you said, Jeff Lewis has this funny clip where he says something to the effect of, you as a founder should always choose investors who aren't using their investment in your company as a means to self actualize themselves. Which is hilarious.
Molly Mielke McCarthy
Great about that a lot.
Host of Dialectic Podcast
Yeah. I'd love to hear you reflect on those two like that like, need to self actualize and like, really. I guess what I'm wondering about is like how you and how one gets to this point of like total ease in the ambiguity.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
And maybe, maybe it, maybe it's very different doing that at a big firm versus on your own.
Molly Mielke McCarthy
I think at a big firm you have more things to distract yourself with. But I think at the end of the day you're still left with the same question of like, it's not clear that I'm good at this yet.
Host of Dialectic Podcast
Right. Meaning you, you're saying you have like more artificial games to play that make that look kind of like a feedback loop. Totally.
Molly Mielke McCarthy
Yeah. But they're not. And you shouldn't confuse yourself with like, the game of investing is always going to be like, did you pick companies that made a lot of money? That is the best and worst part of investing, in my opinion. Because I love the fact that it's so open ended because it means I can do whatever, I can take whatever path that suits me and that plays to my strengths to get there correct.
Host of Dialectic Podcast
But as long as it's about making
Molly Mielke McCarthy
money as I get there and you don't know if you get there. And so it's more the existential anxiety that you have to learn to deal with. And I think that there's a certain amount of, like, I felt it a lot more the first three years or so, and then I think I got a bunch more markups. Not that they're indicative of anything, but, like, early proof that there was something to my taste and that proved out my theory of moss. And that's what I was looking for from the very beginning. And I think from there, I think I just realized that I'm like, what is the part of investing that I actually care about? And if I'm actually very honest with myself, I don't care about really anything except for the relationships with the founders. That is the part that keeps me going. That's why I do all of this. And as long as I'm doing a good job at that and finding interesting people and developing deep relationships with them and serving them in their growth, that's how I'm measuring myself. Because I can tell myself that it's the rat race of fundraising or the rat race of being known in the right circles, but I don't really care about that. And like I said, I don't. I think I'm lucky in the sense that I don't find myself very impacted by fomo. And so it's more like as long as I can evaluate myself with my own metric at the end of the day and be like, I think I'm tracking. I think as long as I keep the main thing, the main thing, it will backtrack into the long term outcome that I want. Right.
Host of Dialectic Podcast
Which at some point actually becomes very legibly evident, which is like, made money, didn't make money.
Molly Mielke McCarthy
Exactly. You're either, you know, you should stay or you should get out of here, basically.
Host of Dialectic Podcast
Right. You also had this. I think it's related. You had this bit where you're talking about writing and investing and the uncertainty inside of both, which I really liked. You said in many ways, the job of the writer and the job of VC are quite similar and that they both ask you to produce an original end production. In the writer's case, articulated ideas and stories. In the investor's case, differentiated portfolio with outsized financial returns without much of a map for how you get there. The reason professional writers complain about writing so much is that it's really Difficult to wrangle your brain into producing uniquely interesting thoughts all the time and highly frustrating when you consider it your job to do so. Making good investments decisions is similar, just with the added element of also being highly social. Taking the quality of your self talk seriously seems superfluous, but is is an investment that will result in better decision.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
And so obviously a lot of that is very similar to what we were just talking about. But I'm curious specifically about that last bit, which is the self talk piece inside of all of this ambiguity and your ability. And granted, part of it for you maybe is it's less about coming up with unique ideas and more about finding amazing, unique people. If like, what is that connector between self talk and like decision, conviction and ambiguity?
Molly Mielke McCarthy
Well, I think it's like not letting the FOMO get to you and also not letting the self doubt around. Was I right when I followed my hunch on that investment? Was I? You know, this person isn't taking off as fast as I thought they would do. As I wrong about that. Like, I think it's just, it's almost thinking less. It's actually just thinking less. Yeah, I think that like the best purest way of doing investing is like not even doing investing as your full time thing because you think too much about it.
Host of Dialectic Podcast
Right, right, right.
Molly Mielke McCarthy
It's almost smarter if you, like, I don't know, you, you have some other. You're writing a book, whatever.
Host of Dialectic Podcast
Especially the people. People oriented investing, right?
Molly Mielke McCarthy
Exactly. If you want to go deep on ideas and make bets like that, completely different story. But for people oriented investing, where you actually kind of know whether you want to back them after like a 30 minute, an hour long meeting, which is in my case, typically how I do just takes me longer to get there. But like I have a sense, I have an inkling that I'm trying to validate. I think that it's, it's much more productive for me to just continually show up as a blank slate basically and serve the people that I've backed in their growth and not think about really much of anything else.
Host of Dialectic Podcast
Well, it's always almost like plant the seed and then like check back, get out of here.
Molly Mielke McCarthy
Yeah, yeah. And keep watering it. But that's about it.
Host of Dialectic Podcast
You interviewed Daniel Gross for your podcast a while ago and there's this really amazing part where he is expressing that like one of the number one things that people in most parts of investing and like most traders totally understand and that venture investors underrate is counterparty risk. And like, why is this deal coming to Me?
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
Which I think points broadly at like a thing that I think you think a lot about, which is, what is the signal? What is the bat signal I'm sending out there? What is the brand I've created, Whatever it might be that is going to route things to me? I think in early stage investing, that's like the only way to have any leverage or scale. And one of the things Daniel observed is like, actually like staying too top of mind in a broad sense might actually be bad signal.
Molly Mielke McCarthy
I agree with that.
Host of Dialectic Podcast
And you've talked about this. It's like actually like, you want your brand or whatever you're putting out there to generate as many nos as it does.
Molly Mielke McCarthy
Yeses, totally.
Host of Dialectic Podcast
I think you've internalized this and clearly you're like, you're very deliberate about it. From what I can tell, it seems to be working for you. Maybe first, like, what is that bat signal? You've talked a bit about it somewhat today and like, yeah, how, like, what is. What is the maneuvering on that as you like a B test? Like, how do I. How do you even know when it's working?
Molly Mielke McCarthy
I think about it a lot. I mean, it's like, I think that is like, maybe the one thing that is worth stressing out about as an investor is like, am I the product of adverse selection? Yes, that is. That is a real existential fear that is actually worth thinking about.
Host of Dialectic Podcast
It's like, who said no for this to come to me?
Molly Mielke McCarthy
Exactly. Yeah. And I think for me, like, my strategy was kind of distilled after seeing what worked in my fund one and realizing that, like, in most cases, the best deals came from. Well, 50% of them were direct relationships with founders. The other 50% were from people in my network who were eyes on the ground, deeply embedded in a domain. Usually an operator or a founder who got me, like, we just understood each other and they got what I was trying to do with moth and they could accurately describe what a moth is like. They. They understood.
Host of Dialectic Podcast
Yeah. They were taking your language on you.
Molly Mielke McCarthy
Exactly. Yeah. And the premise that I would give them is like, if there's anyone maathi that you meet, I would love to meet them. Like, they don't. Ideally, they're not raising. Ideally, they're just a guy that's like, interesting and thinking about ideas, whatever it might be. And I have different mechanisms in which to meet people. One of them is grants. And so that could be like, under the premise of what is the project that you're doing that you're excited about? Let's Talk about that. Another is the kind of coaching help I do around, like, what do you want to do next? Whether you're deciding whether you should raise venture, deciding what your next move is, deciding whatever it might be. I like working through those problems. I think they're very high signal. And then another one is just like, just general, like, how, how can I help and serve this person? It's like non prescriptive, but you seem like a moth. I think we should get to know each other. There's not a lot of people like us, whatever it is. And so I think that, that those
Host of Dialectic Podcast
all spin the flywheel.
Molly Mielke McCarthy
Those all spin the flywheel. And they're all like, basically the ideal experience is like, I just want someone who gets me and I've transmitted the mimetic moth thing into their head for some kind of bell to ding when they're meeting a person. They're like, you should meet Molly. That's what I.
Host of Dialectic Podcast
That is the thing you're prompting minds.
Molly Mielke McCarthy
Exactly right. And I'm just trying to give them like, what is the, the minimum viable definition of a moth that they get that they can like hold on to and feel something about? And it usually means they are one. It's like it spreads between people who get it. And so I think that the definition, the working definition of the moth is like, it's typically people who feel kind of misunderstood. It's like they are more the mission driven, the quirky, the quiet, the illegible, whatever, whatever, however you want to say it. But they could be summed up as being weirder. And I think that that is something that I try to meet all of those people. And then like I said, I'm trying to see which ones take off. But I think another filter mechanism that I have in place is like, my writing is something that I wouldn't say is usually how founders find me, but it is very, very, very frequently cited as a reason why they wanted to work with me after they're getting to know me because it shows who I am. I think I try to be very authentic and honest in my writing and it shows what I believe, how I'm going to help them, how I see the world. And if I'm not the right fit, they'll know that. Even when the referrer is like, you should meet Molly. Here's her writing, they look at it
Host of Dialectic Podcast
and they're like, saving everybody time.
Molly Mielke McCarthy
That's fine. Saving me time. Great. I do not take a high volume approach. I tend to meet only kind of qualified candidates that I think actually have something quite interesting. And I think that that is just my preferred style of working. It's what's sustainable for me. Like, I'm not a person that would thrive on the in the flow, go, go, go kind of way of doing investing.
Host of Dialectic Podcast
You mentioned coaching a couple times. Specifically you talked about, like, understanding people's motivations, failure modes. You reference Enneagram somewhere. Like that being one of the ways to get much better at this. I guess I'm curious, like, how. How else you've learned to get better at that? And beyond that, like, is the coaching. And granted it's a little different as investor, but like, is that. That what is the. Like the art science gradient on that? Like, how to. And I think maybe a lot of people listening, if they've had positive experience with coaching, might view it as like somewhat scientific and very valuable and obvious. And other people might view it as, I don't know, like all art. Is there even any substance here or whatever?
Molly Mielke McCarthy
I mean, I think there's. Yeah, there's a huge variety and some of it's terrible and some of it's great. I think I've been very lucky to have a very good coach for most of my time working on Moth. And she is trained in Enneagram and IFS and all kinds of other things. And I think that that has been very helpful for me. And just having someone who I've learned a lot from her viewpoint and how she's helped me make sense of myself and the world. And I think I've just. My bar has again been set very high. Like, this is what good coaching looks like. It's incisive, it's truth seeking, but it's also deeply empathetic.
Host of Dialectic Podcast
Right.
Molly Mielke McCarthy
And that's what I strive to be. I think for my founders, I'm not anywhere near as good as her, but I do think that there is a deep lack of that approach in venture capital. And I think that there's a deep need for it too, is like just being there with people and actually really helping them understand themselves and what's going on in their head and their company, whatever it might be. And so I think that that is typically how I think about it. I think that honestly, though, like, I came from a very weird background with very strange people that I then spent a lot of time trying to understand and have just always been interesting people. I think my career can roughly be divided into a bucket of peopleing, and that's understanding people, being discerning about people, supporting people, whatever it might be, and then making Things and that's the film trajectory, photography, art, just all the things that I did that were much more about design, tactile or digital creation. And I think that the peopling is what I am focused on the most now. And I think that the inputs are honestly more than anything just data points from the world. I do strive to see every interaction that I have with a person as an opportunity to learn from them and about them. And I think you, you get a lot further with people faster when you try to go that way. Even when we don't end up working together, I do learn something new from each person. But then also I'm a geek about like Enneagram and yeah, a lot of other systems like that.
Host of Dialectic Podcast
My last thing on this, I think is you certainly express a lot of optimism about and, and you're good at finding like weird kids like you are you, you, your work and your writing. And a lot of it conveys a sense of like the kids are going to be all right. Maybe even. You have this amazing essay called how to be a Kid that goes places that I really loved. And you're articulating sort of like maybe the ways that the archetype of the founder has evolved.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
One little expert, you say, I excerpt you say I believe that good founders have been and always will be ends of ones. But what constitutes an outlier is dependent on where they stand in relation to all that came before them. In many ways, kind of like a summary of what the piece is about, I guess. Two thoughts or two questions? One, I think you were that in 2023. I'm curious if there are any update, major, major archetypical updates to like that type of person, what you're seeing. And then two, I guess as an investor, like why what's your, what's your plea for people that the kids indeed are going to be all right based on what you're seeing on the ground.
Molly Mielke McCarthy
I think I'm just so buoyed up by meeting people who are doing it their own way. And I think that I do attract and work with a lot of them and I think that they work on ideas that are controversial, strange, hard. Definitely not B2B SaaS, definitely not usually an AI company. And I think that that gives me a lot of optimism just because I see that they're doing it in the face of so many other easier options. And I think it also, it makes me optimistic to see that so much of the rat races that so many people get caught up in these days of like collecting credentials or fame or whatever it might be. There's a whole other class of people that completely avoid that entirely and see it for the hoax, or not hoax necessarily, but like the hoax for them it is. And I think that that is inspiring to me because I think that like, I definitely was not like confused by that at the beginning and had to figure it out and wasn't as clear sighted. And I think that there's a clear sightedness to so many of the, the young people that I meet today that I think comes as a result of coming out the other end of nihilism and being like, I'm not going to think that way. I'm just going to build whatever I want and, and figure it out from there and no one, you know, can drag me into some stupid, I don't know, rat race or whatever it might be. And so I think that that gives me a lot of optimism and I think that the archetype, it has evolved a bit. I think it's just become more high variance. Like the people that the, the young people that are uber successful at a young age, they're getting even younger. Okay, great. Like, I just think that it's almost like everything gets pushed to greater and greater extremes and it's always a question of like, how far will it get pushed? Like, will the next founder will be, will he be 9 years old? Like, whatever it might be. I just, I find that to be like, you're still playing by and measuring yourself on the same rule sticks and it's age. It's like how much money you made in a, you know, short span of time. It's like, I don't know, measuring yourself by which powerful people's ears you have, whatever. But they're all like, okay, that's, that's all exciting, but I'm, I'm more interested in like, how are you a person that is paving a path that is getting you to a place that you
Host of Dialectic Podcast
actually really care about, getting you closer to vocation.
Molly Mielke McCarthy
Exactly right. To like the thing you were meant to do. Because I, I just, I think that all of those credential collecting, like whatever it might be looking impressive is like, it's interesting, but it's, and it definitely does benefit you in ways, but I'm just so much more interested in people that are more focused on doing something than being someone. I think that that's the main thing that I look for these days more and more because I think it's a very large green flag to see that they're doing that at a young Age, it's hard to find.
Host of Dialectic Podcast
You write a lot about understanding yourself. At least you have in the past. I think maybe if there's definitely a pattern more towards as we were talk made a bit about earlier, like doing rather than thinking and ruminating. But I think like many people I, I enjoy reading and, and talking to, there's this, like, introspection agency thing where like, they're, they're, they're feeding each other.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
And so I'd love to talk about kind of like the inward view in the self a little bit.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
Maybe to start, like, uncertainty is definitely a common theme as you're navigating a few. A few kind of excerpts. Emotional ambiguity does not need to make you anxious. It's great then. I used to find inherent instability beyond frustrating. I'd claw to grasp any sense of steadiness, accepting bad deals as long as they had a lower bound. I could see, which is really. Oh, I think we've all felt that. And then finally, instead of a conclusion, I have an observation. People are perplexing mysteries who can never be fully aware of their own plots. Why is there such a beautiful quality to seeing that in another while a tragic feeling when we find it in ourselves? How have you learned to embrace more uncertainty?
Molly Mielke McCarthy
Oh, that's a great question. How have I learned. I think I have just built out a stronger baseline of the things that I can control, which are, like, a stable group of people that love me. And, you know, I'm very lucky to have a wonderful husband. And like, the life that we're creating together is something that brings me a lot of joy and stability. And I think that that has really raised my uncertainty tolerance a lot. Like, having that baseline be so strong has been incredible for just watching how something can go wrong in my work or my life or whatever it might be, and it just doesn't feel that bad anymore. It's not crushing because it's not a sign of, like, everything is coming crashing down anymore.
Host of Dialectic Podcast
Yeah. Not every incremental thing is causing everything to crash down.
Molly Mielke McCarthy
Right, Exactly. And so I think I'm more than anything, just lucky in that sense of like. But I do think that there. There was a. A concerted effort made by me over the last couple of years to be like, okay, I've been chasing career success and whatever it might be for a while now. I've been working ever since I was like 14, multiple jobs, and I was very focused on getting to a place of stability. But I think that even once I got there, I realized that it wasn't actually going to grant me the kind of stability that I wanted. And so I wanted to focus more on the other areas. And turned out that's what it was. That's what I needed.
Host of Dialectic Podcast
You have an amazing line from. I think it's at the very end of an interview with Spencer Kier back in June of 2023, which I find a little bit paradoxical, which is you say asking yourself what you're trying to convince yourself is true and acknowledging that freedom and something quite possibly better might be being open to the opposite. Do you have any advice on seeing the water on that? Like, on the. On like, the. What you're trying to convince yourself? Like, the thing you have the really firm grip on that you're not.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
Loose on.
Molly Mielke McCarthy
I love this phrase that my mom used to tell me, which is like, stop shooting yourself. Which is like, what is the thing that you just keep being like, I should be that. I should be this. And then I think that the clearest sign that you're onto what that thing is is, like, you're just. You're just beating yourself up all the time. You're in. You're procrastinating, you're avoiding shame, basically. And that's typically how I think about procrastination, is like avoiding shame or guilt or whatever it is. And I just think that that is so often a sign that, okay, what is that statement that should I should be this, I should be that, whatever it is? And why is it so important to you? Why are you clinging to it? Like, what is it? What does it mean? If you were to release that and say, I actually just don't need to be that anymore, what happens? Do you get really scared? Like, what is the reaction? And then getting okay with that reaction? I think, like, this is all very, very hard and takes a very long time, but I do think that that is something that I learned a lot about just through the process of my career of, like, I should be, you know, still the shining golden child or whatever it might be in my career. And then just realizing I'm like, why should I be that? Do I actually care about that at all? And it was like, no, I don't.
Host of Dialectic Podcast
Also, often it's like, to your. To the point of your original quote, like, it's often that, like, you're holding it so that should so firmly that you don't even acknowledge that it's an option.
Molly Mielke McCarthy
Exactly like, that it could be. It's like you think it's just, this is how the world is. I have to Be.
Host of Dialectic Podcast
Yes, yes.
Molly Mielke McCarthy
And that level of, like, clinging is like, such a sign.
Host of Dialectic Podcast
I think this relates to the uncertainty thing. But I have two quotes on other people's love. The first, you say Jenny Slate has a great tweet about the feeling at the beginning of this process. As the image of myself becomes sharper in my brain and more precious, I feel less afraid someone else will erase me by denying me love. You're talking about, obviously, like, authenticity and getting closer to yourself. And then separately, it surprised me how many of the shameful parts of myself I've unearthed from walking above such ravines have turned out to be exactly what the right people love in a sort of like, being able to sort of like, open yourself and also on the note of authenticity. And I guess I pulled those two together because it feels like other people's love is doing a lot of work on both fronts. And so I guess my question is, how have you learned to accept other people's love and also not require it?
Molly Mielke McCarthy
I think it was only after learning to accept it and live with it that then I was like, oh, actually this is great, but I don't need it. I don't need to chase it.
Host of Dialectic Podcast
Yeah, that's a painful realization. It's like, do you need to get. Do you have to get the thing to realize you don't want it?
Molly Mielke McCarthy
Yeah, exactly. It would be amazing if you could shortcut that. But yeah, I mean, I think that I. I have been very lucky to be loved so wholly by both my friends and. And Tom, my husband. But I do think that it's. It just taught me a lot about like, all of my reactions to that were like the same reactions that I would have in like a work context or whatever it might be. I think that there is something like, deeply true about the statement of, like, the way you do one thing is the way you do everything. Of like, you know, if I would start to. Things would start to go so well in work, then I would be like, oh, no, it's so bad, I don't even want this. Da, da, da. That kind of self sabotaging would be like the same reaction if someone was like, too nice to me. And so that's the kind of thing that like, you're like, this is a me problem, right?
Host of Dialectic Podcast
Like, what am I doing?
Molly Mielke McCarthy
And I'm very lucky to have like, a good coach and people that could help me sort that out.
Host of Dialectic Podcast
Another pair of quotes about, I think, like, getting closer to your motivations. Maybe it ties to the coaching stuff too that you're doing for other people, this is you. I've long believed that my purpose is to make beautiful things and love my people dearly. But it took a sizable life chapter shift to help me actually reorient my days around that belief. I notice now how my motivation slumps immediately when I ever feel disconnected from either goal.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
And then separately, I suppose what I'm saying is that my ambition is no longer an ambient mystery to me. Instead, it lives closer to my heart, directly tied to core beliefs I hold about the world. It's just a beautiful way that of articulating, I think, what true authenticity can do to allow for agency as we talked about. But I'm specifically in that first paragraph, I'm specifically curious, how did you reorient your days to get closer to that list meeting?
Molly Mielke McCarthy
It looked like spending more time with the people that I actually wanted to win. Like, I think in a work context, it looked like instead of just taking all the meetings to make yourself feel like you're being productive and being a good vc, actually just spend time with the ones that you're the most excited about and carve away time for like serendipity and like scouting in the places where you, you want to find people. And then also just like save that time for going deep with the ones that really surprise you and that you really like. And so I think it was, it was something like that where it was like, okay, actually the right kind of balance for me is a lot less meetings than your average VC per week. And it's a lot more time for me to think, develop my theory of a person, to spend time with them and to develop my own kind of, I don't know, ideas about the world and how I see things and have time to write, really. And so it was basically carving out time for that in a work context and then also carving out more time for my friends.
Host of Dialectic Podcast
It's almost like dropping shoulds.
Molly Mielke McCarthy
Yeah, exactly.
Host of Dialectic Podcast
Dropping a lot of shoulds about the shape of how this, my conception of how this is supposed to be.
Molly Mielke McCarthy
Totally. Yeah. And even like in the context of friends, it would be like instead of, you know, shooting myself into spending time with lots of different people and having lots of different looser friendships, actually I'm just like, I'm perfectly happy with like five close friends. Like that's ideal for me. And actually just accepting and embracing and designing my weeks around that, I think has been huge.
Host of Dialectic Podcast
We've talked about around it at least I should say. And one of the sort of like dominant themes that continues to come up so Much in my conversations is this like dance between legibility and eligibility.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
And it's something that I think you write so eloquently about and think about in the context of your firm. I have a bunch of quotes that I think tie together, but I wanted to read them as a group first describing one of your blogs. I'm particularly interested in topics that I describe as milky, opaque and difficult to define, often with no clear answer. Moths focus more on doing something than being someone, which is a beautiful articulation. Despite spending a lot of time helping others develop the skill, I felt strongly that making my story easily digestible to others would diminish my authenticity in a way that felt self serving and wrong. And then finally, watching influencers and applying to college seems to have programmed everyone my age with the belief that everything we do needs to be narratable as we're doing it. What I found though is that making myself understandable all the time diluted the joy that lies instead in specificity and concisely crafting a life that only needs to make sense. To me, being neither understood nor wanted is pure freedom. Which is a great case for eligibility. What's the difference between uncertainty and illegibility?
Molly Mielke McCarthy
I think illegibility is choosing not to make yourself understandable to the world. I think uncertainty is not even understanding yourself yourself. You know, like being uncertain about where you stand and why you are doing what you're doing. I think eligibility, you can have certainty about those things. You're just choosing not to.
Host of Dialectic Podcast
A lot of confidence publicly.
Molly Mielke McCarthy
Yeah, exactly. Put the microphone to your mouth. And I think that there's a lot more power that lies in that, especially today than ever before because it's like become more and more of the norm that you should publicize anything you do. And I think that there is a
Host of Dialectic Podcast
lot right now, by the way. Like yesterday, two minutes ago.
Molly Mielke McCarthy
Exactly. Yeah, precisely. You should have started five years ago. But I just think that, that there is a lot that you can learn from actually just spending more of your time doing the thing than talking about the thing. And that's why part of my theory of moss and focus more on the people that are spending more time already doing things than being someone is that I think that they get further faster and I think that they also get to more interesting places because they are thinking more of themselves and they have a deeper sense of who they are because they're not trying to package themselves to perform well on social media. Usually. It's what it is. And I think I'm. I mean, I'VE definitely like spent a lot of time on social media. I grew up on Instagram and like spent a lot of time on Twitter during COVID And I just think that it was, it like taught me a lot in self presentation and like, I think got me in a lot of rooms that I wouldn't have been in otherwise. But I also think that it was something that I very quickly started to feel like it was controlling me versus me controlling it. And I have always been very sensitive to when it feels like a job or a platform or whatever it is is like changing me. I'm like, no, there's no way I even feel that way about Venture too. I'm like this. I'm here to deepen relationships with people who I think are going to really win. And that's what I'm here to do. Venture is not. I'm not going to let it change who I am. And I think that, does that mean that I'm less competitive? Sure. But like I'm playing a different game again. I think that it's, it's similar with eligibility. It's just more about like, how can you continue playing your own game and finding your own voice.
Host of Dialectic Podcast
The implication there at least especially for your founders and I think also for you, is that like at some point even going back to where you said, like they're going to get farther, is that like there will be a time for legibility?
Molly Mielke McCarthy
Absolutely. Yeah.
Host of Dialectic Podcast
You have a. I think it's like an advice column recently where you were, somebody was asking about this kind of dilemma and you say growing up is realizing that we're all special snowflakes, especially in Silicon Valley. And you can't expect others to know why you're special unless you tell them. If you feel rejected or like you did something wrong when your specialness isn't immediately recognized, you should probably address that belief head on. At a bare minimum, I hope you stop self deprecating. That's not humility, that's critiquing yourself before others can in order to feel a sense of control. How are you?
Molly Mielke McCarthy
Ask me how I learned that?
Host of Dialectic Podcast
How are you becoming more legible? Or to what extent is that something you're thinking about? Like, how are you maybe especially how are you doing that without letting it subsume you?
Molly Mielke McCarthy
I think it's just very instrumental at this point. It's funny because I think I was always not the biggest fan of instrumentality before. I was like, oh, it's much better to have long time horizons and be less attached to the outcome. I think in practice now, I see being legible as a chore. It's a chore to get on the stage and perform myself and make myself clear to other people. And it needs to serve me in some way. And so I'm only going to do it if it's going to serve me. And that doesn't mean that it's like, you know, here's my story. Click here and give me money, whatever it is. But there is something about, like, okay, I'm writing this piece, and it is to say this thing that needs to be said for it to be clear what I stand for to these people.
Host of Dialectic Podcast
Yes.
Molly Mielke McCarthy
Cool. Great. I'll write the thing. It's very clear. It actually makes writing a lot faster now, too, because I actually know what I'm there to do as opposed to just being, like, coming to the page and be like, oh, what should I spend my time on now? But I do think that there is some core tension that I still have and probably will always have between legibility and illegibility. And I don't. I mean, to be clear, I don't spend. I wouldn't say I'm the most legible person. And that's like, by. Yeah, by choice, I would say.
Host of Dialectic Podcast
Yeah. It reminds me of, Well, I guess two things. One is, like, the Beyonce, like, Sasha Fierce Persona.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
And you even have it. I don't think it's quite the point you're making, but it's related, which is you have something where you talk about, like, adopting this Persona of Dolly when you're writing. There's almost like a role playing that makes it easier.
Molly Mielke McCarthy
It's way easier.
Host of Dialectic Podcast
Makes it more instrumental, maybe.
Molly Mielke McCarthy
Totally. And especially as someone who, like, if you hold your identity, if you care about something, feeling like you, it's hard to loosen that grip and be like, you know, what if. But a person like me wouldn't write something bad. But it's like, if you put on an alter ego, they can write something bad. It's not you. It's fine. It's a funny mind, like, loophole
Host of Dialectic Podcast
you. So much of this is also about, like, the fact that I think you are in many ways an outsider who has been able to be an insider in the ways you need to, or at least you're dancing on that line. One thread of this that I'm curious for your perspective on is, like, particularly given that your job is to be around these, like, really amazing people. And granted, maybe with the people you're investing in, they're early enough and they're zomothy that there isn't quite this. But even I don't know. Earlier in your career, you worked in a number of amazing companies, and I suspect you still spend time around really charismatic, compelling people. Like, how do you. How do you not, like, get sucked into the gravity well? Like, how do you maintain that sort of sense of distance? Because. Because also, you're not. Like, I'm not going to participate in this world at all. Like, you are dancing in and out.
Molly Mielke McCarthy
I think it all comes down to, like, I just want to be myself. Like, and I think that I. If you know anything about the Enneagram, like, I'm a four. And so I just really want to pave my own path and be really good at the things that I have skills in. And so I think that I show up differently in meetings with people. So, like, if I'm meeting someone that, like, all the founders that I invest in are smarter than me, and that's great. Like, that's how it should be. But I'm not striving to be on their level. I'm not even pretending. Like, I am here to help you grow. And I want to deeply understand you and show you what I see. And you need that. Like, I just. I know that I can help. I think I have a confidence in that. And I think that.
Host of Dialectic Podcast
That there's an ease in not needing to also feel like you need to compete or something.
Molly Mielke McCarthy
Exactly. Like, I let go of that probably, like, I don't know, three, four years ago, and I was just like, this is not, like, I'm never gonna. Even when I do win, it's empty, like, because I don't even care. It's like I was measuring myself by somebody else's, like, rule stick. And so I think that that is something I remind myself of a lot. But I also think I've kind of put myself in a corner where I'm not really comparing myself to other people very often. And again, it's like, if I'm comparing myself to other investors, like, we're both being evaluated by, do our investments in five years from now make money, make a lot of money. So it's not clear. It's hard to be competitive in that way. But I do think that the insider and outsider point is something I still think about a lot. I think that I was able to become a bit of an insider at a point in my life when I was more open to changing myself. And I think I've benefited a lot from that. And I think now I'm more. It's a Constant, kind of like dance and tension between how much do I still care about the things that the insiders care about and how much. What's the compromise? How can I still be myself and still be an insider? Because I benefit a lot from being in Silicon Valley, in startups, and connected in a way that can help me raise a fund and invest a fund. Well. And I think that that's something that I can't get too fringe, if that makes sense.
Host of Dialectic Podcast
Well, that's why I think that's such an interesting dance. It is. You're actually like a balance.
Molly Mielke McCarthy
Totally. Yeah.
Host of Dialectic Podcast
You wrote a. Or I don't know when you wrote it, but you published a list of personal principles back in April of 2023. There's five of them. You say play games of my own design, feel deeply and without remorse. Hyper benevolence. Not writing is worse. And preciousness is worth protecting. I've asked you a few similar questions, but any amendments, any observations, anything you would add, have those held?
Molly Mielke McCarthy
I think they've mostly held. I think I'm less precious about preciousness. I think I've become more truth seeking over time, which is interesting. I think I've just become kind of fed up with not saying the thing. I think I've realized that there's. I'm much more punchy on the page. I just kind of say what I think. And I've always found that very easy. I've been writing for my whole life, but I think. And I've always found it very easy to be very direct in conversations with people where we're talking about them and we're talking about. We're seeking truth on what is true about them. And I feel like I'm in my zone of genius when I'm doing that. But I think I used to be a lot more precious about tiptoeing around emotions and making sure that people were feeling okay and taking care of their feelings. And I just don't care as much anymore. I care about your long term growth, like as the person I'm talking to. And I care about you and me having like honest, deep, authentic rapport. And I think the tone of that is set now more by me. Like it doesn't need to be set by other people. I will set that tone with my founders. And if they don't like it, then that's another great filter mechanism, like, this is not the place for you. But I do think that at the end of the day, like, yeah, preciousness is great, but it's not everything. Everything else holds True, though.
Host of Dialectic Podcast
Pretty good. Yeah, pretty good hit rate.
Molly Mielke McCarthy
Thanks.
Host of Dialectic Podcast
A quote from you. Remember that fear of failure fades into the background if you focus on leaving. Everyone you encounter along the way better than you found them is the antidote to all of the self torment and ruminating we do just service just turning outward?
Molly Mielke McCarthy
Partly. But I think it's like, what is your version of that? Because there's a version that is how do I show up and serve this person? And that feels slightly different and not as resonant for me as how do I show up and connect with and help this person? That's the version that hits for me. What is your version that plays to
Host of Dialectic Podcast
your actual skill set with your authentic service.
Molly Mielke McCarthy
Authentic service, exactly. Because I think that the idea of how do I show up and serve them? To me the insinuation is like, okay, now it's my job to give them a lot of intros and like, do a lot of things for them. That's not how I help. Like, my help is a very much more personal, much more like relational, deep help. And so I think that, that. But yeah, I think that rings true.
Host of Dialectic Podcast
I want to talk a little about friends and friendships. Two quotes. I'm in an industry where the term friend has no meaning at all. And it took me a long time to learn the difference between a few good chats with someone excitable, often unearned intimacy and true friendship requires effort, not without friction. I've consistently shied away from testing the depths of my relationships for fear of judgment or rejection. And then I realize now that asking for big things was exactly what I needed to do to gain a great deal more confidence in the community of wonderful people who love me. How have you gotten better at asking?
Molly Mielke McCarthy
Forcing myself off the ledge. Push it is though, I think, what's the hesitance? The hesitance is like fear of rejection, fear of humiliation, or something of that sort.
Host of Dialectic Podcast
Is your willingness to ask proportional to the connection?
Molly Mielke McCarthy
I think it is. I think it's partly. It was always like an insecurity about like, is my perception of the depth that we have the same as your perception? That's always the right. And so it's like asking for something large is a test of that. Was I right in my calibration of how close we are? And I think I, I wasn't sure about that for a while because I was so scared of asking. I would just always like kind of run away instead of testing the depth of the relationships.
Host of Dialectic Podcast
Well, again, this is where like, it's like, you're Sort of underrating all of them.
Molly Mielke McCarthy
Exactly.
Host of Dialectic Podcast
Like the lean, right?
Molly Mielke McCarthy
Totally.
Host of Dialectic Podcast
You won't ask anyone of anything by your actions.
Molly Mielke McCarthy
Yeah. But I think I've also now realized someone said something along the lines of, like, it's actually, you know, you're denying them the satisfaction of being able to fulfill your request and do something for you. Like, they would actually find that deeply meaningful. Why are you not asking them? And given that opportunity. And it's almost the same for, like, a framing that I like for selling is something along the lines of, like, if you're so scared of asking someone, why are you not reframing it almost in terms of, like, they might be offended if you didn't ask them because it's a good opportunity and you should be bringing it to them.
Host of Dialectic Podcast
It's generous.
Molly Mielke McCarthy
It's generous. Exactly. It's like these mind tricks. They do go far.
Host of Dialectic Podcast
You just got to judo yourself.
Molly Mielke McCarthy
Yeah, exactly. Judo yourself into doing the things you know you need to do. Yeah.
Host of Dialectic Podcast
I think it's. Honestly, again, a theme that comes up multiple times in different concepts for you is like, the way to, like, inspiration comes after acting and. As does forgiveness or anything. Like, all these feelings come after the act of doing the thing.
Molly Mielke McCarthy
Absolutely. Yeah.
Host of Dialectic Podcast
And a little thing about something I've thought a lot about, which is, like, intimacy and intention and proximity and idleness and how those wrap into friendships. You say, sure, you can feel superficially close to someone by asking and answering the intense questions, but that isn't a relationship. It's just an experience. Hang out on a billboard somewhere. Intimacy runoff is what I call it when a usually young person craves closeness slash feeling seen, but isn't looking for it in the right places. So they do things like ask weirdly deep questions of strangers or confuse their ambition for attraction. The bedrock of relationships is consistency and time. How do you practice maintenance in your friendships? And how do you, like. How do you, like, default? How do you get better at defaulting to. To kind of maintenance versus, like, falling for what I. You're starting to point out, which is the illusion that, like, oh, we don't need proximity and maintenance. We just need, like, one really deep conversation ever so often.
Molly Mielke McCarthy
Yeah, yeah, yeah. I. I think that the main thing that's helped with this is just becoming less avoidant. Like, I think so much of running away from the friendships you already have usually comes from a place of, like, there's some kind of shame or guilt or something there that you're like, oh, I haven't followed up to schedule with them for Like a month or whatever it is. Like, I should just talk to somebody else because they obviously don't want to see me either. And it's like you're just avoiding something. You're just, like, inventing something to avoid and like grasping for something else. And I think that that is the kind of thing that, like, just asking for more things, being more annoying, being more yourself. Like, I think over the. Just like the last year or something, I think I've been more, much more comfortable showing myself to my friends and the people around me in this way that has shown me that I. I should. And they will rise up to support me in really beautiful ways. And that, like, the depth of friendship was really, like I was the limiter. Like, that was the big thing. And I remind myself of that often. Now I'm like, is this. Am I acting from a place of avoidance? I guess it's like a constant question that I'm asking, asking in the context of friendships and relationships.
Host of Dialectic Podcast
Painfully true, I think. Another essay of yours I loved is. I think it's called Women See in the Third Person. And you quote John Berger. To start. He says a woman must continually watch herself. She is almost continually accompanied by her own image of herself while she is walking across a room or while she is weeping at the death of her father. She can scarcely avoid envisaging herself, walking or weeping. Her own sense of being in herself is supplanted by a sense of being appreciated as herself by another. And then this is you. Women are simply much more inclined to strategies that guarantee safety than men, which is all great and good until you realize how far these strategies distance you from your desires. See, that's the catch about living life in the third person. It makes it very hard to know, much less act on what you want. And then you go on to say, living life in the third person means the possibility space of things I allow myself to say and feel are constrained to the aesthetics of how I want to be perceived. At risk here is ownership of the little thing I call my life. Just powerful stuff and obviously not something I can relate to. I think my question is, to what extent have you gotten better at living in the first person? And to what extent have you embraced seeing or living in the third person?
Molly Mielke McCarthy
I think it's very helpful in the context of being good at brand and marketing. Yeah, living in the third person in that way. Like, yeah, you need to be able to think, how are other people going to perceive all the things that I do and, like, how I present myself? I think it's great in the context of storytelling. Yeah, because you're like, you're basically, you're one of those startups that's able to create virtual humans, but you're doing it in your mind and you're thinking, what would this person think? What would that person think? And I think I was always pretty good at that. And I think it was very useful in the context of all of the mediums that I made things in. But I do think that it was massively limiting as soon as I got into investing because it was very clear that I was thinking so much about what other people were thinking. It's consensus driven and it was leading me in directions where I was constantly pushed and pulled between I want to be myself and do my own strategy. But then I also care a lot about what other people think. My LPs, other investors, founders, whatever it is. And then there was a distinct turning point of just kind of realizing that I'm like, which part do I actually care about? Okay, yeah, I actually just don't care about any of that. I'm just like, it's something I can grasp onto to feel like I'm in control in a job where there isn't a lot of things to do that feel that way. And so I think that that has that helped. It's like kind of just like dividing the two. I think I live much more in first person now than I really ever have. And I think it's mainly from just like getting the confidence of taking a lot of leaps and making a lot of big decisions and being like, I made that and it was for me and it was not for anybody else. And I think that really compounds those decisions. They grant a sense of confidence and like knowing who you are by pointing at decisions and being like, I did that.
Host of Dialectic Podcast
It's related, I don't think. It's certainly not the exact same, but it might be somewhat related. How do you lean in to and out of femininity in at least the professional part of your life, which is obviously a very. Both literally and also energetically, like a very male world?
Molly Mielke McCarthy
Yeah, yeah, yeah. Oh, man. I. I think I've gone back and forth on this a lot. Like, I think in the beginning I was. I was much more attached to preserving the way that I treated people and like, the nurturingness. I think I have become more truth seeking over time and just more direct, less precious. I think it wasn't as core to who I am as I thought it was at the beginning. So much of this job has pressured me to change in various ways. And fundraising is the main example. And I think that it's probably the one area where I actually do have to be more something that is not what I would call myself. It's a part of me and I've made my peace with that. But it's definitely a much more male
Host of Dialectic Podcast
putting on a role to be legible.
Molly Mielke McCarthy
Exactly. Yeah. And it's worth it because I'm getting something out of it.
Host of Dialectic Podcast
Yeah, it's totally instrumental.
Molly Mielke McCarthy
It's completely instrumental. Like, I'm using them, but I have to remind myself of that because otherwise I feel like I'm, like, selling out. And that's, like, the worst possible feeling for someone like me.
Host of Dialectic Podcast
Enneagram4.
Molly Mielke McCarthy
Yeah, we really don't like selling out.
Host of Dialectic Podcast
That's good. Actually, this is quite related. I want to talk briefly about love, but to start, I think it's connected. He. Tom, your husband, showed me that he didn't want to own me by helping me see all the ways I was the one trapping myself. How has Tom's love been freeing and empowering for you? Maybe particularly in that regard, and maybe allowing you to see more in the
Molly Mielke McCarthy
first person just made me a lot more safe and, like, able to embrace myself. And I think it was from, like, showing him all of me and having him accept it with open arms. And I think also just growing together, like, seeing that I'm able to help him in ways that have revealed to me what my strengths are. And he's able to help me in unique ways that show me what he's good at. And, like, that kind of symbiosis and relationship has just been really, really special and made me much more confident in myself.
Host of Dialectic Podcast
Relates to the uncertainty point earlier.
Molly Mielke McCarthy
Exactly.
Host of Dialectic Podcast
There's this really stable thing that allows the other stuff to be.
Molly Mielke McCarthy
Exactly. And also deeply getting to know a person and, like, seeing how I am different and the same from him. I think we are, in Enneagram types, we are like the opposite. He's a seven, I'm a four, which is great because we have very clear lanes of what each person is good at. But it's really informative to see another person live in a completely different way that fits in well. Like, we have the same values and all that, but, like, there. It's constantly reminding me of my choices and why they're important to me. It's like there is something about that contrast that it's really powerful. Yeah.
Host of Dialectic Podcast
A quote on love. I was raised in rural California and resonates strongly with Stuart Brand's vow of Conservation, which says that signatories should aspire to, quote, leave everything better than they found it, end quote. This applies to people, too. Any love I made you feel is yours to keep.
Molly Mielke McCarthy
I stole that from a tweet.
Host of Dialectic Podcast
Beautiful.
Molly Mielke McCarthy
Good.
Host of Dialectic Podcast
How does. Maybe it's all this. Maybe it's this thing we've been tracing over and over again, but. Yeah. How do you get closer to that? Just kind of like total abundance when it comes to love,
Molly Mielke McCarthy
letting yourself feel
Host of Dialectic Podcast
it, I think you realize it's multiplicative.
Molly Mielke McCarthy
Yeah. And I think just like surrounding yourself with it in a way that maybe, like, I definitely felt like might have been selfish in many years ago, but I think it's actually. I've just realized, like, it's just like. It's wonderful in the way to live and reprogramming yourself kind of to expect that, but not, I don't know, act like you deserve it. Something along those lines.
Host of Dialectic Podcast
I jotted down a note of you quoting Tim Keller that maybe is a clue here, which is the feeling of love follows the action of love.
Molly Mielke McCarthy
It does. That's very good.
Host of Dialectic Podcast
It's a banger.
Molly Mielke McCarthy
Yeah. Isn't it?
Host of Dialectic Podcast
I have a few kind of miscellaneous things before we wrap up.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
This might be nothing, but you referenced somewhere, this book, this art school book called the Decisive Moment by Henri Cartier Bresson. If I'm not butchering that name. And you said it's on how everything is about timing. What does that mean?
Molly Mielke McCarthy
I love that book. First off, it has a beautiful cover. Second off, it's all about basically, his approach to watching the world and waiting for the exact moment to capture the shot.
Host of Dialectic Podcast
And there's something about earlier.
Molly Mielke McCarthy
Exactly. Yeah. And photography I think of as, like, usually it's taught as there's framing, there's lighting, there's composition, there's all of these different things. But the decisive moment, the actual timing, is one of the hardest to nail, and he's a master at it. Like, you look at every shot and it's caught midair. Just ecstatic expression, whatever.
Host of Dialectic Podcast
It might be a medium of timing in many ways. Photography.
Molly Mielke McCarthy
Exactly. Yeah. And I think it's a patience and it's a presence that enables him to get that shot. And I always am reminded of that of, like, wow, he must live. If I think I'm living in first person. Ish. Now he must live in, like. I don't know what, like first person times a million. Because he's.
Host of Dialectic Podcast
It's like zeroth person. He's just.
Molly Mielke McCarthy
Exactly. Yeah. He's just like, pure presence, which I think is so special.
Host of Dialectic Podcast
Ah, that's amazing. You often reference him, so I figured I'd ask, what do you love about CS Lewis?
Molly Mielke McCarthy
I think he just taught me a lot about. About love and Christianity. And I think him being so open with his journey and his path is something that I found deeply valuable in his level of, like, honesty with the world. And I think it's inspired me in some ways to do the same.
Host of Dialectic Podcast
What do you love about the film Magnolia?
Molly Mielke McCarthy
Oh, it's so weird.
Host of Dialectic Podcast
It's so weird.
Molly Mielke McCarthy
It's so weird.
Host of Dialectic Podcast
Paul Thomas Anderson for.
Molly Mielke McCarthy
He's one of my favorite ever directors. I watched it when I was very small, and I think it just taught me how expressive and strange the film medium can be and how masterful it can be to, like, intertwine a bunch of stories. It's basically for context. It's a bunch of different storylines that then could join into one very strange moment. And I felt deeply moved by it. And I was also like, this is someone's really weird mind that they just inflicted on me. And they're not even trying to really tell a story that makes sense or has a message. No, not at all. And I loved that. I was like, to me, it was the epitome of you can just do something at the peak of your craft with excellent actors and beautiful cinematography that kind of makes no sense.
Host of Dialectic Podcast
By the way, after Boogie Nights, like, you're supposed to kind of like, this is supposed to be like, you're. You made Boogie Nights. You're ready to rock now. He got weird.
Molly Mielke McCarthy
Yeah. He's just like. It was the embodiment to me of, like, the saying in the film industry where they're like, make one for money and then make one for art, and then one for money and then one for art. This is like, very clearly he's one for art. And I loved it.
Host of Dialectic Podcast
You had another quote about films that I found, and I was wondering why it stood out to me. It's Patrick Kavanaugh. He says, the second grade films, where are they no more are they made? And yet they were by far the best films for holding hands at. And wasn't this always the main purpose of the cinema? Where this got me thinking was, like, in modernity. Well, that's at least how I started thinking. And then I was like, well, actually, maybe it's not modernity. Maybe it's just me or it's my modernity. Art and media are, like, the object.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
Like, they must be the source of interestingness and they must be Experienced rather than, like, a backdrop for my experience.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
And yeah. I'm curious what your relationship. Like, people like us who are, like, want to deeply study the things we care about. Like, the temptation is like, everything has to be Magnolia.
Molly Mielke McCarthy
Totally.
Host of Dialectic Podcast
I'm curious, is that resonant, like, to what extent of any of. Also, I should note, like, reading through so much of your writing like you are, it's kind of frustrating because there's my read it later list has, like 20, 000 things on it. But you are an amazing curator, and so as someone who consumes so much great art, like, do you have, like, it's. It's maybe related to, like, the slot. Like, not slot, but, like, basic content or content that isn't intellectual. Like.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
You see where I'm getting at? I don't know.
Molly Mielke McCarthy
I totally do. I think I. I love Normie core stuff.
Host of Dialectic Podcast
Yeah, yeah, yeah.
Molly Mielke McCarthy
And that's what that was getting. I was like, that quote. I was like, yeah, he got it. Like, I love weird art house films, but I also love, like, I don't know, trashy superhero TV shows and like. And also just like, the most popular TV shows are mostly popular for a reason. Like, I just don't. I've learned to not overthink a lot of areas of my life, and I think media and films and blog posts are one where, like, I do like to have both the. It's almost like a balanced diet is like a bit of the avant garde and then also like a whole bunch of just, like, what everyone else is talking about. Because it's probably pretty good, actually.
Host of Dialectic Podcast
High and low together.
Molly Mielke McCarthy
Yeah. And it's. It's cool because you'll see that sometimes they're just talking about the same thing, but in different terms. Indeed,
Host of Dialectic Podcast
this is you on meaning. The blessing and curse of modern life is that an unprecedented number of us are now able to assemble our life signifiers, satisfaction sources, and meaning makers a la carte. Do you think this is a blessing in reality at all? Is it a blessing at all?
Molly Mielke McCarthy
It's funny, I feel like I. I think I wrote that many years ago, and I have since converted to Catholicism, which is like an interesting kind of counter example to that. I think it's much harder, actually. Yeah. I think it's beautiful in the sense that my upbringing probably couldn't have been anywhere near as free and open as it was if it had been 50 years ago or something. Growing up in a small town by two hippie parents, it was very. You can kind of just live however you choose. And that felt like a great weight. But it also inspired me to be much more interested in all the different options, I think. And so I think that that was quite special for me. And also feeling like I wasn't tied down. There wasn't anything that I wasn't going to have to choose myself. So everything that I chose had great meaning. It wasn't handed to me. And so I think that that that's special and I hope to give some parts of that to, like, my children someday. But I do think that it was, on the whole, hard to figure out, like, what are morals and what does it mean to be a good person, to bear. Exactly. It's a lot. Yeah.
Host of Dialectic Podcast
Leads right into my next prompt, which is this is also you. Where I work in a small subset of Silicon Valley, it's common for belief to be turned inward. Founders are taught to possess enough faith to will whatever they're working on into existence, but are rarely reminded to worship anything but themselves. This creates a pressure cooker of responsibility that distorts reality to the point that they often find it hard not to confuse themselves for God. And we all know how that ends. So far, my main learning is simple. The best belief system is probably the one that makes you more of the person you want to be. How has your faith in Catholicism changed you?
Molly Mielke McCarthy
It's made me much more external focused. I think it, like, gave me the lens.
Host of Dialectic Podcast
It fills that hole.
Molly Mielke McCarthy
Yeah, exactly. It gave me the lens of, like, seeing, like, how, you know, their framing of it is how can I serve other people? But mine is more like, how can I connect with and like, help other people? It's the same thing. And I think it also just. It gave me a sense of not being aloneness that comes from being part of community that is global and a belief system that actually has pretty clear morals around what it means to live a good life. And I found that I agreed with those. I loosely agreed with those. And so I think it was very resonant for me from the beginning. And I think it's just made me much more confident in those beliefs of this is how I want to live and who I want to be.
Host of Dialectic Podcast
You've called or. And maybe this is, I think maybe got from somebody else. But like, life is a series of projects, this framing of life.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
Are there any Molly projects that are bubbling up? Are there any creative side projects? Anything that has been. Is it all moth fund?
Molly Mielke McCarthy
I've been really into making jewelry recently, so I was learning how to, like, set stones and stuff like that, and starting in on a project of like making different pieces for different friends and then naming it after them.
Host of Dialectic Podcast
Wow.
Molly Mielke McCarthy
Which is really fun to collaborate with someone that you love and then you get to make them this thing. What have I also been doing? I have been making a lot of cyanotype prints which is like a certain type of photographic exposure paper where you put objects and you expose it to light and it's this beautiful cobalt color.
Host of Dialectic Podcast
Oh yeah, it's the blue. Very similar to dialectic blue.
Molly Mielke McCarthy
If I don't say it, it is actually. They're gorgeous and I love making them as like prints to give as gifts. And I think I just always have to have like a craft that I'm playing with because otherwise I just feel like I'm floating into the abyss. Just helping people is not enough. I need to be occupying my hands.
Host of Dialectic Podcast
Intangibility.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
Can you make the case for calling people over texting?
Molly Mielke McCarthy
Mainly just that you will hear so much more context on what their life is like than what they'll just share over text. Like you'll hear all kinds of weird noises and then they'll drop their phone and they'll be like oh, sorry I dropped you. Yes, it's really beautiful about that.
Host of Dialectic Podcast
Higher resolution. Higher resolution. Even if. Yeah.
Molly Mielke McCarthy
And I say this is like a Gen Z that like hated calling for my entire life.
Host of Dialectic Podcast
Avoidance again.
Molly Mielke McCarthy
Exactly. It's totally avoidance. And then you actually start doing. You're like, they were right. They were always right. I should have called.
Host of Dialectic Podcast
They both. What? As a self proclaimed 10,000 hour expert, what do most of us need to know more about? When it comes to apples,
Molly Mielke McCarthy
Pink ladies are the best. Envies are the second best. Pink ladies are the most dependable anywhere you go in the world. They're like a trademarked type and they will be very good. Envies are more variable. There's a whole bunch of other types that I'm still trying to find, but those are the two that will always be good. Always avoid gala apples. The yellow ones, any yellow ones I don't believe in. The really small ones are really tasty and really they taste kind of like berries. And I just think apples are. They're a perfect food, that's all.
Host of Dialectic Podcast
For any reason other it might. It's perfectly valid. For any reason other than narcissism and the coincidence of you and your name and your life and the person you married to what degree. Is there anything special or symbolic about the letter M?
Molly Mielke McCarthy
I just think it's a very cool letter. Like it can be turned upside down as a w And it becomes a zigzag if you put them all next to each other, which is very cool. And you can use it as. Mmm means affirmative or thinking.
Host of Dialectic Podcast
Oh, yeah, I like that.
Molly Mielke McCarthy
Yeah. I've just always. I don't know, I've liked making worlds around myself and the things that I make.
Host of Dialectic Podcast
It's pretty amazing you married a person with an M. Like, it feels pretty deterministic. If you guys. If you haven't looked at Molly's blog or her fun name or her initials, there are a lot of M's.
Molly Mielke McCarthy
A lot. I really like alliteration.
Host of Dialectic Podcast
I have a few final quotes that we can take one at a time. First, Annie Dillard. We can live any way we want. People take vows of poverty, chastity, and obedience, even of silence by choice. The thing is to stock your calling in a certain skilled and supple way to locate the most tender and live spot and plug into that pulse. This is yielding, not fighting. A weasel doesn't attack anything. A weasel lives as he's meant to, yielding at every moment to the first perfect freedom of single necessity. There's a maybe, maybe I have this wrong, but there's a contrast between stalking, your calling, and yielding.
Molly Mielke McCarthy
Yeah.
Host of Dialectic Podcast
How do you relate to that?
Molly Mielke McCarthy
Well, first, I think that's, like, one of the best articulations of vocation that I've ever found.
Host of Dialectic Podcast
Stunning.
Molly Mielke McCarthy
I think stalking is like, you have ideas, and you're letting your ideas kind of guide you to places like sniffing. Exactly. You're like, it's probably more intellectual. And then yielding is more like actually just accepting what is true from your
Host of Dialectic Podcast
heart and dropping the shoulds.
Molly Mielke McCarthy
Dropping the shoulds, Exactly. And realizing, like, this is probably the thing that I've always been kind of good at my entire life, and maybe I reject it or whatever it is. And now it's back and I'm like, is this really the thing? I wish it were something cooler, but you're like, damn, it is a weasel. Exactly. I'm just a weasel. And it's the yielding, I think, that's often the most powerful. The stalking is like, it's useful to get out of your system because you often have all these ideas of, like, I might want to be this or be that. For me, it was like being a director, being a designer, being a. Whatever it is. But then I think yielding was more about, like, realizing that, like, I do really like the. The peopling and getting better at understanding people and serving them. And that has always been true. And I do also really like making things and they can be roughly divided. But I do think that the, the peopling is more gratifying for me at this point in my life. But I think accepting that I was like, is this really the thing? Like, isn't there something cooler?
Host of Dialectic Podcast
Right, right, right. Yeah, it's a looking and then like the. There's still an openness. Like, I think that the front end of that is important, which is like, you have to actually be aware, like, looking and open and up. But then I think a lot of people have the disposition of being open, but they're like looking at the thing in the field of view and they're like, well, it's not that exactly.
Molly Mielke McCarthy
Yeah, they're like seeing it come again and again and again. They're like, no, it couldn't possibly would be.
Host of Dialectic Podcast
Then I think Simone Way was right when she said that the quote, love of God is pure when joy and suffering inspire an equal degree of gratitude. How do you practice gratitude? Especially maybe for the. The non. Joyful things?
Molly Mielke McCarthy
Well, I think I. I enjoy feeling things deeply and I always have. And I think it's one of the characteristics of being 4. And I think that suffering feels meaningful to me in a way that, like, I don't try to escape it. I think joy I've been more skeptical of until more recently of recently. But I do think that finding that balance is something that I'm still striving to do because I think suffering has historically felt more real to me than joy. And I think now I'm getting to a point where the joy is around more often. So I kind of have to accept that it is real. And when the suffering does come, it's like, well, this is real too. But it's not trying to get to a place where I don't see it as coming and being like, oh, finally it has come and this is the real thing. I'm relieved that it's like, it's back. Do you know what I mean? Yeah. So I think that that for me is like a funny, weird tension that I think is like, some people might share, others might be more used to the joy, but it's like, whichever one you lean more towards, you're more comfortable.
Host of Dialectic Podcast
That's how I frame the question.
Molly Mielke McCarthy
Exact. Exactly. Like, how do you get more comfortable with the other one? And like, believe it to be real too. Because I think that's the thing for me is like constantly kind of questioning of like, which one is like, the truth.
Host of Dialectic Podcast
I have one more thing, and it's funny because we, we talked a little bit about maybe the. The lowering this. The precious. Lowering the preciousness earlier. But. But two quotes, one from you. Basically, I believe that some things in life are strongly resonant, yet utterly indefensible. Such things are a big part of what makes life feel special. Unfortunately, these same things often decay, given too much scrutiny or optimization. And I think you were writing that in this context of preciousness being worth protecting. And then a quote from Goethe, encourage the beautiful for the useful encourages itself. Why is beauty virtuous as an end?
Molly Mielke McCarthy
Because it makes us feel, makes us all feel. And I think that that in itself is worth a lot of. And I think for me, beauty has been like a core theme that I. To all of the things that I've done. I've just always been very drawn to it. And I think it's true of many other people too, if they kind of just let themselves feel it more. I don't think I'm the only one.
Host of Dialectic Podcast
Molly. That's all I got. Thank you.
Molly Mielke McCarthy
Thank you. It's a pleasure.
Host of Dialectic Podcast
Thank you for listening to my conversation with Molly. Before I leave you, I'd once again like to thank Notion for being such an instrumental part of making Dialectic possible. I partnered with them at the end of last year and it's just been amazing to have more resources and leverage, but also get to bounce ideas off them and more than anything use Notion to make the show better, whether that be research before the episodes or going in afterwards, pulling out ideas, lessons, patterns that stand out to me. And again, you can check out notion@dialectic.com notion if you missed it. I also did a little fun Q and A with them on Instagram, talking about how I'm thinking about the year to come and what I'm hoping to build with Dialectic. I'll link to that in the description. And once again at Dialectic fm, you can find all the links, transcript, Notion info and more. Thank you again. If you enjoyed the show, please give it 5 stars on Spotify or Apple or like and subscribe on YouTube all the places. Thank you for listening and watching.
Host: Jackson Dahl
Air Date: January 29, 2026
In this rich and wide-ranging conversation, Jackson Dahl speaks with investor and writer Molly Mielke McCarthy, founder of Moth Fund, about the art and craft of “peopling”—her term for the deeply intuitive practice of identifying, nurturing, and investing in exceptional but often overlooked individuals (“moths”). They discuss Molly’s vocation-driven approach to early-stage investing, her fascination with competence, magnetism, and agency, and why she believes authenticity and “spikiness” are undervalued in startup founders.
Drawing on her experiences across creative and tech fields, and her ongoing self-examination, Molly reflects on legibility, commerciality, discernment, friendship, the evolution of ambition, and the interplay between introspection and action. The conversation moves seamlessly from practical investing frameworks to philosophical questions of vocation, faith, and the pursuit of beauty.
On Moths & Underpriced People:
“If you met that person [before they had shipped something], I think you could still see in their eyes that there's something very deeply special about them.” – Molly (00:00)
On Taste:
“A very core product or input to taste is eating lots of food.” – Jackson (08:36)
On Magnetism:
“Magnetism is a byproduct of authenticity and just like living as you were intended to on the thing that you were meant to. …Authenticity in that form of magnetism… is much more durable.” – Molly (15:59)
On Agency vs Ambition:
“Ambition means you're motivated to play games that others have already created. Agency means you're driven to play a game of your own.” – Molly (22:33)
On Investing Style:
“I am most definitely an out of the flow investor. Like I'm doing a very strange long term strategy that really only makes sense for me… I don't really experience fomo.” – Molly (44:00)
On Filtering and Brand:
“You want your brand… to generate as many nos as it does yeses.” – Jackson (55:46)
On Legibility vs Illegibility:
“Illegibility is choosing not to make yourself understandable to the world. …Uncertainty is not even understanding yourself, yourself.” – Molly (78:00)
On Service
“I care about your long term growth… and I care about you and me having like honest, deep, authentic rapport. And… at the end of the day, like, yeah, preciousness is great, but it's not everything.” – Molly (88:43, 86:59)
| Segment | Topic | Timestamps | |---|---|---| | Opening, What is a "Moth"? | Early signals of undervalued founders | 00:00–02:00 | | Taste, Spikiness, and Identifying Competence | Molly’s evaluation process, growth trajectories | 05:18–11:48 | | Magnetism, Vocation, and Authenticity | Nature of magnetism, agency, and mission | 15:59–23:38 | | Commerciality & Sales | Definitions, learnability, ethics | 35:49–49:12 | | Investing Craft, FOMO, Out-of-the-Flow | Avoiding conventional games | 44:00–45:56 | | Filtering, Brand, Coaching | Bat-signal, flywheels, role of writing | 55:45–59:23 | | Friendship & Maintenance | Authentic relationships vs. "intimacy runoff" | 89:28–94:17 | | Legibility vs. Illegibility | Performing vs. being misunderstood | 78:00–82:36 | | Vocation & Yielding | Annie Dillard, stalking vs. yielding | 114:37–115:54 | | Faith & Community | Catholicism, external focus | 109:28–110:24 | | Art, Beauty, and Feeling | Meaning of beauty, Magnolia | 118:30–118:55 |
Molly’s portrait, as revealed through this conversation, is of a creatively-driven, deeply perceptive investor who builds her practice on authenticity, discernment, and vocational alignment. Instead of optimizing for what’s legible or celebrated by the default world, she orients toward people and principles—choosing “peopling” and making as her intertwined callings, and trusting authenticity, beauty, and service as guiding stars.
For further resources, links, and writing by Molly Mielke McCarthy, check the episode notes or visit Dialectic.fm.