Transcript
Jake Brennan (0:04)
Double Elvis.
George Michael (0:07)
All right, guys. My son just had the flu. My oldest son had a cold. I got wrecked with a cold.
Jake Brennan (0:13)
Then my wife got sick.
George Michael (0:15)
So I'm sitting here going like, I.
Jake Brennan (0:17)
Can'T get sick again.
George Michael (0:18)
So I started taking grooms to help my body as flu season just started to devour our household here. And I can report back that so far, so good. Groons can help you too. Can help you create lasting habits that are going to set you up for success and keep you healthy. It's a convenient, comprehensive formula. Are you currently taking, like, multiple supplements a day? This isn't that. This isn't a multivitamin. It's not a greens gummy or a prebiotic. It's all those things and then some.
Jake Brennan (0:44)
At a fraction of the price.
George Michael (0:46)
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Snoop Dogg (1:36)
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Jake Brennan (2:08)
Is a production of double ELV. This is the story about a pop star. A pop star with a rock and roll animal heart. It's about addiction and arrests, forbidden love, and an even more forbidden kink. It's about a man who defined sex, who was lusted after by millions, but just couldn't find the confidence to see in himself what so many others saw. This is A story about George Michael, a man who made great music. Unlike that music I played for you at the top of the show. That wasn't great music. That was a preset loop for my melotron called Drive by Glory Hole MK2. I played you that loop because I can't afford the rights to all my life by KC and JoJo. And why would I play you that specific slice of silky slow jam cheese? Could I afford it because that was the number one song in America on April 7, 1998. And that was the day that George Michael walked into the public bathroom at the Will Rogers Memorial park in Beverly Hills a closeted man, and walked out in handcuffs. On this episode, lewd acts, undercover cops, liquid ecstasy, car crashes, notorious prisons and George Michael. I'm Jake Brennan, and this is disgrace. It's the 1980s. You're at home watching MTV and every video by a major pop artist playing on your family's tiny television screen is just so horny. You've got Prince climbing out of a bathtub and dragging his naked body across the floor in When Doves Cry. And now here's Madonna in a white wedding dress being bedded by some Casanova for the very first time. Or so she claims in Like a Virgin. And what Gen Xer among us can forget? Michael Jackson grabbing his junk and screaming oh. In Martin Scorsese's video for Bad. But as you watch the endless parade of innuendo pass before your eyes, you come to the realization that no artist on MTV right now in the late 1980s is hornier than George Michael. Sure, Prince, Madonna and MJ are all kinky in their own ways, but George Michael is the kinkiest of them all. He puts it all out there as clear as a bell in the title of his first single from faith, his incredible 1987 solo debut album. The song is called I Want yout Sex, which, you know, there's no subtext there at all. It's not she Bop or Dancing with Myself. What it is is a horned up slice of stripped down synth pop heavily inspired by Prince's Kiss. And when the same churches and conservative watchdogs who came after Prince for darling Nicky come after George's tight fitting denim clad ass with their pitchforks, George counters with the explanation that the song I Want your Sex is not about casual sex but monogamous sex, all while the AIDS epidemic rages on in the background, George's defense does him no favors. Neither does the song's music video, with all those body parts writhing on silk sheets and George Himself, instantly iconic with his giant cross earring and impeccable stubble beard, seductively tying a blindfold around a woman's eyes. The BBC refuses to play the song before 9pm and many American radio stations ban it outright. But the more people talk about I want your sex, whether good or bad, the more it sells quickly sending its album faith to the number one spot on the Billboard album chart for 12 weeks and then going on to winning album of the year at the Grammys. Thus making George Michael not only the horniest artist of 1988, but also the best selling artist of 1988. Only five years earlier, George Michael, or Georgios Chiago Penaldu as was his given name, was dead broke, still living with his parents and just beginning to embark on a whirlwind journey as a member of the pop band Wham alongside his friend Andrew Ridgely. Fame came fast for George and Andrew, but George quickly outgrew what he called the bright young thing image. He didn't want to sing cheeseball songs like wake me up before you go go anymore. He couldn't pretend that everything was dayglo colors, pearly white smiles and choose life T shirts. Life had its dark places, and it was in those dark places that George found he was increasingly unable to escape. Despite being one of the preeminent sex idols of his day, desired by hordes of fans who swooned over his Greek Elvis smolder in that distinct and commanding voice, the things that George Michael desired, the real sex he wanted, he wasn't able to have, at least not in the public eye. His own personal kink, which he kept very secret, wasn't something he could put in a song, at least for now. He was 16 years old when he began cruising for sex with other men, or cottaging, as it's called back in George's home country of England. And it wasn't just the sex, but the pursuit of sex. The rush of strange, anonymous men sending their strange, anonymous glances. Carrying out these private fantasies in public places only added to the thrill, as did the ever existing chance that he'd get caught. Guilt, as George himself once said, was a massive turn on. Guilt cut him off. Guilt was instilled early as a foundation of a very traditional culture in which, quote, unquote, gay was something you caught like a cold. And the only thing George wanted to catch was the next kink. The more illicit, the better. But it was important that no one knew anything about this. He was terrified of being outed. Never mind what his own homophobic father would think. He was more concerned about what it would mean for his fame and his career. He worked tirelessly to keep it all a secret. And if you've ever had to hide who you really are from someone you know, it can be isolating for George Michael. He was hiding himself from millions of adoring fans. Add to that a corrosive lack of self esteem that stuck with him for life and well, it's like he said in his song Praying for Time, it's hard to love and there's so much to hate. Hate came easy to George where the press were involved. Are you gay? Was quickly becoming the first and only question that most so called journalists were interested in asking. It was none of their fucking business. He didn't tell them that he wasn't romantically involved with the women he strategically surrounded himself with, or that he wrote I want your sex for an unrequited crush he had on a straight French playboy. And he certainly didn't tell them anything about who he'd met down in Rio and brought back with him to his house in Los Angeles. The papers had no clue that a man named Anselmo Felipa had finally allowed George Michael to want not just sex, but love. And George Michael didn't know that his love with Anselmo, while beautiful and life affirming in a way he'd never known, was also doomed. And that in the aftermath of that love, he would wind up deeper in the darkness where his old kings would be waiting.
