Peter Tosh (Pt. 2): A Home Invasion, an Assassination, and No Compromise

Summary

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DISGRACELAND: Peter Tosh (Pt. 2) – A Home Invasion, an Assassination, and No Compromise

Release Date: October 5, 2025
Host: Jake Brennan (Double Elvis Productions)

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Episode Overview

This gripping second installment on the life and death of reggae legend Peter Tosh delves into the circumstances surrounding his brutal 1987 murder, examining the revolutionary’s unwavering stance against injustice, and the high personal cost he paid for refusing to compromise. Jake Brennan reconstructs the fateful night of Tosh’s assassination and explores the broader themes of power, betrayal, and truth, juxtaposed with Tosh’s lifelong commitment to using music as a force for social change.

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Key Discussion Points & Insights

The Night of the Murder: September 11, 1987

[02:15 – 13:40]

• Setting the Scene: Kingston, Jamaica, is described as a place where reggae music is the heartbeat of society. But the night of Tosh's murder, there is only the sound of crickets and an ominous, blood-red sky.
• Home Invasion: Peter Tosh, his partner Marlene Brown, and friends are at home when a familiar face, Dennis “Leppo” Lobban, arrives with two armed men (once friend, now threat), intent on robbery and violence.
• Dramatic Tension: The assailants demand money, believing Tosh wealthy from international tours. When they come up empty-handed, violence escalates:
  • “He got down on his belly. Leppo wanted to know where the money was. Peter shook his head. There was no money. Not the kind of money Leppo was talking about.” (07:47, Jake Brennan)
  • Marlene confronts Leppo, denouncing his betrayal.
• Gunfire Erupts: Additional guests arrive mid-crime, further chaos ensues. The attackers ultimately open fire, killing Peter Tosh, Doc Brown, and Free Eye Dixon, while severely injuring Marlene.

Tosh’s Path to Danger: Outspoken, Unyielding Revolutionary

[16:54 – 25:23]

• Marked Man: Tosh lived years believing he had a target on his back, a sentiment reinforced by the fates of global revolutionaries (King, Malcolm X, Lennon).
• Philosophy & Friction:
  • Tosh refused to embrace peace at the expense of truth and justice. Unlike Marley, he saw reggae as a weapon for change, not just unity and love.
  • “Music wasn’t about being famous. It was about delivering a message. And not a message to shake your ass. A message that if things didn’t change, you’d no longer have an ass to shake.” (17:24, Jake Brennan)
• Radio 1 Uprising: Tosh and DJ Free Eye Dixon attempt to buy Jamaica’s Radio 1 to counter the government’s “downpressing” of Rasta/Black culture. Their bid is denied, increasing his exposure and vulnerability.
• Spiritual Protection: Ailing from ulcers, Tosh sought bush doctors in Africa. He returns unchanged, his stubbornness and danger only more pronounced.

Aftermath & Theories: Who Killed Peter Tosh?

[27:10 – 35:50]

• Motivation? Revenge, Wounded Pride, or Murder-for-Hire?
  Brennan presents three competing theories:

  • 1. Revenge: Leppo, supported by Tosh during prison, felt undercompensated upon release; resentment festered.
  • 2. Wounded Ego: Marlene’s protective management and harsh words provoked Leppo, leading to fatal vengeance.
  • 3. Conspiracy (Murder for Hire): Tosh’s activism and plans for the airwaves threatened those in power; government/authorities may have used Leppo as a pawn.
    • “Flanked by two men who were not criminals like Leppo, but actually cops… a detail allegedly later confirmed by an anonymous Jamaican official.” (33:09)

• Sham Justice: Only Leppo is arrested (fastest conviction in Jamaican history, 11 minutes), despite eyewitnesses and unclosed leads on the other attackers:

  • “There was no search for the other two gunmen. No interest in finding out more about the shocking tragedy that had rippled through Jamaica and the reggae world. No interest in the truth…” (34:20)

Eyewitnesses & Final Moments

[35:57 – 39:02]

• Survivor Testimonies: Marlene Brown, Santa Davis, Michael Robinson, and Joy Dixon all identify Leppo as ringleader.
• Santa Davis Recounts: Narrowly avoids death but is gravely wounded, “drowning in his own blood.”
• Tosh’s Posthumous Recognition: Peter dies weeks before his 43rd birthday and his first Grammy win for “No Nuclear War”—the award that finally recognized his influence.

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Notable Quotes & Memorable Moments

• “Leppo jammed his gun into the back of Marlene’s head, forcing her into the carpet. One of the other gunmen began to pistol whip Peter in the head. ‘You’re dying tonight,’ the man said.” (10:35, Jake Brennan)
• "Peter wasn't some street dealer who kept his bills stuffed under his mattress. He was a major recording artist on EMI Records now. He had international bank accounts. He had accountants." (06:35)
• “Martin Luther King, Malcolm X, John Lennon… The assassin’s gun found each and every one of them before long, and they almost got to Bob, too, though Peter wasn’t ruling out the possibility that they actually did get to his former bandmate.” (17:12, Jake Brennan)
• “Love wasn’t going to protect him from some asshole with a pistol and no moral compass. Peter grew tired of love and love songs. He’d been over those for years now…” (17:29, Jake Brennan)
• “In the end, Leppo fancied himself a tough guy, but in the end, he was just a patsy. Or so went the thinking.” (34:45)
• “I'm afraid Mr. Tosh has left us.” —Doctor, after failed resuscitation efforts (38:11)

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Important Timestamps

• [02:15] – The murder reenactment begins
• [07:47] – Peter’s confrontation with Leppo
• [10:35] – Violence escalates; Peter is pistol whipped
• [13:40] – The assailants open fire
• [16:54] – Tosh’s revolutionary path and growing threats
• [22:15] – The Radio 1 takeover plot
• [24:50] – Tosh’s African healing journey
• [27:10] – Motive theories and Leppo’s background
• [33:09] – Discussion of murder-for-hire theory
• [34:20] – Discussion on lack of further investigation
• [38:11] – Santa Davis’s survival and Tosh’s death
• [39:00] – Peter Tosh’s legacy and posthumous Grammy

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Episode Tone & Style

Jake Brennan delivers the story in a vivid, pulpy, narrative style, blending factual reporting with noir dramatization. There’s reverence for Tosh’s artistry and suffering, but also a sense of righteous indignation at the injustice and unresolved mysteries lingering over his murder. The tone is urgent, cinematic, and at times bitterly ironic—a signature Disgraceland approach.

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Closing Thoughts

This episode offers a haunting portrait of Peter Tosh as an audacious, uncompromising figure—beloved, feared, ultimately martyred for his refusal to soften his message or shield himself from the dangers of truth-telling. It’s a sobering tale of fame’s cost, unfinished justice, and the enduring struggle between power and resistance—underscored by reggae’s indomitable rhythm, even in silence.

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Transcript

[Jake Brennan]

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Today. Disgraceland is a production of Double Elvis, the Peter Tosh Story. His role as a reggae revolutionary who rejected peace in the name of truth and justice, an outspoken critic of the Jamaican government whose refusal to compromise nearly cost him his life many times over, is so complex that we needed two episodes to properly tell it. If you're just getting hip to this now, I suggest you hit pause and go back to the last episode of Disgraceland, Part one of the Peter Tosh Story. In this episode, we get into Peter Tosh's attempt to take his revolutionary message to the airwaves by buying out Jamaica's Radio one, his need to protect himself by way of African bush doctors and medicine men, and his shocking and brutal murder which happened inside his own home, carried out by someone he knew. This is a story about the costs that Peter Tosh paid for getting up, standing up, and speaking his mind through his actions and his music. Great music. Unlike that music I played for you at the top of the show, that wasn't great music. That was a preset loop for my melotron called incessant cha cha mk2. I played you that loop because I can't afford the rights to La Bamba by Los Lobos. And why would I play you that specific slice of Yono soy marinaro cheese. Could I afford it? Because that was the number one song in America on September 11, 1987. And that was the day that three armed men made their way into Peter Tosh's house, ordered everyone inside down on their bellies, and did not leave until three people were dead. On this episode, revolutionary messages, Radio 1, medicine men, armed men, and the assassination of Peter Tosh. I'm Jake Brennan, and this is disgrace. In Jamaica, music was like food or water, an essential for human life. Reggae music in particular was built around the heartbeat. And it quickly became the heartbeat of the country. It beat everywhere. In homes, in corner stores, restaurants and bars, on front steps and street corners. But no heartbeat was as powerful as a Jamaican sound system. A generator, some turntables and huge speakers. The bigger the better, stacked on top of each other in a truck bed to form a wall of sound. Steel horn speakers strung up in the trees or propped up on rooftops. Dance hall parties and spinning dub plates. The heartbeat thumping loud and clear from one neighborhood to the next. The sound of life in the face of great adversity, stretching on for miles in any direction. Tonight, however, was different than most. Tonight, there was no music in the Kingston air, only the sound of crickets and tree frogs serenading the sun as it sank slowly below the horizon. In the sun's place, the sky was streaked blood red. Within minutes, all leftover color faded away. And then there was just darkness. Out of that darkness rumbled three motorcycles. They came up Kingston's Plymouth Avenue before stopping outside a house. The three drivers killed their engines. The man leading the trio, Dennis Leppo Lovin, knew that his buddy Peter Tosh was home, along with his common law wife, Marlene Brown. And by the sound of it, they had company. Lepo had crash parties before. He was a regular at Peter's place. He wasn't a musician or revolutionary or anyone of great importance. Importance, for that matter, he was a common criminal, but also a friend. Some called him a Leech, A moocher. Leppo knew it wasn't that simple. There was a reason he did the things he did, even the thing he was about to do tonight. Peter knew why. Marlene, too. It was no longer the 1960s or the 1970s, but even now, in 1987, times were tough. Some days your reputation was all you had, and it could be a struggle to maintain even that. Leppo thought about the stacks of fresh green cash Peter had stashed inside. American cash, Cash he'd just made on a lucrative tour. The kind of cash the person who stepped into Bob Marley's shoes made. Thinking about money made Leppo impatient. He rattled the gate that surrounded Peter's house to signal his arrival. The dogs began to bark inside the house. Peter Tosh asked his friend Michael Robinson to go let in the remaining guests waiting at the gate. Peter and Marlene were expecting local DJ Jeff Dixon, AKA Friat and his wife to join them for dinner, along with Michael, who was already here with herbalist Wilton Doc Brown and drummer Carlton Santa Davis. The dogs were still barking when Michael stepped outside. Seconds later, the dogs stopped. Then the door opened and Michael came back inside, followed not by DJ Free Eye, but by Dennis Lepo Loben and the two men with him. These men weren't here for a dinner party. They all had guns in their hands. Zero fucks looks on their faces. Leppo raised his pistol in the air. This is a hold up, he said. He looked over to Marlene and it's you. Why this is happening. Leppo then turned to Santa. Davis. Dred lay down. Santa did as he was told. He dropped to the floor and got on his belly. Leppo, waving his gun around, told the rest of them to do the same. Peter, Marlene, Michael, Doc. Peter thought of the pain he'd endured at the hands of seven police officers some nine years prior. He also thought of the ghosts he'd found living there in his house on Plymouth Avenue when he first moved in. 49 of them. He had to persuade them to vacate the premises one by one. He was the duppy conqueror. He was ready to do that again now, ready to usher evil back out the front door. Ready to fight. He thought of Bob Marley, attacked just like this in his own home, forced to think quick to save his own life. Think. On his feet. Marlene shot Peter a look. A look that said, remember, our other friends will be here soon and we don't want them involved in this. Let's get this over with quick. Peter told himself he wasn't doing this for Leppo. He was doing it for Marlene. He got down on his belly. Leppo wanted to know where the money was. Peter shook his head. There was no money. Not the kind of money Leppo was talking about. Not in the house, that is. Peter wasn't some street dealer who kept his bills stuffed under his mattress. He was a major recording artist on EMI Records now. He had international bank accounts. He had accountants. He never even touched the money he made on his recent tour. All of that was handled for him. Leppo was pissed he didn't believe his old friend. All those shows, those stadiums and clubs and big time American cities. While Leppo was left behind here in Jamaica, barely scraping by when Peter had nothing to show for it. Bullshit. Leppo told the two other gunmen to go find the real money. They pulled out drawers and overturned cushions, ransacked the place, determined to find the cash that Leppo promised them was there. Eventually they returned empty handed to the room where Peter, Marlene and the others remained on the floor, their heads arranged in a semicircle. One of the gunmen pulled out a machete. If Peter Tosh wanted to fuck around then he'd get his fucking head cut off right here, right now. Marlene couldn't take it anymore. She told Nepo he was was no good. Ingrain a devil. After everything Peter had done for him, all the money, all the favors, hadn't he any compassion? Leppo wasn't hearing it. Marlene was always getting between him and Peter. And what kind of man was Peter, letting his wife boss him around and tell him what to do? Leppo told the other two gunmen to frisk everyone. They took whatever they could find. Chump change. Leppo jammed his gun into the back of Marlene's head, forcing her into the carpet. One of the other gunmen began to pistol whip Peter in the head. You're dying tonight, the man said. Another crack to the face with the butt of the gun. And another. And then everyone froze. Leppo motioned for one of the gunmen to go see who was outside. The gunman left and the room was silent. Leppo paced quietly. Peter hoped it wasn't who he thought it was. More innocent people just meant more mess. The door to the house finally reopened and the gunman walked back in, his pistol trained on two new arrivals. Free Eye Dickson and his wife. Shit. Peter wished he could stand up and embrace them both. Apologized for this. Somehow make it right. But there was nothing right about this. Leppo's men working over Free Eye, taking an envelope of cash and a watch from his pocket. But one of the men suddenly hit Friar's wife in the face with the butt of his gun and she collapsed to the floor. Leppo told Free Eye to follow her down. Belly it. Free Eye refused. He stood his ground. Leppo told him again, Belly it. Free Eye remained where he was. Leppo and his men became agitated. They grabbed Free Eye and roughly forced him down onto his belly next to the others. And then for a moment, there was silence. It didn't last long. Within a few seconds, Peter Tosh's house was awash in sound. Not crickets, not tree frogs, and not a makeshift sound system pulsing with Jamaica's heartbeat. These sounds didn't aim to replicate a heartbeat. They aimed to take the heartbeat away. The first pistol cocked, it was time for Peter Tosh to step into someone's shoes. Not Bob Marley's, the ones left empty by the ghosts Peter once ushered out of his own house. There was a void in the shadow world, a void that was hungry to be filled. And as soon as Leppo and his wife men pulled their triggers and the guns began to fire, that void got what it wanted. Foreign.

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[Jake Brennan]

1984 Three years before Dennis Leppo Loeban and two other armed men entered Peter Tosh's house with the intent to rob and kill. Years Peter spent knowing there was a bullet out there with his name on it, and it was only a matter of time. The world didn't allow revolutionaries like him to walk around for too long looking for truth and demanding justice. Martin Luther King, Malcolm X, John Lennon. The assassin's gun found each and every one of them before long, and they almost got to Bob, too, though Peter wasn't ruling out the possibility that they actually did get to his former bandmate. You can give someone cancer, just like you can give them a bullet in the head. One Love didn't protect Bob Marley in the end, Peter had love, too. The love of his common law wife, Marlene. The love of a reggae community looking to him for leadership. But in the end, love wasn't going to protect him from some asshole with a pistol and no moral compass. Peter grew tired of love and of love songs. He'd been over those for years now, since way back when he was still a whaler, still living under Bob's long shadow. Bob, at the time, was being groomed for superstardom in a manner that Peter simply didn't understand. To Peter, music wasn't about being famous. It was about delivering a message. And not a message to shake your ass. A message that if things didn't change, you'd no longer have an ass to shake. Shake. This was the ideology behind Peter's greatest songs, 400 years. Get up, Stand Up, Legalize It. Equal rights. He was passionate about the truth, about uplifting black people in Jamaica and uplifting black consciousness all over the world. But he was not compassionate in his delivery. He was prickly, arrogant and and unreasonable. Completely unwilling to negotiate when it came to his beliefs. And this made him difficult to work with, difficult to talk to. But luckily for Peter, he had no trouble finding like minded souls willing to put in the work. His friend DJ Free Eye Dickson, fellow Rastafarian, fellow revolutionary, shared Peter's passion. Sometime in the the early 1980s, together they conspired to take over the airwaves from which Free Eye routinely broadcast. Legally, of course. The pair submitted an application to buy out the Jamaican broadcasting Corporation's Radio 1 and focus its transmissions entirely on black culture, on Rasta culture. A culture whose voice, Peter and Free Eye thought, could use some amplification. But Jamaica, specifically the Jamaican government, wasn't ready for that. To give two civilians that kind of control over the airwaves, to tell the truth as they saw it, that was dangerous. That would upset the balance of power, or perhaps more accurately, the imbalance of power. The government was, after all, in the oppression business, down pressing, as the Rastas would call it. Peter. Peter knew the concept of the radio takeover increased the target on his back. He was under regular surveillance by the police, eager to deliver another beating and this time finish the job. The fact that he had enough money to purchase a radio station did not go unnoticed by people like Leppo, who still resorted to criminal activity to scrape by. All of these things loaded that inevitable bullet in the chamber. All of it marked Peter Tosh as dangerous. And a dangerous man needs protection. But circa 1984, Peter Tosh didn't just need protection. He needed healing. He had developed ulcers which were affecting his ability to sing. So he went to Africa to seek out the advice of bush doctors and medicine men. He communed with the natural world, with the spirits of his ancestors, with his roots. And I'm not talking about genealogy here, I'm talking about actual roots. The kind used by African healers to fight disease, cure ailments. One healer in particular explained how the process was extremely intentional. The right medicinal plant used on the right day, at the right hour, with the sun facing the rain, right direction. That made all the difference. You could change your life. You could change your form. No longer a man, but a beast. First, a tiger. Six hundred pounds, four inch long teeth. Apex predator. All muscle, sovereign, supreme. Then, from a tiger to a snake. Cunning, cutthroat, cold blooded. And from a snake back into a man. The transformative experience. Now with you forever transforming, shape, shifting. It was power. And power was protection. But although he felt a little better when he returned to Kingston, Peter Tosh did not change. He did not become a tiger or a snake. He became more like Peter Tosh. Stubborn, arrogant, dangerous. Now, however, three years later, September 11, 1987. Lying on his belly inside his own house on Plymouth Avenue, the carpet in his mouth, Peter Tosh felt that the danger had left his body. It stood above him, manifested in Denis Lepo Loben and his two henchmen. There was no ritual here. No roots, no herbs, no healing. Just the thing Peter Tosh had been waiting for all along. The punishment for becoming more like Peter Tosh. The bullet inside Leppo's gun. The gun that was now emptying the contents of its clip into the bodies on the floor. It fired alongside the guns of Leppo's associates and the sound was deafening. Peter's common law wife, Marlene. Peter shot first, but she was lucky. The bullet grazed her skull, injuring her severely. But she lived. Peter wasn't so lucky. Two bullets in the back of his head killed him instantly. Doc Brown and free Eyed Dixon, both lying next to him, were also killed. Leppo and his henchmen quickly made their way out into the night. They ditched their bikes and hopped into a taxi, which they found idling at a meeting place that Leppo had previously arranged. They settled into the cab, guns in hand, and told the driver to floor it. The taxi shot off toward downtown Kingston. A little too fast, perhaps. Local police behind them now, suspicious, gaining. Leppo told the driver to lose the heat. And the cabbie put years of tricks up his sleeves into action. He banged a left, then a right, trying to shake the cops. But the patrol car lingered like a bad smell. And then Leo had another idea. Stop here. The cabin slammed on the brakes. Leppo and the others were out of the taxi in a flash, dashing down side streets, swallowed by the shadows before the cops could catch on. The next day, the cabbie heard the news along with the rest of the world. Peter Tosh, murdered in his home. His conscience was heavy. He went to his local local constable and told his story about the night before about how a man had made a plan with him to pick him and two others up after they did what they did at Peters. So he'd essentially acted as their getaway driver. The constable told the cabbie not to worry about it, to just keep quiet. Soon, cops were at the cabbie's front door, arrested for his part in the murder of Peter Tosh and two others. But the cops didn't care about the taxi driver, not really. They just needed him to get to the one person they were really after. The only person who would be punished for what happened that night. The cabbie flipped, gave the cops what they were looking for. Dennis Leppo Loeban, arrested by the same people who, some would say, put him up to the murder in the first place. We'll be right back after this. Word. Word, Word.

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[Jake Brennan]

Liberty. Liberty. Liberty Savings Ferry unwritten by Liberty Mutual Insurance Company Affiliates excludes Massachusetts. Why? Why did Dennis Lepo Loban and two other men force their way into Peter Tosh's house? Order Peter Tosh, his wife and his friends down on the ground and then murder Peter Doc Brown and Free Eye Dickson for money.

Money that Leppo thought existed.

The same money that Leppo routinely received as a handout from his friend Peter Tosh and had received as recently as that very week? Or was it something else? There were many rumors, many theories about what really happened. Three theories in particular that clouded the truth. The very thing that Peter Tosh had been able to see so clearly since he was a kid. What was the truth when it came to Peter Tosh's assassination? It was out there, hiding in plain sight. But first, theory number one. Revenge. Leppo had been in and out of prison for years, mostly because he knew no other way to live. Always on the wrong side of the law in order to survive. He also had Peter, a friend from way back who had managed to pull himself out of the Trench Town ghetto. Peter remained a man of the people, and as such, he helped the people, not only with his music and his message, but with his money. Leppo benefited from this just as many others did. But Leppo considered himself special. So special that when Peter faced jail time for a gun possession charge, Lepo jumped at the chance to take the rap. He was familiar with the inside. He was well versed in that convict life. So he offered Peter a deal. He would do the time for the gun charge if Peter promised to take care of his family while he was away. Food, rent, money, the whole nine. Peter agreed. Peter Tosh then spent the middle of the 1980s becoming more famous and more rich, while Denis Leppo Loeban spent the middle of the 1980s in a prison cell. Inside that cell, Leppo became resentful with.

Every line he notched on the wall.

To indicate the passing of another day.

He wondered if he would always be.

The one to get the raw deal. He thought about Peter doing whatever he pleased on the outside, thanks entirely to Leppo's selflessness, and then wondered if Peter was actually holding up his end of the bargain. If the amount of money Peter was giving Leppo's family was directly proportional to the amount of money Peter was now making as the international face of reggae music. When his sentence was up, Leppo altered the terms of their deal. Shit had changed. Peter was on TV talking about millions of dollars owed to him by emi, his current record label. Leppo felt he was owed some of that windfall. It was the least Peter could do. Leppo got a couple guys who he knew were discreet, who would keep their mouths shut. They had pistols, they had motorcycles. They cut a straight line through the early Kingston night to Peter Tosh's house, where they would take what rightly belonged to Leppo. Unless, that is, there was another way. Wounded pride. Peter's common law Wife Marlene Brown wasn't about to win a popularity contest. She was what some might call overly protective. She put up a wall around Peter. She screened his calls. She called his shots. She steered his career, which included the release of no Nuclear War, his seventh studio album in 1987. She kept Peter's family, Peter's friends at bay. She wasn't a fan of most people, especially Leppo. Leppo made her nervous. Once a con, always a con. A plague in Peter's world, a pestilence so entitled, so pitiful, reaching out to Peter with an empty hand, his pockets empty, belly empty, expecting Peter to fill it, to make everything better. Well, fuck that and fuck Leppo. Leppo and Leppo alone was responsible for Leppo's own problems, not Peter Tosh. Marlene told Leppo as much when he was released from prison for his role in the shooting of a police officer. She told Leppo he was weak. The prison had made him even weaker. The prison had turned him into. Well, she called him a name, and let's just say it was a terribly offensive name that called into question Lippo's sexuality. An insult. Then, in 1987, in Jamaica, a hard man from the streets like Denis Leppo Lovin simply could not accept that. He wouldn't accept. Which would explain why when Leppo and his goons burst into Peter Tosh's house, before shooting off his gun, he shot a look at Marlene's direction and said, it's you. Why this is happening. You her. Marlene Brown. Marlene's words, her cavalier attitude, her careless behavior. She was the reason that her common law husband was murdered. Because Leppo felt demeaned and threatened by a name. Unless, of course, it happened the third way. Theory number three. Murder for hire. It was no secret that Peter Tosh aggravated the powers that be in Jamaica. He lobbied for the legalization of marijuana and defiantly smoked ganja. In the face of the law. He spoke up for the injustices he saw in the world. At a time when the world didn't want those injustices exposed. Peter Tosh, in turn, exposed it all. Lies, corruption, hypocrisy, an oppressive government thriving on political violence. He was nearly beaten to death for being such. Near attacks, a detective pressed a gun to his head and came close to pulling the trigger. And now Peter's desire to purchase the Jamaican broadcasting Corporation's Radio 1 was a risk that was too great for those who relied on maintaining the status quo. So they, the government, law enforcement, whoever hired a violent Ex con Denis Leppo Loden, a man who'd known Peter for years, a man who had access to Peter's house and his wallet to do their dirty work and eliminate Peter Tosh for them. Flanked by two men who were not criminals like Leppo, but actually cops. A detail in this version of events that was allegedly later confirmed by an anonymous Jamaican official. Leppo made it look like a robbery.

Which is what everyone would expect from.

Him, given his criminal history. But Leppo didn't expect to find so many people at the house and then for more to show up while they were in the middle of the hit. They threw him off and he bungled the job. And by bungled, I mean he left. Survivors, eyewitnesses. What was he going to do? Murder seven people? Perhaps the people who hired him planned for this. Perhaps they wanted Leppo to be fingered by the remaining victims. And they, the government, law enforcement, whoever could wipe their hands of the whole thing. The job was done. And the best part was they didn't even have to pay for it. Leppo fancied himself a tough guy, but in the end, he was just a patsy. Or so went the thinking. After all, Leppo was the only one arrested. He was found guilty by the jury in just 11 minutes, the fastest conviction in Jamaican history at the time. Sentenced to hang. The case was closed immediately. All other leads went dead. There was no search for the other two gunmen. No interest in finding out more about the shocking tragedy that had rippled through Jamaica and the reggae world. No interest in the truth, which was right there. It was in the ocean, in the clouds. It was carried on the wind. But no one could see it, not really. Now that Peter Tosh was gone, so were the eyes that were able to identify the truth amongst all the other noise eyes that the devil once tried to take for himself with an old barbed wire fence. The world carried on as usual. Conflicts divides, brother against brother. So much going on that no one at the time or the ability to see the truth for what it really was. Dennis Leppo Loeban was adamant that only he knew the truth.

Not about what happened on the night.

Of September 11, 1987, about what didn't happen. He said it over and over again from the Jamaican jail cell he now called home. He said he was innocent. He said he didn't murder Peter Tosh, Doc Brown and Free Eye Dixon. He said he was somewhere else when the murders took place. Peter's common law wife, Marlene Brown, set him up. She pinned this whole thing on him because she didn't like him, because she was vengeful. Leppo appealed his sentence, the one that said he was to be hung by the neck until he was dead. He was now serving life in prison. That wasn't going to stop him from telling his truth. A story that ran in direct opposition to the story told by the father. Four people who survived the shooting, Marlene Brown, Santa Davis, Michael Robinson, and Free Eye's wife, Joy Dixon. They all knew who Leppo was and all identified him as the ringleader of the trio who had invaded Peter's house. Santa Davis, for one, could never forget the faces of the men who shot him. At first, one of those gunmen, perhaps Leppo himself, Santa couldn't be sure without his face to the floor, had the barrel of his gun to the back of Santa's head. At the moment the pistol fired, Santa moved just enough so that the bullet didn't enter his skull, but his left arm. The 9 millimeter slug went in through his clavicle and immediately collapsed his lung. Santa Fe had been pinched. And then it felt like he had no arm at all. He had a look at his arm to confirm that it was still there, hidden. Know that he was bleeding on the inside, drowning in his own blood. In the emergency room, doctors saved Santa's life. Meanwhile, paramedics wheeled Peter Tosh in on a gurney next to where Santa was being treated. The doctors then struggled to do the impossible to bring a dead man back to life. Futile task. One doctor stated the obvious. I'm afraid Mr. Tosh has left us. Just weeks before his 43rd birthday and just months before, he was honored with the Grammy Award for Best Reggae Recording for his seventh studio album, no Nuclear War, his first Grammy and the first major award that acknowledged his greatness and impact. A greatness and impact so profound that it was believed he was killed for it. Peter Tosh, of course, was not present at the ceremony at Radio City Music hall to accept his award. He was not present to see his revolutionary stance and his rebel music finally lifted up for all the world to see. And that is a disgrace. I'm Jake Brennan, and this is Disgrace.

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Rolla He's a bad, bad man.