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A town can start with a big dream, but it survives on unglamorous details: heat that actually works, water that keeps running, and neighbors who show up when the plan falls apart. We talk with lifelong Haines resident Lee Heimiller, president of the Port Chilkoot Corporation, about the unlikely chain of events that helped turn Fort Stewart from a postwar military site into the heart of Port Chilkoot. Lee shares the inside story of veterans trying to buy surplus equipment, the scramble to finance a fort purchase, and what it meant to build a community in Southeast Alaska when money was tight and winter was not forgiving.

From there, the conversation opens up into a deep, practical history of Haines and Tlingit cultural work through Alaska Indian Arts and the Chilkat Dancers. We get into how scouting, statehood-era promotion, and federal manpower training programs helped launch artists and carvers, and why the value of a totem pole is measured in hours, risk, and responsibility as much as dollars. Lee also tells stories about shipping major carvings, projects that ended up across the country, and the way cultural pride grew when public performance was not always welcomed.

We also take on the question people argue about the most: Fort Stewart’s barracks buildings. Lee breaks down why “save it” can mean $30–$40 million, how landmark rules shape what’s even allowed, and why a seasonal tourism economy makes big redevelopment plans so hard to sustain. If you care about Haines Alaska history, Fort Stewart, Port Chilkoot, Alaska Native art, and what preservation looks like when budgets get real, this one is for you. Subscribe, share this with a friend who loves local history, and leave us a review telling us what part of Haines you want us to record next.