Podcast
Electronic Music Lovers Feed
Hosted by EML Recordings · EN
https://www.eml-recordings.com Electronic Music Lovers s a dynamic collective at the forefront of underground dance music, uniting three powerhouse labels—EML Recordings, Sub Generation Records, and EDM Addicts—under one electrifying banner.
Since its inception, we’ve championed cutting-edge producers and vocalists, delivering everything from rolling Drum & Bass and pulsating Techno to euphoric Trance and infectious House.
Fueled by a true passion for melody, rhythm, and innovation, our roster spans established pioneers and tomorrow’s breakout stars. We craft every release with meticulous attention to sound design and emotional impact—whether it’s a jaw-dropping bass weapon, a lush atmospheric journey, or a dancefloor anthem guaranteed to ignite any crowd.
Beyond records, Electronic Music Lovers runs a non-stop internet radio station, hosts remix contests with thousands of global entries, and operates a publishing arm to secure sync, broadcast, and performance opportunities. We live by one motto: unlocking the trip—because when great music meets heart and hustle, the possibilities are limitless.
Specializing in all styles and sub genres of #Trance #Psytrance #Techno #electro #house #breaks #dubstep and #DrumandBass
Consisting of EML, Sub Generation Records, EDM Addicts and LayZee Records.
We have something for everyone, so feel free to have a look around, and enjoy the music.
Sub Generation Records, which focuses solely on Drum N Bass, Dubstep, and Breaks.
LayZee Records, which focuses on Deep House, Down Tempo, Chill, and Electronica.
******You will find tracks from all 3 labels posted on this profile*****
93episodes
Episodes
Newest firstAll episodes
Flukus- Time Of Our Lives (Original Mix)
Jun 2600:02:14Tap to summarizeTime Of Our Lives is built to hit both sides of the market: the festival mainstage audience and the high-impact electronic dance crowd. The vocal gives the release its emotional identity, adding warmth and memorability, while the synth hits, percussion structure, and bass elements push it firmly into peak-time territory. There is a slight trance and hardstyle edge in the scale and intensity of the production, but the core identity remains mainstage-led with big-room crossover appeal. The arrangement is DJ-friendly and versatile. The Original Mix gives selectors the full club-facing structure, the Radio Edit provides a more direct commercial cut, and the Instrumental Mix opens the track up for DJs who want the energy without vocal overlap. This is a record designed to create lift, impact, and recognition — euphoric enough for festival sets, heavy enough for mainstage peak-time moments, and accessible enough to hold attention outside of specialist scenes.
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JARR Head & Juan Alminana Obando - Eternity (Extended Mix)
Jun 2600:02:38Tap to summarizeEternity is built around movement, progression, and classic trance architecture rather than vocal-led immediacy. The absence of vocals gives the track a purer instrumental identity, allowing the arps, synth layers, melodic phrasing, and arrangement flow to carry the full emotional weight. This makes it particularly useful for DJs who want to create lift and atmDrivingosphere without introducing a vocal moment too early in a set. At 138 BPM, the track sits in a strong uplifting trance lane. It has enough pace and drive for club use, but the focus is clearly on melodic detail and progression rather than brute-force impact. The Extended Mix gives selectors space to blend, build, and position the record as part of a longer trance journey. This is a record designed for trance listeners who value structure, melody, and development — detailed enough for focused listening, functional enough for DJ support, and classic enough to sit naturally within uplifting trance programming.
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Matteo Desko & Jan Johnston - Raindrop (Extended Mix)
Jun 2600:02:57Tap to summarizeRaindrop is built for the deeper end of the melodic electronic market: late-night melodic techno, progressive house-adjacent DJ sets, and listeners who connect with atmospheric vocal-led music. The vocal gives the release its emotional centre, adding warmth and recognisability against the darker production bed. Matteo Desko’s groove work keeps the track restrained and controlled, with rhythmic movement and melodic tension doing the heavy lifting instead of obvious peak-time impact. The arrangement is DJ-friendly and focused. The Extended Mix gives selectors room to blend into deeper melodic techno or progressive sets, while the Radio Edit provides a cleaner listener-facing cut for platforms, radio, and shorter-form promotion. This is a record designed to pull people inward — subtle enough for warm-up and journey-led sets, emotional enough to connect with vocal electronic audiences, and polished enough to sit beside credible melodic techno and progressive house material.
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SJM - Like a Sunlight (Extended Mix)
Jun 2600:02:45Tap to summarizeLike A Sunlight is built to connect with both the dedicated vocal trance listener and the DJ looking for a bright, melodic, peak-time release. The vocal gives the track its emotional centre, creating warmth, memorability, and human connection, while the 140 BPM structure keeps it driving and dancefloor-ready. The production is clean and direct, with a strong sense of flow from the opening movement through the break, build, and euphoric drop. The arrangement is DJ-friendly and practical. The Extended Mix gives selectors enough space to mix, build tension, and use the full journey of the record, while the Radio Edit gives the track a tighter format for playlists, radio, short-form content, and casual listeners. This is a record designed to feel bright, emotional, and immediate — uplifting enough for trance sets, accessible enough for wider electronic listeners, and polished enough to represent EML Recordings as a label with a clear vocal trance lane.
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Tomi Jaakko - Momentum (Extended Mix)
Jun 1900:02:31Tap to summarizeMomentum is built for trance audiences who want energy, clarity, and melodic release without unnecessary clutter. The track leans into classic uplifting trance language: bright melodic movement, crisp production, clean arrangement flow, and that familiar sense of build-and-release that trance DJs can immediately understand. The absence of vocals gives the record a more flexible DJ function, allowing it to sit inside longer trance sets without lyric clashes or tonal interruption. The arrangement is direct and useful. The Extended Mix gives DJs room to blend, build tension, and place the track properly in peak-time sections, while the Radio Edit gives EML a tighter version for YouTube, short-form promotion, streaming platforms, and general listener discovery. There is a clear tech edge in the pressure and tempo, but the emotional identity remains uplifting. This is not a soft background trance record. It is a clean, high-energy instrumental designed to move a room, lift a set, and give trance fans something familiar enough to trust but strong enough to remember.
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Paul Ross [AU] - -Hold me High
Jun 1900:02:49Tap to summarizeHold Me High & Hold Me Close is built to work across two connected but distinct listener experiences: the emotional uplift trance audience and the deeper underground electronic audience. “Hold Me High” gives the release its most immediate trance identity. The vocal phrases are direct and memorable, the progression feels controlled, and the atmosphere gradually reels the listener in. It has the emotional lift needed for trance-focused listeners, but the deeper tone keeps it from feeling too obvious or overly commercial. “Hold Me Close” provides contrast. It sits in a more laid-back, broken-beat space with a rawer industrial edge, giving the package more underground credibility and a less predictable second side. The vocal repetition helps maintain identity, while the rhythm and texture move it away from standard uplifting trance territory. This is a release designed to create emotion, depth, and movement — melodic enough for trance sets, atmospheric enough for late-night listening, and raw enough to stand apart from cleaner formulaic vocal trance records.
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Lerry Müller - Light Beyond the Fall (Original Mix)
Jun 1900:02:27Tap to summarizeLight Beyond The Fall is built for the emotional side of the trance market: uplifting enough for club and festival moments, but melodic and vocal enough to connect with listeners beyond specialist DJ sets. The vocal gives the release its identity, carrying the sense of struggle, lift, and release suggested by the title. The rhythm section keeps the record moving with a clean 136 BPM trance drive, while the melodic structure gives it the emotional payoff needed for uplifting and vocal trance audiences. The arrangement is DJ-friendly and direct. The Original Mix gives selectors the full club structure, while the Radio Edit provides a tighter version for streaming, radio, short-form content, and playlist pitching. This is a record designed to feel emotional without becoming soft — haunting enough to stand out, uplifting enough to move a trance floor, and accessible enough to work across radio, playlist, and Beatport-facing promotion.
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Dan Dodson Ft. Uliana - Im On Fire
Jun 1200:02:25Tap to summarizeI'm On Fire is built to sit between emotional listener appeal and practical DJ usability. The vocal gives the release its main emotional identity, adding lift, clarity, and memorability, while the production keeps the record moving with progressive house drive, atmospheric details, and a smooth club-facing structure. There is a subtle trance influence in the melodic lift and vocal scale, but the core identity remains progressive house-led with a polished EDM Addicts character. The arrangement is useful for both DJ and promotional contexts. The Original Mix gives playlist curators, radio shows, and vocal-led DJs a strong emotional hook, while the Instrumental Mix opens the release up for DJs who want the melodic energy without vocal overlap. This is a record designed to feel smooth, uplifting, and replayable — accessible enough for broader dance audiences, refined enough for progressive house selectors, and energetic enough to work in melodic club sets.
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Flukus - It's Just You
Jun 1200:02:17Tap to summarizeIt's Just You is built to hit both sides of the market: the emotional festival-dance audience and the high-energy mainstage crowd. The vocal gives the release its memorability, adding a direct emotional identity while the synth melodies and drum patterns push it firmly into festival territory. There is a clear trance edge in the melodic lift and breakdown feel, but the core identity remains mainstage-led with big-room impact and modern electro-house pressure. The arrangement is DJ-friendly and versatile. The Original Mix gives selectors the full extended shape for bigger builds and club play, the Radio Edit provides a shorter commercial cut, and the Instrumental Mix opens the track up for DJs who want the energy without vocal overlap. This is a record designed to create lift, recognition, and movement — catchy enough for mainstream EDM listeners, powerful enough for big-room sets, and melodic enough to appeal to trance-leaning festival audiences.
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Andy Jaymes (UK) - The Durus
Jun 1200:02:37Tap to summarizeThe Durus is built for selectors who want pressure, weight, and forward motion. The track’s identity comes from its pounding 140 BPM rhythm, dark mechanical atmosphere, and uncompromising late-night energy. The industrial textures give it a raw underground character, while the trance-influenced synth details provide lift and tension without softening the overall impact. The arrangement is focused and DJ-friendly. It does not rely on vocals or commercial hooks; instead, it builds momentum through rhythm, atmosphere, and sustained pressure. That makes it useful for heavy techno sets, peak-time warehouse moments, and harder electronic playlists where energy and intensity matter more than radio accessibility. This is a record designed to move dark rooms — hypnotic enough for underground techno, direct enough for peak-time club impact, and energetic enough to cross into trance-facing big-room techno environments.
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