Hosted by EML Recordings · EN

Take Me Higher + I'm Underground work as a two-track release with a shared identity: both are trance-rooted, vocal-led, and driven more by atmosphere, progression, and depth than by explosive drop mechanics. The vocal presence is central to the package. It adds emotional pull and identity, while the instrumental framing keeps both tracks rooted in club functionality rather than drifting into pop-leaning dance territory. There is a subtle darker edge in the arrangement style, which helps the release sit comfortably inside deeper trance and progressive environments. Rather than relying on pure uplift, these records create momentum through mood, groove, and melodic progression. That makes them especially useful for DJs who want emotional depth and late-night tension without sacrificing accessibility.

Spectacle is a pure instrumental uplifting trance record, built around driving energy, melodic progression, and big-room scale drops. It avoids vocal reliance and instead focuses on synth identity, arrangement and energy flow. Spectacle is driven by melodic intensity and rhythmic momentum. The track builds through structured progression, layering arps, synth leads and energy-focused transitions to create a continuous upward drive.

Ezradus taps into the raw energy of early jungle with Imposter Syndrome EP, a five track collection inspired by the golden era of 90s rave culture. Packed with chopped Amen breaks, deep basslines and classic rave-era synths, the EP captures the authentic spirit of old skool breakbeat music. Blending nostalgic textures with modern production, each track delivers rolling rhythms and underground energy built for fans of classic jungle and breakbeat hardcore. Imposter Syndrome EP is a tribute to the roots of the rave timeless breakbeats, pure groove and dancefloor pressure.

€7.99 Throwing Molotovs EP sees That Dubplate Kid and Kali Mist link up for a relentless four track Drum & Bass assault built for high energy dancefloors and late night sets. Blending the raw production power of That Dubplate Kid with Kali Mists commanding MC presence, the EP delivers a gritty, groove driven collection of jump up inspired rollers packed with attitude, weight and undeniable movement. Across the EP, punchy low end pressure, sharp drum programming and aggressive basslines collide with fierce vocal delivery and razor edged energy. Each track hits with purpose, balancing explosive impact with infectious groove to create a set of tracks designed to ignite the crowd and push the dancefloor into overdrive. Unapologetically bold and built for maximum impact, Throwing Molotovs EP captures the rebellious spirit of underground Drum & Bass loud, raw and impossible to ignore.

Lerry Mueller presents No Need To Rush, a polished progressive house release built around a vibrant groove, strong arrangement and flowing energy. Warm melodic elements and crisp production create a clean, uplifting sound that moves effortlessly from start to finish. Featuring a compelling vocal performance, the release includes both the full Original Mix and a streamlined Vocal Edit, giving DJs flexible options for the dancefloor. No Need To Rush highlights Lerry Mueller's refined progressive style, blending melody, groove and modern club energy.

Afraid To Feel is a high-energy euphoric vocal trance record built for hands-in-the-air moments. A fast, driving rhythm powers the track forward while uplifting chord progressions and bright lead melodies create a sense of lift and release. The vocal delivers the emotional core — vulnerable, urgent, and memorable — before the arrangement opens into an explosive, feel-good payoff that’s made for peak-time listening. It’s the kind of trance that hits both emotionally and physically: big, uplifting, and undeniably anthemic. Perfect for trance fans who want energy, melody, and a vocal hook that sticks.

My World, My Happiness This track unfolds through evolving melodic layers and atmospheric pads, gradually building emotional intensity through carefully structured progression. The arrangement avoids aggressive peak-time drops, instead focusing on hypnotic rhythmic movement and uplifting melodic phrasing that encourages reflective listening. Far From The Tree Far From The Tree continues the emotive journey with deeper melodic textures and progressive flow. The track builds patiently, allowing the melodic theme to develop naturally while subtle rhythmic elements keep the groove moving forward. Together the tracks form a cohesive emotional listening experience that sits comfortably within the melodic trance and progressive trance space.

Kiss Me opens with a minimal but aggressive groove structure, locking into a punchy low-end foundation early. The production is tight and deliberate — nothing excessive, nothing over-decorated. The electro bass movement carries the track’s identity, while techno-style drum programming keeps the rhythm hypnotic and driving. Industrial textures and subtle percussive layers create tension without overcrowding the mix.

Get Up, Get Down is a frantic, high‑energy hard dance weapon designed for peak‑time club and festival environments. Driving percussion and aggressive kick energy establish the track’s hard dance backbone, while the offbeat bass synth and industrial sound design lean strongly into hard techno territory. The result is a relentless hybrid record that maintains dancefloor bounce while delivering the darker textures associated with modern techno. At 157 BPM the track sits perfectly in the fast‑rising tempo range currently dominating the harder side of underground dance music.

Calling For You opens with an immediate groove that feels nostalgic without sounding dated. The bassline is warm and rhythmic, supporting crisp percussion and chord stabs that echo classic house influences. The vocal sits front and centre — catchy, memorable, and easy to connect with. It carries emotional warmth while still maintaining dancefloor intent. The Extended Mix allows DJs space to build the groove and layer transitions, while the Radio Edit is tight and accessible for streaming platforms and playlist rotation. This is a track built for: Ibiza terrace sessions Daytime festival sets Poolside environments Vocal house playlists Feel-good club rooms