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Anita Arnam
If you want access to bonus episodes, reading lists for every series of Empire, a chat community discounts for all the books mentioned in the week's podcast ad, free listening, and a weekly newsletter. Sign up to empire club@www.empirepoduk.com. okay, I have to tell you, I was just looking on ebay, where I.
William Duranpal
Go for all kinds of things I love.
Unknown
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Anita Arnam
That hologram trading card. One of the rarest. The last one I needed for my set.
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Anita Arnam
One of a kind.
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Anita Arnam
Ooh, where'd you get your windshield wipers? Ebay has all the parts that fit my car. No more annoying, just beautiful.
William Duranpal
Whatever you love, find it on eBay. EBay Things people love Meaningless stuff.
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William Duranpal
Hello and welcome to Empire with me, Anita Arnan, and me, William Duranpal. Did we just talk to you just a second ago? Are you a member of the club? Did you just listen to Akbar 1 and then you couldn't wait for Akbar 2, so you joined the club. Well done, you. And if it is a week on for you, you're probably, well, I hope, sort of champion at the bit about this story, which we think is a fabulous story about Akbar, the Mughal emperor. I wanted to talk about the story that we, as sort of, as Asian children all know and your children grew up with, which is the story of Akbar and his wise man of the court, Birbal. The fabulous stories. I mean, your kids grew up with these as well, didn't they?
Anita Arnam
My kids grew up on those Amakitra comics.
William Duranpal
Amakitra Katha comics.
Anita Arnam
Yeah.
William Duranpal
So, I mean, I should say that these are largely deemed to be folklore tales. There is a lot of doubt from historians about whether any of these stories actually happen because they're just so Good. And they do sound very Aesop's Fables. First of all, he was a real man. Let's start with that. Birbal was a real man. That was his title, Raja Birbal. And Birbal is literally translated as the quick thinker. So he was an Indian minister. He was one of Akbar's nine Jewels. His real name was Mahesh Das. So a Hindu again. If you joined us for the first episode, you'll realize that this is a new type of empire that is being developed in India and what is now Pakistan and Afghanistan and Kashmir, where the Hindus are equal partners almost in this Akbar, of course, at the top. But there isn't any kind of penalty for being a Hindu, and Hindus can rise to the very top. And it is said that Akbar had an inner sanctum. He called them the nine Jewels, which were nine of his most trusted courtiers.
Anita Arnam
And nine jewels, we should say, is something that's around in Hindu mythology before Akbar. It's something that's incredibly auspicious. The navratnas in gemology are what you want when you're getting married, for example, on your ring and so on.
William Duranpal
Oh, I didn't know that. So you're into all this sort of astrological hokum. I don't understand.
Anita Arnam
We like all our batshit crazy stuff here.
William Duranpal
Oh, yeah, hokum. But look, the shit shiniest jewel in the nine Jewels is Raja Birbal, the quick thinker. And I'll just tell you some of the stories because I love them so much. And it's been an absolute delight to go through these.
Anita Arnam
You dive deep into this. You've been looking forward to this for a while.
William Duranpal
It's a little bit sort of nostalgic for me, to be honest. So, first of all, Raja Birbal, or Birbal, is about 20 years older than Akbar. So he is an older man in the court, a gray hair, and he trusts him as a counselor. And he's meant to be the wisest of them all. So the stories go like this. One day, Akbar and Birbal are walking through the Imperial Gardens. And Akbar always likes to test Birbald and tease him, like, you're not as clever as you think you are. And Birbal always gets the last word. So Akbar sees crows in the tree, and he says, birbal, you're so clever. Tell me how many crows there are in the kingdom. And without missing a beat, Birbal goes, well, there are 95,463 crows in our kingdom. And Akbar looks at Birbal and goes, what? He goes, there are 95,463 crows in our kingdom. And he says, you know, I can count them. I've got the men who can count them. Birbal, are you sure? He goes, yes, of course. And Akbar says, okay, so what if there are fewer crows? Birbal smiles and goes, well, it just means that some of the crows have gone to meet their relatives in neighbouring kingdoms. Akbar goes, beerboh, what if there are more crows? He goes, well, that's just the crows coming from the other kingdoms visiting their relatives. I mean, I'm right. Prove me wrong. So, which is fabulous. Did I tell the story about the stealing, the gold story? I think I might have told you, but I didn't. Oh. So the stealing, that is my absolute favorite story. Okay, so Akbar is convinced that somebody, one of his goldsmiths, and he has about 12 goldsmiths who make jewelry for him, and he thinks somebody is stealing gold and mixing it with some other cheaper metal and keeping some of the gold, but it looks the same, so how do you prove it? And Biroborg goes, just leave it to me, I'll sort it out. And he calls all the goldsmiths and he gives them a stick and they're all the same size. And he says, all right, goldsmiths, I have cast a spell. You know who I am, I'm Beerboh. You know, I know magic. You know, I'm very clever. I've cast a spell on all these sticks. You must take these home and sleep with them under your pillow. And the one of you who is cheating Aqua is going to find that Your stick is 2 inches bigger than everybody else's and so we'll know it's you. And he sends them off, they go to sleep, they come back, they all produce a stick, except one man who has a 2 inch shorter stick. And Akbar goes, well, but he goes, this is the man. And Akbar says, what are you talking about? You said it would be 2 inches longer. He said, well, of course sticks aren't magic, sire. I just knew someone would want to compensate for that. And there is a chicken and egg one, but I can't find it. Now, just know that it's good. But this is the kind of story that has actually sort of made people fond of Akbar and think, actually, you know, this is a man who's sort of in search of wisdom and surrounded himself with entrusted Hindus to tell him stuff that he was wrong and to make fun of him who were his wise counsel. I thought we'd start with Those just go and look them up. Akbar bearable stories.
Anita Arnam
We should also say who the other ones are. So the navratnas of Akbar are a mixture, in fact, of a couple who I think are just made up and are not real characters, such as Mullah Do Piazza, who is this sort of jokey mullah.
William Duranpal
The mullah of two dopiaza means two onions.
Anita Arnam
It does. You can get a nice dish of dopiaza to this day. But mulla dopiaza is the same in many of the stories as Mullah Nasruddin, who's the source of many of the comic Sufi stories. And he's this slightly dotty mullah who is always riding with a huge turban and a tiny little donkey. But there are other ones who are real characters, like Abu Fazl, who we're going to come across a lot today, who is Akbar's most important counselor and his biographer, who wrote the Aini Akbari, which is our main source for Akbar's reign. It's also one of the kind of great works of sycophancy of all sort of Indian culture. And Abul Faisal lays it on with a trowel. There is, as well as Birbal Tanzan, who is again another real character, Tansen the musician.
William Duranpal
Again, another legendary name. That Akbar would go into these reveries when Tansen would play and have almost sort of visions while listening to him on his Sithar.
Anita Arnam
Exactly.
William Duranpal
Another set of stories I grew up with.
Anita Arnam
Tanzan of Gwalio. And then there's Raja Todamal, who's a real guy. And we'll come across again later in this episode, who was Akbar's finance minister, a Brahmin, and who revolutionized the empire's revenue. Sister. There's our old friend Raja Man Singh, the Kachawa Raja of Amer, who's the.
William Duranpal
Main general, who we talked about last episode. Yeah.
Anita Arnam
Then there is the son of Bayram Khan, Abdul Rahim Kanikanan, distinguished warrior and diplomat, known for his Hindi couplets, also his work on astrology. Anyway, there's various characters, but the fact that these are still part of folklore today and part of every child's education shows how much consciousness really there was that the court of Akbar was something extraordinary. And the true story that lies behind all these folk stories is that he revolutionizes the administration of India and creates one of the most successful bureaucracies. And when the British come, they merely adapt this bureaucratic system that Akbar has created and a lot of the forms of land revenue and so on. The Jagirs and the Mansabdars and everything continue well into British rule and right up to the late Mughal period.
William Duranpal
Yeah. One of the things we talked about in the last episode was, you know, this expanse of his empire which has also taken in Kabul, where he's put his sister in charge. I should say that Birbal. I should tell you the. I mean, because this is a true story back to Birbal, as opposed to the, you know, the glorious Akbar Birbal tales of, you know, how they tease each other. But this man, Raja Birbal, does die when Akbar sends him to put down an uprising among the Yousafzai clan in Afghanistan. And Birbal is killed on the frontier. Yeah, on the frontier.
Anita Arnam
Not the first or last envoy to be killed by the Yusufzai in those very troubled hills.
William Duranpal
Yeah, yeah. So, I mean, it's near Malandari Pass that 8,000 of Birbal's soldiers, who sort of think they're going to just walk in and take it, are killed, and his body is never found. And this causes Akbar such grief because he wants to give his friend, his counselor, his father figure, a Hindu cremation, but they can't find a body. And so he's said to be in absolute anguish. He proclaims, it is the greatest tragedy since his coming to the throne. A court chronicler at the time, Badoni, writes, his Majesty cared for the death of no grandee more than that of Birbal. He said, alas, they couldn't even get his body out of the past, that it might be burned. But at last, he consoled himself with the thought that Birbal was now free and independent of all earthy fetters. And as the rays of sun were sufficient for him, it was not necessary that he should be cleansed by fire. Isn't that lovely? Isn't that a nice sort of gorgeous.
Anita Arnam
Little aside, but also kind of indication of the reality of this, that, you know, you are effectively establishing your authority on many peoples who don't want to have your authority established on them.
William Duranpal
And who can fight back? Who can fight back Very well. So pick up the reins from where we left, William.
Anita Arnam
So we were just talking about the revolution administration that takes place under Aqba. We won't go on too long about this, but there's all these systems, like the Jagirdars. Now, the Jagirdars are the landowners. Now, traditionally in India, if you held some land, you handed it onto your son, and it was yours forever. The revolution with the Jagadar system is that it is sort of rotational, and that it isn't your ancestral acres that you keep forever. You can be reassigned. And Akbar begins this thing where the highest ranking nobles are on a sort of revolving land revenue system, and that they're moved from one part of the empire to another. Like modern diplomats, they don't own the land that gives them their money. And this is a way of making sure that no nobles put down roots and are strong enough to rebel against Akbar. There's also this other system called the Mansab Dari system, which is a way of ranking the nobles in the court thanks to talent, not to their birth or their religion or where they're from or anything else other than how important and useful Akbar thinks they are. So all these ways are ways of clipping the wings of the nobility, who, either through enormous inherited wealth or the fact they have enormous private armies, were apt in earlier reigns to join up with disaffected brothers or whatever and to challenge the ruler. And this becomes more and more difficult in the system invented by Ackbar, I.
William Duranpal
Think you can sort of say he invented a civil service at a time, you know, when this place has only known dictatorships, you know, where you have a man at the top and you have an army enforcing his will. What he does is he, if you like, devolves power a little bit, he creates other centers of power around his kingdom with a civil service that answers to the center, which is a really quite modern concept. Remember, at the same time, you know, like I said, it's sort of Elizabeth I and Philip ii. These are rulers who rule from the top with their inner koshery, and that's it. But he devolves power in a way that is pretty revolutionary at the time.
Anita Arnam
And there's one other thing I haven't said which is really important. At the same time that the nobles cease to have exclusive control over a piece of land for generations, that same privilege is given to the landholders, while the nobleman could be moved from Bengal to Rajasthan to Gujarat. And like a modern diplomat, you just have to, you know, upsticks and put their things into a cart and move from one end of the empire to the other and no longer hold the land that they had before. The opposite is the case with the peasantry. The peasantry are given hereditary right to cultivate the land if they continue to pay their dues to the landowner. So all this, there's all sorts of quite revolutionary stuff going on. But the biggest change of all, and this is the one that interests me the most, and the one which is Most counterintuitive for those that have been told that the moguls are these oppressive foreigners is this policy under Akbar called Sul Eql. It's the policy of pluralism. And this is actually made into law at this time. The idea that there will be perfect reconciliation, universal toleration, peace with all and complete civility. This is actually made to be the system of the empire. And way ahead of his time, Akbar and his advisors showed a commitment to what they call at the time rational inquiry and acknowledge that no single tradition, not Islam, not Hinduism, not Sufism, have a monopoly on the truth or spiritual, moral and political power. And what Akbar always says, which is something that, you know won't really take root in Europe until the 18th century, is this idea that he will seek to find the dry land of reason and not the marshy land of tradition. He says, I want to find out the truth, whose ever religion it is that holds it. And in a world where identity is very much dominated by religion, this is again a kind of revolutionary, a completely different practice to anything that's been there before.
William Duranpal
Again, something else that is pretty radical for the time. And I don't know if you can go as far as to say it's a secular education system. But he does really believe in education, that he wants a more learned population. So at the time, you know, I suppose his forebears would have really cared about learning the Quran and learning, you know, the Quranic script. And it didn't go much further than that. Although if you were from a royal family, poetry, art, all of those things were. But what he does does is he sort of creates an education system that has topics like mathematics, accounting and Persian literature and music and appreciation of the arts. He's a great patron of the arts. So he wants to elevate his people as well in a way. And it isn't just sort of madrasa doctrinal schools which are going to do it for a certain elite who happen to have his religion.
Anita Arnam
And at this point we find intellectuals and thinkers from all these different traditions being welcomed into the court. This actually has a kind of reflection in reality. It's not just a bunch of rhetoric. You find these Sanskrit thinkers from across the subcontinent entering the central court from the 1560s and 70s, but particularly in the 1580s and this array of Jains and Brahmin intellectuals, they're given titles, they're welcomed into the court. Akbar orders the translation of Sanskrit texts such as the Mahabharata into Persian. The Mahabharata is called the Rasmnama The Book of War. There are different rival translations. You have the library filling not just with Persian, but with Arabic, Kashmiri, Hindi, Greek, Sanskrit and various European languages. Texts from all these different places. And we talked earlier in the last episode about how Akbar, as early as 1563, abolishes pilgrimage taxes on non Muslim institutions. He ends the Jizya, which is the thing you talked about, where all non Muslims have to pay a tax, and he becomes the patron, giving out land to Hindu temples. We talked about this in relation to Man Singh and the fact that you suddenly see this incredible growth of Hindu temples, particularly in the region of Braj during his reign. But you also see it in. This is what always fascinates me. You see it in Akbar's personal life. He takes on many Hindu and yogic practices, even becoming a vegetarian and criticizing meat eaters for. And this is the quote which I love. Having converted their inner sides, where resides the mysteries of divinity, into a burial ground for animals. And so great an impression does this make on his Hindu subjects that in some of the bardic traditions of Rajasthan, which continue to this day, Akbar comes to be equated with the Hindu divinity, Lord Ram.
William Duranpal
I mean, that's extraordinary. There are stories that I grew up with, but not only stories in our hymns, you know, if you are a follower of the Goddess Durga, there is one particular hymn which is one of the most popular to Durga, Jai Jai Jai Karao, which is like, sing the praises of the Goddess who rides the lion. And there is a verse about Akbar when he wanted to have his first son, that he went barefoot and bareheaded to the shrine of the Mother Goddess and he begged her for a son and he got a son. You know, he was praying for a son and he got a son.
Anita Arnam
Is that the same pilgrimage when he goes to Sikri? I don't know, to the shrine of.
William Duranpal
I know the verse Nangi be. I mean, what you have on a grand scale, apart from sort of, you know, the promotion of Hindus in the ranks, but you have a commingling of ideas and equal respect to the point where, you know, Akbar will present a golden parasol to a temple that has the Goddess in it. This has a huge impact. I mean, never before has somebody of his stature with his lands and his wealth done this. They haven't felt the need to do this. But he does it. And arguably he does it because he's actually interested.
Anita Arnam
Absolutely. And sometimes in modern India, you often see some right wing commentators alleging that pro Congress historians of a generation after independence sort of spun all this in a way that didn't actually reflect reality. But you find contemporary observers, often from completely different perspectives, like the Portuguese writing about this very clearly at the time. This is what Father Montserrat says. At this time, the king was showing greater and greater favor to the Hindus, at whose request he had forbidden the sale of buffalo flesh in the meat market. Furthermore, he caused a wooden building of ingenious workmanship to be constructed and had it placed at the very highest point of the palace roof. And from this, he watched the dawn and worshiped the rising sun. And this is the first sign that Akbar is beginning to spin off from. Not just is he tolerating other points of view, he's actually spinning off in the direction of all sorts of other faiths. I mean, this seems to be Zoroastrian rather than anything else.
William Duranpal
Let's take a break. Because I think this idea of the religion, I mean, we've talked about warfare and the nine jewels in his. Let's talk about that in a bit more detail after the break.
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William Duranpal
Welcome back. I think it's probably worth going into the religious aspect a bit more here because it is so contagious these days and it's very sort of heavily politically loaded. But from his youth, there is evidence that he hung out with, with Brahmins, you know, as well as the musicians and the poets who were Hindus. He was also hanging out with holy men as well. And, you know, we talked before the break how he's managed to get into some of the, you know, spiritual songs that I grew up with as well. Talk a little bit more about this. He was accused of favoring Hindus among all the religions because there were other religions in India at the time. You know, Jains, Buddhists, they were there as well. What was his attitude to all religions? Was there plurality or did he just think, actually, the Rajputs are the ones I'M interested in because I can govern with them and I get them.
Anita Arnam
So I get the impression that the military was dominated by Rajputs and the administration was dominated by Brahmins. And initially you see the concessions, if you like, or the active legal attempts to create more pluralism, directed specifically, for example, at Hindu pilgrims. Hindu pilgrim taxes are abolished in 1563. In 1566, he starts this custom, which the Rajput kings also have, of weighing themselves against precious metals.
William Duranpal
Oh, wait, and say more about that, because that is such a great visual thing. I mean, in my head, like two scales and an emperor in one, and everybody heaping jewels to make it even. And that's the tribute to the emperor.
Anita Arnam
And so he takes this up. There's some evidence that his father had done this too, that Humayun might have started this. But certainly we get it regularly happening in court with Akbar. We have the Portuguese noting that he occasionally marks his forehead like a Hindu with sandalwood paste. And he wears amulets formed of rags on his wrist. He always drinks sacred Ganges water both at home and when he travels.
William Duranpal
Oh, yes, he has it brought to him when he's far away from the Ganges in sealed jars as well, which is something.
Anita Arnam
And then in the 1570s, he begins to adopt more Sufi ideas and he starts promoting, actively encouraging Sunnis and Shias, for example, not to fight with each other and to find common ground. We've talked about how he commissions Persian translations of the Mahabharata, but you then get one also of the Ramayana and the Bible, and he gets his grand vizier Abu Fazl to do this translation of the Bible into Persian.
William Duranpal
He was one of the nine jewels. Yeah. I mean, one thing also that he does, which is more controversial, is that he tolerates, he actually even praises the practice of sati. And you did talk about a Sati temple before that was built under his rule. And sati is. I mean, it's a ghastly, awful, horrific practice of if you are a Hindu widow, and it was quite prevalent among the Rajputs that if your husband died, you as a living widow had no value. And to show your love and your devotion to your husband would be burned alive on the pyre of your husband. I mean, I have. You can predict very strong, strong thoughts on that. But. So he was confusing about that because he. He prohibited its imposition, so he wouldn't have women forced into it. But he praised it and he allowed Hindu wives to remarry. So there's lots of mix. Can you decode that for me, because I'm very confused about that.
Anita Arnam
Well, I think one of the things that is very clear about his religious policy is that it is confusing. He's often swept one way or another depending on the last person he's talked to. And sometimes he appears to be a Hindu and a Vaishnava. Other times he's showing interest in Zoroastrian practices and sun worship. But then you get this phase of his life. And this is what I find very interesting because I think so many people in Europe always imagine that Muslim rulers are again Christianity. What is one of the fascinating about this period is that in 1580 you start getting regular groups of Jesuits turning up. Remember there's a, there's now at this period a new Portuguese colony in Goa. So you have only a few weeks march from the Mughal capital Agra, you have a major Portuguese colony. So that the Jesuits are invited up to Fatehpur Sikri in 1580. And we have an account of their arrival. On entering, they became the cynosure of all eyes on account of their strange attire. Everyone stopped and stared in great surprise and perplexity wondering who these strange looking unarmed men might be with their long black robes, their curious caps, their shaven faces and their tonsured heads. You know, they've come from Spain and Portugal at a time when the Reconquista has just finished and Muslims and Jews are being persecuted and they're used to religion being very bloody, forcibly bloody and forcibly imposed on people. But the emperor, who is a Muslim, allows them to set up a chapel in his palace where they exhibit two paintings of the Madonna and Child before an excited crowd. And then to the astonishment of the Jesuits, Akbar prostrates himself before the image of Jesus and they begin these discussions. And Akbar takes a particular interest in Jesus's function as Messiah and he questions the Jesuits closely about the Last Judgment and whether Christ would be the judge. And Akbar also shows his appreciation of his guests by going as far as listening to madrigals and donning Portuguese garb. He turns up one day in a scarlet cloak with gold fastenings and he orders his sons to don the same dress together with Portuguese hats.
William Duranpal
Oh, it's amazing.
Anita Arnam
The Jesuits are not expecting this.
William Duranpal
It's cosplay Christianity. What is he doing? We were expected to be put to the sword. What's happening? What is actually happening?
Anita Arnam
And as more and more of these embassies come and the Jesuits are giving illustrated Bibles and breviaries to Akbar and the other courtiers, they then after a few years come back to find that the gospel books that have been brought by their predecessors, the pictures in them have been painted as murals in Akbar's bedroom.
William Duranpal
That's so crackers.
Anita Arnam
There's pictures of Christ his mother, the Christian saints, and they're painted not only on the walls of the palace, but also on sort of random Mogul tombs and caravans. You can still see some of these in Lahore. I've seen pictures of a sort of version of a Titian in Lahore Fort. So the most sort of bizarre images from the Renaissance world are being copied in the court of Akbar. And a generation later, one Portuguese Jesuit says the emperor had painted images of Christ our Lord and Our lady in various places in the palace. And there are so many saints that you might say it was more like the palace of a Christian king than a Moorish. And by the end of Akbar's reign, a mural of the Nativity fills the wall of the imperial bedchamber. And Christian devotional images have become a major part of the Mughal scriptorium's output. And a copy of the image of the Virgin of Loretto is said to be a particular favorite of Akbar. So this goes against everything these guys are expecting to happen in a Muslim court.
William Duranpal
Well, does this not chafe with some of the more strict Muslims in his court?
Anita Arnam
It does. Including Badauni, who we quoted. Badauni privately writes this account, which has survived, saying he's basically a heretic and also saying that because he's illiterate, he's not very clever and he doesn't know any better. So Badawny just thinks this is because he's sort of credulous. And the other people that get put out by this are the early English. And I think we're going to hear at some point about the wonderful embassy of Sir Thomas Rowe to Jahangir's court later on in the series. But you already have a few Englishmen turning up on their own. And the East India Company's factor, Thomas Kerridge, is not at all pleased by the. What he calls these prattling, juggling Jesuits, which is a brilliant crowd.
William Duranpal
Yeah. First of all, what's a factor? Is that just a representative? Is that a word for ambassador?
Anita Arnam
Factor is someone who works in a factory.
William Duranpal
Oh, is that what it is? I can see. I'm not familiar with that word. So he. Okay, all right.
Anita Arnam
And the factory in the East Indie company Time doesn't mean sort of a smokestack with a great mill inside. It just means a merchant suite of rooms.
William Duranpal
Oh, right. Okay. Thank you.
Anita Arnam
Where the factors live.
William Duranpal
So he's irritated by the prattling, juggling Jesuits because he's getting a bit too Catholic in his tastes, you know, to have, you know, Our lady of Loretto or the Nativity on your bedroom wall taken from a Jesuit text. It just means that he's swinging too Catholic for their taste.
Anita Arnam
Yes, good. English Protestants don't want images of crosses and crucifixes. This is totally Catholic. So the fact that Akbar's favorite sculpture is, quote, a carved image of our Savior on the cross is a surprise because the Protestants don't like it in a particular surprise, as the Quran maintains, of course, that Christ was uniquely returned to God alive and not crucified.
William Duranpal
Right.
Anita Arnam
So all this stuff is opening a whole window for Akbar on the whole width of religious possibilities out there in the world. And his response to this is to begin, for me, this is the most extraordinary moment in the whole Mughal story. He begins having these interfaith dialogues at a time when, in England, Jesuits are being hung, drawn and quartered at the Tyburn. At the same time, Akbar establishes what he calls the Ibadakana, the house of worship, a fatiphosikri, specifically for religious debates.
William Duranpal
One of the things I was really interested in is during these interfaith dialogues, which, again, just sounds so modern, doesn't it? I mean, we have a King Charles very much involved in interfaith dialogue and defender of all faiths, all of that kind of thing feels very modern. But I was interested that, you know, he was really taken or at least concerned by this idea of a day of judgment where Christ would sit and judge all for their actions. And, I mean, he sort of said to ask Father Montserrat during one such dialogue that, you know, is he going to also talk about wars and rebellions and the kind of stuff that I done when I was younger and playing with SC and particularly on one occasion massacring thousands of people. He's concerned about it.
Anita Arnam
With good reason. Yeah, he's behaved very badly in his youth.
William Duranpal
It will not go very well for him. So is this something that one of his jewels presides over? Is it Abu Fazl's?
Anita Arnam
He presides over it in person. No, I think it's very much Akbar's idea. Abu Fazl and the jewels are very much there.
William Duranpal
Right.
Anita Arnam
And everyone is invited. So it isn't just Sunni and Shia or Hindu and Muslim. You also get Zoroastrians, Jains, a lot of Jains now at the court. He's particularly interested in Jainism, which Is for those who don't know, the Jains are quite like the Buddhists. They come from the same sort of era of Indian history, but they're even more austere than Buddhists. And the Jain monks pull out their hair. They have very, very limited diets. They sweep the ground in front of them so they don't crush ants or destroy any living creatures.
William Duranpal
They wear muslin masks. They don't breathe in insects, you know, and don't eat onions because onions are alive underground and they can give birth to other onions. You know, there's some really strict orthodoxies.
Anita Arnam
What I love about this is this is something that we Europeans like to think is our invention. We think the Enlightenment is the period when people, you know, discover interfaith dialogue. And maybe that the earliest ancestor of this is Lorenzo de Medici's Platonic academy in Florence, which also invites scholars and priests to discuss their ideas. But at this stage here, you've got all these different folk arrived and the orthodox mullers, horrified, they say, learned men from Khorasan, Iraq, Transoxania and India, both doctors and theologians, Shias and Sunnis, Christians, philosophers and Brahmins, assembled together at the sublime court. And here they discussed the rational and traditional methods of discourse, travel and histories to each other's prophecies. They widened the circle of debate. And each attempted to prove his own claim and desired the propagation of his school. School Outstanding thinkers appeared. The lofty Lord Akbar declared before the people, O learned ones, our purpose is to seek the truth. And Akbar's thesis is that the pursuit of reason, this is a quote rather than quote. The reliance on the marshy land of tradition is the only way to address religious disputes. And of course, he's attacked by the traditionists who want him to take the side of. Of Sunni Islamic values. But he tells Abul Faisal, no. The pursuit of reason and the rejection of traditionalism are so brilliantly patent as to be above the need of argument. If traditionalism were proper, the prophets would merely have followed their own elders and not come up with new messages. So this is sort of revolutionary stuff.
William Duranpal
It is. And he convinces people. So, I mean, Abu Fasl himself sort of reacting to this very new thing of having people, you know, sitting around chatting about God and philosophy and religion, becomes a real sort of fan of this. And he writes the Shahanshahs, you know, the king of kings, meaning Akbar, his court became the home of inquirers of the seven climes, you know, from all over the world, the assemblage of the wise of every religion. Every sect reason exalted again. Now this is interesting because this is going to get right up noses. And the bigoted ulama and lawyers of orthodoxy found their positions difficult to defend. So it is a criticism of Islam and orthodox Islam coming from one of the nine jewels in Akbar's court, where he is providing fertile ground for, you know, I mean, it must be unthinkable for them, you know, they must be sitting there going, hang on, I thought you were a Muslim ruler. What the hell is going on here?
Anita Arnam
Are you up to.
William Duranpal
You're making us face these people and you're humiliating us by saying we're losing the argument. Arguments.
Anita Arnam
So what happens next is that Akbar gets depressed with everyone fighting because inevitably all these debates end up with people screaming at each other. And in 1582, Akbar announces, My mind is not at ease in this diversity of sex and creeds, and my heart is oppressed by this outward pomp and circumstance. On the completion of my 20th year, I experienced internal bitterness from the lack of spiritual provision from my last journey. My soul was seized with exceeding sorrow. So he seems to have some sort of moment of depression or a sort of vision or the Jesuits think it's a sort of moment of epilepsy. But at the end of all this, he actually comes up with something that people, scholars still dispute it and there are various interpretations of it, but he comes up with a new doctrine that some people say is actually a whole new religion called, called Din I Lahi.
William Duranpal
Now, Din I Lahi is so interesting and it sounds sort of a little bit hippy dippy actually, because it's like, you know what? Stop yelling at each other. Stop shouting. You all have merit. I mean, what he is in effect saying is that the virtues are what are important in this new religion or faith or way of being in my empire. And he talks about kindness, generosity, tolerance. It is interesting that people now regard it as, was it moral philosophy or something more than that. It's a template of how he expects people to live in his empire.
Anita Arnam
But what's interesting is that denialahi, I think, is only really held by his inner circle. It's not something he's trying to convert.
William Duranpal
The empire, push onto anyone else.
Anita Arnam
Yeah, it's like a sort of club of philosophers at court. He's gathered these extraordinary people together, these open minded people. And I think from the way that these debates in Fatehpur Sikri have ended in such rancor, I think he's just decided to sort of create an elite, like a club of people that will subscribe to a higher faith of his own invention. But of course, because he's not actually highly educated, he's not a philosopher, he sort of mixes together all these different ideas which appeal to him, none of which have much cohesion.
William Duranpal
Well, some of them were weird. I mean, some of them are downright odd. I mean, you know, Bodani, who we know is no fan of his, says he's just gone weird. He's doing weird things. This is what Bodoni says. He shaved off the hair on the crown of his head and let the hair at the sides grow because he believed the soul of perfect beings at the time of death passed out by The Crown, the 10th opening of the human body right on top of your head with a noise resembling thunder, which he can't believe.
Anita Arnam
So we never know whether to believe Badori. But that certainly Badoli gives the idea of what I think, you know, skeptical orthodox people are looking on with horror at their emperor. Just like, you know, in the. In the 1980s, you used to get sort of Telegraph editorials about Prince Charles talking to plants.
William Duranpal
Yeah, yeah, yeah, it does feel like that. But Donnie does sound like he's writing an angry. Oh, an angry column for the Daily Mail.
Anita Arnam
It does. It's a bit like that.
William Duranpal
Yeah.
Anita Arnam
And even the Jesuits are noting that he's sort of. Because the Jesuits had rather hoped at the peak of all these interfaith dialogues, that he'd actually convert to Christianity. They all just want him.
William Duranpal
Well, they all thought they were winning. That's the problem. They all thought they were winning, Imran, because he's patiently indulging them and he's got sort of nativities on his bedroom.
Anita Arnam
Wall, so they think it's only one last push and he'll convert to Christianity. But instead, what he does, he then goes on and learns 1001 Sanskrit names of the sun, which is not what the Jesuits had hoped for.
William Duranpal
No, but the reason he does that, the reason he elevates the sun. And again, this is sort of almost going back to the animistic religions of India, even sort of the very early ones, he's told that the sun provides everything, you know, light to everything, it ripens the fruits, it sustains mankind. And so he's persuaded that, you know, the sun is worthy of worship. Now, just imagine, you know, sun worshippers. That's pre. Pre Hindu Dharma as well. And so, you know, this 1001 Sanskrit names of the sun is an act of worship of the sun, which is sort of part of that animistic tradition, I feel Anyway, so that everybody must have thought he'd gone barking mad.
Anita Arnam
And then what's interesting is that despite embracing all this Hindu stuff and this Jain stuff, he's adopted vegetarianism and banned animal slaughter, astrologers, done a bit of yoga astrology. Despite all that, he still continues to wage war. He's still a very successful general right up into the 1590s. He's expanding his kingdom in all directions. So the fact that he is a vegetarian doesn't mean that he can't carry on doing a bit of military stuff. So it's all a bit of a muddle philosophically, but it's fascinating. And no one is satisfied with this religious model. The Jesuits think that they've won and then they haven't. The, the Sunnis are very put out that he's sort of given up on Sunni orthodoxy. The Brahmins are happy in court and they've got jobs. But you know, he hasn't gone the whole hog and become a Brahmin himself or become a Hindu himself. So he's left the people around him, frankly confused. What you do see is tolerance and pluralism in a way that no other North Indian dynasty has seen for five or six hundred years. And Hindu temples are being built all around. And this is what we'll be dealing with in the next episode. This is a great period, of course, for art and architecture.
William Duranpal
The reason for that is he's basically created a hippie commune. I mean, he's not a peace and Love man. He's like, can't we just all get on Peace and Love man?
Anita Arnam
Lots of murals being painted everywhere.
William Duranpal
You know, there isn't peace and there isn't love. And so people fleeing from their own sort of non tolerant homes all end up washing up in Akbar's court. So let's delve into that. You're right, we should do that in the next episode. If you can't wait, you want to listen to it right now? Sign up to Empire Club to get early access ad free listening, our brilliant weekly newsletter. Just go to empirepoduk.com that's empirepoduk.com so till the next time we meet, it's goodbye from me, Anita Arnam, and goodbye.
Anita Arnam
From me, William Durhampool.
Empire Podcast: Episode 210 - Akbar the Great: Revolutionising Religious Tolerance
In Episode 210 of Empire, titled "Akbar the Great: Revolutionising Religious Tolerance," hosts Anita Arnam and William Duranpal delve deep into the life and legacy of the Mughal Emperor Akbar. Released on December 10, 2024, this episode explores how Akbar's groundbreaking policies and personal philosophies not only shaped his empire but also left an enduring impact on religious tolerance and administrative reforms in the Indian subcontinent.
The episode opens with a nostalgic discussion about the legendary relationship between Emperor Akbar and his wise courtier, Birbal. Arnam and Duranpal highlight how stories of Akbar and Birbal, often akin to Aesop's Fables, have permeated cultural consciousness, especially among Asian children familiar with tales from the Amakitra Katha comics.
William Duranpal emphasizes, “[...] these stories have actually made people fond of Akbar and think, actually, this is a man who's sort of in search of wisdom and surrounded himself with entrusted Hindus to tell him stuff that he was wrong and to make fun of him who were his wise counsel” ([04:15]).
Despite their folkloric embellishments, both historians acknowledge that Birbal was a real figure—originally named Mahesh Das—who was one of Akbar's nine Jewels (Navratnas). Their bond, however, met a tragic end when Birbal was killed while suppressing an uprising, leaving Akbar in profound grief ([10:07]).
Arnam and Duranpal provide an insightful overview of Akbar's Navratnas, a council comprised of nine extraordinary individuals from diverse backgrounds. While some, like Mullah Do Piaza, are likely fictional creations rooted in folklore, others such as Abu Fazl and Tansen were genuine historical figures.
Anita Arnam notes, “Abu Fazl lays it on with a trowel. There is, as well as Birbal... Tansen the musician” ([07:22]).
These courtiers were not only advisors but also pioneers in their respective fields—Abu Fazl as a historian and Birbal as a witty counselor. Akbar's selection of these diverse talents underscored his commitment to excellence and inclusivity, irrespective of religion or ethnicity.
A significant portion of the episode is dedicated to Akbar's administrative genius. The hosts discuss how Akbar transformed traditional governance structures to create a more efficient and loyal bureaucracy.
William Duranpal asserts, “Think you can sort of say he invented a civil service at a time, you know, when this place has only known dictatorships...” ([12:59]).
Key reforms included:
Jagirdar System: Unlike the hereditary land ownership prevalent before, Akbar's system was rotational. Nobles were assigned lands based on merit and could be moved across the empire, preventing the establishment of powerful, localized fiefdoms that could challenge his authority ([11:28]).
Mansabdari System: This hierarchical ranking of nobles was based on their abilities and contributions rather than birthright. It fostered a meritocratic environment where talent was the primary criterion for advancement ([11:28]).
These measures curtailed the power of traditional nobility and laid the groundwork for a centralized and robust administrative framework that was later adopted by the British.
Perhaps the most groundbreaking aspect of Akbar's reign, as discussed by Arnam and Duranpal, was his policy of Sul Eql—a commitment to religious pluralism and tolerance.
Anita Arnam explains, “The idea that there will be perfect reconciliation, universal toleration, peace with all and complete civility. This is actually made to be the system of the empire.” ([15:33]).
Akbar believed in rational inquiry over rigid tradition, asserting, “I want to find out the truth, whichever religion it is that holds it” ([15:33]). This was a radical departure from the norm, where rulers typically enforced religious homogeneity.
Key initiatives under Sul Eql included:
Abolition of Pilgrimage Taxes and Jizya: By removing these financial burdens on non-Muslims, Akbar fostered an environment of inclusivity and respect for all faiths.
Patronage of Hindu Temples: Significant investment in the construction of Hindu temples, particularly in regions like Braj, signaled his support for Hinduism alongside Islam ([16:26]).
Translation of Sacred Texts: Initiatives to translate important religious manuscripts from Sanskrit, Arabic, and European languages into Persian facilitated cross-cultural and interfaith understanding ([24:04]).
The episode vividly recounts Akbar's interactions with Jesuit missionaries and other religious scholars. These dialogues were not mere formalities but genuine attempts to explore and understand diverse religious philosophies.
William Duranpal shares a notable interaction: “[...] Akbar prostrates himself before the image of Jesus and they begin these discussions” ([25:38]).
This period saw:
Commissioning of Religious Art: Mirroring Renaissance artistic exchanges, Akbar encouraged the creation of Christian-themed murals and artworks in his palace, blending European and Mughal aesthetics ([27:52]).
Establishment of Ibadat Khana: A house of worship dedicated to religious debates, fostering an environment where scholars from various traditions could engage in intellectual discourse ([31:18]).
These endeavors not only enriched the cultural tapestry of the empire but also positioned Akbar as a forward-thinking ruler committed to harmony and intellectual exploration.
Amidst continuous interfaith debates and his quest for spiritual peace, Akbar introduced Din-i Ilahi—a syncretic religion intended to merge the best elements of the religions present in his empire.
William Duranpal describes it as, “...the virtues are what are important in this new religion or faith or way of being in my empire” ([36:42]).
Key features of Din-i Ilahi included:
Emphasis on Virtues: Kindness, generosity, and tolerance were central tenets, promoting a moral and ethical framework for his subjects.
Selective Adoption: While Din-i Ilahi was a personal creation, it wasn’t aggressively propagated outside Akbar’s inner circle, serving more as an ideological guide for his trusted courtiers ([37:17]).
Despite its innovative approach, Din-i Ilahi faced criticism from orthodox religious scholars and did not gain widespread acceptance, remaining a unique aspect of Akbar’s legacy.
Akbar's personal life reflected his administrative and religious philosophies. His adoption of various religious practices and commitment to the arts were integral to his rule.
Anita Arnam observes, “Akbar takes on many Hindu and yogic practices, even becoming a vegetarian and criticizing meat eaters” ([16:26]).
Notable practices included:
Vegetarianism and Animal Welfare: Akbar's choice to adopt a vegetarian diet and his stance against animal slaughter underscored his commitment to ethical living, aligning with certain Hindu and Jain principles.
Artistic Patronage: By supporting the arts, including music, poetry, and architecture, Akbar fostered a vibrant cultural scene that celebrated diversity and creativity. The episode highlights the construction of intricate murals and the blending of different artistic traditions under his patronage ([41:20]).
These personal choices not only influenced his court but also left a lasting imprint on Mughal art and culture.
Despite his visionary policies, Akbar's rule was not without contention. The episode addresses the skepticism and resistance from orthodox factions within his empire.
William Duranpal recounts the disapproval from contemporaries: “Badawny just thinks that’s because he’s sort of credulous” ([38:29]).
Key critiques included:
Orthodox Islamic Scholars: Figures like Badauni labeled Akbar's religious experiments as heretical, challenging his legitimacy as a Muslim ruler ([29:03]).
Jesuit Frustration: While initially optimistic about Akbar’s openness, Jesuit missionaries were disillusioned when their efforts to convert him to Christianity did not yield the expected results ([39:02]).
Cultural Skepticism: The eclectic blend of religious practices led to perceptions of Akbar being "barking mad," as described by court chroniclers ([38:45]).
These criticisms highlight the delicate balance Akbar maintained between innovation and tradition, a balance that was both lauded and criticized by his contemporaries.
Empire Episode 210 paints a comprehensive portrait of Akbar the Great as a ruler ahead of his time—innovative in administration, progressive in religious policy, and generous in cultural patronage. His efforts to create a pluralistic and tolerant empire set precedents that would influence not only subsequent Indian rulers but also colonial administrators.
By fostering an environment where diverse religious and cultural ideas could coexist and interact, Akbar laid the foundation for a rich, syncretic civilization. His legacy of tolerance and administrative brilliance continues to be studied and admired, cementing his place as one of history’s most visionary leaders.
Notable Quotes:
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