At the Oscars, Old Dresses and New Teeth

Summary

Fashion People Podcast Summary: "At the Oscars, Old Dresses and New Teeth"

Hosted by Lauren Sherman and featuring industry insider Hillary Kerr, this episode delves into the intricacies of the Oscars 2025 red carpet, offering a comprehensive analysis of the best and worst fashion moments, behind-the-scenes insights, and broader trends in celebrity styling.

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1. Introduction and Pre-Oscars Insights

Lauren Sherman opens the episode by setting the stage for the Oscars 2025 coverage, emphasizing her recent experiences in Paris and hinting at upcoming industry updates:

"I hope to see you. I love being in Europe because it's just a lot easier to do my job..." ([00:00]-[03:17])

She introduces Hillary Kerr, co-founder of Who, What, Where?, highlighting the collaborative nature of their discussion on the red carpet's highlights and mishaps.

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2. Pre-Oscars Party: Celebrating Unsung Heroes

Hillary Kerr recounts a pre-Oscars party she co-hosted with Dan Constable from UTA, aimed at honoring the often-overlooked fashion PR teams:

"They are the fashion PR teams at these major brands. Like the celebrity stylists, they're the ones making these red carpet looks happen..." ([04:27]-[06:07])

Kerr emphasizes the vital role of PR teams in connecting stylists with designers and shaping red carpet narratives, noting the event's success in bringing together key industry players and raising funds for LA Wildfire Relief.

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3. Breaking Down the Oscars 2025 Red Carpet

a. Positive Highlights: Innovation and Vintage Flair

Hillary Kerr praises the red carpet for its diverse and sculptural designs, noting a departure from the traditional jewel-toned gowns:

"It felt like a much more interesting red carpet than some of the classic jewel toned strapless mermaid gown..." ([07:39]-[08:47])

She highlights the inclusion of vintage pieces and unique textures, appreciating the creativity and effort evident in the designs.

Lauren Sherman agrees, celebrating the improved fit and bold colors seen in several outfits:

"Everything fit better this year. ... I loved Michelle Yeoh in Balenciaga. It was like a royal blue duchess satin..." ([09:57]-[11:09])

They commend designers like Givenchy, Balenciaga, and Saint Laurent for standing out amidst a flood of brand appearances.

b. Negative Highlights: Overuse of Sequins and Homogenization

Both hosts express concerns about the overuse of sequins and the homogenized feel of many outfits:

Lauren Sherman: "There was way too much just sequins and ... a fitted dress with a bunch of sequins on." ([08:47]-[09:41])

Hillary Kerr: "It's like, we're gonna have that sequin, that bedazzled dress, but with nothing on underneath it." ([09:41]-[09:57])

They lament the lack of color variety and the repetitive embellishments that made some looks feel less distinctive.

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4. Men's Fashion: Risk-Taking and Refined Styling

The conversation shifts to men's fashion, where both hosts applaud the bold choices and impeccable tailoring:

Hillary Kerr: "I love that ... he looks like a breath of fresh air the whole campaign through." ([12:21]-[13:21])

Lauren Sherman highlights standout male celebrities like Colman Domingo, Jeremy Strong, and Jeff Goldblum, noting their stylish ensembles and personal flair:

"He has so much swag. ... he has so much personality across the board." ([12:47]-[13:21])

They appreciate the balance of traditional suits with innovative accessories, enhancing the overall aesthetic of male attendees.

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5. Authenticity and Celebrity Appearance: The Veneer Debate

A significant portion of the discussion revolves around the authenticity of celebrities' appearances, particularly the prevalence of veneers and cosmetic enhancements:

Hillary Kerr: "I miss real teeth. ... When you see a real face, it just delights me." ([31:16]-[32:41])

Lauren Sherman shares personal anecdotes about encounters with celebrities considering cosmetic procedures:

"I had dinner ... with some women ... talking about getting braces on their lower teeth." ([32:41]-[33:14])

While acknowledging the pressures celebrities face, both hosts express a longing for more natural and authentic looks on the red carpet.

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6. Standout Looks: Celebrating Exceptional Style

Hillary Kerr and Lauren Sherman highlight several iconic outfits from the Oscars 2025, praising their creativity and execution:

• Elle Fanning in Balmain: Kerr lauds Elle’s personal style and the Balmain dress with a leopard-print bra top, describing it as "gorgeous" and "fantastic." ([19:17]-[21:00])

• Ariana in Schiaparelli and Cynthia Erivo in Louis Vuitton receive accolades for their thoughtful and playful designs:

Kerr: "Not everyone loves like the literalness of the red shoe on Ariana's back. But I thought it was stunning, thoughtful, interesting and a little playful." ([23:56]-[24:51])

• Rachel Sennott in Balenciaga and Zoe Kravitz in Saint Laurent are commended for their fresh and youthful looks, adding vibrancy to the event.

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7. Least Favorite Looks: Room for Improvement

Despite the overall positive tone, the hosts candidly discuss outfits they found lacking:

• Kylie Jenner's Miu Miu Dress: Lauren Sherman criticizes the dress, feeling it was inappropriate for the occasion:

"I thought that the Miu Miu dress was not correct. ... I didn't think that ... her look was right for the Oscars." ([35:12]-[35:54])

• Ana Darnis in Louis Vuitton: Both hosts express disappointment, with Kerr noting it "was fine, but not a moment to remember." ([36:42]-[38:25])

The discussion highlights the subjective nature of fashion opinions and the challenges of meeting diverse aesthetic expectations on such a high-profile stage.

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8. Emerging Trends: Vintage Revival and Accessory Innovation

Hillary Kerr observes a notable increase in vintage and archival-inspired outfits, attributing it to both a nostalgia trend and the absence of new creative directors:

"We saw so much archival and vintage. ... People are leaning on that more, more and more." ([40:33]-[42:18])

She also praises the creative use of accessories, particularly gloves, which added architectural and elegant touches to various ensembles:

"We saw more architectural shapes, gentlemen in more jewelry and pizzazz... it felt like this was actually a very fashionable red carpet." ([41:21]-[42:18])

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9. Looking Ahead: Anticipation for the Met Gala

Closing the episode, Lauren Sherman and Hillary Kerr express excitement for the upcoming Met Gala, anticipating another round of innovative and high-stakes fashion:

"Next up, Met Gala. Are they all going to be there? It's going to be a really good one." ([42:30]-[43:08])

They share mutual enthusiasm for future fashion events, underscoring their commitment to providing in-depth industry analysis and exclusive insights.

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10. Conclusion and Credits

The episode wraps up with acknowledgments to the production team and special thanks to collaborators, ensuring listeners are aware of the team behind the engaging content:

"Fashion People is a pretty presentation of Odyssey in partnership with Puck... Special thanks to our executive producers..." ([43:05]-[End])

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Notable Quotes with Timestamps:

• Hillary Kerr on PR Teams:
  "They are the fashion PR teams at these major brands. ... forming those relationships." ([04:27]-[06:07])

• Lauren Sherman on Publicists' Roles:
  "They are part of the strategy. ... They don't get any credit." ([07:05]-[07:22])

• Hillary Kerr on Red Carpet Evolution:
  "I always prefer it when there's a little bit more color myself on the red carpet." ([07:39]-[08:47])

• Discussion on Men's Fashion Risk-Taking:
  "I love that ... he has so much personality across the board." ([12:21]-[13:21])

• Authenticity in Celebrity Appearances:
  "I miss real teeth. ... When you see a real face, it just delights me." ([31:16]-[32:41])

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Conclusion

This episode of Fashion People offers a detailed exploration of the Oscars 2025 red carpet, blending critical analysis with personal anecdotes and industry expertise. Through candid conversations, Lauren Sherman and Hillary Kerr shed light on the triumphs and pitfalls of celebrity fashion, the behind-the-scenes dynamics of PR teams, and emerging trends that shape the ever-evolving landscape of high-profile events.

Transcript

[Lauren Sherman]

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[Hillary Kerr]

It is my pleasure to be here. I love your podcast almost as much as I love the line sheets. So this is just a pleasure and a half to be here.

[Lauren Sherman]

Well, I, I love you so I am glad that you are here and vice versa. So you we were just chat chit chatting pre recording. You've been prepping.

[Hillary Kerr]

Yes. I love red carpet season. I probably should award season. I probably shouldn't be in the team slack coming up with details and throwing things into the Google sheets that we use when we're reporting on red carpets. I, I'm sure my teams would appreciate it if I'd stopped doing that. But at the same time I care so much and I will be that weird person who's like forensically tracking down the number of carrots in the Bulgari necklace. I just, I am once a nerd, always a nerd when it comes to these details.

[Lauren Sherman]

This is why you're good at your job. And last week before the show, you and Dan Constable from UTA hosted a sort of pre Oscars party for or dinner for all the fashion people who were in town. Right. Who couldn't go to the Prada show.

[Hillary Kerr]

Yes. Well, it was a really amazing night because you know, when you've worked in this industry for so long, you realize there are certain people who don't necessarily who make have a ton of work and make our key decision makers but maybe don't always get their flowers. And chief among them are the fashion PR teams at these major brands. Like as much as the celebrity stylists, they're the ones who are making these red carpet looks happen. They are connecting the stylist with the designer. They are making those introductions. They often are seeing the films before the rest of the world and saying like, oh, that Ruth Nega film is going to do an amazing job. Oh, we should introduce Carla and Pierre Paulo at the time and like forming those relationships. So to have all of these teams in town from Europe, from New York and then the LA teams all in one place was so fun. And then we had a ton of celebrity stylists who Came as well. And, and it was really remarkable to see, you know, one table sitting there. It's like the PRs from Vuitton and from Schiaparelli and all of these different Loewe all coming in Saint Laurent, all coming together and having, you know, pasta carbs before the red carpet and helping us raise a little bit of money for LA Wildfire Relief and, you know, everyone getting together and swapping tables and drinking wine. It was a really lovely evening. Dan Constable gets all of the credit because that man was like creating invitations while on a plane to Milan and then coming back. I've never seen something come together so quickly. And to have that kind of turnout was pretty outrageous. We missed you though.

[Lauren Sherman]

I am really sad I missed it even though I was happy I got to go to the Prada show. But what I will say is that this is how these contracts. People want to know how these contracts get done. They get done by the publicist, the personal stylists. Well, not the celebrity stylists. I am personal stylists, the agents, the managers. Like, this is how the contracts get done. And the one thing I think I learned moving out to LA that I didn't really realize was how deeply involved the publicists were in the process. More than just like matching up a celebrity with a brand, they are part of the strategy. And it's. You're right, they don't get any credit. So shout out to all of them. They don't want their names ever published, but they're all fabulous and really do incredible work.

[Hillary Kerr]

And let's be honest, they're also the keeper of all of the secrets. Those teams have seen things that I am not allowed to repeat, but oh my goodness, they know all. So like, really, I, I feel like it's in everyone's best interest to bow down to the celebrity VIP teams.

[Lauren Sherman]

That is true. So, so let's break down what they did last night and how they, how, how they. If they succeeded or failed. I mean, so what was your overall, your overall feeling about Oscar's 2025 red carpet?

[Hillary Kerr]

So I think that I always try and look at it from two different perspectives. The civilian in me and then also like the, the long term fashion editor. So from. I think the civilian in me would not have understood some of the things that were on the red carpet would be absolutely perplexed by them. The fashion editor in me was especially to see some of the after party looks. But even the red carpet looks. Like we saw sculptural moments the likes of which we don't usually see. We saw there was. I always prefer it when there's a little bit more color myself on the red carpet. But we saw so much interesting texture and embellishment and beading and design. And it just felt like a lot of people got the same memo. 1 and 2, 2. It. To me, it was a much more interesting red carpet than some of the like classic jewel toned strapless mermaid gown that we've seen a hundred thousand times. Like this was a little bit wilder and I really liked it. Plus a fair amount of vintage as well, which is always nice to see.

[Lauren Sherman]

Yeah, I. I mostly agree. I think there are two things on. On the sort of downside. My. The negatives of my assessment are that there was way too much just sequins and there's this, this idea of wearing like a fitted dress with a bunch of sequins on. It has been a thing for the last few years in informal gowns regardless. And I had Kate Young on probably last summer and she was talking about this like she. You go to a brand and all they have is like a silver sequin dress. There were a lot of those. Again, I think right now there's a huge emphasis on body and being fit. And so there's a desire to want to show that off. And a good way to show that off is through a sequin dress that is form fitting or what have you.

[Hillary Kerr]

But it feels like an evolution from the naked dress, which we were seeing a lot of for so many years, where it's like, it's not like, I feel like the even more intense version of that is like we're gonna have that sequin, that bedazzled dress, but with nothing on underneath it. And we've seen a lot of that over the years as well.

[Lauren Sherman]

Yes, yes. And I would also say that everything fit better this year. There was a. There something has happened that the celebrities realize, or their teams or whatever, they finally are starting to realize this is how we need to make it work so it looks good being photographed. I'm sure they were thinking about that previously, but it feels like something clicked and there weren't. Usually you see the right and you're like, oh, that didn't fit her at the top. Like there are a couple things like that, but generally I thought even. And the men's clothes, the men's stuff, which the men really took a lot of risk, which I loved. I just thought everything like sort of fit like the tailors were working overtime and I appreciated that. I also wish there was more color. I just Love, I love Michelle Yeoh in Balenciaga. It was like a royal blue duchess satin. Color is where you can. It was just like a pretty. I mean, it was beautifully done and draped and all of that, but it wasn't like such an out of the ordinary dress. But the color gave it a bit a strangeness and I really, I love that in particular.

[Hillary Kerr]

Same thing with Timmy and butter yellow leather. Like, is the look revolutionary? Not really. It's still just pants and a jacket, but at the same time, at least like you saw that panning of the full audience and your eye went straight to that fresh out of the gate, Sarah Burton Givenchy look. And it's like, I love that I could ID him at a thousand paces. It reminded me a little bit about what Elizabeth Holmes always writes about with the royals, about them dressing in color so that you could see them at a distance, like easily identifiable. And I was like, we. And I know it was a nod to a classic Bob Dylan look. So like, I love all of the backstory to that. But I mean, seeing that or Colman, Domingo and Valentino and that red was so phenomenal. I mean, look, I'm also like my favorite all time Oscars look is Nicole Kidman in that incredible chartreuse. I think it was Dior dress from the 90s, 1997, I want to say. Like, that's what my personal taste standard is. Like, give me something like a shocking color with like a thoughtful element. So did we see that as much? No, but we saw still there was enough that was interesting this time around. And certainly I was like, yeah, the men brought it too.

[Lauren Sherman]

Yeah. Let's talk about the guys for a minute. You mentioned Colman, Domingo and Timothe Chalamet. That's how I really think that's how you pronounce it. Anyway, first of all, this kid has so much style, it's crazy. I loved it. I was trying to go to sleep because I had to get up very early this morning and it was already late. And I was just like, damn, this kid has it.

[Hillary Kerr]

Did you see his little baby, like Cartier bracelet and watch? Like, he has so much swag. And then like a bejeweled Cartier necklace. I mean, there's complex. Had this amazing picture of just his wrist. And it's like to see the, the mini watch with the bangles, it's like this guy is going for it. It is so, so much personality across the board. Like, clearly, I think that we've seen so many, like homogenized, like very boring, safe Things. So then to see this just. He just felt like a breath of fresh air the whole campaign through.

[Lauren Sherman]

Totally. He looked. And he looked great. At the VF party in Heider Ackerman's Tom Ford. I thought that was gorgeous as well. Coleman always. He was wearing Valentino. He always. He is sort of the gold standard. He has incredible style. It looks like him. It always fits super well.

[Hillary Kerr]

And he's exceedingly handsome.

[Lauren Sherman]

He's very handsome. He doesn't look crazy wearing prints. He looks he really well. Yeah. And so I thought that was Jeremy Strong in Loro Piana. Yeah. I bow. It was so good. It was so good. He's. He's. There wasn't really. I'm trying to think of one. I thought Sebastian Stan in Prada. It was like his shirt was an off white and his tie was a little loose. I love that. It all looked great. And usually I'm like very traditional. I like a guy in a nice suit and I still like that. But. But I thought that Sean Baker in custom Dior.

[Hillary Kerr]

Yep.

[Lauren Sherman]

Which was like a really standard suit style by our friend Rebecca Ramsey. Congrats to Rebecca.

[Hillary Kerr]

She's excellent.

[Lauren Sherman]

So good. She has such an interesting roster. She only works with cool creative people who do amazing shit. So I'm so happy for her. And he looked really handsome. And it was just a great tux that fit him well. I love Jeff Goldblum in Prada always.

[Hillary Kerr]

He's one of my favorites. I just think he has. So he looks like he's actually having fun, which you just don't see that very often. And it makes me really happy when you do.

[Unknown]

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[Lauren Sherman]

Yeah, sold it to Carvana.

[Unknown]

Oh, I thought you were selling to that guy.

[Lauren Sherman]

The guy who wanted to pay me in foreign currency. No interest over 36 months.

[Hillary Kerr]

Yeah.

[Lauren Sherman]

No. Carvana gave me an offer in minutes, picked it up and paid me on the spot.

[Unknown]

It was so convenient. Just like that.

[Hillary Kerr]

Yeah.

[Unknown]

No hassle?

[Lauren Sherman]

None.

[Unknown]

That is super convenient. Sell your car to Carvana and swap hassle for convenience. Pickup fees may apply.

[Lauren Sherman]

You know who else I thought looked really nice? Who apparently everybody is goo goo over is Andrew Garfield. At the, at the party, I think he was wearing Gucci at both. But at the Vanity Fair party he had on Gucci gray, like head to toe gray Gucci. And I thought he looked really great as well.

[Hillary Kerr]

How do you feel about men wearing sunglasses on the red carpet?

[Lauren Sherman]

Was he wearing them?

[Hillary Kerr]

Yes.

[Lauren Sherman]

I'm not into. No, it's silly. I don't, I don't like that kind of stuff. But whatever. I didn't notice. I just thought that the, the clothes look great.

[Hillary Kerr]

I don't mind. But I, for most things, I am a little bit of a traditionalist when it comes to the Oscar red carpet.

[Lauren Sherman]

I.

[Hillary Kerr]

It's the only time where I feel like you need to be just a smidge more traditional. And for me that was the only, like the, the look overall was phenomenal. The sunglasses on the red carpet, I'm like, do we? Must we? That's the one. It's the one time.

[Lauren Sherman]

Yeah, yeah. It, it. That feels a little silly. The other question for you is broach or no brooch?

[Hillary Kerr]

Always broach.

[Lauren Sherman]

The brooch thing happened. I. There needs to be some play on words because it's like the bro broach. The brooch. I don't know how you would spell that on GQ.com but maybe Sam hi knows this happened a while ago, like at least Emmys. Right.

[Hillary Kerr]

Or when Jamie Mizrahi started putting like a Tiffany brooch on Jeremy Allen White was one of the first big moments when we saw it. And then it has been off to the races. It feels like ever since. Sense.

[Lauren Sherman]

I will say I think I'm, I'm broach.

[Hillary Kerr]

I'm.

[Lauren Sherman]

I'm done. Like think of something else. That's the thing about.

[Hillary Kerr]

They don't have that many places for flare, though. Lauren let them have a tiny bit of flare.

[Lauren Sherman]

Sure. I let them get the money that they'll get when they get the diamond contract. But, but I thought Jeff. Did Joel, Jeff Goldblum have on a brooch? I don't think a scarf. He had on that beautiful like lavender scarf. I was super into the scarf. And a printed top, an off white jacket and this scarf. It's fine. I just think the guys that I liked weren't wearing. Maybe Sebastian Stan was wearing a brooch. I didn't even notice. But it is. I got some DMs people asking what I think and I said, I've already I'm past the brooch. I've already processed the brooch.

[Hillary Kerr]

I never mind a fine jewelry moment on the red carpet. I am a magpie. I am a crow. I just want to see shiny things, glittery things. I love stones. I am. I feel like there are so few opportunities for men to. Although men are doing better with accessorizing, generally speaking, lately. And there's been more man jewelry, but I just, I don't know, I'm. I'm all for it because it, it's a little bit of personality. It's a little bit of flair. It's another. It's just another detail. And, and I get so bored by seeing the same classic, tasteful tucks over and over again. I'd rather see something that's just even like slightly questionable or maybe a little overdone because it's just more interesting to me. Otherwise they all look the same.

[Lauren Sherman]

You know what else was interesting? I thought this season the big brands always flood the market. They'll have 10 or 15 major people that they dress and a lot of them did that this season. But I thought the brands that really stood out were Givenchy, not only with Timothy, but also with Elle, with Elle Fanning, which was also Sarah Burton and just gorgeous. And I wrote in line sheet on Monday, I think Elle Fanning and Samantha McMillan are just maybe the best stylist, star duo working right now or, or rising up. They. They really. Elle has incredible personal style and there's so many things. She wore a Balmain dress that had like a leopard. Yeah. Leopard print bra top recently that, that sounds. That doesn't sound good when I say leopard print bra top. But Google Elle Fanning. Balmain. This dress was gorgeous. She has amazing personal style. I thought that the white lace dress and the sort of cape back was just so beautiful. I thought she looked fantastic as a.

[Hillary Kerr]

Black bow done right as well. I found the neckline. The neckline is not like my personal high point because I think it can be a little bit. When there's that like semi sweetheart aspect to it, I think it reads a little juvenile. Personally, that is my only critique of the look overall. And that's just my own personal bugaboo. I think she looked flawless. And I really liked her Vanity Fair look as well.

[Lauren Sherman]

Yes, I loved it. I loved the black with red. It was so pretty.

[Hillary Kerr]

Those popsic red were great.

[Lauren Sherman]

Yeah. I think the shoe. I would have not done the shoes. I would have done black shoes, not red shoes. But I thought the red sash was, was so gorgeous. Not, not that Samantha McMillan needs my notes.

[Hillary Kerr]

The other brand, Sarah Burton needs mine. We're just talking. We're just.

[Lauren Sherman]

We're just chatting. The other one that I thought was, I thought Balenciaga a lot. I thought Rachel Sennott, including the face she was making in all the photos, I thought she looked great. A lot of the Balenciaga people, Kim Kardashian looked beautiful. I thought she looked great. I thought St. Laurent did a killer job. The both Zoeys, Zoe Sal, Danya, and then Zoe Kravitz.

[Hillary Kerr]

Cheeky moment.

[Lauren Sherman]

Yeah. With her little rear peeking out from the back. And never have I been more jealous.

[Hillary Kerr]

I also, I love a prim from the front, sassy in the back moment in general. Like, I liked Margaret Qualley, where it's like, you can see the necklace in the back, and then the front looks sort of like sat. And then you turn around, and all of a sudden there's a plunging back, there's a beautiful dress moment, or there's a little bit of cheeky bum. In the case of Zoe Kravitz, I.

[Lauren Sherman]

Thought it was great.

[Hillary Kerr]

It made me very happy. I thought it was lovely. It felt fresh. And I mean that in a number of ways. Cheeky, and I mean that also in a number of ways. But it just felt like young and fun. And also, she's always sort of pushing things a little bit, and that feels.

[Lauren Sherman]

Right for her to totally. Both of those. And also the Hailey Bieber Saint Laurent dress, they all felt like they were beautiful. They made the women look good, but they were also really fashion, and that was very refreshing.

[Hillary Kerr]

Sarah Paulson in Marc Jacobs fashion, which was also another major moment. Or I also, I have to say, like, I really loved what our wicked ladies did. I loved the. The Schiaparelli gown, especially considering how, like, they made it even more special by adding all of those additional. I know you're not as much team embellishment as I am, but all of those embellishments on the skirt of it. And I also thought Cynthia Erivo looked absolutely stunning. I love the dress that Jason. Jason Bolden had this idea of this Nod to Hattie McDaniels, which I think is such a lovely idea. And to see her in that suit, super dark green Vuitton dress. I just. I again, it was such a stunning moment, and I love that. And going back to brands, the Vivienne Westwood moment for her performance, phenomenal. Like, I love a vintage Vivienne Westwood moment like that also. And the same thing. I also loved the Schiaparelli. You know, not everyone loves like the literalness of the red shoe on Ariana's back. But I thought it was stunning, thoughtful, interesting and a little playful, which is also something I love.

[Lauren Sherman]

I thought it was the best Ariana has looked this entire and she's looked great. And Cynthia Revill has amazing style and always she mostly wears Louis Vuitton but really wears it well and they choose the right things because Louis Vuitton dresses many, many people. And so sometimes it's not, you know, it's always a mixed bag for all these brands but I think with her they all, they tend to. She's the right match for that brand. I thought I loved, I loved that green velvet as well. And the Champagne Schiaparelli straight off the Runway was. It was the platonic ideal of an Oscars dress. Yeah. And also an Oscars dress and what she should be wearing. And I'm pro embellishment when it makes sense. And I think in that case it really made sense.

[Unknown]

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[Lauren Sherman]

So let's talk about Mikey.

[Hillary Kerr]

Yes.

[Lauren Sherman]

So I, this is my feeling about it. I think that Jamie Mizrahi does the best job when she is dressing women who like to be dressed in classic clothes. I think Adele is her sort of masterpiece and she, she's done a great job with Jennifer Lawrence too. Someone who has had many stylists and I think has finally sort of figured it out. And the same with Mikey. You can tell this is not a person who, you know, obviously anora's a very, I guess you could say it's a very edgy movie. I keep calling it Our Generation's My Cousin Vinny, but whatever. I loved it. It was my favorite movie of the year and deserved everything.

[Hillary Kerr]

Not Challengers, ma'am.

[Lauren Sherman]

I did love Challengers, but I know I really loved. You know what? They were robbed with the soundtrack, though.

[Hillary Kerr]

You know what?

[Lauren Sherman]

The score. That was the best. I mean, I'm sure your husband Jonathan also agrees that. I cannot believe they were not even nominated.

[Hillary Kerr]

I know.

[Lauren Sherman]

I was extremely offended by that. Anyway, I thought Mikey looked great and the color was right. The idea was right. It wasn't my favorite thing she's worn is how I would put it. It wasn't. And the same thing for Demi Moore, who was her competitor and best actress. She's looked incredible this entire run and has looked really, really good, in particular in Schiaparelli, but always. And she wore Armani last night and Silver. She looked beautiful and amazing. Neither of those dresses were my favorite things that they've worn on this. On this tour, I would say.

[Hillary Kerr]

Well, I think one thing that has been interesting for me watching Mikey is that it feels like there's interesting storytelling that we're seeing through these campaigns. Right. I feel like Andrew and what he did with Margot Robbie for Barbie has, like, reset the level of how folks dress for. And then you see varying degrees of it. So there have been clear color, thematic moments for Ariana and Cynthia throughout this entire Wicked press tour, which, by the way, I'm going to be very interested to see how this goes for Wicked Part 2 when it comes out. Are we going to keep this going? Are we going to change things up? I think there you look at what Brad Gresky did with Demi Moore, and there's so much interesting thoughtfulness. It's a subtler take on the substance and nods to that character throughout this campaign season. And then there's Mikey, where it feels like it's been interesting to see if, like, the sex worker character and then a very, like, old Hollywood glam throughout the course of this campaign, which obviously was something that they settled on. But I kept thinking, whereas, like, I loved how she looked. I loved. I personally, old Hollywood glam is sort of like my fondest spot. But I think I personally loved the Vanity Fair dress more.

[Lauren Sherman]

Yes. The black with those sort of plunging V neckline. Who was it that was.

[Hillary Kerr]

Both were archival based on archival Christian Dior. One was find this exactly. Because I wrote it down, because I thought it was so cool. So the black dress was from the fall winter 1990, 1956, 1957 couture show with a shawl, which I'm just like, dear Lord, that is.

[Lauren Sherman]

Yeah.

[Hillary Kerr]

All kinds of incredible, to put it mildly.

[Lauren Sherman]

Yes, I agree. I thought she also looks great in black, which not everybody does. But she's very fair and has dark hair and looks fabulous in black for whatever reason. Her coloring. And I thought the pink. The pink also reminded me it was a very different dress, but of the Gwyneth Paltrow Shakespeare and Love Ralph Lauren dress. This arguably fit Mikey better than the Gwyneth Paltrow dress. Fit Gwyneth. But I love the way it fit. Even though it didn't fit. It's burned in my brain as the most. The prettiest girl in the world. But anyway, yeah, I agree. And I also think she also reads very young to me. So she is. She's 25, but there are 25 year olds who are wearing too much filler. Yeah. And that's one thing I really noticed. And this is not new, but it's just again, like. And you don't want to judge people, they're under so much pressure. But there just is a lot of augmentation in. In a way that is what's real and what's. What's attractive. What's. Is. Is realness attractive? Is the augmentation what people are attracted to. Now there's a lot of like armchair psychology you can. Could do just by looking the same thing with the snl. It's kind of like Dovetails, the SNL special, which the whole time all I could think about was how old everyone was and how much work they've had done.

[Hillary Kerr]

So I think that for me it's. I miss real teeth. I'll just come out and say I think that we are in an over veneer situation.

[Lauren Sherman]

Yes.

[Hillary Kerr]

I think that seeing the reaction to White Lotus and an overbite in the wild is amazing. I think there are certain celebrities, if you saw Mall Rats back in the day, you could say like, oh, we understand why certain leading men had veneers to be in certain films. But I think for the most part that's part of why everyone looks the same. Because everyone has kind of the same smile. And that is actually the thing that's like grading on me. Because I think what we all like, it's part of the reason why Timmy has had such like, I think is such a sensation is because he is a personality. Not talking about his teeth in this case, but we are seeing what feels like authenticity, a personal. A sense of Personal style, personal anecdotes going on, all of these random shows and podcasts, like, seeing different aspects. People love authenticity, and we just keep getting the same. It's like the same thing. Filter has been applied to everyone, and that is boring to look at. Like, I personally love seeing some of the actresses who are in their 40s and 50s who have not changed their lips to whatever size. And again, to your point, like, they're under incredible pressure. But I miss seeing real faces and that whenever I see a real face, it just delights me.

[Lauren Sherman]

Yes, I had dinner on. I don't remember which night. I think Friday night in Milan with some women in their 30s, and they were talking about getting braces on their lower teeth. And I was like, don't do that. Which I again, you don't want to judge people because everybody has to do what is going to make them feel better. I am constantly thinking about the ways I can improve myself and do you know, everybody has things they want to do to.

[Hillary Kerr]

Well, braces is for your bite, though. Like, that's a real thing.

[Lauren Sherman]

These people just, like, had a little bit of messed up lower teeth, and I was like, your teeth look great. I don't know. Don't do that. It's more fun to have. But, you know, this is the thing.

[Hillary Kerr]

I'm gonna disagree with you on that, because your teeth continue to shift as time goes on and they can become more misaligned and pregnancy. Your teeth get loose and move around and it can affect your bite and it can affect the health of your teeth. So we're gonna disagree on veneers.

[Lauren Sherman]

I just forgot that you're. You're an Invisalign.

[Hillary Kerr]

I am not an Invisalign, Stan. But I am really into bite. And we don't want grinding teeth and we don't want our teeth to be unhealthy because they're the only teeth we have.

[Lauren Sherman]

You know, I grind my teeth, but my teeth are in great shape.

[Hillary Kerr]

Well, we'll talk in 30 years and see how you do it with that.

[Lauren Sherman]

No, no cavities here. Anyway. Yes. So the point is, we're not judging anybody because it's true, we really can't. But you really, you really can't. These people are under tremendous amount of pressure. It just is what you're saying. It can be boring to look at. And yes, there are younger people who you look at them and you're. And not. And I don't really think any of the younger people last night fall in this bucket, but there are some younger People right now that you're just like, why are you doing this to your. Oh, there was actually. There is someone last night who I will not say but I was just like, this person's career is over because they've done so much to their face already.

[Hillary Kerr]

I do not know who you're talking about and I am very interested.

[Lauren Sherman]

I'll tell you offline. I don't want to be mean about that but. But speaking of being mean, maybe if you. I think we should talk about what we don't. Yeah, well, we don't like. Now you can be more diplomatic than me. But here are my least favorite looks of the night. I thought that Kylie Jenner's Mew Mew was not correct. I did not love it.

[Hillary Kerr]

I love Miu Miu. I don't think this was the right dress for the occasion. Not to sound like someone who is ancient, but that was a great Grammys dress in my opinion.

[Lauren Sherman]

Agreed. And I. And I think that she has looked very cool at these events with him. In other. Like she wore vintage Yvonne. She wants. She can do it. You can look sexy, but you don't. It just wasn't right. And I didn't think that the Sydney sweetie version of it was either. I didn't like Whoopi and Christian Siriano. You kind of can't fault anything Whoopi does. So that's a hard thing to say. But I just.

[Hillary Kerr]

Wait, didn't he do Halle Berry as well? Yes.

[Lauren Sherman]

Which. Yeah. Which I wasn't. I thought she looked nice, but I.

[Hillary Kerr]

Thought that fit was really impressive.

[Lauren Sherman]

Yeah. Yeah. The one that I really didn't like was Ana Darnis in Louis Vuitton.

[Hillary Kerr]

Isn't it interesting though that we saw so many of those high neck halter. It's sort of like a more athletic look. But I feel like that was something. I hesitate to call it a halter and I. Because I tend to think of halter as being more of like the halter strap but that high neck sort of like swim almost halter top. It felt like that was everywhere or that it was certainly having a moment. But with that degree of like the contrast between that and the black. It felt like a little bib.

[Lauren Sherman]

Like I feel like it would have looked great on Kaia Gerber. It wasn't right. She's very petite and it wasn't right on a very. I mean maybe she's not, but she just. See she reads on tv. Very petite. It didn't make sense for her and I don't know what makes sense for Her. My whole thing with her is, like, what is her? I know she has this big movie coming out soon, the spinoff of. I don't. John Wick or whatever. Ballerina. I don't know what any of this means. I just know that that's what it's called. I don't know who she is. I used to run by. On Glendale when I lived in Silver Lake. I used to run by an advertisement of her shilling natural diamonds. Then I hear that she's going on dates with Tom Cruise, and then she shows up in this dress. I want to know who this person is. The only thing that I relate to her on is that she dated Ben Affleck. I can understand why you would do that.

[Hillary Kerr]

I think that you speak for a lot of times.

[Lauren Sherman]

And also, she was so good in Knives Out. She's obviously in that movie. She's gonna be a big star. There's just something going on with her. That and that dress was like the. It was the moment where I was like, no, this. I'm out. I don't think it was.

[Hillary Kerr]

I did not have such a strong reaction. I thought it was like, it fit. I thought it was. I thought it was fine. It just wasn't to me. It wasn't a moment that I will look back on for years to come and say, like, wow. But I also think. I don't find it nearly as offensive as you did.

[Lauren Sherman]

I. I don't know.

[Hillary Kerr]

But I also.

[Lauren Sherman]

I was trying to find people to text about, and no one wanted to discuss it.

[Hillary Kerr]

I. It just was not the thing that, like, set me on fire. Um, I was just. Mostly, again, I think I really wish that there was more noteworthy color on the red carpet. That was the thing that was my biggest note was, like, it felt like everyone got the same metallic, embellished, beaded. And some of it was very well executed, but it just felt very homogenized in that way. And I like weird. I like quirky. I like romantic. I like a lot of things. I like sculptural. But it did feel like we, like everyone kind of was. Was singing from the same hymn book or whatever that phrase is, because I'm not religious. So that was. That was my. My overall concern, primarily the final question.

[Lauren Sherman]

And it's connected to this. I wonder if that is happening and that sort of, like, sameness, other than the fact that people are in. In some ways want to be more careful about how they present themselves. But the other thing that's happening right now is that there are so many brands without Designers. So there aren't. A lot of the red carpet stuff feels very anonymous, whereas usually. And that's why maybe that St. Laurent and Givenchy and Balenciaga really popped because their designers are very present at those brands currently. And Schiaparelli. Yes. And so I wonder if next season I actually thought all the Chanel looks looked really good. I thought the Dior looks were good. But I wonder if next season that will all sort of pop off as well. You know, Matt Tublasi is not showing his first collection till October, so it wouldn't be starting with Emmys. But by next Oscar season, they'll all be installed and we'll have a whole new crew of designers running. You know, the in between times at Gucci, I thought Laura Dern looked amazing. She was one of the ones I really loved.

[Hillary Kerr]

So my take on that was actually more that. That's why we saw more vintage than usual on the red carpet. And for the parties, I mean, like, Kendall wore early 90s Mugler. Kaya was in late 90s Valentino. We had Mikey in that, you know, 50s vintage Dior. Jenna Ortega was in archival Donna Karan collection. Keke Palmer was. I mean, like, there was just. There was a lot of archival and vintage. And I think that people are leaning on that more, More and more. But I. I actually think the rise of vintage might have more to do with it than the lack of creative directors. That's just my own theory. Also, I just want to say I love the fact that we saw some unusual fashion accessories. Like, we saw. It felt like we saw gloves in a new way that I have not seen on the red carpet. Like Miley's little McQueen gloves, Zoe Saldana's very high sheer Saint Laurent gloves. Scarlett Johansson had velvet gloves. Like, we saw more. Like, I just feel like in between all of the different gloves, more architectural shapes, gentlemen in more jewelry and pizzazz. Like, I felt like this was actually a very fashiony red carpet. Again, I don't know how that will translate to civilian tastes, but I enjoyed the heck out of it. And also seeing the vintage and also I've not seen that much Vivienne Westwood in I can't tell you how long. It just felt like there was more. It felt like different designers than we normally see. Which, to your point, I think that vacuum of creative directors allowed more people to sort of step up. Anyway, I just thought it was fun.

[Lauren Sherman]

Agreed. One of my friends said it was the best red carpet in 20 years. Another person was extremely bored. Everybody has an opinion, Hillary.

[Hillary Kerr]

Including us.

[Lauren Sherman]

Including us.

[Hillary Kerr]

Whenever there's something that feels even. I'd rather see something not flawlessly executed, but different and something that has aspiration than something super, super safe. So that's the. That's the lens that I always look at this stuff through.

[Lauren Sherman]

I agree. Next up, Met Gala. Are they all going to be there?

[Hillary Kerr]

I can't wait.

[Lauren Sherman]

It's going to be a. It's going to be a really good one. Thanks for taking the time on such a busy day for you.

[Hillary Kerr]

Always. There is no one who I'd rather talk to about all of this. And you know that I'm just a nerd for all these details.

[Lauren Sherman]

Anyway, next year, hopefully I'll be there.

[Hillary Kerr]

Yes. For carbs before the red carpet.

[Lauren Sherman]

Yeah, that part. I'm not going anywhere else.

[Hillary Kerr]

Thanks, Lauren.

[Lauren Sherman]

Thanks, Hilary. Fashion People is a pretty presentation of Odyssey in partnership with Puck. This show was produced and edited by Molly Nugent. Special thanks to our executive producers, Puck co founder John Kelly, executive editor Ben Landy and director of editorial operations, Gabby Grossman. An additional thanks to the team at Odyssey, JD Crowley, Jenna Weiss Berman and Bob Tabador.