New York Loves Marc Jacobs

Summary

Fashion People: New York Loves Marc Jacobs – Episode Summary

Hosted by Lauren Sherman and featuring Lynette Nylander, Executive Digital Director of Harper's Bazaar

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1. Introduction

In the February 4, 2025 episode of Fashion People, Lauren Sherman welcomes Lynette Nylander from Harper's Bazaar to discuss a variety of hot topics in the fashion industry. The conversation touches on Marc Jacobs' recent show, the burgeoning activewear brand Vuori, Chanel's new advertising campaign featuring Dua Lipa, the impact of fluctuating tariffs on fashion, and the recent FDA ban on Biologique Recherche’s PF50.

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2. Marc Jacobs' "Courage" Collection

Timestamp: [03:10] – [07:28]

Lauren Sherman kicks off the discussion by reflecting on her experience attending Marc Jacobs' latest show titled "Courage," held at the New York Public Library. Lynette Nylander shares her admiration for Jacobs’ ability to manipulate shapes and silhouettes, noting:

Lynette Nylander [03:13]: "I thought it was stunning... he did it in his own way... I loved the casting."

Lauren elaborates on the collection's nod to Jacobs' 90s designs, highlighting the evolution from flat Normcore to more inflated and structured silhouettes:

Lauren Sherman [05:08]: "I spent Monday telling the tale of Stella McCartney and what her breakup from LVMH says about LVMH... I thought it was really interesting because you could see his past in the way he designs now."

Lynette emphasizes Jacobs' passionate approach to fashion:

Lynette Nylander [07:28]: "He is such a lover of fashion, unashamedly... I like that he enjoys the art of dressing up."

The episode underscores the emotional weight Jacobs carries, reflecting on his long-standing influence and the heartfelt nature of his presentations.

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3. Activewear Spotlight: Vuori

Timestamp: [09:48] – [20:04]

Lauren shifts the conversation to activewear, expressing her fascination with the brand Vuori, which has become a "Line Sheet obsession." She describes her visit to a Vuori store in Los Angeles, highlighting the brand’s comfortable and stylish offerings:

Lauren Sherman [14:24]: "I looked around and it was really, really on point... I thought about buying a muscle T-shirt in light gray."

Lynette provides insights into Vuori's growth and compares it to other activewear brands:

Lynette Nylander [16:46]: "It's a casual kind of sportswear in the same vein as Lululemon... $5.5 billion valuation is incredibly impressive."

The discussion delves into what sets Vuori apart in a saturated market:

Lynette Nylander [17:37]: "Comfort is always key... but why does Vuori cut through the noise?"

Lauren speculates that Vuori's success stems from a combination of timing, materials, and understanding consumer desires, while Lynette suggests that the brand's functional and instinctual design resonates well with American consumers seeking comfort without compromising style.

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4. Chanel's Dua Lipa Commercial

Timestamp: [28:21] – [34:26]

The conversation takes a creative turn as Lauren and Lynette discuss Chanel's new advertising campaign featuring pop star Dua Lipa. Lauren praises the commercial for its nostalgic yet contemporary feel:

Lauren Sherman [28:42]: "It felt nostalgic... like Julia Roberts in Pretty Woman... it just hit all the right notes."

Lynette agrees, highlighting the energy and personality Dua Lipa brings to the campaign:

Lynette Nylander [32:15]: "The campaign had that same sort of energy... it really brought life to the clothes."

They appreciate how the commercial balances modernity with timeless Chanel elegance, making it appealing both to long-time fans and a younger audience.

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5. Navigating Tariffs in the Fashion Industry

Timestamp: [35:59] – [40:16]

Lauren introduces the topic of fluctuating tariffs and their impact on the fashion industry, referencing recent policy changes and their unpredictable nature. Lynette shares her firsthand observations:

Lynette Nylander [37:15]: "Shopping in America has just become exorbitant... I see the difference in pricing between Europe and the US."

They discuss the challenges brands face in maintaining pricing strategies amidst changing tariffs, particularly those exporting from Canada to the US. Lauren expresses skepticism about the sustainability and consistency of current tariff policies, while Lynette laments the uncertainty it brings to the fashion economy.

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6. FDA Ban on Biologique Recherche’s PF50

Timestamp: [40:01] – [44:34]

In a surprising turn, Lauren reveals that the FDA has banned the use of Biologique Recherche’s PF50, a popular skincare product known for its potent exfoliating properties. She shares her personal experience with the product, emphasizing its effectiveness:

Lauren Sherman [42:10]: "It totally got rid of my weird late 20s acne and changed my skin... I loved it."

Lynette expresses shock and concern, highlighting the role PF50 played in her skincare regimen:

Lynette Nylander [42:58]: "I've always used it for my pigmentation issues... It's a game changer."

The hosts discuss the implications of the ban, acknowledging the necessity for safer alternatives while mourning the loss of a beloved product that significantly improved their skin health.

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7. Conclusion

Lauren wraps up the episode by expressing her gratitude to Lynette Nylander for sharing her insights and experiences. She hints at future discussions, including a deeper dive into beauty topics with her colleague Leah. Lynette reciprocates the appreciation, hinting at more engaging content to come.

Lauren Sherman [45:04]: "Thank you for being here. I'm glad you had fun at Marc. Mark and I'll see you the rest of this week."

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Key Takeaways:

• Marc Jacobs’ "Courage" Collection: A heartfelt and nostalgic presentation that honors Jacobs' design legacy while introducing fresh silhouettes.

• Activewear Trend: Vuori stands out in the crowded activewear market through its emphasis on comfort, functionality, and understated style.

• Chanel’s Marketing: Collaborations with contemporary artists like Dua Lipa help Chanel maintain its relevance and appeal to newer generations.

• Economic Challenges: Fluctuating tariffs create instability in the fashion industry, affecting pricing and international trade dynamics.

• Beauty Industry Shifts: Regulatory changes, such as the FDA ban on PF50, highlight the ongoing balance between product efficacy and safety.

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Notable Quotes:

• Lynette Nylander on Marc Jacobs:

  "I loved that he bought kind of shapes and cuts that he is noted for and has used in previous collections, but he did it in his own way." ([03:13])

• Lauren Sherman on Vuori’s Appeal:

  "Why does Vuori cut through the noise? It’s a mix of timing and materials because product and feel matter." ([19:12])

• Lynette Nylander on Chanel’s Campaign:

  "The campaign had that same sort of energy... it really brought life to the clothes." ([32:15])

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This episode of Fashion People provides a comprehensive look into current trends and challenges within the fashion industry, offering listeners valuable insights from a leading Harper's Bazaar executive. Whether you're a fashion aficionado or simply curious about behind-the-scenes dynamics, this episode delivers engaging and informative content.

Transcript

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[Lynette Nylander]

Foreign.

[Lauren Sherman]

Hello and welcome to Fashion People. I'm Lauren Sherman, writer of Puck's Fashion and Beauty Memo Line Sheet and today with me on the show is Lynette Nylander, Executive Digital Director of Harper's Bazaar. We're talking tariffs, Chanel, Yuri, and most importantly, the genius of Marc Jacobs. Happy Tuesday everyone. I am back in New York for a bit taking meetings. The show start on Thursday so I'll have more from New York Fashion Week in the coming days. This week on Line Sheet we are busy, busy, busy. Sarah Shapiro parsed through all this crazy tariff news to give you the lowdown on what is actually happening as of now. I mean, two hours later, who the hell knows? And how it might affect the fashion industry. All seems very scammy to me. She also took a temp check on Nike, who still knew CEO Elliot Hill is settling in. And I spent Monday telling the tale of Stella McCartney and what her breakup from LVMH says about LVMH. Best of luck to her and to them. I also did a Conde check in and Rachel has some Fashion Week beauty news that still exists. Let's go. Going with Lynette. Lynette Nylander, welcome to Fashion People.

[Lynette Nylander]

Oh thank you. Gosh, I'm thrilled and honored that you would have me on your podcast. It's a very big deal.

[Lauren Sherman]

It's a very big deal to have you. I was like, who can I talk to after the Mark show, and regular guest Jacob Gallagher was on last week. I can't recycle him. Two weeks ago.

[Lynette Nylander]

So I was this perfect second. I was the first alternate.

[Lauren Sherman]

Truly. It's like, who will be interesting enough to talk about this? Who will want to do it?

[Lynette Nylander]

Well, thanks, Jacob. Thank you, Jacob, for kindly stepping aside. And I'm happy to be here and assume some of his responsibility.

[Lauren Sherman]

So what did you think of the show tonight?

[Lynette Nylander]

I mean, I'm a little biased because I have a kind of thing. I dress in a bulbous manner. Ask Steph Yotka and other fashion people. Regular. I enjoy kind of a manipulation of shape, and that was in abundance tonight. I thought it was stunning. I'm always in awe of Mark, and I really, really loved it. I loved that he bought kind of shapes that are. And cuts that are kind of. He is noted for and has and has used in previous collections, but he did it in his own way. I loved the casting. I loved how quick it was. It was 10 minutes and we were out of there. Everyone dispersed into the night.

[Lauren Sherman]

I think it was nine. I think I looked and it said 7:39.

[Lynette Nylander]

Perfect. What a dream. I love this thing. Like, I love that he was. He was late for a while or whatever it was. And then. And now it's like, it's on time. It happens. It's over. I really enjoyed it, and I thought it was wonderful. What is it? What's it called again? Was it called Courage?

[Lauren Sherman]

I believe so. I have the show notes here.

[Lynette Nylander]

Yes, let's look.

[Lauren Sherman]

Courage.

[Lynette Nylander]

It was called Courage guided by heart, humility, and gratitude. I've come to understand that fear is not my enemy, is the necessary companion to creativity, authenticity, integrity, and life. And I don't know, I just think that's like, you know, he's no. He's no spring chicken. And I mean that in the most respectful way. You know, he's a seasoned designer, and everyone knows what to come and expect from him. And I think. I know. I think it's. It's really interesting to talk about what moves you and what makes you fearful. And I know. I thought it was brilliant.

[Lauren Sherman]

The thing about Marc Jacobs is this show is it's February 3rd. First thing is I decided to record after the show. Do you know how many shows I kind of preview? Because we usually record this on Monday morning. Because I know what's coming. So I say, I don't need to do the recording after the show, but with Mark, there's gonna be something to talk about. And Also the fact that it's worth going to like, it was worth it for me to come three days early to be able to kind of manage my schedule around that show. It was worth it. Becca from Stylen.com flew in this morning. And the thing about it, for me, I love the bulbous shapes also. I do not dress in a bulbous fashion, but am an admirer of people who can manipulate that way. But what I thought was really interesting about this collection in particular is the actual silhouettes or the styles, maybe styles of clothing. So, like a little sweater set, prim skirts, a lot of stuff that reminded me of things he made in the 90s, but he made them very flat in the 90s because. Because the 90s was very flat, but also very normal. It was almost like an inflated version of Normcore. He did a pair of corduroys that were all kind of structured and off the body and looked like a pair of dolls pants or whatever. That I thought was really interesting because you could see his past in the way he designs now. And, yeah, he looked really emotional when he walked out, and I was really glad I came. And also, just like such a simple. It's in that hallway at the New York Public Library. I think he's been showing there for several seasons now. I've been able to go to a couple. Some of them I haven't, because I haven't been here. But it was just so simple. And it was about the clothes and the ideas and all of that, and you just don't get that a lot anymore. Not just at New York, just any fashion week. So it felt a good way to. To start the week and. And lucky that he is in our lives 100%.

[Lynette Nylander]

I mean, I think, like, just to go back to that, like, exaggeration of form and. And it's just no one else. I think he does it because I think it's very much part of the way that he's interested in dressing. What I've always been fascinated by with him is that he's such a lover of fashion, unashamedly. I think that we have. We've gone through eras of designers who are like, I just wear a Uniqlo navy sweater and. And Converse. I'm. It's the clothes. You know, it's not about me. It's about. I want a designer who cares about clothes. I'm sorry, is that a controversial opinion? I don't know, but I do. I like that he. He enjoys the art of dressing up. I found a. A coat, an orange and kind of Turquoise blue beaded coat at the Prada sample. So that I know that he has. And I found it and I bought it. It doesn't really fit me, but we're going to work on that. But he.

[Lauren Sherman]

We're going to work on that.

[Lynette Nylander]

We're going to work on that. I have a tailor, have a tailor who kind of fixes everything and makes it work for me. But I loved that he had it. It was one of. I've got to admit, you know, I'm not sort of someone who thinks they're easily influenced, but the idea that I've seen him in it, I can't remember. I know that him and Katie grand own this coat and that he has it was a reason enough for me to buy it. And yeah, I like that his ideas are really an exploration about that unadulterated love of fashion. And, yeah, he did. He did look emotional at the end. I don't know what that was about. I don't know. Maybe it's seeing everybody in one room. You know, me and Steff Yoco were like. And Brooke Barber, the fashion features director of Harper's Bazaar, we were like looking at the. His friends, you know, Sophia and Anna and Rachel Feinstein and like at the end and they're all just still such champions of him. And it must still be emotional after all these years. But yeah, I thought it was great. I really enjoyed it. And I agree, it really sets the tone to the week about finding and seeking out those things that make you excited and, I don't know, that spark, joy.

[Lauren Sherman]

What else are you excited about this week, Veronica? Calvin Klein?

[Lynette Nylander]

I am, yeah. I am interested in Calvin Klein. I mean, as an ex, you know, an export to this country.

[Lauren Sherman]

How long have you lived in the US for?

[Lynette Nylander]

I live. This is my eighth year. So not two years shy of the decade that says that you're a New Yorker. But, you know, I know some things and, you know, I've seen some things and I get it.

[Lauren Sherman]

I wonder if you can go back at this point because I do think this is. I've lived in the UK.

[Lynette Nylander]

You have? Yes, yes.

[Lauren Sherman]

I lived there for two years after university, but also worked for a UK company for 10 years and would spend months at a time. It's much easier here. Life is easier in America. As crazy and insane as things are right now, I think the further west you go, the easier life is. I don't think I can move back from California to New York ever, because.

[Lynette Nylander]

I'd never really thought about it like that. But that's an interesting hypothesis. I mean, listen, I was just in London this weekend. I actually flew in this morning and I went on Thursday night and I spent Friday, said, say Sunday, was there for a birthday, and stayed the weekend. London is so. It's the genesis of so much creative talent. I mean, fashion, I don't need to kind of spell out its fashion credentials. It's so special and it's very special to me. But what I guess is the biggest difference in working there and here is here you can really count, like you can make fashion a career. Whereas I don't know, maybe it's always felt like, maybe it felt like a bit like a hobby in. In the uk. It's a tricky place to make it a career. And. And that always feels like a ceiling, a bit of a creative ceiling in. In the uk, which I've always loathed because I think it has the people, it has the talent to be a kind of world leader. And I think. I think. I think it's very telling that a lot of British people come to New York to kind of find themselves, you know, if everyone from like Anna and A Grace and all of that kind of level to. I mean, to myself, yeah, New York kind of feels like a natural kind of evolution of wherever you want to go. But to your first question. Yeah, I'm excited about Calvin. I think Calvin is one of the brands that, you know, when I think about American fashion and the things that I thought about when I was growing up, Calvin Klein was definitely one of them. And I almost thought it was a tremendous shame when they stopped making ready to wear. And so I'm interested to see what Veronica Leone, I think that's her name. I'm really excited to see what her perspective is. I'm interested in a female designer taking over this kind of behemoth. And I'm really interested in the specifics of kind of casual American dressing seen through this person's eyes. And, you know, her credentials are great. I think we've got the row. I mean, prompt me. Where else has she worked?

[Lauren Sherman]

Jill Sander, basically, I don't think she worked at. Maybe she also worked at Celine. Basically everything that came from Phoebe, she is been involved with. And she might have also worked there.

[Lynette Nylander]

So that's an amazing lineage. Yeah, let's look it up. But it's an amazing lineage. And I think that's like what I. I'm interested of that creative injection.

[Lauren Sherman]

Oh, yeah, she worked Jill Sanders, Selim Montclair in the row.

[Lynette Nylander]

I mean, that's good, right?

[Lauren Sherman]

You mentioned this casual way of dressing thing about American fashion is it's not just about New York Fashion Week, it's also about Vuori.

[Lynette Nylander]

That is a segue. Go for it.

[Lauren Sherman]

I've never done one that good before. So I wanted to ask you about Vuori in particular because it's becoming a line sheet obsession. I'm completely obsessed with it. I can't stop thinking about it. I think about it all the time. Why do people buy it? Why do all these people around me own a ton of it? A friend of mine just got back from Sundance, which was essentially completely sponsored by Vuorie, and she said, look, I got a couple things and they're pretty nice. It's everywhere I went to. So there's this store in the Valley, this shopping center called Sportsman's Lodge. Have you been?

[Lynette Nylander]

No, it is not.

[Lauren Sherman]

Next time you go to la, I go to the Valley as like a tourist. If you go and you think, well, I don't live here, it's actually really fun. And it's this old. There's a hotel that I think has been converted into apartments and this very nice bougie shopping center that has an erewhon. It has a civil coffee which has great nut milk. Not the calafia, which we don't use that. But there's a Roberta's pizza, there's all these. There's a Van Leeuwen ice cream, you know, all that stuff. There's a.

[Lynette Nylander]

Okay, all the trimming.

[Lauren Sherman]

Yes. There's a Hoka store, standalone Hoka store, blah, blah, blah. So I went to Vuori. They're playing late era Jewel. And I just walked around and look, it was really, really on point. I looked around. This company makes hundred, is valued at, I think $5.5 billion. I looked at each piece. There was one thing I seriously thought about buying. It was like a muscle T shirt in a light gray. I decided I didn't need it, didn't buy it. As a person who's obsessed with fashion, as a British person living in New York City, what do you think of Vori? And I would say just like beyond that, the way that Americans dress day to day, like when you're not in New York, when you go to. I don't know what would be a place that you would go to Springfield, Missouri or something.

[Lynette Nylander]

I've got to say my visits to Springfield, Missouri have been scarce. After New York, then it's probably la. I really like New Orleans. I have to go to Miami for work sometimes. Again, I'm very conscious they're Probably Fashion Haven.

[Lauren Sherman]

Well, Miami's a great one because, yes, people dress up, but day to day, they dress really casually. If you're in Coconut Grove, which is sort of the Brooklyn of Miami, everybody's in leggings. What do you think about that culture? And what do you think about Viori in particular? Have you ever worn vior.

[Lynette Nylander]

I don't, I, I don't even know what Vori. Okay, let me, let me reel it back. I do know what Vuoria is. I'm aware of the, the assemblage of letters. I'm aware of the brand. It's a casual kind of sportswear in the same vein, as a sort of like Lululemon situation, I believe, in quite muted colors. I did have a look at the website and it's, there's nothing that's sort of a riot in terms of color. I have no. 5.5 billion is an incredibly impressive number. I, I don't, I don't. I. How.

[Lauren Sherman]

It just means the Val. Its value is, the value is $5.5 billion. It means that they hope to sell for that someday, essentially.

[Lynette Nylander]

But how, how old is this company? I, I have, I don't know.

[Lauren Sherman]

I honestly, I think less than, less than 10 years. Let's look. Vori, founded in 2015. 10 years old.

[Lynette Nylander]

There you go. I mean, San Diego, you could, whether it be a hope or not a hope. I mean, it's still pretty impressive. I, I, I mean, I think an observation of, of living here and, and, and the way that I guess Americans. Because you do make a really good point. I guess my vantage point has always been from living in New York and seeing how New York dress, which I don't think is always an accurate depiction of, of American fashion. But, you know, comfort is always key. You know, there's this perspective of things needing to be functional and things needing to feel good and com. And, and, and come comfortable, which we have in the uk, But I guess in a different type of way. It's probably more studied and more thought out, I guess maybe more instinctual here. And, and these clothes feel. I mean, what I'm looking at, this is just instinctual. Of course, this sports bra or this, you know, drawstring pant feels really good. I mean, I don't know the fabric compositions. And if that feels. I'm interested as to why, though. To me, it sort of looks like any sort of tech apparel brand. Why is this one? Cut through the noise.

[Lauren Sherman]

This is the question I have also. And my, I still haven't figured it out. One thing is that the materials are really comfortable so they do this sweat the performance jogger or whatever. That's supposedly like the most comfortable thing in the world. I haven't nailed it exactly yet and every time I talk about it on the podcast I get like 45 reply guys sending me these very long messages which I love, keep sending them people about why they think it's been so successful. And I think it's just a mix of a confluence of timing and materials because product and feel and all that matters, especially to Americans, and then kind of understanding the sense that people have.

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[Lauren Sherman]

I find it fascinating to hear from people like you who, who maybe aren't living this day to day or anyone in New York City, but especially someone who doesn't come from here. Like British culture. And the way you dress is so different from the way people dress here. I wonder if just how curious you find it in terms of the way people approach clothing here versus their.

[Lynette Nylander]

Oh, it's, it's. I mean, I've always been interested in fashion from an anthropological standpoint. I never really, as much as I love dressing up and, and, and I love clothes and, and you know, I, I host a podcast with, with Leia on Harper's Bazaar about kind of the joy of shopping and, and seeking out the things that you want. But I, it's never been why I've wanted to be, to follow it as a career path. I always thought that was really interesting because I was interested in what clothes said about you as signifiers before you were able to speak or communicate with anybody. You know, you have this kind of messaging. And what I find interesting about kind of people I observed here is this, like, want to assimilate. There's, there actually is kind of. It pushes against why. I guess it's interesting, I suppose, to get dressed. It's. It's like wanting to kind of blend in and not to stand out. And I guess that's why when I look at this Fiori brand, I think if I can put aside like why you'd want to dress like this and why you may want this, which I do think has its merits. It's, it's. How do you merchandise it to make it feel fascinating and avant garde and push it and, and do all of those things. And I think there have been brands in its sector that have kind of done that really well. I mean, I don't know how successful they are, but.

[Lauren Sherman]

Well, I think one, the assimilation thing is a really good point. I think in America, the message you want to give about your clothes for many people is that they don't care about clothes. Whereas in Europe, and I actually had this conversation with the guys from industry and I think it was. Mickey was like, that's a generalization. And I said, no, there's a societal difference in the way Americans are taught to think about getting dressed in the morning. Whereas it's a pursuit, it's a part of your life in the way like going to the movies or listening to music is a part of your life in other parts of the world. Especially in Europe here it's like about. If you pay too much attention to the way you dress, it's seen as almost a weakness to certain people or just certain groups of people. So I think it's a good point. And, yeah, in terms of how they could merchandise. I just think if they want to. The big issue. I was talking to a friend this weekend, and we were kind of going through a male friend going through, like, what are the good activewear? Because I was. I did a piece on Monday about Stella McCartney, and I was talking about her. Her Adidas line and a. How ahead of the game it was, how influential it was. It was really the. It started in 2004. Like, that was the only sort of upscale activewear for a decade. And we were talking, and I was trying to figure out, like, what is the yummy mummy legging now? And it seems to be aloe. But the thing is, like, that doesn't seem sophisticated enough. And I was asking around a. My friend and I were going back and forth, and he mentioned Bandit, which is like, I think more male skewing, but cool. And we were talking about Bandit and a couple of the other newer activewear brands, and he said, I still want Outdoor Voice, like, the original Outdoor Voices. And I said, I'm still, like, looking for the equivalent 2014 outdoor voices. Like, there was something about Outdoor Voices, as messed up as that business was, that it really. It hit all the right notes. Like, it was basic enough for the people who love vori and aloe and all that stuff, but it had enough design sensibility to hook into people who. Like, I had never bought workout clothes before. Then I would just wear a ratty t shirt 100%.

[Lynette Nylander]

And it was. And it wasn't scary. I think that a lot of these brands want to push and send a message that you need to be the sort of everyday athlete. And, you know, from. From the jog you take in the morning before you go to work, to a workout class you do at night, you know, that is you in competition. That's you in battle with yourself. And that's admirable. But it sometimes just isn't the way I feel. Sometimes it's just a pain. Pain for me even to, you know, drag up enough energy after work to be able to put on a, you know, a set and. And do a sport. And I liked Outdoor Voices because it met you where. Where I was at, and it didn't. There weren't any pretenses about it. And then I think you're completely right. It had a design sensibility that was, like. That was admirable enough for you to want to buy in, but it wasn't it wasn't too over designed. You know, I think a lot of the collaborations with the bigger brands that I see now, you're not going to do anything in that. You're not gonna, you're not gonna play tennis in that, you're not gonna go running in that, you're not gonna go to the gym in that. And I, I liked it. I, I agree. I mean, from everything I've read in the, in the years after Outdoor Voices, it seemed like a very doomed business. But I do think they were onto something. And I do think the essence and spirit is sort of missing from the activewear landscape when I, when I look out into it.

[Lauren Sherman]

You know what I don't think is missing from the landscape?

[Lynette Nylander]

Go and watch this transition. I love this.

[Lauren Sherman]

Great Chanel advertising.

[Lynette Nylander]

Oh, wow.

[Lauren Sherman]

Did you see this Dua Lipa commercial?

[Lynette Nylander]

I did, I did.

[Lauren Sherman]

So she's like lip singing to find young cannibals. Drive me crazy. Very important song from my childhood. What did you think of this commercial? I need to look up the director, but I thought it was funny.

[Lynette Nylander]

It was Gordon Van Stein. It was Gordon. And I, I really admire his work. I think he has a really kind of, he has a commerciality. And again, I don't mean that in a bad way. That is still cool and sexy. Look, I, I do, I always talk about, I talk about this at work and I talk about this with my friends. There's a couple of girls that are cheat codes. If you can't make them look good and desirable, then you don't know what you're doing. And Zendaya is one of them. I always say, I mean, look at the girl. Everything is there. Just put the clothes, put the clothes on the woman and take the photo. And I would probably put Dua Lipa into that category at this point. She, she really is a, she's a beauty. And she, you know, she dresses well and she pulls off clothes with a certain amount of finesse. Do I buy a Chanel handbag from her? Sure, yeah. I mean, do her singing drive me crazy? Well, I didn't, I guess maybe I didn't understand the connection to that song and the bag, but.

[Lauren Sherman]

Oh, wow, you're going deep. I listened to the song all weekend. I made my kid listen to it. Oh my God, I love this song. Did you listen, you're younger than me, but did you listen to the song growing up? No, I mean, I heard, I, it came out when I was 7 years old. Like, this song is a huge deal to me.

[Lynette Nylander]

It's a song that I. This is really gonna put me in a certain pocket. But I would listen to VH1 in the UK and there was that show, Pop Up Video, which went. Yeah, exactly. And I loved it. I'm obsessed with it. I actually still am obsessed with that. I, like, want to know who, like, edited it all the things. And the bubbles would pop up.

[Lauren Sherman]

You would have been a great MTV vj.

[Lynette Nylander]

Oh, thank you. That was really my dream of a time. That's really, really nice. And the bubbles used to pop up. And I'm pretty sure that that song was. I first heard it on popup video on VH1. So. Yeah, I mean, everyone knows that. I mean. I mean, everyone Millennial. And then Pre knows that song. I don't know if it's a Gen Z staple or anything like that, but, you know, it was definitely a perspective. I mean, she's walking in New York, which was felt different for Chanel. The energy felt different around it. And the way it was cut with her sort of laughing, and it kind of broke the fourth wall. She's kind of, like giggling and talking to the director at times. I don't know if she's a face of Chanel or she's just a face of the handbags. But I will say this. I am. I am terribly biased. I love Chanel. I do. I think it is just eternally fabulous. And I. I do. I do like. I do like things that they do. So, you know, I don't necessarily. I personally don't need to see Dua Looper in a campaign, but I'm sure it works for the. For the young girls who.

[Lauren Sherman]

I loved it. As a not young girl, I really loved it. Here's why I loved it. I did Google Dua Lieba's songs, and I do know many of them. I was like, do I even know any of her songs? I do know them. This is the thing. I don't have any, like, who she is in the culture. She's a pretty girl. I don't her songs, like, I have no emotional connection to her. She has a cute boyfriend. Happy to see her around. I just thought it was, like, really upbeat. It felt nostalgic. It felt very 90s, like Julia Roberts in Pretty Woman or something. And at the same time, it wasn't so nostalgic that it felt dated. It felt like, to me, what Chanel should be right now, especially as they're in this transition period. And also, I love that song. It made me so happy. And, you know, if it inspires some young women to just go to the store and go in New York and go. When I was growing up, all I wanted to do was move to New York City and have a Chanel bag. Like that's all I cared about. And this, that it just hit all the right notes. I thought it was fabulous and.

[Lynette Nylander]

Exactly. I think it's great. I think it was great. I think everyone always talks about that heyday of chanel in the 90s where you had all the supermodels walking and they had such personality and bounce and they were kind of strutting and they, you know, they weren't these sorts of sort of mute characters just wearing the clothes. They really brought an energy to them and I thought the, the, the campaign had that same sort of energy. And yeah, we're waiting with, with breath that is baited for, for Matthew Blazey to take over and put his own spin on it. And I think someone like her is a good kind of transition person who still has a lot of eyes and is going to bring a lot of attention to the brand. But yeah, sort of level sets it in a sense. And I think it was, I think it, you know, got my attention.

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[Lauren Sherman]

We have two more topics that I want to lob at you because we're running out of time. The first one is I don't know if you've been following this tariff news at all, but there's been lots of crazy tariff news. I honestly, we shouldn't even say what's happening right now because who knows, we're recording this late Monday night. This will publish tomorrow. Who knows by tomorrow afternoon. Right now it seems like all the deals with Canada and Mexico, that's all fine. I don't know what's going on in China. Sarah Shapiro is going to have a lot more. But the thing I will say is there were tariffs in the last Trump administration and they did make things more expensive along with inflation, all of that. The question for you is, have you noticed the stuff you buy getting more expensive or are you so careful about your purchases? As you said, you host a podcast with Leah called the Goodbye. It's about shopping and you talk a lot about how you shop. Have you noticed in the last couple years as a reporter on fashion, a follower, a lover of fashion, that those inflation issues, the tariffs, all that stuff have been baked into your purchases?

[Lynette Nylander]

Well, 100%. I think that shopping in America has just become exorbitant. And I personally am very mindful. I try and use if I'm in Europe for shows or if I'm in back at home in London, I, I even see the kind of nickel and sense amount of difference in that. And I know there's that whole kind of movement of what is, they call it tourism shopping and you know, everyone going to Paris to get the tax free and all of that stuff. But if, if you're, you know, buying fashion at a certain level, it matters. I, I really see the difference and, and in everything. And I think you do. You have to be, you have to be more mindful on how you spend things and where you want to spend it. But this current tariff situation that we're dealing with is very tricky because it seems to continuously be changing.

[Lauren Sherman]

It doesn't seem real. It seems like it's a complete falsehood.

[Lynette Nylander]

And completely changed. Yeah. And changed at the whim of, you know, whoever's in, in power and how they're feeling at any particular moment. I, I, I actually flew from London to New York this morning and when I was in London and I was watching BB the BBC in the lounge, it was, you know, Justin Trudeau talking about how, you know, they gonna stay law to Canada and, and you know, boost Canadian economy by spending in Canada. And then by the time I'd landed, those tariffs were on hold. So I have, you know, I have no idea. I think it, all of this just can't be good for, I mean as it pertains to fashion, it can't be good for, for trying to bolster a fashion economy and, and trying to bolster people buying things here and they're trying to export things out and have a, and have a business that works and it's already really hard, you know.

[Lauren Sherman]

Totally. And look, Essence, a huge essence is based in Canada. For anyone who didn't know, it's based in Montreal and they ship tons of product to the US and what, what were they going to do? They would have to basically because the, whatever the rule was, it was like anything over 800 bucks that ships from Canada would be taxed. And so what, they're going to pass that tax onto the customer? No. So, you know, anyway, there's one more thing I wanted to talk to you about. We could talk about tariffs forever, but I'll have Sarah on soon to dig into that.

[Lynette Nylander]

She'll probably be better at debunking that than me. But yeah, I'm not hopeful for what this all means and the sort of falsehood and promises that have been put out there in the world as a result. But yeah, yes.

[Lauren Sherman]

So one more thing, this thing, you can't tax anymore because it's been banned. RIP Biologique Recherche PF50 1970 version no. Yes.

[Lynette Nylander]

Truly, I don't know about this. Please do tell. Because I'm a loyal user.

[Lauren Sherman]

Same. So the 1970 version, the one that smells like, as my husband says, embalming fluid, I would say it smells like barbecue is banned in Europe already because phenol is not something you should be putting on your skin. It literally burns your skin off. That's why it's so effective. And honestly, what I will say about biologic research, I love all their products and also love getting a facial. It's pretty affordable. If you go to the, the spa in Paris, they're like 200 bucks, the facials. It's very interesting, but is that the 1970, if you have acne prone skin, which I did in my late 20s, is really effective. Like it totally got rid of my weird like late 20s acne and I used it for 10 years and it totally changed my skin. When I moved to la, had a baby. I live in a dry environment. I don't really use it anymore and I don't really break out anymore. But if I break out, I put like a little dab on and everything goes away. So the FDA banned it. This has nothing to do with rfk, but the FDA banned it like today. And so there, there are so many other versions of PF50 that are very effective and much gentler. But I will say I'm sad. I loved it and I'm sure it was harmful and we shouldn't be using it. I'm sure it's better for everyone that it's not. We're not like red dye. It's going away. But it's sad. It really did change my life as.

[Lynette Nylander]

Someone who keeps abreast, likes to keep abreast of her beauty news. I had no idea about this. And this is a game changer. I chew a mobilegic facial loyalist. I go to the. The Ambassador, whatever. I don't know how to say that I'm butchering it, but the one in Paris on the Champs Elysees. I go to Rescue Spa here, do a beautiful biologic facial which I don't think is an official sort of biology place, but I know they work in close quarters with all of their products and every facialist there has always told me to use 1970. I have dark sort of pigmentation on my skin. Skin from where? You know, dark skin sort of scars. And so I've always used it. So I. That's incredibly sad. And no, I don't want the regular one. I don't want.

[Lauren Sherman]

It doesn't work as well. It works differently. Like now I can use the regular one which I think I've used everything they've ever made. I had, the shampoo, all that stuff, it doesn't work the same way. I got a hot tip that Bergdorf Goodman still has the 1970. So if you need it, go to Bergdorf tomorrow.

[Lynette Nylander]

It's going to be crazy to start going to get. Smuggling it in. It's going to. It's going to be on ebay at double the price. And it's going to be when like beauty brands stop selling certain lipstick type and everyone has to sort of seek out through the black market. I mean, no, that's a big thing. That's a big one. And I didn't. Yeah, I hadn't heard about.

[Lauren Sherman]

Thank you to the cut. The Cut did a piece and did a very cute little illustration where they had a coffin with a bottle of PF50 in it. So thanks to the cup for alerting us because it really was a big part of my life. It really did change my skin. It made my late 20s and early 30s much better because I didn't have to wear makeup. I haven't worn foundation in. In. I'm 42 and 15 years.

[Lynette Nylander]

Wow. All due to 1970. It does. It definitely does work. You get a sort of liquid exfoliation that when you wake up in the morning, it's like all your sort of rough patches have kind of buffed away. And that's. That's hard to find. I guess people just use retinol now. But I saw. I mean, I've always never really known.

[Lauren Sherman]

No, that isn't how that works. Linda. Next time you come on, we'll talk about beauty.

[Lynette Nylander]

Oh, I love beauty. I always say, in another life, I would have been a beauty director. I hope it's still not too late. I'll just. I'll just.

[Lauren Sherman]

You just need to take over everything. Your colleague Leah is coming on next week, so.

[Lynette Nylander]

Oh, there you go.

[Lauren Sherman]

Double Bazaar's Bazaar, two weeks in a row. How lucky am I? Thank you for being here. I'm glad you had fun at Martin. Mark and I'll see you the rest of this week.

[Lynette Nylander]

We will. It's going to be a week full of fun and frolics, I think. Bye.

[Lauren Sherman]

Lin up.

[Lynette Nylander]

Bye.

[Lauren Sherman]

Bye. Fashion People is a presentation of Odyssey in partnership with Puck. This show was produced and edited by Molly Nugent. Special thanks to our executive producers, Puck co founder John Kelly, executive editor Ben Landy, and director of editorial operations, Gabby Grossman. An additional thanks to the team at Odyssey, JD Crowley, Jenna Weiss Berman and Bob Tabador.