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This week we’re excited to present a conversation from the 63rd New York Film Festival with With Hasan in Gaza director Kamal Aljafari, moderated by NYFF Artistic Director Dennis Lim. An NYFF63 Currents selection, With Hasan in Gaza opens in select theaters beginning May 29, courtesy of The Cinema Guild. It is 2001 in Gaza, and Palestinian filmmaker and visual artist Kamal Aljafari is traveling from north to south, accompanied by a MiniDV camera and searching for a man he met while briefly imprisoned as a teenager. Aljafari’s footage, now nearly a quarter-century old and unseen by the filmmaker himself until recently, is often tranquil: drives down the highway, walks through the market, a trip to the beach, a card game among friends. But the immediate return of Israeli shelling, captured here in detail, invokes the ever-present background of settler violence. With Hasan in Gaza is an aching witness to the beauty of this land and the struggle of its people, neither of which may soon be recognizable at all. The 63rd New York Film Festival is presented in partnership with Rolex while NYFF63 Currents features are sponsored by The Travel Agency: A Cannabis Store.

This week we’re excited to present a conversation with The Christophers' lead actor Ian McKellen and screenwriter Ed Solomon as they discuss their film with FLC programmer Madeline Whittle. In Steven Soderbergh’s new film The Christophers, Ian McKellen plays Julian Sklar, who was once a star of London’s 1960’s and 70’s pop art explosion but hasn’t painted in decades and has been broke for years. His two estranged children (James Corden, Jessica Gunning), desperate for an inheritance, hire Lori, an art restorer and former forger (Michaela Coel), to pose as a prospective assistant in order to access 8 unfinished canvases Julian has buried deep in storage. Her plan is to complete them, then return them to storage, where they are to be “discovered” upon Julian’s death.

This week we’re excited to present a special conversation with global icon Tony Leung, tracing one of the most extraordinary screen careers of the past five decades. From his emergence in the Hong Kong New Wave to his enduring collaborations with many of the defining filmmakers of contemporary cinema, Leung reflects on his roles, working methods, and creative instincts that have shaped his singular screen presence. This conversation was moderated by FLC Vice President of Programming, Florence Almozini. See Tony Leung in the new feature film Silent Friend, currently playing daily at Film at Lincoln Center. Get tickets at filmlinc.org/friend This conversation took place as part of our recently concluded retrospective The Grandmaster: Tony Leung. The series was sponsored by Criterion.

This week we’re excited to present a special episode featuring the star-studded speeches from our recent 51st Chaplin Award Gala, honoring George Clooney. Having taken place on April 27 at Lincoln Center’s Alice Tully Hall, the Gala encompassed a joyful celebration of the celebrated actor and filmmaker’s incredible body of work, featuring notable speakers and film clips, and culminating in the presentation of the Chaplin Award, an annual honor bestowed upon cinema’s most outstanding talents. The evening’s guest speakers included, in order of appearance, Emmy Award winner Julianna Margulies, Emmy Award–winning actor, writer, and director John Turturro, Academy Award winner Sam Rockwell, Emmy- and Grammy Award–winning host Stephen Colbert; Academy Award-winning producer Grant Heslov, and the man himself George Clooney.

This week we’re excited to present a conversation from this year’s edition of New Directors/New Films with Agon director Giulio Bertelli. Agon is now streaming exclusively on MUBI. This conversation was moderated by New Directors/New Films selection committee member Tyler Wilson. In Agon, three athletes—including one played by a real-life gold medalist in women’s judo—prepare for a fictional Olympiad in this elemental study of athletic discipline from first-time feature director Giulio Bertelli. Bertelli shows how the athletes’ preparation is dominated by technologies, from arthroscopic surgery footage to simulators to video games, suggesting the dehumanization of vulnerable bodies inside the global behemoth that is modern organized sport.

This week we’re excited to present a conversation from this year’s edition of New Directors/New Films with the team behind the new film Erupcja. Co-presented by Film at Lincoln Center and The Museum of Modern Art, the 55th edition of New Directors/New Films took place April 8-19, with many filmmakers attending in person. In Erupcja, Charli XCX stars as a 365 party girl who wonders whether the music is finally stopping, as a weekend in Warsaw with her boyfriend resurfaces the unresolved, tantalizing excitements of an old friendship. Erupcja is now in select theaters, courtesy of 1-2 Special. The following conversation features Erupcja director Pete Ohs and cast members Jeremy O. Harris and Lena Góra, moderated by New Directors/New Films selection committee member Madeline Whittle.

This week we’re excited to present a conversation with the team behind the opening night selection of this year’s New Directors/New Films. Presented by Film at Lincoln Center and The Museum of Modern Art, the 55th edition of New Directors/New Films takes place April 8-19, with many filmmakers scheduled to attend in person. Get tickets at newdirectors.org The following conversation features Leviticus director Adrian Chiarella and lead actors Joe Bird and Stacy Clausen, moderated by New Directors/New Films selection committee member Madeline Whittle. Sundance favorite Leviticus expounds daringly on the horror-movie truism that sexual desire makes you vulnerable—notably, to gruesome death. Named for the book of the Old Testament used to justify homophobia, the wrenching and terrifying feature debut from Adrian Chiarella begins with Naim (Joe Bird) and Ryan (Stacy Clausen) breaking into an abandoned mill, their matey horseplay soon surrendering to its powerful homoerotic subtext. Fans of Heated Rivalry will appreciate how Chiarella draws out the intuitive connections that form beneath the show of machismo that the young men take pains to maintain for their traditional community—in this case, the provincial Australian town where Naim’s mother (Mia Wasikowska in a complex, calibrated performance) has relocated them, dragging him along to a local church’s praise meetings in search of fellowship. Gothic iconography lurks in Chiarella’s oppressive and foreboding widescreen compositions, and soon, after Ryan and another boy are subjected to a disturbing exorcism intended to cure them of their urges, the community’s queer youths, already picked on, begin to be picked off by a spectral killer that appears to them in the form of their forbidden love objects. Ingeniously complicating the deep interrelation between teen sexuality and slasher movie iconography, and staging his set pieces with chilling precision, Chiarella announces himself as a new Aussie horror auteur to stand alongside Jennifer Kent and the Philippous.

This week we’re excited to present a recent conversation with acclaimed German filmmaker Christian Petzold as he discusses the NYFF50 selection Barbara (2012) in a conversation moderated by NYFF Artistic Director Dennis Lim. Make sure to catch Petzold’s latest feature, the NYFF63 selection Miroirs No. 3 currently playing at Film at Lincoln Center. Get tickets at filmlinc.org/miroirs Set in 1980, Barbara, the first chapter of Christian Petzold’s trilogy “Love in Times of Oppressive Systems,” centers around a doctor—played by the incomparable Nina Hoss, in her fifth film with the director—exiled to a small town from East Berlin as punishment for applying for an exit visa from the GDR. Planning to flee for Denmark with her boyfriend, Barbara remains icy and withdrawn around her colleagues, particularly with the lead physician, who is hiding a secret of his own. With her patients, however, the guarded doctor is kind, warm, and protective, even risking her own safety for one of her charges. Masterfully controlled and totally absorbing, this Cold War thriller expertly details the costs of telling and withholding the truth.

This week we’re excited to present a conversation from the 63rd New York Film Festival with Two Prosecutors director Sergei Loznitsa, moderated by NYFF Artistic Director Dennis Lim. An NYFF63 Main Slate selection, Two Prosecutors is currently in select theaters, courtesy of Janus Films. The latest film from the great Ukrainian director Sergei Loznitsa is a scalpel-precise tale of the horrors of totalitarian bureaucracy. Adapting a novel by Soviet writer and political prisoner Georgy Demidov, set in the Soviet Union in 1937, Loznitsa follows the attempts of an idealistic government-appointed prosecutor to expose the mistreatment of a dissident Bolshevik writer who has been jailed and tortured without evidence of wrongdoing. As he gradually comes to realize, the lack of cause for the man’s imprisonment is hardly unique under Stalin’s regime, and the neophyte lawyer may be putting himself in danger by exposing his own moral righteousness. Loznitsa constructs his story with a patient yet unmistakable sense of mounting dread, focusing on the devastating minutiae that allows fascism to function in our world. The 63rd New York Film Festival is presented in partnership with Rolex.

This week we’re excited to present an archival conversation from June of 2023. In this conversation, director Béla Tarr discusses his 2000 feature Werckmeister Harmonies with Film at Lincoln Center Vice President of Programming Florence Almozini as part of Tarr’s two-day visit to FLC three years ago. FLC will present “Farewell to Béla Tarr,” a seven-film tribute to the late Hungarian filmmaker whose singular body of work stands among the most rigorous and influential in modern cinema, March 27-31. View full screening schedule and secure tickets at filmlinc.org/tarr Werckmeister Harmonies stands among the defining achievements of Béla Tarr’s late period and remains, alongside Sátántangó, one of his most widely celebrated works. Directed with Ágnes Hranitzky and adapted from a novel by László Krasznahorkai, the film unfolds as a sustained immersion in a weather-beaten provincial town unsettled by the arrival of a traveling circus bearing a colossal stuffed whale—and rumors of a shadowy “Prince.” At its center is the quietly perceptive postman János (Lars Rudolph), whose wide-eyed curiosity contrasts with the mounting paranoia around him. Composed in precisely choreographed long takes and animated by Mihály Víg’s incantatory score, the film transforms rumor and unrest into a searching meditation on harmony, disorder, and the fragility of civic life. A Janus Films release.