What a difference a month makes. The mood is (cautiously) lighter. I remain stupefied that a convicted criminal who orchestrated an attempted coup can be considered a viable candidate for president of this country. Can be popular despite his track record of various despicabilities. Is continuing to be treated by mainstream media as pretty much normal. This is not just frightening but also goddamned puzzling. How did we get here? But wait a minute: I said the mood is lighter, and it certainly is. The dreaded rematch has been short-circuited. I’m with her.

Now then, I can’t claim that this month’s playlist has anything to do with this. Or does it? “If I Can’t Change Your Mind”; “The Next Time Around”; “Don’t Change On Me”; “Don’t Come Running to Me”; “Then Came You”: a suggestive batch if looked at a certain way. But seriously unplanned. Consider it the zeitgeist at work. In any case, here’s where we’re going together this month:

1. “If I Can’t Change Your Mind” – Sugar (Copper Blue, 1992)
2. “Patterns” – Laura Marling (single, 2024; Patterns in Repeat, coming 10/24)
3. “The Next Time Around” – Little Joy (Little Joy, 2008)
4. “Gag Reflections” – Wild Moccasins (single, 2012)
5. “Don’t Change On Me” – Ray Charles (Love Country Style, 1970)
6. “Don’t I Know” – Sinéad Lohan (No Mermaid, 1998)
7. “Nowhere” – Swaying Wires (I Left a House Burning, 2016)
8. “A Little Respect” – Erasure (The Innocents, 1988)
9. “Don’t Come Running to Me” – Madeline Bell (Bell’s A Poppin’, 1967; bonus track on the 2004 re-issue)
10. “Calling Occupants of Interplanetary Craft” – Klaatu (3:47 EST, 1976)
11. “Shenandoah” – Anaïs Mitchell (The Brightness, 2007)
12. “Hot Sun” – Wilco (Hot Sun Cool Shroud EP, 2024)
13. “Zoeira” – Joyce (Hard Bossa, 1999)
14. “You Can’t Take Love For Granted” – Graham Parker (The Real Macaw, 1983)
15. “Then Came You” – Dionne Warwick and the Spinners (single, 1974)
16. “Like I Say (I runaway)” – Nilüfer Yanya (single, 2024)
17. “Red Rubber Ball” – The Cyrkle (Red Rubber Ball, 1966)
18. “You Got Yr. Cherry Bomb” – Spoon (Ga Ga Ga Ga Ga, 2007)
19. “Afternoon in Kanda” – Jesse Harris (Sub Rosa, 2012)
20. “Find My Love” – Fairground Attraction (The First of a Million Kisses, 1988)

Random notes:

* The Houston indie outfit the Wild Moccasins had a bit of an internet moment earlier this century. Fronted by Zahira Gutierrez, the band started up in 2007, released three albums between 2010 and 2018 on the reasonably high-profile New West label, got some love from NPR among other places, but quietly disappeared after their last release. Gutierrez has recently reemerged as a solo artist, with more of a pop orientation, using only her first name. “Gag Reflections” was a single released in between their well-regarded first and second albums.

* Sinéad Lohan recorded two albums in the mid- to late-’90s, the first of which was released only in Ireland, the second of which got full distribution on a major label and earned her a good amount of attention and airplay back in the day. And that was pretty much that: she got married, had two children, and at one point sooner than later decided that she had zero interest in continuing on as a professional musician. Wikipedia reports that she did work on a third album in the 2004 to 2007 range but it never saw the light of day. Her one widely-released album, 1998’s No Mermaid, remains a quiet classic of sorts, full of songs of depth and quality. “Don’t I Know” is the third song from the album that I’ve featured in an EPS mix over the years.

* Well known by now as the composer, playwright, and brain child behind the hit Broadway show Hadestown, which won eight Tony Awards in 2019, Anaïs Mitchell began her career as a singer/songwriter in the early ’00s. Hadestown started as a concept album in 2010; it was Mitchell’s fourth release at the time. Then came a long and winding road to the Broadway stage, which occupied a lot of Mitchell’s time and creative energy along the way; she’s only released two albums of original material since then, in 2012 and 2022. “Shenandoah” is a song I’ve always loved, from 2007’s The Brightness. I’m a bit of a sucker for songs with asymmetrical melodies–and here I mean the way the first line of the verse stops, melodically, at 0:30 but when the melody repeats in the next line it extends itself (0:40). There’s something timeless in that, with the vibe of an old folk song. Mitchell has a confident, distinctive singing voice, which sounds at once innocent and full of wisdom. A longtime visitor or two might remember seeing the beautiful “Flowers (Eurydice’s Song)” featured here back when it first appeared, on the 2010 Hadestown concept album.

* The new single from Laura Marling is gorgeous. What a songwriter she is. And she can sing, too.

* Madeline Bell was born in New Jersey and began singing gospel as a teenager; her professional career, however, took her in another direction. On tour with a gospel act in Europe in 1962, Bell ended up being introduced to a number of notable British performers, including Dusty Springfield, who not only went on to employ Bell as a backing vocalist but by some accounts began to model her singing style after Bell’s. Bell stayed in the UK, recorded a few more albums, and later became known as vocalist for the pop group Blue Mink, which had a half-dozen hit singles in England in the early to mid-’70s. You’ll definitely hear something Dusty-ish in “Don’t Come Running to Me,” a track included on the 2004 re-issue of Bell’s 1967 solo debut Bell’s A Poppin’. While Bell moved into more of a smooth pop-soul direction later on, this debut album is much more of a Bacharachian pop recording, very much an artifact of a particular (and particularly wonderful) moment. For those with a soft spot for the so-called “Swinging London” era, check out this performance of the song from British TV in 1967“.

* The background story of many a long-ago rock band can be more interesting than anticipated. Take the Cyrkle, a one-hit wonder ensemble from Easton, Pennsylvania. Originally called The Rhondells, they ended up being managed by none other than Beatles manager Brian Epstein, who changed their name to the Cyrkle–exotic spelling suggested by John Lennon himself. They even opened 14 times for the Beatles on their 1966 tour, including the Fab Four’s final-ever concert performance, at Candlestick Park in San Francisco. “Red Rubber Ball,” meanwhile, was a song co-written by Paul Simon and Seekers’ guitarist Bruce Woodley, offered to the Cyrkle when the band was opening at one point for Simon and Garfunkel. Cyrkle singer and bassist Tom Dawes had a subsequent career writing commercial jingles, including Alka-Seltzer’s omnipresent “plop plop fizz fizz” refrain. According to an over-long, un-sourced write-up on Wikipedia, the band managed to reunite in 2016 and were still performing live as recently as 2022. Over on Spotify, there are four new singles posted since...