Ian Bagg Episode 1125

Summary

Fitzdog Radio – Ian Bagg Episode 1125 (January 28, 2026)

Episode Overview

This episode of Fitzdog Radio brings together host Greg Fitzsimmons and his longtime friend and fellow comedian Ian Bagg for a loose, hilariously candid, and affectionate conversation. The duo reminisce about their roots in New York and their journeys through stand-up and life, moving easily between comedy history, showbiz war stories, personal confessions, and offbeat riffs. The episode brims with irreverence and wit, offering a warm insight into the world and minds of two veteran comics.

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Key Discussion Points & Insights

1. Mel Brooks, Comedy Legends & Influences

[13:06–24:51]

• Greg shares attending the Mel Brooks Premiere — Judd Apatow's new documentary about Mel Brooks and its impact on the comedy world.
  • Mel Brooks, at 99, attended the premiere and spoke for 20 minutes, demonstrating his enduring sharpness.
  • “You realize...there is a comedian, comedic director, comedic writer who does not consider Mel Brooks to be one of the fundamental influences. I mean, it's pervasive.” (Greg, 13:39)
• The conversation explores Brooks's life challenges, insecurities, and need for acceptance—how humor gave him entry into social circles as a kid and what fueled his comedic drive.
• Ian draws parallels to Jonathan Winters, discussing trauma, sadness, and the desire for escapism as sources of comedic genius.
  • “That kind of pain causes that kind of humor.” (Ian, 27:28)
• Discussion of Blazing Saddles, the irreverence of Brooks’s work, and how provocative comedy like this is received today (“That movie be made today?”).

2. The Judd Apatow Effect

[29:06–32:19]

• Praise for Apatow’s role as a comedy documentarian:
  • Greg: “It's such a service...that he is putting forever documentation of their talent...presented where it’s honest.”
• Ian admits Apatow’s stand-up isn’t his favorite but deeply respects his filmmaking and passion for comedy history.
• Honest talk about the limits of crossing from one comedy art form (writing, filmmaking) to stand-up:
  • “The funniest people I know in the world don't do stand-up.” (Ian, 31:47)

3. Comedy Roots & Oddball Influences

[36:02–41:16]

• They swap stories about formative comedic influences—Harlem Globetrotters, Bugs Bunny, Jerky Boys, SCTV, Mad/Cracked Magazine, Bob and Doug McKenzie, and more.
• “The Harlem Globetrotters were huge...that was like the Marx Brothers. I love that energy.” (Greg, 36:22)
• Ian reflects on Canada’s subtle contributions to their humor (Strange Brew, SCTV), and how these were originally just to fulfill Canadian TV quotas.
• “The funniest people I know don’t do stand-up. Just guys I grew up with.” (Ian, 31:47)

4. Showbiz War Stories: Chevy Chase & Painful Gigs

[41:44–50:33]

• Greg relates working the Comedy Central Roast of Chevy Chase, confirming Chase’s notorious aloofness.
  • “He puts on mirrored sunglasses and faces away from the dais and does not crack a smile.” (Greg, 43:14)
• Ian and Greg commiserate about corporate gigs gone wrong: Joe Torre’s charity, the celebrity/unresponsive crowd dynamic, and the futility of unreceptive audiences.
  • “I go up there and it's just clink, clank, clank, clink. No lights on, rich people…just, just, just.” (Ian, 47:07)
• Strategies for surviving tough rooms: looking for a “pocket” of friendly faces, latching onto any hint of audience connection.

5. Comics Talking Shop: Touring, Stand-Up and Booking

[63:39–65:13]

• Closing segment listing Ian Bagg’s upcoming tour dates.
• Discussion of favorite clubs, particularly the “rowdy” Stress Factory in New Jersey.
  • “You shouldn't love it because they're rowdy...but I thrive off that.” (Greg, 64:19)
• Aside: quirky club stories, from “deaf club owner” to farm eggs on cheeseburgers.

6. Intimate & Absurd – Lightning Questions

[32:22–63:39]

• Greg’s rapid-fire questions dig up hilarious and touching details:
  • Best Asian friend? “My wife’s friend Candace...she's the most interesting person I’ve met…50 year old single woman, good looking...has never been able to find love.” (Ian, 32:39)
  • Pedicure/Jesus riffs—escalating absurdity about “Jesus pedicures,” wine footbaths, and open-toed sandal jokes.
  • Losing virginity: “Australia 2...I was 18...wasn’t a hooker, just cost me money.” (Ian, 56:34)
  • Trophies: Hockey, the Chelsea Piers championship won with Greg, and a steakhouse dinner hosted by Tim Robbins.
  • Who would play Ian in a biopic? “Jonah Hill. At a bad time.”, “Jeff Garland. Heavy Will Ferrell.” (Ian, 59:55–60:28)
  • Deepest recent apology: To his father, after his mother’s illness and passing, realizing his own behavior was the problem. (“I apologize for just being a piece of shit kid.” Ian, 63:07)

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Notable Quotes & Memorable Moments

• On Mel Brooks’ influence:

  • “You realize that he's a very...troubled guy. He was so insecure...He could make people laugh, and he was accepted.” (Greg, 16:39, 17:57)

• On Judd Apatow:

  • “Do I think he's the funniest comic? No, I think he's horrible...But with film and documentaries, I don't think he can be touched.” (Ian, 29:13)

• On brutal show gigs:

  • “For a bunch of people that are supposed to make people feel safe, you suck. And I just walk off. I'm like, suck my dick. Baseball sucks.” (Ian, 48:05)

• On apologies and family:

  • “I apologize to my father for not understanding what he was going through and making our relationship worse...I didn't get it until afterwards.” (Ian, 62:11–63:07)

• On why comics tour rough rooms:

  • “You shouldn’t love it because they’re rowdy.…but I thrive off that. I love that I thrive off that.” (Greg, 64:19)

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Timestamps for Important Segments

• Intro and Mel Brooks Documentary: 09:11–24:51
• Apatow as Comedy Historian: 29:06–32:19
• Odd Comedy Influences: 36:02–41:16
• Chevy Chase Roast and Gigs From Hell: 41:44–50:33
• Rapid-Fire Personal Questions & Lightning Round: 56:11–63:39
• Upcoming Tour Dates / Closing: 63:39–end

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Tone & Original Language

The tone is lively, warm, irreverent, and always ready to nudge any subject—tragedy, showbiz, sex, family, or religion—into the absurd or the heartfelt. Fitzsimmons’s sharp, wry delivery pairs with Bagg’s spontaneous, irrepressible riffing for a conversation that feels both meaningful and recklessly fun. Even as the topics veer into dark or vulnerable territory, laughter and camaraderie are always the throughline.

Transcript

[Ian Bagg]

This is pro linebacker TJ Watt and I'm back with YPB by Abercrombie for another activewear drop. My second co design collection has new shorts and tanks that keep up with.

[Greg Fitzsimmons]

All my in season workouts.

[Ian Bagg]

And their new Restore collection is a game changer off the field too, because even pro athletes like me need rest days.

[Greg Fitzsimmons]

Shop YPB by Abercrombie in the app.

[Ian Bagg]

Online and in stores because your personal best is greater than anything.

[Greg Fitzsimmons]

How do you make chicken nuggets like 7,000% better? Short answer, you let Taco Bell make them long. Start with all white meat chicken nuggets, bread them in crunchy tortilla chips and.

[Ian Bagg]

Serve them with Hidden Valley Diablo Ranch. Yep, that's Hidden Valley Ranch mixed with Taco Bell Diablo Sauce.

[Greg Fitzsimmons]

It's exactly what it sounds like and somehow even better. Simple math Spicy results Crispy Chicken Nuggets.

[Ian Bagg]

From Taco Bell, a brand new classic at participating US Taco Bell locations for a limited time only while supplies last.

[Greg Fitzsimmons]

This episode is brought to you by State Farm. Checking off the boxes on your to do list is a great feeling. And when it comes to checking off coverage, a State Farm agent can help you choose an option that's right for you. Whether you prefer talking in person on the phone or using the award winning app, it's nice knowing you have help finding coverage that best fits your needs. Like a good neighbor, State Farm is there. Hey folks, Greg Fitzsimmons here, host of Fitz Dog Radio, coming to you no matter what is going on in the world. The LA Rams, they're out of it. I thought they were going to win the super bowl this year. I think I might have predicted that a couple times. I was wrong. It's now going to be the New England Patriots. I've say that I got some good Patriots friends. Dave Rath, Dickie Egan, Ted Fine. So good luck to you guys. Dudley Shotwell. I'm cheering for the, for you. Anyway, I'm, I guess let's cut to it. What are people talking about today? Obviously, what's going on with ICE or the federal agents? They're not always ICE agents, but I think it's very difficult to train these people. Once they're in, once they've got their little vests and their little face masks, they're, they're off and running. There's no retraining these guys. You got to get the next generation of ICE agents. We got to identify where they're coming from and train those people so by the time they enter, they know the Rules of engagement. They understand what civil rights are. So where do we find them? That's the question. Here's a couple areas we may want to start looking. Identifying first men who are sending out for penis enlargers. That's a big group. Get that mailing list. We got anyone who played Stanley Kowalski and Streetcar Named Desire. Could have been a high school production, could have been college. Find them straight bouncers at gay clubs. Question mark. Any guy with a nickname, including me. Fitz Dog. If you're over the age of 24 and you got a nickname, you're probably headed for ice. Lets talk to these people. Let's counsel them. Men whose fathers later became their mothers. Big red flag. Anybody who still wears their varsity jacket and their high school ring. They should not go into ICE without some training. Women named Terry who sell steroids at the locker room at your gym. Guys that went out for JV wrestling and were cut because they popped a boner during a match. How about the guys who criticized the show? Heated rivalry to a highly suspicious level. Let's get some classes going for them. Guys from the Navy who weren't asked and didn't tell. All right, that'll do it. Let's look for those people. Let's get them. Let's get them right. Let's get their heads right. I'm coming to you, Austin. I'll be there. God. I leave tomorrow. I'm going to be doing the Joe Rogan Experience on Friday. That comes out next week. And then I'll be on Kill Tony on Monday. That comes out in a few weeks. And I will be at the Comedy Mothership Friday, Saturday and Sunday night. Now that's a lot of Austin. That's a lot of voices that may not always be be the same as mine. So it's going to be, I think, an opportunity to engage and discuss ideas with people. And I think that should be the goal for everybody right now. I'm also coming to Sacramento at the Punchline, February 5 through 7. Philadelphia Helium, February 13 through 15. Happy Valentine's Day. Lexington, Kentucky, Houston, Fort Worth, La, will be doing the St. Patrick's Day show March 17 at the Improv, Janesville, Wisconsin, Bakersfield. Go to Fitzdog.com get yourself some tickets, come out and see some live comedy. Also wanna talk about with this podcast? One of the upsides of this podcast, and there's many, is I get ads and they send me free samples. And the one I just got, I'm very excited about. This is miracle made sheets. You wake up like freezing or you wake up and you're sweaty, it's hard to regulate your temperature, especially when you got two people in the bed. I always feel cold. My wife always gets too hot. So the sheets have this thing, it's called like a silver infused temperature relating fabric. Literally, it's inspired by NASA technology. Not Nassau, not from the Bahamas, like the space, the space people, NASA. And it just, it adjusts and it makes everything right. Also, you know there's a lot of bacteria in your sheets, which you wouldn't really think about, but they hold more bacteria than a toilet seat. And I sleep on the toilet sometimes, so it doesn't bother me that much. But if it bothers you, then the silver infused fabrics actually Prevent up to 99.7% of bacterial growth. Now is that gonna work for Joey Diaz? Probably not. I think he's the.03% that that bacteria is here to stay. So stay cleaner longer, stay comfortable longer. Fewer odors, fewer wash cycles. And it's just. And the price is great. These, she telling you these sheets I sleep sometimes. If I'm on the road with some big acts doing the arenas, sometimes we stay in four seasons. These feel like four season sheets. So soft and smooth, breathable, but at a very, very nice price tag. So here's what I'll tell you. Upgrade your sleep or give the gift of better rest. Go to trymiracle.com fitzdog to try Miracle made sheets today you'll save over 40% and when you use promo code fitzdog, you'll get an extra 20% off plus a three piece towel set for free. Jesus, they're really throwing it at you here. It's a lot. They make an amazing gift and with a 30 day money back guarantee, there's no risk. That's trymiracle.com fitzdog code fitzdog@ checkout. Thanks to Miracle made for sponsoring this episode. Okay, My guest is a dear old friend of mine. We came up in the trenches in New York together 30 years ago and we've played ice hockey on the same teams, won a championship in New York once and just an all around great guy. He's a guy that's been slugging it out in the clubs all these years, always killing, headlining great clubs and then just in the last few years thanks to the intranet. He's really kind of blown up. He's, he's very in the moment, very quick, just very special act. Anyway, you know him from the Tonight Show, Colbert specials on Comedy Central, hbo, Showtime. Please sit back and enjoy my conversation with the great Ian Baggage. Thanks for coming, man.

[Ian Bagg]

But it was good to be here.

[Greg Fitzsimmons]

Put the mic near your face as if you're somebody.

[Ian Bagg]

Are we actually recording now before.

[Greg Fitzsimmons]

Yes.

[Ian Bagg]

Oh, my God.

[Greg Fitzsimmons]

You hear the echo. You can tell?

[Ian Bagg]

Yeah, that's how I know because somebody else is wearing headphones. Wow. Classy, Greg, with all your cameras and your one maker, one headphone set over there.

[Greg Fitzsimmons]

It's the Greenland studio.

[Ian Bagg]

You guys got a lot of things, but not a lot of things.

[Greg Fitzsimmons]

Well, the green screen. We could put anything we want behind us. Remember that because I can put a huge going into your ear. Yeah, there it is.

[Ian Bagg]

Not my ear. And I'm a merle.

[Greg Fitzsimmons]

If you had a choice of cock.

[Ian Bagg]

To the mouth or cocked of the year, which would you take?

[Greg Fitzsimmons]

No, I think if the choice was making love to a gentleman in his rectum or receiving oral from a gentleman. Now performing oral on a gentleman.

[Ian Bagg]

They're both gentlemen, right?

[Greg Fitzsimmons]

Yes, they're British. Hmm.

[Ian Bagg]

Would you rather blow a gentleman?

[Greg Fitzsimmons]

This is not hypothetical, by the way.

[Ian Bagg]

This has to happen right afterwards. And you gotta change your accent. I think I'd be. I think I'd be a top. Yeah, I think. I think. I think I'd have to go in the rectum. Just because he'd be polite about it. Cause he's a gentleman.

[Greg Fitzsimmons]

Yeah, he'd have douched. What do you call it?

[Ian Bagg]

Douche dried.

[Greg Fitzsimmons]

No, when you do your rectum, it's anima enema.

[Ian Bagg]

Yeah, there we go. I like us both pretending that we don't know what it is.

[Greg Fitzsimmons]

Meanwhile, my number one Internet search is Enema of the State, My favorite movie.

[Ian Bagg]

That was good. When we're done.

[Greg Fitzsimmons]

Good night. So let's talk about the woman shot in the head in Minnesota.

[Ian Bagg]

All right.

[Greg Fitzsimmons]

No, I don't want to talk about.

[Ian Bagg]

We don't want to talk about that.

[Greg Fitzsimmons]

I mean, we could. It's pretty crazy.

[Ian Bagg]

What do you think? Do you think the car is worth anything? Like, do you think it's up for sale?

[Greg Fitzsimmons]

Because they'd have to change the brakes.

[Ian Bagg]

Because it picked up speed afterwards. Like you wouldn't believe. Who would. Who would buy it? Left wing or righty wing? Who would buy that?

[Greg Fitzsimmons]

Mel Gibson.

[Ian Bagg]

Mel Gibson.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

Oh, my God.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

Somebody like that would.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

I think those guys have fun. Like to do fun stuff.

[Ian Bagg]

I gotta get a car that someone's.

[Greg Fitzsimmons]

Been murdered and not replaced the window.

[Ian Bagg]

Get in there, sweet tits. We're going for a ride. He's always. Do you remember. Do you remember a girl, she had blonde hair when we all first kind of moved to la. There was the Glitter Gulch. Had a comedy show. Remember that?

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

And a girl ran it and she had crazy boobs and blonde hair and I can't remember her name. She used to date Mel Gibson.

[Greg Fitzsimmons]

No kidding?

[Ian Bagg]

Yeah. And she had stories of him hanging on the front of her car when she was trying to leave after they had a fight.

[Greg Fitzsimmons]

Really?

[Ian Bagg]

Yeah. And I was just like. I was like. I'd go do shows there just to hear the stories about Mel Gibson. Yeah, yeah.

[Greg Fitzsimmons]

I mean, sometimes I hear stories like that and I think to myself, I've lived a good life, you know, And I had some crazy times when I was younger, right. But you look at a guy like that, man, I'm not even trying.

[Ian Bagg]

She was in that magazine, Star talking about him. Star magazine.

[Greg Fitzsimmons]

Really?

[Ian Bagg]

Yeah. Yeah, I remember. That's what I. That's how I found out. I was just like, hey, that's that girl. DeLuise. Alana DeLuise. Or something like that. Something like. I can't remember.

[Greg Fitzsimmons]

Dom DeLuise.

[Ian Bagg]

No, it wasn't. That's her. No.

[Greg Fitzsimmons]

Oh, by the way, guess what I did last night?

[Ian Bagg]

What'd you do?

[Greg Fitzsimmons]

Speaking of Dom deluise, I went to Judd Apitab, made a new documentary about Mel Brooks.

[Ian Bagg]

No way.

[Greg Fitzsimmons]

And it's a two parter, of course. And this was the first half, and it was the. The premiere of it. So it was very nice of Judd to invite me.

[Ian Bagg]

Yeah, very nice.

[Greg Fitzsimmons]

And so I brought my wife and it had a red carpet where, you know, you go up there and.

[Ian Bagg]

Nice.

[Greg Fitzsimmons]

And so there was a bunch of comics I'm friends with that went. And. And Mel Brooks showed up like nobody expected him to show up. He's 99 years old.

[Ian Bagg]

No way.

[Greg Fitzsimmons]

100 in June.

[Ian Bagg]

Of all the things he shows up to.

[Greg Fitzsimmons]

I know, yeah. And so he shows up and he's tiny, you know, he's like bent over and like, you know, he's 99.

[Ian Bagg]

Yeah, yeah.

[Greg Fitzsimmons]

But he came out. And the documentary, first of all, is just. I mean, I don't think there is a comedian, comedic director, comedic writer who does not consider Mel Brooks to be one of the fundamental influences. I mean, it's pervasive.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

And. And when I was growing up, my dad. My dad was a fanatic. And the Producers was his favorite movie of all time. And he.

[Ian Bagg]

You're lucky.

[Greg Fitzsimmons]

Play the movies for me. And then we had the 2000 year old man albums and we used to. He used to play them for me when I was a kid. We listened to over and over Again. And then when I had my son, we used to play backgammon when he was like 7 or 8 years old, we play backgammon. And I would play the 2000 Year Old man albums because I collect comedy albums, play them all. And he would be dying. So anyway, so we go out on Halloween night and. And Mel's son lives right around the corner from us, Max. He's a famous novelist. He writes graphic novels. Like Gen Z. Yeah, yeah, yeah, yeah, Generation, whatever. Anyway, so I go to Owen, we're trick or treating. He's eight years old. I go, owen, it's Mel Brooks. He goes, somebody's dressed as Mel Brooks. I go, no, it's Mel Brooks. And so I point and we walk over and I said, hi, Mr. Brooks, I'm a big fan. And Owen is a big fan as well. He goes, you're a fan? He goes. And so my son said, that's.

[Ian Bagg]

So you're a fan. It just works right there.

[Greg Fitzsimmons]

Yeah, I'd rather have a. I'd rather have a spoiled nectarine than a fresh peach or whatever. There's a line from 2000 year old man. And so Mel Brooks died laughing. He's like, who's this fucking kid?

[Ian Bagg]

Who knows? No way.

[Greg Fitzsimmons]

So he took a picture and it's on our mantel. It's been there since he was a little kid. So anyway, like he comes out and the movie is amazing. And it's like you realize that he's a very. And by the time this podcast comes out, it will be on hbo, Max. So you can go watch it. But you see what a troubled guy. He was so insecure. I mean, he grew up, he felt like he was unattractive. I mean, you know, he's not the worst looking guy, but I guess, you know, he. I think it was very difficult. He grew up in Brooklyn and everybody was Jewish. And then once he moved to Manhattan, he felt very out of place. And I think he went to war at 17 years old. He went over to World War II.

[Ian Bagg]

Yeah, yeah, yeah.

[Greg Fitzsimmons]

And he used to poke around with a stick for unexploded mines. That was his job for two years. And.

[Ian Bagg]

And we can't believe he takes life serious.

[Greg Fitzsimmons]

Yeah, right. But I mean, you wonder why he made, you know, springtime for Hitler and all this parroting the Nazis. And Judd asked me, goes, did you do that with the intention of making a statement about. He goes, I made that because I thought that would make people laugh and that's why I do things. He goes, I'm not here too I love that.

[Ian Bagg]

Yeah, I love that.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

It's funny that you. So I was a huge Jonathan Winters guy growing up, right? So years ago, I went to pay my SAG bill. This is years ago at the SAG office on Wilshire. And there was a sign up tonight. Jonathan Winters doing a question and answer because of some documentary he was doing. And I was like, I gotta go see it. I gotta go see it. And he was the same way. Went to war, right. Came back, his parents had sold all his stuff because they didn't think he was gonna make it home, right? So he comes back and they're like, oh. They're like, why are you here? Right. So he talks about committing himself into loony bins is what they call. That's what he called it.

[Greg Fitzsimmons]

Is he Canadian?

[Ian Bagg]

No, no, no, he's not. I can't remember. He's Midwest guy. I think Minnesota. I think he's Minnesota.

[Greg Fitzsimmons]

I think he's out of Minnesota.

[Ian Bagg]

Yeah. Just talks. You just. You hear the sadness in him, too, right?

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

But just the funniest guy ever and just. Just all about funny. That's. It Wasn't trying to change the world.

[Greg Fitzsimmons]

Right.

[Ian Bagg]

Just wanted you to escape and let him escape. Right. Do you think Mel Brooks is the same way? Just him escaping by making you laugh?

[Greg Fitzsimmons]

No, it was about acceptance for him because he was a smaller kid in the neighborhood. And the one thing he could do, right. The one thing he could do was he goes, everybody loved me. Everybody liked me. I made everybody laugh, and I was accepted.

[Ian Bagg]

That's awesome.

[Greg Fitzsimmons]

And so, you know, the problem with that is when his career, as he starts off and he was doing stand up from when he was 14 years old up in the Catskills, you know, and so he comes back, goes into the army at 17, comes back at 20, and now he's 20 years old, and he's been a comedian and fought in a war, you know what I mean? And so then he starts writing for Sid Caesar. He meets Sid Caesar and he's writing on, you know, your show of shows, famous writing staff of. It was Neil Simon. It was the other Neil. Woody Allen and Neil.

[Ian Bagg]

Yeah, I know I'm not gonna be able to name any of those names, but I know exactly what you're talking about.

[Greg Fitzsimmons]

And so anyway, they.

[Ian Bagg]

But wasn't it weird back then that all those writers were just on any of those shows, were just massive stars?

[Greg Fitzsimmons]

Yes.

[Ian Bagg]

Right.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

It's just like.

[Greg Fitzsimmons]

No. The writers room for Blazing Saddles.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

Richard Pryor. Yeah. Who's in the writers Room.

[Ian Bagg]

Yeah, yeah, Push him in there.

[Greg Fitzsimmons]

Yeah. So. So anyway, so he has success with that. He comes out of the gate hot, where the show stays on the air for five, six years and it's the number one show and it's one of the first shows on tv. You know, this is when TV was starting to broadcast is.

[Ian Bagg]

You know, this is when TV was good.

[Greg Fitzsimmons]

Late 40s. Right. And so he goes from that and he. I think he went out and he did. He made a movie and it tanked. And then his career just free fall. He couldn't get hired, really. Meanwhile, he had married Anne Bancroft, who. I don't know if you know who she is, but she was a huge.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

Way and movie star. And so out of his league. Everybody would meet them, be like, what. What is the deal here? How does this make sense? And so she supported him. And it was very. You know, in those days, being supported by your wife was a very difficult.

[Ian Bagg]

Thing looked down on.

[Greg Fitzsimmons]

Yeah. So he had. They had a few kids and he was very angry. He was very difficult to be around. His kids talked about it. Really everybody he talks about, he goes, I was really an asshole. I was a bad guy. Because he wasn't getting acceptance for being funny, you know. And so they. She kicked him out. And then she. He ended up meeting. No, this is. This is from. I'm sorry. This is his first wife, who was a hottie. She was a dance girl. She was like a Ziegfeld folly. And so he. He marries her, they have a bad relationship. Then he meets Anne Bancroft. She's supporting him, and then he hits it big with.

[Ian Bagg]

She calms him down.

[Greg Fitzsimmons]

Well, she encouraged him, you know. Right. He was going to give up, and she slapped him in the face and said, no, get back in there. Because, you know, one of his movies, even when he did the Producers, like, he won the Oscar for the Producers and didn't get work after that. And then he did Blaze, Blazing Saddles. It took a while back then.

[Ian Bagg]

She'd get canceled for today.

[Greg Fitzsimmons]

Oh, my God.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

That movie be made today.

[Ian Bagg]

No, no. Yes. No.

[Greg Fitzsimmons]

I mean, look at Tropic Thunder.

[Ian Bagg]

Yeah. But they used the word that is nuclear now, the R word. They use the N word a lot.

[Greg Fitzsimmons]

In Blazing Saddles.

[Ian Bagg]

In Blazing Saddles.

[Greg Fitzsimmons]

I know my kids saw it and they were a little troubled by it.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

And they used it a lot. The movie actually showed about seven instances of somebody saying it.

[Ian Bagg]

Yeah. So I don't. That irreverence made that movie. Right. So can you make that movie without.

[Greg Fitzsimmons]

That irreverence they also punched a horse in the face and knocked it out. They also had the German singer, you know, fucking the black.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

Sheriff. And talk about how big his is. Oh, my God, she was so great. What was her name?

[Ian Bagg]

She was. She's a blonde girl, right? Yeah. Little. Little voice. Yeah, man. She. She was one of my first crushes.

[Greg Fitzsimmons]

Yes.

[Ian Bagg]

You're just like, oh, my God, she's funny and she's gorgeous and she's like. Like that voice.

[Greg Fitzsimmons]

You're just like, yeah, right.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

And then, you know. And then originally, the sheriff in Blazing Saddles was this famous old Western guy. And the first day shooting, he threw up on the set a couple times because he was so drunk. He was an alcoholic, and he. I guess Mel knew he was an alcoholic, but he didn't know it was that bad.

[Ian Bagg]

Right.

[Greg Fitzsimmons]

So he gets shit canned. He's talking to Gene Wilder on the phone that day because they were friends, and Gene goes, I'll be there tomorrow. He's like, what are you talking about? He goes, I can do that role in my sleep. He goes, I can. I can make this good.

[Ian Bagg]

No way.

[Greg Fitzsimmons]

Flies out the next day and starts shooting, and that was it for him. I mean, think about it. They did Blazing Saddles together. They did Young Frankenstein together.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

They did the Producers together.

[Ian Bagg]

There's also. When he starts working with Richard Pryor. Right, Gene.

[Greg Fitzsimmons]

Right before. Stir crazy.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

So that. That's. That sends all of that. Does he end up working with Richard Pryor if he doesn't do Blazing Saddles?

[Greg Fitzsimmons]

Right. And Richard Pryor was supposed to be the sheriff in Blazing Saddles.

[Ian Bagg]

Really?

[Greg Fitzsimmons]

The studio wouldn't sign off on, but.

[Ian Bagg]

He wrote racism works for once.

[Greg Fitzsimmons]

I gotta say, Richard Pryor is great. The guy who did the role was perfect.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

Because he just was so. Toothpick in the mouth, feet up on the desk, you know?

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

Cool. Confident.

[Ian Bagg]

Yeah. So good.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

He's a. Yeah. What other movies was that guy in?

[Greg Fitzsimmons]

I don't know. That's a good question. Like, if I had producers that weren't playing video games on their phones right.

[Ian Bagg]

Now, I don't even think they're in. I don't even think they're in the building. They checked out. As soon as we started talking about black and white movies, as soon as.

[Greg Fitzsimmons]

We made fun of the studio.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

They were like, fuck them. Let them do it on their own.

[Ian Bagg]

Why didn't they sign. Why didn't I say racism? But why didn't they sign off on Richard Pryor? Because he was Just crazy. That's.

[Greg Fitzsimmons]

That was the reason they thought he was too crazy. Yeah. So.

[Ian Bagg]

But that's. That's the first time him and. And, And, And. And Gene Wilder are working on things together.

[Greg Fitzsimmons]

Oh, yeah, yeah, yeah. Right.

[Ian Bagg]

Yeah, yeah.

[Greg Fitzsimmons]

And then. And then. So. So we watched the movie. It's like an hour and 45 minutes for the first part of this series. And then they bring Mel Brooks out and. And Judd chats with them for.

[Ian Bagg]

Does he take questions from the audience?

[Greg Fitzsimmons]

No, no. But he was pretty sharp for 99.

[Ian Bagg]

And for how long did he talk?

[Greg Fitzsimmons]

Good. 20 minutes.

[Ian Bagg]

That's insane. Yeah, that's insane.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

There are certain old guys that you see and you just like, oh, man, they are the luckiest because they're. They're still sharp.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

They still have something they love.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

And they. I'm trying to think who the hockey guy is. It's like around that age. Scotty Bowman. Scotty Bowman's the same way. I was just like. I did a roast with him.

[Greg Fitzsimmons]

Oh, here we go. It's up on the screen. Look how fancy we are now. We've on little leave on little. He only lived to be 53 years old. Born in. All right, do we have his other movies? Okay, zero credits. Okay. Tales from the Crypt, True Colors. In the nick of time. MacGyver. He was in MacGyver.

[Ian Bagg]

Who wasn't?

[Greg Fitzsimmons]

I know. That's like Coach.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

Everybody has coach in their credits.

[Ian Bagg]

Fletch lives.

[Greg Fitzsimmons]

Alf.

[Ian Bagg]

No way.

[Greg Fitzsimmons]

Yeah. 1987. He was an Alf. That's his last credit. Would you do it if you knew it was going to be your last credit credit?

[Ian Bagg]

Absolutely. Just for this? Just knowing this is going to happen later on in life when you weren't there.

[Greg Fitzsimmons]

No. And not only does he still enjoy it, he currently is producing part two of Young Frankenstein. Younger Frankenstein.

[Ian Bagg]

They're doing space balls as well.

[Greg Fitzsimmons]

Oh, I don't know.

[Ian Bagg]

I think they're doing Spaceballs.

[Greg Fitzsimmons]

Maybe that's what I'm thinking of. I thought it was Young Frankenstein too. Maybe both. And he's got a TV show on the air they're filming now with Zach Galifianakis in it.

[Ian Bagg]

Oh, my God, that's awesome.

[Greg Fitzsimmons]

Yeah. At 99. And then he talked. Oh, my God, I was so sad. He talked about Carl Reiner, his best friend for his whole life, and somehow Rob Reiner came up and he. And he just. His head just went down and he said, I'm just so glad that Carl was not alive to see what happened. And. And I mean, somehow within 30 seconds, he got a laugh. He got out of it and was. Had the audience. Because the audience is laughing really hard.

[Ian Bagg]

Right, right. But that's his. That's his talent. Like you. Yeah.

[Greg Fitzsimmons]

That.

[Ian Bagg]

That kind of pain causes that kind of humor. Right, right, right. It is, yeah. Yeah.

[Greg Fitzsimmons]

I mean, that's one that I can't. I still can't process that Rob Reiner thing.

[Ian Bagg]

Like. Like, you know what I can't process is, is process. I say process because I'm Canadian, is how great of a kid Rob Reiner and was to his father and. And how kind of if from what you hear, there was nothing like that with him and that kid.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

Like, that just blows my. I'm just like.

[Greg Fitzsimmons]

Well.

[Ian Bagg]

And he gave him every opportunity. But.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

I mean, he still wasn't.

[Greg Fitzsimmons]

I think it was just a mental illness. It was an extreme mental illness with the. Started medicating with drugs.

[Ian Bagg]

Right. Self medicating.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

So I don't know what you do with that. You know, I don't know. I don't think there's anything.

[Ian Bagg]

You don't take him to Conan's party, I'll tell you that much.

[Greg Fitzsimmons]

Right. Jesus. Yeah, I know Conan feels about that because, you know, they were trying to call the police.

[Ian Bagg]

Really?

[Greg Fitzsimmons]

And Conan talked him out of it. He told him to not call the police.

[Ian Bagg]

Oh, my God. I'm back to being a Leno fan.

[Greg Fitzsimmons]

Is that our clip for the week?

[Ian Bagg]

Cheers. Did you go to that party?

[Greg Fitzsimmons]

Conan's party?

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

No.

[Ian Bagg]

Really? I would think you'd be running with those people.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

Are you serious? You looked at me like, what, are you kidding?

[Greg Fitzsimmons]

No, I go to some parties. No, I don't go to a lot of parties.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

I mean, Jud.

[Ian Bagg]

Not murder parties.

[Greg Fitzsimmons]

Judd's very good to me. You go to all of his parties?

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

Openings, premieres, all that stuff.

[Ian Bagg]

I find him fascinating. I find him. His documentaries. His Shandling documentary was fantastic.

[Greg Fitzsimmons]

Yeah. Yeah.

[Ian Bagg]

I find. Do I think he's the funniest comic? No, I think he's horrible. Right. But what he does with film and stuff like those documentaries, I don't think he can be touched.

[Greg Fitzsimmons]

No. And it's such a service when you think about the fact that first of all, he came up as a writer. He wrote for Gary Shanley. He was a very successful writer.

[Ian Bagg]

Right.

[Greg Fitzsimmons]

Then he becomes a director who puts out like, seminal period of filmmaking where R rated comedies came back hard, like, can't be touched.

[Ian Bagg]

Right, right.

[Greg Fitzsimmons]

It's.

[Ian Bagg]

It's insane when like, that's. That's talent. I Don't know. I don't. And don't take it as his stand up, because I don't. I don't think. I think he's one of those guys that loves stand up so much. He wants to be part of it.

[Greg Fitzsimmons]

Yes.

[Ian Bagg]

But he has this incredible talent, and he's like, but if I could just have that.

[Greg Fitzsimmons]

Everybody wants stand. I mean, how many.

[Ian Bagg]

Right.

[Greg Fitzsimmons]

How many actors do you know that like, started in stand up, then they.

[Ian Bagg]

Went into musicians, they all rappers.

[Greg Fitzsimmons]

Yeah, everybody. But then Judd transitions into documentary filmmaking, and you realize what a gift it is to the world that Norm MacDonald, Bob Newhart, Mel Brooks, Garry Shandling, that he is. He is putting forever documentation of their talent in a way that is presented where it's honest. It's not a fluff piece. I mean, they really got very much into Mel's dark side this, and he did with Shandling. I felt like Shandling, maybe it could have been more. I feel like Shandling had a little bit more of an attitude of being not such a nice guy.

[Ian Bagg]

Shandling was. One day he liked you, one day he didn't.

[Greg Fitzsimmons]

Yeah, right.

[Ian Bagg]

And that was my relationship with. And I think a lot of guys would, like.

[Greg Fitzsimmons]

From the comedy magic.

[Ian Bagg]

From the comedy magic. One day he thought I was the most brilliant thing he'd ever seen. Next day, pretend he didn't even recognize me. Right.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

And I would push it back to him. And I think that's why I got the other side a little bit more than the dark side.

[Greg Fitzsimmons]

Yeah, right, right. Oh, he liked that you were pushing back. Yeah, yeah.

[Ian Bagg]

I'll beat the fuck out of you.

[Greg Fitzsimmons]

But, yeah, but I mean, in terms of that, he's really. He's a huge service for the comedy world and for the history of comedy to document these great performers.

[Ian Bagg]

Well, his. He knows comedy. Like, he knows. He knows funny with what he can do with film and documentary and writing. It's like, if this comes across, like, I'm lacking respect on him. No, it's just we have this other thing called stand up that I know not every funny person can do. Like, the funniest people I know in the world don't do Stan.

[Greg Fitzsimmons]

Right, right, right. Feral.

[Ian Bagg]

Yeah. Yeah. Just guys that I grew up with. Right. So.

[Greg Fitzsimmons]

Yeah. All right. I have questions for you.

[Ian Bagg]

Oh, shit. I hate this.

[Greg Fitzsimmons]

You don't. You love this. I love questions. Last time I asked you who your best Asian friend was.

[Ian Bagg]

Shabby Lee. No.

[Greg Fitzsimmons]

Did I ask you it last?

[Ian Bagg]

No.

[Greg Fitzsimmons]

It's one of the. Is it. Is it Bobby Lee?

[Ian Bagg]

No.

[Greg Fitzsimmons]

I love should have an asterisk. When I ask this question, you're not.

[Ian Bagg]

Allowed to say, that's really funny. It's, it's my wife's friend Candace. I think she's fantastic and she's the most interesting person I've ever met. She's got, she's got a doctorate in, and a bunch of things and, and just, just fascinating to me. 50 year old single woman, good looking woman, really has never been able to find love and attractive. Attractive.

[Greg Fitzsimmons]

Nice feet.

[Ian Bagg]

Jesus would have loved them, right? Jesus would have been watching those motherfuckers. Oh, he would have been all over them.

[Greg Fitzsimmons]

Pedicure.

[Ian Bagg]

Just, just, just fascinating to me. And I, we call her canned ass.

[Greg Fitzsimmons]

So that would be funny if, if you had a nail salon and you called it Jesus pedicures.

[Ian Bagg]

That's really funny.

[Greg Fitzsimmons]

And it's just a picture of him on his knees. Little sits bath.

[Ian Bagg]

Nails for nails for Jesus. Jesus nailed it. Oh my God.

[Greg Fitzsimmons]

And when he washes your feet, the water he uses is actually wine at the end.

[Ian Bagg]

At the end.

[Greg Fitzsimmons]

Gives skin a glow.

[Ian Bagg]

And you get a glass. They don't bring it. They always talk about them washing feet, but they don't say it might have been a fetish.

[Greg Fitzsimmons]

It's true, you know, and there was a reason why he demanded the women wear open toed sandals on those walks.

[Ian Bagg]

Oh, absolutely.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

So he had something to wash afterwards, right?

[Greg Fitzsimmons]

You want him dirty?

[Ian Bagg]

Sand on his feet dirty? Oh, yeah.

[Greg Fitzsimmons]

Mmm.

[Ian Bagg]

Proverb.

[Greg Fitzsimmons]

I'm, I'm not a, I don't have a foot fetish, but I appreciate a good set of feet on a woman.

[Ian Bagg]

I'm not, I'm not a foot fetish guy, but you, you, every so often you'll go, oh, yeah, right, right, yeah. Oh, wow.

[Greg Fitzsimmons]

Sure.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

And then once in a while you.

[Ian Bagg]

Look and you go, whoa, Jesus, those are some dogs there. God damn.

[Greg Fitzsimmons]

They're all different lengths she goes.

[Ian Bagg]

She'd go to Iraq for a couple years and then I didn't give her boots during the war. What the hell happened?

[Greg Fitzsimmons]

She have a Fred Flintstone car?

[Ian Bagg]

Ooh, this is some bricks, baby.

[Greg Fitzsimmons]

Well, dancers sometimes have those mangled feet being on their toes all those years.

[Ian Bagg]

Basketball guys. I'm not, I'm not. Every so often they'll show like LeBron's feet and you're like, what?

[Greg Fitzsimmons]

The Dennis Rodmans are a disaster.

[Ian Bagg]

Yeah, the rest of his body looks fine compared to his feet.

[Greg Fitzsimmons]

Jesus, fine how?

[Ian Bagg]

I'm talking like alcoholism.

[Greg Fitzsimmons]

Good thing he plays defense if he's around.

[Ian Bagg]

You try to keep those hands down. There, buddy.

[Greg Fitzsimmons]

Traveling towards him.

[Ian Bagg]

Three throw, free throw.

[Greg Fitzsimmons]

Elastic shorts, belt to deal with.

[Ian Bagg]

Short them. I'm surprised guys don't do that on the court more, right? I'm like. It just seems like the most obvious way to get this guy. You're gonna get fouled. Just massive black guy with a tiny weenie.

[Greg Fitzsimmons]

Yeah. I imagine the Harlem Globetrotters must pull that move, right?

[Ian Bagg]

I've never seen them, but you never.

[Greg Fitzsimmons]

Saw the Harlem Globetrotters? No, dude. When I was a kid, you talk about. It's so funny when you think about comedy influence. Mel Brooks, Steve Martin, people name the pillars, right? But when I go deeper and I really think about my influences, like, Harlem Globetrotters were huge.

[Ian Bagg]

That's funny.

[Greg Fitzsimmons]

And because they. They all had different Personas, and it was this Marx Brothers dynamic where the New Jersey Generals was the team. They played every game, right? And they, they. They made fools of them, but they were the status quo guys. They were the good looking white guys. These are the black guys from Harlem, and they were mocking them. They were making fools out of them. And it was like the Marx Brothers, you know?

[Ian Bagg]

Yeah, yeah.

[Greg Fitzsimmons]

I love that energy. And then the other weird comedy influence that I would say I had, well, that obviously certain cartoons, like Bugs Bunny was huge.

[Ian Bagg]

Absolutely bugs.

[Greg Fitzsimmons]

So long, Screwy. See you in St. Louis.

[Ian Bagg]

Love it.

[Greg Fitzsimmons]

And then the Jerky Boys, the Prank Calls. Remember the Jerky Boys?

[Ian Bagg]

I never got to know them until I came to New York. That was the first time I'd ever heard it. I'm like. I'm like, what is this? And that. I had no idea that influenced the Simpsons, you know what I mean, with the Prank Call. So I was like, those. If those. The Jerky Boys, did they ever. Were they ever standups or anything?

[Greg Fitzsimmons]

No. They tried to do a couple movies that were really bad, and there was maybe. I think the first two volumes did extremely well. And I don't. I don't know how well it went after that.

[Ian Bagg]

Do you. Do you think if it came out now, they would be monstrous stars? Just because the Internet. Right.

[Greg Fitzsimmons]

Yeah, because what they did was. I mean, so many people have done prank calls since then. Jim Florentine's very good at it. Obviously. Crank Yankers is. Had like a ton of great ones, but they did it in a way that was like. You felt like there was like three idiots from Queens. Right. Who were really funny. It's almost like how impractical jokers is so much funnier because you know that they're friends, right? Grew up together.

[Ian Bagg]

Yeah, yeah, yeah.

[Greg Fitzsimmons]

And I feel like that with those guys. You know, me and my friend, still to this day, every time he answers the phone, we do the. I don't see so good. God damn it. I'll bring all my shoes. And we talk to each other like that. Maybe 10 to 15 minutes at the beginning of every call.

[Ian Bagg]

That's awesome. Yeah, yeah, that's good friends right there. That'll do. Fifteen minutes.

[Greg Fitzsimmons]

Who were your offbeat comedy influences that most people wouldn't think of.

[Ian Bagg]

Really?

[Greg Fitzsimmons]

I mean, Jonathan Winter is, obviously, but.

[Ian Bagg]

It was those early, like, when I was a kid, those crazy movies like Cannonball Run and stuff like that.

[Greg Fitzsimmons]

Funny Thing Happened on the Way to the Forum. Yeah.

[Ian Bagg]

But also some Bill Murray movies that never became huge. Like Meatballs. Meatballs was great. Just so good. Up the Creek. Remember that one?

[Greg Fitzsimmons]

No.

[Ian Bagg]

There was one night when they go paddling. I just. Those though that era of movies shaped me. Yeah. Just. Yeah, yeah. I'm also Bob and Doug McKenzie. Strange brew.

[Greg Fitzsimmons]

Oh, yeah, yeah.

[Ian Bagg]

Which is just the funniest part about Bob and Doug McKenzie, from what I've heard. And by the way, that's another great documentary, is the John Candy documentary.

[Greg Fitzsimmons]

Oh, I heard that. Yeah.

[Ian Bagg]

And it's a. It's a two parter because you. It's really dark for you.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

You're like. I just, like. I had to stop watching and come back to it because I was just like, this is taking me down a road. I don't know if I can do. But that. That Bob and Doug McKenzie, apparently, because SCTV was filmed in Canada, they needed Canadian content. Right. So they just came up with that stupid thing and just like to fill. Fill their Canadian content and then became a huge thing. Right. So that's what I like about that story.

[Greg Fitzsimmons]

Yeah. Yeah. That was huge. That was like Cheech and Chong and Bob and Doug were. Were the sort of like real underground feeling.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

You know, they were the less commercial Wayne's World.

[Ian Bagg]

Yeah, yeah, yeah, yeah.

[Greg Fitzsimmons]

MAD Magazine was huge for me.

[Ian Bagg]

Cracked.

[Greg Fitzsimmons]

Oh, were you crack?

[Ian Bagg]

Cracked Guy. Wow. Yeah. And I don't. I don't know why I was a crack guy. I don't know if I couldn't get Mad Magazine or. But I was. But that can't be true because everybody else read MAD and I read Cracked.

[Greg Fitzsimmons]

I read Cracked as well.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

Yeah. We had a really cool librarian at my school, and they used to stock MAD and Cracked. Really? And National Lampoon in high school.

[Ian Bagg]

I never got National Lampoon.

[Greg Fitzsimmons]

That was really great. That was very smart. It was very satirical. It had Like a point of view.

[Ian Bagg]

Have you seen the Chevy Chase documentary?

[Greg Fitzsimmons]

Did you say Chevy Chase?

[Ian Bagg]

Chevy.

[Greg Fitzsimmons]

You said Chevy.

[Ian Bagg]

I say Chevy. Yeah, what'd you say?

[Greg Fitzsimmons]

Well, it's Chevy Chase.

[Ian Bagg]

I say Chevy.

[Greg Fitzsimmons]

Well, you shouldn't.

[Ian Bagg]

I call him the Levy.

[Greg Fitzsimmons]

What if the Levy breaks?

[Ian Bagg]

Say it again.

[Greg Fitzsimmons]

Chevy Chase.

[Ian Bagg]

What'd I say?

[Greg Fitzsimmons]

Chevy Chase, like the car.

[Ian Bagg]

Okay. I never thought of. I never thought I was saying it. I didn't think I was saying it like the car, but I didn't. I never realized I said the car like that. Huh. I'm only 50.

[Greg Fitzsimmons]

So the documentary is good.

[Ian Bagg]

The documentary is interesting. And I wanted to know what your feeling about him was, because people think he's an asshole, Right?

[Greg Fitzsimmons]

Well, I can tell you very firsthand on that.

[Ian Bagg]

Okay.

[Greg Fitzsimmons]

His daughter, who were both friends, fantastic comedy story, is just the sweetest. She's so great, so fun.

[Ian Bagg]

I want to know, because I can't. I'll tell you my first. I can't tell if he had something. Because that worked. And now it no longer works, but he keeps trying it, which turns him into an. Because it doesn't work. He goes. He just keeps getting deeper, deeper into it. But you have something different.

[Greg Fitzsimmons]

Well, I mean, obviously, growing up, I've loved Fletch and what was the movie he did with Fletch, too? He did a bunch of grab. Well, obviously the family Vacation and anyway, so I get asked to do the Comedy Central roast of Chevy Chase, and, you know, I'm like, I had no.

[Ian Bagg]

Idea they did that for him, because that must not have been good.

[Greg Fitzsimmons]

Oh, it was not good at all.

[Ian Bagg]

Oh, my God.

[Greg Fitzsimmons]

Because we all get there, and. And first of all, the lineup. Why am I on the lineup? Like, I don't know. Chevy Chase, Right? That was an immediate red flag. Because usually it's like, you know, guys you've done films with. He was on snl. How many people can you pick from on that alone?

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

And so it's me, it's Al Franken, it's Stephen Colbert, Jeffrey Ross, Lisa Lampanelli, Kevin Meaney, Todd Barry, Mark Marin. I forget who else.

[Ian Bagg]

So nobody he knows.

[Greg Fitzsimmons]

Nobody he knows. And so he shows up with an attitude. He's like, I don't know any of these people. They're like, yeah, they went out to Diane Cannon. They went out.

[Ian Bagg]

Everybody said, no, nobody wants to do.

[Greg Fitzsimmons]

It except Lorraine Newman. She was the one person that showed up.

[Ian Bagg]

Okay?

[Greg Fitzsimmons]

So we get up there, and he puts on mirrored sunglasses and he faces away from the dais and does not crack a smile for Ian it was a four hour show because.

[Ian Bagg]

Oh, my God.

[Greg Fitzsimmons]

Because they. And it was at. Starting at one in the afternoon at the Hilton in New York. And it's all old people because it was the Friar's Club. It used to be the Friars Club Comedy Central roast. So it was all these old Jews from the Friars Club.

[Ian Bagg]

Oh, my God.

[Greg Fitzsimmons]

So everybody's bombing because they're looking at Chevy and they're looking at us. We make a joke, they look at Chevy. So it was killing the room. He didn't shake hands with anybody backstage before the show. And then I went up and I went second to last.

[Ian Bagg]

Oh, my God. On a roast.

[Greg Fitzsimmons]

Yeah. Fun of fun.

[Ian Bagg]

Can I interrupt? Did anybody try talking you out of it? Did you try talking yourself out of it?

[Greg Fitzsimmons]

I was 29 years old.

[Ian Bagg]

And you were just thrilled. Yeah, until that. Yeah.

[Greg Fitzsimmons]

All right.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

So I get jokes. I was like, I heard Chevy's answering machine. It says, I'll take it. I called Paul Schaefer, Dr. Phil with AIDS.

[Ian Bagg]

Oh, my God.

[Greg Fitzsimmons]

Yeah. And so anyway, like, I had good jokes. And like, the New York Post did a story about it, and they listed two of my jokes, and I got cut out of the spa. I never aired because it was four hours. It was a. You know, they aired 90 minutes. So a lot of people got cut.

[Ian Bagg]

But the New York Post picks two of your.

[Greg Fitzsimmons]

Well, they were there live. They were.

[Ian Bagg]

But they picked two of your jokes. You think they go, hey, maybe that those were some good jokes right there. Maybe we should put that in.

[Greg Fitzsimmons]

Yeah. But I think it's probably for the best. I don't know how good it would have looked, but. So I didn't have any love for him. But then I met him. He came in to see his daughter at the store, and I met him one night and he watched my set, and it was very complimentary, and we had a really nice long talk. And I told him about the roast. And he goes, you know, I only did that because my wife had a charity. And, you know, they donate like a million dollars to the charity or something.

[Ian Bagg]

Right.

[Greg Fitzsimmons]

He goes, but I didn't really want to do it. And I was like, you shouldn't have done it.

[Ian Bagg]

You shouldn't have done it. Should. Should have just gave the million dollars. But.

[Greg Fitzsimmons]

Right.

[Ian Bagg]

I. I did a gig not too long ago that I shouldn't have done for a friend. I did this. Who's the old. My God of age. And I can't remember anybody.

[Greg Fitzsimmons]

Carlin Williams.

[Ian Bagg]

No. He's the manager for the Yankees when they won all The. All the pennants.

[Greg Fitzsimmons]

Lou Piniella.

[Ian Bagg]

No, just in the late 2000s. Mid 2000s. Joe Torre.

[Greg Fitzsimmons]

Joe Torrey. Two first names. I told you. Yeah, yeah. What's up, Tory?

[Ian Bagg]

That's really funny. Well, my buddy Joe Torrey apparently came from an abusive family.

[Greg Fitzsimmons]

Oh, Jesus.

[Ian Bagg]

Right. So they do a fundraiser for Joe Torrey every year because he has a foundation to make it safe at home for kids, right? And they want dark humor at it. I've heard a couple other comedians have done it. My friends like, will you do it for me? I'm on this board and I'm like, yeah, okay. I go, it's gonna suck, but I'll do it. Okay. It's in New York, it's in la. And go. It's no money. It's just me popping and doing right in front of a bunch of rich kids, right? But rich people. And I go, I need a light on me. Good sound. And they can't be eating when I'm up.

[Greg Fitzsimmons]

Okay, that's fair, right?

[Ian Bagg]

That's all I need. Well, guess. Guess who's getting salads. That's not eating. No light. Sounds horrible. Joe Tor goes up, mumbles. And now and introduces. Introduce me. Come on.

[Greg Fitzsimmons]

Which, by the way, mumbled. And what they could hear was him talking about abused children.

[Ian Bagg]

Yeah, yeah.

[Greg Fitzsimmons]

Before you.

[Ian Bagg]

Yeah, yeah. A lot of kids are abused. Anyways, let's get on the stage right now. Comedian. And I go up there and it's just clink, clank, clank, clink. No lights on, rich people. All these old guys with young women. And I go, it's nice to be here at this father daughter dance, right? And it just goes downhill from there. Just, just, just. And there's a group of hot girls. And I go, it was when Katy Perry went to Space Girls. How was space? And they laughed and everybody else. And then this old guy chirped me and I go, I go, who's. Is that your grandson or your kidney donor, right? And it goes. All of a sudden, I see Joe Torrey walking towards me and I go, holy shit, I'm Andy Pettit in the World Series. I'm getting the ball taken away from.

[Greg Fitzsimmons]

Right?

[Ian Bagg]

So I end it with. For a bunch of people that are supposed to make people feel safe, you suck. And I just walk off. I'm like, suck my dick. Baseball sucks. Just keep walking through it. Oh, it's horrible. It was horrible.

[Greg Fitzsimmons]

But. Oh, those, those. And it really does come down to that first joke on those gigs. If that. If your first joke on a private gig does not work. They decide as a group. As a group that they are going to shut down. And they. And because the dynamic is it's. It's social climate types.

[Ian Bagg]

Absolutely.

[Greg Fitzsimmons]

And so they don't want to laugh at stuff nobody else is laughing at. So there's never. Usually on a bad gig, there's at least a pocket. So it's like a.

[Ian Bagg]

It's like you find that pocket in.

[Greg Fitzsimmons]

A fire and you stoke that pocket, and maybe you can get it to start to spread.

[Ian Bagg]

Right.

[Greg Fitzsimmons]

But when you don't have.

[Ian Bagg]

Or you stay with that pocket, or.

[Greg Fitzsimmons]

You just stay with that pocket. Right, right.

[Ian Bagg]

But there's no pocket.

[Greg Fitzsimmons]

I did a gig like that at the Four Seasons, and it was for a famous music entertainment lawyer, like the biggest one in the business. I can't remember his name, but I went up and they introduced me as. Everybody is still standing. And there are. The photographer for the event is in front of the stage with the most famous people in music. And they're taking pictures.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

And I'm standing at a podium with one of those thin microphones, and I have to ask people to sit down for five minutes.

[Ian Bagg]

You're douche. And now you're a douche.

[Greg Fitzsimmons]

And everybody hates me. I'm the police. I'm the cops. And then they finally sit down.

[Ian Bagg]

They also don't think you're the comedian. They think you work for the hotel.

[Greg Fitzsimmons]

Exactly. Well, I was wearing a red.

[Ian Bagg]

Yeah. And had keys. Somebody forgot their Audi.

[Greg Fitzsimmons]

I should have done that. And then. So I get him to sit down, and now I am tanking. And meanwhile, my agent, who never comes to see.

[Ian Bagg]

Oh, my God, that's hilarious.

[Greg Fitzsimmons]

He comes out because he booked it and he knew there's gonna be a lot of famous people there. So he comes. He wants to hop front row, and he never sees me live, so I'm feeling the. The pressure. And so. But in the front row was a table with Cheryl Crow and her friends, and she threw me a lifeline. They really put their heads back and laughed and clapped. And it's like you said, I just played to that one table.

[Ian Bagg]

That's. I didn't. I would say those girls, those hot girls, they may have liked me, but.

[Greg Fitzsimmons]

Mary Fitzgerald, okay, She's from Boston. Accent, Fitzy Dorchester, tough chick. Her father was a bookie for Whitey Bulger.

[Ian Bagg]

Jesus Christ.

[Greg Fitzsimmons]

Yeah, he was in jail a lot. Fitzy. It's the hotline. You are so good. Are you playing golf? No, I'm doing a podcast. You know Ian Bagg? Comedian Ian Bagg? Yeah.

[Ian Bagg]

Oh, shit. Hi.

[Greg Fitzsimmons]

He's sitting here. I thought there was more for that. Hi, Ian.

[Ian Bagg]

How are you? Hey. Good, thanks.

[Greg Fitzsimmons]

We're recording now. So is there anything you want to promote on the podcast the Last OG Or Cougar Town? She's a writer. She writes on all these shows. Cougar Town, some other projects from 15 years ago. Sure. Well, what's. What's the most recent project? I don't have one, babe. I'm enjoying teaching at Asylum Improv in Boston. That's. That's my project.

[Ian Bagg]

That's awesome.

[Greg Fitzsimmons]

Yeah. Now Mary is. Mary is one of the. She was one of the top writers in Hollywood for many, many years. And then this thing called Covid happened.

[Ian Bagg]

Never heard of it.

[Greg Fitzsimmons]

And then Hollywood decided to shutter everything, and now I'm doing podcasts with Road Road Comics. Not even Jesus.

[Ian Bagg]

Jesus Christ. Jesus Christ came at me hard. Road Comics.

[Greg Fitzsimmons]

Ian was a. He was a finalist in Laska comic standing in 2015. Right.

[Ian Bagg]

And then Covid, and then CO.

[Greg Fitzsimmons]

Five years later.

[Ian Bagg]

I know it. Me. It me hard.

[Greg Fitzsimmons]

You know what, Ian? My dad died of COVID And that wasn't the worst thing that happened.

[Ian Bagg]

Oh, okay. I had no idea.

[Greg Fitzsimmons]

Yeah. Yeah. Okay. Yeah, yeah, yeah. Okay. Dad's dead. Yeah. But I. I can't get a job. Yeah, right.

[Ian Bagg]

That's really funny.

[Greg Fitzsimmons]

I was at Mary's father's funeral, and it was. Picture the most Irish pub and the most Irish part of Boston, and it was a bunch of guys that looked like they were all double parked.

[Ian Bagg]

They're all three hours.

[Greg Fitzsimmons]

Those kinds of guys.

[Ian Bagg]

And they're also. They're also checking the bottom of the car before they got in. Why does everybody have a mirror on a stick?

[Greg Fitzsimmons]

Do they all work at the airport? Yeah. I didn't know it. I didn't know an Adidas tracksuit was appropriate for us for awake. Oh, yeah, no, that's. That's dress wear.

[Ian Bagg]

My God, how many Celtics could be here? Oh, my God.

[Greg Fitzsimmons]

All right, Fitzy, we're gonna play paddle tennis this. This week.

[Ian Bagg]

All right. I gotta get over this.

[Greg Fitzsimmons]

This awful head cold. Oh, Jesus. Will you stop?

[Ian Bagg]

Great. We're just did too many covert jokes.

[Greg Fitzsimmons]

It. It's called menopause, Mary. It's called menopause.

[Ian Bagg]

Quit smoking.

[Greg Fitzsimmons]

All right. Okay. See ya.

[Ian Bagg]

Nice to meet you. Take care. Bye.

[Greg Fitzsimmons]

Bye. She's the best I've known her.

[Ian Bagg]

And her father was Whitey Bulger's bookie.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

My God.

[Greg Fitzsimmons]

And there's got to be things in that house she grew up with. She had three brothers and Two sisters and the brothers were Golden Globes champs. The toughest kids in Dorchester. And then.

[Ian Bagg]

That sounds terrifying.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

Why would you create your own death wish at home with those three kids? Oh, my God.

[Greg Fitzsimmons]

And so then she goes and she gets a scholarship to Phillips Academy, which is where, like, George Bush went. It's like the most blue blood Ivy League school, but she gets in. I don't know if it was academics or if she was really good at track, but she gets a full ride to this private school school. And then she gets a full scholarship to Wellesley, which is like one of the best women's colleges in the country. And then she gets a writing fellowship to nyu. So she goes there for free. Gets her masters.

[Ian Bagg]

My God.

[Greg Fitzsimmons]

And then. But I met her. I was at BU and she was at Wellesley, but she was. She was dating. There was an Irish guy from Belfast, Sean Burgoyne, and he was a Catholic kid from Belfast, and he came over to this country.

[Ian Bagg]

I think that might be one of the funniest terms I've ever heard. There was an Irish kid from Belfast.

[Greg Fitzsimmons]

I meant Catholic. I meant Catholic.

[Ian Bagg]

He started with Irish kid from Belfast. I'm like, okay.

[Greg Fitzsimmons]

So he sleeps on my couch. He comes out. In the fall, there's a regatta, which is a boat race on the Charles river in Boston called Head of the Charles. And my brother, who knew him, sends him up to Boston and says, stay with my brother for the weekend. You gotta go to this regatta. Stays for the weekend. This is in October. And he stayed until May on our couch. Four guys in an apartment and Sean on the couch. And he was the greatest dude. So he starts dating Mary, and I meet Mary through him, and we stayed friends. So it's been 35 years.

[Ian Bagg]

That's awesome.

[Greg Fitzsimmons]

My closest friends.

[Ian Bagg]

Sean put it all together.

[Greg Fitzsimmons]

Yep. We lived in New York together. And out here, you live with her out there? I never lived with her, but we lived in New York at the same time. And LA at the same time in Venice Beach.

[Ian Bagg]

Hold on.

[Greg Fitzsimmons]

So is mine.

[Ian Bagg]

I've hit that age.

[Greg Fitzsimmons]

Jesus. Where orifices just.

[Ian Bagg]

Yeah, just. Just leaking for no apparent reason.

[Greg Fitzsimmons]

Right.

[Ian Bagg]

Hopefully it's the top one, not the bottom one.

[Greg Fitzsimmons]

All right, let's get to it.

[Ian Bagg]

Was there music?

[Greg Fitzsimmons]

Have you. Did you hear it? You didn't hear?

[Ian Bagg]

I'm guessing we're pretending right now. Shabbat doo. Shabba dabba dooey.

[Greg Fitzsimmons]

No, it's like inside the Actor's Studio. It's just a long pause.

[Ian Bagg]

I love it.

[Greg Fitzsimmons]

Yeah. Have you ever been arrested?

[Ian Bagg]

I have not.

[Greg Fitzsimmons]

Okay. Where did you lose Your virginity?

[Ian Bagg]

Australia 2.

[Greg Fitzsimmons]

A hooker at what age?

[Ian Bagg]

18.

[Greg Fitzsimmons]

Price?

[Ian Bagg]

150.

[Greg Fitzsimmons]

Was it just you or your friends jumped in on her as well?

[Ian Bagg]

Well, I didn't have much money at the time, so I had to barter with all five of us for 150. No, no, it was one guy. It was me. It wasn't. Wasn't a hooker. I was just a girl, but still cost me money.

[Greg Fitzsimmons]

How'd you meet her? Through.

[Ian Bagg]

Through my cousin.

[Greg Fitzsimmons]

Oh, so she was like a regular among him and his friends?

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

Attractive.

[Ian Bagg]

Yeah, I thought so.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

Yeah. Who knows? Later on in life, girls look different. Right. So not saying she's age, but she may have not have been attractive. But I was so young and horny. She may have been attractive.

[Greg Fitzsimmons]

How old do you think she was?

[Ian Bagg]

I think she was probably three or four years old. She was from this island.

[Greg Fitzsimmons]

Have you ever won any awards?

[Ian Bagg]

No.

[Greg Fitzsimmons]

Trophies?

[Ian Bagg]

Yeah, yeah. Like hockey, you know, just stupid hockey.

[Greg Fitzsimmons]

What's the highest. What's the biggest trophy or the most important trophy to you that you won in hockey?

[Ian Bagg]

Just, you know. You know, we. We went to the Winter Games, the British Columbia winter games, northern B.C. winter games, and we won, I think, a bronze. So I think that's. That was my.

[Greg Fitzsimmons]

You would have thought, you would have said the Police and Fireman's League at the Chelsea Piers. We played on a team together and won the championship.

[Ian Bagg]

You got me. You got me. That is. That was. That was actually. That was actually the best team meal afterwards.

[Greg Fitzsimmons]

It was.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

Tim Robbins took us out to a steakhouse.

[Ian Bagg]

Yeah, we weren't. We weren't dealing with that steakhouse back then.

[Greg Fitzsimmons]

No, we were not.

[Ian Bagg]

We were very excited about it.

[Greg Fitzsimmons]

Yeah, yeah, yeah, yeah.

[Ian Bagg]

This is fantastic.

[Greg Fitzsimmons]

Well, I think it was. He's won Oscars, and I think that was more important to him. He's such. He's such a hockey fanatic. Yeah, he really was, like. It was a huge deal to him that we won.

[Ian Bagg]

He was very serious about it and very excited when we won.

[Greg Fitzsimmons]

Yeah, yeah, yeah.

[Ian Bagg]

And then all those guys taken out by 9. 11.

[Greg Fitzsimmons]

I know.

[Ian Bagg]

So we've got to win many, many times after that. First place. Again, the actors.

[Greg Fitzsimmons]

Oh, my God. All right. Did we in fact land on the moon?

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

Okay.

[Ian Bagg]

Yeah. If we're gonna fake something, the moon doesn't seem that impressive. Right.

[Greg Fitzsimmons]

I think if we were gonna fake it, we should have had all women working in the control towers.

[Ian Bagg]

Oh, that's really funny. Or at least a woman there when we landed.

[Greg Fitzsimmons]

This is so great. This is amazing how you share her.

[Ian Bagg]

On the right side. Why would you pick this side?

[Greg Fitzsimmons]

This is the dark side.

[Ian Bagg]

Oh, my God. If you do one more U turn, I'm gonna puke on you. Why are you doing so many U turns? Because I have to. I don't care.

[Greg Fitzsimmons]

Come on, we gotta go. I'm not ready. We have to launch. Who would you want to play you in the biopic of Ian Bag? Oh.

[Ian Bagg]

Oh, Jonah Hill. At a bad time? Oh, yeah.

[Greg Fitzsimmons]

Okay.

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

What do you mean, at a bad time?

[Ian Bagg]

Well, you know, he's been very different weights, so. Yeah.

[Greg Fitzsimmons]

This weight go up and down.

[Ian Bagg]

Yeah. Because it fluctuates.

[Greg Fitzsimmons]

Oh, because I would have thought you.

[Ian Bagg]

Said, oh, that's what. In and out.

[Greg Fitzsimmons]

He doesn't get taller.

[Ian Bagg]

He does. He gains it all on his feet. Somebody with a giant head. I was. Let me see.

[Greg Fitzsimmons]

Jeff Garland.

[Ian Bagg]

That'd be good. Maybe Will Ferrell. Heavy Will Ferrell. That might be fun.

[Greg Fitzsimmons]

Yeah, yeah, yeah. You're much thinner than he used to be, though.

[Ian Bagg]

I'm up and down.

[Greg Fitzsimmons]

I'm like, are you up and down or are you side?

[Ian Bagg]

Side to side? I'm, I'm thick. This way. Not. Yeah, this way. Not this way.

[Greg Fitzsimmons]

Where would you say, where are you in your range right now? You seem like you're in a good. Good.

[Ian Bagg]

Yeah, I'm pretty good. Yeah, I'm pretty good. I think I, I, I think I should be down further down.

[Greg Fitzsimmons]

What was your maximum weight?

[Ian Bagg]

Oh, I think I was at three. Three bills.

[Greg Fitzsimmons]

No.

[Ian Bagg]

Yeah. Yeah.

[Greg Fitzsimmons]

Were you really?

[Ian Bagg]

Yeah. Surprised, because what was your maximum weight?

[Greg Fitzsimmons]

151.

[Ian Bagg]

Exactly. Yeah. But I've always been basically the double size size of you. If I stand next to you, I'd be the double size of you. Yeah.

[Greg Fitzsimmons]

Wow.

[Ian Bagg]

It's fun. Speaking of canned ass from earlier, we took her skating once in Carrie Ann was like, take her for a rip around the ice. Right. Because she can't skate. I just, I remember I felt like she was made of balsa wood. Ripping her around, I'm like, oh, my God. So light. I should have went with an Asian.

[Greg Fitzsimmons]

Should have gone Asian.

[Ian Bagg]

Oh, God, if I could only go back in time.

[Greg Fitzsimmons]

All right, last question. When's the last time you apologized?

[Ian Bagg]

I'm Canadian, so probably, probably earlier today I said sorry, but for no apparent reason. But really apologized.

[Greg Fitzsimmons]

Yeah, deeply. Because you apologized to me for running late for the.

[Ian Bagg]

Yeah, I. Well, you asked me to be here at 11. It said I was supposed to be five minutes early, and then all of a sudden it was 11:03. And then I was stopped on the freeway, and I was just. I hate that because, you know.

[Greg Fitzsimmons]

Well, I was stuck in the same traffic, so we were fine.

[Ian Bagg]

Okay.

[Greg Fitzsimmons]

Got here late as well.

[Ian Bagg]

You didn't let me know. I would have been just hanging.

[Greg Fitzsimmons]

Yes, I did.

[Ian Bagg]

After I texted you.

[Greg Fitzsimmons]

Yeah, yeah, yeah.

[Ian Bagg]

You don't apologize.

[Greg Fitzsimmons]

I'm Irish.

[Ian Bagg]

We blame and take responsibility, but keep it inside Catholic guilt. I actually. I've re. My mother died last year, and my father and I had a really tough relationship for the last five to 10 years. And I apologize to my father for not understanding what he was going through and making our relationship worse because I hadn't. I didn't. I didn't get how sick my mom was. So.

[Greg Fitzsimmons]

So that sick for, like, five years.

[Ian Bagg]

About five years, yeah. Like, we. We dealt with, like, heart stuff and some other things happened and. And, you know, so I didn't get it. I didn't get it until afterwards when I could see the relief, you know, like her being out of pain and him not being worried the whole time.

[Greg Fitzsimmons]

Right, right.

[Ian Bagg]

And so I apologize for just being a piece of shit kid. So. Yeah.

[Greg Fitzsimmons]

And how did he accept it?

[Ian Bagg]

He did. He did pretty good with it, like. Yeah. Yeah, he did.

[Greg Fitzsimmons]

He.

[Ian Bagg]

He actually, you know, he said, oh, I thought I was being mean. I was like, no, it was me not getting it, you know? Yeah. I mean, just not understanding. So. Yeah.

[Greg Fitzsimmons]

And this was all long distance.

[Ian Bagg]

It was that harder, but it was. Yeah. Yeah. So. But. But when I go home to visit them, it was really, really bad, like our relationship. So.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

And I always thought it was him, but it was actually me.

[Greg Fitzsimmons]

Yeah.

[Ian Bagg]

So. Yeah.

[Greg Fitzsimmons]

All right. Good for you.

[Ian Bagg]

So it started to get deep on that.

[Greg Fitzsimmons]

Well, if you want to see him get a lot lighter than that, he will be in Edmonton, January 30th through February 1st. Then Vancouver on February 2nd, 6th and 7th. Omaha, February 13th and 14th. You're not going to be with your woman on Valentine's Day.

[Ian Bagg]

That's my promo shot. Hey, baby, you want to go to Omaha for Valentine's Day? No, Fuck off.

[Greg Fitzsimmons]

Did you say Hawaii? Oh, Omaha. No, I'm good.

[Ian Bagg]

I'm taking her Hawaii. February. February 8th.

[Greg Fitzsimmons]

Oh, so that'll be your 8th to 12th?

[Ian Bagg]

Yeah.

[Greg Fitzsimmons]

Yeah, yeah. London, Ontario, Toronto, Montreal, Vegas. Calgary. Stress factory in New Brunswick, New Jersey.

[Ian Bagg]

Do you like it?

[Greg Fitzsimmons]

Love it.

[Ian Bagg]

Me too.

[Greg Fitzsimmons]

You shouldn't love it because they're rowdy. It's like a lot of Jersey. Italian Goombas. I love it. And they challenge you, but I. I love that I thrive off.

[Ian Bagg]

Yeah, it's a. And it's a. It's an oddly shaped room.

[Greg Fitzsimmons]

It is.

[Ian Bagg]

With an oddly placed bar.

[Greg Fitzsimmons]

It should not work.

[Ian Bagg]

It should not work. But it is fun.

[Greg Fitzsimmons]

It is.

[Ian Bagg]

Yeah. Yeah.

[Greg Fitzsimmons]

Orlando and Vinnie's deaf club owner who hosts the show is deaf and he brings in eggs for to put on the cheeseburgers that are from his chickens in his backyard.

[Ian Bagg]

And mad at the government because he's not supposed to.

[Greg Fitzsimmons]

Oh, my God, is he mad at the government. Nashville, Lexington, Winnipeg, go to Ian bag. Two GS. The second G is for good comedy.

[Ian Bagg]

Oh, my God. Thanks for having me, Greg. I always enjoy being around you.

[Greg Fitzsimmons]

This is great. Thank you, man. You too. I love having you in.

[Ian Bagg]

Thanks, buddy.

[Greg Fitzsimmons]

All right, we'll see you soon. You. Did you say you.