Andrew Schulz

Summary

Fly on the Wall with Dana Carvey and David Spade Episode: Andrew Schulz | Release Date: April 2, 2025

---

Introduction of Andrew Schulz

Dana Carvey and David Spade welcome Andrew Schulz, a prominent comedian known for his high-energy performances and global appeal. Schulz is recognized for his stand-up specials, international arena shows, and his ability to blend edgy humor with relatable storytelling.

Notable Quote:

• David Spade [03:16]: "He's got good hair. Check out life."

Andrew Schulz’s Stand-Up Career and Global Reach

The conversation delves into Schulz’s dynamic presence in the comedy scene. Dana highlights Schulz’s high energy and ability to step outside conventional lines, while David emphasizes his global success, particularly in regions like Dubai and Australia. Schulz describes himself as a "one-man band" and a savvy businessperson in the stand-up world.

Notable Quotes:

• Dana Carvey [03:12]: "He's a one man band. He's an ecosystem. He's a business."
• Andrew Schulz [08:14]: "I'm like, I have, I have, I have my markets."

Evolution of Comedy Specials

The hosts and Schulz discuss the evolution of stand-up specials from the analog era to the streaming age. Dana reminisces about the impact of early specials like hers on HBO and Comedy Central, noting the significant influence they had on a comedian’s visibility. In contrast, Schulz talks about the challenges and strategies of filming specials today, including the importance of storytelling and maintaining audience retention on platforms like Netflix.

Notable Quotes:

• Dana Carvey [06:32]: "Mine came out. I'll just answer this in '96."
• Andrew Schulz [19:02]: "So like you pitch it. Yeah, yeah, I'm just going to."

Filming Strategies and Audience Engagement

A significant portion of the discussion centers on the logistics of filming comedy specials. Schulz explains his streamlined approach, utilizing a single camera operator who handles multiple angles, allowing for a more intimate and controlled filming environment. They also explore the differences between performing in small theaters versus large arenas, with Schulz advocating for the former to foster a more personal connection with the audience.

Notable Quotes:

• Andrew Schulz [16:34]: "I have my one guy Shifty who like edited the special and he was like instrumental like directing it."
• Dana Carvey [69:01]: "50 seaters and then I put did it in the 1900."

Content Creation and Material Development

The trio delves into the intricacies of writing and refining comedic material. Schulz emphasizes the importance of storytelling and creating a narrative that keeps the audience engaged throughout the special. They discuss the balance between new, high-energy jokes and established material, highlighting the challenges of maintaining freshness without alienating longtime fans.

Notable Quotes:

• Andrew Schulz [19:26]: "So, so I kind of want to like almost trick people and I wanted like, you know, just regular hard hitting jokes and then eventually you kind of like get into it."
• David Spade [25:17]: "I hear a tick tock story for someone I've never met and they start in the story about a breakup with a guy. And I just sit there and stare."

Impressions and Character Work

The hosts engage in a lively discussion about the art of impressions in stand-up. Dana shares her experiences and challenges in perfecting various impressions, such as Joe Biden and Jimmy Fallon. Schulz appreciates the skill involved and discusses how impressions can enhance a set by adding layers to the performance.

Notable Quotes:

• Dana Carvey [33:00]: "It takes me a long time. It took me a long time to get Biden."
• Andrew Schulz [35:37]: "He’s got a unique way. Does anybody have an impression you do or would like to do?"

Navigating Streaming Platforms vs. Theatrical Releases

The conversation shifts to the strategic decisions involved in distributing comedy specials. Schulz advocates for streaming platforms over theatrical releases, citing the broader reach and immediate accessibility for audiences. They discuss the financial and logistical considerations, including budget constraints and the evolving landscape of content consumption.

Notable Quotes:

• Andrew Schulz [47:58]: "I think streaming is the way to go. I don't think movie theater is the way to go just yet."
• David Spade [50:13]: "We've been asked about it. Any changes."

The Future of Stand-Up Comedy

As the episode progresses, Dana, David, and Andrew reflect on the future trajectory of stand-up comedy. They touch upon the cyclical nature of comedic trends, the importance of adaptability, and the role of personal authenticity in a comedian’s success. Schulz emphasizes the need for comedians to balance staying true to their voice while evolving with the audience’s preferences.

Notable Quotes:

• Andrew Schulz [52:36]: "So whether it's you, somebody else, it's gonna take one. I feel like culture is at the point now where we can be naughty again."
• Dana Carvey [53:49]: "You are the CEO of your career."

Closing Remarks

The episode concludes with light-hearted banter about the challenges of maintaining comedic momentum and the intricacies of editing stand-up performances. The hosts express their appreciation for Schulz’s insights and look forward to his future projects.

Notable Quotes:

• Andrew Schulz [73:24]: "Thank you guys so much, man."
• Dana Carvey [66:59]: "That's for a horror movie."

---

Key Takeaways:

• Global Presence: Andrew Schulz successfully bridges regional and international comedy scenes, appealing to diverse audiences.

• Evolving Distribution: The shift from traditional HBO/Comedy Central specials to streaming platforms like Netflix reflects changing audience behaviors and technological advancements.

• Content Strategy: Storytelling and authentic engagement remain crucial in crafting compelling stand-up performances that resonate with both live and virtual audiences.

• Impression Skills: Mastery of impressions adds depth to a comedian’s repertoire, enhancing their ability to connect and entertain.

• Future Outlook: The stand-up landscape continues to evolve, with opportunities for innovation in content delivery and audience engagement.

---

Notable Quotes Summary:

• David Spade [03:16]: "He's got good hair. Check out life."
• Dana Carvey [06:32]: "Mine came out. I'll just answer this in '96."
• Andrew Schulz [08:14]: "I'm like, I have, I have, I have my markets."
• Dana Carvey [19:02]: "So like you pitch it. Yeah, yeah, I'm just going to."
• Andrew Schulz [16:34]: "I have my one guy Shifty who like edited the special and he was like instrumental like directing it."
• Dana Carvey [69:01]: "50 seaters and then I put did it in the 1900."
• Andrew Schulz [19:26]: "So, so I kind of want to like almost trick people and I wanted like, you know, just regular hard hitting jokes and then eventually you kind of like get into it."
• David Spade [25:17]: "I hear a tick tock story for someone I've never met and they start in the story about a breakup with a guy. And I just sit there and stare."
• Dana Carvey [33:00]: "It takes me a long time. It took me a long time to get Biden."
• Andrew Schulz [35:37]: "He’s got a unique way. Does anybody have an impression you do or would like to do?"
• Andrew Schulz [47:58]: "I think streaming is the way to go. I don't think movie theater is the way to go just yet."
• Andrew Schulz [52:36]: "So whether it's you, somebody else, it's gonna take one. I feel like culture is at the point now where we can be naughty again."
• Dana Carvey [53:49]: "You are the CEO of your career."
• Andrew Schulz [73:24]: "Thank you guys so much, man."
• Dana Carvey [66:59]: "That's for a horror movie."

---

This episode provides an in-depth look into Andrew Schulz’s approach to stand-up comedy, the evolving landscape of comedy specials, and the strategic decisions that shape a comedian’s career in the modern era. Whether you’re a fan of stand-up or interested in the mechanics behind it, this conversation offers valuable insights into the art and business of comedy.

Transcript

[Dana Carvey]

This is a message from sponsor Intuit. TurboTax Taxes was waiting and wondering and worrying if you're going to get any money back. And then waiting, wondering and worrying some more. Now taxes is matching with a TurboTax expert who can do your taxes as soon as today. An expert who gives your taxes their undivided attention as they work on your return while you get real time updates on their progress so you can focus on your day.

[David Spade]

An expert will find you every deduction possible and file every form, every investment, Every everything with 100% accuracy, all so you can get the most money back guaranteed. No waiting, no wondering, no worries. Now this is taxes. Get an Expert now on TurboTax.com only available with TurboTax Live full service real time updates only in iOS mobile app. See guarantee details at TurboTax.com/guarantees. Dana it's award season, which means we're due for some classic red carpet combos like strapless dresses and statement necklaces or acclaimed directors and long acceptance speeches.

[Dana Carvey]

But you know what? Look always pairs perfectly together. Discover and cash back. You see, Discover automatically matches all the cash back you've earned at the end of the first year, which is a.

[David Spade]

Look that will always serve. It pays to slay. It pays to discover. See [e-mail] credit card.

[Dana Carvey]

Our guest today. Who is our guest today? Let everybody know.

[David Spade]

David Schultz. Pretty big comedian out there. A guy I don't know really well. I do think he's very funny, though, and I've checked in with him here and there. He was on the roast with Tom Brady. That's how a lot of people, right, would maybe know him on a bigger scale, even though he does do theaters all over, of course. Big comic out there, has a podcast. Kind of a controversial guy, which is good. Shakes it up and a lot of fun. We had a great chat with him. Mostly we talked a lot about stand up and a lot about how to film specials, how to sell them and what works out there these days.

[Dana Carvey]

Yeah, two interesting things. One is he is very much a powerhouse out there. He's very high energy and he, and he steps outside the lines. He's definitely edgy, extremely funny. Then we got him on our show and he's, he's kind of sweet and humble. It's sort of funny when you see this dichotomy of the performer and his real personality. Number two, he says he's, he plays arenas regionally, but he's, he's huge in Dubai. Oh, yeah, he did huge in Australia. And so he films a lot of stuff even between his specials. So he's a one man band. He's an ecosystem, He's a business. He's very savvy and smart about stand up. And like David said, he a minute ago, his special takes a turn and it's a story, a sweet story about him and his wife trying to make a baby.

[David Spade]

Baby. Yeah.

[Dana Carvey]

And all the stuff that happens life on Netflix.

[David Spade]

And he's got good hair. Check out life. And here's Andrew Schult. Thank you.

[Andrew Schultz]

This is a huge, this is a huge honor, guys. I just want to let you know, this is a huge honor. I'm sure you guys get this all the time, but I really appreciate it.

[Dana Carvey]

Let's see, when Wayne's World came out, you were eight or nine. Yeah. So I get it. 41. But you, but you read at a 44 year old level. I understand.

[Andrew Schultz]

I'm high. I'm high.

[David Spade]

Yeah.

[Dana Carvey]

But your specials are awesome. They're powerful, man. And I guess it's your generation. But the beginning of, of the one, the recent one on Netflix is so cool, where you come out, you land two jokes. Like a cold opening. The way it opens and your dad introduces you and then it's a shot behind and it just says the name of the special. Gigantic. I mean, it's like we would crawl out in the 90s. What's up? It's just like it's an event. The way you.

[Andrew Schultz]

How much control did you guys even have with like how specials looked when.

[David Spade]

You guys were doing none?

[Andrew Schultz]

Was it so HBO would just be like, hey, show up, do the material and then we'll handle it?

[David Spade]

You know, I remember backdrop. What do you want your backdrop? I had an old one called Take the Hit and they said you wanted. I want to do. I want to do in Arizona. And they said, what do you want your backdrop to be? And I'm like, cactuses. I mean, it's like so stupid. It was like a desert.

[Andrew Schultz]

Yeah.

[David Spade]

It was just like, I go, maybe live coyotes. But what happened is no one actually looked at the back. And, and also you just wanted to be enough to not take away from what you're doing or you disappear in the back, what you're wearing. So it's all complicated. It just isn't any good.

[Andrew Schultz]

What was it like? Like so, so back then.

[Dana Carvey]

I love guests that ask questions.

[David Spade]

I really don't back then.

[Andrew Schultz]

No.

[Dana Carvey]

I love that you're curious.

[Andrew Schultz]

Okay, okay, okay. Because like, I, I was coming up at like the downfall of the Comedy Central special.

[David Spade]

Okay.

[Andrew Schultz]

Right, like, yeah, there Was a moment like when I was. When I was young. Young. I remember, like, the delirious is. I remember watching, like, Mario Chris. Like, I remember these, like, events. I remember going to watch a Martin Lawrence special in a movie theater.

[David Spade]

Yeah, yeah, yeah.

[Andrew Schultz]

It was. They were just these, like, insane spectacles, Right?

[Dana Carvey]

Yeah.

[Andrew Schultz]

And then. And then, like the Comedy Central, like, half hours, I think it was like, you know, you would try to get premium blend, Remember that? And then maybe you get a half hour, then maybe you get an hour. And I remember, like, those, like, impacting people's careers less. When you guys were doing, like, your first specials, was it like the next week you couldn't walk down the street? Were you already so famous it didn't matter? Like, could you feel? People watched it?

[Dana Carvey]

Mine came out. I'll just answer this in 96. I'd already been on SNL and it was an analog world. So as a. Just to be pithy, I never, you know, I don't know how you name your specials. I just called it Critics Choice.

[Andrew Schultz]

Yeah, I saw that.

[Dana Carvey]

Five stars. So for years, my sister would call me, and then I was on cable tv, Comedy Central playing on a loop. She goes, you got Critics Choice again. So. But it was pretty. It was a much bigger impact then.

[David Spade]

Yeah.

[Andrew Schultz]

So you felt it like, you felt like people were. It was appointment viewing. People were watching.

[Dana Carvey]

Once it got off HBO and was on Comedy Central a lot, you know, but that.

[David Spade]

Oh, Dana was yours.

[Dana Carvey]

Hbo, I believe.

[David Spade]

I think that was the only game in town, really. When I got mine on, I was on maybe SNL or Just Shoot Me. And then it was. It was a big deal because I didn't really know it was a big deal. We got paid pretty well. And I remember HBO only did a couple, so, yeah, it was very rare. And that it did have an impact on the standup. I didn't chase the stand up as hard because I was working. And then I got more into stand up later, back into it. But they were. Your question is. Yes, it had a little more impact. And now stand up's everywhere. And it's on your phone and it's clips and it's people doing crowd work. So you go, is a special important. It's very hard to stand out still. Is it a game changer from this.

[Dana Carvey]

Generation'S point of view to whatever, 2016, 2017, and people like yourself and Nate Brigazzi, I don't know, Tom Segre, you know, name them. They, Matt Rife, whatever, Sebastian. There's this phenomenon, Places of Gigantic. And you're super global, and you're killing in Dubai. And with these inside jokes and tagging them with your material, which is. It's a nice thing to listen to because you don't feel like you're doing crowd work. You feel like you're legitimately asking questions or making statements. Anyway. Speak to this phenomenon of Andrew Schultz from. Compared to, like, 2016. I mean, I think.

[Andrew Schultz]

I think. Okay, I think there's, like. There's definitely levels. Right? Like, it's like, I think, like, Nate and Sebastian and, like, Shane. Like, I think they're doing in every city they go to. And I think I'm like, a regional arena act.

[David Spade]

Yeah.

[Andrew Schultz]

You know, there's some.

[David Spade]

That dude, Jo Koy goes different spaces. It's bigger, smaller.

[Dana Carvey]

Yeah.

[Andrew Schultz]

Where are you losing most in the Middle East? I was joking around with Tim Dillon. I was like, listen, if you do, like, a decade of women are annoying jokes, like, you'll sell a lot of tickets.

[David Spade]

Women are annoying.

[Andrew Schultz]

So. But, yeah, so it's like, I'll have my markets. But it is kind of weird because usually that's. Usually white guys aren't like that. You're right. Like, usually there's, like, an Asian dude will crush in, like, San Francisco, Hawaii, Irvine. Right. So I kind of. I had. I have, like. I'm like an Asian arena. That's kind of what I am.

[David Spade]

That's what I think.

[Andrew Schultz]

Like, random international places, like.

[Dana Carvey]

So.

[Andrew Schultz]

Yeah, it is. It is a. Yeah, it is. It is cool. It's fucking awesome. I don't know what to tell, like.

[Dana Carvey]

Well, yeah, well, you're owning it. I mean, you're not, like, nervous out there. You're not. I mean, you have. You have. When I get comfortable, you put the foot. One foot's on the monitor, and you're playing to 20,000 people. And this is what you would do at a little, you know, hole in the wall. One foot's on the thing, and it denotes. I'm relaxed, man. I am in total charge here.

[David Spade]

So would it be easier to request a step stool out there? It wouldn't look as cool.

[Andrew Schultz]

I guess I just want.

[David Spade]

To look like George. The front of a boat. What about. I have a question about when you do these. I just talked. I think Segura went overseas and Overseas, I think when they told me once, do you want to go overseas? They go. What they do is they'll put you in a couple of small, you know, like, clubs or maybe a small theater. Let's see how it goes. See how famous. See if anybody gives a And come back, and then the next time you have a gauge, I'm like, wait, go twice. So, like, Dubai and stuff. I don't know. Because you must have bigger themes. I mean, you can't mention Ralph's. You can't talk about Sepulveda. You can't. And that's the hard part. The bigger you get, you have to go, this has to work for everyone. And I remember Rock, Chris Rock, I used to say, you're smart. You go politics. You go relationship, marriage. And those will last you 40 minutes. And those. At least everyone gets it.

[Andrew Schultz]

Yeah.

[David Spade]

Is that what you need over there?

[Andrew Schultz]

Listen, I got lucky that my sperm doesn't work and everybody wants to have a family, or a lot of people like having family. Okay? Like, that was a kind of relatable story that I ended up telling. But what I noticed about, like, Abu Dhabi specifically, like, is that they're. They're more connected with American culture than the English because they. A lot of them are all educated here and in, like, real America, like Tennessee State, not NYU or ucla, like, some rural American colleges. So they know all the references. But if. When you go to Amsterdam, like, they are. Those are. Those. Those are some tough shows, bro. I'm. I'm not gonna lie.

[David Spade]

Those are some tough. I'm sure they can. It's not even gonna fall. It's just you pop in and you're like. I think they were saying some of these cities were tough, and some were, like, full crickets, and some were great. And you're like, I just. You don't even know. You don't know why. And probably someone does better as a special. Full crickets. Dude, I had full crickets. The Laugh Factory the other night. I'm like, what's going. What, am I getting worse at this point?

[Dana Carvey]

That's got to be a meme or something. But what you did in Australia is you're. You backed into jokes about the Aboriginals there.

[Andrew Schultz]

Oh, yeah. You know, I like doing that. Like, I like. I like going to places and, like, writing some. Some jokes, like, the day of, and then seeing if it goes well. But it. I like talking to people when I'm in these places and I'm trying to get information and see, like, what they're proud of, what they're embarrassed of, and, like, writing some stuff about them that they wouldn't maybe expect me to know. And. Yeah, what I find is, like, if I can. You know, sometimes it goes well, sometimes it doesn't. But if it does go well, the rest of the show goes really well, because I think everybody there goes, oh, okay. Like, he, he cares about us. He's not here.

[David Spade]

Right. They like something local for sure.

[Andrew Schultz]

They're like, he's made an effort and, and he's interested in this place and, you know, so that tends to. Yeah.

[Dana Carvey]

Here's an oversized laugh I got just the other night. Sorry, I'm playing Some Valley. We're flying in to catch him. And I said, man, I, I, oh, some Valleys. That's the place I'm playing. I mean, catch him. I just thought it'd be a complete shithole. So that got such a big laugh because it's out of the blue in.

[David Spade]

Sun Valley, Idaho, the clueless guy.

[Dana Carvey]

I just thought, catch him. Be a shithole, man. It's great. But the laugh is so big when it's local, and I was doing that since the late 70s. I mean. Yeah. And I fight always a few jokes about the place and what's the shitty town that they'll laugh at.

[Andrew Schultz]

Yeah. Yeah. And also, like, what is some, like, weird. Like, every place has a big story. You know what I mean? Like, they're not talking about Elon over there or fucking Trump or whatever the politics is. Like, whatever their local shit is, is fun. So, yeah, you know, how can I pull that? Like, there are all these. It was all the Israel, Palestine protests when I was in Australia, and there was all these Australians, like, give them back their land or whatever. So the joke I had is like, there's some Aboriginal dude watching these white Australians give them back their land. So it's like, like the joke. That joke would work in New York, but.

[David Spade]

Right.

[Andrew Schultz]

Yeah. In Australia.

[Dana Carvey]

Crush.

[Andrew Schultz]

It really. It really goes. So I, Yeah, I try to, I try to write a joke that I would use anywhere, but, yeah. Is the epicenter of where it would get the best reaction.

[David Spade]

But you're also auditioning. Like I asked. Or I was thinking if you were in Ireland, because these guys just went to Ireland, I go, would. Conor McGregor's just running for president. Do you say that? Is that something. You don't even know what side they're on. You start something and they like it or they don't like it.

[Andrew Schultz]

I mean, yeah, I was. When I was in Ireland, I was. The guy who's president now is like, he's almost like an Irish stereotype. Have you seen what he looks like? No, he's like 4:11. Like, he looks like what you think. Like an Irish carries a conical. Like, literally, like, he is a leprechaun, whatever. And so I was having some Fun with that. And it's interesting because I was teasing him but you could tell they really like him. So they were like laughing but they were also there was, he's good.

[David Spade]

Like careful, careful. Yeah.

[Dana Carvey]

I have a lot of Irish relatives. They're, they're underdogs, they're, they're amazed how much we love their country, you know. But I would say that when you do ad lib something that's new that day that you thought of that day and you get a laugh then you're just kind of alive in the frame. I mean I can tell by watching you like because then you're going to go into your, your tried and trues because that's how you do standup. But every time you do something that's fresh just lightens the whole show up, right?

[David Spade]

Oh it lights yourself up too. You think you're good.

[Andrew Schultz]

Also like, like, like Australia was kind of almost like cheating because I got to do like four or five shows before I did that one where I, I put out the, the Australia material. Like usually I just got to think of it the day of, but this was, I got to work it out a few days right. Find the bits or whatever. So that's always fun when you're, you're away but it's just rare that you can go to a place where you just go to a country and tour five places.

[Dana Carvey]

And I, I just have to because we didn't do this either. But you, you, you're taping, you have your specials and then when you travel the world you've got a five camera crew or something. Is that. And then you use it.

[Andrew Schultz]

Yeah, we do, we have, I have my one guy Shifty who like edited the special and he was like instrumental like directing it. And he's this kid, he like came start working us when he was like 18 years old. It's like unbelievable. And he, he brings five cameras and then he just sets them up and then just hits record. So we don't have like this whole crew. We just have one guy that's doing.

[David Spade]

Looks like a special.

[Dana Carvey]

I go did. He has another special I wasn't aware of.

[Andrew Schultz]

You know, that's, that's the we can do now. It's, it's, it's kind of crazy, right?

[Dana Carvey]

It's very, very smart.

[David Spade]

Well, it's also takes away from the fear of like I just did mine. It comes out soon. I wanted you to have you on so I could plug mine. But no, it comes out but Andrew Schultz, it's hard to do the two In a row show. The typical sort of cookie cutter thing for comedians is get maybe a theater, two shows in one night, cut them together, do your best. And I didn't do any tricks, really. I sort of regret it. I was just telling Dana before there was no, like, super tricky way to get in. And then you're getting algo briefings, like, it's gotta be the funniest in the first and then all your bad material at the end. I'm like, what bad material? Like, oh, you want us to tell you? And I'm like, no, no, no.

[Dana Carvey]

They'll tell you, hey, David, you're close.

[David Spade]

To open with your closer. And I'm like, wait, what's going on? So you gotta just try to get them and all that stupid shit.

[Andrew Schultz]

Yeah, I saw Bert talking about that a little bit, I think. And, yeah, like, I don't know, I, I, I guess it's like, I don't think any of us have ever opened with something bad.

[David Spade]

Yeah, you know, get him going. That's, that's the second hardest thing is a closer opener might be harder. You got to get them going and if you don't get them going, you don't. You lost them.

[Dana Carvey]

So I went into the intersection Netflix and they do every minute. You made it to 12 minutes or 13 minutes. So it's like as if you're playing a where constantly people are leaving. Like there's just, you start out whatever and they're leaving. And by the end you've got like.

[David Spade]

12 Wembley and everyone.

[Dana Carvey]

So you have to do it special is if every minute they want to go try and watch something else, you know. And so, but I think what you're doing is great. Just continuing.

[Andrew Schultz]

If you do a, like, with mine, it ended up being a story like, I didn't want to do a one man show. I feel like, yeah, like I, I, it kind of is almost like that because there's like a serious moment or whatever. But I feel like sometimes when you say one man show, you're almost like asking people to like, reduce their comedic expectations.

[David Spade]

So, like, I hate it.

[Dana Carvey]

Yeah, definitely.

[Andrew Schultz]

Or immediately hate it. Yeah, yeah. But, but if, but if it really.

[David Spade]

Is a one man show. But don't call it that.

[Andrew Schultz]

But if, if you call it a woman show and they hate it is because they're not smart enough. Didn't you know that?

[David Spade]

No, I did not.

[Andrew Schultz]

Oh, yeah. I mean, like, all right. Yeah. You, if you must not be smart enough to understand this high. Yeah, it's got a one man show intelligence, you know, yeah, yeah.

[Dana Carvey]

The guy who doesn't have jokes, he calls it a one man. But yeah, Jay is a purist and he understands that.

[Andrew Schultz]

So, so I, I, so, so I kind of want to like almost trick people and I wanted like, you know, just regular hard hitting jokes and then eventually you kind of like get into it. And what we found, I guess Netflix told us they're like, yeah, the retention, like the watch through to the end was like insanely high, you know, because.

[Dana Carvey]

They'Re invested in this story.

[David Spade]

Oh, a story. It's like a long story. Yeah, it's like a phone. Yeah.

[Andrew Schultz]

So like you pitch it. Yeah, yeah, I'm just going to.

[David Spade]

It's just like being on a phone call. Yeah.

[Andrew Schultz]

You ever call your mom? Yeah, it's like that.

[David Spade]

It's like that.

[Dana Carvey]

So that's the first time you really, at the, at the end, you're sentimental, specifically sentimental. And you're getting oz and stuff. You haven't tried that before. But it, it's interesting.

[Andrew Schultz]

I just, I, I thought my life was boring. My whole career I was like, I felt like my opinions on were better than like anything going on in my life. So I never talked about anything personal. And then like when it was hard to get my wife pregnant because my sperm sucks, it was the only thing I could think about. So I started like writing jokes about it and then, yeah, it ended up and it turned into this. So it's cool.

[David Spade]

I saw a video of your sperms at the finish line. They're like this. They're not quite making it.

[Andrew Schultz]

Yeah, they're just, they're just kind of falling.

[David Spade]

It's a video that's going around. Yeah, you gotta see it, dude. Yeah, you gotta see it.

[Andrew Schultz]

People are tagging my sperm in like pictures of the governor of Texas.

[David Spade]

I like that. It's called life. Instead of like jizz patrol or something. You could have really ruined it with the title.

[Andrew Schultz]

They wouldn't be doing much patrolling. It's just more like just standing here checking it.

[David Spade]

Where's the egg? We got 10 minutes left. Omaha. Omaha. Dana. That's what Peyton Manning used to yell out. Oh, yeah, Omaha Steaks. Did he yell stakes too? I don't know. Maybe.

[Dana Carvey]

I don't know. Omaha Steaks. You know, David, you may not know. This delivers the world's best steak experience. Brings people together. More than 100 years of family owned expertise as, get this, America's original butcher.

[David Spade]

Yeah, listen, everyone's heard of Omaha Steaks. Yeah, they got their legendary filet mignons. They're extra age. To maximize tenderness. I like a good tender filet. I don't. Sometimes I get these and they're just rough. But these guys take pride in this.

[Dana Carvey]

I'm going to go out on a limb and just say when you get a steak, you want a high quality steak. Now you could get an inexpensive bologna sandwich or something, but with a steak, you want it to be high quality. And now during their semi annual sale. Do you know what that means? And you get.

[David Spade]

Yeah, you get 50 off site wide at Omaha steaks.com plus our listeners get an extra on top of that. $30 off with promo code fly at the checkout.

[Dana Carvey]

I like that this sale only happens twice a year, so don't miss out on your chance to save on handcrafted steaks, beefy burgers. I'm getting hungry. Premium chicken and so much more.

[David Spade]

Oh, yeah. They could almost say biannual does not mean twice. My crazy.

[Dana Carvey]

Yeah, biannual. There's lots of ways we'll get into that next time we talk about.

[David Spade]

This is heartland quality food delivered right to your door. That's the convenience. It's winter. You might want to throw some on the grill on the barbie. So listen. Exceptional handcrafted flavor, convenience, all the things you want to hear. Unrivaled quality, variety. Every bite is backed by their 100 guarantee. And every steak is perfectly aged to maximize tenderness. That's what I'm looking for. Hand cut by master butchers. Yeah.

[Dana Carvey]

Omar Steaks, America's original butcher since 1917. These people know what they're doing.

[David Spade]

Yeah. Don't miss the semiannual sale at Omaha Steaks. Visit Omaha Steaks.com for 50% off site wide and an extra $30 off. Use promo code FLY at checkout.

[Dana Carvey]

That's 50% off at Omaha Steaks.com and an extra $30 off with promo code fly at checkout.

[David Spade]

Some people follow the rules, but where's the fun in that? I'm Soraya and this is Rule breakers, the podcast where we celebrate the rebel.

[Dana Carvey]

The misfits, and the ones who make their own way.

[David Spade]

Every week I sit down with the biggest rule breakers in sports, entertainment and beyond to talk about the wildest moments, toughest lessons, and why breaking the rules might just be the key to success. Follow and listen to Rule breakers with Soraya, an Odyssey podcast available now for free on the Odyssey app and wherever you get your podcasts. But I agree that it is funny. It's fun to tell stories is because people will say you should do this joke or this is a funny joke. And I do have some jokes, my act. But I do love telling stories because it's the only thing that's more of a fingerprint to you. Because yeah, I do do stuff at the airport. I do it about this and common denominators, but I'm trying to do my version of that. And longer stories are more fun for some reason, just maybe because I'm older, to go, let me just tell you this thing. And then that's more true to me than going, I don't think anyone else is going to tell this story like this.

[Andrew Schultz]

Also, also, like we get a sense of you. Like your personality shines through because it's how you acted in that moment. But, but also I think that like if, if somebody walks into a room and goes, guys, I gotta tell you this story, we're gonna give them 10 seconds. If it's boring after 10 seconds, we'll probably go. But everybody likes a story. It's like our earliest form of digesting information. Like if you just give me a bunch of facts, I'm gonna kind of look the other way. If you tell me some shit that happened, I'm kind of locked in. Like I'm rooting for you in your story. When you tell me something happens, I want it to be good.

[David Spade]

I hear a tick tock story for someone I've never met and they start in the story about a breakup with a guy. And I just sit there and stare. Like, why am I even listening to this?

[Andrew Schultz]

It's like 30 minutes.

[David Spade]

It starts and everyone starts. I like it.

[Dana Carvey]

I go, I've actually told young stand ups who've asked my opinion in little teeny clubs. I said, pretend you just saw something on the street and you just came in. Talk to your friends. Because usually when you tell a bit the first time, you're urgent about it and you're very specific. And then you start to lose it. And Jerry Seinfeld says, oh, check the setup, check the setup, check it out, troubleshoot it. You gotta check the setup because put.

[David Spade]

It up on the rack.

[Dana Carvey]

You know, that is statement.

[Andrew Schultz]

Like the first time you tell a joke, you think it that you like and does well, you think it leveled the room. And then you go look at like the video audio and you're like, oh, like five people left. But yeah, it's just new to me.

[David Spade]

One loud guy.

[Andrew Schultz]

Yeah. And then it goes away. That's so true. Like the same joke, the same words.

[David Spade]

Your excitement also when you say one and you say it off top of your head. And if you didn't Tape it. I mean, I'm. Everyone's different, but I hope they record it on my phone when I go to the Comedy Store or whatever, because. Yeah, when I audition these. These turds, and then I smash them in between two jokes at work, you know, and then I do one in the middle. But if it somehow works, I have to remember inflection when it was in the set, how it worked, what happened. Because sometimes I go, oh, I got that one. Next night, I say it. Nothing. And I go, nothing. What was the magic? What worked? What? And all that is so important.

[Andrew Schultz]

Yeah. Sometimes, like, sometimes you'll. You'll work on a joke and then get it really good, and the joke in your set that follows it can no longer follow it.

[Dana Carvey]

Oh.

[David Spade]

Gets hurt by it. Wow.

[Andrew Schultz]

Yeah, it's like it's not strong enough after how good this joke is. Yeah, it's.

[David Spade]

Stand up is the best. Sometimes you got to tell your joke. I'm moving you up to closer. That's a great feeling. Yo, I'm gonna try this. It seems to work enough. I'm putting it at the end, and you go, fuck, I have a new closer. Oh, that's so great. Because then the other one can do a little tent pole heavy lifting in the middle.

[Andrew Schultz]

What's. What's the deal when you guys go to the store? Like, do you have to respect the light, or are you just at a point where they. It's a suggestion.

[David Spade]

Yeah. I go. I go. When I go, how long to do? They go, 15. I go, great. They go, when do you want the light? I go, at 30. But there's a lot of guys that get the light. I won't say names, but they literally.

[Dana Carvey]

Get the light, and then they start going, names. Come on.

[David Spade]

So what else is going on? I go, no, no, that's not what else. That's. Wrap it up, guys.

[Dana Carvey]

Elbow is on the mic stand. They've already done 20.

[David Spade]

Where guys from? I'm like, no, we know where they're from. We don't care. It's over.

[Andrew Schultz]

This is my favorite. Like, the. This is the. This thing that's like. And this has always existed, but it's really popular now, like, the. The comics pretending that they don't care. So they'll have, like, a notepad on stage, and they're like, look like, all right, what else do I got in here? And then they'll look at the page and then do a joke they did in their last special. It's just like, yo, fully formed bit. Yeah, yeah, it's okay.

[David Spade]

To. We care.

[Andrew Schultz]

It's okay to try. We all try where we want to do. Well, you don't got to bring a prop on stage. Leaf through it.

[David Spade]

By the way, it does better if you have a notebook because there's something about going, guys, what do you think of this? And then you read. They're like, that's pretty good. And then you really, like. They go, well, not good enough. You real act. But for this little thing. You just thought of it.

[Andrew Schultz]

Sure.

[David Spade]

This wispy idea. Yeah.

[Andrew Schultz]

Keep moving.

[Dana Carvey]

Do you guys, like. I mean, when you do a group show at the Comedy Store and there's like eight, nine people, doesn't it become like a de facto competition? Like, people you're not even thinking about? Oh, man, you're one of the best tonight. Or you were this, like. I don't really like one of group shows.

[David Spade]

Yeah, it's grow.

[Dana Carvey]

But you're all right.

[David Spade]

Do you do the Store a lot or not?

[Andrew Schultz]

When I'm out there, that's where I'll. Well, I'll come.

[David Spade]

Oh, right, you don't live. I don't see you there.

[Andrew Schultz]

No, I'm in New York, man. So.

[David Spade]

Yeah. So you just do that run. You have way more choices. You can run all over. Right.

[Andrew Schultz]

Yeah, there's. I usually just do the Cellar and the New York Comedy Club. The Cellar has, what is it? One, two, three, four rooms.

[David Spade]

Yeah.

[Andrew Schultz]

Yeah. So it's like. It's literally like, I got a kid now, so I can go there for an hour and a half and do four shows, or I can bounce around the whole city for four hours.

[David Spade]

Yeah.

[Andrew Schultz]

And now, like, okay, let's. Let's get the work in.

[Dana Carvey]

I didn't realize that. That's fantastic. Go to one place, basically, and have four audiences. Boom, boom, boom. And then get out.

[Andrew Schultz]

Yeah, you can.

[Dana Carvey]

I don't even know that.

[Andrew Schultz]

It's kind of like, Store has, what, three rooms? You guys bounce around.

[David Spade]

Oh, yeah, you're right. Go upstairs, do the belly room.

[Dana Carvey]

I don't know. I don't practice much, but anyway, I'm down to the nubs. I mean, I'm like. The only thing worse than having hits is not having hits.

[David Spade]

So, dude, you know what I've seen?

[Andrew Schultz]

Interesting. What I've now is that, like, you know how, like, everything in comedy just goes through these, like, cycles, and, like, people new to comedy don't get it because they haven't experienced, like, the last cycle. Like, impressions are really popular now. Have you noticed that?

[Dana Carvey]

Well, for me, it's. I just. That's all I do impressions and characters now. I'm not trying to tell anything, but just nail those.

[Andrew Schultz]

No, no, what I'm saying is we've known that, we've known that about you for, for decades. And then, like, things go up and down in popularity. And I think, like, with Trump and probably Shane's like, does.

[Dana Carvey]

Shane does.

[Andrew Schultz]

He does a great version of. And I think with the popularity of that, I've seen a lot of other people working in impressions, and there was times, like, when I was coming up where, like, people weren't doing impressions.

[David Spade]

Yeah.

[Andrew Schultz]

Like, crowd work is really popular. There's time right now, everybody's, like, annoyed with crowd work and, like, all these things, it's just, it's just so funny. Like, all these things go up and down. Because I remember early on, impressions, like, when I was coming up, like, seeing, like, Eddie, your best friend Eddie go, like, crazy, crazy. I mean, it was, it was amazing with the impressions, you know, Amazing that.

[Dana Carvey]

He didn't lean on him, but he was. Daryl Hammond called him our best impressionist, but he was only. He was doing prior.

[David Spade]

If you weave him into something too, it, yeah. It doesn't look like a big setup. You know, you're just like. They're like, oh, that sounds like that's a superpower. Yeah.

[Andrew Schultz]

Like, I love. Amazing. Yeah, it's, we all love it. Like, there's nobody. It's so funny. Even watching comedians, like, comedians we can be, like, annoying with, with each other when, like, somebody's trying to be funny or, like, sneak in a bit. But when somebody does an impression that's spot on, everybody shuts up. Everyone listens and enjoys, like, especially if you can do another comedian that we're friends with. Do you have any. Yes. Do you have anybody that we.

[David Spade]

Not someone's gonna do Shane, because he grabs the mic funny.

[Dana Carvey]

Yeah.

[David Spade]

He's got, He's.

[Dana Carvey]

Shane has a great laugh. Like, I, I, I told Seinfeld that everyone has, like, a, A little bit of a laugh. With Richard Prior, it was kind of a constant under.

[Andrew Schultz]

Yeah.

[Dana Carvey]

And Shane has a really good little giggle he does after every bit. And he holds the, holds it very much high like this. He's a big guy. But I did, I didn't really realize that. So I'm feeling better about myself right now. But do you have an impression you do or would like to do? Because maybe we can help you out with it now.

[David Spade]

God, we can really coach.

[Andrew Schultz]

Like, I'm bad, too.

[Dana Carvey]

If I can't do someone, I'm terrible. It's a very Painful thing to try to learn.

[Andrew Schultz]

Selective. Like, you can't just mimic everything at times.

[Dana Carvey]

Like, it takes me a long time. It took me a long time to get Biden. I would say like a year and a half. You know, some. And then some are easy. I don't really have any methodology other than exposure. I have to hear something a lot.

[David Spade]

Lot.

[Dana Carvey]

Or hang out with someone a lot. I'll do friends and stuff, but that's all.

[David Spade]

I don't have it.

[Dana Carvey]

I just start talking out loud of myself and it's terrible, you know? And then finally I'll. If it comes to me, it comes to you. I don't have any. I. I see an impression I can't do, and I'm. I'm incredibly entertained.

[Andrew Schultz]

You know what I've noticed is, like, sometimes I see people doing an impression of someone's impression.

[David Spade]

Yeah, for sure.

[Dana Carvey]

Yes. That's the best way. Yeah.

[Andrew Schultz]

Yes. Because, like, you've distilled the four things about the person that, like, he physically does get those little hooks. Exactly. And then. So you did the work. And then I see people doing. Oh, that's just a version of Dana's.

[David Spade]

Right. They cracked. Dana cracked the code. And now you just.

[Andrew Schultz]

But you don't get any credit for it. You don't get any credit for it. Which is kind of up.

[Dana Carvey]

The latest one I am doing, because it's kind of fun, is I've just extrapolated Jimmy Fallon into a thing that I like to. Because I was hanging out with him at 8H ones in New York.

[Andrew Schultz]

Let me see.

[Dana Carvey]

And I did Johnny Carson getting pulled for drunk driving. I've said this a lot, but in 1972. And it's where. Where he. What he had to drink and where he. Where he was drinking at. Oh, sorry, officer. I didn't know I was swerving. I had two slippery monkeys at the hook and crooked. Okay, so that's the setup. And then Jimmy Fallon is like. Oh, my God. Oh, my God. Sorry, Officer.

[Andrew Schultz]

That's insane.

[Dana Carvey]

It's insane. I can't believe it. So it's just this sound collage coming at me. That was just pure distilled. Jimmy Fallon is in crazy.

[David Spade]

Yeah. He doesn't have to say much.

[Dana Carvey]

Yeah. Sometimes it's just a sound. Like, you could. You could do this one. Christopher Walken sees an amazing magic trick. Just quick. Wow, wow, wow.

[Andrew Schultz]

What was that? Yeah.

[Dana Carvey]

Didn't know where the rabbit went. It's like a language, you know? I mean, Kevin Pollock and others that wound down classic.

[David Spade]

Where when someone cracked walking, it Was like, yeah, yeah. Now it's on. Everybody go to this next has walking now and it's so fun. And he's so.

[Andrew Schultz]

What about Gold Bloom? I feel like he talks in a unique way. Does anybody.

[Dana Carvey]

Yes, Elon.

[David Spade]

I think Kyle Dunnigan does perfect. Yeah.

[Dana Carvey]

Version of him. Yeah. I don't.

[David Spade]

Oh, Elon Goal. Kyle Donegan. Yeah.

[Andrew Schultz]

Who's doing Elon Musk? Has anybody done Elon? Good. Because he kind of.

[Dana Carvey]

It's. It's tricky. It's it. We're going to malls. Malls. You know, I mean Kyle Dunning.

[Andrew Schultz]

You have to have a little stutter.

[Dana Carvey]

Go to Mars. I did it for 18 seconds on SNL. I just did him at a rally dog mega. You know, that kind of guy jumping around. But I'm still trying to learn it. Exactly. Because he is kind of soft spoken. Mostly on podcasts. Thinks a lot. We've got to go to Moss. We don't. We simply have to telephone Ball. And he's thinking and the way he looks around. But I'm still coming on to that because I. There's two things. I mean, one is you could do a perfect Biden the first month of his administration, but people wouldn't be assimilated to it. They need to kind of.

[David Spade]

Yeah.

[Dana Carvey]

You know, so we saw a lot of people saw Ellen at the rallies first. I've seen him on a lot of podcasts, so it's a work in progress. Andrew, I will get back to you.

[David Spade]

Yeah, it's tough to crack some of that stuff because there's not like something to bite into.

[Dana Carvey]

You know, my end was I used him as a setup for Trump to get a laugh. You know, I did it on Bill Maher. It's just, you know, he's like, Elon's there and Trump's there with the red tie and say we're going to go to malls sending too much money. We can't sustain it. All that. And then they say Mr. Trump. And Trump says what? He said what? He said, he's a smart cookie. He's a tough cookie. He's a cookie crumble. So I just used him to set up Trump.

[Andrew Schultz]

That's it. That's it. It's word association with Trump. It's like every word's gotta take you a little bit further away than the point that he's trying to even.

[David Spade]

He just thinks of it as he goes on. He just word association.

[Dana Carvey]

He's just cookie. He's a cookie monster. He's a lord of Dune. You remember the Lorna Dunes. Everybody loves the lord of dunes, Trump, is everybody loves them. Everybody loves them. And they. But, yeah, that's one way to use it as a. As a someone who does impressions.

[Andrew Schultz]

That is so funny. That is how he talks, really. It's like every word reminds him. Everybody loves him, love him. Gays.

[David Spade]

He throws in gays.

[Dana Carvey]

Trump will never say so I. So, you know, like, anyone might run out of stream of thought. He never does. We're gonna go with Lorna dudes.

[David Spade]

It's, like, weak to him if you stop a thought. So he just keeps going.

[Andrew Schultz]

Is weak. Yeah.

[Dana Carvey]

And repeating a phrase 5 to 10 or 15 times. Lorna Dunes. Lorna dune. Everyone loves Lorna dunes. You see the Lorna dunes. You look at them and you got them, and they're like. And people like the Lorna dunes.

[David Spade]

Yeah.

[Dana Carvey]

And it works for him. It is. I want to ask you, because you interviewed him, because his dialect, it is so infectious.

[Andrew Schultz]

It's so infectious. And he knows how to use it. Like. Like, for example, when he does that little, like, rev up sound like, we're gonna do it. Like, he's, like, injecting energy.

[David Spade]

Maybe he's slowing down and he feels himself. He's got it.

[Andrew Schultz]

He's like, I'm getting tired. I gotta come back.

[David Spade]

Yeah, yeah, yeah, yeah. But, like, the fries are wearing off.

[Andrew Schultz]

He called it the weave on the show. Like, what you guys are describing.

[Dana Carvey]

Oh, that. He named it on yours.

[David Spade]

Okay.

[Andrew Schultz]

And he was like. He's like. He's like. He's like, yeah. I call it the weave. It's like, I'm in here. I go out there. I come back here, and then I come all the way back around to the point that I was trying to make, and he was. People think that I'm stupid, that I do that. You actually got to be really smart to go all the way back out here.

[David Spade]

He's saying dumb. It's so fun. Surprisingly, it's a very smart maneuver.

[Dana Carvey]

Yeah, I know. He is absolutely hilarious because you're just waiting for, okay, what is the point here? Where now he.

[Andrew Schultz]

He, like. He's, like, keying into, like, thing. Like, he said something without trying to be funny that I laughed at. Like, he goes. He goes. He goes. After he got shot, he goes. He goes, yeah. And it fixed me up. He goes, these country doctors, I'll tell you, you know, And I laughed because, like, it's funny. He thinks that there's regular doctors and country doctors.

[David Spade]

Like, yes.

[Andrew Schultz]

That the doctors in the country are.

[David Spade]

Like, overall, Little House on the Prairie. Yeah.

[Andrew Schultz]

So I laughed at it. And he clocks me laughing. And I swear to God, he hits it in the next three sentences. He's like, yeah, he's country doctors. Yeah, yeah, country doctors.

[David Spade]

See if you'll nibble again.

[Andrew Schultz]

Shopping. Yeah.

[David Spade]

He's like. He doesn't know what the funny part is. He goes, I went to the general store also.

[Andrew Schultz]

Yeah, yeah.

[Dana Carvey]

Oh, because he got a laugh. He was kind of like, wanting to understand. Yeah, right. Okay.

[David Spade]

I like when he goes, someone asked him a question. He goes, another dumb question from an idiot over here. And he's just like, who says that? It's always. That's why comedians love. It's just so funny. You go, who would ever say wish.

[Andrew Schultz]

You almost wish that he was just like. Just make him, like, a royal figure so he doesn't have to be politicized so that we can just laugh without there any being any scrutiny because it's undeniably funny. Like, it's just funny. Another dumb question from another dumb question.

[Dana Carvey]

You're not terrible person.

[David Spade]

Not polite at all.

[Dana Carvey]

You're not a smart cookie. You're not a smart cookie, I'll tell you that much. You know, you're not. You're not a smart cookie. I can tell you. Look at this. I know. The guttural one is such a funny movie that I think is kind of new. But Cookie.

[Andrew Schultz]

Cookie, that's Magic Johnson's wife.

[Dana Carvey]

How'd she not get it?

[Andrew Schultz]

It's just what he's doing. Like, should we all talk like that all day?

[David Spade]

He casually goes in, Magic having trouble with the blood work. But, like, what was that middle part?

[Dana Carvey]

They gotta take a lot of tests. They take them all the time.

[David Spade]

And Cookie comes out, takes a lot of vitamins. He's back on his feet.

[Dana Carvey]

They' There's a lot of that breathing thing too. But, yeah, there's so many hooks and so many things to do with that guy. It's extraordinary.

[David Spade]

Oh, I have a special question, too. Oh, yeah? Ask him more. He's back in his feet.

[Andrew Schultz]

He's up.

[David Spade]

Yeah. Like, why was he laying down below? No, he's. He's back. Magic is fully back now. And they're like, he's back now.

[Dana Carvey]

He is from 35 years ago.

[David Spade]

I know.

[Dana Carvey]

They worked out.

[David Spade]

They got a.

[Dana Carvey]

They had to do a cocktail. They call it a cocktail of pills. It's a cocktail. Excuse me. They had to get the right cocktail. They got the right cocktail of bills. And that seems okay now. But anyway.

[David Spade]

Someone I know just got engaged in, and it's.

[Andrew Schultz]

Oh, boy.

[David Spade]

It's A big one.

[Dana Carvey]

It's a big one. It's the next step in a relationship. And that's why they have, you know, a thing called an engagement ring. What was the Beyonce song? You should have put a ring on it.

[David Spade]

Oh, yeah.

[Dana Carvey]

Pay attention to that. And we know how you can get a nice ring, right?

[David Spade]

You go to Blue Nile. Blue Nile, your engagement ring shopping spot. You got the shape, they got the size, setting, cut, color. It's all very confusing, but you need someone to help walk you through it. That's the place to go. There's one.

[Dana Carvey]

It is confusing, but they make it simple is what I'm gonna.

[David Spade]

Yeah, you go there and they clear it up because I don't know what I'm doing, like most guys don't understand. So that's why going to bluenile.com starts your engagement ring journey. They'll create a bigger, more brilliant engagement ring than you can imagine at a price you'll never find at a traditional jeweler. Since 1999, Blue Nile has been the original online jeweler, and they've always been committed to ensuring the highest ethical standards.

[Dana Carvey]

That's right. Their diamond price guarantee means that in most cases, they'll meet, wait for it, or beat a competitor's price on a comparable diamond.

[David Spade]

David, your gift will say safe because, you know, most people don't want that coming to their house where it gives it away. So the Blue Nile order is insured and arrives in packaging. They won't give that away. In most cases, it's delivered overnight. Listen, because love can last forever, you get free service and repair for life. This is great. Right now, get $50 off your purchase of 500 or more with code [e-mail].

[Dana Carvey]

That'S $50 off with code [e-mail] Blue.

[David Spade]

Nile.com as a small biz owner, you don't have the luxury of clocking out early. This is very true. Your business is on your mind 24 7. So when you're hiring, you need a partner that grinds it out just as hard as you do. That hiring partner is LinkedIn Jobs. When you clock out, LinkedIn clocks in. LinkedIn makes it easy to post your job for free, share it with your network, and get qualified candidates that you can manage all in one place.

[Dana Carvey]

Yeah, I think when you're trying to hire someone, there's a lot of different things you're looking for, but you want them to kind of have your. Your aesthetic, your sensibility. If you were, you could look up those words, David.

[David Spade]

Sure.

[Dana Carvey]

And that's hard to have a chemistry and match. So LinkedIn is going to try to shorten that for that process for you and make sure you.

[David Spade]

Everyone's heard of LinkedIn. I mean, that's why, because it's been around forever, people really like it. New feature can help you write job descriptions and then quickly get your job right in front of the right people with deep candidate insights. Either post your job for free. You can pay to bump it up and promote it. Promoted jobs get three times more qualified applicants.

[Dana Carvey]

At the end of the day, the most important thing to your small business is the quality, quality of candidates. With LinkedIn you can feel confident that you're getting the best.

[David Spade]

David Based on LinkedIn data, 72% of SMBs using LinkedIn say that LinkedIn helps them find the high quality candidates. Share it with your network. Let your network know you're hiring. You can even add a hiring frame to your profile. Get two times more qualified candidates. You didn't know that trick? Post your job for [e-mail] candidates that's LinkedIn.com candidates to post your job for free. Terms and conditions do apply. No, I was just back, going back to his special where you had it and then you bought it back. And I think that, oh yeah, that situation turned out to be, I heard different rumors, but highly successful.

[Andrew Schultz]

Oh yeah, it was, it ended up being the best, it ended up being the best thing for me situation. I don't have any animosity, by the way, for Amazon. Like, I get what they had to do. Like, you know, they, they made a business decision and they're like, we don't want these jokes tarnishing the brand. And I get it. That's fine. I bet you would be different now. Like, I bet just culture's kind of changed a bit, but, but, but yeah, I was able to put out and the people were like so supportive and it was, it was incredible. And then people made a bunch of lies online about how I, I, I told them to, I told them that it would never be available anywhere else. And even though I told everybody if you can't afford it, just steal it on the Internet. And then eventually it would be on YouTube. But it is what it is. You know, you have some, you do something good and it's successful and people are gonna find a way to be upset about it. It was great.

[David Spade]

Was it basically off your website? It's just a click and this is, and you pay.

[Andrew Schultz]

It was like, there's this company called Moment House that was bought by Patreon So essentially, it's like. It looks like it's on my website, but they basically put their mask on my website. So you go to my website and it just kind of like almost forwards it to theirs, and then it almost just looks like it looks like Netflix or something like that or any other place, and you just watch it.

[David Spade]

Because Theo and I were talking about this for this. This indie we just did. And this is one of the things I brought up. I brought up your situation.

[Andrew Schultz]

I said, I mean, you guys could. I think you'd kill it with that. But I also think that there's an appetite. I think there's an appetite for you guys now. I think that, like, I think that there's going to be a lot of excitement about that. I think people would pay for it 100%. But I think streaming is the way to go. I don't think movie theater is the way to go just yet.

[David Spade]

It's a tough decision because I've done movies in movie heydays when it was like big weekends. You're up against this movie. You're. Because this.

[Andrew Schultz]

Yeah.

[David Spade]

And now it's tougher. And I was. When we were going over all the processes of what could be. Because, you know, we sort of did it. Well, we did do it without. We just paid for it and said, absolutely no plan. And it's kind of fun. And people think that's intriguing just because it's awesome. Someone's got to do it. It's like, okay, now what? And then just figure out what surfacing is the best situation. But, you know, when you say theaters, I don't want any stink if something doesn't go perfectly right away because people back off. And I go, guys, I've been in movies that don't do well. It's fucking a dagger. And. And nowadays when it's all these superhero movies and, you know, even if Snow white doesn't make 100 million the first weekend, they're pouncing on it. Obviously it's a budgetary discrepancy with ours, but it's just. It's just optics. Do you want to look like it's a hit? It's very hard to figure out all that stuff.

[Andrew Schultz]

You're 100, right? Because you see, like, the theater empty and the people take pictures, and it's very easy for them to, like, pan the film based on that. But, dude, getting people to leave their house is almost impossible now.

[David Spade]

Like, that's the big trick. It's so easy not to leave your house.

[Dana Carvey]

You don't have to leave.

[Andrew Schultz]

Yeah. And also they don't even know if the movie's going to be good or not. Like, at least with, at least with like a franchise like Batman, you're like, all right, I've seen a bunch of these movies. I'll get the babysitter. I'll take the risk. I'll go. But here's this movie where it's like, all right, well, I love all the people involved in it, but have I seen a movie where they're all in it together? I don't know. I. But if you put that on streaming, like, for me, if that movie's on Netflix, that there's no brainer the first week. You're top 10.

[David Spade]

Yeah, no brainer.

[Andrew Schultz]

Because it's, it's like the investment is so minimal. It's like, if I'm a spade fan, I'm watching. If I'm a Theo fan, I'm watching. I'm sure you guys have a bunch of other, like, cameos from people. Like, it's, it's. And then if it is good, the word will spread and you'll stay in the top 10 forever. But stream extreme. Extreme.

[Dana Carvey]

But what do you, what do you recommend that they do? Do you actually audition it for all the streamers? So Netflix and Amazon and Hulu, they're. They're all, they're all.

[Andrew Schultz]

You need two offers. You don't have one offer unless you have, like, even with my, like, even with my Netflix deal, I had one offer and then that offer changed significantly when we got another offer.

[David Spade]

Sure.

[Andrew Schultz]

And I don't begrudge them for it, but like, they're not in the business of paying you what you're worth. It's just.

[David Spade]

Yeah, yeah.

[Dana Carvey]

There's nothing like another suitor. It's the same thing with single people or something. But sure, they want me too.

[Andrew Schultz]

You know, if I'm, if I'm, if, if I'm Amazon right now, like, if I'm Amazon right now. And I know that, like Netflix, I mean, Theo did his last one on Netflix. Right. So Netflix is like invested in building that guy up. I'm buying the movie just off the strength of just taking.

[David Spade]

Yeah, yeah.

[Andrew Schultz]

Like, yeah. I mean, brand war right there. So to me, that's just like a no brainer. So I would, I'd talk to them. I talked to Hulu, I'd talk to Paramount everywhere.

[David Spade]

We've been asked about it. Any changes.

[Dana Carvey]

We could hire you to be our manager. Is that totally outside?

[David Spade]

No, it's fun to think about it out Loud. Because we haven't seen it. We're going to see it this weekend. This is the.

[Andrew Schultz]

Oh, wow.

[David Spade]

First time. It's been rough together. So we liked. And we shot it. We like the scenes. And I said, I've done a lot of these, I think it's got a chance. So let's see it all in a row. If it's how I picture it, we're in good shape. So. But you know, director's got it, you know how it works. And they get eight weeks. So then we'll go in there and start fiddling with it. But I was like, I have a good feeling. And I've been asked about it from some streamers, like, can we look at it yet? And I'm like, we're not, we don't even know what.

[Andrew Schultz]

We're not there yet. Yeah, yeah, we're not there.

[David Spade]

And it's good because there is interest just because it's a weirdo move.

[Dana Carvey]

But the comedy works. It's huge.

[David Spade]

An R rated comedy.

[Dana Carvey]

Movies are made every year.

[David Spade]

I don't know. I mean, I kind of know why they don't, but I, I think they've slowed down. I mean, Sandler is responsible for most comedies out there. Like he has a deal. So he either produces them or he's in them. And that's a big chunk out there.

[Andrew Schultz]

Yeah.

[David Spade]

And that's on streamers.

[Andrew Schultz]

So I think, I think we're like, we're basically one successful R rated comedy away from having like another decade of really funny R rated comedies.

[David Spade]

Yeah.

[Andrew Schultz]

So whether it's you, somebody else, it's gonna take one. I feel like culture is at the point now where we can be naughty again. Yeah, just give and if one goes.

[David Spade]

Yeah, we're gonna have some fun. Then people start ordering them.

[Dana Carvey]

They have some edgy jokes in there. Spade has told me. I mean, funny but, but definitely different than, you know, you guys, you guys.

[Andrew Schultz]

Have been entertainment for especially Hollywood for long enough. Like you, everybody, what is it? They say it's a race to be second or something. Like nobody, nobody wants to put their balls on the line.

[David Spade]

Oh yeah, yeah, right. We'll make one thing happen, then follow. Then you go, okay, that works.

[Dana Carvey]

I was just gonna ask the question or the observation that like looking at yourself, you coming up at this time, it's like you're the CEO of your career. You can either self produce or not or you're not asking for permission. You're not auditioning much. You're not trying to meet corporate entities to help you. You're the CEO of Andrew Schultz. And so that the freedom that people have with social media to pump everything. YouTube is extraordinary and vent, and I think it's great. It's a different world than what we came up in.

[Andrew Schultz]

Yeah, there's. There's a lot. A lot more freedom, that's for sure. And like, if now is the time, if you just want to create shit to do it, you know, obviously, like, making films and TV shows is so expensive, then, you know, you got to find a way to raise some money. You guys are able to do it, but you guys are all rich, successful dudes.

[David Spade]

You know, we put most of it ourselves, so. And that's a good way, if you can, to just say you want to just greenlight this right now and go.

[Andrew Schultz]

And I think fortune favors the brave. Whatever that cliche is, I think it's true. And I think that basically everybody's afraid to do cool, but once it's there, everybody wants to buy it. So I don't know what you guys spent on it, but you guys decide the price, like, right. You know, you could. Why is it not $100 million movie?

[David Spade]

Who knows, right, if it's gonna do. I remember when they were paying a lot for comedy specials out of the blue, remember? I think the.

[Andrew Schultz]

The top was they've got like 20 million or something like that 30 million of clip, like it used to be.

[David Spade]

Like 2, 3 million, whatever was the biggest. And then suddenly it jumped huge. And I asked someone at one of those streamers, and they said, because if we do a movie with that person, it will cost us 20 to 30 million. So we're paying 20, and we're gonna do four times the views on a special than a movie. So it's really saving us money in a weird way. And I was like, I didn't look at it that way, but they could have gotten them everybody for cheaper. And I think they got back down to earth after a couple of those real quick.

[Dana Carvey]

I think it shifted. Yeah.

[David Spade]

I remember when Amy got 11 and said it was not enough. She said, why aren't I getting 20? And I'm like, wow. And she got. I think they kicked her some more. Yeah, well, because it was that going out there and saying, that looks bad.

[Andrew Schultz]

Yeah, yeah, yeah. That's when you could kind of use the. Yeah, you could use like sexism or racism for a little.

[David Spade]

I mean, it's hard to say with its rock and chappelle. I mean, it's. It's ballsy to step forward and say, give me that. We're the same. I mean, I wouldn't. I'm not there.

[Dana Carvey]

It lets you know where you are in the ecosystem and show business. When, you know, people are getting 20 or 30 and then you.

[David Spade]

It's all supply and demand. If they feel worth it, they're gonna give it to, you know what they're doing.

[Dana Carvey]

I understand.

[Andrew Schultz]

You know, offer it to you. That's the thing. If somebody else is going to offer to. Do you know where you're going with this one that you just filmed?

[David Spade]

Yeah.

[Andrew Schultz]

Or can you mention or.

[David Spade]

I don't think I can because we have a press release coming out this week.

[Andrew Schultz]

Ah, got.

[Dana Carvey]

Is it a done deal or is it just a possibility?

[David Spade]

I shot it already. Yeah, I shot it. Comes out in May, so. But I'll tell you.

[Dana Carvey]

Oh, you're special. Yeah, yeah.

[David Spade]

But. But I will tell you that when I did the hbo, when you were talking about earlier, the take, the hit one, and there was. Notice it was noticeable for me. And then it took me all this time and I did a Comedy Central one and it was like, it didn't happen. Actually. I used Dana as an example because Dana was like, I keep trying to watch it, but I have to get on an app and then I have to sign up and then I have to go here and I'm like. Because I can't even find it.

[Andrew Schultz]

Yeah.

[David Spade]

And I'm like, it's not easy. Like, they air it once at midnight or something, and then they air it a month later. And it's not like you can just get it. Like, honestly.

[Andrew Schultz]

Yeah. So it got caught up.

[David Spade]

It burned my material. Because I'm like, can I just do this again?

[Andrew Schultz]

Because, dude, if I were you, I would. I would. Unless it exists on YouTube or something like that, I would just use some of the stuff that you.

[David Spade]

And I wasn't even doing clips. It was right before clips. So clips would have helped it. Like, hey, here's. At least I could clip it out and say, come to my next show. But I'm like, I didn't.

[Andrew Schultz]

I would. I would use some of that. If you're not. I mean, there's like, I think. I'm pretty sure, like, Chappelle used a joke he did an earlier thing in a later thing. I mean, it's like an amazing. It's one of my favorite jokes that he's ever written. But it's the. And I think he even made it, like, better. But it's the joke about, you know, it's like, hard being Successful in Black. Like, I remember my house Got broken into. Like these people came in, robbed my whole house, called the police, they showed up and they're like, he's still here. Yeah.

[David Spade]

It's just genius, by the way. How about. How about you do a joke that's a little undercooked in a special and then you still do it for a while on the road before it comes out. And then I'm like, sometimes I still do them because I go, this thing is six minutes long now. It's so much better.

[Andrew Schultz]

I agree.

[David Spade]

And people go, oh, I think you did that. I go, I actually didn't. I did 30 seconds of preview.

[Andrew Schultz]

Yeah.

[David Spade]

Now it's very early version. You got a three month old versus a full adult. Yeah. And I go, plus, who care? That's the thing is like, is everyone really going, thank God I got this. All new mediocre material. Thank you.

[Andrew Schultz]

That's what you got to tell the audience when they complete played. You think this is bad?

[David Spade]

Yeah, yeah.

[Andrew Schultz]

Let me do the whole hour of new.

[David Spade]

Yeah, yeah. Here's some new for you. But it's hard to. They're like, just throw together another hour. I go, relax with that casual. Throw together an hour, you're good. I go, I gotta get out there and grind it out and practice. It's hard.

[Andrew Schultz]

Yeah. It takes time, man. You also gotta have some. You want to talk about, like. Yeah, I. I take time off. Like after I felt like I haven't gone on stage since I recorded. I went one time or something like that. And that. That's once. I probably won't go on for a little bit. I like live a little experience. See what I want to talk about.

[David Spade]

Do people yell out stuff to you in your act? Like if they go, diddy, what do you think of Diddy? And you have to go, do you have to have something that there.

[Andrew Schultz]

Oh, wait a minute. Actually that's. They will do a topical thing.

[David Spade]

Yeah.

[Andrew Schultz]

But that's also like it. That would only happen if I'm like just kind of meandering or not. Not like if I'm doing well. Usually there's not suggestions if you're.

[David Spade]

But if you're talking to the audience, they feel like it's open season to talk from back here. When you're talking to this person up here, does that get hard to do?

[Andrew Schultz]

The last special I did, like the last one before this, I did a lot more like crowd work and stuff like that. And then people. And I was putting out these like clips that were crowd work and it was just like. It was the only thing that I could generate weekly. Like, for me, right. When I write a bit, it takes, like, a while to make it a good joke. And ad tags and all these other things. I don't want to give it away, but they just, you know, they just would go viral and whatever. So people were coming out and kind of expecting that. So at this special, I. I purposely barely do that at all.

[David Spade]

Yeah.

[Andrew Schultz]

As, like, a way to just go, hey, I don't. I get why you thought there would be a lot of crowd work, because I put out all these Crowber clips. Now you see this whole hour. Now, I want you to potentially expect this with maybe some interactions, but it's not going to be just interactions the whole time, because it's very easy where, like. And I've seen this happen. Like, the algorithm can make you decide what kind of comedy you want to do instead of you deciding. And I think sometimes people fall victim to that. Like, something does really well. So they go, well, I guess this is what I do now. And it's like, no, that's good of.

[David Spade]

You to switch it up. Because you. It's. It's hard to go in there and write a whole hour and not have any crutches. Because sometimes, you know, you could go in and. And just with a few things, get things right back or. But it's hard to go out there and practice long sets of nothing. It's just.

[Andrew Schultz]

Oh, and it's. You're bombing, and it's brutal.

[David Spade]

And if you're in the store here or even when you're at the seller, like, when I went on last night, it was. Nate was there and Chris Rock. And you just go, I'm not gonna try new, because there's always someone there. And you go, yeah. Do I want them to go, yeesh? And I go, yeah, it's a little undercooked, but there's something there. But they just go, yeah, I just remember you bombed.

[Dana Carvey]

I. I think a lot of people liked it, man. I think a lot of people were liking what you're doing out there.

[David Spade]

Oh, when I did that night, it was fun. But when I.

[Dana Carvey]

That was me doing someone talking to you after.

[David Spade]

Oh, yeah, Yeah.

[Dana Carvey]

I thought it was Grinsetta. Great. That they switch it to good. Right in the middle.

[Andrew Schultz]

Good.

[David Spade]

This episode is brought to you by Ring Cameras and doorbells. A lot happens while you're away from home. That's why Ring makes it easy to check in from anywhere, whether you're saying hi to an unexpected guest, making sure those packages are safe, or keeping your pets company. While you're out grabbing groceries, it's all a few taps away right from your phone. Be there with Ring Explore, cameras, doorbells, alarm kits and more right [e-mail].

[Dana Carvey]

You know, David, each day is a chance to move forward. Think of that. Whether you're navigating your commute, challenging personal best, or leading with purpose, you know what you need? Apparel that works as hard as you do, David.

[David Spade]

It makes me think of Rhone, which is new sponsor. Here at Rhone, they design clothing to match your ambition. With technical fabrics that breathe, stretch and adapt and elevated styles that keep you sharp. Our gear is built to support your pursuit of progress. When your clothing performs, every step forward feels like a win.

[Dana Carvey]

Versatility as well, at its best. You know, from a hectic workday to jam packed weekends, every roan item is designed to not only adapt, but enhance a life in motion.

[David Spade]

Yeah, they've got advanced fabrics. Fabrics do more than make you look good. They work. They're engineered with performance properties like odor resistance, which you need. Cooling technology. You'll feel fresh and focused throughout the day.

[Dana Carvey]

Love it. These collections are built for the man who demands more from his gear and even more from himself. David. With cutting edge features like wrinkle release technology. That's cool. I don't like that.

[David Spade]

Yeah, I like that one stretch that.

[Dana Carvey]

Lasts through the wash so it doesn't come out like a wrinkled mess. A tailored fit. Every piece adapts to your needs.

[David Spade]

Yeah, you know, wrinkle release is good because I travel, so. And I'm also obviously perfectly fit. Like a human specimen.

[Dana Carvey]

Quaffed. I think of you. I think of someone who's quaffed.

[David Spade]

Yeah, listen, it's versatile, it's refined, ready for anything. The collection is built for men who seek excellence in everything they do. At its core is the original commuter fabric. It's a lightweight, fine Italian material celebrated for its always stretch breathability and unmatched versatility. The foundation of a collection that performs as hard as you do.

[Dana Carvey]

The commuter pro builds on the trusted foundation with thoughtful enhancements. Get this, like a slightly heavier fabric for added confidence and tailored upgrades, including an expanded waistband, silicone gripper to keep you sharp and polished. These guys have thought of everything.

[David Spade]

Yeah, yeah. It's like an elevated wardrobe piece, but it's, you know, workout gear, so it's perfect. Odor resistant, lasting, stretch. Listen, you're prepared. It's no limits, just progress. Your day doesn't slow down and neither should your wardrobe. Built by and for those who demand more, the commuter collection is performance apparel. Fit for your Every ambition, you get 20% [e-mail] fly with code fly that's.

[Dana Carvey]

R H O-N-E.com fly with code fly at checkout.

[David Spade]

When I followed Dane and I just did a gig together. And when he come out, come off after annihilating, I have to follow this. And they're like killing. And then I get. He comes off all excited and I go, hey, that crowd. Crowd. And he goes, huh? Look it.

[Andrew Schultz]

It's not your crowd.

[David Spade]

Those jokes are funny, man. Don't. Don't second guess yourself.

[Dana Carvey]

Why are they standing circles in the green room?

[David Spade]

Yeah, I'm trying to. With his head right before I get out there.

[Andrew Schultz]

Not all crowds are going to be smart. They don't get you.

[David Spade]

Yeah, that's great.

[Dana Carvey]

When. When did you have that term where you're like. Like, God damn, I'm. I'm getting really, really good at stand up.

[Andrew Schultz]

I don't.

[Dana Carvey]

I think it's like, is it gradual or was it.

[Andrew Schultz]

I think. I think you feel good. And then you go up after Greer Barnes and you're like, am I good? You know, like there's just. You see people do it that are just incredible. You're like, am I? Or like, even when I was editing the special, like watching your own comedy a thousand times, sickening. You're like, yeah. You're like, what is any of this funny? Like, like it's actually kind of nice because then when it comes out and people go, wow, this is so funny. You're like, oh, really?

[David Spade]

Like, yeah, editing is horrible.

[Dana Carvey]

Editing. Watching yourself to stand up, the worst thing in the world.

[David Spade]

Push in. I go. Push out the door and burn this thing.

[Andrew Schultz]

Push it in closer.

[David Spade]

God damn. What?

[Dana Carvey]

That's for a horror movie.

[David Spade]

That's for Saw 3.

[Dana Carvey]

It's the cowboy shot.

[David Spade]

You know, keep it loosey, goosey.

[Andrew Schultz]

That's how you edit. That's how I edit comedy, though, by the way. Like a horror movie.

[David Spade]

What do you do? Go push it for drama and stuff?

[Andrew Schultz]

It's. It's like, yeah, tension release. Not as exaggerated, but like the same idea of like, I don't like, for example, like some people. The director on mine, like, for the first take, he was doing like a line cut, I think it's called, like, where they cut it.

[Dana Carvey]

Yeah. Kind of live. Yeah.

[Andrew Schultz]

Like, buddy, there's no way you don't have my set memorized. There's no way you could guess the right angle to go to. You don't know which way my earned. Like.

[David Spade]

Yeah.

[Andrew Schultz]

Why are you wasting your time with this, like, it makes no sense. What was that we said? It's like catching a fart with chopsticks. Like comedy. I don't know where my head's gonna go. So it's like we. What we do is make sure all the cameras are filming it and then we get in the edit and then we make sure that I'm not jumping out in the middle of a setup set up. Yeah, that's right.

[David Spade]

They can kill jokes. Go on your back. All of a sudden you're like, whoa, whoa, whoa, what are we doing?

[Andrew Schultz]

Have you seen that? You're watching somebody special and it's like in the middle of a punchline, they cut to the back of their head.

[David Spade]

Yeah.

[Andrew Schultz]

Like the start of the setup is on their back and you're like, why would I. Has anybody ever told you a story.

[David Spade]

And turned around first and you pay more attention?

[Dana Carvey]

You know what it is, is sometimes you're watching it like someone is watching it on a sitting on a magic chair and they're watching the special and all of a sudden they're flying way back up in the auditorium and then ran close and then in the back of the head. And like they get tired of just watching the stand up. And so the amount of cuts, you're like, fuck, I'm exhausted. So.

[David Spade]

Yeah, yeah.

[Andrew Schultz]

It's like build things. Also, like, I don't ever do a crane. Like, nothing has ever been funnier because the shot went like that.

[Dana Carvey]

Yeah.

[David Spade]

Your joke. Drive by joke.

[Andrew Schultz]

They're telling me. They're like, the crane is 25, 000. I'm like, what? Like what? For what? Just to.

[David Spade]

To show. Ruin bits in a big production. Yeah, yeah. They like to show. It's a big house. Because I said in mind, could I do a smaller place? They're like, they like to show that they paid for you and it's a big theater. And I'm like, I think people would believe that. I also do theaters, but. But it's fun to get into a smaller room. So I think down the line I will switch it up.

[Dana Carvey]

How big was the room for life? You know, we did.

[Andrew Schultz]

We did 3,000, but that was bigger than I would want to do. We were going to do this other venue and then they canceled my tapings after Trump was on the pod, which they say is unrelated. And I believe them 100%, but we. So we moved from that venue to the Beacon. And. And I. I would usually. I like the venue to be under 2000 seats for a. For a taping.

[Dana Carvey]

Sure.

[Andrew Schultz]

I think between a Thousand and two thousand is the money spot because you can like, you can see every person in the room. You, you're with them. I don't think an arena is right for it. I think it's a flex but I don't think it like represents. I don't think it's a good representation of like how connected you are. Also like, like the amount of time you have to wait in between laughs is a lot different than the person at home laughing. So now at home they're going hahaha. But on stage you're still waiting for the arena.

[David Spade]

So now these Shane ones I'm like how do you. It's so different to go out when it's all the lights for the tunnels are out there for like at the basketball game and yeah, there's so many things going on. By the way if I, if they want me to do an arena I will do it and I'll film something as a flexible. Even if I bomb or just do 10 minutes. But I think mine is about 1700. It was about that pocket of a place I played I liked.

[Andrew Schultz]

Where was it? Where'd you do it?

[David Spade]

It was in Denver and which one? And Denver's. What's it called Heather? Paramount. So great, great theater, great audience. Always when I played comedy works and stuff, it was always these great audiences there.

[Andrew Schultz]

So yeah, they have good vibes out there.

[David Spade]

Good vibes. They like it.

[Dana Carvey]

And I like 50 to 70 if I for myself because people doing little sketches, doing little people talking to each.

[David Spade]

Other and stuff is hand magic.

[Dana Carvey]

And you know the last special I worked it out in 50 seaters and then I put did it in the 1900.

[Andrew Schultz]

I just love the idea. Like.

[David Spade]

Anyone use dental floss?

[Dana Carvey]

But I like the small rod, that's all I'm saying.

[Andrew Schultz]

But I think, I think it's better for the audience. I think the people watching at home enjoy it more personally.

[Dana Carvey]

The, the teners like the big room, you know, to show people look, look what you can draw and stuff. I get that but creatively, you know, I think that's tight.

[Andrew Schultz]

It's better for comedy in a small room. 100 it's better for our bank accounts in a big room. Right. Oftentimes we will let our bank accounts win. That war dictates.

[Dana Carvey]

That's a question I have for you. Is there. Would you do any commercial that they offered you if the money was good enough or discern. Discerning. Have you been offered commercials?

[Andrew Schultz]

No. I mean no, I don't get offered really commercials but like there's like, certain things, I just. I don't know if I could. I don't know if I want to do it. I don't have, like, a moral objection. Like, I got gambling advertising on the pod. You know, I got a boner pill. I'll do all that.

[David Spade]

Yeah, boners don't go to style. You're fine there.

[Andrew Schultz]

Yeah, but, like, I'm trying to think. I don't think I could do, like, a herpes medication commercial.

[Dana Carvey]

You know, American Express, but, yeah, not bio.

[David Spade]

Yeah, we're gonna do a collab with you on that, but it's okay.

[Andrew Schultz]

That'd be great.

[David Spade]

Imagine. All right. Anything else for this young man, Dana?

[Dana Carvey]

Life on Netflix now being well received.

[Andrew Schultz]

Yeah. Thank you guys so much, man.

[David Spade]

I really good job, bud to see you.

[Dana Carvey]

Fun hanging out with you.

[Andrew Schultz]

Okay, let's. Any way I could hang help with that film, man, let me know, dude. I think I'm really excited about that.

[David Spade]

I'll talk to you off cam. This has been a presentation of Odyssey. Please follow, subscribe, leave a Like a review, all the stuff. Smash that button, whatever it is. Wherever you get your podcasts. Fly on the Wall is executive produced by Dana Carvey and David Spade, Jenna Weiss Berman of Odyssey, and Heather Santoro. The show's lead producer is Greg Holtz.