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Max Kellerman (0:31)
So rich, something that's been bothering me. You see this reaction to Chalamet?
Rich Paul (0:36)
No, I didn't.
Max Kellerman (0:37)
So Timothee Chalamet, who's like nominated for an Oscar, he makes some innocuous comment, right? The comment, something to the effect of, you see the way the movie industry is going. It's not as important in popular culture anymore. No one has the attention span. People don't go to the movie theaters anymore since COVID especially. But also you can get it direct to your house. So he made some point, like basically to Matthew McConaughey he was talking to. Basically he doesn't want to be in a situation like what happened to opera and ballet. Meaning opera and ballet used to be popular culture art forms that are now just relegated to kind of high cultural art forms on the margins because new mediums and stuff like new media and new art forms replaced them in the popular consciousness. And so like you need endowments from the arts a lot of times to have opera, ballet because they can't commercially support themselves a lot of the time. Not all the time, but usually. He's clearly making this point by saying he doesn't want movies to be in that situation. And everyone, like there's all this backlash from people who are either too stupid to understand his point and there are a lot of dumb people, like, you know, so maybe they really just don't. Their comprehension is so low that they misinterpret what he's saying. Or else this is my chance to virtue signal about opera and ballet and bash this guy. That stuff bothers me. I hate that.
Rich Paul (2:04)
Yeah. First of all, Timothy is a friend of mine, so obviously I'm biased. I'm not going to talk bad about him. I didn't hear what happened. But I want to ask you.
Max Kellerman (2:11)
Yeah.
Rich Paul (2:12)
Is going to the movies with your girl still the same, have the same value as it once had?
Max Kellerman (2:18)
I don't think so.
Rich Paul (2:19)
