Transcript
Max Kellerman (0:00)
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Rich Paul (0:45)
Max.
Max Kellerman (0:46)
Yo.
Rich Paul (0:46)
How was your weekend?
Max Kellerman (0:48)
Let me tell you something. Before I even get. I've been listening to 400 degrees. You said, you asked me on a show like a week or two ago, name an album from the late 90s with like 10 singles on it. Right. Like, you know, the album cuts.
Rich Paul (1:03)
Every song could be a single or the majority of songs. Yes.
Max Kellerman (1:06)
And so what I interpreted that as was. Oh, you mean no Skips. You were like, no, no, no, not no Skips. Because some of those deep album cuts, you know, couldn't be singles. You're saying so. And you said eventually. You said 400 degrees juvenile.
Rich Paul (1:20)
Yes.
Max Kellerman (1:21)
So I like. I don't remember the names of. I barely remember the names of albums and songs anymore.
Rich Paul (1:25)
It's a very underrated album that I knew you wouldn't get.
Max Kellerman (1:28)
It is. It's good. I remember liking it, but I don't remember it. So. So I said I'd listen to it. I've been driving around in the car listening to it. Here's my verdict. Rich, you're absolutely right. To phrase it that way is exactly right. It's not a no Skips album to me because Juvenile is a solo artist with a very distinct, distinctive style. So I can't listen to 12 straight juvenile songs. Right. It's not like a posse cut, like a Wu Tang album where you have all these different MCs. I mean, there are a couple of cuts where he has different guys on, but you're absolutely right. There are so many songs on that album that could be released as a single, it's crazy. You're right.
Rich Paul (2:06)
