
A woman in Kentucky saved a baby raccoon who became 'drunk' on fermented fruit.
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This BBC podcast is supported by ads outside the UK Looking to build before next spring? Order now with Morton Buildings and get site Prep savings by October 31st. Get ahead of winter weather and save big through the end of October on select projects during Morton Buildings Winter Build Sales event. If you need a garage, a stall barn, a storage building for an rv, boat or other vehicles, a shop for your farm hobbies or car restoration projects or anything in between, take advantage of this special savings now. Morton Buildings uses quality materials and expert craftsmen with an industry leading warranty to ensure your addition is built stronger, lasts longer and looks better. We'll be working all winter long, but the building spots are limited. With offers this great, why wait? Visit MortonBuildings.com and click Get Started Today. Certain restrictions may apply. Savings offer on new building purchases by October 31, 2025. Building delivery required by April 30, 2026. Contact your local Morton office for more details. This summer Healthy habits could lead to big prizes during Symbiotica's Summer Giveaway. It all starts with supplements that fit your lifestyle, making it easier than ever to stay consistent with your health goals. Not sure where to start? Try out this powerful antioxidant duo, Symbiotica's liposomal glutathione and vitamin C packets so support natural detox, brighten skin and promote lasting energy. It's a simple, convenient way to give your body the support it needs during these long, busy summer days. And the exciting part is right now, Symbiotica is hosting their biggest giveaway ever for 16 lucky winners. You could drive off in a 2025 Rivian R1s escape to a luxurious wellness retreat for two or win a year's worth of Symbiotica products. Don't miss this amazing opportunity. Go to symbiotica.com summersweepstakes for your chance to win that. Symbiotica.com Summersweepstakes to enter today, this is the Happy Pod from the BBC World Service. I'm Paul Moss and in this edition I went over there and I was like, we have to get them out. And I mean, because I guess that was just like the motherly instinct in me. Like I seen that mama and she was trying so hard to get her babies back. The raccoon brought back to life by a nurse after one too many peaches. Embrace the fear, embrace the pain and go through this. I love that. If you're going through a hard time, keep going, keep going. Life lessons from the woman dubbed the Ice Mermaid. I felt connected to my past, but also cut off from it. You know, the stone is the same, but I'm not the same person as I was then. The man who wanted to recreate a picture from his childhood. Almost 40 years later, we meet 81 year old Janet, who's grown more than 4,000 trees in her garden. And what are the animals that I'm seeing before you? One group shows a hound overpowering a stag while the other depicts a tiger attacking a bear. The talking statues in France teaching history. We start in the United States where a nurse in the state of Kentucky has won international fame after she was filmed resuscitating an unconscious baby raccoon. The cupboard passed out after eating fermented peaches thrown away by a distillery. Nicky Cardwell has been finding out more. We've all been there, unable to resist a delicious treat, but also unable to judge when we've had enough. And it's often mum who picks up the pieces when we're facing the consequences of our own excess. What happened to you? In this case, it was Misty Coombs, a nurse from Kentucky who heroically intervened to help a raccoon rescue two of her babies who got stuck in a skip next to a moonshine distillery where they gorged on fermented peaches that that had been thrown away. She told the local TV station Lex 18. What happened? I went over there and I was like, we have to get them out. And I mean, because I guess that was just like the motherly instinct in me, like I seen that mama. And she was trying so hard to get her babies back but she didn't know what to do. She scooped out one of the babies with a spade, but the second was unconscious and not breathing. Come on, baby, come on. Everybody that was around was like, it's dead. I mean, it's just not going to make it. And it was, it was not breathing. So immediately I just started doing CPR on it. Come on. Oh, oh, it's gone. It's coming down. Come on, come on. Then a sign of life. The raccoon, by this time nicknamed Otis, took a breath and started to move. After a night at the vet's sleeping off the moonshine, Otis was given a clean bill of health and Misty was given the honor of sending him back home. Oh, it'll one sail back. Yeah, it does. It knows at home I was tickled to death, was able to join its mom again. Come on, Otis. Misty says hopefully Otis has seen the error of his ways and the next time he's drawn to the tempting smell of Fermented peaches thinks twice before overindulging. Yeah, that poor little raccoon. I hope it stays out of the dumpster. Goodbye, Otis. Nikki Cardwell reporting. Barbara Hernandez is a cold water swimmer from Chile known as the Ice Mermaid. Earlier this year she braved hypothermia and hungry leopard seals to become the first South American to complete a marathon challenge known as the Ocean's Seven. And now she's front crawled her way to a Guinness World record, completing the furthest ice swim ever by a woman. And she did it all without a wetsuit. She sounds like rather a glutton for punishment, telling people the pain is the prize. And that dedicated determination has won her hundreds of thousands of fans around the world. The Happy Pod's Stephanie Prentice caught up with Ms. Hernandez and had discovered that within her spirit of adventure, there's a life lesson. A group of people wrapped up in thermal jackets are climbing onto a small boat, dusting off the frost to sit down. One of them takes a deep breath and strips down to a swimsuit. The water lapping against the outside is 4.5 degrees Celsius. And Barbara Hernandez, the Ice Mermaid is going in. In the ice cold waters of Puerto Natales, Chile, this self styled mermaid is going after her fourth world record. When I jump into the water, I really enjoyed the feeling. Just stay there and see the mountains, see the snow and feel this cold, but also thinking about my heart and my memories. When your body is dealing with a level of pain, really physical pain, is it those happy memories that get you through it? Yes, I have a lot of memories with my team, with my parents, with my husband. The key is go through the pain and sometimes it's also about the embrace the fear, embrace the pain and go through this. I love that. If you're going through a hard time, keep going, keep going. Yes. I think that is the best word ever. The Ice Mermaid never wears a wetsuit or the kind of insulating grease that some cold water swimmers use. And she completed the last segment of this swim while suffering from hypothermia. I was worried of course, because it's so important to be in that place and to be alert and very connected with the team next to you on the boat. So in the beginning, of course with the adrenaline, you stay so fast, so, so happy and everything and then, oh, it's so difficult because you feel the pain and of course your hands and your legs is every time more heavier. So it's very difficult. But also again, the key is your breath. So I stay connected with my breath. Another time, Barbara used her breath to stay calm during previous open water record attempts, where she was up close with sea leopards, jellyfish and sharks. I think the key again is embrace your fear. The sharks, of course, they swim under you. So I thought, maybe we can be just friends. Sharks aside, Barbara credits her human friends with getting her through. And to get this world record, she spent more than an hour in the water and swam for 3.8km, beating the previous record of 3.5. But as she builds her ice swimming community online, she told us that getting other people in the water is her true purpose. It's not about the Guinness World Record or the medals, is how can be our own community trying for our goals and embrace the fear, embrace the doubts and go through that. So start never is the. Is the best moment. So the best moment is just now. Just stay and start again and again. Because for me, that is life. That report from Stephanie Prentice. I think many of us will have had the experience of looking at an old photograph of ourselves and perhaps wondering, who was I back then? Am I really the same person as that toddler or child? That's what the Scottish writer Peter Ross felt when he saw a photo taken of him at the age of 11 on a Scottish island. It prompted him to set off on a quest to find the spot where he was standing and to replicate the same scene almost 40 years later. When I turned 50 years old, my mother gave me an album full of pictures from my childhood. So it was a real nostalgic rush, quite emotional really. And there was this one photo that seemed to have a different look and feel to the others. And it was me as a boy sitting on what I took to be an ancient standing stone. I had no memory of the picture being taken and I didn't know for sure where it was or even when it was. So it had this strange quality of a lost memory. I had an idea that it was the island of Islay, an island I'd only ever been to once in the 1980s. There was just something about the quality of the light and the landscape that made me want to go and seek it out. And also the picture has this kind of hazy, sort of fuzzy quality, a sort of warmth, but also a kind of melancholy quality to it. So although it's a moment from my own, just out of reach now, the Scottish island of Islay, I gather, has quite a lot of standing stones. How did you manage to find this particular stone? Yeah, Iola is rich in prehistoric remains. I followed a hunch that it was the island of Islay. And while I was there I met an archaeologist who is a specialist in the prehistoric sites of the island. And as soon as he saw the picture, he was able to tell me what it was, which is cragabus, a Neolithic chambered cairn. In other words, a tomb which was built around 3500 BC. And he showed me on a map where I could find it. So there you are on Islay and you do manage to find the site, the stone where this particular photograph was taken. How did it feel to be back there nearly half a century later? We have to kind of reach to the Welsh language for this. The Welsh have a word, hyraith, which is sometimes described as homesickness, but I think it's more like a yearning for a place or a person that can never be reached. It's a kind of ache in the soul, but not unpleasant. And that picture to me is a perfect example of Hiraeth. That's what I felt when I was there. I felt connected to my past, but also cut off from it. You know, the stone is the same, but I'm not the same person as I was then. That's what makes these old stones significant. I think their eternal quality makes us feel our own transience more keenly. Recreating these pictures give us a strong sense of how fleeting our lives are and they perhaps encourage us to make the most of them. Peter Ross, author of Upon a White Horse Journeys in Ancient Britain and Ireland, speaking to us about the joys of recreating a childhood photo. Now plenty of people worry about climate change. Perhaps fewer tried directly to do something about it. 81 year old Janet Williner's concern led her to grow more than 4,000 trees. She foraged for the seeds locally and grew each sapling in her own garden. Trees, of course, take carbon dioxide out of the atmosphere and these ones have been added to forests. In the north English county of Yorkshire, where she lives, Vanessa Heaney has more. Meet Janet Williner, otherwise known as the Tree Growing Granny. It started out because I was deeply saddened by the destruction that the human race have caused on this beautiful planet of ours. So she joined the zero carbon move and learned about different ways to reduce the levels of carbon dioxide that contribute to climate change. The only one she felt she could achieve was planting trees which absorb the gas known as carbon sequestering. Janet had always loved growing things, so she started foraging for local seeds. She planted them in some empty pots she had at home and waited. She didn't tell anyone what she was doing just in case they didn't germinate the first week of lockdown. I'd been staring at these pots of soil all through the winter, and that day when lockdown was started, I saw the first green shoots come up and I was absolutely over the moon. She tried to grow around 20 species of trees native to the UK, such as oak, hazel, rowan, birch and spindle. What started as a small experiment rapidly grew into something rather big. By the end of the first season, she'd grown 400 trees, all of which she'd financed by herself. And then came her ambitious target. I decided that I probably had 10 years of active life left, and if I could grow a few more than I'd done, say 500 a year for 10 years, I could grow 5,000 trees and that would be a reasonable legacy. Janet secured sponsorship for her tree project and estimates she's already grown around 4,200 trees, gifting them back to nature through a variety of organizations. She really hopes to inspire others because what I can do as an individual person is just a drop in the ocean, but an ocean is made up of lots of drops. So if other people could do something similar. And Janet has no plans to take off her gardening gloves anytime soon. When she reaches her target of 5,000 trees, there's quite a big possibility she'll keep growing. Vanessa Heaney reporting. And if there's anyone in your community that's doing something small or big to combat climate change, we'd like to hear about it. The email address is globalpodcastbc.co.uk. coming up in this podcast, she struggles with like her emotions and stuff like that. So it was put to me about helping her with resilience and just getting their confidence built up and stuff. Again, it seems to have worked. She's a lot better than she used to be. The playground helping children explore and where no parents are allowed. Looking to build before next spring. Order now with Morton Buildings and get site Prep savings by October 31st. Get ahead of winter weather and save big through the end of October on select projects during Morton Buildings winter build sales event. If you need a garage, a stall barn, a storage building for an rv, boat or other vehicles, a shop for your farm hobbies or car restoration projects or anything in between, take advantage of this special savings now. Morton Buildings uses quality materials and expert craftsmen with an industry leading warranty to ensure your addition is built stronger, last longer and looks better. We'll be working all winter long, but the building spots are limited with offers this great why wait? Visit MortonBuildings.com and click Get Started Today. Certain restrictions may apply. Savings offer on new building purchases by October 31, 2025. Building delivery required by April 30, 2026. Contact your local Morton office for more details. 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That includes our introductory five star system, free gifts, free shipping and a 60 day money back guarantee. All that available@meaningfulbeauty.com this summer. Healthy habits could lead to big prizes during Symbiotica's Summer Giveaway. It all starts with supplements that fit your lifestyle, making it easier than ever to stay consistent with your health goals. Not sure where to start? Try out this powerful antioxidant duo. Symbiotica's liposomal glutathione and vitamin C C packets support natural detox, brighten skin and promote lasting energy. It's a simple, convenient way to give your body the support it needs during these long busy summer days. And the exciting part is right now, Symbiotica is hosting their biggest giveaway ever for 16 lucky winners. You could drive off in a 2025 Rivian R1s escape to a luxurious wellness retreat for two or win a year's worth of Symbiotica products. Don't miss this amazing opportunity. 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They're hoping this will be a new way for guests of all ages to learn about the art and history of its baroque gardens. Reporter Harry Bly went to see them. The horses represent the power and energy of the sun. They are spirited and almost untameable, showing the raw force of nature. This was me at the palace of Versailles speaking to Apollo's fountain. What is the big golden fish in the water? Ah, that's no fish. Those are sea monsters surrounding my chariot. They blow their trumpets to announce my pass. The music you can hear tells you that we're in the baroque gardens of the palace. Here there are 20 iconic fountains and statues which visitors can now speak to and hear their stories. It's all come about thanks to a partnership with the artificial intelligence firms OpenAI and Ask Mona. And it's relatively simple. At each site there's a QR code. When you scan it with your mobile phone, it takes you to a website where users can launch a conversation now to give some visual context. Here, Apollo's fountain is right in the middle of the palace gardens, just down the hill from the palace itself. The fountain features the Greek God Apollo, the God of sun, rising from the water in a four horse chariot, all in gold. Chateau Versailles partnered with OpenAI, responsible for the popular app ChatGPT, to create the real time conversational technology that lets visitors converse in a natural and immersive way. And Ask Mona, a French AI company which specializes in designing artificial intelligence products in cultural and educational settings. AskMona is known for bringing to life famous artworks like the Mona Lisa to provide engaging conversations with visitors. Marion Carre is the founder of AskMona. She told me how important it was that each chatbot was trained with accurate information. What we bring into the experience was the ability to use information from their site to feed the AI with it. But we need the AI not to invent information. Currently, the chatbots can be used in three English, French and Spanish. And there are plans to expand this. Developers have also ensured that each statue's bot has its own curated voice to best suit the character being depicted. What aspect of these animal combats intrigues you? What are the animals that I'm seeing before you? One group shows a hound overpowering a stag, while the other depicts a tiger attacking a bear. Both scenes capture a moment and as Marion explains, the bot can adjust to people of different ages. So, for example, if you go in front of the statue and say helium with like a six year old kid and I wanted to talk about blah blah, blah, the AI is going to answer with appropriate language for six year old kids. So it's really a way for us to be able to personalize the experience. Pierre Hippolyte Penay is the chief curator at Chateau Versailles and led this project. We have 6,000 questions asked every day to the statues and the visitors seem to be very, very happy with experience. It's a new way to interact with with the sculpture and to discover more information about history, the creation of the sculptures and Greco Roman mythology. Pierre Hippolyte says embracing innovation is firmly in keeping with the history of the palace and its former residents. We can say that Versailles has always been at the forefront of the innovation. We can remember that during the 17th and 18th centuries, many inventions were presented to the king here in Versailles. So we are in a tradition of innovation in Versailles. Pierre Uppelit Penay, chief heritage curator at the palace of Versailles, ending that report by Harry Bly. Carlos Acosta is widely considered one of the greatest classical dancers of the modern age. With his career taking him from the back streets of the Cuban capital Havana to some of the most prestigious stages in the world. After retiring from performing a decade ago, he set up a dance company in Havana called Acosta Danza, which has taken classical stories and styles and added a distinctly Cuban flavor. And to celebrate the 10 year milestone, the dance company is bringing a showcase of its work to the London theatre Sadler's Wells. It's called A Decade in Motion and Isabella Jewell went to meet Carlos. As the group were rehearsing in this program, you could see what Acosta Danza is all about. You know, you will see pieces in point, work and contemporary and Cuban folk. You will see a platform for foreign choreographers to express their own part of Cuba from their own perspective. It consists in four pieces. I think it's sunny. It summarizes what Q1 is all about. It's the Caribbean. It's a melting pot of culture. It is in line with what I intended for the very beginning for this company, which was a company that will share the Cuban talent to the world. So it is a bridge from Cuba to the world and vice versa. This is to celebrate a decade since you founded your dance company, Costa Danza. Could you tell me a little bit more about it and your ethos for the dance company in Cuba? You have three dominant company, which is the National Ballet of Cuba, the Danza Contemporane de Cuba and the Folkloric of Cuba. And so I thought that we're going to form a company that sits in the middle of it and we develop dances that could do everything could do from classical to contemporary and Cuban folk. And then the following year, in 2016, we formed the Academy. And I must say that 10 years on now, all of the dances came from the Academy. Most of them come from Santiago, Juan, Guantanamo, from the eastern part of Cuba. They very, very poor background, similarly to mine. We get them everything for free from the shoes that they wear, the costumes, we train them. We are half Spanish, African, French, Chinese. And so that's why this kind of melting pot of dances that the Acosta dancer dances have in their bodies is a symbol also who they are as a culture. When we went to the Kennedy center this last April, the critic really value the authenticity of the repertory because you have dancers that start doing pointe work like classical, but then they take the shoes off and do the most extraordinary contemporary piece. And then lastly with tennis shoes, they dance conga and salsa and very stylized kind of cue one rhythm in one performance. And so that is quite unique. Do you yourself miss performing on the stage in front of an audience? I love the fact that when you are at this time of my career, it's about everybody else, it's about directing, it's about bringing dances development and bringing audience joy through a company. But you know, when you dance, it's all about you. It's about you, your thoughts, you in the space, you know, just being in tune with your body and then really connecting to an audience. I can give you the the news now, but yeah, I'm planning to, to be real soon on stage again and you, you will hear about it. Some music from A Decade in Motion ending that Report from Isabella Jewell. And finally in this edition of the Happy Pod, we visit a playground with a twist. The land in Wrexham in North Wales is a community funded play area for children where parents are not allowed. The idea is that this approach of free play can improve young people's mental health. They did make an exception though for the BBC's William Kramer, who got a sneak adult chance to see the land and find out more. Imagine a place where children come together to make toys, build houses and play games. Grown ups aren't allowed in unless they have special permission and children are free to do whatever they want. Well, this place exists and it's called simply the land. You could build stuff here and there's a lot of wood and at the park you don't get to do that. The land is a space that supports children's plays that society may struggle to support. Clare Pugh started the land in 2012 after working on other play schemes in this neighbourhood. This was a neglected piece of wasteland and the fence went up and really claimed this space for children. At first glance, the land is little more than a junkyard. There are stacks of used wooden pallets and big reels for holding wires. But if you look a little bit closer, you'll see crooked homemade structures, hidey holes and turrets. Children run barefoot. They swing on ropes and throw themselves down a makeshift water slide. We're making secret bases up there. Are you? Yeah, now I'm underneath there. Do you want to show me your base or is it too secret? Well, come on, I'll show you. Okay, I follow five year old Amelia. Come on. Yeah, I'm coming. Yeah, I'm coming. I'm cinder. Oh my goodness. There's a whole web of these plastic tubes that the kids scurry up like hamsters. Amelia's just gone up a blue tunnel and I'm not sure I'm gonna fit in it. Oh, I'm trying. It's really small. The children like to play, like lots of running games and catch games. And as an adult you try and navigate through them and it's really difficult and you'll scrape your back or you'll bang your head. But kids are the experts and they just fly through them and it just highlights that this is their space. This is my bay. Is this your base? I'm not sure I'm going to get out. This is my bay. The tunnels are fashioned from industrial tubing from building sites. Structures like this are made by the children themselves or put together by attendants called play workers. Based on the children's ideas, this type of playground is not new. The first junk playground or adventure playground opened in the 1940s in Copenhagen, Denmark. Then, after the British landscape architect Lady Allen of Hurtwood observed the way that children played on bomb sites in England, she suggested allowing them to play there freely and build their own structures. Adventure playgrounds reached their heyday in the 1970s, but they're now a rarity. Most playgrounds have fixed equipment. That doesn't change. I'm showing you a house, a little house I made. This is nine year old Jamie. What, you bang the nails and stuff? Yeah. No way. Jamie has been coming to the land for about a year. Her mother told me that coming here has had a big impact on her mental well being. She struggles with like her emotions and stuff like that. So it was put to me about helping her with resilience and just getting a confidence built up and stuff like that. And it seems to have worked. She's a lot better than she used to be. She's come out of herself a lot more. 13 year old Dakota has been coming here since she was 7. When I first started joining I was like shy and I didn't talk to anyone at all. But when I started coming more I started like talking and like being more confident. 13 year old Dakota Ending that report by William Kremer and to hear more about the power of play, just search for people fixing the world wherever you get your BBC podcasts. And that's all from the Happy Pod for now. We'd love to hear from you about people who are doing something in your community to help climate change. As ever, the address is globalpodcastbc.co.uk. this edition was mixed by Mark Pickett and the producers were Holly Gibbs and Harry Bly. The editor is Karen Martin. I'm Paul Moss. Until next time. Goodbye. This is the story of the 1. As a maintenance supervisor at a manufacturing facility, he knows keeping the line up and running is a top priority. That's why he chooses Grainger. Because when a drive belt gets damaged, Grainger makes it easy to find the exact specs for the replacement product he needs. 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BBC World Service | Host: Paul Moss | Date: September 20, 2025
This uplifting episode of “The Happy Pod” showcases inspiring stories from around the world, focusing on acts of compassion, resilience, community action, and innovation. Highlights range from an American nurse’s daring raccoon rescue to world record-breaking ice swims, environmental impact, heritage brought to life with AI, and playgrounds reimagined—in each, ordinary people make a remarkable difference.
[02:55 – 09:12]
[09:13 – 16:15]
[16:16 – 22:32]
[22:33 – 27:10]
[34:08 – 42:50]
[42:51 – 49:50]
[49:51 – 57:56]
| Timestamp | Speaker | Quote / Moment | |-----------|----------------|---------------------------------------------------------------------| | 04:00 | Misty Coombs | “...just like the motherly instinct in me... she was trying so hard…” | | 11:40 | Barbara Hernandez | “Embrace the fear, embrace the pain and go through this. I love that.” | | 20:48 | Peter Ross | “I felt connected to my past but also cut off from it. The stone is the same, but I’m not the same person as I was then.” | | 26:59 | Janet Williner | “What I can do as an individual... is just a drop in the ocean, but an ocean is made up of lots of drops.” | | 41:50 | Pierre Hippolyte Penay | “We have 6,000 questions asked every day to the statues... a new way to interact.” | | 46:35 | Carlos Acosta | “We are half Spanish, African, French, Chinese... a symbol also who they are as a culture.” | | 51:10 | Amelia (child) | “You could build stuff here and there’s a lot of wood and at the park you don’t get to do that.” | | 56:35 | Dakota | “When I first started joining I was like shy… when I started coming more… being more confident.” |
Consistently positive, hopeful, and community-oriented, the episode puts a spotlight on ordinary people’s extraordinary acts—whether saving a small life, overcoming personal challenges, affecting large-scale change, or innovating for the future. The mood is gentle, earnest, and quietly inspirational.
Perfect for listeners needing a reminder of goodness, resilience, and creativity in the world—this episode finds joy, even in the smallest things.