Introducing Write Me Dirty

Summary

Podcast Summary: Great Company with Jamie Laing Episode: Introducing Write Me Dirty
Release Date: July 30, 2025

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Introduction to the Episode

In the episode titled "Introducing Write Me Dirty," Jamie Laing from Jampot Productions presents a fresh and tantalizing addition to his podcast lineup. As always, Jamie promises "No gimmicks; just Great Company," but this time, he delves into the spicy and humorous world of the "Write Me Dirty" podcast. This episode serves as both an introduction and a showcase of what listeners can expect from this new, risque spin-off.

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Overview of "Write Me Dirty"

"Write Me Dirty" is described by Jamie Laing as a blend of outrageous humor and saucy storytelling. The premise involves guests crafting erotic stories about each other, infused with bizarre and comical prompts. Jamie emphasizes the show's chaotic and hilarious nature, highlighting elements such as:

• Erotic Storytelling: Each guest writes an erotic narrative focused on another guest, injecting personal quirks and playful banter.
• Bonkers Prompts: The stories are guided by absurd prompts—for instance, imagining scenarios like a zombie invasion intertwined with an unexpected element like a can of beans at an orgy.
• Dramatic Readings and Oversharing: The episodes feature lively readings, laughter, and moments of humorous discomfort as guests navigate the intimate nature of the task.
• Competitive Edge: At the end of each session, a winner is crowned based on criteria like sexiness, creativity, and overall entertainment value, with the prize being "eternal glory and a massive pen."

Jamie tantalizes listeners with a sneak peek of the show, setting the stage for laughter and light-hearted filth.

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Inside the "Write Me Dirty" Episode Featuring Katherine Ryan

The transcript provided offers a glimpse into an actual "Write Me Dirty" episode hosted by Katherine Ryan. In this session, Katherine is joined by comedians Stevie Martin and Fatia Al Gore. The dynamic between the hosts and guests encapsulates the show's blend of humor, camaraderie, and cheekiness.

Initial Banter and Setup (00:00 - 03:10)

• Jamie Laing's Introduction: Jamie enthusiastically introduces "Write Me Dirty," using vivid imagery to describe the show's unique premise.

  "Imagine this, Katherine Ryan, two guests and an absolutely bonkers prompt like the world is ending, there's a zombie invasion, and someone's brought a can of beans to the orgy." (00:00)

• Guests' Introduction: Katherine Ryan welcomes her guests, engaging in playful and slightly edgy conversation about addressing them as "girls."

  Katherine Ryan: "How do you feel about being called girls?" (01:07)
  Stevie Martin: "That felt, I don't mind." (01:24)
  Fatia Al Gore: "I'm a lady girl, ladies and lads." (01:31)

Discussing the Challenge (03:10 - 05:14)

Katherine outlines the task: writing a dirty story about each other, incorporating specific elements like setting, character, and prop.

• Stevie's Approach: Stevie expresses initial hesitation but ultimately enjoys the creative process, focusing on personal quirks while setting boundaries to avoid sensitive topics like her hijab.

  Stevie Martin: "I was like, don't talk about my hijab. Don't talk about my hijab, and don't talk about my hijab." (02:24)

• Creative Titling: Fatia humorously titles her story to align with the boundaries set.

  Fatia Al Gore: "So my story is called Fatih's Hijab behind the Hijab." (02:43)

Crafting the Erotic Narrative (05:14 - 11:03)

The guests collaboratively build an erotic story with comedic undertones, integrating the given prompts: a car showroom setting, a car salesman character, a custom paint job, and a steering wheel.

• Stevie's Story Development: Stevie crafts a narrative about an emo character named Stevie, blending humor with sensual undertones while adhering to the quirky prompts. She employs playful language and literary devices to enhance the story's appeal.

  Stevie Martin: "My story is called Paint me like one of your French cars." (03:58)
  Katherine Ryan: "Oh, that's why." (11:00)

• Humorous Interactions: The dialogue between Stevie and Fatia is filled with witty exchanges and humorous observations about the storytelling process.

  Fatia Al Gore: "I mean, I'll never be ready, but I'm excited." (03:55)
  Stevie Martin: "How sexy is that?" (08:19)

• Developing the Plot: The story progresses with Stevie navigating a series of comedic and slightly risqué situations involving a car salesman named Mike, culminating in a flirtatious and humorous encounter.

  Stevie Martin: "She slips, nearly falling over, but Mike catches her." (10:37)
  Fatia Al Gore: "See how we're getting there?" (10:36)

Notable Quotes with Timestamps

• Jamie Laing on Show Concept:

  "Each week the guests have to write erotic stories about each other. And yes, you. It's just as awkward, chaotic and completely hilarious as it sounds." (00:00)

• Stevie on Storytelling Challenges:

  "I found I could pick her little quirks and stuff and write about them and stuff like that." (02:24)

• Katherine on Fatia's Persona:

  "As an emo, husky vegan, you're gonna also be upset about the misallocation of government funds." (06:18)

• Humorous Banter on Story Elements:

  Stevie Martin: "Paint me like one of your French cars." (03:58)
  Katherine Ryan: "One of your French cars." (04:07)
  Stevie Martin: "Oh, la la." (04:08)

• Climactic Moment in the Story:

  "He leans in and kisses her. His hands are up around her waist and her hands land on his shoulders." (10:37)
  Stevie Martin: "Citron mic drop." (11:03)

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Insights and Highlights

• Humor and Sensuality: The episode masterfully balances humor with sensual undertones, making the storytelling process entertaining and relatable.

• Guest Chemistry: The natural rapport between Katherine, Stevie, and Fatia enhances the viewing experience, showcasing genuine camaraderie and spontaneous humor.

• Creative Constraints: The imposed constraints—specific settings, characters, and props—challenge guests to think outside the box, resulting in unique and amusing narratives.

• Cultural and Personal References: The inclusion of personal elements, such as Stevie's veganism and Fatia's hijab, adds depth to the stories while maintaining respect and boundaries.

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Conclusion

"Introducing Write Me Dirty" serves as an exciting preview of what the Great Company podcast, under Jamie Laing's stewardship, has in store for its audience. By blending erotic storytelling with comedy, the episode showcases a format that promises laughter, creativity, and a touch of cheekiness. Whether you're a long-time listener or new to the podcast, this episode of "Write Me Dirty" offers a tantalizing glimpse into a world where humor and sensuality collide, guaranteeing "Great Company" every step of the way.

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Subscribe to "Write Me Dirty" if you enjoy blending humor with a bit of filth, and prepare to laugh until you snort with each outrageous and hilarious episode.

Transcript

[Jamie Laing]

Well, hello, you lot, it's Jamie Laing here from the Great Company podcast. Now, if you like your podcast outrageous, hilarious and a little bit saucy, then you need to check out this absolute belter, okay? It's called Write Me Dirty. Now imagine this, Katherine Ryan, two guests and an absolutely bonkers prompt like the world is ending, there's a zombie invasion, and someone's brought a can of beans to the orgy. You still with me? Okay, listen to this. Each week the guests have to write erotic stories about each other. And yes, you. It's just as awkward, chaotic and completely hilarious as it sounds. There's dramatic readings, oversharing, wheezing, laughter, and of course, Kathryn Ryan herself stirring the pot like it's her full time job. Now, at the end of it, she crowns the erotica champion based on sexiness, creativity and general nonsense. Winner gets eternal glory and a massive pen. Literally. So if you like laughing until you snort and you're not afraid of a little filth with your funny, go subscribe to Write Me Dirty. Here's a little sneak peek of the show to wet your whistle.

[Stevie Martin]

Write Me Dirty.

[Katherine Ryan]

Hello, I'm Kathryn Ryan and I've got two guests today who are so excited to write me a dirty story, all with the hopes of winning a pen. And this week, my two seductive scribes are. Stevie Martin and Fatia Al Gore. Welcome, girls. How do you feel about being called girls?

[Stevie Martin]

That felt, I don't mind.

[Katherine Ryan]

Very regressive.

[Fatia Al Gore]

I'm a lady girl, ladies and lads.

[Stevie Martin]

I prefer Bruvs Labes.

[Katherine Ryan]

Ladies, you and I, Fatiha, have known each other, I think for quite a long time now.

[Stevie Martin]

Correct.

[Katherine Ryan]

And Stevie, I know of your work. Very talented comedian. But this is our first time meeting, unless I'm being really rude. And I've met you before and I don't know.

[Fatia Al Gore]

No, I saw you cross across the way once in and you were having your hair brushed by someone. Ooh, that sounds a horse.

[Stevie Martin]

That sounds like a song. Yeah.

[Fatia Al Gore]

Where was that? Latitude Festival. Oh, it's actually my agent and I wondered why she wasn't watching our show and we looked across and she was brushing Catherine's hair. Weird.

[Katherine Ryan]

We must have been high.

[Fatia Al Gore]

Yeah.

[Katherine Ryan]

This is a very interesting brief. I've asked you to come and write me a filthy story about each other with some rules. Did you find that challenging?

[Stevie Martin]

A little bit. A little bit. But not. I found it, I enjoyed it. Cause I know her. Yeah. So I found then I could pick her little quirks and stuff and write about them and stuff like That I sent her a message. I was like, don't talk about my hijab. Don't talk about my hijab, and don't talk about my hijab.

[Fatia Al Gore]

So my story is called Fatih's Hijab behind the Hijab. Exactly.

[Stevie Martin]

Just to freak her up.

[Katherine Ryan]

So I feel like I know so much about you, Fatih. We've worked together loads. I think you're very, very, very funny. I love the juxtaposition of you. You're very sweet, but you will someone up. But what I don't hear about is will you someone? I don't hear a lot of sex talk from you. Oh, I don't know what your fantasies are. I don't know what your type is.

[Stevie Martin]

My fantasies for people to leave me the alone and stop whatsapping me every five minutes and asking, can you do this? Can you do that? Are you free? Where you going? Can I take you out? No, let me sleep.

[Fatia Al Gore]

So if you don't get a WhatsApp, you just immediately start wanking.

[Katherine Ryan]

You've been set the task of writing a dirty story that's about each other, and it must contain a given setting, character, and prop. Your story must be set in a car show room, and I would like to have a car salesman involved, a custom paint job, and a steering wheel.

[Stevie Martin]

All right, let's do it.

[Katherine Ryan]

What's this title of your story?

[Stevie Martin]

The title. I'm gonna do this in my sexy. I could do sex phone work. That's what I'm gonna do when comedy dries out. All right, are you ready?

[Fatia Al Gore]

I mean, I'll never be ready, but I'm excited.

[Stevie Martin]

So my. I don't know why I'm doing a French accent, but. So my story is called Paint me like one of your French cars. Oh. Oh, la la.

[Katherine Ryan]

One of your French cars.

[Stevie Martin]

Oui. Oh, my God. I can't even say this first line. She's gonna murder me. Okay. Stevie is an emo who wears black all the time.

[Fatia Al Gore]

Look at emo socks.

[Katherine Ryan]

Oh, no, these are very Beetlejuice.

[Fatia Al Gore]

I am very emo.

[Stevie Martin]

Okay, Grace, so Stevie Martin is an emo who wears black all the time. The only color on her is her beautiful blue eyes, like those of a husky. Oh. Her platinum blonde locks. What lightning would look like if it was tangible.

[Fatia Al Gore]

Ooh. Big sexy word, like tangible.

[Stevie Martin]

I had to Google that word. I was like, what do you say if you can touch, like, tangible.

[Katherine Ryan]

Very literary.

[Stevie Martin]

Off the jump. Stevie lives in a small town surrounded by the sea. Think Dawson's Creek, but replace the Coffee shops and cupcakes with vape shops and phone slashers. She hates where she lives because there's no vegan food and she's a vegan. Stevie doesn't have a job, but she has a dream. One day I' ma leave this place and find the best vegan food in the whole damn country, y'. All.

[Fatia Al Gore]

I'm sort of like American as well.

[Stevie Martin]

Gave you an accent.

[Katherine Ryan]

You're Southern.

[Stevie Martin]

Yeah, I'm gonna. It's gonna change after, but, yeah.

[Fatia Al Gore]

Yeah, great.

[Stevie Martin]

Every day she cycles around the town with her Walkman on, listening to Joy Division and dreaming about all the vegan food she will eat when she blows this joint.

[Fatia Al Gore]

What does blows this joint mean? Leave. Yeah, yeah, fine. Just wanted to check.

[Katherine Ryan]

But it could also be foreshadowing you might be blowing something or someone later.

[Stevie Martin]

Yeah. So one day, she was cycling around the town when she started to feel hungry. She started to cycle back home, thinking about what she would make to eat. Mmm. Split dahl and spinach and potatoes. Her mouth. Her mouth was watering. Mmm. Hummus. Cucumber and olives. She started to cycle faster. Piranhas. That was it. She was now standing on her bike and cycling furiously. Suddenly, she found herself on the floor, face down in the road. What the hell had happened? It was a bloody pothole, weren't it? These bloody councils are a joke, mate.

[Katherine Ryan]

Are you very politically motivated?

[Fatia Al Gore]

I mean, yes, I am. It seems like I am.

[Katherine Ryan]

It doesn't surprise me with. As an emo, husky vegan, you're gonna also be upset about the misallocation of government funds.

[Stevie Martin]

Yeah.

[Fatia Al Gore]

These potholes are not, you know, they're.

[Stevie Martin]

Not being filled a bit like her character.

[Katherine Ryan]

Yeah.

[Fatia Al Gore]

There's been no mention of sex yet. I must be frustrated. And that's why I'm so obsessed with, you know, hummus. And carrots. And carrots. Very phallic about Tom.

[Stevie Martin]

Stevie was Devo. Her bike was ruined. She couldn't ride it back home. She decided to take it to the local bike shop to get it fixed. Ben's Bikes. Uh oh.

[Katherine Ryan]

Where's Ben?

[Stevie Martin]

She dragged the broken bike to the shop, but it was a different shop. Hmm. She thought maybe I have a concussion. Maybe I left my hair dyeing too long and it fried my brain cells.

[Fatia Al Gore]

I'm actually a natural blonde, to be honest.

[Stevie Martin]

Then a man came out of the shop and said, hi, I'm Mike. Welcome to Mike's Motors. How can I help? Stevie, confused, replied, where's Ben? I need to get my bike fixed. Mike's.

[Fatia Al Gore]

I've got that Kind of like confrontational vibe that you have. Really interesting.

[Katherine Ryan]

You slipped into Fatiha for a second.

[Stevie Martin]

Where's Ben?

[Fatia Al Gore]

The tension's building, so I'm just obviously desperate to get around this in, like.

[Stevie Martin]

Typical meals and boons fashion. This is how they build it up.

[Fatia Al Gore]

Yeah. They're so hungry. Love it. And I've been in, like, a bike accident, so I imagine I'm just bleeding and stuff.

[Stevie Martin]

Yeah, all over. So Stevie, confused replies, Where's Ben? I need my bike fixed. Mike says, ben's gone. He sold the premises to me and I have opened a car shop.

[Fatia Al Gore]

It's good to get some context. Yeah, it's almost like we could have gone straight to the car shop, but it's nice that we didn't.

[Stevie Martin]

Stevie, disappointed and worried about what to do with her bike, says, okay, thanks, and begins to walk away. Mike calls her back. Wait, I can help. I'm a keen cyclist myself. I'm good with bikes.

[Katherine Ryan]

Oh, it's sexy.

[Fatia Al Gore]

That's sexy.

[Stevie Martin]

How sexy is that?

[Fatia Al Gore]

I'm a keen cyclist by itself.

[Stevie Martin]

Stevie, feeling hopeful, says, really? Mike, happy that he can help her, says, yeah, I need to shoot off though, now, because I need to collect some supplies for the shop before the wholesalers close. Can you come back tomorrow to collect your bike?

[Fatia Al Gore]

Text all the time.

[Katherine Ryan]

A lot of exposition.

[Fatia Al Gore]

Yeah, it's good.

[Katherine Ryan]

Better get. So sexy.

[Stevie Martin]

It is. I swear, Dan, you're going to literally lose your mind.

[Fatia Al Gore]

Okay.

[Stevie Martin]

Your knickers are going to literally fly across the room.

[Fatia Al Gore]

A wholesaler's knickers are going.

[Stevie Martin]

Stevie returns to the shop the next day. She enters, but no one is around. It's just her and the cars in the showroom. Hello? She calls back here, my shots.

[Fatia Al Gore]

He's in the back. In the back, like.

[Stevie Martin]

Yeah, he in the back, honey. She followed his voice to the back of the shop. She found him in the back garage. Topless spray painting. A 1995 Citroen 2cv.

[Fatia Al Gore]

The sexiest of the cars.

[Stevie Martin]

Mike was moving the spray gun up and down with each motion. Stevie could see the muscles in his back moving. Damn. She thought this geezer was smoking.

[Fatia Al Gore]

I always say things like, this geezer was smoking.

[Stevie Martin]

Mike turned around and caught her eye. Oh, sorry, I didn't know it was you. I would have got dressed. Stevie gave him. Oh, fuck.

[Fatia Al Gore]

Yeah.

[Stevie Martin]

No, Stevie gave him a look. Mike grabs a cloth, wipes his hands and picks up the steering wheel. Laying on the floor. Stevie watches him as he walks over to the other side of the car, opens the door, starts to fit the steering wheel on the car. She watches his big hands push the wheel into place and gently rub around the wheel like a boob or your thighs.

[Fatia Al Gore]

Thank you. Okay.

[Stevie Martin]

She starts to get flustered, imagining his hands on her. Oh, this is.

[Fatia Al Gore]

See how we're getting there?

[Stevie Martin]

See? We're getting there. See? Stevie slips, nearly falling over, but Mike catches her.

[Fatia Al Gore]

This is always gonna happen.

[Stevie Martin]

They look into each other's eyes and he leans in and kisses her. His hands are up around her waist and her hands land on his shoulders. She rubs his shoulders and slides her hand down his back. He rubs her skin and she whispers into his ear, but paint me like your French car.

[Katherine Ryan]

Oh, that's why.

[Stevie Martin]

Citron mic drop.