Episode 127 - Tye Harris - Grits and Eggs Podcast

Transcript

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Ty Harris (0:35)

Yeah.

Interviewer (0:37)

Woke up in the morning and to God be the glory Thankful for another day to tell my story Put my opinions in the universe and let them orbit I'm from the dirty soul with a dirty mouth my knee orbit miss things things on me like a Norbit had to refuse them cause my no rest fusion she gorgeous as I doubt my sons up and kiss my daughter forehead Tell them we gonna get this money to my pocket bit Remember living in apartments now we playing Mortgage that for him.

Ty Harris (1:06)

He was.

Interviewer (1:06)

Oh, he was like on his blues bad. For real.

Ty Harris (1:10)

I ain't even do the. I ain't do the piano on that one. So that's one of the ones I ain't do the piano on.

Interviewer (1:15)

Did you have you got a dress code for the show?

Ty Harris (1:18)

It's. I said like formally encouraged because I ain't want to like, turn nobody away just because they ain't want to put a suit on. I'mma be in a suit if you want to come in a suit. Like my Dallas show. I told him it was encouraged if you want to, but everybody was pretty much in my comments telling me what they wanted the dress code to be so they could just come as you are and. Yeah, came in the whole females in the hoe and gowns and yeah, they can't trim.

Interviewer (1:41)

For real.

Ty Harris (1:42)

Yeah, yeah.

Interviewer (1:42)

So I mean, that's the one though, because that's what I was thinking. It's like, it's. I mean, you gonna be playing the keys.

Ty Harris (1:51)

Yeah.

Interviewer (1:52)

Summary

Grits and Eggs Podcast: Episode 127 - Ty Harris
Host: Deante’ Kyle
Guest: Ty Harris
Date: March 6, 2026

Overview

In this energetic and unfiltered episode, Deante’ Kyle sits down with Dallas musician, rapper, and pianist Ty Harris. The conversation dives into Ty’s unique blend of rap, classical piano, and opera, his experience navigating the music industry, and the challenges and culture of being an innovator in both sound and image. The two also delve into heavier topics—racism, cultural exploitation, and the realities of Black artistry—while keeping it raw, humorous, and fully authentic.

Key Discussion Points & Insights

Ty's Musical Identity: Rap, Piano, and Breaking the Mold

Ty describes his approach to performance as wearing suits and encouraging formal dress—though his shows embrace all styles.
[01:18] Ty: "Formally encouraged because I ain't want to, like, turn nobody away just because they ain't want to put a suit on... came in the whole females in the hoe and gowns."
Ty performs with a DJ and his piano—eschewing the typical full band but bringing others on stage as collaborators.
[01:55] Ty: "It's my piano and a DJ that's hard."
The inspiration for playing piano came via an unexpected route, joining choir for snacks and later realizing his vocal and musical skills could take him farther than basketball, his first love.
[07:08] Ty: "I was in high school, I needed another elective... the soprano section was bad, man. And they were selling snacks... next day I was in the choir... realized I had a whole nother talent."
Ty failed college piano and dropped out, but taught himself to play by ear, merging his rapping with live piano.
[08:10] Ty: "I dropped out of college because I failed my piano class..."
Ty talks about dealing with being the first to do something new:
[23:42] Ty: "How do you... navigate the pressures of being the first... in my city, in Dallas... they telling me that this is not the route to go, nigga, you ain't even got no 808s..."

Navigating Cultural & Industry Challenges

Ty and Deante’ discuss the impact and dangers of "club culture" on artists in Dallas, especially regarding violence and expectations to perform—and the tragic consequences for peers expected to "pop" in the club.
[24:00] Ty: "...he passes away, he gets shot, he gets killed at the club... hosting it. Mr. Hit that was... and so it's like really full circle. And it sent a chill down my spine..."
The two exchange stories of cultural shock, racism, and code-switching in academic spaces and the broader music scene.
[09:03] Ty: "The white. The whitest of the white. Even the black folks... had the sperries on... khakis... I was running around that like I am now. I had the hood on my head. And this was around Trayvon Martin time."
This leads to discussing “liberal” racism and the insidiousness of covert bias vs. overt racism.
[12:34] Ty: "I low key kind of respect the vocal racist because I know who my enemy is... but them bitch ass niggas who just be acting like they own that covert racism..."

Instrumentation, Live Shows, and Innovation

The value of live instrumentation in a digital world, and the risk of AI diluting genuine creativity.
[14:52] Ty: "We got this new thing called artificial intelligence rolling in... but we have to remember that artificial intelligence is using data from the past. So we'll never have anything innovative... we substituting real art and creativity for consistency and the algorithm."
Deante’ shares why modern rappers should embrace instruments:
[14:19] Deante’: "That's like super hip hop. That's lyrical as a... You need to rap with a band or with live instrumentation..."
Ty aims even higher, expressing dreams of doing full orchestral shows:
[57:20] Ty: "I wanna skip a step up and go a whole orchestra. I wanna... that'll be another foot in Dr. Pruitt mouth."

Black Artistry, Appropriation, and Historical Lineage

Ty connects his artistic roots to the Black revolutionary lineage and discusses cultural appropriation, especially in music genres created by Black artists:
[37:44] Ty: "My great grandmother is Opal Lee... my grandmother was a Black Panther... Street niggas come from gangsters. Gangsters come from our Black Panthers..."
Deante’ and Ty discuss how credit, organized crime, and even certain types of American music have Black origins that are often whitewashed, referencing Little Richard, Sister Rosetta Tharp, Chuck Berry, and the origins of horrorcore in rap.
[61:07] Deante’: "The genesis of rock and roll in America is Sister Rosetta Tharp and Chuck Berry..."

Performance Approach and Audience Building

Ty relies more on direct community feedback than analytics for planning his shows:
[48:45] Ty: "I pay attention to what the people like. Not the numbers, but the actual people like. I'm deep in them comments..."
Stories of roses being thrown at shows, fans DMing, and the evolution from viral “Voices” videos to truly connecting with live audiences coast to coast.
[52:23] Ty: "But I will say having supporters and fans or people that recognize me in other cities is different... before Pushing Keys, I was doing this thing called Voices..."

Life Lessons and Advice for Other Artists

Deante’ and Ty repeatedly push for authenticity, staying out of cultural death traps, and resisting pressure to fit narrow artistic molds.
They discuss keeping your music rooted in community and not compromising creative vision even in the face of pressure to conform.
[36:40] Ty: "What's wrong with our rap community now, because we've made it too accessible... Rapping is culturally important. When everybody start getting a hand and then we start losing out on doctors and... and engineers..."

Notable Quotes & Memorable Moments

Ty Harris on Club Culture & Safety:
[27:02] "We got to treat our rappers like rappers and stop trying to treat our rappers like street... Like no, let's..."
Ty Harris on Being a “Square” in Hip Hop:
[34:00] "Please don't. Please don't. Because I would never. My thing is I'm a square ass, bro. And when be like he a square. And then the overly tough bully want to be like, oh, I could. I could bully him. I could get some points off this. And I'll be like, I'm a square, I'm a square. I'm a square, I'm a square. Then I punch you in the eye and you run."
Deante’ on Making New Genres:
[23:00] "You're the first person to incorporate the piano in with the rapping... your shit is original, and it's tailored to your rapping. Like, this is a whole new genre that you opening up..."
Ty on Racism in Higher Education:
[09:26] "This is Dr. Pruitt. Hated Dr. Pruitt. Racist ass white lady. She asked me one day, she said, do everyone in the hood wear a hood?..."
On AI in Music:
[14:52] Ty: "Artificial intelligence is using data from the past... we'll never have anything innovative if everyone keeps on relying on artificial intelligence to make our music for us."
On Performance Authenticity:
[65:23] Ty: "And it's so many, like, elements that you can't control. Like, I don't know what's going on in the crowd. I don't know if the tech is right. I don't know if the mic's gonna fuck up..."
Ty on Influences and Dream Collaborators:
[74:49] "Diane Warren, a crazy songwriter, did a lot of songs for a lot of movies... Diane Warren. I think she fucked my head up, up like. Yeah, definitely a big inspiration to me."

Timestamps for Important Segments

Piano, Performance, and Show Vibe
- Dress code, musical setup: [01:18] – [02:00]
Origins of Ty’s Musicianship
- Choir and self-taught piano: [07:08] – [08:43]
Navigating Racism & Code-Switching
- College experiences, Dr. Pruitt anecdote: [09:03] – [10:07]
Club Culture and Artist Safety in Dallas
- Dangers, critique, and loss: [23:42] – [29:56]
Artist Innovation vs. Traditional Expectations
- The “club is not the be all” debate: [23:42] – [27:02]
Live Instrumentation & AI in Music
- Human touch vs. algorithm: [14:19] – [17:28]
Black Artistry and Cultural Appropriation
- Discussion of musical roots: [37:44], [61:07]
Pushing Out of Comfort Zones
- New shows, orchestras, and using feedback: [57:20] – [59:38]
Dream Track, Collaborators & Influences
- Diane Warren, collaboration wishlist: [73:01] – [76:10]
Sports Tangent & The Evolution of NBA Players
- Basketball, “real nigga” in NBA, LeBron: [80:06] – [86:47]

Guests' Tone & Vibe

The entire episode is characterized by warm camaraderie, unapologetic Blackness, regional pride (Dallas, Texas), sharp wit, and a willingness to tackle difficult cultural issues alongside celebrations of musical innovation and success. Ty and Deante’ seamlessly weave humor and vulnerability, pushing for artistic integrity without sacrificing fun or insight.

Closing Note

Essential listening for anyone interested in the evolution of Black music, the intersections of rap and classical artistry, and real talk on staying safe, creative, and authentic in a world of digital shortcuts and societal pressure. Ty Harris’s blend of opera, piano, and Texas rap is carving a new lane, and this episode breaks down why that matters—historically, culturally, and sonically.