
Original Air Date: January 31, 1960Host: Andrew RhynesShow: GunsmokePhone: (707) 98 OTRDW (6-8739) Stars:• William Conrad (Matt Dillion)• Parley Baer (Chester)• Georgia Ellis (Kitty)• Howard McNear (Doc) Special Guests:• Barbara Eiler• Joseph Kearns• V...
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Andrew Rines
Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines and I'm excited to bring you another episode at Absolutely free. This is one of over 80 episodes released monthly for your enjoyment. Now let's get into this episode. Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers and that's with a U.S. marshal and the Smell of Gun Smoke. Gun Smoke Starring William Conrad. The story of the violence that moved west with young America and the story of a man who moved with it. I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chance, a job, and it makes a man watchful and a little lonely.
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Doc
Alice, who is it? Helps now with your cleaning. I need somebody. Thought you did your own work.
Andrew Rines
I always have.
Doc
But lately I've had a nagging backache with sleepless nights and feel tired out. I know what discomfort backache can be. Better do something about it. But what? Try Doan's Pills.
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Good advice. That's Doan's Pills, an analgesic and mild diuretic to the kidneys. Nagging backache also headache, dizziness and muscular aches and pains may come on with overexertion, emotional upsets or everyday stress and strain. Doan's Pain relieving action is often the answer. And they also offer mild diuretic action through the kidneys. So if nagging backache is making you feel worn out, tired and miserable with restless sleepless nights, don't wait. Try Doan's Pills, used successfully by millions for over 60 years. See if they don't bring you the same welcome relief. Get Doan's Pills today to save money by Doan's big economy size. Hmm. Now I sure can't find your order, Miss Kitty.
Doc
Oh, don't worry about it, Mr. Jonas.
Andrew Rines
I saw Edna getting things together, but what she did.
Doc
Mr. Jonas, I don't mind waiting, man, it bothers me.
Andrew Rines
Now, she should stay here till 5:00, but no, every afternoon come 4:30 she has to run off to the boarding house, change her clothes, comb her hair and freshen up, as she keeps saying.
Doc
Well, if she's not a good worker, why do you keep her on?
Andrew Rines
No, no, no, no, I didn't say that. She's a fine worker. As a matter of fact, I'd hate to lose her.
Doc
Lose her?
Andrew Rines
Well, she keeps talking about San Francisco and how she'd like to live there.
Doc
Maybe it's only talk.
Andrew Rines
Oh, I don't think so. I get the notion that Dodge is just the place she ran out of money and as soon as she saves up enough, she'll be on her way.
Doc
Did she ever tell you where she's from?
Andrew Rines
A farm someplace in Ohio, I think. One day we got to talking about hogs and milk cows and she let it slip. Almost bit her tongue off after she said it.
Doc
You think she's ashamed of being raised on a farm?
Andrew Rines
No, it ain't that a funny thing. It's more like she was Scared like she had to keep it a secret.
Edna Wahlstrom
Well, I'm back, Mr. Jonas. I'll just tidy up the counter. Oh, Miss Kitty.
Doc
Hello, Edna. My, you look pretty.
Edna Wahlstrom
Well, thank you.
Andrew Rines
Miss Kitty's waiting for her order, Edna.
Edna Wahlstrom
Oh, I've got it all wrapped and setting on the counter here.
Doc
That was very thoughtful.
Edna Wahlstrom
Well, I knew you'd be in, So I told Mr. Jonas rather than have you wait, I'd get it ready and he could give it to you. Here you are.
Doc
Thank you.
Chester Proudfoot
It's almost 5:00. Are you ready to. Afternoon, Miss Kitty.
Doc
Hello, Chester.
Edna Wahlstrom
I'm already. Mr. Proudfoot. You have to forgive the way I look, but I have been working all day and a person does get a little wilted.
Chester Proudfoot
Yes, ma'am.
Edna Wahlstrom
Well, shall we go? See you in the morning, Mr. Jonas.
Andrew Rines
All right, Edna.
Edna Wahlstrom
Nice seeing you, Miss Kitty.
Doc
Nice seeing you. And you too, Chester.
Chester Proudfoot
Yes, it was very nice.
Doc
Mr. Jonas. I think you're wrong.
Andrew Rines
Huh? About what?
Doc
San Francisco. I think Dodge City is as far west as Edna plans to get.
Andrew Rines
Goodbye.
Edna Wahlstrom
Oh, I just think trains are the Most exciting thing, Mr. Proudfoot, don't you? All that black smoke and huffing and puffing and the way the whistle screamed. It's like a big wild animal. Or a dragon.
Chester Proudfoot
Well, no, I never quite thought of it that way, but with all the suit.
Edna Wahlstrom
Would you mind if I just held onto your arm till it leaves?
Chester Proudfoot
No, ma'am. Not if you're really scared.
Edna Wahlstrom
Oh, my, but you're strong.
Chester Proudfoot
Well.
Edna Wahlstrom
Oh, and you must be very brave too, working with Marshall Dylan the way you do fighting Indians.
Chester Proudfoot
Well, we don't fight many Indians anymore.
Edna Wahlstrom
Mostly capturing rustlers and horse thieves and trains.
Andrew Rines
Well, every once in a while we.
Edna Wahlstrom
I'll bet you've saved his life lots of times.
Chester Proudfoot
Oh, Mr. Has a way of looking after himself. Oh, there she goes.
Andrew Rines
Very my Jing.
Chester Proudfoot
You know, it is pretty exciting at that.
Edna Wahlstrom
Oh, it certainly is.
Chester Proudfoot
Here's the Marshal's Mailchester. Oh, thank you, Charlie. I just come in and get it.
Andrew Rines
You think you and your pretty little helper here can carry all that by yourselves?
Chester Proudfoot
Oh, sure, Charlie. This little bit ain't so much to get.
Edna Wahlstrom
Oh.
Chester Proudfoot
Charlie sure is a josher.
Edna Wahlstrom
I'll bet there are real important things in those letters once in a while.
Andrew Rines
He is.
Chester Proudfoot
Don't seem to be much today, though. Just three wanted circlers.
Edna Wahlstrom
Could. Could I see one of them?
Chester Proudfoot
Well, I guess. Ain't no harm. They're gonna be posted anyway. Yeah.
Edna Wahlstrom
Texas Sam. Oh, what a mean, terrible looking person.
Chester Proudfoot
Well, that ain't a Very good likeness of him. He's usually.
Edna Wahlstrom
Oh, don't show me the other. I. I don't want to know about such people.
Chester Proudfoot
Well, all right, but you ask.
Edna Wahlstrom
I would like to see those envelopes.
Chester Proudfoot
Well, now, Ms. Edna, the U.S. mail is sort of sacred, like.
Edna Wahlstrom
Oh, Chester, just let me look. My, The Department of the interior in Washington, D.C. and the U.S. marshal's office in St. Louis. Oh, my, all that important mail. It is a responsibility, isn't it?
Chester Proudfoot
Well, yes, ma'am, it is. And I think I better walk you on home now so as I can take the mail over at the office.
Edna Wahlstrom
All right.
Chester Proudfoot
Mr. Doane likes to look at it before he goes out to supper.
Edna Wahlstrom
Chester.
Chester Proudfoot
Yes, ma'am?
Edna Wahlstrom
This boardwalk's terribly rough. Would you mind if I took your arm?
Andrew Rines
I see.
Chester Proudfoot
Yeah.
Andrew Rines
Well, now, you're sure that's the move you want to make? I guess so. Yeah. That makes three games in a row. And I suppose I should feel flush.
Chester Proudfoot
With victory, but I find absolutely no.
Andrew Rines
Satisfaction in beating a half hearted opponent. What are you talking about? Come on, mate, out with it. Well, you'll know sooner or later anyway. Chester. Chester. Has he been up to see you? No. Why, is he sick? Well, something's wrong with him. Well, what are his symptoms? What does he do? Nothing. Well, then what makes you think those are his symptoms? Doc? He doesn't do anything when he's here. He walks around with a blank expression. He doesn't hear anything I say. This place hasn't been swept up in a week. I've had to make coffee for the last two mornings. And day before yesterday, that drifter we had in the cell didn't get any supper. That doesn't sound like Chester. That's what I'm talking about. Now, do you have any idea what might be bothering him? As a matter of fact, I do. And the only thing that amazes me is that it hasn't happened long before this. Well, what is it, Doc? Chester is a victim of your ingratitude. What? Now, Doc, I know may sound silly, but it's a fact. Look, Doc. Now, wait. You ask my opinion and I'm gonna give it to you. I've seen cases like this before. A man goes on year after year doing his job and then suddenly one day he asks himself why. Oh, sure, he gets paid for it, but he has to feel that what he's doing is important. That the person he works for appreciates his efforts. If he is not appreciated, all the spunk goes out of him and he begins to think maybe he should Find something else to do. You mean Chester's thinking about quitting? I wouldn't be a bit surprised. So tell me, Matt, when was the last time you said something nice? Something nice? Look, I can't run this office like a Sunday school doc if I have to pat Chester on the head every time he does. All right, all right. You asked me and I told you. But you just go on like you have been. No word of thanks or no praise, barking orders, expecting things to be done day after day. Well, maybe. You certainly wouldn't want to lose a man like Chester because of your own stubbornness. Well, I. No, I wouldn't duck. Okay, I'll do something about it.
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Edna Wahlstrom
There she goes.
Chester Proudfoot
Yes, sire. There goes that old dragon.
Edna Wahlstrom
Oh, it sure is exciting.
Chester Proudfoot
It sure is. Well, let's go pick up the mail. Old Charlie must have it sorted out for now.
Edna Wahlstrom
Oh, but you'll have time to walk home with me, won't you?
Chester Proudfoot
Oh, well, of course I will.
Andrew Rines
I see you got your pretty little helper with you again, Chester.
Chester Proudfoot
I sure have. Mail sorted yet, Charlie.
Andrew Rines
Yep. Here you are.
Chester Proudfoot
Thank you. Oh. See you tomorrow.
Andrew Rines
See you tomorrow. Both of you.
Edna Wahlstrom
You know, Chester, you're the nicest person I ever met.
Chester Proudfoot
I am? Well, I've.
Edna Wahlstrom
Oh, it's true. And I'll tell you something else.
Chester Proudfoot
What?
Edna Wahlstrom
This is a secret. Lean over so I can whisper it in your ear.
Chester Proudfoot
Well, you can just say it right out. Nobody can't hear it.
Edna Wahlstrom
Lean over. That's what I think of you, Chester.
Chester Proudfoot
Well, now, Miss Edna, that's very. I don't think Front Street's a place to.
Edna Wahlstrom
Oh, it's all right, Chester. I don't care who knows.
Chester Proudfoot
Well, I think I'd better take you home on account of Mr. Dillon Be mad if he don't get his mail this up.
Edna Wahlstrom
Time must be very important. Mail tonight. Let me.
Chester Proudfoot
Here now. You shouldn't do that, Miss Edna.
Edna Wahlstrom
Let's see. One from the Department of Defense circular.
Chester Proudfoot
Please give it back to me, Miss Edna.
Edna Wahlstrom
A catalog of firearms and ammunition. Another circular. A letter from Ohio. Oh, I dropped that silly old catalog.
Chester Proudfoot
Never mind, I'll get it.
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Oh.
Edna Wahlstrom
Oh, I'm sorry.
Chester Proudfoot
It ain't hurt none. Just the new Granger catalog I sent for.
Edna Wahlstrom
Here are the letters.
Chester Proudfoot
Thank you, Miss Edna.
Edna Wahlstrom
What's the matter?
Chester Proudfoot
There was another letter here.
Edna Wahlstrom
There was?
Chester Proudfoot
Yes, ma'am, you know there was. You had it right in your hand when. There it is. Where, Chester, you stuck it in your shirtwaist there.
Edna Wahlstrom
What makes you so sure that's your letter?
Chester Proudfoot
Well, it has to be.
Edna Wahlstrom
Mr. Proudfoot, are you accusing me of stealing a silly old letter?
Chester Proudfoot
Well, no, ma'am. I suppose it could have got there by accident.
Edna Wahlstrom
If you're so sure, why don't you just take it away from me? Well, but if you try, I'd scream like anything. And everybody in Dodge would think that Chester Proudfoot was a big, nasty old brute.
Chester Proudfoot
Miss Edna. Miss Edna, I've. Oh, dear.
Andrew Rines
Well, good Morning, Chester.
Chester Proudfoot
Morning, Mr. Dawn. Sorry I didn't get your breakfast this morning.
Andrew Rines
Well, every man has the right to sleep late now and then, hasn't he? I think it's kind of good to eat breakfast out once in a while anyway.
Chester Proudfoot
I'm sorry. I just didn't close my eyes. Left her sun up, Ms. Dunn. Just tossed and turned. Tossed.
Andrew Rines
You know, Chester, I think you've been working too hard. I think you should take a couple of days, pack your saddlebag and take your fishing pole and ride out and just loaf a little. You remember that little stream that cuts off the Arkansas?
Chester Proudfoot
Well, yes, sir, I remember it, but I just couldn't do that.
Andrew Rines
Well, I can manage without you here for a couple of days.
Chester Proudfoot
Mr. Dillon, if you want me to go away, you don't have to be nice about it. I understand.
Andrew Rines
Chester, I didn't say I want you to go away.
Chester Proudfoot
You said you could manage without me for two days.
Andrew Rines
Chester, I figured that you needed a rest, a change. Now, look, you've got a tough job. Well, I got a tough job, too. Any marshal has. But if he doesn't have help that he can count on, his job is twice as tough. Now, you're a good assistant. You're loyal and you're dependable. Shut up. I'm not finished yet. Now, when I'm out on the prairie four or five days a week at a time, I gotta have a companion I can stand to live with. Well, most of the time, I can stand you. Now, does that sound like I'm trying to get rid of you? Well, does it?
Chester Proudfoot
No, sir.
Andrew Rines
All right.
Chester Proudfoot
And thank you very much. You just helped me make up my mind about something very important.
Andrew Rines
All right, then. Now make up your mind to clean up this rat's nest from top to bottom before I get back. I'm going over the long branch.
Chester Proudfoot
Yes, sir, Mr. Dillon.
Andrew Rines
I don't know. Kidding, I guess. I was pretty hard on him, but maybe it helped. Anyway, sweet talking him seemed to make him feel worse.
Doc
And that was Doc's idea, huh?
Andrew Rines
Yeah, he figured Chester needed some encouragement.
Doc
And what did you figure?
Andrew Rines
Nothing. I just got tired of him mooning around like a lovesick cat and neglecting his work.
Doc
You said it, I didn't.
Andrew Rines
Huh? Said what?
Doc
Mooning like a lovesick cat.
Andrew Rines
What? Oh, not Kitty Chester. Whoa. Who?
Doc
Edna Wahlstrom.
Andrew Rines
You mean the little girl that Jonah's hired to work in the store?
Doc
She's not exactly a little girl. She's 22 if she's a day. And she set her cap for Chester.
Andrew Rines
What? Kitty Chester isn't the kind to go chasing after girls.
Doc
I said she set her cap for him.
Andrew Rines
Well, what do you know?
Doc
Speak of the devil.
Chester Proudfoot
Mr. Dillon.
Andrew Rines
Wow. Chester. Ms. Walstrom. Marshall, I think you know Ms. Kitty Russell, don't you?
Doc
Oh, yes.
Edna Wahlstrom
Yes, I do. Good evening, Miss Kitty.
Doc
Well, won't you sit down?
Chester Proudfoot
Thank you. Uh, Mr. Dillon. Now, Miss Walstrom's got something to tell you.
Andrew Rines
All right.
Edna Wahlstrom
I'm under arrest, Marshall.
Andrew Rines
What?
Edna Wahlstrom
Chester arrested me for tampering with the US mail.
Chester Proudfoot
Now, you didn't open the letter, Ms. Edden, so that just makes it interfering instead of tampering.
Andrew Rines
Now, that's still a pretty serious charge with Walter.
Edna Wahlstrom
Well, I. I know, Marshall. Chester said he liked me very much, but if he didn't arrest me, he'd be even guiltier than. Than I am. Because it wouldn't be loyal to you. And that a marshal has to be able to trust his assistant in everything.
Andrew Rines
Who was this letter addressed to?
Doc
To you, Marshall.
Edna Wahlstrom
Here it is. It's Mr. Gruber back on a farm near Akron, Ohio. And it's all a lie.
Andrew Rines
Well, if you haven't opened it, how do you know it's a lie?
Chester Proudfoot
See, Mr. Dillon, this Mr. Gruber wrote to Ms. Eden about a week ago and told her what he was going to do if she didn't take the next train back to Ohio.
Andrew Rines
Well, let's find out.
Chester Proudfoot
If only you would have told me about this, Ms. Edna, instead of just.
Andrew Rines
Trying to steal the letter.
Edna Wahlstrom
But I just didn't know what to do, Chester. I thought if the marshal didn't know about it. Oh, Mr. Gruber would leave me alone.
Chester Proudfoot
I know, but.
Andrew Rines
Now, Ms. Walstrom, did you steal $200 from this Mr. Gruber?
Edna Wahlstrom
No, sir, Marshall, I didn't. He gave it to me. It was a loan.
Andrew Rines
But he says here that you signed a confession.
Edna Wahlstrom
He told me I was signing a.
Andrew Rines
Note telling me the truth now.
Edna Wahlstrom
Yes, sir, I am.
Andrew Rines
And we'll find out who's lying tomorrow.
Chester Proudfoot
What do you mean, Mr. D?
Andrew Rines
Gruber's getting in the Dodge at 10 tomorrow morning.
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Andrew Rines
When somebody breaks the law, they should be in jail. That may be true, Mr. Gruber, but this jail wasn't built for women. I'm still not sure that the law was broken. You got my letter. I sent you her confession. I know. And if you'd filed a complaint back in Ohio, I can hold her here in Dodge until they can send somebody to take her back. But I am already here. I will take her back, Mr. Gruber. The law just doesn't work that way.
Chester Proudfoot
Here's the Telegraph, Mr. Dunn, from the Akron police.
Andrew Rines
You read it, Chester.
Chester Proudfoot
Yes, Right then.
Andrew Rines
Now you read it, Marshall. Complaint against Edna Wahlstrom filed here by Hans Gruber, January 10th. Charge theft. Presently in your city. Please apprehend and hold for extradition. So now I want her arrested.
Chester Proudfoot
She's not no criminal, Mr. Dillon.
Andrew Rines
Oh, you think not?
Chester Proudfoot
No, I don't. She's a fine person. And if she done something wrong, she must have had real good reason.
Andrew Rines
Chester.
Chester Proudfoot
I'm sorry, Mr. Dillon, but I'm real upset.
Andrew Rines
Now, look here.
Chester Proudfoot
Look here. I think Miss Edna is all right. Fine lady. And I just won't believe she can do anything really bad like stealing your money. She works awful hard, and she's awful nice, and she's awful pretty, and.
Andrew Rines
And. And.
Chester Proudfoot
And she wouldn't do a thing like that.
Andrew Rines
You. You have got a lot to learn, young.
Chester Proudfoot
That may be, but there's one thing I do know. I know if you say one mean thing to her when she gets here, if you try to scare her one little bit, it's gonna make me madder than I am.
Andrew Rines
Are you threatening me, Chester? Chester, nobody's going to intimidate her. I'll see to that. Now, you just calm down, and I promise you we'll get to the bottom of this just as soon as we can.
Doc
There she is. Math.
Andrew Rines
Oh, hello, kitty. Come on in. Ms. Wahlstrom. Ms. Wahlstrom, do you know this man?
Edna Wahlstrom
That's Mr. Gruber.
Andrew Rines
Hello, Edna. Why did you do it, Edna?
Edna Wahlstrom
Mr. Gruber, you told me when I signed that paper that now everything was all right. You know I was going to pay it back.
Andrew Rines
I. I don't mean about the money. But why did you run away? Everybody laughs at me.
Edna Wahlstrom
I can't help that, Mr. Gruber. I had to do it.
Andrew Rines
But why?
Doc
I'll tell you why. No, Matt, this is important. Mr. Gruber, you're a widower, aren't you?
Andrew Rines
That's right. Four years now.
Doc
And Edna here was your Housekeeper. Your hired girl, huh?
Andrew Rines
Yeah.
Doc
How much did you pay her?
Andrew Rines
Well, not so much. Maybe money, but there's room and board. I bought goods so she could make clothes.
Doc
And on fair day one Friday a month, you took her to town with you, along with the chickens and eggs and pigs. And you gave her two whole dollars to spend, Is that right?
Andrew Rines
Yes.
Doc
And for that she kept the house, did the baking, the cooking, the washing and ironing, fed the pigs and fed the chickens and gathered the eggs. And when she wanted to leave, you wouldn't lend enough money to live for two weeks while she went looking for another job.
Andrew Rines
Yeah, that is so. But I didn't want her to go away. She was always talking about San Francisco and I was afraid that if she had money, she would go there.
Doc
But you made it easy for her to steal the $200. Then you made her sign that silly confession so that you could use it to frighten her into staying on the farm.
Andrew Rines
Is that the story, Gruber? Yeah, that's the story. You must be very proud of yourself. No. No, I am not. That's why I had to find you.
Edna Wahlstrom
Edna, I don't even want to talk to you.
Andrew Rines
Mr. Gruber, please listen. I had to find you because. Well, because I want you to be Mrs. Gruber.
Edna Wahlstrom
What?
Andrew Rines
That's all right. You laugh, but you listen too. I've hired a couple, Jacob Glassnap and his missus, to run the farm. And you know the little house with the green shutters? The shape of place we used to pass going to town? The one you always liked so much.
Doc
What about it?
Andrew Rines
I bought it.
Edna Wahlstrom
Well, that's very nice, Mr. Groover, but.
Andrew Rines
Wait, I'm not finished. Look here in this envelope. Go ahead, look.
Edna Wahlstrom
Two tickets to San Francisco.
Andrew Rines
And I wrote to the Palace Hotel. They will get us married and we will stay there and we'll buy some fancy clothes and we'll go to the show houses. Oh, Mr. Gruber. Oh, I. I want you should call me Hans. Edna.
Edna Wahlstrom
Oh, Hans. Hans, you're the nicest person I ever met.
Andrew Rines
There is a stage at 5:15 if you can get past.
Edna Wahlstrom
I can, Aunt. I can, but we'll have to hurry. You come with me and we'll get everything together.
Andrew Rines
Oh, what about this warrant? Oh, I. I will write to them from San Francisco. Just forget all about it, please. Oh, that's about that.
Edna Wahlstrom
Well, I'm just so excited, I almost went off without saying goodbye. Miss Kitty, thank you so much for helping me and Marshall. I'm sorry I took the letter. Really I am. And. And. Chester.
Chester Proudfoot
Yes, ma'am?
Edna Wahlstrom
Please lean over.
Chester Proudfoot
Well, I.
Edna Wahlstrom
Please. Oh, Chester, I think you're the second nicest person I ever met. Goodbye.
Chester Proudfoot
Goodbye, Ms. Edden.
Doc
I'm sorry, Chester.
Chester Proudfoot
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Gun Smoke, produced and directed in Hollywood by Norman McDonald, stars William Conrad as Matt Dillon, U.S. marshal. The story was specially written for Gun Smoke by Vic Parron with editorial supervision by John Mess. Featured in the cast were Barbara Eiler, Joseph Kearns and Vic Perrin. Harley Bear is Chester, Howard McNear is Doc and Georgia Ellis is kidding. This is George Walsh inviting you to join us again next week when CBS Radio presents another story on Gun Smoke Foreign this has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com Become one of our ranch hands and unlock some exclusive content. We want to thank the following ranch hand, Steve, who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.
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Gunsmoke Podcast Episode Summary: "Chester’s Dilemma"
Introduction
In the episode titled "Chester’s Dilemma," hosted by Andrew Rines, listeners are transported back to Dodge City, Kansas, during the tumultuous settlement of the American West. This episode delves into themes of loyalty, gratitude, and moral dilemmas faced by those lawmen tasked with maintaining order in a rapidly changing frontier.
Setting the Scene
The story unfolds in the Marshal’s office, where Matt Dillon, portrayed by William Conrad, oversees the operations alongside his trusted assistant, Chester Proudfoot (Harley Bear Hutchinson). The office is abuzz with the daily grind of managing mail and addressing the community's concerns. Edna Wahlstrom, a young woman employed at the store, becomes a pivotal character as the narrative progresses.
Character Interactions and Developments
Early in the episode, tensions arise between Doc (Howard McNear) and Marshal Dillon regarding Chester’s recent behavior. Doc observes, “[06:16] Doc: Alice, who is it? Helps now with your cleaning. I need somebody.” This highlights the strain within the office dynamics, as Doc expresses concerns over both his physical ailments and the well-being of his colleague.
Chester Proudfoot emerges as a central figure, exhibiting signs of weariness and disillusionment. Marshal Dillon confronts the issue, stating, “[10:02] Chester Proudfoot: Yeah. [10:03] Andrew Rines: Well, now, you're sure that's the move you want to make? I guess so.” This exchange underscores Chester’s internal conflict and Dillon’s role in addressing it.
Edna Wahlstrom’s character is introduced as someone yearning for a different life, subtly expressing her desire to leave Dodge City. Her interactions with Chester reveal a budding connection, illustrated when she remarks, “[07:00] Edna Wahlstrom: Texas Sam. Oh, what a mean, terrible looking person." This moment sets the stage for the unfolding dilemma.
The Dilemma Unfolds
As the plot thickens, Edna Wahlstrom finds herself in a precarious situation when Chester Proudfoot arrests her for tampering with the U.S. mail. Edna asserts, “[21:20] Edna Wahlstrom: Well, I. I know, Marshall. Chester said he liked me very much, but if he didn't arrest me, he'd be even guiltier than. Than I am.” This accusation forces Marshal Dillon to investigate the truth behind the charges, leading to revelations about Chester’s unwavering loyalty.
Through a series of interrogations and flashbacks, it becomes evident that Chester feels unappreciated for his diligent work. Doc offers insight, “[11:00] Doc: Chester is a victim of your ingratitude,” prompting Marshal Dillon to reflect on his leadership style. This realization is pivotal, as Dillon acknowledges the importance of recognizing and valuing his team’s efforts.
The climax of the episode occurs when Edna Wahlstrom confesses her predicament, revealing that her employer, Hans Gruber, coerced her into her current situation. Dillon unveils his plan to resolve the conflict, stating, “[27:58] Andrew Rines: That's all right. You laugh, but you listen too. I've hired a couple, Jacob Glassnap and his missus, to run the farm.”
Conclusion and Resolution
In a heartwarming resolution, Edna and Chester decide to pursue a new life together in San Francisco, symbolizing a fresh start away from the challenges they faced in Dodge City. Edna expresses her gratitude, “[29:21] Edna Wahlstrom: Please lean over. Oh, Chester, I think you're the second nicest person I ever met. Goodbye.”
Marshal Dillon reflects on the lessons learned, emphasizing the significance of appreciation and support within his team. The episode concludes with a reaffirmation of the values that define a true lawman, leaving listeners with a sense of closure and the importance of empathetic leadership.
Notable Quotes
Doc on Chester’s Condition
“[11:00] Doc: Chester is a victim of your ingratitude.”
Marshal Dillon’s Realization
“[18:13] Andrew Rines: Well, yes, sir, I remember it, but I just couldn't do that.”
Edna Wahlstrom’s Accusation
“[21:20] Edna Wahlstrom: Well, I. I know, Marshall. Chester said he liked me very much, but if he didn't arrest me, he'd be even guiltier than. Than I am.”
Chester’s Plea
“[25:27] Chester Proudfoot: Mr. Dillon, I've. Oh, dear.”
Edna’s Gratitude
“[29:21] Edna Wahlstrom: Please lean over. Oh, Chester, I think you're the second nicest person I ever met. Goodbye.”
Final Thoughts
"Chester’s Dilemma" masterfully weaves a narrative that explores the complexities of human emotions and the responsibilities that come with leadership. Through its rich character development and poignant dialogues, the episode underscores the importance of empathy, recognition, and the enduring bonds that hold a community together in the face of adversity.
For fans of classic Western dramas, this episode offers a compelling blend of action, suspense, and heartfelt moments, all set against the rugged backdrop of the American frontier.