
Original Air Date: October 16, 1960Host: Andrew RhynesShow: GunsmokePhone: (707) 98 OTRDW (6-8739) Stars:• William Conrad (Matt Dillion)• Parley Baer (Chester)• Georgia Ellis (Kitty)• Howard McNear (Doc)Special Guests:• John Forkum• Jess KirkpatrickEdi...
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George Walsh
Foreign.
Andrew Rines
Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines, and I'm excited to bring you another episode absolutely free. This is one of over 80 episodes released monthly for your enjoyment. Now, let's get into this episode.
William Conrad
Around Dodge City and in the territory on West. There's just one way to handle the killers and the spoilers, and that's with a U.S. marshal. And the smell of gun smoke.
George Walsh
Gun Sport.
William Conrad
Starring William Conrad. The story of the violence that moved west with young America. And the story of a man who moved with it.
I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job, and it makes a man watchful and a little lone.
Harley Bear
Well, Marshall Dillon. Come in, Marshall. Come in.
William Conrad
Hello, Teeters. You got time to get me a haircut? I think I kind of need one.
Harley Bear
Yes.
George Walsh
You're.
Harley Bear
You're the only customer I've had in an hour, Marshall. Just hang your coat and your gun belt right over there, and I'll get things ready for you, all right?
George Walsh
Yeah.
Harley Bear
I haven't seen you around town lately, Marshall.
William Conrad
I've been over in Abilene for a week. I just got back late last night.
Harley Bear
You must have come in on the midnight, Steve.
William Conrad
Yeah, that's right.
Harley Bear
I sure wish I could get out of Dodge once in a while.
William Conrad
Not the way I do it, you wouldn't. You'll just be glad that you can stay here, Titus.
Harley Bear
Yeah, maybe you're right, Marshall.
William Conrad
Hey, isn't this a new chair you've got?
George Walsh
Yes, sir.
Harley Bear
That's the finest barber chair west of St. Louis.
George Walsh
Wow. Well, well, well.
William Conrad
That's pretty fancy.
Harley Bear
You betcha.
George Walsh
Try it now.
Harley Bear
You comfortable?
William Conrad
I'll tell you after I find out if you've raised your prices to pay for it.
Harley Bear
And here, let me get this cloth over you.
George Walsh
Here we are. Yeah.
Harley Bear
Haircut still quarter, Marshall? A shave too tight around your neck?
William Conrad
No, it's okay. What about shaves?
Harley Bear
Price with shaves going up? A dime, Marshall.
George Walsh
A dime, Marshall?
Harley Bear
You wouldn't want to stay in the way of progress for the sake of a dime, would you?
William Conrad
Whose progress?
Harley Bear
Well, anyway, you don't need a shave. Not today, anyway.
William Conrad
That's a good thing. Just take a chair there, stranger.
Harley Bear
I'll be with you in a few minutes.
George Walsh
A few minutes? Yep.
Harley Bear
You're next.
Unknown
Right in line.
William Conrad
Barber.
George Walsh
What?
Unknown
I ain't next.
Harley Bear
Why, of course you are. Ain't nobody ahead of you.
Unknown
I said I ain't next.
Harley Bear
You mean you Won't wait?
Unknown
That's right. I won't wait.
George Walsh
Oh, sure you will. I work fast.
Harley Bear
It won't be longer than 10 minutes at the most. Now, you.
Unknown
You don't understand. I want to shave. I want it right now. You can cut his hair later.
George Walsh
What?
Unknown
You heard me.
Harley Bear
Now, look, mister, you don't know who you're.
George Walsh
Shut up, Taters.
Unknown
Get out of that chair, mister.
William Conrad
All right, taters, take the sheet off of me.
George Walsh
All right. Here.
William Conrad
Okay, monsieur, I'm out.
George Walsh
Then move.
Unknown
I want to sit down.
William Conrad
You don't quite understand.
Unknown
I don't understand what?
William Conrad
I didn't get out of that chair.
George Walsh
So you could have it.
Unknown
You're gonna be troublesome, ain't you?
George Walsh
Mm.
William Conrad
There's not much you can do about it.
Unknown
Isn't there?
William Conrad
You don't see very well, mister.
George Walsh
What?
William Conrad
I'm not wearing a gun. It's hanging on the wall over there. Oh, you gonna shoot an unarmed man in front of a witness?
Unknown
Go get your gun. Put it on.
George Walsh
No. Do it.
William Conrad
You're licked, mister. How are you gonna make me do it? By shooting me.
George Walsh
What?
Unknown
You're gonna.
William Conrad
I don't like killings, but if you don't turn around and walk out that door, I'm gonna half kill you with my fist. Now, you get moving.
Unknown
All right, you got me this time. Next time you'll be wearing a gun. It'll be something different then.
Harley Bear
My goodness, Marsha, you. You took an awful chance here.
William Conrad
Who was he, T?
Harley Bear
I don't know. I never saw him before. But he might have killed you, Marshall.
George Walsh
That had been murder.
William Conrad
You get hung for murder. Why don't you quit shaking and let's get this haircut over with? He won't be back.
Howard McNear
Hello, miss dawn.
William Conrad
Hello, Chester.
George Walsh
I was looking for you.
William Conrad
I've been right here in the office the past half hour.
Howard McNear
I know.
George Walsh
You have?
Howard McNear
I went by the barbershop, and tears told me. And he also told me how you handled that fellow.
George Walsh
No, that ain't Peter's.
Howard McNear
Described him to him. Mr. Dunn, I know who he is.
George Walsh
You do?
Howard McNear
He come here about a week ago just after you went owling.
William Conrad
What's his name?
George Walsh
Springer.
Howard McNear
Nate springer.
George Walsh
What? That's right.
William Conrad
Are you sure that was Nate Springer?
Howard McNear
Well, couldn't have been nobody else. Why? You said you don't know him.
William Conrad
No, I don't, but I've heard about him.
George Walsh
You have? Where? All over.
William Conrad
Nate Springer's got quite a reputation.
Howard McNear
As a gunman, you mean?
William Conrad
Yeah, he's a gunman, all right. They say he's the most nerveless gunman that ever lived. He's all ice. Pat Masterson told me once that out in Arizona, a man got the drop on him and Springer started to laugh.
Howard McNear
Laugh?
William Conrad
He asked him what he was laughing about. Springer said he never had before and he didn't want to die without saying what it was like.
George Walsh
Oh, my.
Howard McNear
What happened?
William Conrad
It's kind of hard to shoot a man who's enjoying his first laugh, Chester.
Howard McNear
Oh, me darn. What do you reckon he's doing in Dodge?
William Conrad
Springer's a killer.
George Walsh
A paid killer.
William Conrad
That's all he's ever done anywhere.
Howard McNear
Then why don't you go arrest him?
William Conrad
He's not wanted. That I know of. There are no circulars out on him.
Howard McNear
Well, but you can't just wait till he kills somebody.
George Walsh
No.
William Conrad
And I can't put him in jail till he does.
Howard McNear
You got time for another cup of coffee, Matt?
William Conrad
Take time, Doc.
George Walsh
Good.
Howard McNear
Good.
Here you are.
William Conrad
Thanks.
Howard McNear
Well, things pretty wild up in Abilene.
William Conrad
It's still a camp with a hair on, Doc.
Howard McNear
Worse than Dodge?
William Conrad
No, I wouldn't say that.
Howard McNear
Then I'll stay here.
George Walsh
Why?
William Conrad
You're usually complaining about Dodge.
Howard McNear
I'm thinking of business, Matt. Business? What's there to do in a peaceful town? Aside from delivering a baby now and then or setting a broken leg?
William Conrad
You sound pretty bloodthirsty, Doc.
Howard McNear
I don't do the shooting, Matt.
It's men like that Nate Springer that.
You were telling me about.
George Walsh
Doc.
William Conrad
Nate Springer's sitting over there in the corner.
George Walsh
He is? Where? Right over there.
William Conrad
Alone with his back to the wall.
Howard McNear
Oh, yes, yes, yes. Well, he looks like a killer, all right.
George Walsh
He is.
Howard McNear
Did you see how he keeps looking around there? It's like he thinks everybody in this room's his enemy.
William Conrad
Man like that doesn't have friends.
Howard McNear
He doesn't even take his hat off. You see there? He's all ready to shoot and jump.
Georgia Ellis
Out of the door.
George Walsh
I.
Howard McNear
How can he eat if he doesn't even look at his plate?
He's getting up, man. He's coming this way.
George Walsh
Yeah.
Howard McNear
He hasn't finished his dinner.
William Conrad
You better turn around.
Howard McNear
Okay, but you keep your eye on him.
George Walsh
I don't like that, man. Where are you? Hey, you.
Howard McNear
Me?
Unknown
What was you staring at me for?
Howard McNear
I wasn't staring at you.
Unknown
No man stares at me without a reason. I don't like it. I want to know why you was doing it.
Howard McNear
Well, now, look here, mister. You're getting all upset over nothing. You ruin your dinner, working yourself up.
Unknown
Tell me why you were staring at me? I'll put a hole in you.
George Walsh
I'll do it. Well, you're awful jumpy for a big gunman.
Unknown
Tell me. I said hold it.
William Conrad
Springer, this is Doc Adams. He doesn't carry a gun.
Unknown
He doesn't?
George Walsh
No.
Howard McNear
But sometimes I wish I could.
William Conrad
Wait a minute, Doc.
Unknown
Why you getting into this, mister?
William Conrad
I am.
Unknown
Who are you, anyway?
William Conrad
Matt Dillon.
Unknown
Matt Dillon?
George Walsh
That's right.
Unknown
I knew I'd run into you sooner or later. Why, in my line of work, there's always some law man wanting to interfere.
William Conrad
Sure, it'll happen here, Springer. You kill anybody, fair fight's a fair fight, ain't it? Not when you're paid to pick a fight with a man.
Unknown
Like I said, Marshall, I knew I'd run into you.
William Conrad
Springer, when I find out who you're after, I can probably find out who's paying you. Then I'll jail you and him both.
Unknown
You're gonna lose a lot of sleep trying to find out, Marshall.
William Conrad
I can stand it. You're the one that needs sleep, Springer. A lot of it. Without any bad dreams.
George Walsh
I.
Howard McNear
Looks like the man of ice is starting to melt, man.
William Conrad
Something's happening to him, Doc. Whatever it is, it isn't good. Kitty.
Georgia Ellis
I didn't see you, Matt.
William Conrad
Why don't you sit down if you got time.
Howard McNear
Oh, I don't have to go to.
Georgia Ellis
Work till after sundown. Guess I might as well sit here and watch Front street with you as anything else.
George Walsh
Good little air is good for you.
Georgia Ellis
A lot of it would be even better.
William Conrad
You know, Kitty, you ought to buy a horse. Take a ride up the river every day or so.
Howard McNear
I'm too broke.
William Conrad
Well, I'll lend you one. I got a little bay that's pretty gentle.
Georgia Ellis
Imagine having more than one horse.
William Conrad
That's about all the government does give me, Kitty.
George Walsh
A couple of cheap horses.
Georgia Ellis
I've seen you riding your arm.
William Conrad
I got to keep him in shape in case I decide to quit.
Georgia Ellis
The day you quit, that horse will be as old as a man.
George Walsh
You may be right.
Howard McNear
Hey, look, man.
George Walsh
What?
Georgia Ellis
There. Walking down the middle of the street.
George Walsh
Springer.
Georgia Ellis
Now, who'd expect a man like Springer to have a little yellow dog?
William Conrad
I don't know that the dog's his, Kitty. Maybe he's just following him.
George Walsh
He's right at his heel.
William Conrad
I don't think Springer knows it.
Georgia Ellis
He's trying to sniff at me, Matt.
Howard McNear
He shot him.
George Walsh
Poor little dog.
Georgia Ellis
He didn't do anything.
William Conrad
I'll be back tonight.
Harley Bear
Well, what do you want, Marshall?
Unknown
Just a dog.
William Conrad
You think he Was gonna bite you.
Unknown
He might have. How'd I know? I didn't know what it was.
William Conrad
Could have been anything or anybody, huh?
Unknown
I knew it wasn't a man.
William Conrad
Yeah, but you just said.
Howard McNear
Oh, Cash.
George Walsh
What?
Unknown
I said that dog shouldn't have been sniffing around.
William Conrad
Not around you, that's for sure. Well, why don't you go get a drink, Springer? I think maybe you need one.
Unknown
I don't drink, Marshall.
George Walsh
Never.
William Conrad
You don't have any vices, do you.
Howard McNear
Marshal?
George Walsh
Huh? Yep.
William Conrad
Nothing.
George Walsh
Go ahead.
Georgia Ellis
Matt. Is he crazy or something?
William Conrad
I don't know, Kitty.
Georgia Ellis
Well, he's the meanest man I ever saw.
William Conrad
He didn't shoot that dog out of meanness, Kitty.
George Walsh
No?
Georgia Ellis
Well, why then?
William Conrad
He's jumpy.
Georgia Ellis
Well, if he's that jumpy, nobody need worry about him.
George Walsh
I worry about him. Kitty.
Georgia Ellis
You.
George Walsh
He's dangerous.
William Conrad
He's more dangerous now than the way everybody tells me he used to be.
Howard McNear
What do you mean?
William Conrad
Suppose that instead of a dog smelling at his heel, it had been a man who had happened to bump into him.
Georgia Ellis
I hate to be the man. He'd probably get killed.
George Walsh
That's right.
Georgia Ellis
Then Springer shouldn't be carrying a gun, Matt.
George Walsh
Yes, I know.
Georgia Ellis
Well, why didn't you take it off him or run him out of town?
William Conrad
If I did that, whoever's paying him would just hire another gunman.
George Walsh
Kidding.
William Conrad
The only way to stop this killing is to find out who that is.
Georgia Ellis
Well, I hope you do.
Howard McNear
Before it's too late.
William Conrad
That night I had Chester follow Springer around and keep an eye on him. All he did was buck the faro bank for a few hours and then go to bed earlier than the most respectable citizens. Next day, Chester went back to trailing him while I sat in the office and tried to figure a way to trap him into telling me who'd hired him. By mid afternoon, I was no further than when I'd started. The only idea I had was to choke it out of him.
Howard McNear
Dylan.
William Conrad
Yeah, what is it?
Howard McNear
That Nate Springer, he.
George Walsh
He dug on.
Unknown
Near shot a girl over there.
William Conrad
What?
Howard McNear
One of the girls were at the Long branch.
William Conrad
What do you mean he almost shot her?
Howard McNear
Well, he stayed in his room at the Dodge House all morning, so.
William Conrad
Just never mind that.
What about the girl?
Howard McNear
That's what I'm getting to. Well, just afternoon he went over at the Long branch and started gambling. He was sitting at a table in the corner with his back again. One of them wooden windows, you know. And one of the girls that works there, well, I guess she needed a breath of air. So she slipped in behind Springer's chair and started opening that shutter.
William Conrad
So when did she got that far?
Howard McNear
He just won. He was raking in a pot. But when he heard her. I never see a man move so fast, Mr. Dillon. That poor girl near about fainted the way he jumped around at her.
William Conrad
She's lucky she doesn't get shot.
Howard McNear
He had a six gun stuck right in her face. He was within a hair letting go of that hammer. And when he seen who it was, he started cussing her something weird.
William Conrad
He's getting worse.
Howard McNear
Yeah, and he's gonna kill somebody. Sure acting a fool that way. Yeah, and it probably won't even be the one come here to kill neither. Imagine him about to shoot a woman.
William Conrad
I guess I can't wait any longer, Chester.
George Walsh
What are you gonna do?
William Conrad
Well, I'm gonna shame him first. That doesn't make him talk. I'm gonna have to run him out of town. All right. Come on.
Howard McNear
Ms. Jones. I can't help thinking all your friends who told you about Nate Springer was mighty poor judges. He's about the uncoolest son man I ever saw.
William Conrad
I agree about that, sister.
Howard McNear
Who was it told you about him last?
William Conrad
I don't remember.
George Walsh
Been two or three years maybe.
Howard McNear
Just a lot of rumor. You know how the talk gets started sometimes.
William Conrad
Wyatt Earp was the first man who.
George Walsh
Told me about him when we got inside. Here.
William Conrad
You go to the bar and you stay there.
George Walsh
Hu.
Howard McNear
Yonder. He is Ms. John.
William Conrad
I see him Catch you bring her.
George Walsh
Bring her.
William Conrad
Come over here.
Unknown
You're interrupting my game, Marshall.
William Conrad
Your game's over, Springer.
George Walsh
For good.
Unknown
What does that mean?
William Conrad
Get out of Dodge. What if you've been paid in advance? You better give him back his money. You're not gonna earn it.
Unknown
You're saying I ain't?
William Conrad
It's an hour to sundown. Be out of town before dark.
Unknown
It's a long time since a man's talked to me like that, Marshall.
William Conrad
How long's it been since a dog scared you into shooting him? Or since you drew one woman? You've lost your nerve, Springer. You're not going to kill anybody.
Howard McNear
Shut up.
William Conrad
I'll shut up if you tell me who hired you.
George Walsh
No.
Unknown
No.
William Conrad
Then who are you supposed to kill?
Unknown
I won't tell you.
William Conrad
I didn't think you would. And be out before dark, Springer. And don't come back.
George Walsh
Ever.
Howard McNear
Hello, Matt.
George Walsh
Doc.
Howard McNear
What do you stand out here for? Why aren't you inside with the feet on your desk the way you usually are?
William Conrad
I'm waiting for somebody, Doc.
Howard McNear
Oh. Oh, you sound serious.
William Conrad
Nate Springer. Doc, he's got about 20 minutes to leave town.
Howard McNear
Is that so?
Well, you. You finally had to come around here though.
William Conrad
He's still on the long branch over there. If he doesn't come out before dark, I'm going in after him.
Howard McNear
Well, there comes somebody.
William Conrad
Oh, that's Chester.
Howard McNear
Oh, yes. Is there going to be a shooting mat?
George Walsh
I doubt it.
William Conrad
Doc. Springer's already back down.
Howard McNear
Well, you never know. I'm going to get my things ready just in case.
William Conrad
Yeah, sure.
George Walsh
Doctor.
Howard McNear
Mr. Doom. I thought I'd better come.
George Walsh
Tell you what, Chester.
Howard McNear
Springer's been bellied up to the bar over in the long branch for the last half hour.
George Walsh
He has?
Unknown
Yes, sir.
Howard McNear
Been drinking down one glass after another.
William Conrad
Doc was right.
George Walsh
You never know what he's getting Ready.
William Conrad
To use his gun.
George Walsh
Chester.
William Conrad
I'm going over and stop him.
Howard McNear
Look, he just come out.
George Walsh
Yeah.
Howard McNear
He'S headed this way.
William Conrad
You stay here.
Harley Bear
Marshall.
William Conrad
I thought you didn't drink.
Unknown
I never did before.
William Conrad
You started too late. You haven't time to find your man. You're leaving town.
Unknown
I've found him.
George Walsh
What? You.
Unknown
Marshall. It's you I'm going to kill.
William Conrad
Who had you?
George Walsh
Springer.
Unknown
Let's draw, Marshall. I feel like it.
George Walsh
Now.
William Conrad
Don'T be a fool.
George Walsh
You're drunk.
Unknown
Not that drunk. I can kill you and then I'll be all right again.
George Walsh
Now. No.
William Conrad
You shouldn't have tried it, Springer.
Unknown
I had to.
George Walsh
Why? You moved.
Unknown
Prison. Two years. I come out scared. Lost my nerve in that prison.
William Conrad
And why'd you take this job?
Unknown
I had to.
George Walsh
Who hired you, Springer?
Unknown
I did, Marshall. I hired me. I had to face somebody like you.
George Walsh
To.
Unknown
Get my nerve back. Don't you understand?
George Walsh
Yeah. Yeah, I understand.
Unknown
It didn't work.
George Walsh
No. And I.
Unknown
I paid everything I had for. Cost me everything in the.
Howard McNear
Gun.
George Walsh
Mo.
William Conrad
Produced and directed in Hollywood by Norman McDonald stars William Conrad as Matt Dillon, U.S. marshal. The story was specially written for Gunsmoke by John Meston. Featured in the cast were John Forkham and Jess Kirkpatrick. Harley Bear is Chester, Howard McNear is Doc. And Georgia Ellis is Kitty. This is George Walsh inviting you to join us again next week when CBS Radio presents another story of the western frontier. When Matt Dillon, Chester Proudfoot, Doc and Kitty, together with all the other hard living citizens of Dodge will be with you.
George Walsh
Once more.
William Conrad
It's America growing west in the 1870s. It's gun.
George Walsh
Foreign.
Andrew Rines
This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com Become one of our ranch hands and unlock some exclusive content. We want to thank our most recent ranch hands, Steve and Ron W. Who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail. 707-986-8739 this episode is copyrighted under the Attribution Non Commercial Share Like Copyright for more information go to otrwesterns.com copyright have a great day and thanks for listening.
George Walsh
Sam.
Gunsmoke | Episode Summary: "Crack-Up" (10-16-60)
Release Date: August 3, 2025
"Crack-Up," a classic episode of the long-running Western drama Gunsmoke, delves into the tensions that arise in Dodge City with the arrival of a notorious gunman, Nate Springer. Marshal Matt Dillon, portrayed by William Conrad, faces his toughest challenge yet as he confronts the chaos unleashed by Springer's presence in the town. This episode masterfully blends suspense, character development, and moral dilemmas, showcasing the enduring themes of law, order, and personal honor that Gunsmoke is celebrated for.
The episode opens with Marshal Matt Dillon returning to Dodge City after a week in Abilene.
His return sets the stage for the unfolding drama, as the town grapples with an unsettling new presence.
Dodge City becomes uneasy with the appearance of Nate Springer, a reputed gunman with a fearsome reputation.
Springer's demeanor is cold and unpredictable, making him a significant threat to the peace of Dodge City.
As Springer integrates into the community, his behavior becomes increasingly erratic and dangerous.
Instances include Springer nearly shooting a waitress at the Long Branch and intimidating townsfolk, heightening the tension and fear among residents.
Marshal Dillon takes decisive action to confront Springer, aiming to restore safety to the town.
Matt Dillon: "Springer's sitting over there in the corner." [09:16]
Springer: "I knew I'd run into you sooner or later." [11:03]
The clash reaches its peak when Springer confronts Dillon directly, leading to a tense showdown.
Springer: "Marshall, it's you I'm going to kill." [22:32]
Matt Dillon: "You're gonna lose a lot of sleep trying to find out, Marshall." [19:58]
In a dramatic culmination, Dillon manages to disarm Springer without bloodshed, emphasizing his commitment to justice over vengeance.
Springer's motivations are revealed, adding depth to his character and highlighting the personal struggles that drive men to violence.
Ultimately, Dillon's unwavering stance ensures Springer leaves Dodge City, preventing further chaos.
Matt Dillon: Demonstrates leadership and moral fortitude, prioritizing the safety and harmony of Dodge City over personal grudges.
Doc Adams: Acts as Dillon's confidant, providing insights and support in strategizing how to handle Springer.
Nate Springer: Portrayed as a complex antagonist whose quest for personal redemption leads him down a path of violence.
Matt Dillon: "I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet." [01:19]
Harley Bear (Chester): "The finest barber chair west of St. Louis." [02:44]
Doc Adams: "Men like that Nate Springer..." [09:08]
Springer: "I knew it'd happen here, Springer. You kill anybody, fair fight's a fair fight." [11:16]
Matt Dillon: "The only way to stop this killing is to find out who that is." [15:35]
"Crack-Up" exemplifies Gunsmoke's ability to weave intricate narratives that explore the complexities of human nature and the relentless pursuit of justice. Through Marshal Dillon's confrontation with Nate Springer, the episode underscores the fragile balance between law and disorder in the untamed West, leaving listeners with profound insights into bravery, responsibility, and the enduring fight for peace.
This summary provides an in-depth look into the pivotal moments and character dynamics of the "Crack-Up" episode, offering both longtime fans and new listeners a comprehensive understanding of the story's progression and its thematic significance.