Indian Baby | Gunsmoke (03-27-60)

Summary

Gunsmoke Episode Summary: "Indian Baby" (03-27-60)

Release Date: April 26, 2025
Host/Author: Andrew Rines
Producer: Norman Macdonald
Writer: Marion Clark
Duration: Approximately 27 minutes

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Introduction

Set against the rugged backdrop of Dodge City, Kansas, during the tumultuous years of the American West's expansion, "Indian Baby" delves into the complexities of cultural clashes, maternal instincts, and the pursuit of justice. This episode, part of the long-running Gunsmoke series, showcases U.S. Marshal Matt Dillon's unwavering commitment to maintaining peace and order amidst escalating tensions between settlers and Native American tribes.

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Plot Overview

The episode unfolds with Matt Dillon (William Conrad) responding to a distressing incident involving a mysterious woman and an infant. Discovered by Doc Adams (Howard McNear) and Kitty (Georgia Ellis) lying on the dry prairie, the woman, later identified as Dory, is in a dire state of exhaustion and apparent neglect of her child.

Discovery and Initial Assessment
At [04:18], Doc Adams discovers the woman and her baby:

Doc Adams [07:02]: "Poor thing, she's just skin and bones."
Kitty [07:19]: "I don't think the baby is hers." [07:27]

Kitty's observation raises immediate concerns about the legitimacy of the child's parentage, pointing to possible foul play or cultural misunderstandings.

Confrontation and Investigation
Matt Dillon takes charge, questioning Dory about the baby's origins. During their interaction at [10:22], Matt confronts Dory:

Matt Dillon [10:22]: "Ma'am, I'd like to talk to you about the baby."
Dory [10:43]: "Where is he? Give him to me."

Dory accuses Joe, referred to as "the savage Indian," of killing her baby, leading Matt to suspect that the child may not be hers. This suspicion is further explored when Doc Adams and Matt Dillon realize the baby might actually be of Native American descent.

Cultural Tensions and Resolution
The narrative intensifies as Matt seeks the counsel of Hawkwing, a respected Native American leader. At [14:13], Matt approaches Hawkwing:

Matt Dillon [14:31]: "I've come to talk with Hawkwing."
Hawkwing [15:57]: "A baby is missing from the lodgers. When the young men come back, there will be trouble."

Hawkwing clarifies that the baby died of fever and was buried by his people, but the mother, Dory, inexplicably took the child, which heightens the risk of an Indian uprising if tensions aren't managed delicately.

Emotional Climax and Understanding
Dory's true intentions surface as she reveals her deep anguish over her lost child and her connection to both her own suffering and that of the Native Americans. In a heartfelt confrontation at [17:23], Matt addresses her plight:

Matt Dillon [18:44]: "I'm sorry for you, but I can't risk an Indian uprising. The baby has to go back."
Doc Adams [18:55]: "Do what he says."

Realizing the gravity of the situation, Dory reluctantly agrees to return the baby, understanding that her actions could have severe repercussions for both her and the tribe.

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Character Dynamics

• Matt Dillon: Embodies the archetypal Western lawman—steadfast, compassionate, and judicious. His handling of Dory's distress showcases his ability to balance empathy with duty, striving to prevent violence through dialogue and understanding.

• Doc Adams: Acts as the moral compass and voice of reason. His medical expertise and gentle demeanor provide critical support in assessing Dory's condition and mediating the situation.

• Kitty: Represents the compassionate side of Dodge City, offering care and support to those in need. Her keen observations are instrumental in uncovering the complexities of the case.

• Dory: A tragic figure caught between her desperate need for her child and the cultural boundaries that restrict her actions. Her interactions highlight the emotional toll of frontier life and the pain of loss.

• Hawkwing: Symbolizes the Native American perspective, striving for peace and fairness. His involvement underscores the importance of cross-cultural communication and respect.

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Themes and Insights

"Indian Baby" masterfully explores themes of cultural conflict, maternal instinct, and justice. The episode underscores the fragile nature of peace in the Wild West, where misunderstandings and loss can quickly escalate into violence. It also delves into the human aspect of losses endured by both Native Americans and settlers, portraying the deep emotional scars left by such tragedies.

Through Matt Dillon's interactions, the episode advocates for empathy and reasoned dialogue as tools to bridge cultural divides. Dory's plight serves as a poignant reminder of the universal struggle for maternal love and the lengths to which one might go to protect it, even when faced with cultural taboos and legal obligations.

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Conclusion

"Indian Baby" stands out as a compelling Gunsmoke episode that not only entertains with its gripping Western narrative but also invites listeners to reflect on deeper societal issues. By presenting a nuanced portrayal of both settlers and Native Americans, the episode fosters a sense of understanding and the importance of compassionate law enforcement.

As Marshal Matt Dillon navigates the delicate situation, listeners are reminded of the enduring challenges in maintaining harmony amidst diversity—a theme as relevant today as it was in the Old West.

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Notable Quotes

• Matt Dillon [17:43]: "An Indian mother has a right to a baby, too."
• Dory [18:01]: "Maybe they won't care."
• Hawkwing [25:21]: "Her husband cannot help her now."
• Matt Dillon [26:15]: "She has been punished enough."

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Final Thoughts

"Gunsmoke's" "Indian Baby" is a testament to the series' ability to blend action with profound emotional and ethical dilemmas. Through its rich character development and thoughtful storytelling, it offers a timeless exploration of humanity amidst the untamed landscapes of the American West.

Transcript

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[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines and I'm excited to bring you another episode absolutely free. This is one of over 80 episodes released monthly for your enjoyment. Now let's get into this episode.

[William Conrad]

Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal and the smell of gun smoke. Gun Smoke Starring William Conrad. The story of the violence that moved west with young America and the story of a man who moved with it.

[Matt Dillon]

I'm that man. Matt Dillon, United States Marshal the first man they look for and the last they want to meet. It's a chancy job and it makes a man watchful and a little lonely.

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[Matt Dillon]

Come on now and you go Chester, open up the cell. We got a customer.

[Doc Adams]

Yes Sir.

[Chester]

Gracious me, Mr. Don't Look like he Gets sober up in a month of Sunday.

[Matt Dillon]

Yeah, well, he's been working at it good and steady.

[Chester]

There we are.

[Matt Dillon]

All right, in you go. Go.

[Chester]

Know who he is, Mr. John?

[Matt Dillon]

No, I don't think I've ever seen him before. He wasn't in any shape to tell me his name.

[Chester]

I ain't sure he'll ever remember it the way he looks.

[Matt Dillon]

Well, we'll give him time to recollect. Yeah. Come on, Chester. Let's go get some breakfast.

[Kitty]

You sure did a good job there, Doc. That's a beautiful little girl of Molly's.

[Doc Adams]

Oh, I can't take much credit for that, Kitty.

[Kitty]

No, but you didn't hurt her any, bringing her into the world.

[Doc Adams]

And I tell you, Kitty, if every woman was as sensible about having children as Molly is, a lot of doctors would be out of work.

[Kitty]

Well, she's had a lot of practice. Don't say that.

[Doc Adams]

For with that brood of kids running around, she doesn't have much time to fuss about having another one, I guess.

[Kitty]

Well, anyway, it was good to see her again. She never has time to come into town anymore.

[Doc Adams]

I should think not.

[Kitty]

I don't have much time to get out of town. Even the dry prairie looks good to me. Look there, lying in the road.

[Doc Adams]

Oh, yeah, I see it. Kitty. Oh, hi there.

[Kitty]

What? It's a woman.

[Dory]

How is she, Doc? Is she alive? Great Scott.

[Kitty]

Doc, what is it?

[Doc Adams]

Why, she's got a baby. Kitty. She was almost lying on top of a baby.

[Matt Dillon]

A baby?

[Doc Adams]

That's what I said, a baby. Here. Here. Can you hold it?

[Kitty]

Yeah, sure.

[Dory]

Doc?

[Doc Adams]

Yeah? I want to get that woman into town just as fast as I can.

[Kitty]

Can I help you move her? I'll make it.

[Doc Adams]

Poor thing, she's just skin and bones.

[Chester]

Here.

[Doc Adams]

Now, Kitty, you see if you can support her head a little bit, will you? But hold the baby in your other arm.

[Kitty]

Yeah, all right, Doc.

[Dory]

There. Is this all right?

[Doc Adams]

No, that's fine. Yeah. All right. Now we'll go.

[Kitty]

Back.

[Doc Adams]

Yes.

[Kitty]

Kitty, did you call this her baby?

[Doc Adams]

Sure I did. She was holding it so close, she was nearly smothering it.

[Kitty]

I. I don't think the baby is hers.

[Doc Adams]

Oh, what kind of fool is this?

[Kitty]

She's a white woman, isn't she?

[Doc Adams]

Well, you can see for yourself. She's a white woman.

[Kitty]

Well, I just got a good look at the baby's face. It's an Indian baby, Doc.

[Doc Adams]

Here, let me have a look at it. By George, Kitty, I believe you're right.

[Kitty]

I'm sure I'm right.

[Doc Adams]

Well, no matter. We'd best get the both of them back to town.

[Matt Dillon]

So come on. Come on.

[Doc Adams]

Oh, there you are, Matt.

[Matt Dillon]

Where did you expect me to be?

[Doc Adams]

Well, I never expect to find you in your office, I'll tell you that.

[Matt Dillon]

That nice buggy ride out in the country with Kitty didn't improve your disposition much, did it?

[Doc Adams]

Nice bug. You're at her. I made three calls, chopped a load of wood for old lady Thomas and brought another patient into town.

[Matt Dillon]

All right, Doc, all right. I didn't mean to insult you with the idea of having a good time.

[Doc Adams]

As a matter of fact, Matt, it might be a good idea for you to talk to the patient I brought in. Why?

[Matt Dillon]

Has he been shot?

[Doc Adams]

It's a woman.

[Matt Dillon]

All right, then has she been shot?

[Doc Adams]

No, but she's in bad shape from exhaustion and exposure. And she has a baby with her.

[Matt Dillon]

What? Well, that sounds more on your line than mine.

[Doc Adams]

I'm not so sure, Matt. You see, she's a white woman, but the baby is Indian.

[Matt Dillon]

Well, those things happen sometimes, don't they?

[Doc Adams]

Of course they happen. If you just listen to me, I tell you why I think this is different.

[Matt Dillon]

All right, Doug.

[Doc Adams]

I don't think the baby's hers. I think she kidnapped it.

[Matt Dillon]

Kidnapped it? Maybe I better have a talk with her.

[Doc Adams]

But please go easy with the matter. Whatever she's been through has been very hard on her.

[Matt Dillon]

Whether you want me to see her.

[Doc Adams]

Or not, I want you to see her.

[Matt Dillon]

All right. Come on. It.

[Doc Adams]

All right, Matthew, you can talk to her.

[Matt Dillon]

Looks like she's asleep, Doc.

[Doc Adams]

I don't think so. Go ahead and try.

[Matt Dillon]

All right. Ma'am. Ma'am, I'd like to talk to you, ma'am, and the marshal. It's about the baby.

[Dory]

My baby. My baby.

[Matt Dillon]

That's what I'd like to know about, ma'am. The baby.

[Dory]

Where is he? Give him to me.

[Matt Dillon]

It's all right. It's all right. He's right here. No.

[Dory]

No. They took him. They killed my baby.

[Matt Dillon]

Who killed him, ma'am?

[Dory]

A savage. The savage Indian. Joe. Joe.

[Matt Dillon]

Joe.

[Dory]

Joe.

[Matt Dillon]

Doc, you know who Joe is?

[Doc Adams]

I think he must be her husband, the way she keeps calling his name.

[Matt Dillon]

Yeah. Ma'am, where is your husband?

[Dory]

Joe. Joe.

[Matt Dillon]

Where is he? Joe.

[Dory]

Run off. Joe. Run off. Baby. My baby. Give him to me.

[Matt Dillon]

This isn't your baby, is it, ma'am?

[Dory]

They kill my baby.

[Matt Dillon]

I know, but this baby. Where did you get this baby?

[Dory]

A woman needs a baby. Give him to me.

[Doc Adams]

I'm going to give him to her.

[Matt Dillon]

Matt.

[Doc Adams]

It may quieter and bring her out of this.

[Matt Dillon]

All right, Doc. There you are.

[Doc Adams]

You just hold him there, quiet and gentle.

[Dory]

Baby. Baby.

[Matt Dillon]

Ma'am, he's an Indian. Baby.

[Dory]

They took my baby.

[Matt Dillon]

So you took this one baby.

[Dory]

Baby. Joe. Joe.

[Doc Adams]

I guess there's no just talking to her anymore, Matt.

[Dory]

Joe.

[Doc Adams]

Maybe later.

[Matt Dillon]

Yeah, all right, Doc. Maybe I'll know more about it later myself.

[Chester]

It's all right with me, Mr. Dillon. Riding way out here and all that.

[Matt Dillon]

I'm glad to hear that, Chester.

[Chester]

But it don't seem to me that you can be sure of getting anywhere just picking out any little old bunch of Indians and asking about one little old baby. It's like that needle in a haystack the fellow was telling me about.

[Matt Dillon]

Yeah, I'm not sure. No, sir.

[Chester]

It just don't figure to prove out.

[Matt Dillon]

It won't prove out if we don't start somewhere, either.

[Chester]

Well, yes, I guess you're right, but I.

[Matt Dillon]

Do me a favor, will you, Chester?

[Chester]

Why, sure I will, Mr. Dillon. I'd be proud to.

[Matt Dillon]

Just keep your doubts to yourself until I get through here.

[Hawkwing]

Will you?

[Dory]

Sure.

[Chester]

I sure will.

[Matt Dillon]

All right, now. We'll leave the horses here.

[Chester]

Don't look like there's nobody here but just the squaws and kids.

[Matt Dillon]

Yeah. Men are probably off hunting.

[Chester]

Reckon so. Well, there's one, Mr. Dunk. There's brave.

[Matt Dillon]

Yeah, it's old Hawkwing. You stay here, Chester. I'll go talk to him.

[Chester]

Thank you.

[Matt Dillon]

I've come to talk. Hawkwing. It is. Well, sounds like you want to talk to me, too.

[Doc Adams]

It is.

[Hawkwing]

Well, the marshal comes before the young men return from hunting.

[Matt Dillon]

All right, Hawkwing, you tell me what's on your mind. First.

[Hawkwing]

The marshal knows it's a baby.

[Matt Dillon]

Mm. But there are two babies, Hawkwing.

[Hawkwing]

A baby is missing from the lodgers. When the young men come back, there will be trouble.

[Matt Dillon]

I want to talk about a white baby.

[Hawkwing]

The white baby dead.

[Matt Dillon]

It is said that your people took the white baby, that your people killed it.

[Hawkwing]

That's not true.

[Matt Dillon]

But you know the white baby is dead.

[Hawkwing]

My people buried white baby.

[Matt Dillon]

Tell me what happened, Hawkwing.

[Hawkwing]

Baby lay dead of fever in arms of mother. My people bury Baby. The women brought the mother to the lodgers.

[Matt Dillon]

What happened to the mother?

[Hawkwing]

The marshal asked that question.

[Matt Dillon]

You tell me, Hawkwin.

[Hawkwing]

Mother walked out into the night. She took baby of my people.

[Matt Dillon]

You know this to be true.

[Hawkwing]

I know this to be true.

[Matt Dillon]

All right, Hawkwing. I was afraid it might be.

[Hawkwing]

It would be well if baby come back before young men return.

[Matt Dillon]

Yeah, I think you may be right. About that. Well, sure, she's better, Matt.

[Doc Adams]

I had her moved here to Ma Smally so she could be quiet for a while. I found out her name's Dory, that's all.

[Matt Dillon]

Maybe she'll talk to me this time.

[Doc Adams]

She's able to. That's all I can say. Whether she will or not is another matter.

[Matt Dillon]

Yeah. Well, let's go in and.

[Doc Adams]

Ma put her in a room on the first floor. Here it is. It's me, Dory. Doc Adams. I brought the marshal. He'd like to talk to you.

[Dory]

I. I don't want to see him.

[Matt Dillon]

It won't take long, Dory. It's important.

[Dory]

Please go away.

[Matt Dillon]

I can't, Dorie. I've got to talk to you about the baby.

[Dory]

My baby.

[Matt Dillon]

Well, that's just it. I'm afraid he isn't yours.

[Dory]

I'll care for him, Marshall.

[Matt Dillon]

I'm sure you would, Dory. But he still isn't yours, is he?

[Dory]

Mother has a right to a baby.

[Matt Dillon]

An Indian mother has a right to a baby, too.

[Dory]

But they took my baby, Marshall. They killed my baby.

[Matt Dillon]

Your baby was sick, Tori. Isn't that so? Your baby died.

[Dory]

They buried my baby. The savages buried my baby.

[Matt Dillon]

The Indian women were trying to help you.

[Dory]

They took my baby right out of my arm.

[Matt Dillon]

Because he was dead, Tori. Now, you really know that, don't you? Don't you, Dorie?

[Dory]

Doc.

[Doc Adams]

Go ahead, Dory. It'll be better if you face up to it.

[Dory]

I. I guess I know it, Marshall. But the fever and all.

[Matt Dillon]

Yes, I know you've been sick. And that may save your life.

[Dory]

What do you mean?

[Matt Dillon]

The Indians may be willing to let it go. Then when they get their baby back.

[Dory]

A baby.

[Matt Dillon]

You'll have to give him back, Dory.

[Dory]

Maybe they won't know, Marshall. They got lots of babies. Maybe they won't care.

[Matt Dillon]

I know they care. We'll have to give him back. But, Marshall, Listen to me, Dori. I'm sorry for you. But I'm not so sorry for you that I'll risk an Indian uprising. The baby has to go back, or your life won't be safe. Lots of lives won't be safe, Doc.

[Doc Adams]

He's right, Dori. Do what he says.

[Dory]

Can I have him just tonight, Marshall. And you take him in the morning.

[Matt Dillon]

I guess that's all right, Dory. It's too late to get out there tonight anyway. But I'll have to take him the first thing in the morning.

[Dory]

All right, Marshall. First thing in the morning.

[Chester]

Here's your coffee.

[Matt Dillon]

Those seem none too Hot.

[Chester]

You're about as ungrateful of a prisoner as I've ever fed. Of course, Jizz might early, but the marshal me has to ride out the Indian camp.

[Matt Dillon]

He gonna let me out?

[Chester]

Maybe he will at that. He's got awful lot on his mind over that woman and her baby.

[Matt Dillon]

I've been locked up long enough. What woman you talking about?

[Chester]

Why, that woman that took a baby from the Indians. Walked right out of their camp with it, nice as you please.

[Doc Adams]

Who is she?

[Chester]

I don't know. Some woman the Indians found way out west of town somewheres. Seems her baby got killed or something and she went and kidnapped herself. The Indian baby?

[Matt Dillon]

What's her name?

[Chester]

I ain't never heard her name.

[Matt Dillon]

Look, you better turn me loose right now.

[Dory]

Well, what?

[Chester]

The niggle isn't here. I started.

[Doc Adams]

Marshall.

[Matt Dillon]

Lay out of here. What's the trouble?

[Chester]

I don't know, Mr. Dillon. This fellow suddenly started going crazy.

[Matt Dillon]

Marshall. The woman and the baby. What's her name? Well, they know her first name is Dory. That's my wife. Now let me out. Let me out. Just wait a minute. Will you wait a minute. You weren't doing her much good when she needed you before. I. I thought she was dead, Marshall. I thought they was both dead. I rode off to get help. They was awful sick. I know. I got lost, Marshall. I. I didn't find nobody. And when I got back the wagon, I seen the grave. I thought they was dead. I ain't cared about nothing since. I can believe that. All right, let him out. Chester.

[Chester]

Yes, sir.

[Matt Dillon]

Tell me your name. Joe Dance. Dance. Your wife needs you pretty bad right now. I think you better go to her. Well, I sure want to do that, Marshall.

[Doc Adams]

Where is she?

[William Conrad]

Matt.

[Doc Adams]

Matt.

[Matt Dillon]

I'm in the back here, Doc. Yeah, what is it?

[Doc Adams]

The woman, Dory. She's taken the baby and gone.

[Chester]

She did what?

[Matt Dillon]

Lori's gone. Get the horses, Chester. Sure. Get one for dad, too. His wife's gonna be needing him more than ever now. I'll say this for her.

[Chester]

That woman can sure drive a buggy at a good clip.

[Matt Dillon]

Dory can drive, all right. Let's just hope she can drive fast enough this time.

[Chester]

You think she might be able to get away and get on?

[Matt Dillon]

If the braves haven't come back from hunting, she might have a chance. Marshall. Yeah? Dan, if they. If the engines get her with that baby, what'll they do to her? I don't know. They have their own laws. I don't know what they'll do.

[Chester]

Mr. Dylan, look yonder.

[Doc Adams]

The Buggy.

[Matt Dillon]

Yeah.

[Chester]

He sure did wreck it there.

[Matt Dillon]

Quite a bunch of them. Look at those tracks. You. You think they got her? Yeah, I think they got her. Come on.

[Chester]

Braze is sure back all right, Mr. Dunham. Look at them horses. Must be a couple dozen.

[Matt Dillon]

Yeah, they're back all right. Do we go in shooting? You were born with more sense than that. We go in shooting, we're dead as soon as we get there. How do you figure it then, Marshall? We walk in as quiet as we can and hope we can get out the same way. Let's leave the horses here. Just walk slow and easy and let me do the talking. She's my wife. You better hope it'll stay that way. Just don't start anything. The quieter we are, the better our chances are.

[Chester]

Sure. There her lined up, waiting for her.

[Matt Dillon]

Yeah. Just walk easy. All right, that's far enough. I've come to talk with Hawkwing. Send for him.

[Chester]

He's going after him.

[Matt Dillon]

Yeah. Dory. I see Dory.

[Doc Adams]

She's there.

[Matt Dillon]

Take it easy. Well, they got her tied up. Wait a minute, dad. Wait a minute. Hands off me.

[Chester]

Is he unconscious, mister? No.

[Matt Dillon]

He's lucky he isn't dead.

[Hawkwing]

You are brave men to come here now, Marshal.

[Matt Dillon]

I've come to ask that your people be merciful. I've come for the woman.

[Hawkwing]

It is not decided about the woman.

[Matt Dillon]

She has seen much trouble, Hawkwing.

[Hawkwing]

She took baby from my people.

[Matt Dillon]

The woman was sick with fever, Hawkwing. There was an evil spirit with her.

[Hawkwing]

My people had not harmed her. Yet she took baby.

[Matt Dillon]

The baby's back. The baby's unharmed. Let her go, Hawkwing.

[Hawkwing]

I have told you, it is not decided about the woman. Man you struck down. Who is he?

[Matt Dillon]

He is the white woman's husband.

[Hawkwing]

When she was found, the white woman and baby, there was no husband.

[Matt Dillon]

It is I said Hawkwing. She was sick with fever. The husband had gone for help. She needs help now.

[Hawkwing]

Her husband cannot help her now.

[Matt Dillon]

No, Hawkwing. Your people are the only ones who can help her now.

[Chester]

Mr. Dillon, that Indian longer.

[Matt Dillon]

The baby.

[Chester]

She's coming up here.

[Matt Dillon]

Just keep quiet, Jester.

[Dory]

I am the mother, Hawkwing. Let me speak.

[Hawkwing]

Little bird has suffered.

[Matt Dillon]

I know, and I'm sorry.

[Dory]

But white mother has suffered more. My baby is back with me. He shows good care. Her baby will never come back.

[Hawkwing]

What are you saying, little bird?

[Dory]

I wish white mother go free.

[Hawkwing]

You do not wish that she be punished?

[Dory]

She has been punished enough.

[Hawkwing]

Come, then. We will tell the council.

[Chester]

You think they will set her free, Ms. Dillon?

[Matt Dillon]

I think they will Chester. Indians think pretty straight. I have an idea that Dory and Joe will be able to start all over again.

[William Conrad]

Gunsmoke, produced and directed in Hollywood by Norman Macdonald, stars William Conrad as Matt Dillon, U.S. marshal. The story was specially written for Gunsmoke by Marion Clark with editorial supervision by John Messon. Featured in the cast were Gene Bates, Ralph Moody and Vic Parrot. Harley Bear is Chester, Howard McNear is Doc, and Georgia Ellis is Kitty. This is George Walsh inviting you to join us again next week when CBS Radio presents another story on gun smoke.

[Matt Dillon]

Latest news follows. Then Mitch Miller with tonight's guest stars on the CBS Radio Network.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com YouTube become one of our ranch hands and unlock some exclusive content. We want to thank the following ranch hand, Steve who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail. 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.