Luke’s Law | Gunsmoke (01-10-60)

Summary

Gunsmoke | OTRWesterns.com - Episode Summary: "Luke’s Law" (01-10-60)
Release Date: March 16, 2025
Host/Author: Andrew Rhynes

---

Plot Overview

In the "Luke’s Law" episode of Gunsmoke, listeners are immersed in a tense narrative set in Dodge City, Kansas, highlighting the age-old conflict between traditional self-reliance and the encroaching authority of law enforcement.

Initial Conflict:
The episode opens with Jess Burris approaching Matt Dillon, the steadfast U.S. Marshal of Dodge City, seeking justice for his father, Luke Burris. Luke was brutally beaten by Smed Moley, a known troublemaker in the territory. Jess demands that Matt arrest Moley, emphasizing the necessity of legal intervention to prevent further violence.

Luke Burris's Stance:
Luke Burris embodies the rugged individualism typical of the American West. Despite his injuries, he resists involving the law, insisting, “I ain’t never had no need for the law” (11:42). This resistance stems from his belief in settling disputes personally, a philosophy that clashes with Matt Dillon's commitment to upholding the law.

Escalation:
As Matt Dillon investigates, Smed Moley re-enters the scene, boasting about his actions and dismissing the marshal's authority. The tension escalates when Moley confronts Matt, asserting his defiance: “Ain't nothing you can do to me” (16:24). The situation deteriorates tragically when Smed Moley murders Jess Burris, leading to a confrontation where Luke Burris takes matters into his own hands by killing Moley.

Climax and Resolution:
Matt Dillon intervenes after the fatal altercation, enforcing the law despite Luke's attempts to maintain autonomy. The episode concludes with Luke Burris reluctantly acknowledging the necessity of law enforcement, albeit amidst personal loss and lingering tensions.

---

Character Analysis

• Matt Dillon (William Conrad):
  The unwavering U.S. Marshal represents law and order in Dodge City. Throughout the episode, Matt grapples with enforcing the law while respecting the traditional values of the townsfolk. His interactions are marked by empathy and determination to prevent further violence.

• Jessica "Jess" Burris (Ralph Moody):
  Jess serves as the catalyst for the episode's central conflict. His plea for justice for his father underscores the community's reliance on Matt Dillon for protection and legal recourse.

• Luke Burris (Dick Krena):
  A symbol of old-world resilience, Luke resists legal intervention, believing in personal accountability over institutional authority. His tragic decision to eliminate Smed Moley personally highlights the devastating consequences of clashing philosophies.

• Smed Moley (Lawrence Dobkin):
  The antagonist embodies lawlessness and defiance against authority. His actions and dismissive attitude toward Matt Dillon exacerbate the episode's tension, ultimately leading to his downfall.

• Chester Goode (Harley Bear):
  Matt Dillon's loyal assistant provides a grounded perspective, assisting in the investigation and supporting Matt's efforts to maintain peace.

---

Themes and Discussions

1. Conflict Between Tradition and Law:
   The episode delves deep into the tension between traditional self-reliance and the growing influence of formal law enforcement. Luke Burris's reluctance to involve Matt Dillon reflects a broader societal shift from personal justice to institutionalized law.

2. Tragedy of Miscommunication:
   Misunderstandings and lack of communication between characters escalate conflicts, leading to irreversible consequences. Jess Burris's inability to persuade his father highlights the fragility of relationships amidst differing belief systems.

3. Moral Ambiguity:
   The characters navigate complex moral landscapes, questioning the boundaries of justice and retribution. Matt Dillon's steadfast dedication contrasts with Luke's morally grey actions, prompting listeners to ponder the true meaning of justice.

4. Impact of Violence:
   The episode portrays the cyclical nature of violence and its devastating impact on individuals and communities. The deaths of Jess Burris and Smed Moley serve as stark reminders of the costs of unresolved conflicts.

---

Notable Quotes

• Jess Burris to Matt Dillon:
  “I want you to arrest the man that beat my pa. You can do that, can't you, Marshal Dillon?”
  (08:06)

• Matt Dillon on the Necessity of Law:
  “This is murder. I gotta get into this now, whether you want me to or not.”
  (22:32)

• Luke Burris's Defiance:
  “He feels so bad cause he come running to you for help and he can't get none.”
  (15:36)

• Matt Dillon Confronting Luke:
  “This time I can't. Can I speak to the boy, Doc? Be easy, man.”
  (20:58)

• Luke Burris on Tradition:
  “We took care of our own. That we had no need for the law to do it.”
  (26:53)

---

Conclusion

"Luke’s Law" masterfully encapsulates the essence of Gunsmoke by exploring the intricate dynamics between individual beliefs and societal norms. Through its rich character development and poignant storytelling, the episode invites listeners to reflect on the balance between personal responsibility and the rule of law. The tragic outcomes serve as a powerful commentary on the inevitable costs of resisting change, underscoring the timeless relevance of Gunsmoke in portraying the human condition amidst the rugged backdrop of the American West.

---

Transcript Time References

<a name="time-0806">[08:06]</a>, <a name="time-1142">[11:42]</a>, <a name="time-1536">[15:36]</a>, <a name="time-1624">[16:24]</a>, <a name="time-2058">[20:58]</a>, <a name="time-2232">[22:32]</a>, <a name="time-2653">[26:53]</a>

Transcript

[American Express Advertiser]

Bring along an American Express card to open the door to rewards wherever you go. Morning coffee run with an old friend. Earn cash back. Weekend getaway. Earn miles. Dinner at the hottest restaurant in town. You get the idea. No matter the place or the plan. AMEX rewards your inner explorer. See if you pre qualify for an American Express card with no impact on your credit score. Learn [e-mail] check 4 offers. Your credit score may be impacted if you accept a card. Terms apply. Geico's motorcycle expertise gives me the coverage I need. Like 24. 7 claims, I'm on cloud nine.

[Cloud Expert]

Clouds are wholly unable to support the weight of an adult human.

[American Express Advertiser]

What's happening?

[Cloud Expert]

Furthermore, clouds are not numbered. Even if you procured a jetpack and searched, you'd find no cloud number nine. However, at that altitude, you'd likely befriend a flock of migrating snow geese. Geese who'd encourage you to leave your 24.7geico motorcycle claims insurance behind as they would take you in and even share their dinner of crickets and clovers with you.

[Listener]

Ew.

[Cloud Expert]

Geico assumes no liability for any indigestion that may occur from a clover. Cricket dinner. GEICO expertise for your motorcycle. Motorcycle welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines and I'm excited to bring you another episode absolutely free. This is one of over 80 episodes released monthly for your enjoyment. Now let's get into this episode.

[Narrator]

Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal. And the smell of gun smoke. Gun Smoke Starring William Conrad. The story of the violence that moved west with young America. And the story of a man who moved with it.

[Matt Dillon]

I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job and it makes a man watchful and a little lone.

[American Express Advertiser]

Bring along an American Express card to open the door to rewards wherever you go. Morning coffee, run with an old friend. Earn cash back. Weekend getaway. Earn miles. Dinner at the hottest restaurant in town. You get the idea. No matter the place or the plan. AMEX rewards your inner explorer. See if you pre qualify for an American Express card with no impact on your credit score. Learn [e-mail] check 4 offers. Your credit score may be impacted if you accept a card. Terms apply.

[Narrator]

7 is a significant number for a variety of reasons. One highly entertaining reason we'd like to remind you of is the magic number of top daytime dramatic serials only the CBS Radio Network sends your way. Each Monday through Friday, no less than 7 of America's longtime favorite dramas. Comedy abounds with the Couple Next Door and drama with the light touch on the second Mrs. Burton. Other top CBS radio dramas, enjoyed by millions include the Romance of Helen Trent, Whispering Streets and the Right to Happiness. Hours of absorbing entertainment every weekday come from these top dramas presented exclusively by CBS Radio and brought to you as an important part of the different sound of this station.

[Jess Burris]

Paul, I got the mail.

[Luke Burris]

Paul.

[Jess Burris]

We got a letter from Brother Ben. I brought it to read for you. Paul. Paul, where are you? Paul, where you at? Paul, where are you?

[Luke Burris]

Down here, Chris. Bed. What are you doing here?

[Jess Burris]

Paul? Paul, you sick?

[Luke Burris]

Fetch me to the house.

[Jess Burris]

You've been beat. Who done it, Pa?

[Luke Burris]

The house. Fetch me there, boy. Sure.

[Jess Burris]

Sure, Pa. Do that right now. Can you make it on your feet? You'd rather I'd carry you, Pa. Oh.

[Luke Burris]

I. I can walk you on.

[Matt Dillon]

Yeah.

[Jess Burris]

Tell me, Paul, who done this to you?

[Luke Burris]

Just get me in the bed, boy.

[Jess Burris]

You know who done it. Have you seen him before?

[Luke Burris]

Yeah, I know him.

[Jess Burris]

Tell me his name.

[Luke Burris]

Paint. No. You know him.

[Jess Burris]

Sure there is. Sure. I'll go after him.

[Luke Burris]

No, you. You ain't going no place.

[Jess Burris]

Then there's a law, Pa. It ain't right for him to go all free.

[Luke Burris]

Now, leave it be, boy. I ain't never had no need for the law. But, Paul. I said leave it be. You go ahead. Open the door for me. I'll walk in by myself.

[Chester]

Well, hello there, son. What can I do for you?

[Jess Burris]

I come to see the marshal.

[Chester]

You come to the right place.

[Jess Burris]

I don't see him here.

[Chester]

Of course you don't see him, because he ain't here.

[Jess Burris]

He coming back?

[Chester]

Sure, he's coming back.

[Jess Burris]

And we'll wait for him.

[Chester]

All right, son. Have a seat.

[Jess Burris]

Thanks.

[Chester]

Might be that I could help you. Me being the marshal's assistant, you might say.

[Jess Burris]

I'll wait.

[Chester]

Oh, sure. I just thought I might, maybe could save us some time before he got here.

[Jess Burris]

I said I wanted to see the marshal.

[Chester]

All right, son.

[Luke Burris]

All right.

[Chester]

Ain't no call to be so huffy about it. Oh, Mr. John, I'm glad you come.

[Matt Dillon]

You got trouble, Chester.

[Chester]

It ain't exactly trouble, but this young fella is mighty all fired serious about seeing you. I. I couldn't do nothing for him at all.

[Matt Dillon]

How's that, son? You want to see me, son?

[Jess Burris]

Yeah. Marshall? Yeah, I sure do.

[Matt Dillon]

What's your name?

[Jess Burris]

Jess Burris.

[Matt Dillon]

Burris. Are you Luke's son?

[Jess Burris]

Yes, sir, I am.

[Matt Dillon]

What can I do for you?

[Jess Burris]

I want you to arrest the man that beat my paw. You can do that, can't you, Marshal Dillon?

[Matt Dillon]

You better tell me more about it.

[Jess Burris]

Well, I. I found him yesterday laying down by the creek, all beat and bloody. I'd have come sooner, but he needed attendance.

[Matt Dillon]

Did he tell you who did it?

[Jess Burris]

No, sir. No, he wouldn't. But I know right enough it was Smed Moley.

[Matt Dillon]

Well, if your PA wouldn't tell you, how do you know?

[Jess Burris]

I've been asking questions. See, Pa had some bad dealings with Smed Marshall. He seen him here in Dodge yesterday morning and called him down good. He called him a cheat and a liar and a horse thief. Pa can give it to you good when he's of a mind.

[Chester]

That's right, Mr. Dillon. It happened right out there on Front street while you was over in Hays City. Mr. Burris. Really give it to him good. All right.

[Jess Burris]

And Smed got hisself liquored up and come out to our place and beat up Paul. He might have died, Marshall.

[Matt Dillon]

Yeah. I'm sorry to hear it, Jess. Your father's a good man.

[Jess Burris]

You can arrest Smed, can't you, Marshal Dillon?

[Matt Dillon]

Well, yes, I can arrest him if you're Paul, swear that he's the man.

[Jess Burris]

Oh, he ain't gonna do that, Marshall.

[Matt Dillon]

Why not? Is he afraid?

[Jess Burris]

Paul ain't afraid of nothing. That's most of the trouble.

[Matt Dillon]

How's that?

[Jess Burris]

Well, he ain't never needed to call on nobody for help. He don't figure to start now. He's root stubborn.

[Matt Dillon]

Well, there's not much I can do to change that.

[Jess Burris]

Maybe not, Marshal, but maybe you could stop a killing.

[Matt Dillon]

You figure that this isn't the last of the time, huh?

[Jess Burris]

No. No, it sure ain't the last of it. Unless you lock Smed Moley up for a while.

[Matt Dillon]

All right, Jess. Huh? I'll go talk to your pa. Luke. Luke Burris?

[Luke Burris]

Who's there?

[Matt Dillon]

Matt Dillon. I'd like to talk to you.

[Luke Burris]

Come on in. Marshall. I'm back here.

[Matt Dillon]

Well, sorry to see you laid up, Luke.

[Luke Burris]

It amend. What are you doing out this way?

[Matt Dillon]

Well, I heard you were off your feed.

[Luke Burris]

You didn't come to pay no sick call, Marshall.

[Matt Dillon]

No, I guess I didn't, Luke. I was hoping you'd help me out.

[Luke Burris]

How would that be?

[Matt Dillon]

I need you as a witness, Luke, as soon as you're able to travel.

[Luke Burris]

Witness for what?

[Matt Dillon]

Witness against Smed Moley.

[Luke Burris]

I told the boy to leave it.

[Matt Dillon]

Be just is trying to protect you, Luke. And see that there's no more trouble.

[Luke Burris]

I don't need no help. I ain't never needed no help.

[Matt Dillon]

Looks like you might have used some yesterday.

[Luke Burris]

He jumped me when I wasn't ready for him. But I can handle him. Only Marshall. Don't you worry about that.

[Matt Dillon]

You let me lock him up and you won't have to. The law has no.

[Luke Burris]

I ain't come out here before the law, Marshall.

[Matt Dillon]

Maybe, but times have changed.

[Luke Burris]

Not for me, they ain't. When I come out here, a man had to do his own settling with the land, Indians, with whatever stood in the way of his. Carving out a place. Folks learned to live and die without the law.

[Matt Dillon]

And some of them died when they didn't have to.

[Luke Burris]

How a man dies is his own business.

[Matt Dillon]

If he's the only one dying.

[Luke Burris]

Marshall. You got something to arrest me for? You gonna take me in?

[Matt Dillon]

You know better than that, Luke.

[Luke Burris]

And then, Marshall, I sure thank you to leave me alone and get along.

[Matt Dillon]

Locking Molly up might save you a lot of trouble, Luke.

[Luke Burris]

I'll handle my own trouble.

[Matt Dillon]

All right. All right. You handle it. There may come a time when I'll have to move in.

[Luke Burris]

I ain't never needed the law yet.

[Matt Dillon]

You better hope you won't be needing it from now on.

[Listener]

You just realized your business needed to hire someone yesterday. How can you find amazing candidates fast? Easy. Just use Indeed. Stop struggling to get your job post seen on other job sites with Indeed sponsored jobs. Your post jumps to the top of the page for your relevant candidates so you can reach the people you want faster. According to Indeed data, sponsored jobs posted directly on indeed have 45% more applications than non sponsored jobs. Don't wait any longer. Speed up your hiring right now with Indeed and listeners of this show will get a $75 sponsored job credit to get your jobs more visibility@ Indeed.com AR Arts. Just go to Indeed.com Arts right now and support our show by saying you heard about Indeed. On this podcast, terms and conditions apply. Hiring Indeed is all you need.

[Narrator]

Be.

[Matt Dillon]

Hello, man. Hello, kitty.

[Jess Burris]

Sit down.

[Matt Dillon]

Thanks. Well, the law business must be pretty good. Oh, how's that?

[Jess Burris]

You're usually in here early. Isn't this.

[Matt Dillon]

Yeah, well, it's not that. Business is good, I can tell you that, matter of fact. Kidding. I'm having a hard time selling the law.

[Jess Burris]

What do you mean?

[Matt Dillon]

Old man Burris. He got beat half to death yesterday, and he won't let me haul in the fellow that did it.

[Jess Burris]

Matt. Molly.

[Matt Dillon]

Yes, Matt Mollic. How did you know?

[Jess Burris]

Everybody knows.

[Matt Dillon]

He's been here at the bar all day bragging about it. How the old man got uppity with.

[Jess Burris]

Him and how he fixed it. Oh, yeah, he.

[Matt Dillon]

He's still here.

[Jess Burris]

Down at the far end there.

[Matt Dillon]

Yeah, I see him. I guess I better have a talk with him.

[Smed Moley]

I showed him, all right. I showed him. Ain't nobody gonna talk about horse whipping. Smed.

[Chester]

Moly.

[Matt Dillon]

Molly.

[Smed Moley]

Well, now, the. Marshall.

[Matt Dillon]

Yeah, I'll talk to you. All right.

[Smed Moley]

You go right ahead, Marshall. You go right ahead. Ain't nothing you can do to me.

[Matt Dillon]

I don't count on it.

[Smed Moley]

I know. Ain't nothing you can do, Marshall. I seen the boy.

[Matt Dillon]

What boy?

[Smed Moley]

Luke's boy, Marshall. Big fella like him. Nearly the crime.

[Matt Dillon]

You take to beating him, too, like you did the old man?

[Smed Moley]

Oh, sure not, Marshall. Sure not. He feels bad enough. Now, you know why he feels so bad, Marshall?

[Matt Dillon]

I suppose you tell me.

[Smed Moley]

He feels so bad cause he come running to you for help and he can't get none. This old man won't take no help from the law.

[Matt Dillon]

Well, that's lucky for you.

[Smed Moley]

We got us a big marshal out here, and he can't do nothing. Well, you know that's true, Marshall. You can't arrest me if the old man don't say so. And he ain't gonna be saying so.

[Matt Dillon]

That's the old man's business.

[Smed Moley]

Yeah. Yeah, I know.

[Matt Dillon]

And I'll tell you something. If you ever go out there again, he means to take care of it.

[Smed Moley]

I ain't worried.

[Matt Dillon]

You should be. Because if the old man doesn't handle you, I will.

[Smed Moley]

Marshall, you can.

[Matt Dillon]

Yes, Molly, I can. But if you're smart, you won't make me prove it.

[Jess Burris]

You ain't got no business coming out here no more.

[Smed Moley]

Seem to me I got business here. Unfinished business.

[Jess Burris]

What do you want?

[Smed Moley]

I want to see your old man.

[Jess Burris]

You've seen him enough.

[Smed Moley]

That's the way I figured it, too. I figured I'd seen him enough, but I've been hearing different.

[Jess Burris]

What do you mean?

[Smed Moley]

Been hearing from folks around town. Your PA been talking unkindly about me. Downright unkindly.

[Jess Burris]

How'd you expect him to talk?

[Smed Moley]

Well, I figured I closed his mouth some the other day.

[Jess Burris]

Boy, Pa ain't afraid of you.

[Matt Dillon]

No?

[Smed Moley]

No, I guess he ain't. Yet. I guess I got to show him some more.

[Jess Burris]

You ain't going after him again.

[Smed Moley]

You ain't figuring this? Well, you got a gun, ain't you, boss?

[Jess Burris]

And I can use it. Hmm.

[Smed Moley]

All right, boy. Seeing you got the drop on me, I'll just ride off. You shouldn't have threatened me, boy.

[Luke Burris]

Here, you coward.

[Jess Burris]

You dirty car.

[Luke Burris]

Cash.

[Jess Burris]

Jess.

[Luke Burris]

Jess, what's happened? Moly Shot. Oh, the murdering, thieving shot my boy and rode away. Next time I see him, I'll kill him sure. Guess. Guess. Are you hurt bad, boy? It ain't nothing, Guess. Nothing at all. Now, I'll get you to the dock and he'll fix you up in no time. Don't you fret none. I'll go and fetch the wagon.

[Chester]

It's pretty Nice, ain't it, Ms. Dylan? Just sitting out here watching the world goodbye. Of course, ain't much of the world going by. I gotta admit that I ain't saw more than three or four wagons and a buggy or two since I've been sitting here.

[Matt Dillon]

That's funny, Chester. Seems to me you've been sitting here most of the morning. I've had to step over you every time I went in or out of the office.

[Chester]

Oh, well, I may have dozed off once or twice.

[Matt Dillon]

Yeah, you may have.

[Chester]

But you said yourself it's been a slow morning, Mr. Jones. I figured I might as well rest up so as to be ready in case something happened.

[Matt Dillon]

Looks like it might be going to happen right now.

[Chester]

Why, what do you mean?

[Matt Dillon]

That's old Luke Burris driving that wagon, isn't it?

[Chester]

Yes, I guess he is. Well, he must be feeling better.

[Matt Dillon]

Well, he may be, but there's somebody in the wagon bed who isn't feeling good.

[Chester]

I declare, you're right, Ms. Jones. There is somebody stressed out in there.

[Matt Dillon]

Luke.

[Chester]

Luke Burris Ain't even looking at you, miss.

[Luke Burris]

You.

[Chester]

Well, that's his boy he's got there.

[Matt Dillon]

Yeah. Come on, let's give him a hat. How is he? Documented?

[Luke Burris]

He's not good, Matt.

[Matt Dillon]

Is he gonna make it?

[Luke Burris]

He hasn't got a chance. The bullet was fired at point blank range.

[Matt Dillon]

It's a shame. Yeah. Can I go in? He can't do him any harm now. He's only got a few minutes. Come on. I'm sorry about this, Luke.

[Luke Burris]

Oh, leave us be, Marshall.

[Matt Dillon]

This time I can't. Can I speak to the boy, Doc? Be easy, man. Yeah, sure. Jess. Jess, it's Marshall Dillon. Marshall, can you tell me who did it?

[Luke Burris]

You don't have to talk to him, Jess.

[Matt Dillon]

I can get him if you tell me. Jess, I can lock him up this time.

[Luke Burris]

Lock him up?

[Matt Dillon]

You tell me his name.

[Luke Burris]

He ain't got no right to pester you, Jess. You don't have to tell him nothing.

[Jess Burris]

What daughter?

[Luke Burris]

Marshall?

[Matt Dillon]

Yeah.

[Jess Burris]

Yes, it was Moly Smith.

[Luke Burris]

Moly again. You.

[Jess Burris]

You get him this time.

[Matt Dillon]

Yeah, I'll get him.

[Luke Burris]

Yes.

[Matt Dillon]

He'S gone, Matt.

[Luke Burris]

I'm sorry, Luke. I did the best I could. I've seen you try to save him, Doc. I.

[Matt Dillon]

Thank you, Luke.

[Luke Burris]

I still ain't got nothing to say to you, Marshall. I could have asked that you'd let him die in peace.

[Matt Dillon]

I'm sorry you feel that way, Luke, but I had to step in. This is murder. I gotta get into this now, whether you want me to or not.

[Luke Burris]

I can't stop you, Marshall.

[Matt Dillon]

No. No, you can't stop me.

[Luke Burris]

I'll tell you something.

[Matt Dillon]

What's that?

[Luke Burris]

Nothing has changed. I can't stop you from coming into this thing. But we don't need you, Marshall. Jess and me, we don't need you any more than we ever did. We can take care of our own.

[Chester]

I've been kindly hankering to go back to Texas for some time now. But this sure ain't the way I'd like to make the trip. Failing a man for a day and a night can sure wear a fella down. Ain't that right, Mr. Jones?

[Matt Dillon]

No.

[Chester]

Wouldn't be so bad if a body didn't have to keep his eyes so open. Everman.

[Matt Dillon]

Yeah, I know that's particularly hard on you, Chester.

[Chester]

Well, you gotta keep looking out for so many things that you don't get to enjoy the scenery. None at all.

[Jess Burris]

Hardly.

[Matt Dillon]

You're not missing much in this part of camp.

[Chester]

No, I don't know, Mr. Dillon. I kind of like it out here. So nice and flat and hot and dry. Well, sure, but you can just see forever. You gotta admit that, Mr. Dillon.

[Matt Dillon]

Yeah, Chester, you're right. I gotta admit that. There's nothing in the way there.

[Chester]

You see, that's what it means. How long you reckon it'll take us to catch that smed moly, Mr. Jones?

[Matt Dillon]

I don't know, Chester. I may not catch him at all.

[Chester]

Oh, my gracious me, we'll catch him all right. You said yourself the trail was nice and clear as can be.

[Matt Dillon]

Yeah, it's too clear.

[Chester]

What do you mean by that?

[Matt Dillon]

We're not the only ones following us.

[Chester]

You mean there's somebody else that trailing him?

[Matt Dillon]

Yes, he's got about a half a day's start.

[Chester]

Think it's that old Luke Burris?

[Matt Dillon]

Yeah, I'm afraid it is.

[Chester]

Well, he just ain't got good sense to keep on with a thing like this, does he, Allie?

[Matt Dillon]

Thinks he's right, Chester. It's awful hard to talk sense to a person who thinks he's right.

[Chester]

Screw your eye at that.

[Jess Burris]

What?

[Chester]

Counting, Mr. John. Seems like it's a shack stuck way out here.

[Matt Dillon]

Yeah. Now let's head for it. Keep your eyes open.

[Chester]

Yes, I am.

[Matt Dillon]

I will. Leave the horses here. Bring your rifle.

[Chester]

I got it right here.

[Luke Burris]

Don't worry, Marshall. You won't need your guns. I told Luke.

[Matt Dillon]

Now, come on.

[Luke Burris]

I've been the hitty all the way.

[Matt Dillon]

Yeah, I know. I saw your trail.

[Luke Burris]

No sense both of us making this trip.

[Matt Dillon]

I told you, Luke, when it's murder, it's my business.

[Luke Burris]

Yeah. There ain't no need.

[Matt Dillon]

Now we'll see.

[Luke Burris]

I already seen.

[Matt Dillon]

What do you mean?

[Luke Burris]

Come inside, Marshal. Come on, inside.

[Matt Dillon]

Come on, Chester.

[Chester]

Why?

[Matt Dillon]

Why?

[Chester]

Missing Dillon?

[Matt Dillon]

Yeah. Stand back, Paris.

[Luke Burris]

Sure, Marshall. I'm all done.

[Chester]

Mad Moly. He's hung him right here inside.

[Matt Dillon]

Yeah.

[Luke Burris]

I told you, Marshall, I got no need for the law.

[Chester]

She's been dead quite spell.

[Luke Burris]

Yeah seen. Shut up.

[Matt Dillon]

All right, Chester, you better start digging. We'll have to bury him.

[Chester]

I see.

[Luke Burris]

You should listen to me, Marshall. I meant it when I said we took care of our own. That we had no need for the law to do it.

[Matt Dillon]

Yeah. Now the law has to take care of you.

[Luke Burris]

That don't matter now. My boy's dead. And I took care of the man that killed him. I took care of it, Marshall. Like we always done, without no law.

[Matt Dillon]

Yeah, you did that, all right. And your boy wouldn't have had to die at all if he'd let me move in in the first place. All right. Come on, Luke. You can help Chester dig the grave. Like you helped dig the grave for Jessica.

[Listener]

You just realized your business needed to hire someone yesterday. How can you find amazing candidates fast? Easy. Just use Indeed. Stop struggling to get your job post seen on other job sites with Indeed sponsored jobs. Your post jumps to the top of the page for your relevant candidates so you can reach the people you want faster. According to Indeed data, sponsored jobs posted directly on indeed have 45% more applications than non sponsored jobs. Don't wait any longer. Speed up your hiring right now with Indeed. And listeners of this show will get a $75 sponsored job credit to get your jobs more visibility@ Indeed.com Arts. Just go to Indeed.com Arts right now and support our show by saying you heard about Indeed on this podcast. Terms and conditions apply. Hiring Indeed is all you need.

[Narrator]

Gun Mo, produced and directed in House Hollywood by Norman McDonald, stars William Conrad as Matt Dillon, US Marshal the story was specially written for Gunsmoke by Marion Clark with editorial supervision by John Meston. Featured in the cast were Ralph Moody, Dick Krena and Lawrence Dobkin. Harley Bear As Chester, Howard McNear is Doc and Georgia Hawkins as Kitty. This is the CBS Radio Network.

[Smed Moley]

Foreign.

[Cloud Expert]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com Become one of our ranch hands and unlock some exclusive content. We want to thank the following ranch hand, Steve who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.

[Listener]

You just realized your business needed to hire someone yesterday. How can you find amazing candidates fast? Easy. Just use Indeed. Stop struggling to get your job post seen on other job sites with Indeed sponsored jobs. Your post jumps to the top of the page for your relevant candidates so you can reach the people you want faster. According to Indeed data, sponsored jobs posted directly on indeed have 45% more applications than non sponsored jobs. Don't wait any longer. Speed up your hiring right now with Indeed and listeners of this show will get a $75 sponsored job credit to get your jobs more visibility at Indeed.com Arts. Just go to Indeed.com Arts right now and support our show by saying you heard about Indeed on this podcast. Terms and conditions apply. Hiring Indeed is all you need.