Marryin’ Bertha | Gunsmoke (05-22-60)

Summary

Gunsmoke Episode Summary: "Marryin’ Bertha"

Episode Details:

• Title: Marryin’ Bertha
• Series: Gunsmoke | OTRWesterns.com
• Host/Author: Andrew Rhynes
• Original Air Date: May 22, 1960
• Release Date: May 24, 2025

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Introduction

In the episode "Marryin’ Bertha," the tranquil town of Dodge City faces unexpected turmoil when Chester Proudfoot finds himself entangled in a precarious romantic predicament. Hosted by Andrew Rines, this episode delves into themes of deception, loyalty, and the quest for happiness amidst the rugged backdrop of the American West.

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Plot Overview

Chester’s Predicament

The story unfolds with Chester Proudfoot appearing despondent and neglecting his duties. Matt Dillon, the vigilant U.S. Marshal, observes Chester's unusual behavior and seeks to understand the cause.

Chester Proudfoot ([03:00]): "Matt, try not to be hard on Chester, huh?"

Matt confronts Chester, who reveals that a woman from St. Louis, Corinne Gatesley, expects him to marry her. Chester admits to writing letters to several women, seeking companionship, which has led Corinne to Dodge City.

Doc ([05:05]): "I was just starting to explain about that."

Matt’s Investigation

Matt Dillon takes it upon himself to clarify the situation. He meets Corinne Gatesley, only to discover discrepancies in her story. Upon further investigation, Matt uncovers that Corinne might be Bertha Hoskovitz, a woman with a notorious past involving multiple disappearances.

Matt Dillon ([12:06]): "I'm gonna give her enough rope to hang herself."

Confrontation and Resolution

The tension culminates when Matt confronts both Chester and Corinne. It becomes evident that Corinne has ulterior motives, potentially putting Chester in danger. During the confrontation, Doc Proudfoot plays a pivotal role, ultimately helping to resolve the situation by exposing Corinne’s deceitful intentions.

Doc ([25:55]): "She was gonna have him kill you."

Matt ensures the safety of both Chester and the town by apprehending Corinne, restoring peace to Dodge City.

---

Character Insights

• Matt Dillon: Exemplifies the archetypal Western hero—brave, just, and protective of his community. His dedication to uncovering the truth embodies his role as the steadfast Marshal.

  Matt Dillon ([22:16]): "Male accomplice."

• Chester Proudfoot: Represents the everyman caught in unforeseen circumstances. His vulnerability and reliance on Matt highlight the themes of friendship and trust.

  Chester Proudfoot ([16:22]): "I've known a few women like that."

• Doc Proudfoot: Adds depth to the narrative with his wisdom and subtle humor. His interactions provide both comic relief and critical support in resolving the conflict.

  Doc ([14:48]): "I believe you've got it right, Marshall."

• Corinne Gatesley/Bertha Hoskovitz: The antagonist whose deceptive charm masks her dangerous intentions. Her character serves as a catalyst for the episode’s central conflict.

  Corinne Gatesley ([18:14]): "Don't."

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Themes and Highlights

• Deception and Truth: The episode masterfully explores how appearances can be deceptive and the importance of uncovering the truth.

• Friendship and Loyalty: Matt Dillon’s unwavering support for Chester underscores the value of friendship and community ties.

• Justice and Protection: Matt’s relentless pursuit to protect Chester and Dodge City from potential harm embodies the essence of Western justice.

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Notable Quotes with Timestamps

• Chester Proudfoot ([03:00]): "Matt, try not to be hard on Chester, huh?"

• Matt Dillon ([12:06]): "I'm gonna give her enough rope to hang herself."

• Doc Proudfoot ([25:55]): "She was gonna have him kill you."

---

Conclusion

"Marryin’ Bertha" is a compelling episode that encapsulates the classic elements of Western drama—moral dilemmas, strong character dynamics, and the pursuit of justice. Through its intricate plot and memorable dialogues, the episode reinforces the enduring legacy of "Gunsmoke" as a cornerstone of American radio and television Westerns.

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Final Thoughts

For enthusiasts of old-time Westerns, "Marryin’ Bertha" offers a rich narrative filled with suspense and heartfelt moments. Andrew Rines successfully captures the spirit of the original series, providing both nostalgia and engaging storytelling for new and longtime fans alike.

Transcript

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[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines and I'm excited to bring you another episode absolutely free. This is one of over 80 episodes released monthly for your enjoyment. Now let's get into this episode.

[William Conrad]

Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers. And that's with a U.S. marshal. And the smell of gun smoke. Gun Smoke. Starring William Conrad. The story of the violence that moved west with young America. And the story of a man who moved with it.

[Matt Dillon]

I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chance, a job. And it makes a man watchful and a little lonely.

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[Chester Proudfoot]

Matt, try not to be hard on Chester, huh?

[Matt Dillon]

I'm not going to be hard on him, Kitty. But if a man isn't doing his job, that's a great match.

[Doc]

Right, Kitty? By the other day, I was riding through Cottonwood Grove and there was Chester, big as life, lying under a tree with a straw stuck in his mouth.

[Matt Dillon]

What day was that, Doc?

[Doc]

What day was it? Let me see. I was on my way to Reb Morgan's place. See that youngest kid of Rebs got himself wrapped up in roll of barbed wire. I thought I would never get him out.

[Matt Dillon]

What day, Doc?

[Doc]

Oh, what day? Let me think. Thursday.

[Matt Dillon]

It was Thursday. Yeah, that's the day he was supposed to clean the rifles, get a new stirrup leather for my saddle, and do a half a dozen other things he hasn't been doing for the last 10 days.

[Chester Proudfoot]

Well, what did he say, Doc?

[Doc]

He didn't even see me. He just lay there staring up at the sky.

[Chester Proudfoot]

Matt, I think I know what it is.

[Matt Dillon]

What?

[Chester Proudfoot]

Chester's got spring fever.

[Matt Dillon]

Spring fever?

[Doc]

She might be right, Matt. Well, she'll been having the weather for it.

[Chester Proudfoot]

Yeah, I got a touch of it myself.

[Matt Dillon]

Ah, Chester's gonna have to straighten out. This has been going on for weeks. I'll see you two later.

[Chester Proudfoot]

Now you be easy on him, Matt.

[Matt Dillon]

All right, K. Well, Chester, I'm surprised to see you here. I thought you'd be lying out under a tree somewhere about now.

[Doc]

Under a tree?

[Matt Dillon]

Uh huh. What?

[Doc]

No sir. I've been waiting around for you, Mr. Dillon.

[Matt Dillon]

Oh good, because I want to talk to you.

[Doc]

Mr. John, did you ever sit and watch a beaver build a dam?

[Matt Dillon]

Did I ever what?

[Doc]

Watch a beaver build a dam.

[Matt Dillon]

Chester, this is exactly what I want to talk to you about. There's a lot of work to be done around here and you're not getting a done.

[Doc]

Yes, sir, I know, but I was just starting to explain about that.

[Matt Dillon]

You were?

[Doc]

Yes, sir. See, for most of the year a stream runs in one direction, don't it? And along comes the beaver and he builds his dam and the water kind of starts to go in the other direction. At least for a while it does.

[Matt Dillon]

What's this got to do with your not doing your work, Chester?

[Doc]

Well, that's the way my blood is. Every year about this time, my blood kindly dams up and starts to go the other way and. And I feel different.

[Matt Dillon]

Chester, come here now sit down. Go on. All right, out with it.

[Doc]

Don, there's a lady at the Dodge House waiting to see me.

[Matt Dillon]

Well, what's so terrible about that?

[Doc]

Well, nothing I guess, except she come here from St. Louis expecting me to marry her.

[Matt Dillon]

Say what, Chester? What have you been doing?

[Doc]

Well, I've been writing letters to some ladies out of town.

[Matt Dillon]

What ladies?

[Doc]

Oh, some ladies, Mr. Dimmer. See, I run across a bunch of St. Louis newspapers and there was all these ads and only feeling like I do and all. I just kindly wrote to several of them.

[Matt Dillon]

And you've never even Seen this woman then, huh?

[Doc]

I was right.

[Matt Dillon]

Well, what did you say in the letters?

[Doc]

Well, I just told her about myself.

[Matt Dillon]

The truth.

[Doc]

Well, here and there I might have stretched things in mind, but what you're.

[Matt Dillon]

Trying to tell me, Chester, is that you wrote a bunch of lies and now one of these women is here to call your hand, Is that it?

[Doc]

Would you go Talk to her, Mr. Doom, please?

[Matt Dillon]

You mean you want me to get.

[Doc]

You out of it? Yes, sir.

[Matt Dillon]

Well, Chester, I. All right, what's her name?

[Doc]

Mrs. Corinne Gatesley. Mrs. She's a widow lady.

[Matt Dillon]

Oh, fine. You. You want me to tell her that you've left town, we don't know where you are, or something like that, Is that it?

[Doc]

No, sir, not exactly.

[Matt Dillon]

Then what?

[Doc]

Holy. If you don't mind Too awful much, Mr. Dillon, would you tell her you're Chester Proudfoot?

[Matt Dillon]

That I.

[Doc]

Well, see, then you could go on about how you ain't gonna marry her and all that.

[Matt Dillon]

Wait a minute, wait a minute. Wait, wait a minute.

[Doc]

Chester sent her your picture.

[Matt Dillon]

Did what?

[Doc]

It was awful good likeness. Remember that? One of you standing in Mr. Titus's studio holding that bowler hat in your hand. Where are you going, Mrs. D?

[Matt Dillon]

I'm going to tell her the truth right now. And you'll see that you're here when I get back.

[Doc]

Kiss her. Oh, dear. I wish I hadn't never Learned to write.

[Matt Dillon]

Ms. Gley?

[Andrew Rines]

Yes?

[Chester Proudfoot]

Who's there? Chester, is that you?

[Matt Dillon]

It's Matt Dillon.

[Chester Proudfoot]

Yeah. What are you. Oh, Chester, darling. You tried to fool Corinne, didn't you?

[Matt Dillon]

You're a naughty boy, Ms. Gatesley, ma' am. I came here too, Jester.

[Chester Proudfoot]

You needn't call me that. Just call me Corinne.

[Matt Dillon]

Well, no. Look, ma' am, there's been a little mix up. Mr. Proudfoot has been kind of playing a game with you.

[Doc]

Game?

[Chester Proudfoot]

I don't understand.

[Matt Dillon]

Well, I'm Matt Dillon, and Chester Proudfoot, well, he's another man. He. He sent you my picture by mistake.

[Doc]

Dylan. Seems I've heard that name before.

[Matt Dillon]

Well, yeah, you. Possibly you have, ma' am. I'm the marshal here in Dodge.

[Doc]

The Marshall.

[Chester Proudfoot]

That's very interesting, Marshall. The way things have worked out, I.

[Doc]

May have need of you. Marshall Dillon.

[Chester Proudfoot]

I want to show you something. These letters, you see, these were written by this Proud Foot person. Would you please read a few passages?

[Matt Dillon]

Well, I. Yes, I see.

[Chester Proudfoot]

What would you conclude from that, Marshall?

[Matt Dillon]

Well, he's expecting some money to come his way soon.

[Chester Proudfoot]

What else?

[Matt Dillon]

And he's not above marrying the right woman.

[Chester Proudfoot]

Marshall, would you please tell Mr. Proudfoot.

[Doc]

That I'm waiting for him to call on me.

[Matt Dillon]

Yes, ma' am. I'll tell him.

[Chester Proudfoot]

Good day, Marshall.

[Matt Dillon]

Good day, Ms. Gasly.

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[Doc]

Well, it serves him right. And anyway. And Chester should get married.

[Matt Dillon]

That may be, Doc, but I don't think this is the woman for him.

[Chester Proudfoot]

Well, why not, Matt?

[Matt Dillon]

Well, for one thing, she's sure nothing to look at. She's taller than Chester and she weighs as much as I do.

[Doc]

Oh, man, this is wonderful. I can hardly wait for the weather.

[Matt Dillon]

Don't count on it, Doc.

[Chester Proudfoot]

Where is Chester, Matt?

[Matt Dillon]

He's hiding out down at the office.

[Doc]

Yeah, well, let's get him up here, huh? And drink a toast of this just in case.

[Chester Proudfoot]

Oh, Doc, stop.

[Doc]

Now, Kitty, I've known Chester a long time and I want him to know how happy I am for him.

[Chester Proudfoot]

Doc, you're just making fun of him.

[Doc]

No, I'm not. I may even deliver their first child free.

[Chester Proudfoot]

Matt, what are you gonna do about this?

[Matt Dillon]

Well, I'll let Chester worry for a few days just to teach him a lesson. And then I'll try to get her to leave town.

[Chester Proudfoot]

How does he explain all this?

[Matt Dillon]

He'll never believe me. K. But the trouble is that he told her he had money coming in.

[Chester Proudfoot]

I've known a few women like that.

[Doc]

You know, Matt, there is such a thing as breach of promise.

[Matt Dillon]

Yeah, if he only hadn't mentioned the money.

[Chester Proudfoot]

Matt, wait a minute.

[Matt Dillon]

What?

[Chester Proudfoot]

This woman, you say she's big. Does she have red hair?

[Matt Dillon]

Yeah, I think she does.

[Chester Proudfoot]

She said where she was from.

[Matt Dillon]

Chester said she's from St. Louis. Why?

[Chester Proudfoot]

There's a woman I saw a few times in St. Louis, worked in a saloon. Then a year or so later, the sheriff was looking for her. They found the bodies of several men she had married. They'd all been shot and robbed.

[Matt Dillon]

Well, did they ever find her?

[Chester Proudfoot]

Yeah, but they couldn't prove anything on her and had to let her go. Her Name then was Bertha Hussein.

[Matt Dillon]

Would she know you?

[Chester Proudfoot]

No, I'd sure remember her.

[Matt Dillon]

Good. Now, she's staying at the Dodge house. You see if you can get a look at her.

[Chester Proudfoot]

You gonna take her in, man, there's.

[Matt Dillon]

No way I can yet, but I'll wire St. Louis and see what they say about her. And in the meantime, there's one thing. Pretty sure. What if she is Bretta Hoskovitz planning Chester for her next victim?

[Doc]

Fine. Doggone thing if he do want me to read him, he just don't need to send me after him. But to let on to Mr. Hightower that I read his telegraph. Well.

[Matt Dillon]

Come in.

[Doc]

All right, Mr. Dillon. Here, and it ain't been open.

[Matt Dillon]

Thanks, Chester.

[Doc]

I'll be sitting way over here, Mr. Dillon, where I can't read it.

[Matt Dillon]

Just like K said.

[Doc]

No need to fear on me reading your telegraphs anymore, Mr. Dillon. Mr. Hightower made that real claim.

[Matt Dillon]

Oh, Chester, will you quit your grumbling? When there's something I want you to know, I'll tell you it.

[Doc]

You probably think I mind some, Mr. John, but I don't. It don't bother me at all, not one bit.

[Matt Dillon]

I know.

[Doc]

I know, Mr. Dylan. Or ain't I supposed to know about that neither?

[Matt Dillon]

Have you seen your lady friend yet?

[Doc]

No, and I don't intend to. I hope she on my first train out of here today.

[Matt Dillon]

You know, you're going to find her a lot harder to get rid of than you think, Chester. I'll see you later. Now, Mr. Bodkin. Oh, well, good morning, Marshall. What brings you into the bank so early? Look, Mr. Bodkin, there's something I'd like to ask you to do for me. Anything. Anything you say, Marshall. This is going to involve the use of some of your money. Well, now, Marshall, that doesn't really belong to me. I know that, Mr. Bargain. Well, just how much money, Marshall Dylan? $5,000. 5,000? Well, Marshall Dylan, people leave their money here on trust, and it's up to me. Peter Botan, let's go into your office and I'll tell you what this is all about, huh? All right. But $5,000 is a lot of money, Marshall. I know that, Mr. Barin. Matt.

[Doc]

Hello, Matt.

[Matt Dillon]

Oh, yeah, Doc.

[Doc]

Matt, I've been looking all over you. Kitty and I saw that Huskovitz woman going into your office a few minutes ago.

[Matt Dillon]

Stall. Yeah.

[Doc]

You better keep her away from Chester. She's liable to convince him he has to marry her.

[Matt Dillon]

That's what I want her to do. I want Chester to Think that he really does have to marry this woman. Look, Doc, I tell you what. You go find Kitty and tell her about this and see that she helps out, huh?

[Doc]

Oh, but Chester might get killed.

[Matt Dillon]

Well, I'll see that he doesn't. Now, you go tell Kitty, and then both of you come right back to the office as soon as you can.

[Chester Proudfoot]

Jester proud, but you come out of that cell.

[Doc]

No, ma' am, I ain't. But not. Stop that. Ms. Jason.

[Matt Dillon]

Chester.

[Chester Proudfoot]

Oh, good morning, Marshall Dillon. I've come to get my loved one.

[Matt Dillon]

Chester, what are you doing in that cell?

[Doc]

Well, after What I done, Mr. Dillon, I figured I ought to be locked up.

[Matt Dillon]

Where are the keys?

[Doc]

I got them right here in my pocket.

[Matt Dillon]

Hand them over.

[Doc]

Yes, sir. Here you are. Look, I would like to get married meeting, ma' am, but you see how things are. There ain't nothing I knew about. I just can't, you know.

[Matt Dillon]

Would you like to come out, Manchester?

[Doc]

Sure.

[Chester Proudfoot]

Oh, thank you, Marshall.

[Matt Dillon]

It's all right. Let's go on out to the front office, huh?

[Doc]

Ah, there he is. Kenny in the Happy Bridegroom says, is.

[Chester Proudfoot]

This the big day?

[Doc]

Well, no.

[Chester Proudfoot]

Say, don't I know you, dearie? Oh, not that I know, huh? Oh, I guess not. Oh, look at this poor boy. He's scared to death. Chester, darling, see how your little Corinne's trembling all over.

[Doc]

And I mind you. Oh, just look at that. Don't. Do I have to go through a sale? I never really meant nothing by writing all them letters. I was just having a little fun.

[Matt Dillon]

Chester, you can't toy with a woman's heart that way.

[Chester Proudfoot]

You ought to be ashamed of yourself. Just.

[Doc]

I am Miss Kitty. Honest I am. Miss Gaisley, ma' am.

[Chester Proudfoot]

Yes, love?

[Doc]

You don't want me now, do you? I don't look like much. I ain't had hardly no schooling at all. All I know is helping Mr. Dillon, and that's all I really want to do. Every year at this time, I give these crazy ideas about women and maybe having a home of my own and.

[Chester Proudfoot]

Spending your money on someone you love.

[Doc]

Money? Say, that's. Oh, I told you an awful lie about that. Well, I ain't got no money at all. That was all part of the. Well, that was just talk like the rest of it.

[Chester Proudfoot]

What are you saying?

[Doc]

No money? No, ma' am. No, ma' am.

[Matt Dillon]

Is Chester in here? Yeah, he's here, Mr. Barkin. Oh, there you are, Chester. Well, my boy, have I got good news for you.

[Doc]

Oh, Mr. Bodkin, I sure could use some Good news.

[Matt Dillon]

Well, then, look in this bag. There's $5,000 in it and it's all yours.

[Doc]

Now don't fool with me, Mr. Bodkin. I've got enough colorless tail.

[Matt Dillon]

I am not fooling.

[Chester Proudfoot]

It's yours and Chesters.

[Matt Dillon]

Yes, ma' am. He inherited it.

[Doc]

No, I didn't. No, I did. From an old man down in Texas. Who? Who? Who? Who? What old man?

[Matt Dillon]

Grandpa Drum. Remember him?

[Doc]

Grandpa. Grandpa. Now, why did he have to go and do that?

[Chester Proudfoot]

Isn't that wonderful, Chester? Now you can get married just the way you always wanted to.

[Doc]

Mr. Jones, I don't want to leave here making coffee for you, holding your horse. And then.

[Matt Dillon]

And, And.

[Doc]

And I'll get that saddle fixed right away.

[Matt Dillon]

I promise you. You don't have any choice. You've asked for this woman's hand.

[Chester Proudfoot]

He sure has.

[Doc]

No.

[Chester Proudfoot]

Chester, dear, do you want me to read these letters out loud?

[Doc]

No, no, no. I'll. I'll marry you. Now you're talking, Chester.

[Chester Proudfoot]

Well, let's all go over to my place and celebrate.

[Matt Dillon]

That's a good idea, Kitty.

[Chester Proudfoot]

And Chester, it's on me. Every last drink.

[Doc]

Thank you, Miss Kitty. You always was nice to me.

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[Doc]

Oh, there you are, Matt.

[Matt Dillon]

Yeah, here I am. Well, I want.

[Doc]

Well, what are you so grumpy about?

[Matt Dillon]

I feel kind of bad about what I'm doing at Chester.

[Doc]

Why didn't. Why don't you call it off?

[Matt Dillon]

I can't do that, Doc. I was hoping I was wrong, but here, look at this.

[Chester Proudfoot]

Huh?

[Doc]

What do you mean? What is it?

[Matt Dillon]

On the telegram now, this time from Wichita.

[Doc]

The woman you describe is Marion Bertha. She is responsible for two disappearances in this area. Found both bodies, but can prove nothing. Suspects she works with male accomplice. Signed Shit.

[Matt Dillon]

Male accomplice.

[Doc]

Oh, my God. You're gonna get Chester kill.

[Matt Dillon]

I hope not, Doc.

[Doc]

Well, she's got tickets for both of them on this afternoon stage to lunch.

[Matt Dillon]

I know.

[Doc]

And says she won't be married Anyways.

[Matt Dillon]

Elsa, she wants to get Chester and his money away from Dodge, Doc.

[Doc]

Well, then what are you doing about it?

[Matt Dillon]

I'm gonna give her enough rope to hang herself.

[Doc]

I just hope Chester doesn't get caught in the same.

[Chester Proudfoot]

Well, goodbye, Chester. Hurry back to Dodge.

[Doc]

Goodbye, Miss Kitty. Somehow this just don't seem real. It's real enough, Chester. Let's take a look at that lovely creature next to you.

[Chester Proudfoot]

Hello, my dear. Goodbye, Doc.

[Doc]

Bye, Doc.

[Chester Proudfoot]

Thank you for the party.

[Doc]

Ain't nobody seen Mr. Dillon?

[Chester Proudfoot]

No, I haven't. Where is Matt, Doc?

[Doc]

Well, I don't know, but he better have. Well, here he comes.

[Chester Proudfoot]

Just look at him. He's wearing a tie.

[Doc]

Kitty and his Sunday suit. Mr. Dunn. Mr. Dillon. Did you come to just insist that I get off the stagecoach?

[Matt Dillon]

Oh, Chester. I'm gonna ride the Lineage. You didn't think I'd miss that wedding of yours, did you? All right, Jack, let's get this stage going. It's two o' clock.

[Doc]

All right, Marshall. Everybody out of the way.

[Chester Proudfoot]

Well, I hope everything works out all right, Doc.

[Doc]

So do I. Kiddish. So do I.

[Matt Dillon]

Dylan, I don't understand.

[Chester Proudfoot]

Why you're coming along.

[Matt Dillon]

Chester and I've been friends for a long time. Time, Ms. Kately. It's the least I could do.

[Doc]

Flames. I thought we was friend, Mr. Dylan. Gly seen you all dressed up for my wedding.

[Chester Proudfoot]

The poor darling. Chester dear, you'll be happy.

[Doc]

After all, love conquers all. Love. I never knew a man could get into such a mess, Mr. Dylan.

[Chester Proudfoot]

I was just fun.

[Doc]

And made at least four or five other ladies. Ladies and I wrote to that.

[Chester Proudfoot]

I've got you.

[Doc]

Yes, ma' am, I reckon you have. All right, stop them horses, Mister. What's this all about?

[Matt Dillon]

Grab Bera, Chester, and keep her quiet.

[Doc]

What is this, a hold up, Mr.

[Matt Dillon]

D. Just keep yourself and the woman out of it, Chester.

[Doc]

Yes, sir. All right. Better jump down. I said keep her quiet.

[Matt Dillon]

Throw up your hand.

[Doc]

You shot my husband. Why did you bring the marriage?

[Chester Proudfoot]

Who's he?

[Doc]

Mr. John. She called him her husband and she was fixing to marry me.

[Matt Dillon]

No, she wasn't, Justin. She was gonna have him kill you.

[Doc]

She was. And you wasn't letting her take me off to get married at all. You was only trying to capture her.

[Matt Dillon]

Yeah, I had to have both of them. Chester, he's a killer. She may be too.

[Doc]

Well, why didn't you tell me, Mr. Dunn? I could have helped.

[Matt Dillon]

You did, Chester. You helped a lot.

[Doc]

I did? I did. Well, say now, I reckon I did at that, Mr. Dillon.

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[Matt Dillon]

Foreign.

[William Conrad]

Produced and directed in Hollywood by Norman McDonald stars William Conrad as Matt Dillon, U. S Marshal the story was specially written for Gunsmoke by Tom Hanley with editorial supervision by John Meston. Featured in the cast were Virginia Greg, Joseph Kearns and Vic Couch. Harley Bear is Chester, Howard McNear is Doc, and Georgia Ellis is kidding. This is George Walsh inviting you to join us again next week when CBS Radio presents another story on gun smoke.

[Doc]

Foreign.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com YouTube become one of our ranch hands and unlock some exclusive content. We want to thank our most recent ranch hands Steve Technogod and Craig who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail 707-986-8739. This episode is copyrighted under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.

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