Nettie Sitton | Gunsmoke (05-01-60)

Summary

Detailed Summary of "Nettie Sitton" Episode of Gunsmoke

Podcast: Gunsmoke | OTRWesterns.com
Episode: Nettie Sitton | Gunsmoke (05-01-60)
Release Date: May 11, 2025
Host/Author: Andrew Rhynes

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Introduction and Setting

In the "Nettie Sitton" episode of Gunsmoke, host Andrew Rines sets the stage for a gripping Western drama set in Dodge City, Kansas, during the tumultuous period of the American West's settlement. The story unfolds with U.S. Marshal Matt Dillon, portrayed by William Conrad, facing unforeseen challenges that test his resilience and moral compass.

Matt Dillon's Predicament

The episode opens with Matt Dillon in a vulnerable state. Injured in the line of duty, Dillon struggles to mount his horse due to a severe leg wound:

• Matt Dillon: "[04:43] I never heard of being hit good, Chester."
  (Timestamp: 04:43)

His companion, Chester, voiced by Harley Bear, attempts to assist him despite the limited resources available in the rugged terrain.

Encounter with Nettie Sitton

As Dillon grapples with his injury, the emergence of Nettie Sitton introduces a new layer of tension. Nettie, portrayed by Georgia Ellis, is a formidable and resourceful woman living on the fringes of Ute territory. Her initial interaction with Dillon and Chester is marked by suspicion and assertiveness:

• Nettie Sitton: "[03:09] Your eyesight's going back on you. Not today, it hasn't."
  (Timestamp: 03:09)

Nettie's character is immediately established as tough and self-reliant, unwilling to offer assistance without conditions.

Rising Tensions and Negotiations

As Dillon and Chester seek Nettie's help, negotiations become tense. Nettie demands compensation for her assistance, showcasing the harsh realities of survival in the West:

• Nettie Sitton: "[12:15] I'd soon shoot the both of you jaw with you. I want your money and your gun."
  (Timestamp: 12:15)

Chester attempts to reason with Nettie, but her unwavering stance heightens the precariousness of the situation:

• Chester: "[12:00] He [Matt] dead?"
  (Timestamp: 11:54)

Nettie's demands underscore the scarcity of resources and the transactional nature of relationships on the frontier.

Historical Context and Background

Throughout the episode, Nettie reveals snippets of her past, providing depth to her character and highlighting the enduring tensions between settlers and the Ute tribe:

• Nettie Sitton: "[20:27] Ever ask yourself who started it all? Well, I seen it happen. The whites and their guns moving in. It wasn't pretty work they did. Women and children too. That's a fact."
  (Timestamp: 20:27)

These revelations offer insight into Nettie's hardened demeanor and her complex relationship with the native population.

Climactic Confrontation

The narrative builds up to a climactic confrontation as Ute Indians approach, intensifying the stakes for Dillon and Chester. Without adequate weaponry, their survival hangs in the balance:

• Matt Dillon: "[18:16] Now. We'll have to crawl once we're outside."
  (Timestamp: 18:16)

The impending threat of the Ute forces Dillon and Chester to make critical decisions, testing their ingenuity and courage.

Resolution and Character Development

In the resolution, Nettie chooses a path of mercy, reflecting her nuanced morality and the complexities of frontier life:

• Nettie Sitton: "[24:16] Here, boy. Take your ring. Pretty. It ain't for me. Not anymore."
  (Timestamp: 24:16)

This gesture signifies a fragile truce, highlighting Nettie's capacity for compassion amidst adversity. Additionally, the exchange reveals deeper layers of trust and understanding between the characters.

Notable Quotes

• Matt Dillon: "[04:49] Yeah, I know."
  (Timestamp: 04:49)
  Reflecting his acknowledgment of his injury and the gravity of his situation.

• Nettie Sitton: "[12:15] I'd soon shoot the both of you jaw with you. I want your money and your gun."
  (Timestamp: 12:15)
  Establishing her tough and uncompromising nature.

• Nettie Sitton: "[20:27] Ever ask yourself who started it all? Well, I seen it happen. The whites and their guns moving in. It wasn't pretty work they did. Women and children too. That's a fact."
  (Timestamp: 20:27)
  Providing historical context and depth to her character’s motivations.

• Nettie Sitton: "[24:16] Here, boy. Take your ring. Pretty. It ain't for me. Not anymore."
  (Timestamp: 24:16)
  Symbolizing resolution and the complexity of her relationship with Matt Dillon.

Themes and Insights

"Nettie Sitton" delves into several poignant themes central to the Western genre:

• Survival and Resourcefulness: Nettie's character epitomizes the rugged individualism necessary for survival in the West.

• Trust and Reciprocity: The negotiations between Nettie, Dillon, and Chester highlight the fragile nature of trust in a lawless land.

• Cultural Tensions: The interactions with the Ute tribe and Nettie's background illuminate the underlying conflicts between settlers and native populations.

• Redemption and Compassion: Nettie's eventual act of mercy towards Dillon reflects the potential for understanding and reconciliation amidst ongoing strife.

Conclusion

The "Nettie Sitton" episode masterfully intertwines character development with high-stakes drama, offering listeners a rich and engaging narrative. Through Matt Dillon's vulnerability, Nettie's formidable presence, and the looming threat of the Ute Indians, the story underscores the complexities of life on the American frontier. Notable dialogues and the nuanced portrayal of relationships provide depth, making this episode a standout installment in the Gunsmoke series.

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Note: This summary excludes non-essential sections such as advertisements, intros, outros, and promotional content, focusing solely on the core narrative and character interactions to provide a comprehensive understanding for those who haven't listened to the episode.

Transcript

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[Andrew Rines]

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[William Conrad]

Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal. And the smell of guns.

[Matt Dillon]

Smell. Smoke.

[William Conrad]

Gun Spoke. Starring William Conrad. The story of the violence that moved west with young America and the story of a man who moved with it.

[Matt Dillon]

I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job, and it makes a man watchful and a little lonely.

[Nettie]

Your moot, Doc.

[Chester]

Yes, yes, I see this. Only I don't like my choices. You got me kind of cornered. Kidding.

[Nettie]

Oh, now then. Smart man like you ought to be able to think his way out.

[Chester]

Well, let me see now. Nope. There's nothing I can do. Except this and pray.

[Nettie]

Your eyesight's going back on you. Not today, it hasn't. Documented. Yep, yep. There. We can't pedal any eyeglasses here today.

[Chester]

How many games you won now?

[Nettie]

Five straight. And remember, we were playing $2,000 a game in trade. That was some bet. I'd have to die to collect it.

[Chester]

And the same thing if I had a one kitty. $5,000 worth of your whiskey would wipe out every doctor in the west. You. You don't want to play another game by any chance?

[Nettie]

Not by any chance?

[Chester]

Ah, thank heavens.

[Nettie]

Why don't you go make a few calls, Doc?

[Chester]

I' the trouble is no one needs me. The town and the county are just busting with good help.

[Nettie]

Yeah, and look at this saloon. One paying customer at the bar and he's drinking beer.

[Chester]

Well, I'd say that Matt and Chester picked themselves a good time to be out of town.

[Nettie]

Yeah, they got it pretty soft all right. Of course, they get shot at now and then. At least they get out of Dodge once in a while.

[Chester]

Let me see. Where? Isn't a pueblo this time?

[Nettie]

Wasn't it near there? Anyway, didn't say how long they'd be gone.

[Chester]

No, and I bet I know why. Why, there's some of the best fishing in the world not far from Pueblo. Wouldn't surprise me the least bit if they settle back next to a stream that's just jumping with Mountain TR. How's your leg feel? Was you hit bad, Mr. Dillon?

[Matt Dillon]

I never heard of being hit good, Chester.

[Chester]

Pant leg's bloody in some.

[Matt Dillon]

Yeah, I know.

[Chester]

What got into them Indians, anyway? We was just riding through.

[Matt Dillon]

Well, if it hadn't been us, they'd have gone after a rabbit or a coyote, maybe. These rocks they were shooting for the noise of it, I guess they had.

[Chester]

To be utes, didn't they?

[Matt Dillon]

Renegade Utes, most likely.

[Chester]

Well, they got tired of us. Or they think they killed us. One or the other. Can you bear weight on that leg?

[Matt Dillon]

I don't know. Let's try.

[Chester]

Just let me slip my arm behind you here.

[Matt Dillon]

Yeah.

[Chester]

Cool yourself up. Hold on to me.

[Nettie]

Mr. Dillon.

[Chester]

Can you make it?

[Matt Dillon]

Yeah, I make it to my horse, I think.

[Chester]

There we go.

[Matt Dillon]

Easy.

[Chester]

You better rest some before I try to mile.

[Matt Dillon]

No, let's get it over with.

[Chester]

Chester, you'll have to swing your hurt leg over.

[Matt Dillon]

Oh, you'll have to guide it. If I kick your teeth out in the process, you take it as nothing personal, huh?

[Chester]

Yes, sir.

[Matt Dillon]

All right, here we go.

[Chester]

You. You all right, Mr. Dillon?

[Matt Dillon]

Yeah.

[Chester]

I could strap you in your saddle.

[Matt Dillon]

No, there's no need. All right, let's go.

[Chester]

You're awful peaked looking, Mr. Dillon. About played out, ain't you?

[Matt Dillon]

There's water ahead to the left and those trees there.

[Chester]

Well, you can't go on just water.

[Matt Dillon]

Oh, that'll help. Water the horses, too.

[Chester]

Ain't much daylight left. I'd nighty we'd find a settler and get you bedded down for the night.

[Matt Dillon]

It's a ute country, Chester. They've rotted out most of the cellars in through those trees now? Yeah. There's good grass by the stream.

[Chester]

Don't. Don't you move yet, Ms. Dillon.

[Nettie]

I'll help you.

[Matt Dillon]

All right. Now you stand to steady me. My leg won't bear any weight. Yes, sir.

[Chester]

Come on.

[Nettie]

There you go.

[Chester]

Now just fall free again.

[Nettie]

Me?

[Chester]

You just. You just stretch out there. How's that, Mr. Dillon?

[Matt Dillon]

It's fine, Chester. It's just fine.

[Chester]

I'll get you some water. You look afraid.

[Matt Dillon]

I just need to catch my breath. Just rest a little bit.

[Chester]

I sure do wish I could make you comfortable in a bed with some warm food.

[Matt Dillon]

Yeah, I know. I know. You just mind the horses, huh?

[Chester]

There.

[Matt Dillon]

Chester. Chester.

[Chester]

Oh. You waitin stillin?

[Matt Dillon]

Yeah. Yeah. I shouldn't have gone to sleep.

[Chester]

I guess you didn't have no choice. Once you swallowed that cool water, you were just plumb.

[Matt Dillon]

What is that? Who's that? Horses.

[Chester]

Oh, no, Miss Dylan. I hobbled them before I set out. They ain't making a sound.

[Matt Dillon]

Wait a minute. That's horses, all right. They're coming this way.

[Chester]

I sure don't hear a thing. You're afire with fever, Mr. Dillon. You just might be imagining.

[Matt Dillon]

Now, you keep listening. You'll hear them.

[Chester]

Yes, sir. What I was gonna say was. While you was resting, I set out and took a look around. There's a cabin not more than a couple hundred yards away.

[Matt Dillon]

They're coming from the north.

[Chester]

I think you're right, Mr. Dillon.

[Matt Dillon]

Look. Look through the trees there.

[Chester]

Indians. Could be them same renegades.

[Matt Dillon]

Yeah, maybe.

[Chester]

We sure better make for that cabin.

[Matt Dillon]

No, we're better off here. Trees will hide us. Unless they already know we're here. Just lie flat, Chester. They start through the trees. Fire.

[Chester]

You able to handle a gun ready for them? They're making right for us. Sure is seeing.

[Matt Dillon]

Yeah.

[Chester]

They'Re right at the trees.

[Matt Dillon]

Take it easy.

[Chester]

I sure ain't keen on them seeing us first.

[Matt Dillon]

They're riding right along the tree line, going on south.

[Chester]

I can't make them out anymore. You see him?

[Matt Dillon]

They're on past the thicket, but I can't see them.

[Chester]

I swear. That was close.

[Matt Dillon]

Yeah, it's still close. Sounds like I stopped.

[Chester]

I counted six of them.

[Matt Dillon]

Yeah, six. That cabin. Where is it?

[Chester]

Afraid that's where they are. It's that direction. No more than a couple hundred yards away.

[Matt Dillon]

Yeah, that's some better.

[Chester]

That's a welcome sound.

[Matt Dillon]

For a fact, you're talking about a deserted cabin, Chester.

[Chester]

I didn't see no signs of life. Likely been that way for years.

[Matt Dillon]

From the look of it, you'll have to drag me. Chester. I can't mount again.

[Chester]

I'll get you there. Done. Don't you fret yourself. I eat more than about 10 steps. You can make it, Ms. Dylan.

[Matt Dillon]

I. I don't know, Chester.

[Chester]

Come on, now. You just lean heavy on me. You make out fine. You come no closer, ma' am. You can just put that shotgun away right now.

[Nettie]

I'll judge about the shooting. What ails him.

[Chester]

He's sharp and weak, ma' am. I gotta put him down inside.

[Nettie]

I never laid eyes on you before.

[Chester]

No, ma' am. We're clean from dodge city.

[Matt Dillon]

Just Mr. Dillon.

[Chester]

You all right, Mr. Dillon? Mr. Dillon?

[Nettie]

He dead?

[Chester]

No, ma' am. Not yet. Would you just try to help? Set that shotgun aside and help A body.

[Nettie]

Are you on food?

[Chester]

We got precious little, I'll tell you that.

[Nettie]

Blankets, shells. You got anything?

[Chester]

What I got is a mighty sick friend here, ma' am. And I'm lifting him up right now and taking him in that cabin.

[Nettie]

How much money have you got?

[Chester]

I don't know. A little. Hand it over once we're inside.

[Nettie]

I tell you, boy, I'd soon shoot the both of you jaw with you. I want your money and your gun.

[Chester]

Oh, for. There now.

[Nettie]

Then his money too.

[Chester]

Oh, my goodness. Here. I'm bringing him inside now.

[Nettie]

Well, all right. But for this little bit of money, he ain't gonna be there long now. You're another weak one, are you?

[Chester]

Well, I'm carrying my weight in logs.

[Nettie]

Put him by the stove and quit whimping. Soft bellies, the lot of you.

[Chester]

How is he?

[Nettie]

That's Kim. He only making out he's sleeping.

[Chester]

Ms. Dillon.

[Matt Dillon]

You can't fool her, Chester. Don't try.

[Chester]

You sure did give me a fright. I wasn't sure you was gonna make it.

[Matt Dillon]

I'm all right.

[Chester]

She get the bullet out?

[Matt Dillon]

Yeah, and half of my leg.

[Nettie]

I think I seen new cubs with tougher hide.

[Chester]

You told me you knew what you was about.

[Nettie]

Now, you mind your tongue. I'm no mind to hear you, Ballard.

[Matt Dillon]

A cause to go at her, Chester. She did all right.

[Chester]

Well, she took everything we had, Mr. Dillon. Our guns, bullets, money. I never seen her life.

[Nettie]

You'd best quiet him. I buried four husbands, 20 children. Couple of strangers. Don't faze me.

[Matt Dillon]

You better get some sleep, Chester. She says you watched over me all night.

[Chester]

Well, now, if you need me, Mr. Dillon.

[Matt Dillon]

No, I'm fine. You go on, now. You go to sleep, huh?

[Chester]

Yes, sir.

[Matt Dillon]

Four husbands, ma' am.

[Chester]

Four.

[Nettie]

I outlived them. They was men. Regular men.

[Matt Dillon]

I can believe that.

[Nettie]

We didn't trifle with marshals, army folk. In those days, Mr. Sitton and me lived as peaceable as could be with Indian folk. We come here peaceable?

[Chester]

Me and Mr. Sitton.

[Matt Dillon]

When was that?

[Nettie]

In the 30s?

[Matt Dillon]

Things were different then.

[Nettie]

No different than with Mr. Griffith, Mr. Albright. Even later on with Mr. Netherton. There was lessons to learn in the west in them days. Eat the porridge.

[Matt Dillon]

Much obliged, ma' am.

[Nettie]

Nettie. How's that, Nettie? I say. Nettie. Sitting go by that? I can't abide being called ma' am. I lean toward Nettie.

[Matt Dillon]

Nettie. Nettie. You live alone in the middle of Ute country. How do you manage?

[Nettie]

I come by your guns and such little money you had. Sometimes it's food, sometimes roads. I take what I can get. No matter to me if it's settlers or Scouts or US Marshals or Utes folks don't find Nettie. Lessen their loss to half dead. Open your eyes to see what they part with.

[Matt Dillon]

You always greet him with a shotgun?

[Nettie]

If need be.

[Matt Dillon]

Before we came here yesterday, a band of Ute braves stopped here.

[Nettie]

I got good arrows, strong bows, rifles. Even a couple of buffalo guns off a mountain man. Broke his leg down the canyon.

[Matt Dillon]

They got a camp near here. The Ute.

[Nettie]

You got something more to give me?

[Matt Dillon]

Chester says you cleaned us up and.

[Nettie]

You'Re getting full measure.

[Chester]

Hey, no. Here.

[Nettie]

Here. Now you. Am I right? I ain't had a pretty first spell. That's a fact.

[Chester]

I bought that ring myself in St. Louis. A man's not safe sleeping here.

[Nettie]

Just fine once I wrap some twine around it. Body's fingers thin with age, I declare.

[Chester]

Next thing I know, you will be picking my bones.

[Nettie]

Mind your tongue.

[Matt Dillon]

Give him his ring back, Nettie.

[Nettie]

Oh, not likely. No.

[Chester]

Dylan. What says you can't hit an old woman when she's so mean and contrary?

[Matt Dillon]

For one thing, her shotgun.

[Nettie]

It's as soon use it as have a ruckus with you.

[Matt Dillon]

You take his ring, you give us something.

[Nettie]

Oh, I do admire her. Pretty. I clean forgot the bright feeling.

[Matt Dillon]

They give you our guns for the ring netting. That's fair.

[Nettie]

I come by your horses down by the creek this morning. They're grazing on my grass and swilling my water. The pretties to pay for that.

[Chester]

Ms. Dylan, I. I better go see to them horses.

[Nettie]

You'll stay where they're sick. And Aaron, I'll see to the horses.

[Matt Dillon]

You say he can't leave the Cabin.

[Nettie]

Not alive, he can't.

[Chester]

Well, you doggone.

[Matt Dillon]

She means it. Just.

[Nettie]

I do that now. I got tending to do outside. No need peering around for your guns whilst I'm gone. You won't find them.

[Chester]

Mr. Dillon. We have got to get out of here.

[Matt Dillon]

We need horses to do it. Come here. Now, steady.

[Chester]

Me, you ain't it? Stand yet?

[Matt Dillon]

Yes, stand steady.

[Chester]

There.

[Matt Dillon]

Now. We'll have to crawl once we're outside. Anyway. I can manage to the door like as much.

[Chester]

He just crouched out there waiting for.

[Matt Dillon]

Well, it's worth a chance. We might not get another one. All right, get on your belly. Move small through the brush toward the stream. Can you see her?

[Chester]

No, I can't.

[Matt Dillon]

The stream. How far is it?

[Chester]

Good hundred yards, maybe more.

[Matt Dillon]

I don't see the horses.

[Chester]

I don't neither.

[Matt Dillon]

Flatten.

[Chester]

Chester.

[Matt Dillon]

It's Ute.

[Chester]

She's talking to them Indians.

[Matt Dillon]

We're gonna have to go back, Chester, to the cabin. Without guns or horses, we're no good out here. Come.

[Chester]

What do you reckon she's done with her guns, Mr. Dillon?

[Matt Dillon]

Her? She might have eaten them.

[Nettie]

Here.

[Chester]

I'm steady after the walk.

[Matt Dillon]

I give a lot for some of her strength right now.

[Chester]

You reckon I could find them guns alone?

[Matt Dillon]

Get yourself killed doing it. That's no good, Chester. We're gonna have to wait.

[Nettie]

You just about as foolish as can be, ain't you? Crawling around in the brush out there. What's id?

[Matt Dillon]

Fresh air.

[Nettie]

You got no guns, no food. There's Utes all around. You don't think too good of your hides, do you?

[Matt Dillon]

Where are the horses, Nellie?

[Nettie]

Your color's coming back, sir.

[Chester]

You heard him. What about them horses?

[Nettie]

They bring a good price in these parts. I could get me a passer of things trading horses.

[Matt Dillon]

You're real friendly with the Ute, huh?

[Nettie]

They treat me good. Course, they know Mr. Sitton and me come peaceable to their country. Not to run em off. What right lays their land?

[Chester]

You ever seen em at their killing? Women, babies. No matter to them.

[Nettie]

Ever ask yourself who started it all? Well, I seen it happen. The whites and their guns moving in. It wasn't pretty work they did. Women and children too. That's a fact.

[Matt Dillon]

They let you live here? There's gotta be a reason.

[Nettie]

He come here like you, for a shot, ailing white man's doing. Mr. Sitton and me, we took him in, tended him. He was a young chief then. But White Bear never forgot. Not in all these years.

[Matt Dillon]

White Bear's the oldest chief among the Ute now.

[Nettie]

He don't forget Neddy Sitton. He's near to a relation I got.

[Matt Dillon]

You're from another age, Nettie. You and White Bear.

[Nettie]

Maybe. You got someone? A wife?

[Matt Dillon]

No, no wife.

[Nettie]

The mother's in.

[Matt Dillon]

I got her memory and a pair of earrings she always wore. That's all.

[Nettie]

Not on you. I'd have come on them.

[Matt Dillon]

They're back in Dodge City.

[Nettie]

Oh, that's a pity. That's a pity.

[Matt Dillon]

You think you can get the guns without waking her?

[Chester]

I can't make out goods, no light. But I can fight an old woman in the dark.

[Matt Dillon]

Not long till sun up. This may be our last chance. Take it easy.

[Nettie]

Now. That's just close enough. I don't mind shooting one bit. Stealing up on an old woman. What kind of man are you?

[Chester]

You're a doggone witch, that's what you are. Seeing in the dark. And you ain't no kind of woman at all.

[Nettie]

Maybe not now, boy. But I was once more woman than you could have been.

[Matt Dillon]

All right, shut up, both of you. Somebody's coming.

[Nettie]

They come earlier than I said.

[Chester]

It's them same Indians, Mr. Dillon.

[Nettie]

Yeah, made you stand still, the pair of you.

[Chester]

Mr. Dillon. I swear, I had my rival. I'd blow us up before I'd let them take us.

[Matt Dillon]

Maybe I'd help you, Chester.

[Chester]

She's out there right now trading for us. You know that.

[Matt Dillon]

Now get ready. Somebody's coming.

[Nettie]

Now, that cutter beef will last me a good long time. It was a gift from my friend White Bear for us. Oh, now then, you worth a sight more than that.

[Chester]

It's Dylan they're riding off.

[Matt Dillon]

You're sparing us, Nettie.

[Nettie]

Why sparing you?

[Matt Dillon]

You didn't tell him about us.

[Nettie]

You didn't ask.

[Chester]

How come you're acting human so sudden? Like after near scaring us to death.

[Nettie]

I ain't gonna miss this boy. That's the truth of it. He's one ballin big mouth.

[Matt Dillon]

We'll be glad to get out of your way and trade for guns, our horses and a cut of your new beef.

[Nettie]

I've been thinking about them here Bobs.

[Matt Dillon]

I've been thinking about our guns under my bed.

[Nettie]

These two horses saddled at the spring. Now them here Bobs.

[Matt Dillon]

There aren't a strong box in Dodge City. You mean to ride back with us?

[Nettie]

I wouldn't be seen in daylight with you.

[Matt Dillon]

Yeah, well, I might get back this way someday. If I do, I'll bring him to.

[Nettie]

You for these old ears. Here, boy. Take your ring. Pretty. It ain't for me. Not anymore.

[Chester]

I'LL take it. I declare, I don't understand you at all. You. You just beat the Dutch, that's what you do.

[Nettie]

If you was regular men, you'd find yourself a woman. Pretties don't belong on a man's hand. There ain't no strong box. Us women folk gives us that bright feeling Having a pretty.

[William Conrad]

Gun Smoke, produced and directed in Hollywood by Norman McDonald, stars William Conrad as Matt Dillon, U.S. marshal. The story was specially written for Dun Smoke by Kathleen Heights with editorial supervision by John Meston. Featured in the cast was Virginia Gregg, Harley Bear is Chester, Howard McNear is Doc, and Georgia Ellis is Kitty. And now, here's a special word from our star.

[Matt Dillon]

This is William Conrad. I've taken off the Marshal's badge to remind you that the Crusade for Freedom is counting on our continued support to keep Radio Free Europe on the air. I might just mention over 90% of the refugees escaping Iron Curtain countries report that they were Radio Free Europe listeners. That means we're getting the truth through the jamming and past the propaganda barrage. Let's keep the truth alive. Keep faith with more than 76 million people who can rely on us for it. Send what you can now to the Crusade for Freedom, care of your post office.

[William Conrad]

This is George Walsh inviting you to join us again next week when CBS Radio presents another story on gun smoke.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com YouTube become one of our ranch hands and unlock some exclusive content. We want to thank our most recent ranch hands, Steve Technogod and Craig who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail. 707-986-8739. This episode is copyrighted under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.

[Nettie]

Sam.