Scared Boy | Gunsmoke (05-17-59)

Summary

Gunsmoke - "Scared Boy" (05-17-59)

Release Date: November 17, 2024
Host/Author: Andrew Rhynes
Platform: OTRWesterns.com

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Introduction

In this gripping episode of "Gunsmoke," titled "Scared Boy," listeners are transported back to Dodge City, Kansas, where United States Marshal Matt Dillon, portrayed by William Conrad, navigates the tumultuous landscape of the American West. This summary delves into the key plot points, character developments, and pivotal moments that define this compelling narrative.

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Plot Overview

Initial Confrontation at Cora Meadows' Home ([03:18] - [05:32])

The episode opens with a tense scene at Cora Meadows' residence. Chester Proudfoot, a local resident, hears a disturbance and alerts his wife, Cora. A desperate man, later identified as Roark, seeks refuge, pleading for help. Roark admits to having shot another man and begs Cora and Chester to keep quiet, warning them of the consequences if the truth surfaces.

Roark ([04:04]): "You's trying to hide. Ro. Don't shoot me. Please don't."

Cora confronts Roark about his actions, leading to a tense negotiation where Roark promises to leave peacefully if they forget about the incident.

Cora Meadows ([04:25]): "He's dead."

Chester's Garden and Financial Struggles ([07:18] - [09:40])

Chester Proudfoot introduces his aspiration to cultivate a garden, inspired by a conversation with Matt Dillon about frontier living and health. However, financial constraints prevent him from purchasing seeds. Matt offers Chester some money, encouraging his gardening efforts as a solution to prevent diseases like scurvy.

Chester Proudfoot ([08:04]): "You might get scurvy chest and I won't get it. Wouldn't take very much."

Their conversation shifts to economic hardships, highlighting the rising prices and the strain it places on ordinary townsfolk.

Introduction of Cora Meadows and the Missing Boy ([10:04] - [19:57])

Cora Meadows approaches Matt Dillon, expressing her distress over her missing son, Tad. She fears that Tad has taken matters into his own hands to avenge Roark's actions, putting both himself and her in danger.

Cora Meadows ([10:43]): "Yes, Marshall, I need help."

Matt takes immediate action, discovering Tad severely beaten but conscious. He brings Tad to Doc Adams' office for care, intending to keep him safe while investigating the situation.

Matt Dillon ([14:28]): "Tad, I'm Marshall Dillon. You don't have to turn your head away, Ted. I want to help you."

Cora insists that Tad should return home, but Matt persuades her to let him stay in town for a few days to ensure their safety and assist in identifying the perpetrator.

Matt Dillon ([19:05]): "I'm talking about maybe saving your life and your boy's life, too."

Tad's Recovery and Rising Tensions ([20:09] - [21:54])

As Tad recuperates, Ned Proudfoot imparts wisdom about perception and poker, drawing parallels to the episode's unfolding drama. The town's tension escalates when Roark surprises everyone by appearing, leading to a climactic confrontation.

Chester Proudfoot ([20:23]): "Some folks just has a face for it, and that's a fact."

Climactic Showdown and Resolution ([21:17] - [22:57])

Roark confronts Matt Dillon, revealing his intent to settle the score and putting Tad's life at immediate risk. In the ensuing confrontation, Matt manages to apprehend Roark, ensuring the safety of Tad and Cora.

Roark ([21:41]): "You ain't taking me. You better look out, mister, because I'm not turning my back on you like Roark did."

Matt's unwavering commitment to justice restores peace to the community, underscoring his role as the steadfast Marshal of Dodge City.

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Key Themes and Insights

1. Justice and Vigilance: Matt Dillon embodies the relentless pursuit of justice in a lawless frontier, balancing compassion with firmness.

   Matt Dillon ([19:15]): "You just let him recognize that gunman for us, and he'll be home, safe and for good."

2. Community and Support: The interactions between Chester, Cora, and Matt highlight the importance of community support in overcoming adversity.

   Cora Meadows ([18:35]): "We're not going to get mixed up in that no more, Marshall. Me and Tad will stay right out here and never say a word more."

3. Economic Struggles: The episode subtly addresses the economic hardships faced by settlers, emphasizing resilience and resourcefulness.

4. Parent-Child Relationships: The bond between Cora and Tad adds emotional depth, showcasing a mother's fear and a son's determination.

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Conclusion

"Scared Boy" masterfully intertwines suspense, character development, and thematic richness to deliver a quintessential "Gunsmoke" experience. Marshal Matt Dillon's unwavering dedication ensures that justice prevails, while the community's collective efforts reflect the resilience required to thrive in the untamed West. This episode not only entertains but also offers profound insights into human nature and societal dynamics during the American frontier era.

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Notable Quotes

• Roark to Cora ([04:04], [04:25]):
  "You's trying to hide. Ro. Don't shoot me. Please don't."
  "He's dead."

• Chester on Gardening ([08:04]):
  "You might get scurvy chest and I won't get it. Wouldn't take very much."

• Cora to Matt ([18:01]):
  "Is he all right?"

• Matt to Tad ([14:28]):
  "Tad, I'm Marshall Dillon. You don't have to turn your head away, Ted. I want to help you."

• Roark's Threat ([21:41]):
  "You ain't taking me. You better look out, mister, because I'm not turning my back on you like Roark did."

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Closing Remarks

This episode, written by Marion Clark and under the editorial supervision of John Mestick, exemplifies the enduring legacy of "Gunsmoke" as a cornerstone of Western drama. Marshall Dillon's character continues to inspire with his moral integrity and dedication to his duty, ensuring that justice and order prevail in Dodge City.

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Transcript

[Andrew Rines]

How do you feel when you switch to GEICO and save on your car insurance? It's like going to work on one Thursday morning and thinking to yourself, just one more day until Friday. But then somebody in the elevator says, happy Fri. Yay. Then you check your phone quickly and discover today is actually Friday. So yes, Happy Friday, random stranger in the elevator. Happy Friday indeed. Yep, switching and saving with GEICO feels just like that. Get more with geico. Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines and I'm excited to bring you another episode absolutely free. This episode is just one of over 80 episodes we release monthly. Now let's get into this episode.

[William Conrad]

Around Dodge City and in the territory on West. There's just one way to handle the killers and the spoilers. And that's with a U.S. marshal. And the smell of gun smoke. Gunsmoke, starring William Conrad. The story of the violence that moved west with young America. And the story of a man who moved with it. I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job and it makes a man watchful and a little lonely. This is Frank Knight speaking for the world's most honored watch, Longines. When the west was being won, Longines was there. All records show sales of Longines watches in the silver mining towns of Colorado and Nevada, the gold mining areas of California. A fine gold watch, preferably a Longines was one of the first luxuries purchased by a lucky prospector. For then as now, the name Longines identified the world's most honored watch. Longines watches won their first World's Fair grand prize in 1878. Won grand prizes in Paris, Brussels, Philadelphia and at many other places. Right now Longines watches are winning comparable successes in the accuracy competitions in European National Observatory today. You needn't make a gold strike to own a Longines. Many beautiful models for ladies and gentlemen are priced as low as $75. Visit your authorized Longines Whitnor Jeweler. He will be honored to serve.

[Chester Proudfoot]

There's a man running toward the house.

[Cora Meadows]

Get back inside. Close the door.

[Chester Proudfoot]

What is it?

[Cora Meadows]

I don't know. Just be quiet.

[William Conrad]

Don't. Don't shut me out.

[Chester Proudfoot]

Please. Please don't shut me out.

[Cora Meadows]

Open the door. Let him in. Open the door.

[Chester Proudfoot]

Will you let me hide? Don't. Don't let him get me.

[Cora Meadows]

What? Mister, you hurt?

[William Conrad]

You's trying to hide. Ro. Don't shoot me. Please don't.

[Cora Meadows]

You shot a Dying man.

[William Conrad]

Well, he wasn't dying long.

[Cora Meadows]

You shot him in the back. He was still dead.

[William Conrad]

You're a right smart boy, ain't you? Where's your daddy, Pat? Let the boy talk. Where's your daddy? I said.

[Cora Meadows]

He's dead.

[William Conrad]

Hmm. You two live in here all alone?

[Cora Meadows]

We ain't scared.

[William Conrad]

Of course you ain't. Yeah. Too bad it had to happen right in your kitchen, ma'am. Roark has had that coming a long time.

[Cora Meadows]

What are you gonna do, mister?

[William Conrad]

Well, just nothing, ma'am. Nothing at all, if you'll let me.

[Cora Meadows]

What do you mean?

[William Conrad]

You just remember this was my affair, mine and Roark's, and I walk right on out of here. Forget about it. As long as you two forget about.

[Cora Meadows]

It, Marshall's gonna come after you, sure. Not have yet.

[William Conrad]

Well, like I said, he's a real smart boy, ain't he, ma'am? I guess you're right, though. I guess he does talk a mite too much.

[Cora Meadows]

No, no, he don't talk.

[William Conrad]

Don't. I'm mighty glad to hear that. Cause it'd be a shame for a.

[Chester Proudfoot]

Bright boy like that to get his.

[William Conrad]

Throat cut because he didn't know when to keep his mouth shut. Now, wouldn't it? Wouldn't it?

[Cora Meadows]

He won't talk. I promise.

[William Conrad]

That's good. Real good. Both of you just stand quiet till I get away from here. Won't be no trouble.

[Cora Meadows]

What? What about him?

[William Conrad]

Plumb forgot my manners. Well, I guess I better get him out of.

[Chester Proudfoot]

Matt? Oh.

[Andrew Rines]

Matt?

[William Conrad]

Anybody here?

[Chester Proudfoot]

Oh, forever. Chester.

[William Conrad]

I'm out back here. Doc.

[Chester Proudfoot]

What in the world are you doing? Hello, Doc. What are you digging there instead of graze? Graze? My goodness, Doc, don't talk like that. This here is a garden. A what? A garden. It looks more like a buffalo wallow. Does Matt know that you're doing this right outside of his back door? Well, no, we don't. I'm kindly surprising him. Besides, I ain't hurting nothing, Doc. Just spading up the dirt. Well, I can see that. Look, let me show you how my garden is going to be. That seat right here is where the beans is going, Adam. And here is the carrot and yonder's peas, he says. I don't see anything. Well, they ain't planted yet, but I got everything ready. All I need now is the seed. Now, where did this garden idea come from? You.

[William Conrad]

Me? Well, sure.

[Chester Proudfoot]

Don't you remember that time you was talking to Mr. Dillon about how people eat out here on the frontier and how they might get spotted Scullery? Yeah. From not eating enough greens and sour. Oh, yeah. Oh, that scurvy chest, not scullery. Well, whatever it is, I got to thinking on it and decided to do something about it so I don't get that disease. I mean. Oh, I go. Well, that's fine. Yes, but as I remember it, that talk we had was months ago. That's right, it was. And I've been worrying about it ever since.

[William Conrad]

Oh, you're a man of action.

[Chester Proudfoot]

Trouble is, I'm broke plumb. And I can't buy no seed.

[William Conrad]

Well, see. Well, let me. Oh, no, no, no. Now, don't look at me.

[Chester Proudfoot]

Well, now, Doc, you'd like a plate of greens every now and then, wouldn't you?

[William Conrad]

Sure I would, but not enough to pay for the seed.

[Chester Proudfoot]

You might get scullery, Doc, scurvy chest and I won't get it. Wouldn't take very much. Buy them seed from Mr. Jones. Just a few pennies is all, Doc. And then none of us wouldn't never have to worry. Well, now, just an hour. Suppose you did get those seeds.

[William Conrad]

Now, you think everything that you plant is gonna bloom like a sunflower.

[Chester Proudfoot]

Well, my gracious, Doc, this ain't no problem. You just kindly push them little old seed into the ground and before you know it, you got vegetables.

[William Conrad]

Oh, yeah.

[Chester Proudfoot]

Oh, my, you're quite a farmer. All right, now, Doc, ain't no need to smart off. All right, all right, Chester. All right. Here.

[William Conrad]

Here's some money.

[Chester Proudfoot]

There. Now, go and get your seed. Well, thank you, Doc. And from now on, you're half owner of this garden. You can have part of whatever I. Oh, that's good in it, Chester. Pretty warm, ain't it?

[William Conrad]

It usually is in the sun.

[Chester Proudfoot]

Must be near noon.

[Andrew Rines]

Yeah.

[William Conrad]

Let me see.

[Chester Proudfoot]

It's just about quarter to 12.

[William Conrad]

Quarter to.

[Chester Proudfoot]

My gracious, I'm gonna be late.

[William Conrad]

Late?

[Chester Proudfoot]

Where you going? Or to meet Mr. Dillon at Delmonico. Lunch?

[William Conrad]

Or.

[Chester Proudfoot]

What about our garden? I'll get to it, Doc. But after all, if Dodge ain't had no green vegetables for all this time, it ain't gonna hurt us none to wait a little longer. I don't mind a man making money, Mr. Dillon, but by jing, I don't think he should be making it all off of me.

[William Conrad]

Oh, what do you mean, Chester?

[Chester Proudfoot]

Why, that Zach Holden charging 15 cents for a meal like that. I swear, that steak still had a piece of the hide on it.

[William Conrad]

Prices are going up, Chester. You just gotta face it.

[Chester Proudfoot]

But it's getting so a man don't hardly have nothing left after feeding himself a little. And that's a fact. We'll counter. Mr. Dylan, there's a lady going into the office.

[William Conrad]

Uh huh.

[Chester Proudfoot]

Reckon what she wants.

[William Conrad]

And if she's like most women, we won't be long in finding out. You wanted to see me, ma'am?

[Cora Meadows]

Yes. You're the marshal.

[William Conrad]

Yes, and that's right. Matt Dillon. This is Chester Proudfoot.

[Chester Proudfoot]

How you do, ma'am?

[Cora Meadows]

How do you do? I'm Cora Meadows, Marshal. My boy and I live out west of town a piece.

[William Conrad]

Why won't you sit down, Ms. Meadows?

[Chester Proudfoot]

Thank you, Mr. Jones.

[William Conrad]

Yeah, whatchester.

[Chester Proudfoot]

As long as you and Ms. Meadows is gonna be talkin for a spell, I believe I'll just go on back and see Zach holdin about charging that outlandish prize for Amelia. It's still sticking in my crawl.

[William Conrad]

All right, Chester, you do that.

[Chester Proudfoot]

Excuse me, ma'am.

[William Conrad]

Now, Ms. Brothers.

[Cora Meadows]

Marshall, I don't rightly know what to do.

[William Conrad]

Well, I suppose you just tell me what's the matter.

[Cora Meadows]

Well, that's just it, Marshall. I'm sure what will happen if I tell you, and I. I'm afraid of what will happen if I don't.

[William Conrad]

You need help.

[Cora Meadows]

Yes, Marshall, I need help.

[William Conrad]

All right, just speak right out.

[Cora Meadows]

Well, it's my boy. My boy Tad. He's missing. Oh, I think he's taken out after that man. And he'll kill the boy if he sees him. And he'll kill me if he knows I've been here.

[William Conrad]

No, wait a minute. What man are you talking about?

[Cora Meadows]

The one that shot that fellow out to my place yesterday. He shot him down just like he was an animal.

[William Conrad]

You're telling me there was a killing yesterday and that your son may have gone after the murderer?

[Cora Meadows]

Yes, Marshall, I am.

[William Conrad]

I think you better go back to the beginning and tell me the whole story.

[Chester Proudfoot]

She tell you we're in land was drugged from Mr. Dylan?

[William Conrad]

Yeah. Out the kitchen door, Chester. The track should be along here somewhere.

[Chester Proudfoot]

Yeah, sure.

[William Conrad]

Over here, Chester. See there? Looks like heel marks.

[Chester Proudfoot]

Yeah. Leading over to them bushes.

[William Conrad]

Yeah, they sure do. Come on. I don't think he'd have taken much time with him. Well. Yeah, there he is.

[Chester Proudfoot]

Seems good it took the trouble to bury him.

[William Conrad]

When a man shoots you in the back, he's not going to worry about your funeral, Chester.

[Chester Proudfoot]

I seen him before, Mr. Dillon. He was at the Long Branch a lot. Playing cards.

[William Conrad]

Yeah, it's a gambler by the name of Roark. Well, I guess the burian's up to us.

[Chester Proudfoot]

Yes, sir. Oh, it's you, Matt.

[William Conrad]

I'm glad you're here. Well, I came as soon as I got your message, Doc. Is there something wrong?

[Chester Proudfoot]

Yes, Matt, there is.

[William Conrad]

Come to the other room, huh? It's this youngster, Matt. I found him by the road. What's the matter with him? He's been beaten. Cruelly, brutally beaten. Look. Yeah, I didn't even know if I could bring him out of it for a while there. Did he say who he is? No, and that's a funny thing, Matt.

[Chester Proudfoot]

He hasn't talked at all.

[William Conrad]

He's been conscious most of the day, but he won't say a word. I guess you can blame him. Whoever did this was trying to scare him to death, even if it didn't quite kill him. Is it okay if I try to talk to him? I guess it won't hurt him if he'll talk.

[Chester Proudfoot]

Do you know who he is?

[William Conrad]

Yeah, I think so. Hello, Tad. Ted. Ted, I'm Marshall Dillon. You don't have to turn your head away, Ted. I want to help you. I want to help you and help your mother. Now, you want me to catch the man who did this, don't you? I can do it if you'll help me. Look, Tad, I promise you won't get hurt anymore. And I promise that your mother won't get hurt either. Tad, look, the only way to be sure that you're safe is to bring this man in. He's not gonna answer, Matt. No, I guess not. All right, Doc, let's leave him alone. How long are you going to keep him here, Chuck? Oh, I expect he'll be up by.

[Chester Proudfoot]

Tomorrow if he's quiet. A boy recovers mighty fast.

[William Conrad]

Would he be well enough to stay in town with Kitty for a few days? Oh, sure, Matt, I guess so.

[Chester Proudfoot]

But if you know who he is, why don't you take him home?

[William Conrad]

Well, I'll tell you later, Doc, but there are a couple of people I want to see first. Hello, Sam.

[Chester Proudfoot]

Hello, Marshall.

[William Conrad]

Get your drink? No, thanks, Sam. Is Kitty around? She's upstairs in be down a minute or two. Oh, well, I'll go on up. Thanks. Sure.

[Cora Meadows]

Hello, Max. You looking for me?

[William Conrad]

Oh, yeah. I'd like to talk to you, Kitty, I'm coming down. All right.

[Cora Meadows]

Come on over to a table. We can sit down.

[William Conrad]

No, no, thanks, Kitty. I haven't got time. I. I would ask you to do a favor for me.

[Cora Meadows]

Well, sure, ma'am. What is it?

[William Conrad]

I want you to take care of a small boy for me for a couple of days.

[Cora Meadows]

A boy? What is he runaway?

[William Conrad]

No, not exactly. But I'd like to have you keep him around the Long Branch for a day or two and give him the run of the place.

[Cora Meadows]

Doesn't sound exactly like the best surroundings for a young boy, man.

[William Conrad]

You're gonna have to trust my judgment, Kitty. Will you do it for me?

[Cora Meadows]

Well, sure. I guess so, if you want me to.

[William Conrad]

I do want you to. I'll explain later. Thanks, Kitty.

[Cora Meadows]

Your map. Who is it?

[William Conrad]

Matt Dillon. I'd like to talk to you, Ms. Meadows.

[Cora Meadows]

Come in, Marshall. Tad? Is it about Tad?

[William Conrad]

Yes, it is, ma'am. I'm pretty sure we found him.

[Cora Meadows]

Where is he? Is he all right?

[William Conrad]

He's at Doc Adams office. Doc? He's all right now, Ms. Meadows, but he's had a bad beating.

[Cora Meadows]

Beating?

[William Conrad]

I think the killer beat him to keep him quiet. And it worked because Tad won't talk to anybody.

[Cora Meadows]

I'll go get him, Marshall. I'll fetch him home.

[William Conrad]

Well, that's what I want to talk to you about, Miss Meadows. I'd like to keep the boy in town for a few days.

[Cora Meadows]

No. A sick boy belongs in his own home. I'll go get him right now.

[William Conrad]

Will you listen to me for a minute? Miss Meadows, You've got to understand that as long as this man is on the loose, neither you or Tad is going to be safe.

[Cora Meadows]

We're not going to get mixed up in that no more, Marshall. Me and Tad will stay right out here and never say a word more.

[William Conrad]

But if the killer gets worried about you, it won't matter where you are. Especially if he knows that you've been to see me.

[Cora Meadows]

I shouldn't have come.

[William Conrad]

No, you did right to come, Miss Meadows. And if you let me keep Tad in town for a few days, maybe we can get this man. I'm pretty sure that he's a gambler and he'll be back.

[Cora Meadows]

You mean you want Tad to help you?

[William Conrad]

Well, he won't know anything about it, ma'am. He'll be perfectly safe. I promise.

[Cora Meadows]

Oh, no, Marshall, You've got no right.

[William Conrad]

I'm not talking about rights, ma'am. I'm talking about. But I'm talking about maybe saving your life and your boy's life, too.

[Cora Meadows]

I want him here at home.

[William Conrad]

You just let him recognize that gunman for us, and he'll be home, safe and for good.

[Cora Meadows]

He's been hurt bad enough already.

[William Conrad]

He won't be hurt, ma'am. Now, Chester or I will be watching him every minute. And as soon as it's over, I'll bring Him right home.

[Cora Meadows]

Dan's a good boy. He never had a beaten before.

[William Conrad]

And I want to see that he doesn't ever have another one.

[Chester Proudfoot]

Now, Tad, there's one thing about playing poker that you might as well learn right off. It ain't so much what you've got in your hand as what folks thinks you've got. Don't you understand that?

[Cora Meadows]

I think so, Mr. Proctor.

[Chester Proudfoot]

Some folks just has a face for it, and that's a fact. Now, you know, lots of folks calls me Poker because nobody don't never know what I got in my hand.

[Cora Meadows]

Give me one card, please.

[Chester Proudfoot]

All right. Now, don't you let on what you've got.

[William Conrad]

Yes.

[Chester Proudfoot]

Now, that's good. That is good. You ain't letting on one bit. Now, I'll take one myself.

[Cora Meadows]

What's the matter?

[Chester Proudfoot]

A thing like this wouldn't happen in six months of Sundays.

[Cora Meadows]

Well, I thought you weren't supposed to let off. You ain't, you ain't.

[Chester Proudfoot]

But you take a hand like this.

[Cora Meadows]

A 6 and a 7 and a.

[William Conrad]

9 and a 10, and then you.

[Chester Proudfoot]

Hoe off and draw an 8, and.

[Cora Meadows]

Mine are all blue. You getting hungry, Justin?

[Chester Proudfoot]

Yeah. Yeah. No, I can last it out on miss Kitty till Mr. Doan comes back.

[Cora Meadows]

Oh, he ought to be here pretty soon. He went out to see your mother, Tad. He wanted her to know that you've been doing just fine these last few days. Oh, yes. I hope she's fine too. I sure like to go home.

[William Conrad]

Hello, kitty.

[Cora Meadows]

Hello, Matt.

[Chester Proudfoot]

Mr. Doon, you know what I just did.

[William Conrad]

How's Mom? Oh, she's fine, Tad. She said to tell you not to worry about anything. And she sent you some clean clothes.

[Cora Meadows]

Did she say when I could come home?

[William Conrad]

That ought to be soon.

[Cora Meadows]

Why don't you take those clothes on up to the room, honey? Yes. And when you come down, we'll have Sam bring you some supper.

[Chester Proudfoot]

Oh, thank you, Mr. Dillon. You know what happened just a minute ago?

[William Conrad]

No.

[Chester Proudfoot]

I was drawn to an inside street and.

[William Conrad]

What? What is it, boy? There he is.

[Andrew Rines]

No.

[Cora Meadows]

Little heavy.

[William Conrad]

Marshall. Kitty, that's our man. Take the boy upstairs, will you?

[Cora Meadows]

Sure, man. Come on, honey.

[William Conrad]

It's all a commotion. Marshall, can man walk in here for drink? We been waiting for you, mister. The boy and I don't know what you're talking about. I never saw that boy four in my life. You never expected to see him again either. At least not alive after that beating you gave him. Beating? Now, you listen, Marshall. You listen to me. That boy knows you and so does his mother. She ain't here. She'll be here in good time. Marshall. You ain't taking me. You better look out, mister, because I'm not turning my back on you like Roark did. Oh, you.

[Chester Proudfoot]

You got him, Mr. Newland.

[William Conrad]

Yeah, well, anybody can shoot a man, Chester. It's that boy's mother. What she did that took real courage. Well, come on, let's take Tad home. I think his mother's waited long enough. The story was specially written for Gun Smoke by Marion Clark, with editor editorial supervision by John Mestick.

[Andrew Rines]

This is George Walsh inviting you to.

[William Conrad]

Join us again next week for another story on Gun Smoke Foreign this has.

[Andrew Rines]

Been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel.

[William Conrad]

By going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com you can call.

[Andrew Rines]

And leave us a voicemail 707-986-8739 this.

[William Conrad]

Episode is copyright under the Attribution Non.

[Andrew Rines]

Commercial Share Like Copyright for more information.

[William Conrad]

Go to otrwesterns.com copyright have a great.

[Andrew Rines]

Day and thanks for listening. How do you feel when you switch to GEICO and save on your car insurance? It's like going to work on one Thursday morning and thinking to yourself, just one more day until Friday. But then somebody in the elevator says Happy Friday. Then you check your phone quickly and discover today is actually Friday. So yes, Happy Friday. Random stranger in the elevator. Happy Friday indeed. Yep, switching and saving with GEICO feels just like that. Get more with GEICO Feeling overwhelmed? Struggling with mental health shouldn't be the norm. At Mindful Therapy Group, we specialize in connecting you with compassionate therapists that can support you through stress, anxiety, ADHD and so much more. With in person and telehealth appointments available, we can get you seen in as little as 48 hours. To make things easier, Mindful Therapy Group accepts most health insurances, including Medicare, allowing you to focus on you and not your wallet. Visit mindfultherapygroup.com to start your mental health journey today.