The Deserter | Gunsmoke (05-31-59)

Summary

Gunsmoke - OTRWesterns.com

Episode Summary: "The Deserter" (05-31-59)

Release Date: November 24, 2024

Host/Author: Andrew Rhynes

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Introduction

"Gunsmoke," a seminal Western drama, transports listeners to Dodge City, Kansas, during the tumultuous settlement of the American West. This long-running radio and television series, hosted by Andrew Rhynes on OTRWesterns.com, masterfully blends action, moral dilemmas, and complex character interactions. In the episode titled "The Deserter," originally aired on May 31, 1959, listeners are taken on a gripping tale of betrayal, justice, and redemption.

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Plot Summary

"The Deserter" centers around a disturbing incident involving a U.S. Army paymaster who is robbed by one of his own men. The soldier, a member of the payroll guard stationed at Fort Dodge, meticulously plans and executes the robbery. During the chaos, his accomplice, an unidentified individual, fires shots from a rocky outcrop, forcing the soldier to flee with the stolen money. The plan is for both men to separate, rendezvous later, and split the ill-gotten gains.

Two days post-robbery, Marshal Matt Dillon (William Conrad) receives troubling news from Doc (Howard McNear) about a wounded soldier who was left behind during the heist. This soldier, exhibiting signs of distress and bearing army attire, raises suspicions of desertion.

As Matt delves deeper, he encounters Jed, a character grappling with moral conflicts, who ultimately shoots a man believed to be involved with the deserter. The situation escalates when Jed assists Matt in burying the deceased, leading to a profound examination of justice and loyalty.

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Character Dynamics

• Marshal Matt Dillon (William Conrad): The steadfast and principled U.S. Marshal of Dodge City, Matt embodies the archetypal Western hero—resolute, compassionate, and unwavering in his pursuit of justice.

• Doc (Howard McNear): The town's trusted physician, Doc offers wisdom and moral support to Matt. His interactions reveal a deep sense of community and ethical responsibility.

• Chester (Harley Bear): A loyal deputy, Chester provides both assistance and a touch of levity, highlighting the camaraderie within Matt's team.

• Maddie and Jed: Representing the local townsfolk, Maddie and Jed navigate their own moral landscapes, influencing and being influenced by the central conflict.

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Key Conflicts

1. Robbery and Desertion: The core conflict arises from the soldier's betrayal of duty, leading to a theft that threatens the fragile stability of Dodge City.

2. Moral Dilemmas: Jed's decision to shoot the deserter introduces a complex discussion about justice versus personal morality, questioning the right course of action when the law and personal ethics collide.

3. Trust and Redemption: As characters grapple with betrayal and loyalty, the episode delves into themes of trust, redemption, and the possibility of change.

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Notable Quotes

• Matt Dillon:
  [05:24] "I gotta take care of my own marshal."
  (Matt emphasizes his duty to protect and uphold justice, even when faced with personal moral conflicts.)

• Doc:
  [25:10] "I just don't know how it all come about."
  (Doc reflects on the unforeseen consequences of actions, highlighting the unpredictability of human behavior.)

• Jed:
  [25:25] "But you saved a life."
  (Acknowledging the complexity of his actions, Jed recognizes the balance between taking a life and preserving another.)

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Themes and Insights

• Justice vs. Morality: The episode explores the tension between adhering to the law and following one's moral compass. Matt's unwavering commitment to justice is juxtaposed against Jed's morally ambiguous actions.

• Betrayal and Loyalty: The deserter's betrayal of his duty raises questions about loyalty—to country, to comrades, and to oneself. The narrative examines how betrayal can ripple through a community, affecting personal relationships and societal norms.

• Redemption and Forgiveness: Characters like Jed seek redemption through their actions, highlighting the possibility of forgiveness and personal growth despite past mistakes.

• The Complexity of Human Nature: "The Deserter" underscores that individuals are multifaceted, capable of both honorable and dishonorable actions, and that circumstances often drive people to make difficult choices.

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Conclusion

"The Deserter" is a compelling episode of "Gunsmoke" that masterfully intertwines action with deep moral questions. Through the characters' struggles and interactions, listeners are invited to ponder the true meaning of justice, the weight of duty, and the capacity for redemption. Andrew Rhynes' adept hosting ensures that the essence of the Old West is captured with authenticity and emotional depth, making this episode a memorable addition to the storied legacy of "Gunsmoke."

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Additional Information

• Produced and Directed By: Norman MacDonald
• Written By: Marion Clark, with editorial supervision by John Meston
• Featured Cast:
  • William Conrad as Matt Dillon
  • Joseph Kearns
  • Virginia Christine
  • Vic Perrin
  • Harley Bear as Chester
  • Howard McNear as Doc
  • Georgia Ellis as Kitty

For more detailed analyses and episodes, visit OTRWesterns.com. Don’t forget to like, rate, and subscribe to stay updated with the latest in Old Time Radio Westerns.

Transcript

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[Andrew Rines]

Welcome to the.

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Old Time Radio Westerns.

[Andrew Rines]

I'm your host, Andrew Rines, and I'm.

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Excited to bring you another episode absolutely free. This episode is just one of over 80 episodes we release monthly. Now let's get into this episode.

[Andrew Rines]

Around Darge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal. And the smell of gun smoke. Gun Moves Forward. Starring William Conrad. The story of the violence that moved west with young America. And the story of a man who moved with it. I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job and it makes a man watchful and a little lonely. If you know your party's Extension, press or say 1 to leave a message in our company mailbox. Press or say 2.

[Doc]

Spoiler alert.

[Andrew Rines]

It will be full representative. Would you speak to your mother in that tone?

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Speak to a real human being.

[Andrew Rines]

You shouldn't need to shout into the.

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[Doc]

This is a real person.

[Andrew Rines]

How can I help you?

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[Andrew Rines]

SA.

[Doc]

Order.

[Andrew Rines]

5, 6. 25 years in the army and I still like retreat. Well, it's about the best time in a soldier's day, Major. You're right, Matt. For me too. You have time to eat with us? I'd sure like to, but I gotta get back to town. Sorry you can't stay. Finally, sir. Bring out Marshal Dillon's horse. Yes, sir. Thanks for bringing those papers out now. That was a pleasure. Oh, incidentally, there was something else I wanted to talk to you about. Oh? A robbery, as a matter of fact. Robbery? Yeah. It's a little embarrassing for the army to have to report this, but. Well, our paymaster was held up. Well, I guess all hold ups are embarrassing for somebody. One of the men was a member of the payroll guard stationed right here at Fort Dodge. He got away with the money. It was well planned and well executed. The accomplice started firing from the rocks and in the confusion, the soldier merely turned and ran with the money. Now, as you say, that is a little embarrassing, Matt. They rode off in separate directions, obviously planning to meet later and split the money. We have patrols out now looking for them. We think the soldier was wounded. Uh huh. Uh, what do you want from me, Major? Well, I just thought that you might keep an eye out. It's not likely after two days that either one of them is still around, but. Well, if you were to hear anything, I'd appreciate knowing. I sure let you know. Martial force, sir. Oh, thank you. I'll. Major, I'll see you later. Give My regards to Ms. Russell and Chester. Show home.

[Doc]

Thanks, Sam. Two beers on the house.

[Andrew Rines]

Thanks, Kitty. Here's my. Sure do. Thank you, Miss Kitty. We have a wait now.

[Doc]

I'll hold that chair for you. No need to help me like this, Chester. I'm not an old lady, you know.

[Andrew Rines]

Ain't that Miss Kitty? It's just that I try to be gentlemanly like.

[Doc]

Oh, I know, Chester, and I appreciate it.

[Andrew Rines]

I wonder where Doc is.

[Doc]

I don't know.

[Andrew Rines]

You promised him a free beer too, didn't you?

[Doc]

Yeah, I did.

[Andrew Rines]

Let's not like him to miss out on that. It sure ain't.

[Doc]

Well, Doc's not one to neglect the patient for a beer, Chester.

[Andrew Rines]

Oh, well, kiddie, I didn't mean to. It seems to me she's mighty quick to defend Doc, isn't she, Chester? Who's defending me now?

[Doc]

From what I am, Doc? From your friends.

[Andrew Rines]

Well, friends are the most dangerous of all.

[Doc]

Yeah. Sit down, Doc.

[Andrew Rines]

Well, I shouldn't, but I gotta get back to my office now. But I just wanted to see Matt a minute.

[Doc]

Well, you got time for a beer anyway.

[Andrew Rines]

I. Never mind, Doc. Something kind of funny happened, Matt, and I think you ought to know about it. All right. Well, sir, a couple hours ago, a young fellow dragged himself up to my office. He'd been shot in the leg. I took the bullet out for him and it hurt him pretty bad. Oh, he lost a lot of blood, so I told him to lie down in the back room for a while and warned him to take it easy for a few days, not to do anything to start the bleeding up again. Well, what happened? Well, I left the office for a few minutes, Matt. I was expecting some quinine to come in on the stage, you see, and I went down to pick it up. Well, when I got back to the office, he'd gone. He run off without paying you, Doc? Well, that's not the important fact. I thought that you should know about this, Matt, because this man was wearing army pants and boots. What? Now, I wouldn't have thought too much about it if he hadn't run out that way.

[Doc]

Oh, you think he might be a deserter?

[Andrew Rines]

You wouldn't have any idea which way he went, would you, Doctor? Now, that's another funny thing, Matt Mack, he came in a little bit after I got back to the office. Yeah?

[Doc]

Yes.

[Andrew Rines]

Oh, Moss. The poor fellow had the most terrible toothache. What did he say? Well, he said some fellow with a bad leg came in the delivery stable and paid him for the hire of a horse and rode off right out of town. Which way, Doc? Well, Moss watched him because he seemed so unsteady in the saddle. Which way, Doc? Yeah. Well, Moss said he rode west right on up Front Street. Chester, go get the horses. I'll meet you in front of the office. Matt, you think he is a deserter? I got an idea that's not all he is, Doc. If you know your party's extension, press or say one to leave a message.

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In our company mailbox.

[Andrew Rines]

Press or say two.

[Doc]

Spoiler alert.

[Andrew Rines]

It will be full representative. Would you speak to your mother in that tone?

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[Doc]

This is a real person.

[Andrew Rines]

How can I help you?

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[Andrew Rines]

It don't look like we're gonna come across nothing out this way, Mr. Dylan. The wind last night blowed everything awful bear. Yeah, well, we'll ride on a little farther just to make sure. I thought you'd think a fellow in the army would have more sense than to hold up the paymaster now, wouldn't you? You figure that's worse than holding up a bank, Chester? Why, sure it is. You can work it out for yourself this way. Every single trooper in the Calvary will be out to get him, taking their pay that way. Maybe you're right. Of course I'm right. They know two ways about it. Now. If it was me running the thing. Just a minute, Chester. You see something? I'm not sure. Over there on the ground. It's a canteen. Yeah. Want me to come with you? No, Chester, you stay on your horse. You find anything? Now, there are some tracks leading to that stream bed. Here is the canteen. That's right over there, huh? Yeah. It's an army canteen. Yeah, I know. It looks like our men came through here. All right, Sasser, we'll stop here. Yes, sir. Yeah. Look at these marks. Looks like he fell off his horse. Yes, he did. And drug yourself along here? Yeah. He shouldn't be far. Mr. Dillon. Yeah, I hear. There he is. Here, help me turn him over. Take it easy. Swear, he looks awful bad. Yeah, and he's in no shape to travel. He ought to have a shoulder too. Mr. Dillon, there's a shack out there yonder where the crick bands, see? Oh, yeah. We take him there. Go get the horses. I'll carry him up of these bushes. Oh, you don't need no help. No, it's all right. I got it. Don't move, mister. What? You ain't carrying my boy off. Lurie needs tending. His m. Me will do the tending now. Why'd you shoot him? Why did I shoot him? Stay back there. Put that bow on. No. Chester.

[Doc]

What's the matter? McDonald.

[Andrew Rines]

Wait. Why, you shot him. Why, you. Stand still, you crazy fool. Chester. Chester. I'm sorry about that, mister, but you hark. Now, you don't do what I say, I'll shoot you too. You're making a big mistake, mister. I didn't shoot your boy. He's wanted by the army for robbery and desertion. Don't move. Who are you, mister? I'm a U.S. marshal out of Dodge City. Well, I tell you, Marshall, we Mortons got respect for the law. But you ain't taking Lori. Maybe you didn't shoot Lori, but you ain't taking him. Now, just take your gun. All right, now, you walk nice and slow in front of me. You walk easy with the boy. What about him? Him? The man you shot. You're just gonna leave him there? I don't like to do that, Marshall. I don't for a fact. But I gotta take care of my own first. Now start walking, Marshall. Nice and easy. I'm not gonna leave him lying. You ain't right. I got no choice, Marshall, not right now. Maybe you act nice, you can come back and get him. Go on now, carry my boy. Keep on walking, mister. Oh, Maddie. Come on out.

[Doc]

Yes, dad. What, Lori? What happened To Lori.

[Andrew Rines]

He's hurt bad, Maddie.

[Doc]

Bring him inside here. Put him down over here, mister.

[Andrew Rines]

I gotta take him on, Maddie. I gotta take him where he'll be safe. This here's a US Marshal.

[Doc]

Did you shoot him?

[Andrew Rines]

No, ma'am, I didn't shoot him. He was shot running from the army. And they're after him, too. They'll be coming, sure. He'll never make it.

[Doc]

The boy's mighty poorly, Jed.

[Andrew Rines]

I got to get him away, ma'am. Listen to me, Morton. You're not doing him any favor. I take care of my own marshal.

[Doc]

He's fevered awful lot.

[Andrew Rines]

He needs time to heal, man. Time to get caught.

[Doc]

You figured to do better in our boy than his ma and pa, Is that what you're saying now?

[Andrew Rines]

He'd have a chance anyway. Go get the wagon.

[Doc]

Hear the man out, Jed. What do you mean, a chance?

[Andrew Rines]

A chance to get caught. A chance to heal up. Chance for a fair trial when he rides back. Ain't no fair trial in the Army. Boys that run off, they shoot him. You can't deny that now, can you, Marshall?

[Doc]

Bet the truth, Marshall.

[Andrew Rines]

You listen to me, ma'am. If he keeps running, they'll shoot him for sure. Got to catch him first. Now, go on, Maddie.

[Doc]

You sure, Jeff?

[Andrew Rines]

Ain't no other way. I tell you. Ain't gonna give the boy no fair trial. I'll have to follow you. You ain't following nobody. Might as well find out now, Maddie. Here. Take the gun. You know how to use it. You shoot him if he dries anything, all right. What about my friend lying out there?

[Doc]

What's he talking about, Jed?

[Andrew Rines]

I. I shot the fellow he was traveling with.

[Doc]

You kill him?

[Andrew Rines]

I don't rightly know, Jed. I had to look to our boy first. All right. All right.

[Doc]

You take him off, get him safe. Then me and the marshal will see to his friend.

[Andrew Rines]

You got to guard him, Maddie. Every minute.

[Doc]

I'll guard him. But I ain't letting no man lay dying outside my door. You tend to the boy, Jed. I'll tend to things. Round.

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[Andrew Rines]

Hello, Mr. Gilman. Yeah. Yeah, Chester. Yeah, it's gonna be all right.

[Doc]

Now, I need. He's fainted. That wound needs a lot of dressing.

[Andrew Rines]

Yeah.

[Doc]

Now, look, it ain't likely I can do no good for him less not put this gun down.

[Andrew Rines]

No, I guess it isn't a U.S. marshal.

[Doc]

Give me his word, I'd take it.

[Andrew Rines]

His word about what?

[Doc]

His word that he wouldn't do nothing foolish, like trying to wander off or shoot me with my own gun while I was tending his friend.

[Andrew Rines]

I haven't shot many women.

[Doc]

I don't expect you have. Just give me your word, Marshall, that you won't make no moves against Lori till I take up this gun again.

[Andrew Rines]

Well, you don't give me much choice, do you?

[Doc]

I could have seen that you was tied up.

[Andrew Rines]

All right, Maddie, it's a bargain. But just until Chester comes out of it.

[Doc]

That'll do. Now, you go fetch me some water and set it on the stove. I'll get to. Oh, Mr. Dillon. He's outside. You need something?

[Andrew Rines]

He ain't hurt?

[Doc]

Not hardly. He's fetching wood. Now, let's have a look at you. Well, looks like we ain't going to lose you after all.

[Andrew Rines]

It don't feel too good.

[Doc]

Ain't supposed to. You was really opened up. Now, you. You just lie back there.

[Andrew Rines]

I'd admire to see Mr. Dillon.

[Doc]

He'll be here directly. You want some coffee?

[Andrew Rines]

Thank you. Reckon it wouldn't hurt none.

[Doc]

Might. Might even help. I'll fetch you some. Yeah. Now, I, I. I put my arm under your head. Like this?

[Andrew Rines]

That's right.

[Doc]

Tasty. Thank you.

[Andrew Rines]

It's about time you woke up. Well, don't I?

[Doc]

You can just put the wood down by the stove.

[Andrew Rines]

All right. Well, how you feeling, Chester?

[Doc]

I'm all right. He's got about a day to go before he can move around much.

[Andrew Rines]

You tell him he's straight, Maddie.

[Doc]

I'm telling you straight. It'll be about a day before I start holding a gun on you.

[Andrew Rines]

What's she talking about? Never mind, Chester. Oh, if we're in any kind of fix, I. I could get up right now.

[Doc]

You. You just lie quiet. You ain't in no trouble yet. Somebody's coming.

[Andrew Rines]

Yeah, well, this may be the trouble you were talking about, Maddie.

[Doc]

You worried, Marshall?

[Andrew Rines]

You know him? No.

[Doc]

No, I can't recollect I ever seen him before.

[Andrew Rines]

All right, it's my turn to tell you something straight.

[Doc]

Don't try no tricks, Marshall.

[Andrew Rines]

This may be the man who got your boy into trouble. The one who got him hurt.

[Doc]

How'd you Know?

[Andrew Rines]

Well, there were two of them. They split up. I figured they'd meet later.

[Doc]

You ain't trying to fool me. It wouldn't be smart to fool me about my boy.

[Andrew Rines]

You just let him in. You talk to him. I'll be in the back room.

[Doc]

I could still shoot you, Marshall. Remember that. You looking for the Morton place?

[Andrew Rines]

I'm looking for Lurie Morton.

[Doc]

Well, you come to the right place, mister. But Lurie ain't here.

[Andrew Rines]

He'll be here. I think I'll just come in and wait. And come a long way.

[Doc]

Well, one more won't matter none, I guess. Sit down. I declare. We set out in this prairie alone for months, and all at once. I got me a cider company. What's your name?

[Andrew Rines]

Joe Raleigh. What's ailing him?

[Doc]

Got himself shot.

[Andrew Rines]

Who shot him?

[Doc]

I don't know.

[Andrew Rines]

We.

[Doc]

We just found him. You an army?

[Andrew Rines]

What are you asking that for?

[Doc]

Well, I. I just figured with Lori being in the army and all standing.

[Andrew Rines]

No, I ain't in the army. Sure ought to be here by now. Are you Isma?

[Doc]

I'm his master.

[Andrew Rines]

Where's his pa?

[Doc]

He ain't here. He had to ride into town.

[Andrew Rines]

This ain't no sense, Lori. He ain't here. He should have been here last night, Easy. He didn't have that far to ride.

[Doc]

You know a lot about Lurie, considering you ain't an army man.

[Andrew Rines]

I know your boy real good.

[Doc]

You was the one.

[Andrew Rines]

What are you talking about?

[Doc]

You were the one who made him run off, who got him hurt.

[Andrew Rines]

He's been here.

[Doc]

Ain't that so? Ain't you the one that got my boy into trouble?

[Andrew Rines]

Where's he gone?

[Doc]

His PA took him off. He's hurt bad.

[Andrew Rines]

Did they take the money?

[Doc]

I don't know nothing about any money.

[Andrew Rines]

Now, you're gonna save yourself a lot of trouble, lady, if you talk straight. Now, is the money here, or did they take it with them?

[Doc]

I tell you, I don't know nothing about no money, and I don't care about no money.

[Andrew Rines]

I told you to talk strung.

[Doc]

You get out of here. I can't talk no straighter than that.

[Andrew Rines]

You talk, woman, or you going to get bad hurt. I ain't a patient man.

[Doc]

You ain't a man at all.

[Andrew Rines]

Where is that money? All right, hold on. There's your husband was right, Maddie. You do know how to use a gun. And I thank you for it. Well, I guess that takes care of it.

[Doc]

Thanks for helping with the burying, Marshal.

[Andrew Rines]

Sure.

[Doc]

I ain't gonna forget this sight. Never I killed a man. Terrible thing, Marshall.

[Andrew Rines]

But you saved a life.

[Doc]

I just. I just don't know how it all come about.

[Andrew Rines]

Well, things just happen, that's all.

[Doc]

My Jed and I was always peace loving folks. We was always on the side of the law.

[Andrew Rines]

I believe that.

[Doc]

And just look what come about. Our boy running off jet, shooting your friends, me killing that man. It don't prove out, Marshall. It just don't prove out. But I know what I'm gonna do now.

[Andrew Rines]

What's that?

[Doc]

I'm going to give you your gun. Yeah.

[Andrew Rines]

Maddie, I'm gonna have to go after him.

[Doc]

I know that you'll have to go after my man and my boy. But it's all I know to do to end this. Marshall, to all I know.

[Andrew Rines]

Um, Chester's gonna need.

[Doc]

I take care of Chester, Marshall, if you think you can trust me.

[Andrew Rines]

Yes, Maddie, I think I can trust you. Now come on, let's go up to the house.

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