The Gambler | Gunsmoke (10-07-56)

Summary

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Gunsmoke – “The Gambler” (Aired October 7, 1956)

Podcast: Gunsmoke | OTRWesterns.com
Host: Andrew Rhynes

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Episode Overview

In this episode, Marshal Matt Dillon finds himself caught in a deadly grudge between an unfamiliar riverboat gambler, Clint Ascom, and the kindly, peaceable Jim Cass of Dodge City. Ascom, consumed by hate, seeks vengeance on Cass for a killing he believes was never properly avenged. But Cass insists he’s innocent—at least of any responsibility as Ascom sees it. The episode becomes a meditation on the cycle of violence, the nature of prejudice, and the tragic limitations of justice on the American frontier.

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Key Discussion Points & Plot Breakdown

Chester’s Gambling and the Episode’s Tone

• Chester laments his losses at the faro table, setting a light, folksy tone and opening discussion on the "evils of gambling."
  • Notable story: Chester tells of a preacher who preached against gambling, only to win big with the collection money, ironically in chips.
  • Quote (03:24) – Chester: “Nothing much really. Only the money was in chips. See, he... He could cash them or play them. He played them and he won. That kindly sour to everybody on the sermon.”

The Arrival of Clint Ascom (03:44)

• Ascom, a gambler from the Ohio riverboats, comes into Dodge looking for Jim Cass, making no secret of his intent to settle a personal score.
• Matt Dillon immediately perceives Ascom’s hate and confronts him, warning against violence.
  • Quote (05:04) – Dillon: "Murder is illegal around here. Now remember that. … Jim Cass is a friend of mine. You go anywhere near him and it'll be a pleasure to run you clear out of the country."
  • Ascom’s chilling reply: "It wouldn't do any good, Marshal. I'll get him sooner or later."

Jim Cass: A Man Surprised (11:26)

• Matt finds Jim Cass at his home, surprised by Ascom's vendetta and unable to recall any connection to him or reason why someone would want him dead.
  • Quote (12:47) – Jim Cass: "I don't know why any man I ever met wanted to kill me."

Gathering Tension and The Confrontation (16:21)

• Ascom tracks Cass, leading to a tense standoff. Cass, fearful but proud, refuses to be run off his land.
• The men confront each other, and Cass wants answers directly from Ascom at gunpoint.
  • Quote (16:59) – Cass: "All right now, mister. My name's Jim Cass. You tell me yours."
  • Ascom: "Clint Ascom."
• The truth emerges: Ascom’s friend, a Delaware Indian, was killed by Cass in Cincinnati two years prior. Ascom considers it murder; Cass barely remembers, dismissing the value of his victim’s life as he was an "Indian."
  • Quote (18:09) – Cass: "Matt, ain't nothing to kill an Indian, you know that."
  • Ascom: "He was my servant and he was my friend. The best friend I ever had."

Deeper Themes: Prejudice, Vengeance, and Frontier Morals

• Matt attempts to mediate, revealing Cass’s reasons for his hardened attitude:
  • Cass’s wife and two children were killed by Kiowa, explaining his prejudice ("Three headstones... Those are Cass's reasons." – Dillon, 18:49).
• Matt decries both the prejudice against Indians and Ascom's thirst for vengeance, highlighting the futility and pain of cycle violence.
  • Quote (18:24) – Dillon: "Ask him. I hate killing of any kind. But Indians don't count, is that it? If it'd been my friend, I'd probably feel like you do... Did you ever think maybe Jim's got a reason for the way he feels too?"

The Deadly Outcome (19:32–21:03)

• Despite warnings, the two men choose to settle with guns. Matt is forced to intervene, shooting Cass as he tries to fire at Ascom.
• In the aftermath, Cass reflects on his deeds, faintly regretful, while Ascom, his quest unfulfilled, is left to call for a doctor.
  • Quote (20:39) – Cass: "Maybe I had this coming. I never thought much about that Indian. Maybe I should have."
  • Quote (20:50) – Dillon (to Ascom): "It's a little late to be sorry, isn't it, Askam?"

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Notable Quotes & Moments with Timestamps

• [03:24] Chester on the preacher’s ill-fated anti-gambling sermon:
  “...the money was in chips. See, he... He could cash them or play them. He played them and he won. That kindly sour to everybody on the sermon.”

• [05:04] Dillon’s warning to Ascom:
  "Murder is illegal around here. Now remember that..."

• [12:47] Cass’s bewilderment:
  "I don't know why any man I ever met wanted to kill me."

• [16:59] Cass demanding answers at gunpoint:
  “All right now, mister. My name's Jim Cass. You tell me yours.”
  “Clint Ascom.”

• [18:09] Cass’s prejudice laid bare:
  "Ain't nothing to kill an Indian, you know that."

• [18:24] Dillon’s condemnation:
  "I hate killing of any kind. But Indians don't count, is that it?..."

• [18:49] Jim Cass’s tragic losses:
  "That little grass plot with the flowers and the three headstones. Those are Cass's reasons. His wife and his two kids. And Kiowas put them there."

• [20:39] Cass’s regret:
  "Maybe I had this coming. I never thought much about that Indian. Maybe I should have."

• [20:50] Matt Dillon’s rebuke to Ascom:
  "It's a little late to be sorry, isn't it, Askam?"

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Dramatic Climax and Resolution

• Cass, armed with a scattergun, insists on confronting Ascom. Dillon tries to intervene but Cass is determined.
• A draw is inevitable, but Dillon is forced to shoot Cass before he can kill Ascom. Cass is wounded but not killed.
• Ascom, at Dillon's urging, rushes to fetch Doc for the wounded Cass, expressing perhaps the first moment of empathy the character demonstrates.

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Thematic Reflections

• Cycles of Violence: Both Cass’s bigotry (born of loss) and Ascom’s desire for vengeance are depicted as tragic, neither leading to real justice or peace.
• Prejudice & Empathy: The episode makes a rare-for-its-time commentary on racism and the pain it causes, with both white and Native American experiences depicted as complex and human.
• Futility of Vengeance: Dillon’s perspective as the law is clear: neither Cass nor Ascom’s actions are justified, but the realities of frontier justice and old wounds often overrule the law.

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Final Noteworthy Moment

• Final exchange (21:44):
  • Chester: "My, you took a awful chance at that, cousin Shotgun."
  • Dillon: "That was a gamble, Chester."
  • Chester: "Yeah, but one you could have lost."
  • Dillon: "Maybe you better read me a sermon on the evils of gambling."

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Summary

“The Gambler” stands out as a classic Gunsmoke morality tale: a collision of tragic pasts, prejudice, and the sometimes impossible pursuit of justice on the frontier. The episode deftly handles its themes, deepening the emotional resonance as each character faces the consequences of choices made long ago. Marshal Dillon’s attempts to steer both men from violence ultimately fail—reminding listeners both of the limits of law and the endurance of old hatreds.

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Transcript

[Matt Dillon]

Foreign.

[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines. And let's get into this episode. This episode is going to be Gunsmoke. Original Air date is October 7, 1956 and the title is the Gambler.

[Matt Dillon]

Gun.

[Commercial Announcer]

Smoke brought to you by L and M. The modern cigarette that lets you get full exciting flavor through the modern miracle of the pure white miracle.

[Chester Proudfoot]

Tip.

[Commercial Announcer]

Live modern smoke L and M around Dodge City and in the territory on West. There's just one way to handle the killers and the spoilers, and that's with a U.S. marshal. And the smell of gun smoke. Gunsmoke. Starring William Conrad. The transcribed story of the violence that moved west with young America and the story of a man who moved with it.

[Matt Dillon]

I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job and it makes a man watchful and a Little Lone.

[Chester Proudfoot]

Hello, Mr. Dylan.

[Matt Dillon]

Are you eating already, Justin? No, sir. Oh, why not?

[Chester Proudfoot]

Well, I didn't like to ask Alfred for no more credit.

[Matt Dillon]

Ah, yeah, I heard that you were at Chuck Beason's faro table again last night.

[Chester Proudfoot]

All right, read me a sermon. I deserve it.

[Matt Dillon]

I guess an empty belly will do you more good than a sermon. I tell you what, you can think about that while I'm eating, huh? That's where I'm heading right now.

[Chester Proudfoot]

But I think a sermon would do me good too. You know all about the evils gambling. It kindly would lift me up, Mr. Dylan. The best one I ever heard was back in Prairie Falls.

[Matt Dillon]

Yeah, well, that's very interesting.

[Chester Proudfoot]

This here circuit rider was a real hellfire and brimstoner. Come right into the gambling holiday and stood up on a table he liked. Got shot before he finished the first sentence. Shouted them and went right on. Took up a collection afterwards. Must have got 40, $50. But they was only one trouble.

[Matt Dillon]

Yeah? What was it, Justin?

[Chester Proudfoot]

Well, nothing much really. Only the money was in chips. See, he. He could cash them or play them. He played them and he won. That kindly sour to everybody on the sermon.

[Matt Dillon]

Yeah, well, I'm gonna go eat Notchester.

[Chester Proudfoot]

I'll be back to the story then.

[Matt Dillon]

Hello. Are you the marshal here? Yeah, that's right. You want to see me? If you're not too busy. No, no. Come in. This is Chester Proudfoot. Hello.

[Chester Proudfoot]

How you do?

[Matt Dillon]

My name is Ascom Marshall. Clint Ascom. I'm a gambler. I kind of figured that. But you're not from around here. I'd Say, maybe you work the Mississippi riverboats. That's pretty close. The Ohio. Well, you're a long way from water here. Thanks to the Santa Fe Railroad. But that's only a temporary necessity. I have a matter to settle. Oh. Well, how can I help you? I'm looking for a man. I've traced him to this vicinity. Now you know his name? That's all I know. His name is Cass. Jameson Cass?

[Chester Proudfoot]

Old Jim Cass? Well, I never figured him to get mixed up with gambling.

[Matt Dillon]

You still know him?

[Chester Proudfoot]

Yeah.

[Matt Dillon]

Maybe you can direct me to him then. Well, he has a place out in the country. Those aren't very explicit directions, Marshall. No, they're not, but they're all I'll get. Well, I'd like to know what your business with him is. It's a personal matter. Sure, but what? You told me what I wanted to know. Marshall, he's here. I'll find him without your help. Ask him. Why do you want to kill Jim Cass? What makes you think I'd do? A man eaten up by hate gets a look in his eyes. I've seen it too often. Now. Why? I've got reason. Better be a good one. You say you've never even seen Jim Cass? Nope. Now, he's a peaceful little man. He doesn't even wear a gun. And murder is illegal around here. Now remember that. You better remember something else, too. Jim Cass is a friend of mine. You go anywhere near him and it'll be a pleasure to run you clear out of the country. It wouldn't do any good, Marshal. I'll get him sooner or later. Good afternoon.

[Chester Proudfoot]

Whoa. What in the world? He don't mean that.

[Matt Dillon]

I'm afraid he does, Justin.

[Chester Proudfoot]

But why? They ain't a nicer, harmlesser little fella anywhere as an old Jim cast. Now what do you suppose could bring a man to hate him so?

[Matt Dillon]

I don't know, but I better find out. Chester, you watch things here. I'm gonna ride out to Jim's.

[Chester Proudfoot]

Sure, but ain't you gonna eat?

[Matt Dillon]

I can do that later. You keep an eye on. Ask him and if he should head that way. You follow and warn me.

[Chester Proudfoot]

I will. Wait. Matt. How? I just came down to eat with you. What's the. You going out?

[Matt Dillon]

I'm just riding out to Jim Cass's, Doc.

[Chester Proudfoot]

You are? Now that's a long hot ride to make for nothing.

[Matt Dillon]

What do you mean for nothing?

[Chester Proudfoot]

You won't find anybody there. I saw Jim Cass over at the long branch not 15 minutes ago.

[Commercial Announcer]

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[Chester Proudfoot]

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[Matt Dillon]

L. M draws easier, tastes richer, Smoke's.

[Commercial Announcer]

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[Matt Dillon]

M. Make today your big red letter.

[Chester Proudfoot]

Day and start to live the modern way Live, live, live modern Smoke and have enough.

[Commercial Announcer]

It's America's fastest growing cigarette.

[Chester Proudfoot]

Well, hello, Matt.

[Matt Dillon]

Hello, Kitty. Have you seen Jim? Oh, Marshall.

[Chester Proudfoot]

Following me?

[Matt Dillon]

I might be. Ask him. Kitty, can I talk to you for a minute?

[Chester Proudfoot]

Sure, Matt.

[Matt Dillon]

Is Jim Cass still around, Kitty?

[Chester Proudfoot]

Oh, no.

[Matt Dillon]

You know where he went?

[Chester Proudfoot]

Home, I suppose. His wagon was hitched right outside. He got in and drove off about 10 minutes ago.

[Matt Dillon]

Yeah. All right. Thanks.

[Chester Proudfoot]

What's the matter, Matt?

[Matt Dillon]

I just want to see him alive.

[Chester Proudfoot]

Alive. Jim Cass.

[Matt Dillon]

Kitty, do me a favor, will you? When I leave, you see that that Ohio river gambler's entertained for a while, will you?

[Chester Proudfoot]

Sure. As long as he's got money.

[Matt Dillon]

Okay. Thanks, kiddie. Marshall, have a drink. No, thanks, Askam. Marshall, I've never had any trouble with the law. I don't want any now. This has got nothing to do with you. A deliberate killing is the business of the law. Anywhere Eskom, he'll have his fair chance. Sure House odds, huh? I told you, Jim Cass is not a fighting man. So you'll do his fighting for him? If I have to. I'm sorry, Marshall. Sure. But you won't stop it, will you? No. You must have a powerful hate. I have. I couldn't lock you up, you know, and postpone it for a few days. That's all. And as for running me out of town, I'm leaving anyway to go out to Cassius. If you want to warn him, you better go now. So you can follow me. I can find him without your help. Ask him. I'm going to warn you. You harmed Jim Cass, and I'm going to jail you or kill you. Fair warning, Marshall. If you can do it, I can do.

[Chester Proudfoot]

Hello?

[Matt Dillon]

Anybody home?

[Chester Proudfoot]

Hey, Tom. Hush up out there. Now, hush up. Stop it. Who is it?

[Matt Dillon]

It's me, Jim. Matt Dillon.

[Chester Proudfoot]

Hello, Matt. Good to see you. What brings you out here?

[Matt Dillon]

Can I come in?

[Chester Proudfoot]

Sure. I'll set the coffee tomorrow. It won't take a minute. Hey. Comes tortured, ain't it?

[Matt Dillon]

Yeah, it sure is.

[Chester Proudfoot]

Yes, sir. Gonna be a late winter. Must be Something important to bring you way out here on a day like this?

[Matt Dillon]

It is, Jim.

[Chester Proudfoot]

Something about to me, Matt.

[Matt Dillon]

Yeah.

[Chester Proudfoot]

Well, say it.

[Matt Dillon]

You know a man named Ascom? Clint Ascom?

[Chester Proudfoot]

Ascom? Nope.

[Matt Dillon]

A gambler? Slick, young, dark haired?

[Chester Proudfoot]

No, not likely.

[Matt Dillon]

From Ohio riverboats?

[Chester Proudfoot]

No. I was back east Pennsylvania couple years ago. You remember that? Yeah, I remember I met some people, but I don't remember no gamblers. Not no asking.

[Matt Dillon]

Jim, is there any reason why a man you've never even seen before would want to kill you?

[Chester Proudfoot]

Kill me?

[Matt Dillon]

That's right.

[Chester Proudfoot]

This. This fella, Just ask him. He. He's here gunning for me.

[Matt Dillon]

He probably followed me out here. Cause he's got good reason. It seemed to me like you ought to know about it. If there was a reason like that.

[Chester Proudfoot]

I don't know why any man I ever met wanted to kill me.

[Matt Dillon]

Okay, that's good enough for me, Jim.

[Chester Proudfoot]

What are you going to do?

[Matt Dillon]

Wait for him to come and then take him?

[Chester Proudfoot]

Seems like I ought to help.

[Matt Dillon]

No, you just sit tight.

[Chester Proudfoot]

At least I'd like to ask him why. Reckon that could be him?

[Matt Dillon]

Yeah, Maybe. I'll take a look now. It's Chester.

[Chester Proudfoot]

Shut up out there. Now stop it. Come, Come. Oh, howdy, Chester. Hi there, Jim. Nice dog. See Mr. Dillon?

[Matt Dillon]

Yeah, Chester.

[Chester Proudfoot]

Ask him. Followed you out like you thought. But soon as he spotted the place, he turned off. I come in to tell you like you said.

[Matt Dillon]

Yeah, it's my mistake. Now we've lost him. He's out there somewhere waiting for us to leave.

[Chester Proudfoot]

Well, what do we do now, Jim?

[Matt Dillon]

Maybe you better ride into town with us, huh?

[Chester Proudfoot]

And let a gunman scare me off my place. Something no Kiowa or Comanche was ever able to do.

[Matt Dillon]

All right, Jim. Come on, Chester. We'll head back toward town. Yes, sir. And then circle and come back.

[Chester Proudfoot]

Well, he'll likely use that draw back by the barn. That's the way the kaya will come in.

[Matt Dillon]

All right, Jim, but you stay in the house.

[Chester Proudfoot]

Now don't worry none about me. I got my old scatter gun.

[Matt Dillon]

Don't use it unless you have to, Jim. Come on, Chester.

[Commercial Announcer]

Free yourself of old fashioned ideas.

[Chester Proudfoot]

Why don't you live modern? Live modern. Live modern. Free up.

[Commercial Announcer]

Freshen up your taste.

[Matt Dillon]

Smoking L.

[Commercial Announcer]

Only the modern miracle of the pure white miracle tip can bring all of L M's full exciting flavor through to you. And that's the big reason why today more people are changing to L M than to any other cigarette. Remember, L. M draws easier, tastes richer, smoke's cleaner. So live Modern change to L and.

[Matt Dillon]

M. Make today your big red letter.

[Chester Proudfoot]

Day and start to live the modern way. Live, live, live.

[Matt Dillon]

Modern.

[Chester Proudfoot]

Smoke and L and M.

[Matt Dillon]

It's.

[Commercial Announcer]

America's fastest growing cigarette.

[Chester Proudfoot]

Have you seen anybody, Mr. Dillon?

[Matt Dillon]

No, not yet. Wait a minute.

[Chester Proudfoot]

There he is.

[Matt Dillon]

Yeah. All right, you stay here. I'm going on up.

[Chester Proudfoot]

All right. Here.

[Matt Dillon]

All right, hold it as you're covered. Don't make a move. Where'd you come from? I'll just take that gun. Chester, picture. My mistake, Marshall. I guess I underestimated you. I guess you did. Ask him just to get the horses and we'll get out of here. Jim, I told you to stay in the house.

[Chester Proudfoot]

Man comes to kill me, I gotta ask him why. Just holster your pistol, Matt. This scatter gun will keep him quiet.

[Matt Dillon]

Now wait a minute.

[Chester Proudfoot]

Like I said, Matt. You too, Chester. Mr. John.

[Matt Dillon]

All right, Chester. Maybe I'd like to hear this too.

[Chester Proudfoot]

Yeah, but I don't like the look in his face. All right now, mister. My name's Jim Tass. You tell me yours.

[Matt Dillon]

Ask him, Clint. Ask him.

[Chester Proudfoot]

I'm supposed to know you?

[Matt Dillon]

No.

[Chester Proudfoot]

We ever met?

[Matt Dillon]

No.

[Chester Proudfoot]

But you got the notion to kill me.

[Matt Dillon]

Then I'll do it.

[Chester Proudfoot]

Not while you're looking down this gun. Now you're going to tell me why. Talk, mister.

[Matt Dillon]

You killed my best friend without reason or sense. In cold blood.

[Chester Proudfoot]

It's a lie. I never killed no man.

[Matt Dillon]

Jameson Cass of Kansas Territory. On the night of June 12, two years ago, in a bar room on the Cincinnati waterfront, you pleaded self defense and they let you go. Only it wasn't self defense. It's taken me two long years to track you down.

[Chester Proudfoot]

But that was an Indian.

[Matt Dillon]

That was a Delaware Indian. He was my servant and he was my friend. The best friend I ever had. He was as good a man as you are or any other white man. Jim, is this true?

[Chester Proudfoot]

Matt, ain't nothing to kill an Indian, you know that.

[Matt Dillon]

You had no reason.

[Chester Proudfoot]

Well, he Joshuaed me, bothered me. Had no right being there at all with white men.

[Matt Dillon]

Oh, I'll kill you with my bare hands.

[Chester Proudfoot]

Stand back.

[Matt Dillon]

Ask him. You're still taking his part. Marshall, you hate Indians too. No. Ask him. I hate killing of any kind. But Indians don't count, is that it? If it'd been my friend, I'd probably feel like you do. Not this murder. Ask him. Did you ever think maybe Jim's got a reason for the way he feels too?

[Chester Proudfoot]

A reason?

[Matt Dillon]

What reason? Well, out here there are plenty who feel this way. The situation's different Indians aren't all like your Delaware. You take a look up there behind the house. That little grass plot with the flowers and the three headstones. Those are Cass's reasons. His wife and his two kids. And Kyle has put them there. I don't hold with what Cass did. But what you're doing is no better. I don't care what his reason is. I come here to kill him. I'm going to do it. Ask him.

[Chester Proudfoot]

All right, Mr. Indian Lover, you will get your chance. Give him back his gun.

[Matt Dillon]

Now, Jim.

[Chester Proudfoot]

Stand back, Matt. This is between him and me. You stay out of it. Even the gun, Chester.

[Matt Dillon]

No, Chester. Jim, can't you see that you're making.

[Chester Proudfoot]

He ain't going to be satisfied short of blood. Well, now, I ain't either.

[Matt Dillon]

Now, wait a minute, Jim.

[Chester Proudfoot]

I'd hate to have to blast you.

[Matt Dillon]

Use your head, Jim.

[Chester Proudfoot]

Man comes to kill me, it's him or me. Mr. Dunn, that's a shotgun. Way back. I told you.

[Matt Dillon]

What a dumb.

[Chester Proudfoot]

Jim, that I won't be stopped if you're still on the couch.

[Matt Dillon]

Jim.

[Chester Proudfoot]

I should have known you was faster than me.

[Matt Dillon]

I'm sorry, Jim.

[Chester Proudfoot]

Oh, you had to. But I. I figured I had to, too.

[Matt Dillon]

Chester, give me your kerchief. Here, Marshall, take mine.

[Chester Proudfoot]

Ask him. Maybe I had this coming. I never thought much about that Indian. Maybe I should have.

[Matt Dillon]

Now, you be quiet, Jem, and lie still. Marshall, I. Marshall, I'm sorry I caused this. It's a little late to be sorry, isn't it, Askam? Now, why don't you get out of here? I'm going.

[Chester Proudfoot]

Matt. Is he dead?

[Matt Dillon]

No. No, he just fainted. Chester, ride into town and get Doc out here as fast as you can. Will you let me get him, Marshall? Least I can do. All right, Eskom, go ahead, but hurry.

[Chester Proudfoot]

Mr. Jones, you think he'll really bring Doc back?

[Matt Dillon]

Yeah, Chester. He'll bring him back.

[Chester Proudfoot]

My, you took a awful chance at that, cousin Shotgun.

[Matt Dillon]

That was a gamble, Chester.

[Chester Proudfoot]

Yeah, but one you could have lost.

[Matt Dillon]

Maybe you better read me a sermon on the evils of gambling.

[Commercial Announcer]

In a moment. Our star, William Conrad. When your child raises his hand in the classroom. Does the teacher have time to answer his questions? How many questions go unanswered in your schools. Because teachers in crowded classrooms just don't have the time to get around to each child. This is only one of the serious situations that's going to be faced again and again this year in schools all over the nation. Every child deserves the best possible educational facilities. Though a good deal has been done since the post war years. Increased enrollments for this term threaten to wipe out all gains. Our schools are packed by the largest enrollment in history. There will be critical shortages in schoolrooms, staff, personnel and transportation unless you do something about it. Join and work with your local civic group and school board. Now through the PTA and other groups you can take action to improve the schools in your own community and help find more qualified teachers who are so desperately needed. Don't waste time. Your child's education is at stake. Don't leave it up to the next fellow because you're the person who can help improve our schools. This has been a public service message by CBS Radio and now William Conrad.

[Matt Dillon]

You know the frontier so its share of needless killings, but next week Dodge City watches the most useless of all because of a bullet fired two months earlier. Three men die and that was the West.

[Commercial Announcer]

Gunsmoke, produced and directed by Norman McDonald, stars William Conrad as Matt Dillon, US Marshal the script was specially written for Gunsmoke by John Dunkle with editorial supervision by John Meston. The music was composed and conducted by Rex Corey, sound patterns by Tom Hanley and Bill James. Featured in the cast were Lawrence Dobkin and Ralph Moody, Harley Bear as Chester, Howard McNear as Doc, and Georgia Ellis is Kitty. Join us again next week for another specially transcribed story on Gun Smoke.

[Chester Proudfoot]

Ram.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcast trwesterns.com you can call and leave us a voicemail 707-9868, 8739 this episode is copyright under the Attribution Non Commercial Share Like Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.