21st Precinct 54-05-12 (044) The Dollar

Summary

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Podcast Summary: Harold's Old Time Radio

Episode: 21st Precinct 54-05-12 (044) The Dollar
Airdate: February 24, 2026
Original Broadcast: May 12, 1954
Summary By: Harold's Old Time Radio

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Main Theme & Purpose

This episode transports listeners back to the golden age of radio, spotlighting the gritty realism and emotional texture of the police procedural drama, “21st Precinct.” Titled "The Dollar," the episode follows Captain Frank Kennelly and his officers as they respond to a domestic disturbance that quickly escalates into a murder and a tense manhunt, capturing the high-stakes, human side of law enforcement in postwar New York City.

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Key Discussion Points & Plot Breakdown

I. Incident Unfolds at the 21st Precinct (00:36 – 03:32)

• Captain Kennelly introduces the precinct and its area of responsibility, offering insight into the scale and complexity of their daily work.
• A call comes in reporting a stabbing; the Captain, with Patrolman Meister, responds to the scene in a rundown tenement.
• The initial assessment reveals a woman fatally stabbed—her husband is the primary suspect but has already fled the scene.

Notable Quote:

"A call is coming through. You will follow the action taken pursuant to that call from this minute until the final report is written..."
— Captain Frank Kennelly (00:36)

II. At the Scene of the Crime and the Search for the Suspect (03:32 – 10:05)

• Officers gather initial statements from the victim's mother, overcoming a language barrier, to piece together events.
• The mother confirms the husband, Bernardo, was drunk, accused his wife of infidelity, and stabbed her with a switchblade.
• Community member Leroy Clifford approaches the police to provide Bernardo’s likely location.

Notable Quote:

“Her husband was out all night... he came home very drunk about 9 o’clock this morning. Accused her of wasting his money. Accused her of running with other men.”
— Captain Frank Kennelly relaying the mother’s account (04:10)

III. Tracking the Suspect to a Bar (10:05 – 15:47)

• Leroy, a colleague of Bernardo’s, leads the officers to a bar on Lexington Avenue where he last saw the suspect.
• Tense, realistic procedural work: officers approach carefully, mindful that Bernardo may be armed and dangerous.
• Bartender confirms Bernardo’s presence and directs them to the washroom.

Notable Quote:

“From the second you walked up to that cop and told him you saw Bernardo, you’ve been involved.”
— Detective to Leroy Clifford (13:57)

IV. The Standoff (15:47 – 25:39)

• Bernardo locks himself in the bar’s washroom, armed, and refuses to surrender.
• Officers negotiate, attempting to reason with him. Bernardo is unstable, despondent, and armed.
• Captain Kennelly tries to use the news of his wife’s death to break Bernardo’s resolve, resulting in a confession and emotional breakdown.

Notable Quote:

"What do you think shooting’s gonna get you? You’re not going anyplace too bad."
— Captain Frank Kennelly (16:00)

Tense Moment:

• A shot is fired through the washroom door, nearly hitting the officers. Emergency squad is called in to breach the door safely.

V. Resolution (25:39 – 26:26)

• After a tense wait and repeated requests, Bernardo finally surrenders, tossing out his gun and knife.
• He is immediately taken into custody, expressing remorse for his actions.

Notable Quote:

"I didn't mean it. I didn't mean to kill her... I love her…"
— Bernardo, after surrendering (26:04)

VI. Aftermath (26:26 – 28:43)

• Routine resumes at the precinct; Captain Kennelly reflects on the cyclical, unpredictable nature of police work.
• Leroy, the helpful civilian, is thanked and allowed to return to work, concerned about being late.

Closing Reflection:

"A police precinct in the city of New York is a flesh and blood merry-go-round. Anyone can catch the brass ring—or the brass ring can catch anyone."
— Captain Frank Kennelly (27:10)

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Memorable Moments & Authentic Details

• The procedural authenticity: securing the scene, obtaining statements, overcoming language barriers, and methodical handling of armed standoff.
• Authentic atmosphere: The tension in the bar, careful planning for breach, and emotional beats as the suspect wavers between surrender and defiance.
• Touches of street wisdom and weary compassion in Kennelly’s approach mark the show’s signature realism.

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Timestamps for Important Segments

| Timestamp | Segment | |-----------|----------------------------------------------------| | 00:36 | Captain Kennelly introduces the precinct & scene | | 03:32 | Initial crime scene investigation | | 08:28 | Statement from victim’s mother (in Spanish) | | 10:05 | Leroy Clifford offers lead on suspect’s location | | 14:47 | Bartender reveals Bernardo is hiding in washroom | | 15:47 | Begin of tense standoff and negotiation | | 22:02 | Bernardo learns wife is dead, emotional breakdown | | 25:39 | Bernardo surrenders | | 26:26 | Aftermath & show’s closing reflection |

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Notable Quotes:

• “From the second you walked up to that cop and told him you saw Bernardo, you’ve been involved.”
  — Detective (13:57)

• “I didn’t mean it. I didn’t mean to kill her… I love her…”
  — Bernardo (26:04)

• "Anyone can catch the brass ring—or the brass ring can catch anyone."
  — Captain Kennelly (27:10)

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Tone and Style

The language is plain and direct, laced with the hardened empathy of experienced officers. The drama captures both the procedural and emotional aspects of police work—the tension of a crisis, the banality of routine, and the sudden turns of fate in working-class New York.

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Conclusion

This episode of “21st Precinct” paints a vivid portrait of mid-century policing—its dangers, sorrows, and moral ambiguities—anchored by solid performances and sharp, realistic writing. The authentic dialogue, steady suspense, and focus on both procedure and humanity make this both a gripping story and a time capsule of radio drama at its best.

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Transcript

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[Captain Frank Kennelly]

When he first preach in Sergeant Waters. Where do you need the emergency squad? Yeah, yeah, yeah. What's the trouble there? Locked behind a what? Yeah, now you're in the muster room at the 21st Precinct, the nerve center. A call is coming true. You will follow the action taken pursuant to that call from this minute until the final report is written in the 124 room at the 21st Precinct. All right, I'll notify the communications bureau. Yeah, that's right. They've got to be notified before the truck enrolls. 21st Precinct. It's just lines on a map of the city of New York. Most of the 173,000 people wedged into the 9/10 of a square mile between Fifth Avenue and the east river wouldn't know if you asked them that they lived or worked in the 21st. Whether they know it or not, the security of their homes, their persons and their property is the job of the men of the 21st. Preaching the 21st. 160 patrolmen, 11 sergeants and four lieutenants, of whom I'm the boss. My name is Kennelly, Frank Canelli. I'm Captain in command of the 21st. I was working my day tour, 8am to 6pm after I had turned out the platoon, I read reports from signed communications for approximately one hour until sector car number three came by the house to take me on Patrol. At 9:25am we were driving downtown on Fifth Avenue. And as we turned east into 72nd Street, a signal 30ambulance responding was broadcast over the radio. As the signal 30 denotes an armed felony. I instructed the operator, Patrolman Meister, to make the run up the east side to Lower Harlem. When we hit the block, I saw that two sector cars and the sergeant's car were on the job. The ambulance had arrived. I got out of my car and went into the building, an old and ill kept tenement. Patrolman Vacaro, who had been posted inside the hall at the front entrance, told me the trouble was on the fourth floor that a man had stabbed his wife. I started up the stairs.

[Sergeant Waters]

Who's that? Who's that coming up?

[Captain Frank Kennelly]

Captain Canelli. Oh, hello, Sergeant. Sergeant. Is Vatero down at the bottom, Captain? Yes, he's there. Vatero. Vatero. Ring in for a medical examiner.

[Sergeant Waters]

Ring in for a medical examiner right away.

[Captain Frank Kennelly]

He's dead? Yes, sir. That's what the ambulance attendant says. In the rear. He got the husband? No, sir. He was gone. My mother's an ass. He lived with him. What does she say? Go ahead. Thanks. She speaks nothing but Spanish. That's the mother. Where's the body? In the bedroom? Yes, sir. Okay. Lieutenant King. He really did a job.

[Sergeant Waters]

Captain, did you see this over here?

[Captain Frank Kennelly]

Yeah, sure did. I have to forget. Oh, Matt. Hello, Captain. What happened? We don't know exactly, sir. Would you like to help me out with the mother? Yes, sir. Maybe we can find out something. All right, I'll try. Man. We got the name from the super and that's about all we know. Dead woman's name is Al Maria Cata. Mother's name is Torque. Didn't know the first name. Husband is Bernardo. Captain. Hello, Captain Ziggler. Ryan. First call came over as a family. The. The husband did it? Yes, sir. What it looks like fit? Yes, sir. Any idea where he went? No, sir. He's smart. It should be pretty calm. Yes, sir. Lieutenant, you come with us. The captain's gonna help us. Talk to the mother. Bag of water. Yes, sir. We're gonna talk to the mother. Did the first officer on the job get the ambulance attendant's name? I'll find out. We'll be in there. Let me know. Yes, Muchas gracias. Her daughter. All right. Alfonsina Maria. Wait a minute. Wait a minute. The husband's name is Bernardo Cortea. Yes. Thank you. That text was what the superintendent. She says the husband did it. All right, we'll get to that. You saw him doing. Does he know where he went? He doesn't have any idea where he went. The ambulance attendant is. Thanks. Well, I'll try and find out how it happens. Senora, Toque puede destination. Her husband was out all night. Not the first time. He wasn't home when they got on. He came home very drunk about 9 o' clock this morning. Accused her of wasting his money. And the husband? Accused her of running with other men. He had a knife with him. Took it out of his pocket. It was a switchblade, man. How we didn't find a Texan. Can you ask if she noticed what he did with it? Sure. Senora.

[Sergeant Waters]

Toque sabe Loke is.

[Captain Frank Kennelly]

Washed it off and put it back in his pocket. Let's see if I can find out where she was during all of this. Yes, sir. Be a good idea. Senora Torque queac usted. He was here in the kitchen trying to help her. She was very frightened. She was in the kitchen, heard her daughter scream. She ran in and tried to help her. But she was afraid he'd kill her too. Bueno. He says he just ran out. Man out the door. Captain Legad. He made an attack on her. If he threatened her in any way. She says he threatened to kill her too if she didn't get out of the room. Yes, Sergeant. Can I see you out here in the hall now? All right. Fit? Yes. You stay here with Mr. Torquin. Yes, sir.

[Sergeant Waters]

I'm sorry.

[Captain Frank Kennelly]

What is it, Sergeant? The General's got some information in connection with this case. Raquel. Yes, sir. This is Leroy Clifford, gentlemen. How do you do? Hello. What kind of information is it for cow? When I was standing downstairs where the sergeant posted me, this fellow walked up to me and told me he knew where Bernardo Patel was. The husband. Do you know where he is right now? Yes, sir. A few minutes ago. Where is he? In a bar and grill. Where? Over there on Lexington Avenue. Where on Lexington? What number? Couldn't tell you the number, but I could show you the place. Are you sure it's the same Bernardo Cortea who lives here? Yes, sir. What makes you so sure? I see him every day. We work at the same restaurant. We ride downtown on the bus sometimes. I've been up here to the house for a beer a couple of times. Not too bad about her. Too bad. What do you do at the restaurant? I'm the side cook. I'm Bernardo. He's a busboy. How'd you happen to see him in the bar and grill? I was just walking by now. I looked in the window. I knew he had to be to work, so I went in and I said, come on, Madonna. We ride downtown on the bus together. Meanwhile, he was about two thirds in the bag. And I thought it wasn't going to do any good. So I said, you ought to go on home, Bernardo. Get sobered up. What did he say? That he couldn't go home. Said he was in big trouble. He wanted to borrow money. He was very tight with money. He said the cops laughed him. Said he had a gun and a nice boat, so they weren't going to get him. Did you see either of them? No. He always talked like that when he had a few drinks. I told him he wasn't going to work. I was. I came out of there and walked over to the bus stop. I saw the big crowd people in front of here. Somebody told me what happened. I thought maybe I better tell somebody. So I walked right up to this policeman, didn't I? That's right. And I told you. Will you come back over there and point him out to us, Leroy? Yes, if you want. I just don't want to be late for the job. We'll take care of that, Levi. He didn't tell you anything about what he planned to do or where he was going? No, sir. But from the condition he was in, I don't think he was going far. Well, he's been a pretty long way already. Leaving the others in charge at the scene of the homicide, Lieutenant King, Detective Fitzpatrick, Sergeant Waters, Patrolman Vaccaro, and I took Leroy Purford and in two cars drove to the bar and grill on Lexington Avenue, where he said he had seen the husband of the murdered woman because of the possibility that Bernardo Cortea had a gun as well as a knife. The others in uniform and I stayed out of sight on the sidewalk while Lieutenant King, Detective Fitzpatrick and Perford walked by the window of the place. Well, see him in there, Leroy? No, sir. Well, I see as a bartender, that's all I see, too. He was in there. Not now. Well, did you see him, Matt? No, sir. I didn't see anybody with the bartender. Maybe he's in a booth. Well, maybe. Captain, we couldn't see in the booths walking in that direction. Let's go back the other way. That's okay with me, Sid. You wait here this time. Yes. Okay. Leroy, Can you stay in the booth? Yes, I can see nobody in any of them. Are you sure this is the place? Oh, yes, this is the place. Me in that, o'? Connell? No, that's the place, Sergeant. That's where he was. All right, Leroy, let's go in and talk to the bartender. Lieutenant. Yeah? Well, if it's all the same to you, I. I disassemble. Why did you not get involved, Leroy? From the second you walked up to that cop and told him you saw Bernardo, you've been involved. Boy. Guess I can't argue with that. That. How do you know that bartender? Oh, just to say hello. You ever patronize the place? Oh, yeah, sure. Yes, sir. Lieutenant, we don't see him in that pitch. We're going in and talk to the bartender. Yes. You wait here, Sergeant. Yes, sir. Okay. He was in there. Hasn't been 20 minutes. All right, Grant. Yes. Yes, sir. Gentlemen, lots of room. Oh, hello, Leroy. Hello, Gabe. We're police officers. You the owner here? No, I just to want what they bought them. What's your name?

[Sergeant Waters]

What's the trouble here?

[Captain Frank Kennelly]

Did something happen? What's your name? Protea. Gabriel Protea. Do you remember Leroy being in here a little while ago? Sure, I remember him being in here.

[Sergeant Waters]

Where's this trouble?

[Captain Frank Kennelly]

Was there someone else in here at the time? Yeah, there was someone else. Bernardo see another good thing. Where'd he go?

[Sergeant Waters]

He didn't go no place. He's back there in the washroom.

[Captain Frank Kennelly]

There?

[Sergeant Waters]

Yeah, there.

[Captain Frank Kennelly]

The door's open.

[Sergeant Waters]

Wouldn't be terrible.

[Captain Frank Kennelly]

Leave that door open.

[Sergeant Waters]

Open up. Open up. Bernardo, open the door.

[Captain Frank Kennelly]

Bernardo.

[Sergeant Waters]

Go away. Go away from there.

[Captain Frank Kennelly]

We're police officers. Unlock that door and come out here.

[Sergeant Waters]

You go away from here.

[Captain Frank Kennelly]

That's fine. Got no time to play around. You go away.

[Sergeant Waters]

I warn you.

[Captain Frank Kennelly]

Okay, Fitz. Kick it in. Yes, sir. All right.

[Sergeant Waters]

Hey, what are you doing? With the purchase property, I'm responsible.

[Captain Frank Kennelly]

Stand back over there.

[Sergeant Waters]

But listen.

[Captain Frank Kennelly]

Stand back.

[Sergeant Waters]

How about Bernardo?

[Captain Frank Kennelly]

Bernardo. Okay, fit. Get away. All right.

[Sergeant Waters]

I told you had a gun.

[Captain Frank Kennelly]

I told you I'm okay, Lieutenant. Get over there in the booth. Leroy, over there.

[Sergeant Waters]

I just as soon get out of here altogether.

[Captain Frank Kennelly]

Just stay there. You'll be all right.

[Sergeant Waters]

What's the matter? Where's the job?

[Captain Frank Kennelly]

Sit. Yes, sir. Why not tell the captain and them? Yes, sir. Run away, Lieutenant. Bernardo. What do you think shooting's gonna get you? You're not going anyplace too bad.

[Sergeant Waters]

Are you risking your life? I say right here. He drunk fall from the door?

[Captain Frank Kennelly]

He did more than that. He killed his wife.

[Sergeant Waters]

Him?

[Captain Frank Kennelly]

That's right. That.

[Sergeant Waters]

Nice gun. Hey, banana.

[Captain Frank Kennelly]

All right, Just let him alone.

[Sergeant Waters]

Crazy fool. I thought something was the matter. Drunk in the morning before breakfast.

[Captain Frank Kennelly]

Almost Back here, Captain.

[Sergeant Waters]

Asked to buy my razor and shave. Shave? In a saloon? You should have known something was crazy.

[Captain Frank Kennelly]

All right. Stay away from the front of that door. Look at the hole that one made in the door, Captain. Yeah, heard it whiz by me. Bernardo, what do you say?

[Sergeant Waters]

Bernardo. Go away. Go away from there. Get easy, Ben. Get easy.

[Captain Frank Kennelly]

You get out of here. Get behind the barn.

[Sergeant Waters]

Don't worry. You don't have to be told twice.

[Captain Frank Kennelly]

What do you think? Man, it beats me. We can't work on the door without him taking a pot shot at us. Is there a window in there? Never thought of it. Six stay here. Yes. I doubt if there's much of a one. Not in a building like this Gabe bartender.

[Sergeant Waters]

Here I am.

[Captain Frank Kennelly]

All right, you can stand up. He can't hit you from there.

[Sergeant Waters]

With my luck, the bullets could go around the corner.

[Captain Frank Kennelly]

Is there a window in the washroom?

[Sergeant Waters]

A little one.

[Captain Frank Kennelly]

It's big. Could he get through it? It's got bars. Bars?

[Sergeant Waters]

Like a jail to keep our thieves?

[Captain Frank Kennelly]

No, he couldn't. Where does it lead to? To an old place. To an air shop, Ronaldo. Just up to the roof. Is that the only place?

[Sergeant Waters]

That's the only place.

[Captain Frank Kennelly]

How many stories is this building? Four. Four stories.

[Sergeant Waters]

We couldn't get out there anyway.

[Captain Frank Kennelly]

You Bars, take Iron Matt. We ought to get an emergency truck up here. Might not be a bad idea, Captain. With their axes and crowbars, they can work on the door and stay out of the line of fire at the same time.

[Sergeant Waters]

Your boss wouldn't like it to break the door.

[Captain Frank Kennelly]

What do you want to do? Have a cop kill to save the door?

[Sergeant Waters]

Sergeant.

[Captain Frank Kennelly]

Yes, sir. Come here.

[Sergeant Waters]

I could have told you something was wrong. Plane crazy.

[Captain Frank Kennelly]

Yes. Again. Look, go on out to your car and call in for an emergency truck. Yes, sir. Tell them to send a truck, not a car. We need the equipment they carry to work on that door. Right away. Kenanno.

[Sergeant Waters]

Loco.

[Captain Frank Kennelly]

Come on now. Okay, Vocardo, stay posted at the door. Keep them on.

[Sergeant Waters]

There's nothing to see, folks. Here, keep moving.

[Captain Frank Kennelly]

Car 681 is settled okay. At 3321 Lexington Avenue. The Bar and Grill. That's 3-321-Lexington. K. Right.

[Lost Driver]

We're lost. I'm gonna pull over and ask that man for directions.

[Captain Frank Kennelly]

Hi there.

[Lost Driver]

We're looking to get to the campground.

[T Mobile Representative]

Well, you're gonna take a left at the old oak tree end of this here road. No, I'm just kidding. Let me get my phone out.

[Lost Driver]

How are you getting a signal out here?

[T Mobile Representative]

T Mobile and US Cellular decided to merge. So the network out here is huge. We're getting the same great signal as the city. And saving a boatload with all the benefits. Oh, and a five year price guarantee. Okay, here's those directions.

[Lost Driver]

Actually, can you point us in the direction of a T Mobile store?

[Grainger Announcer]

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[Captain Frank Kennelly]

3321. An armed fugitive has locked himself in the washroom. Send the emergency truck. Kay, do you need any additional assistance? K. Just a truck. We got five men on the job, Kay.

[Sergeant Waters]

All right, keep moving, folks.

[Captain Frank Kennelly]

Better get out there. But Carol. Yes, sir. Keep the dive war clear. Y.

[Sergeant Waters]

Bernardo, do you think this is

[Captain Frank Kennelly]

going to get you started? Oh, yeah. Leroy Roy. Do they still want me to stay in the booth? Who tells you to stay there?

[Sergeant Waters]

The lieutenant.

[Captain Frank Kennelly]

You'd better stay.

[Sergeant Waters]

But I'm losing time on the job.

[Captain Frank Kennelly]

All right, get back there. Get around that way.

[Sergeant Waters]

Yes, sir.

[Captain Frank Kennelly]

We don't want any dead heroes here. Emergency trucks aren't the way, Captain. Good. Emergency truck is on the way, Matt. Okay, we can use them. Bernardo. Bernardo, open that door and come out here.

[Sergeant Waters]

No, I won't come out.

[Captain Frank Kennelly]

I won't.

[Sergeant Waters]

Anybody want a drink of whiskey? Whiskey's on the house.

[Captain Frank Kennelly]

Save it, Gabe. Bernardo, let's cut out the kidding. Open the door and come out.

[Sergeant Waters]

No, I don't want.

[Captain Frank Kennelly]

Watch it.

[Sergeant Waters]

I was coming out.

[Captain Frank Kennelly]

Well, that fork happened. Yeah. He's only got two more. Unless he has an automatic or a pocket full of shells. Yes, sir. Captain. Yeah, coming over. What if we got his mother in law over here to talk to him? No, she'd get hysterical. Don't think she could talk him out. Wouldn't do any good. This is what comes with desperation. Sweet idea. Wait a minute. Ask him if he knows his wife is dead. Maybe that'll have some effect on him. Yes, it might be back there.

[Sergeant Waters]

I'm not calling out. Not me.

[Captain Frank Kennelly]

You know what we want you for, don't you?

[Sergeant Waters]

I know.

[Captain Frank Kennelly]

I know. What did you know? That you killed her. She's dead.

[Sergeant Waters]

I wasn't.

[Captain Frank Kennelly]

I did. Yeah, you did.

[Sergeant Waters]

I didn't mean it. I didn't.

[Captain Frank Kennelly]

You did though.

[Sergeant Waters]

I. I only want to take your life. Have to go out with other men to threaten my horny.

[Captain Frank Kennelly]

You killed her.

[Sergeant Waters]

No, no, I didn't want to. He knows I didn't want to. I love her. I love Alfredina. Who said? You said his officer.

[Captain Frank Kennelly]

Yeah, that's right. The doctor.

[Sergeant Waters]

He's the doctor for he let her die. I. I didn't mean it.

[Captain Frank Kennelly]

Now come on out and we'll talk about it. Bernardo.

[Sergeant Waters]

No. No, I won't come out. I don't believe you.

[Captain Frank Kennelly]

Really? I had an idea. He was convinced. I guess the only thing to do is wait and break it In? Yeah, I guess so, man. Got a cigarette on you? I'm out. Yeah, sure. That's the emergency truck, Captain. Here you are, man. Thanks. Yeah, go on out and meet him. Sergeant. Tell them what we need in here. Yes, sir. We need plenty. All right. I've got matches. Captain, the office. Could I have one of those, too, please? Sure. Catch. Thanks. Want a light? Yes, sir. Coming over. Much light, Bernardo? Bernardo.

[Sergeant Waters]

Don't ask me. I knocked someone out.

[Captain Frank Kennelly]

How many bullets you got left in the gun?

[Sergeant Waters]

You think I'm crazy? Why should I tell you?

[Captain Frank Kennelly]

The answer to the first question is yes. Now, we'll send a couple of men from the truck up to the roof and let them go down the air shaft of the line. I don't know. That might give Bernardo a pot shot at them. Oh, we'll see what it looks like. Okay. In a fight. Now, watch it now. Back there in the washroom. Over here. Come on. Hold on inside. All right, take it easy. There's no hurry. All right, hold it there. You two with the axes, can you work on this side? Sure. Yes, yes. Okay. Come on. Here with a crowbar. Over there. Over here. Come on. All right. You all know what the situation is. He's got a gun in there. Do your work. Stay out of the line of fire. Matt. Yes, sir. Let me talk to him once more. How much good talk is going to do, Captain? I can't do any harm. Nothing can't. Go ahead, Bernardo.

[Sergeant Waters]

No, I don't go out.

[Captain Frank Kennelly]

He's gonna open the door. Throw that gun out. And the knife. Throw the knife out, too. All right. Now come out yourself.

[Sergeant Waters]

I. I didn't mean it.

[Captain Frank Kennelly]

I didn't mean to kill the rattle. Come here. Hold still there, please. Hold still.

[Sergeant Waters]

I Holding. I Hold still.

[Captain Frank Kennelly]

Okay. All right, Lieutenant. Take a minute to. Come on, Bernardo. You've been enough trouble for one day.

[Sergeant Waters]

No, no trouble. I owe her. I owe her very much.

[Captain Frank Kennelly]

Are you still here, Leroy? You told me to wait in the booth. Oh, yeah? Well, you can go on now. Check up. Got your address? Oh, yes. He's going to alibine you. Goodbye, Captain. So long. Thank you. Oh, the boss is going to ask

[Sergeant Waters]

me where I thought up this.

[Captain Frank Kennelly]

All right, you, man, you can get back on the job. Yes, sir. Yes, sir. Well, you going to the station house, man? Yes, sir. Oh, Captain. Yeah? What did you say that made him open up? Nothing important. Just that if we broke down the door, he'd have to pay for it. 21st briefing Sergeant Waters. What kind of accident? Yeah, yeah, yeah. Awareness. Yeah. Was anyone hiding? Was it hit and run or head on? How was it head on there? And so it goes around the clock through the week, every day, every year. A police precinct in the city of New York is a flesh and blood merry go round. Anyone can catch the brass ring or the brass ring can catch anyone. 21st Precinct. A factual account of the way the police work in the world's largest city is presented with the official cooperation of the Patrolman's Benevolent association, an organization of more than 20,000 members of the Police Department, City of New York. Everett Sloane in the role of Captain Kennelly. Ken lynch is Lieutenant King. Featured in tonight's cast were Briana Rayburn, Santos Ortega PJ Sydney, Harold Stone, Ralph Camago and Bill Quinn. Written and directed by Stanley Nist Produced for CBS Radio by John Ives. Art Hannah speaking.

[Lost Driver]

We're lost. I'm going to pull over and ask that man for directions. Hi there. We're looking to get to the campground.

[T Mobile Representative]

Well, you're gonna take a left at the old oak tree end of this here road. No, I'm just kidding. Let me get my phone out.

[Lost Driver]

How are you getting a signal out here?

[T Mobile Representative]

T Mobile and US Cellular decided to merge. So the network out here is huge. We're getting the same great signal as the city and saving a boatload with all the benefits. Oh, and a five year price guarantee. Okay, here's those directions.

[Lost Driver]

Actually, can you point us in the direction of a T Mobile store?

[Grainger Announcer]

America's best network just got bigger. Switch to T Mobile today and get built in benefits the other guys leave out. Plus our five year price guarantee. And now T Mobile is available in US Cellular stores. Best mobile network based on analysis by Oogle of speed test intelligence data 2H 2025 bigger network. The combination of T Mobile's and US cellular network footprints will enhance the T Mobile network's coverage price guarantee on talk text and data exclusions like taxes and fees apply. See t mobile.com for details.