
Alan Freed's Rock 'n' Roll Dance Party #01
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Alan Freed
Hello, everybody. How y'all? This is yours truly, Alan Freed. Get your dancing shoes on. And welcome to the rock and roll dance party. From New York City, the home of rock and roll, we welcome you to the big beat in popular music in America. Brought transcribed and here's the king of rock and roll himself, Alan Freed. Thank you. Thank you. Burn Bennett. Welcome to our show. Here we are again, starring one of the greatest names in music, the swingingest band in the land, Count Facey and his orchestra with Joe Williams and our special guest stars of the week, Sam the Man Taylor and the Bonnie sisters. And away we go. First up, Count Basie and the orchestra with 16 men a winging, Alex Stacey and his orchestra. Wow. Now, three young ladies who started their singing careers as nurses at Bellevue Hospital here in New York. And they've done so well at it that we have them on our rock and roll party this week. And here are the Bonnie sisters to sing. Cry baby.
The Bonnie Sisters
Cry baby, ah. Cry baby crying all the time. Cry baby, cry baby, shoo, be my baby. Cry baby crying, baby crying all the time, all the time. When the rain comes, does he fall? It's all from my eyes. Then my heart starts to go, you realize? I realize. Rain, my heart starts to come. Don't you realize? I realize.
Alan Freed
Honey sisters and crybaby. But right now, here's a man who's become the most important new tenor sax blower in America. And I'm speaking of the one and only Sam the Man Taylor. Not only with the tenor hornet, he's gonna sing a currently popular song called Blue Suede Shoes. Go Sam Taylor.
Sam the Man Taylor
One for the money, two for the show. Free to make ready now. Go cat, go. Don't you step on my blue suede shoes. You can do anything but lay on my blue suede shoes. You can knock me, step my face, sign to my name all over the place. Do anything that you want to do but baby, lay off of them shoes. Don't you step on my blue suede shoes. You can do anything but lay off my blue suede shoes. Burn my house, build my car, Paint my money on your Morris car. Do anything that you want to do but baby, lay off of my shoes. Don't you step on my blue suede shoes. You can do anything. Lay off my blue suede shoes. Knock me down, touch my face signing my name all over the place. Do anything that you want to do but please, please, baby, lay off of my shoe. Don't you step on my blue suede shoes. You can do anything but lean off my blue Suede shoes. Well, I said blue, blue, blue. My blue suede sho. Blue, blue, blue. My blue gray shoes do anything. Lay off My blue space shoes.
Joe Williams
Sam, the man trailer.
Alan Freed
Sam will be back a little later. Show you a little more of that great instrumental talent of his on that tenor horn. And now the star band of our great rock and roll dance party, Count Basie and his orchestra and mambo imp.
The Bonnie Sisters
It's.
Alan Freed
Little Mambo in. And here is Count Basie's feature vocal star, Joe Williams and.
Sam the Man Taylor
All right.
Alan Freed
Okay, you win.
Joe Williams
Well, all right. Well, okay for you win. I'm in love with you. Well, all right. Well, okay, will you win, baby? What can I do? I'll do anything you say and it just got to be that way. Well, all right. Okay, you win. I'm in love with you. All right. Okay, you win, baby. Me and him. Anything you say I'll do as long as it's me and you. But the first thing in the morning you've got to wake me with a kiss. You've got to make up for all the loving that you have made me miss. Well, all right. Well, okay, will you win? I'm in love with you. Well, all right. Okay, will you win, baby? What can I do? Anything you do, I'll say it just got to be that way. All that I am asking. All I want from you. Just love me as I love you and it won't be hard to do. Well, all right. Well, okay, will you win? What are you waiting for? Well, all right. Well, okay, will you win, baby? One thing more. If I'm going to be your man, pretty baby, let me take your hand. Well, all right. Okay, you win, little girl. Well, all right. Okay, you win, little girl. If I'm gonna be your man, pretty baby, let me take your hand. All right. Okay, you win.
Alan Freed
Wonderful Joe Williams. All right. Okay, you win. And on with our rock and roll dance party. And back to our microphone come the Bonnie sisters again with a plaintive melody called Broken.
The Bonnie Sisters
Do I do, I do, Do I do I do, Do I do I do, Do I do, I do. Love that was ours broken. Gone with the night. Left me through in the night. Left me through. Left me through the night. Love that was real lost its glo heart that feels now broken. You broke my heart. Why did you leave me? Leave me here to cry sin maybe I could die broken love that was our broken when you left, you broke my heart. Do I, do I do. Since you are gone near, baby, I could die broken. Broken love that without were broken. When you left you broke my heart.
Alan Freed
Well, the bunny. And back now comes Sam the Man Taylor. The star of the tenor sax. And one of our guest stars on tonight's show. Sam the man and Todd Bur and the Man Taylor and Cloudburs. And back to Count Basie and his orchestra. And Foncy meeting you. Rock and Roll Party has come to you through the worldwide facilities. Of the United States Armed Forces Radio and Television Service.
Podcast Summary: "Alan Freed's Rock 'n' Roll Dance Party #01" Harold's Old Time Radio | Release Date: February 13, 2025
Introduction
Alan Freed's Rock 'n' Roll Dance Party #01 kicks off with the charismatic host, Alan Freed, welcoming listeners to a nostalgic journey back to the Golden Age of Radio. Freed sets the energetic tone for the evening, inviting the audience to "get your dancing shoes on" and immersing them in the vibrant rock 'n' roll scene of New York City.
Alan Freed [00:00]: "Hello, everybody. How y'all? This is yours truly, Alan Freed. Get your dancing shoes on. And welcome to the rock and roll dance party."
Main Performances and Highlights
Opening Acts
Freed introduces the first act of the evening, Count Basie and His Orchestra, highlighting their reputation as "one of the greatest names in music" with a "swinging" band that epitomizes the big band era.
Alan Freed [00:30]: "Here we are again, starring one of the greatest names in music, the swingingest band in the land, Count Basie and his orchestra with Joe Williams..."
Introducing the Bonnie Sisters
The show features the Bonnie Sisters, three talented young women who transitioned from nursing at Bellevue Hospital in New York to singing careers. Freed praises their success and presents their performance of "Cry Baby."
Alan Freed [04:11]: "Three young ladies who started their singing careers as nurses at Bellevue Hospital here in New York. And they've done so well at it that we have them on our rock and roll party this week. And here are the Bonnie sisters to sing. Cry baby."
Performance: Cry Baby by The Bonnie Sisters
The sisters deliver a heartfelt rendition, capturing the emotional depth of the song with harmonious vocals and expressive delivery.
The Bonnie Sisters [04:11]: "Cry baby, ah. Cry baby crying all the time..."
Sam the Man Taylor's Performance
Freed shifts the spotlight to Sam the Man Taylor, lauding him as "the most important new tenor sax blower in America." Taylor performs the contemporary hit "Blue Suede Shoes," showcasing his instrumental prowess and vocal talent.
Alan Freed [06:07]: "And right now, here's a man who's become the most important new tenor sax blower in America. And I'm speaking of the one and only Sam the Man Taylor."
Sam the Man Taylor [06:27]: "One for the money, two for the show. Free to make ready now. Go cat, go..."
Freed briefly acknowledges Taylor before transitioning back to other performances.
Alan Freed [08:31]: "Sam will be back a little later. Show you a little more of that great instrumental talent of his on that tenor horn."
Count Basie and Joe Williams
Returning to Count Basie and His Orchestra, Freed introduces their featured vocalist, Joe Williams. Williams delivers a soulful performance of "Okay, You Win," captivating the audience with his smooth vocals and emotive delivery.
Joe Williams [12:24]: "Well, all right. Well, okay for you win. I'm in love with you..."
Williams's performance is characterized by its heartfelt lyrics and engaging melody, reinforcing his status as a standout vocalist in the jazz and big band scene.
Bonnie Sisters' "Broken"
The Bonnie Sisters make a poignant return to the microphone with their song "Broken," showcasing their versatility and emotional range.
The Bonnie Sisters [15:26]: "Do I do, I do, Do I do I do..."
The sisters convey the pain of lost love through their harmonies and expressive performance, adding depth to the evening's musical tapestry.
Sam the Man Taylor's Return and Final Act
Sam the Man Taylor reprises his role, continuing to demonstrate his exceptional tenor sax skills. Freed also mentions Todd Bur and the Man Taylor and Cloudburs, hinting at further collaborations and performances.
Alan Freed [18:11]: "Well, the bunny. And back now comes Sam the Man Taylor. The star of the tenor sax."
Finale with Count Basie and Closure
The show wraps up with Count Basie and His Orchestra, delivering an electrifying performance that encapsulates the essence of the rock 'n' roll dance party. Freed thanks the listeners and acknowledges the broadcast's reach through the United States Armed Forces Radio and Television Service.
Alan Freed [18:30]: "Rock and Roll Party has come to you through the worldwide facilities. Of the United States Armed Forces Radio and Television Service."
Notable Quotes
Conclusion
Alan Freed's Rock 'n' Roll Dance Party #01 serves as a vibrant homage to the dynamic era of radio-driven music entertainment. Through electrifying performances by Count Basie and His Orchestra, the Bonnie Sisters, Sam the Man Taylor, and Joe Williams, Freed curates an unforgettable evening that encapsulates the spirit and energy of rock 'n' roll's golden age. The episode not only entertains but also preserves the rich cultural legacy of a time when families gathered around the radio to enjoy timeless music.
For listeners seeking a nostalgic escape or an introduction to classic rock 'n' roll and big band sounds, this episode stands as a testament to the enduring allure of radio's golden era.
Credits