Encore Theater 46-06-25 04 Green Light

Summary

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Podcast Summary: Encore Theater 46-06-25 04 Green Light

Podcast: Harold's Old Time Radio
Episode Date: January 21, 2026
Episode Theme:
A classic radio drama from the Golden Age, presenting the story "Green Light" adapted from Lloyd C. Douglas’s novel, focused on medical ethics, sacrifice, and personal redemption. The episode dramatizes the struggles of Dr. Newell Page as he confronts a moral dilemma after a fatal operating room tragedy, exploring themes of faith, responsibility, and the meaning of true courage.

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Main Theme and Purpose

"Green Light" dramatizes the life-altering moments faced by Dr. Newell Page, a dedicated surgeon whose integrity is put to the ultimate test when a patient dies during surgery. The episode delves into the moral complexities of professional guilt, personal sacrifice, and the journey toward forgiveness and self-rediscovery. Central to the story are questions of faith—both in oneself and in a higher power—and the vital human element that underpins the scientific field of medicine.

"Medical science and progress is not cold, impersonal research... but a warm human story told in living terms, whether it’s the life of one of medicine’s immortals or [an] everyday record of service rendered by your own physician."
— (Narrator, 00:36)

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Key Discussion Points and Insights

Introduction of Main Characters and Dilemma

• Dr. Newell Page is introduced as a skilled, ethical surgeon at Bay Tree Hospital (02:20).
• Phyllis Dexter, the daughter of a gravely ill patient, and Francis Ogilvie, a devoted nurse, reveal their feelings for Dr. Page—one of animosity, the other of love (02:24–02:36).
• Dean Harcourt, the philosophical dean, sets the stage with a metaphor regarding life’s “red lights”—moments when progress halts and growth can only come through suffering (02:46).

"Sometimes man must stop to learn through suffering before going on... the signal changes and the green light frees him to resume his inexorable march into eternity."
— Dean Harcourt (02:46)

The Tragedy in Surgery and its Aftermath

• Mrs. Dexter’s operation is postponed due to Dr. Endicott’s delay, resulting in mounting tension and urgency (04:24–05:17).
• Dr. Page ultimately assists Dr. Endicott in surgery, but Mrs. Dexter dies due to a surgical error, for which Dr. Page refuses to assign blame on Endicott out of professional loyalty (06:06–07:07).
• Dr. Page’s own resignation, motivated by his ethics, shocks colleagues and sets the tone for his internal struggle (08:05–09:17).

"A split second a woman dies and a career dies with her. That isn’t right either. Endicott’s a human being, too. He’s not infallible."
— Dr. Page (08:05)

Struggle with Truth and Ethics

• Francis wishes to reveal the truth to clear Dr. Page’s name but is discouraged, highlighting the code of professional conduct and the personal toll it takes (07:17–09:43).
• Dean Harcourt counsels on sacrifice, duty, and the complexity of ethical dilemmas—emphasizing that such sacrifice holds intrinsic value (09:43–10:06).

Personal Relationships and Emotional Fallout

• Phyllis Dexter’s resentment towards Dr. Page intensifies upon learning he was the surgeon but not the one who erred, challenging Page’s refusal to clear his own name (18:06–18:51).
• Francis Ogilvie’s quiet advocacy, respecting Dr. Page’s choices, underscores love and loyalty (20:17–20:29).
• Dean Harcourt acts as the conscience and philosophical anchor throughout, prompting characters to self-reflect (15:00+).

"Until you have faith, you don’t really love."
— Dean Harcourt (20:29)

The Turning Point: Redemption Through Sacrifice

• Dr. Page, devastated and seeking redemption, volunteers to be a human test subject for a spotted fever vaccine, risking his own life to advance medical knowledge (21:21–21:52).
• This act is revealed to Phyllis and others by telegram, showcasing true selflessness (21:26–21:52).

Climax and Resolution

• As Page battles for his life, Dr. Endicott admits his guilt aloud, exonerating Dr. Page (24:45–25:02).
• Dr. Page’s fever breaks, signifying both a literal and metaphorical turning of the “green light”—his suffering leading to a better future for all and to personal vindication (25:44–25:52).

"If there’s any justice at all, he’s got to live."
— Dr. Endicott (25:02)

• Page is made Chief Surgeon, restoring his reputation and finding happiness with Phyllis, who realizes she loves him regardless of past circumstances (26:52–27:08).

Philosophical Closure

• The episode closes with a prayer for all physicians and a call to uphold the humane ideals of medicine (28:26).

"May I always see in the patient a fellow creature in pain... This is the prayer of the physician. It is ages old, and yet today it is as new as the hope for a peaceful way of life for all the world."
— Robert Young reads the physician's prayer (28:26)

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Notable Quotes and Memorable Moments

• Dean Harcourt’s Reflection on Suffering:
  "Sometimes man must stop to learn through suffering before going on…" (02:46)
• Page’s Resignation:
  "If you resign, you admit you were responsible for Mrs. Dexter’s death... I have already." (08:05)
• Endicott’s Admission of Guilt:
  "If he dies, I will have killed him just as I killed Mrs. Dexter… I was to blame, Phyllis." (24:45–24:54)
• Redemption and Reinstatement:
  "They’ve appointed me chief surgeon at Baytree." — Dr. Page
  "Oh, I’m so proud of you, darling." — Phyllis (26:52–26:57)
• Philosophical Epilogue:
  "May I always see in the patient a fellow creature in pain…" (28:26)

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Key Timestamps

• 00:36 – Shenley Laboratories’ mission and the introduction to "Green Light"
• 02:46 – Dean Harcourt’s “red light/green light” life metaphor
• 04:24–06:24 – The surgical crisis and Mrs. Dexter’s death
• 08:05 – Dr. Page’s resignation and ethical stand
• 15:00 – Dr. Page questions Dean Harcourt on the meaning of suffering
• 18:06–18:51 – Phyllis confronts Dr. Page about her mother’s death
• 21:21–21:52 – Revelation of Dr. Page’s self-sacrifice for medical research
• 24:45–25:02 – Dr. Endicott’s confession of guilt
• 25:44 – Dr. Page’s fever breaks and redemption is achieved
• 28:26 – Robert Young’s reading of the physician’s prayer
• 29:32 – Closing production credits

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Conclusion

This episode of "Encore Theater" masterfully weaves together themes of moral courage, sacrifice, forgiveness, and hope within the high-stakes world of medicine. The nuanced characterization and philosophical undertones—anchored by Robert Young’s performance—offer a timeless meditation on what it truly means to serve others, both in medicine and in life. The story’s ultimate message: True healing occurs not only in the body, but in the heart and spirit, through acts of faith, love, and integrity.

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Transcript

[A]

I'm here on the job site with Dale, who's a framing contractor.

[B]

Hey, good morning.

[A]

Dale traded up to Geico Commercial Auto Insurance for all his business vehicles. We're here where he needs us most.

[B]

Yep, they sure are.

[A]

We make it easy for him to save on all his insurance needs, all in one place with coverage that fits his business and bottom line. Oh, I shouldn't have looked down.

[B]

It's all right.

[A]

We're so far up here.

[B]

Look at me. Take a deep breath.

[A]

I'm good. So good.

[B]

Get a commercial auto insurance quote [e-mail] and see how much you could save. It feels good. To Geico.

[C]

The Shenley Laboratories, producer of penicillin, Shenley and Shenley Pharmaceuticals, presents the Encore Theater. The Encore Theater play Tonight, Green Light. Our star is robert young. Tonight, Shenley Laboratories presents another in a new series of great dramatic programs. Some of our stories are fact, the struggles and accomplishments of great men of medicine. Others are fiction, stories of devotion to an ideal individual, heroism or great courage. By these programs, Shenley Laboratories would remind you that medical science and progress is not cold, impersonal research or pages of statistics, but a warm human story told in living terms, whether it's the life of one of medicine's immortals or the simple, everyday record of service rendered by your own physician. Now, green light. Starring robert young as Dr. Newell page, and with pedro de cordoba as dean harcourt. Green Light. The story of a Dr. Newell Page.

[B]

Surgeon, Bay Tree Hospital, and of a girl, Phyllis Dexter.

[D]

I hated Dr. Page. I thought I would always hate him.

[C]

The story, too, of a nurse, Francis.

[E]

Ogilvie, staff, Baytree hospital. I love Dr. Page. I thought I would always love him.

[C]

The story of a woman of great.

[D]

Faith and courage, my mother, Mrs. John Dexter.

[C]

And of a great religious man, Dean Harcourt of Trinity Cathedral.

[F]

Man's progress in life is not steadily onward. Sometimes he is stuck by something that is bigger and stronger than heat, something he cannot understand and over which he has no control. That's something I like to think of as a red light flashing a halt to the forward surge of his life. And I like to believe there's a power which controls that life, which knows in its infinite wisdom that sometimes man must stop to learn through suffering before going on. For it is as inevitable as time that man progresses to a better future, if not for himself than through his suffering for his fellow men. When he has learned this, the signal changes and the green light frees him to resume his inexorable march into eternity.

[C]

You have been listening to.

[G]

Oh. Turn it off now. Dr.

[B]

Page, what would religion be without music?

[G]

There was religion long before there was music.

[B]

I'm sorry. The usual greeting for the doctor is, and how is the little lady this morning?

[G]

And I suppose the usual answer is.

[B]

Terrible, Doctor, but since we both are unusual people, I'd say your pulse shows marvelous repose for a patient facing surgery.

[G]

You can thank Dean Harcourt for that.

[B]

I do. Just as I'm thankful for anything that gives a patient courage and confidence.

[G]

A shorter word for courage and confidence is faith.

[B]

Whatever it is, you'll need every bit of it.

[G]

Now, more bad news?

[B]

Oh, nothing really serious, except that. Well, it's not easy to prepare oneself mentally for an operation. Sometimes a postponement can cause a harmful reaction. What I'm trying to say is.

[G]

You're trying to tell me my operation has been postponed.

[F]

Yes.

[B]

Dr. Endicott has been detained in Milwaukee. He'll be here as soon as he can.

[G]

Milwaukee's a beautiful city. It's always seemed full of music to me. Years ago, we used to go there to hear the community singing.

[B]

You make it work, don't you?

[G]

No, I simply let it work.

[B]

How simple things would be if we all had your faith. I'll let you know about the operation as soon as I possibly can.

[G]

I know you will.

[B]

Any word of Dr. Endicott yet, Ms. Ogilvy?

[D]

No, doctor.

[E]

They can't seem to locate him.

[B]

Here are Mrs. Dexter's X rays, Newell. Thanks. Good Lord. Look at that. She can't hold out much longer. We've got to do something. We'll have to wait for Endicott. She's his patient. We can't postpone this operation any longer. Her life is at stake now. I'll phone Surgery. Are you crazy? Not unless these X rays are surgery. Surgery, this is Dr. Page. You can't do that. Endicott will operate on Mrs. Dexter immediately. Claim Ms. Ogilvy.

[E]

Yes, Dr. Page.

[B]

Foursomes, Dr.

[H]

Page.

[B]

Yes, Dr. Endicott.

[H]

Thank you, doctor. If you will assist me, I can take over now.

[B]

Yes, sir. The forceps.

[H]

Ms. Ogilvy.

[F]

Dr.

[H]

Page, make the tie, please.

[B]

She's bleeding badly.

[H]

Quick. Well, I'm afraid that's that. I did everything I could.

[B]

She shouldn't have died. You were doing perfect work. If Endicott had been less upset. You'd rather not talk about it.

[E]

I saw exactly what happened, and I'm going to tell everybody the truth.

[B]

Don't you think it's Dr. Endicott's privilege to make his own statement first?

[H]

Come in.

[B]

Hello, Dr. Endicott.

[H]

Oh, no. Glad you came in. I've been wanting to talk to you. Now, sit down. Nasty businesses, Dexter.

[F]

Death.

[H]

I have been trying to convince the board of directors that her death was an unavoidable accident. It was unavoidable, wasn't it?

[B]

No, sir. For some reason, you cut the pedicle too short for safe ligation. I couldn't make the tie and the hemorrhage resulted. It should never have happened.

[H]

The problem now, I probably shouldn't have stepped in on the operation, realizing the terrific strain I'd been under. We all love Mrs. Dexter. I felt that her life was my personal responsibility. But all planes have been grounded on account of weather. I've moved heaven and earth to get here in time. I haven't slept in two days. Too tired.

[B]

I'm sorry, sir.

[H]

A split second woman dies and a whole career dies with her. A split second is against the 40 years I've given to medicine. I can't be judged on one operation out of thousands.

[F]

Newell.

[H]

I can't.

[B]

Newell. Hello, John. What time is it? Time for you to pull yourself together. Get down to the hospital and tell Endicott and the board where to head in. I can't do that. Why not? What do you want me to do? Stand up before the board and say, dear, dear, kind gentleman, it doesn't matter to me that Dr. Endicott taught me everything I know about surgery. Doesn't matter that Dr. Endicott is one of the finest surgeons in the country. It doesn't matter how many lives he's saved, how much pain he's eased, how much comfort he's brought. No. None of that's important. Just me. I'm the only one who's important. Big, important Dr. Page. I know it's tough, Newell, but you've got to protect yourself. A split second a woman dies and a career dies with her. That isn't right either. Endicott's a human being, too. He's not infallible. That's no concern of yours. If you resign, you admit that you were responsible for Mrs. Dexter's death. Exactly. Well, that clears etiquette completely. Right. Confound it. You sound as if you were going to resign. I have already.

[E]

Dean Harcourt? I'm Frances Ogilvy. I was the nurse on the. I was Mrs. Dexter's nurse.

[F]

I see.

[E]

She always listened to your broadcasts, and I. I had to talk to someone. So you see. You see, I know what happened in that operating room. And Dr. Page won't defend himself because of professional ethics. And I I wanted to speak up, but I thought I should talk to someone first.

[F]

No man makes sacrifices without reason. Whatever that reason may be, it's in itself compensation for his separate.

[E]

But why should Dr. Page sacrifice himself for Endicott?

[F]

For the moment, that's Dr. Page's problem, not yours. He must have had good reasons, otherwise he wouldn't do it. There's nothing you can do except respect that reason.

[E]

I see I've taken a lot of your time. Is there something I can do to repay you?

[F]

Yes. Phyllis Dexter's waiting to see me. She's pretty upset about her mother's death. Before I talk to her, I want you to take her to the little anteroom where you were taken. Ask her whatever questions you wish, then come back to me and tell me what she says.

[E]

Just throw your coat anywhere. Phyllis. Sorry the apartment's a little messy.

[D]

Oh, it's not messy at all. I feel much better after talking to you. And it was very kind of you to invite me over.

[E]

Not at all. I got some coffee on. Will you answer the door, please? Sure.

[B]

Oh, I. I'm sorry. I thought this was Ms. Ogilvy's apartment.

[E]

It is.

[D]

Come in. Who shall I tell her is calling? No. Hello.

[B]

Hello, Francis.

[E]

Well, come in. Come in. Can I. Can I check your coat?

[B]

No, thanks. I can only stay a moment.

[D]

Perhaps I'd better go now. I had no idea you were expecting.

[E]

I wasn't. He's the last person in the world I ever expected to see here.

[B]

Well, as a matter of fact, I didn't expect to be here myself. I was out walking in the rain when suddenly, to my surprise, I found myself in front of your house.

[E]

Ms. Dexter. Ms. Phyllis Dexter just returned from England today.

[B]

Phyllis Dexter?

[D]

Miss Ogilvy sort of kidnapped me away from myself.

[B]

I wish she could do as much for me. That is, I. Well, I've got to run along. It's important.

[E]

Miss Dexter, may I introduce Mr. Walker?

[D]

If you're as nice as Ms. Ogilvie, you'll be well worth knowing.

[B]

Well, thank you.

[E]

Sit down. O.

[B]

Well, just for a moment. I really can't stay. Did you enjoy London?

[D]

Yes, very much. Why are you staring at me?

[B]

Well, I'm sorry. You. You remind me so much of someone.

[D]

Really?

[B]

Yes. Someone very lovely. I never expected to meet anyone like that again. Time decides so many things, doesn't it? A split second of time. Something happens. Two people meet accidentally, a knife slips. Someone takes the wrong turn. Anything. And without warning, a future has been created.

[D]

Evidently, you're a fatalist.

[B]

Hardly I. I only know that things happen. Sometimes, it seems, with deliberate cruelty. Don't let anything happen to you or hurt you. Well, I've got to go now. Good night.

[E]

Good night.

[D]

What a strange man.

[E]

Yeah. He's a great guy. He's one of a kind. At least he's the only one I've ever seen.

[D]

Do you think he'll call again soon?

[E]

Honey, there's no way of telling what he'll do.

[G]

Ever.

[E]

As Dean Harcourt would say. The signals have changed. The lights are against him right now. But he'll get the green light again. He can't miss.

[C]

Ladies and gentlemen, in a moment we will return to our play Green Light. Starring Robert Young. But first, a message of hope for those in the world of pain. The inspiring promise of greater healing. Because today, in the supply room of 8,000, 383American hospitals, you will find penicillin. Yet only three years ago, the wonder drug was almost a medical rarity. The firms who devoted themselves to increasing the supplies of penicillin available. Struggled against many obstacles inherent in its production. Numbered among these firms was Shanley Laboratories. Although these companies have seen the realization of their goal. Enough penicillin to fill essential needs, they cannot feel their work is done. Up to the present. Research workers at Shenley Laboratories. Have developed such products as penicillin tablets and troches for administration by mouth. And penicillin ointment and ophthalmic ointment. Now these men are looking forward to the perfecting and production of other. And perhaps entirely different types of pharmaceuticals. It is ever the aim of Schenle Laboratories to know more of what benefits to mankind may be derived from medical research. It is our aim, too, to translate the knowledge we gain. Into production of more and greater aids to healing for all members of the medical profession. And now back to our play, Green Light. Starring Robert Young as Dr.

[B]

Page.

[C]

And with Pedro de Cordoba as Dean Harcourt.

[B]

Dean Harcourt, I came here to argue with you about your concept of everlasting life.

[F]

All right. Please sit down.

[B]

I want to know how you can justify needless death, greed and the destruction of a career. I want to know how you can reconcile such waste with your irresistible onward drive. Why, on the doctor page who operated on Mrs. Dexter?

[F]

I see you have a fine religion, Dr. Page.

[B]

I have none, so far as I know.

[F]

Religion has many definitions, at least in my dictionary. Such as loyalty, devotion, honor.

[B]

Perhaps. But my dictionary defines it as a kind of opiate. Used by people with hurt sensibilities to dull them into drowsiness. A man needs more Than that in his life. Something he can get his hands on. Something for which to live.

[F]

Or else something for which to die.

[B]

I can't even think of anything to die for. Yes?

[H]

Come in.

[F]

Hello, Phyllis.

[D]

Hello, Dean Harcourt. Hello, Mr. I had no idea you knew Dean Harcourt.

[B]

I didn't until a short while ago.

[D]

Then you must be in some trouble.

[B]

Is that why you're here?

[D]

Well, Dean Harcourt was my mother's friend. He's mine too. I hoped we'd meet again. I. I wanted to ask you to explain some of the strange things you said last night.

[B]

I'm always saying strange things that I can't explain myself. Now, if you'll excuse me.

[F]

Well, I had no idea you two knew each other.

[D]

I'd met Mr. Walker last night.

[F]

Mr. Splendid. You two should make excellent friends.

[D]

I'm afraid Mr. Walker doesn't agree with you.

[B]

That's not it. Miss Dexter might have made very good friends, but we met a little too late.

[F]

My goodness, it's lunchtime already. You must be frightfully hungry, Phyllis.

[D]

I beg your pardon?

[F]

I said you must be hungry.

[D]

I'm not.

[F]

Sorry I can't offer you any lunch. You eat, don't you?

[B]

Me? Oh, sure. Sure, I eat often.

[F]

When I was a young man, I was always taking a young lady to luncheon. Particularly if I'd had some sort of misunderstanding. In fact, I was known as Henry Harcourt.

[B]

You ending? Shall we have lunch, Miss Dexter?

[D]

Let's.

[B]

Good.

[F]

You two run along and have a good time. And by the way, if you have no other plans, have dinner with me next Friday. Both of them.

[D]

I'd love to.

[B]

So would I.

[F]

And bring Miss Ogilvie with you.

[D]

Yes, I'll ask her. Goodbye.

[B]

See you Friday about 8. Goodbye.

[D]

You're a strange man.

[B]

Why do you say that?

[D]

One moment you're so friendly, and the next you. Why did you say we met too late?

[B]

Let's sit down on this bench a moment.

[D]

All right.

[B]

Last night when I met you, it was like. Well, it was almost like the beginning of a world for me. I don't know how to explain it very well, except that for a moment it was like the dawn coming up after a long, dark night. It was as though in finding you, I'd found an answer to everything. To every heartache, to every loneliness, to every torment. I looked at you and I wanted to say. If you will spend your days with me, I'll have everything I've ever dreamed about.

[D]

You thought all that?

[B]

Yes.

[D]

You know what I thought? I thought. I thought in some strange way, in One look with one smile. This man has put his hand upon my heart, made it his. And I thought this is the beginning of many things.

[B]

It was the beginning, but it was also the ending.

[D]

The ending? Why?

[B]

Because your name is Phyllis Dexter and mine is Newell Page. Dr. Newell Page.

[D]

Newell Page. Page.

[B]

Yes. That's why I didn't want to see you again. At least not until I could find some way of telling you. You have no reason for hating me.

[E]

No reason?

[D]

You killed my mother.

[B]

No.

[D]

Well, then who did? You might at least have been man enough to accept the blame.

[C]

You don't understand.

[B]

It was not.

[D]

I think I do understand. Goodbye, Dr. Payne.

[F]

I can't understand why he isn't here.

[E]

No, he's. He's usually very prompt.

[F]

Well, he'll be along. Did you two have a nice luncheon the other day?

[D]

Phyllis, we didn't go to lunch.

[F]

Oh.

[D]

Why not?

[E]

What happened?

[D]

Nothing.

[E]

You're not telling the truth.

[D]

You lied to me. You introduced Dr. Page as Mr. Walker.

[G]

I see.

[E]

Why? Because I saw no reason to upset you or him. I'd do anything I could to make things easier for him.

[D]

Why should he have things made easier for him? Don't say it. Don't say it. I'm sick of philosophies and sermons and parables. I'm a human being. I have a right to haze or love.

[F]

Felicia, what did Page do to you?

[D]

He killed my mother.

[F]

There's something else. Something within you that's been killed.

[D]

He lied to me. You love him. I don't. I despise him. He didn't even have the decency to take the blame himself.

[E]

Did he name another doctor?

[B]

Oh, no.

[D]

How could he?

[E]

That's right. How could he? He's too decent, too honest to break the rules he plays by.

[D]

Why do you say that?

[F]

Tell her friend.

[E]

No, no. I'll play according to Page's rules now. He didn't have to listen to sermons to become good. He was born that way. He'll always be that way, no matter what happens to him.

[D]

I don't understand.

[F]

You will eventually. You see, my dear, until you have faith, you don't really love Francis.

[E]

Yes.

[F]

I've learned much from you today.

[B]

Thank you.

[D]

Will you excuse me from dinner, please? Dean Harcourt.

[F]

Where are you going?

[D]

To find him.

[E]

I'll answer the door. Telegram for Dean Harcourt. I'm here. Yes, thank you. It's for you.

[I]

Dinner time. It's where little moments are cherished. With blue cash preferred. Get 6% cash back at US supermarkets and bring everyone to together. I did Say everyone. Learn [e-mail] Explore bcp terms and cashback cap. Apply with blue cash preferred.

[F]

Oh.

[E]

What? What is it?

[F]

I'm afraid you'll have to go a long way, Phyllis. He's in Montana.

[D]

Montana?

[F]

This wire is from a Dr. Lane. He says new will ask him to wire and explain that he couldn't come to dinner. And he says he's very ill. He deliberately let a wood tick bite him so that he could infect himself with spotted fever.

[E]

Spotted fever?

[F]

He wants to be used as a human guinea pig to test the vaccine.

[D]

Oh, no.

[E]

Come on. We've got to get Dr. Endicott in a hurry. Doctor Endicott? Dr. Page is with John Lane on Boone Mountain. Yes.

[H]

I won't have him. That pest hole. He'll die like all the rest.

[E]

He may be dying now. He's down with spotted fever. He gave it to himself to test a vaccine.

[H]

My fault if he dies. My fault. He mustn't die. I won't let him. We'll charter a plane. Get out there right away.

[B]

What's my temperature? Was 102.9 an hour ago. How do you feel? Not bad. Kind of groggy. Pain in the lower quadrant of the abdomen. Make a note of it. I want to see how long it lasts. Why did you ever do such a fool thing? Deliberately infecting yourself, risking your life? If I die, I don't particularly care. And you'll have learned something. There seems to be a congestion. Congestion developing in the lungs. How about taking a blood count? I'd like to see if I'm losing any resistance.

[H]

Hello, Dr. Lane. How is he?

[E]

Is he conscious?

[B]

Yes, but he's sinking.

[C]

We'll go right in.

[H]

Not you, Ms. Dexter. We don't want to upset him.

[D]

All right.

[H]

Hello, Newell.

[B]

Hello, Dr. Endicott. Francis, we can use you. John's getting sick of keeping my chart.

[H]

We aren't going to let you die.

[B]

You won't have anything to say about it if that vaccine doesn't work. At the present, I share the same place in society with the guinea pig. John. Yes, New. Make that blood count. Watch my temperature closely. I am. I'm becoming stuporous.

[D]

He.

[E]

He's unconscious?

[B]

No, not yet. Keep your nerve, Francis. You're an old hand at this sort of thing.

[E]

Yes, Doctor. Pa.

[B]

What's my temperature?

[E]

104.1.

[B]

Heart action weakening.

[C]

John.

[B]

Better not talk.

[F]

New.

[B]

Take another blood count. Temperature 104.1. Should break before it reaches a 105. Can't take 105.

[H]

Francis. If he dies, I will have killed him just as I killed Mrs. Dexter.

[D]

What did you say, Dr. Endicott?

[H]

I was to blame, Phyllis. I was at fault. And I never should have let him take the blame. He's got to let him.

[E]

Him.

[H]

If there's any justice at all, he's got to live.

[E]

Now, you know what you needed to know, Phyllis.

[D]

No, I haven't really needed to know anything since the moment when I knew I loved him.

[B]

His Temperature's up to 104.2.

[E]

I'll go right in. Temperature last four readings steady. 104.2.

[D]

Dr. Endicott, can't you do something? We can't just sit here and let him die.

[H]

There's nothing we can do for him now except pray.

[B]

Francis. Phyllis. Dr. Endin, his temperature. Look at his temperature.

[H]

103.1.

[E]

It's licked, Phyllis.

[D]

It's licked. He's gonna live.

[E]

He's gonna be all right.

[B]

Doctor Endicott, there's a place for you out here.

[H]

No. You fellows have already done the most important work on spotted fever. You won't need me here.

[B]

But the people will need great doctors to help them through their birth. Doctors who haven't forgotten their oath to their fellow men. To share my substance with him and to relieve his necessities when required.

[H]

I guess I lost sight of what being a doctor means for a while, Newell. But I think I've got the green light now myself.

[B]

You've been listening to Dean Harcourt, too?

[H]

Yes, I've been listening. And I'm gonna stay out here.

[D]

Newell. A letter just came from Baytree.

[H]

Yes. Yes, I wrote them explaining everything.

[B]

Holy smoke. They've appointed me chief surgeon at Baytree.

[D]

Oh, I'm so proud of you, darling.

[B]

Oh, Phyllis, Phyllis. How rich I am. How fortunate. How lucky. How happy. How grateful. There aren't enough adjectives to say it.

[H]

I don't like to interrupt love's young dream, but it's time for Dean Harcourt.

[F]

Oh, the depth of the riches of the wisdom and knowledge of God. How unsearchable are his judgments and his ways past finding. For who has known the mind of the Lord, or who hath been his counsellor, or who hath first given to him, and it shall be recompensed unto him again. For of him and through him, and in him are all things to him be glory forever. Amen.

[C]

In a moment, we'll bring back our star. Robert. Young ladies and gentlemen, Shenley Laboratories, maker of penicillin. Shenley would like to remind you that the American standard of health is higher than that of any other country in the world. We feel sure you will agree that the man who has done most to make this situation true is the American doctor. Shenley Laboratories pledges to do all within our power to aid America's physicians in their work of maintaining America's high standards of health. And now, ladies and gentlemen, Mr. Robert Young.

[B]

Ladies and gentlemen, to sum up the spirit of this Shenley Laboratories program. This beautiful and simple prayer of the physician written centuries ago by Maimonides seems to me to be apt and fitting. The eternal providence has appointed me to watch over the life and death of all thy creatures. May I always see in the patient a fellow creature in pain. Grant me strength and opportunity always to extend the domain of my craft. This is the prayer of the physician. It is ages old, and yet today it is as new as the hope for a peaceful way of life for all the world. May we invite you to listen again next week at this same time when Schenley Laboratories presents Men in White, starring Robert Taylor, a great star and a great story. Good night.

[C]

Green Light by Lloyd C. Douglas was produced and directed by Bill Lawrence and was broadcast through the courtesy of Warner Brothers, who this year is celebrating the 20th anniversary of sound Pictures. It was a Gene Holloway adaptation. Robert Young will soon be seen in the Hal B. Wallace Paramount production, the Searching Wind. This is Frank Graham speaking for Shenley Laboratories, producers of Penicillin Shenley, inviting you to listen to the Encore Theater next Tuesday at the same time when you will hear Robert Taylor in Men in White. This is cbs, the Columbia Broadcasting System.