Frontier Gentleman 1958-01-29 (000) Remittance Man (Ben Wright)

Summary

Frontier Gentleman: "Remittance Man" (January 29, 1958)

Podcast: Harold's Old Time Radio
Host/Author: Harold's Old Time Radio
Episode: Frontier Gentleman 1958-01-29 (000) Remittance Man (Ben Wright)
Release Date: May 3, 2025

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Overview

In this gripping episode of Frontier Gentlemen, listeners are transported to the tumultuous Montana Territory of the late 1950s. The story follows J.B. Kendall, a reporter from the London Times, as he navigates the rough and lawless town of South Sunday. Tasked with uncovering the nuances of frontier life, Kendall's arrival sparks tensions, alliances, and confrontations that reveal the darker underbelly of the American West.

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Arrival in South Sunday

[00:27] The episode opens with J.B. Kendall describing his arduous 98-day journey from St. Louis to South Sunday, Montana Territory. He arrives with minimal funds and the expectation of receiving a remittance from England, essential for his stay.

J.B. Kendall: "The journey had taken 98 days. From St. Louis, I'd come by riverboat up the Missouri... my remittance from England."

Upon disembarking, Kendall encounters Justine, who informs him about the stringent regulations in South Sunday, specifically the town's prohibition on carrying guns. This initial interaction sets the stage for the challenges Kendall will face in his quest for information and safety.

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Registration with Sheriff Clanton

Kendall is directed to register with Sheriff Frank Clanton, a stern lawman wary of strangers. His interaction with Sheriff Clanton underscores the town’s strict adherence to law and order, essential for maintaining peace in such a volatile environment.

Sheriff Frank Clanton: "No man except them authorized by me carries guns South Sunday. That way we don't get a bunch of crazy lickered up miners and the like shooting up the place."

Despite initial resistance, Clanton allows Kendall to stay under the condition that he abides by the town's rules. This agreement is crucial as Kendall's presence threatens to disrupt the fragile peace maintained by Clanton.

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Encounter with Lila and Rising Tensions

Later that evening, Kendall meets Lila, a woman with a troubled past connected to the town's undercurrents of violence. Their conversation reveals Lila's grief over her husband's death and her complicated relationship with Dake, Jake Farley's associate.

Lila: "I was born in Ohio. Got married and came five years back. My husband got killed in a gunfire... I met Dake. Harry came back. They had a fight over me. Dake out drew him. We ran away together."

The interaction between Kendall and Lila ignites jealousy in Jake Farley, leading to a heated confrontation. Farley's distrust of Kendall culminates in a physical altercation, heightening the sense of imminent danger.

Jake Farley: "You're just asking for trouble, aren't you?"

This confrontation foreshadows the violent escalations that will follow, as Kendall's investigation threatens to expose long-held secrets within South Sunday.

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Confrontation with the Shelton Brothers

As Kendall delves deeper, he discovers the presence of the Shelton brothers, fugitives hiding from the infamous Billy the Kid. The tension reaches its peak when Kendall confronts Monroe Shelton, leading to a standoff that tests his resolve and survival instincts.

Monroe Shelton: "You're Kendall. Your little kid sent you."

Kendall skillfully maneuvers the situation, capturing Monroe and neutralizing the immediate threat. This encounter underscores Kendall's determination and resourcefulness in the face of danger.

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Resolution and Departure

In a climactic resolution, Sheriff Clanton intervenes, mediating between Kendall and the Shelton brothers. A deal is struck to secure Lila's safe passage home in exchange for a substantial sum, highlighting themes of redemption and the possibility of change even in the harshest environments.

Sheriff Frank Clanton: "We Got no fight with the Kid or you. Now, why don't we all go on down the saloon, have a drink, talk it over."

Kendall's actions not only resolve the immediate conflict but also pave the way for Lila's future, symbolizing hope amidst chaos.

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Key Themes and Insights

• Law and Order vs. Wilderness: The episode explores the delicate balance between maintaining law and order in a lawless frontier. Sheriff Clanton represents the thin veneer of civilization attempting to impose structure in a chaotic environment.

• Isolation and Connection: Kendall's isolation as an English reporter in the American West highlights cultural clashes and the difficulties of forming genuine connections in transient communities.

• Redemption and Second Chances: Characters like Lila and the Shelton brothers illustrate the human capacity for change and the pursuit of redemption, even when surrounded by violence and oppression.

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Notable Quotes

• J.B. Kendall on Arrival:

  [01:45] "The journey had taken 98 days... the slim hope that there'd be a letter at the express office with my remittance from England."

• Sheriff Clanton on Gun Laws:

  [06:48] "No man except them authorized by me carries guns South Sunday. That way we don't get a bunch of crazy lickered up miners and the like shooting up the place."

• Lila Reflecting on Loss:

  [14:43] "We were both crazy. Young Harry joined up with Billy for excitement, I guess."

• Kendall on Principles:

  [11:33] "She took my hand and ran back up the street... into hers."

• Sheriff Clanton on Resolution:

  [21:55] "Lila wants to go home, and that's about what it'll cost."

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Conclusion

"Remittance Man" masterfully weaves a tale of intrigue, conflict, and redemption set against the backdrop of the Wild West. Through J.B. Kendall's journey, listeners gain a nuanced understanding of the complexities of frontier life, the struggle for personal integrity, and the enduring quest for peace amidst chaos. This episode stands as a testament to the enduring appeal of Old Time Radio dramas, capturing the essence of human emotion and the relentless spirit of the American frontier.

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Produced and directed by Anthony Ellis, this episode of Frontier Gentlemen features a stellar cast including Ben Wright, Jack Crucian, Michael Anne Barrett, Stacy Harris, Vic Perrin, and Barney Phillips, with music composed and conducted by Gerald Goldsmith. Join us next week for another enthralling installment from the Frontier Gentlemen series.

Transcript

[Styles MacKenzie]

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[J.B. Kendall]

Wayfair Every style, every home. They have some rather strange customs in the West. There's a town in Montana Territory where it's against the law to carry a gun. The sheriff lives by this order, but other men can die because of it.

[Narrator]

Frontier Gentlemen. Herewith an Englishman's account of life and death in the West. As a reporter for the London Times, he writes his colorful and unusual accounts. But as a man with a gun, he lives and becomes a part of the violent years in the New Territories. Now starring Ben Wright. This is the story of J.B. kendall, Frontier Gentleman.

[J.B. Kendall]

The journey had taken 98 days. From St. Louis, I'd come by riverboat up the Missouri. The little stern wheeler climbing, churning, scuttling over 2,000 miles of sandbar and rapid. Then into the lonely wastes of another swifter stream, the Yellowstone. Until we finally docked at South Sunday in Montana Territory. My ticket had cost $300, which left me about 50 in my pocket and the slim hope that there'd be a letter at the express office with my remittance from England.

[Justine]

Afternoon, Justine. Off the boat.

[J.B. Kendall]

Right. I wonder if there's a letter for me. J.B. kendall.

[Justine]

Kendall. Any trouble on the way up? I hear the Sioux been kicking up their heels. Sitting bulls. Making big medicine again. Don't sound good.

[J.B. Kendall]

Oh, we didn't see any kindle. Kindle?

[Justine]

English, ain't you?

[J.B. Kendall]

Yes.

[Justine]

Yeah, I figured by your talk. Don't see many of you in these parts. Nope. Nothing for you, mister.

[J.B. Kendall]

You're sure? It's rather important.

[Justine]

Nope, nothing. Maybe tomorrow on the Overland, though. Say, you planning to stay a while?

[J.B. Kendall]

I think so.

[Justine]

Better get and register, then register over to Sheriff Clanton's office. There's a notice on the wall, maybe missed. Your attention. All strangers to South Sunday will within one hour of arrival register at the office of the sheriff or be prosecuted. That's Clanton's orders. Surprised he missed the signs. They're all over.

[J.B. Kendall]

Well, thanks.

[Justine]

That's all right. Wouldn't want to see you in trouble. This ain't the healthiest town in the territory. Not for strangers.

[J.B. Kendall]

Oh. Any particular reason?

[Justine]

Sheriff's office. Six doors up, mister. Afternoon, Mr. Farley. This here's Mr. Kendall, just off the boat. I was telling him about registering.

[Jake Farley]

That's a good idea.

[Justine]

Jake Farley's one of the sheriff's deputies. Helps keep South Sunday law abiding. It's a big job in these times.

[Jake Farley]

What's your business, Mr. Kendall?

[J.B. Kendall]

Oh, well, you. You might call me a jack of all trades.

[Jake Farley]

I might.

[J.B. Kendall]

I do a little writing for a London newspaper. You know, an Englishman's view of the Wild West. That sort of thing.

[Jake Farley]

We don't take to strangers.

[J.B. Kendall]

Oh, really? Well, it's a shame. I've been looking forward to my visit.

[Jake Farley]

Yeah, well, you've seen it. Now you know what it's like. Suppose you get yourself back on the boat and try up the line of Rosebud at Junction City, huh?

[J.B. Kendall]

I don't think so. And now, if you'll pardon me, I'll register at your office.

[Jake Farley]

Are you carrying a gun?

[J.B. Kendall]

No.

[Jake Farley]

Get your hands over your head.

[J.B. Kendall]

Higher.

[Jake Farley]

Now, you just hold it just so. Hi. That's your baggage.

[J.B. Kendall]

Yes.

[Jake Farley]

Pick it up.

[J.B. Kendall]

Well, I don't suppose you'd like to give me a hand? No. No, I didn't think so. Uh, Farley, isn't it?

[Jake Farley]

That's right.

[J.B. Kendall]

Tell me, Mr. Farley, how did your town get its name?

[Jake Farley]

How should I know?

[J.B. Kendall]

Civic pride, perhaps.

[Jake Farley]

Mister, I don't like the way you talk or what you say, so you shut your mouth inside here. Just come in off the boat, Frank. Says he's a writer. Newspaper in London or something. He ain't carrying nothing. I searched.

[J.B. Kendall]

You're Sheriff Clanton?

[Sheriff Frank Clanton]

Yeah.

[J.B. Kendall]

J.B. kendall. I understand I have to register.

[Sheriff Frank Clanton]

Yeah. You want to write about South Sunday?

[J.B. Kendall]

I might.

[Sheriff Frank Clanton]

How come?

[J.B. Kendall]

Well, as a matter of fact, the name intrigued me.

[Sheriff Frank Clanton]

You kidding?

[J.B. Kendall]

No, not at all. I write about the west, and you're in the heart of it. From what I understand, there might be trouble brewing with the Sioux and the Cheyenne. I'd like to be here if it blows up.

[Sheriff Frank Clanton]

What's the name of your paper?

[J.B. Kendall]

The London Times.

[Sheriff Frank Clanton]

You ever hear of it, Duke?

[Jake Farley]

No.

[Sheriff Frank Clanton]

All kinds come to these parts. Mister, I ain't exactly calling you a liar.

[J.B. Kendall]

That's quite all right. One can't be too careful here. My papers.

[Sheriff Frank Clanton]

J.B. campbell.

[J.B. Kendall]

Mm.

[Sheriff Frank Clanton]

British subject, London time. That's what it says. You see, Dake?

[Jake Farley]

Yeah, that's what it says. Anyone else get off the boat with you?

[J.B. Kendall]

Not that I know of.

[Sheriff Frank Clanton]

Well, you sound all right to me, Mr. Kendall. I just remember I got a set of rules. You live by them while you're here. You'll get along.

[J.B. Kendall]

That seems fair enough.

[Sheriff Frank Clanton]

No man except them authorized by me carries guns South Sunday. That way we don't get a bunch of crazy lickered up miners and the like shooting up the place.

[J.B. Kendall]

Seems the usual thing for a man to be armed in most places.

[Sheriff Frank Clanton]

Well, it ain't usual here. It's again the law. I see you got yourself fixed up. The hotel?

[J.B. Kendall]

Not yet.

[Sheriff Frank Clanton]

Now you go over to the empire, Mr. Kendall. Tell them Frank Clanton sent you. They'll take care of you.

[J.B. Kendall]

Oh, that's very good of you, Dick.

[Sheriff Frank Clanton]

Take a look at his baggage.

[Jake Farley]

My.

[J.B. Kendall]

You're gonna search my luggage?

[Jake Farley]

That's right, mister. No guns in South Sunday. Not worn or hidden.

[Sheriff Frank Clanton]

That's a law.

[J.B. Kendall]

I haven't got one.

[Sheriff Frank Clanton]

Glad to hear. I like a peaceable man. Yes, sir. A fellow like you might think of settling down at South Sunday in the quietest little town of Montana Territory. It's an opportunity for a man.

[J.B. Kendall]

Now keep it in mind, Mr. Clanton.

[Jake Farley]

Ain't nothing in his bags, Frank.

[Sheriff Frank Clanton]

Well now, Mr. Kendall, you enjoy your stay. Anything you want, you just ask me. And I'd appreciate if you put my name and your paper, sir. And whatever you want to say is okay with me.

[J.B. Kendall]

My hotel room was a palace in comparison to the cabin on the riverboat. And after cleaning up, I went downstairs to the saloon bar in the hotel. Ordered a drink before dinner. The place was practically empty. But I wasn't alone for long.

[Lila]

Hi. You're the English fella, ain't you? Kendall.

[J.B. Kendall]

Yes, that's right.

[Lila]

I'm Lyla. I work here. Frank Clanton said to be nice to you. I'm being nice. Wanna buy me a drink? It's on Frank.

[J.B. Kendall]

Well, I'd be delighted to, but.

[Lila]

And champagne. Harry.

[Justine]

Yep.

[Lila]

Frank says it's not ladylike to drink whiskey. Say, what'd you do to that man? I ain't never seen him like this.

[J.B. Kendall]

He thinks I'm going to write about him for my paper.

[Lila]

Are you?

[J.B. Kendall]

More than likely.

[Lila]

You gonna write about me too?

[J.B. Kendall]

If you want me to.

[Lila]

I'm Dake, Farley's girl. Dake doesn't like you. He got mad when Frank said to be nice to you.

[J.B. Kendall]

Does everybody in South Sunday do what Clanton tells them to do?

[Lila]

Sure.

[J.B. Kendall]

Why?

[Justine]

Your drinks.

[J.B. Kendall]

Ah, well, good luck. Look here, Lila. What about Clampton?

[Lila]

You seem like a nice fella. Don't ask questions.

[J.B. Kendall]

Oh, well, what about you then?

[Lila]

Me? What do you care?

[J.B. Kendall]

Where are you from?

[Lila]

I was born in Ohio. Got married and came five years back. My husband got killed in a gunfire. I don't know, I kind of drifted around. Ended up here. One place is as good as the next.

[J.B. Kendall]

Is it?

[Lila]

I guess. What about you? Your home's in England, huh?

[J.B. Kendall]

It was.

[Lila]

You one of them lords or dukes or something?

[J.B. Kendall]

Oh, not exactly.

[Lila]

Married?

[J.B. Kendall]

No.

[Lila]

Must be interesting. Traveling around, seeing new things.

[J.B. Kendall]

It has its advantages.

[Lila]

But I suppose you'd like to get back home.

[J.B. Kendall]

Oh, let's just say that one place is as good as the next.

[Lila]

Oh, you can't go back, huh? Trouble?

[J.B. Kendall]

In a way. It's a. Oh, look, your friend's just come in.

[Lila]

Who?

[J.B. Kendall]

Mr. Farley.

[Lila]

Listen, you be careful with him. Day can get awful mean.

[J.B. Kendall]

Doesn't he take orders from Clanton too? I thought my person was sacrosanct.

[Lila]

Don't talk spank like that to him. It riles him. He ain't an educated man.

[J.B. Kendall]

Oh, Mr. Farley. Good evening. Will you join us?

[Jake Farley]

No, no. I just come to tell you not to get no ideas about Lila.

[J.B. Kendall]

Well, now, what ideas do you think I'd have?

[Jake Farley]

I'm telling you.

[J.B. Kendall]

You're telling me what?

[Jake Farley]

Telling you. Keep your hands off my girl. You understand?

[J.B. Kendall]

My dear fellow, I haven't touched your girl. The thought never even entered my mind.

[Lila]

We were just having a drink, Dake, like Clanton said.

[Jake Farley]

You keep out of this.

[J.B. Kendall]

You know, I find your manner towards this young lady rather offensive.

[Jake Farley]

Oh, mister, you. You. You're just asking for trouble, aren't you?

[J.B. Kendall]

No, not at all.

[Jake Farley]

Now, you think you can come in here with your fancy talk your fancy ways and make a fool out of me. Now, maybe Frank's a sucker, but not me. I don't like you and I don't trust you.

[J.B. Kendall]

Now, Mr. Farley, it couldn't be of less consequence what you think of me.

[Lila]

He'll kill you. Just shut up.

[J.B. Kendall]

Now, that I don't stand for.

[Dake]

Shall we?

[J.B. Kendall]

As I imagine, it's broken. Oh, and now, if you don't mind, I'll relieve you of these. Really, a chap of your disposition has no right running around with even one gun, let alone two.

[Lila]

You should have killed him.

[J.B. Kendall]

What on earth for?

[Lila]

Listen, there are two more beside Dake and Clanton. They'll get you. You won't have a chance.

[J.B. Kendall]

I think you better clear out before Mr. Farley stops bleeding. He is not going to be in a very nice mood.

[Lila]

Where are you going?

[J.B. Kendall]

Down to Mr. Clanton's office. I've got to have a little talk to him.

[Narrator]

In a moment, we return To Frontier Gentlemen, dinner time.

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[Narrator]

People who live in glass houses maintain a fine view of the world. But they do give up a great deal of privacy in the process. Folks who like their privacy but want to know what is happening in the world satisfy their needs another way. They make it a practice to keep their radios tuned to CBS radio every day of the week. That way they can enjoy their surroundings and still take advantage of our far flung CBS News facilities to keep an eye on the world. Keep an ear on CBS radio seven days a week now. Act two of Frontier. Gentlemen.

[Lila]

Mr. Kendall. Mr. Kendall, wait. You can't go down there. Dake went out the back. He'll have told Clanton by now. They'll be waiting.

[J.B. Kendall]

That's all right.

[Lila]

What's the matter with you? You want to die?

[J.B. Kendall]

No, of course not.

[Lila]

If you're gunning for them.

[J.B. Kendall]

Gunning for who? I'm not gunning for anybody.

[Lila]

Then why are you going to see Frank?

[J.B. Kendall]

I told you, I want to talk to him. Talk?

[Lila]

Listen, you got to get out of town. Don't you know who they are? Sure.

[J.B. Kendall]

Do I.

[Lila]

You don't know what you've done. You.

[Jake Farley]

Shh.

[Lila]

Quick. This way.

[J.B. Kendall]

She took my hand and ran back up the street. We ducked down a narrow alleyway, up a rickety flight which was a back entrance of the Empire Hotel. And then along a musty corridor past my room and into hers.

[Lila]

I don't think they'll think of looking for you here.

[J.B. Kendall]

Your friend Mr. Farley is going to be quite upset if they do.

[Lila]

His name, not Farley. Clanton isn't Clanton. They're the Shelton boys.

[J.B. Kendall]

Shelton? The New Mexico Shelton boys?

[Lila]

There are four of them. Brothers.

[J.B. Kendall]

What are they doing in South Sunday?

[Lila]

Hiding out from Billy the Kid. Day killed one of Billy's men down south. Billy swore to get them all for it. That's why Frant wouldn't let anybody around here carry a gun.

[J.B. Kendall]

But how do you know all this?

[Lila]

It was my husband. Dake killed your husband?

[J.B. Kendall]

With Billy.

[Lila]

We were both crazy. Young Harry joined up with Billy for excitement, I guess. One time he was gone out of town three months. I was lonesome and I met Dake. Harry came back. They had a fight over me. Dake out drew him. We ran away together.

[J.B. Kendall]

I see. And you thought I'd come after them. And that Billy had sent me.

[Lila]

They'll think it now, too.

[J.B. Kendall]

Who made Frank sheriff here?

[Lila]

Nobody. There wasn't one when we came. He. He just took over. Funny thing is, I guess he's a pretty good sheriff. He quit the old ways. Kind of likes it here.

[J.B. Kendall]

Why have you told me all this, Lila?

[Lila]

I don't know. You talked with me like I was a lady. Indian treats a squaw better than Dake treats me. Maybe I want to see you finish him.

[J.B. Kendall]

Well, it's not going to be very pleasant for you anymore.

[Lila]

Pleasant? Mister, you got a funny way of saying things.

[J.B. Kendall]

Is there anywhere that you could go?

[Lila]

Friends in South Sunday?

[J.B. Kendall]

What about home? I mean, Ohio home.

[Lila]

Know what it costs to get there? I got no money.

[J.B. Kendall]

But if you could.

[Lila]

If I could. I had nice folks. But I don't even know if they're alive or dead. I'd sure like to take a chance and find out.

[J.B. Kendall]

Well, Lila, we'll see what we can do.

[Lila]

Where you going now?

[J.B. Kendall]

To have that talk with Frank. Do you know how to use a gun?

[Lila]

Yes.

[J.B. Kendall]

You take this one. Lock yourself in after I've gone.

[Lila]

You keep it. I've got a derringer.

[J.B. Kendall]

All right here, in case I have any trouble. It's $50.

[Lila]

I don't want your money.

[J.B. Kendall]

Well, at least you'll be able to get out of town. Now you take it.

[Lila]

Watch yourself, will you? Dake's got a mean draw.

[J.B. Kendall]

I'll watch myself. The Shelton brothers and probably two of their chums were out looking for me now. I was pretty certain of that. I was looking for them, too, but the advantage was on their side. The town was strange to me. So I went to the one place where I was fairly sure I'd be safe from a surprise attack.

[Monroe Shelton]

The sheriff ain't here.

[J.B. Kendall]

What are you? Careful. Keep your hands where they are.

[Monroe Shelton]

You're Kendall.

[J.B. Kendall]

I'm Kendall.

[Monroe Shelton]

Your little kid sent you. Now, listen.

[J.B. Kendall]

You may very slowly, carefully unbuckle your gun belt and let it drop to the floor. If you try to be foolish and brave, I shall be delighted to shoot you in the stomach.

[Monroe Shelton]

Not me, Mr. Kendall. You see? Just like you said.

[J.B. Kendall]

Which Shelton are you?

[Sheriff Frank Clanton]

Monroe.

[J.B. Kendall]

Very well, Mr. Shelton. I wish you to walk to that cell in the far corner. Go in and close the door behind you. You will then stand with your back to the door.

[Monroe Shelton]

You wouldn't kill me.

[J.B. Kendall]

Oh, yes, I would. Now off. Close it, please. Good. These, I presume, are the keys to the cell?

[Monroe Shelton]

Yes, sir.

[J.B. Kendall]

Right. Now turn around, please. Now, I'm going to gag you. And in order to do so, I must put my guns away and use two hands. If by any chance your friends come in and you make an outcry while I'm doing this, I shall teach you a trick I learned in India. It feels like this. Effective. You understand?

[Sheriff Frank Clanton]

Yeah.

[J.B. Kendall]

Right. Head close to the bars, please. By the way, how many are there looking for me? 2. 3. 3. Now we'll make ourselves comfortable and wait for your brothers. I think they're coming. I remember what I told you. Mr. Shelton. Not a sound.

[Dake]

Kendall, we know you're in there.

[J.B. Kendall]

Blast.

[Dake]

Kendall, you hear me?

[J.B. Kendall]

Is there a back door?

[Justine]

Mm.

[Sheriff Frank Clanton]

Mm.

[Dake]

Come out with your hands up or we're coming in after you.

[J.B. Kendall]

All right, let's get that gag off. I can see I'm gonna need you. What? What are you going to do? I'll probably have to end up killing you. Nothing personal, you understand?

[Dake]

What do you say, Kendall? Won't you come open the door and throw your guns out?

[J.B. Kendall]

I've got a much better idea. You open the door and throw your guns in.

[Dake]

Monroe, you in there?

[J.B. Kendall]

Tell him. Yeah, I'm in here, Frank.

[Dake]

Kendall, you come on out. Maybe we can make a deal. You can keep your gun.

[J.B. Kendall]

I think it'd be safer if you came in without yours.

[Dake]

We could rush you. You couldn't get all three of us.

[J.B. Kendall]

You have my permission. I don't know how your brother will feel about it. You want to tell him now? Don't do anything crazy, Frank. He's got a gun at my head.

[Dake]

He'll kill me.

[J.B. Kendall]

Frank, I hate to do this, but I'm afraid they don't believe you. No, no, no.

[Dake]

Hey, Frank, you do what he says, all right? All right, Kendall. We open up the door. Throw down your gun. You give us your word you won't shoot?

[J.B. Kendall]

Not unless anymore.

[Sheriff Frank Clanton]

No. We're coming in now.

[J.B. Kendall]

Well, a pleasant family reunion. The brothers Shelton. Keep your hands where I can see them, won't you?

[Sheriff Frank Clanton]

Now, look, Billy the Kid made a mistake about what happened down south. Dake didn't mean to shoot Lila's husband, now, did you, Dake?

[Jake Farley]

I drew him, that's all.

[Sheriff Frank Clanton]

Yeah, that's the way it was. Lila knows it was a fair fight. I should tell you.

[J.B. Kendall]

Speaking of Lila, I hope she's well.

[Sheriff Frank Clanton]

She's all right. Now, we Got no fight with the Kid or you. Now, why don't we all go on down the saloon, have a drink, talk it over. Me and my brother's been living a nice, quiet life up here. We won't make no trouble now.

[Dake]

D.

[J.B. Kendall]

Completely dishonorable and most unwise. Any more hidden armaments?

[Sheriff Frank Clanton]

You. You going to?

[J.B. Kendall]

That depends, Mr. Shelton. Have you got $500?

[Sheriff Frank Clanton]

Yeah. Yeah, I guess so.

[J.B. Kendall]

Lila wants to go home, and that's about what it'll cost. You have the money here.

[Sheriff Frank Clanton]

It's in the safe. Sure. She could take the board out when it leaves in the morning. Ain't that so, Dake?

[J.B. Kendall]

Get it?

[Sheriff Frank Clanton]

Yes.

[J.B. Kendall]

Good. That settles the account. Now, all of you get into the cell. And incidentally, until this evening, I had no idea who you were. And I've certainly met. Never met your friend Billy the Kid. I thought you'd like to know.

[Sheriff Frank Clanton]

What about Jake? He's got to have a doctor. He'll bleed to death.

[J.B. Kendall]

Yes, he probably will. Well, I'm going back to the hotel, and if Lila's all right, I'll send a doctor. If she's not well, we'll find an undertaker.

[Lila]

I want to thank you, Mr. Kendall.

[J.B. Kendall]

Oh, that's nothing, Lila. Good luck.

[Lila]

You ever come Ohio where you look me up, you hear?

[J.B. Kendall]

I'll remember that.

[Lila]

You're a gentleman. I'll never forget you. Goodbye, Mr. Kendall.

[Justine]

Ah, morning, Mr. Kendall. Did you hear about the trouble last night? Yes, sure must have been something. According to the sheriff, a whole gang rode in, tried to shoot him up. He ran him off, though.

[J.B. Kendall]

Oh, really? I wonder, has that letter arrived yet?

[Justine]

Nope, Nope, afraid not. Mail's already come in. Won't be any more until next week.

[J.B. Kendall]

Oh, well, when it does come, perhaps you'd be kind enough to forward it to me.

[Sheriff Frank Clanton]

Sure.

[Justine]

What address?

[J.B. Kendall]

In care of the express office, Rosebud, Montana Territory.

[Narrator]

Frontier Gentlemen was written, produced and directed by Anthony Ellis and stars Ben Wright as JB Kendall. Featured in the cast were Jack Crucian, Michael Ann Barrett, Stacy Harris, Vic Perrin and Barney Phillips. Music was composed and conducted by Gerald Goldsmith. Join us again next week for another report from the Frontier Gentlemen.

[Lila]

Ra.