Lineup 50-11-30 The Cop Killer

Summary

Podcast Summary: "Lineup 50-11-30 The Cop Killer"

Podcast Information:

• Title: Harold's Old Time Radio
• Host/Author: Harolds Old Time Radio
• Episode: Lineup 50-11-30 The Cop Killer
• Release Date: April 29, 2025

---

Introduction

In the episode titled "The Cop Killer," listeners are transported to the gritty environment of a police headquarters in a bustling American city. The narrative delves into the painstaking process of identifying a murderer responsible for the death of Officer Fisher. Through intense dialogues and dramatic sequences, the story highlights the challenges faced by law enforcement in the absence of modern forensic technology.

Setting the Scene

The episode opens with an immersive portrayal of a police lineup session. Narrator sets the tone:

"Ladies and gentlemen, we take you now behind the scenes of a police headquarters in a great American city where under the cold, glaring lights will pass before us the innocent, the vagrant, the thief, the murderer. This is the lineup."
[00:30]

Introduction of Suspects

In the lineup, five suspects are introduced, each with distinct backgrounds and charges:

1. Alex Polk - Charged with breaking and entering.
2. Peter Machinsky - A narcotics suspect.
3. Nicholas Garcia - Accused of disorderly conduct.
4. Oscar Cook - Another narcotics suspect with prior offenses.
5. Ernest Schaefer - Also involved in narcotics.

Sergeant Greb oversees the lineup, providing instructions to the audience on identification procedures:

"Each of the suspects you will see will be numbered. I'll call out a number, their name, and charge... When I ask for questions or identifications, call out the number."
[01:27]

Witness Charlie's Identification Struggles

Charlie, a key witness, is brought in to identify the culprit. However, his ability to pinpoint the murderer is hindered by fear and uncertainty:

• Sergeant Greb encourages Charlie:

  "It's all right. They won't be able to see you. If you identify one of them, they won't know who you are."
  [01:08]

• Despite the reassurances, Charlie struggles to confidently identify any suspect:

  "I didn't take nothing. Nothing?"
  [02:52]

  "I should have rang the doorbell, I guess."
  [02:57]

This uncertainty leads the team to broaden their investigation, emphasizing the complexity of the case.

Officer Fisher's Investigation into Francis Black

The plot thickens as Captain and Lieutenant Ben Guthrie recount the circumstances leading to Officer Fisher's death:

• Bill, a colleague, details the failed stakeout:

  "Fisher got his confidence and made a deal to buy 10,000 in heroin. Supposed to meet Black last night at 8:00 in the bar."
  [06:28]

• The operation goes awry when Fisher fails to appear post-meeting, prompting a realization that they were set up:

  "Must have known Fisher was a cop before Black met him in the barn."
  [07:00]

Emotional Interactions with Fisher's Family

To humanize the story, Lieutenant and Captain visit Fisher's family, showcasing the emotional toll of the investigation:

• Captain comforts Fisher's wife, Jean:

  "Jean's a fine cook, too. I guess we spoil our men, don't we, Jean?"
  [09:19]

• The children, particularly little Jeff, add a personal dimension:

  "We can't stay long, Mom."
  [09:06]

These interactions underscore the personal losses and pressures that accompany police work.

Introduction of Joseph Bulger and FBI Involvement

The investigation gains momentum with the introduction of Joseph Bulger, an FBI agent who provides crucial insights:

• Bill introduces Bulger and his findings:

  "We've had Bojer before. Are you sure this is one of them?"
  [13:04]

• Charlie confirms Bulger's role in the case:

  "I seen him clear. Him and two others."
  [13:15]

Bulger's involvement signifies a collaborative effort to crack the case, highlighting inter-agency cooperation.

The Final Confrontation and Arrest

The tension culminates in a dramatic showdown with Shaw, the perpetrator responsible for Officer Fisher's death:

• As the team closes in, Lieutenant coordinates the operation:

  "Matt, cover the alley."
  [21:48]

• The confrontation unfolds with swift action:

  "Shaw came in and shot that officer."
  [25:40]

• The pursuit leads to Shaw's arrest after a tense exchange, emphasizing the relentless pursuit of justice:

  "Give it up."
  [27:16]

Conclusion

The episode concludes with the successful apprehension of Shaw, bringing resolution to the harrowing case:

• Sergeant Greb wraps up the lineup process:

  "Each of the suspects you will see will be numbered..."
  [28:38]

• Narrator provides final credits, acknowledging the cast and production team:

  "The lineup, starring William Johnstone as Lt. Ben Guthrie and Wally Mayer as Sgt. Matt Grab, was written by Blake Edwards..."
  [29:12]

The story not only illustrates the procedural aspects of police work but also delves deep into the emotional and psychological challenges faced by those in law enforcement.

---

Notable Quotes

• Sergeant Greb on Identification Procedures:

  "Each of the suspects you will see will be numbered. I'll call out a number, their name, and charge."
  [01:27]

• Charlie on Identification:

  "I didn't take nothing. Nothing?"
  [02:52]

• Bill on the Failed Stakeout:

  "Must have known Fisher was a cop before Black met him in the barn."
  [07:00]

• Captain on Family and Loss:

  "Jean's a good girl. Fine girl. My son was lucky."
  [10:07]

• Final Confrontation:

  "Give it up."
  [27:16]

Key Takeaways

• The Complexity of Identification: The episode highlights the difficulties in eyewitness identification, especially under pressure and fear.

• Inter-Agency Cooperation: Collaboration between different law enforcement agencies is crucial in solving intricate cases.

• Emotional Toll: The personal lives of officers and their families are deeply affected by the dangers inherent in their work.

• Persistence in Investigation: Despite setbacks, the relentless pursuit by the police leads to the eventual apprehension of the criminal.

For those who haven't listened to the episode, "The Cop Killer" offers a gripping portrayal of police investigation, blending procedural detail with emotional narrative to deliver a compelling story reminiscent of the Golden Age of Radio.

Transcript

[Styles MacKenzie]

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[Wayfair Voice]

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[Narrator]

Ladies and gentlemen, we take you now behind the scenes of a police headquarters in a great American city where under the cold, glaring lights will pass before us the innocent, the vagrant, the thief, the murderer. This is the lineup.

[Lieutenant]

Well, you can sit right here, Charlie.

[Charlie]

Yes, Lieutenant. Lieutenant, I.

[Lieutenant]

It's all right. It's all right. They won't be able to see you. If you identify one of them, they won't know who you are.

[Charlie]

He is Lieutenant.

[Lieutenant]

Now, just take your time and make sure. We've got to have these men.

[Wayfair Voice]

Charlie.

[Sergeant Greb]

May I have your attention, please?

[Lieutenant]

Have a cigarette.

[Sergeant Greb]

You people out there on the other side of the wire in the audience room. May I have your attention, please? Thank you. My name is Greb, Sergeant, not grab. I'll explain the lineup to you. Each of the suspects you will see will be numbered. I'll call off a number, their name and charge. If you have any questions or identifications, please remember the number assigned to the prisoner as I call his name at the end of each line. When I ask for questions or identifications, call out the number. If you're sure or not too sure of the suspect, have him held. The officers who took your name will assist you. They're seated among you. Please be prompt with your questions or identifications. When the prisoners leave here, they are sent to the bathroom and dressed back into their jail clothes. It makes it quite difficult to bring them back after they leave here. The questions I ask these suspects are merely to get a natural tone of voice. So do not pay too much attention to their answers as they often lie. Bring on the line.

[Wayfair Voice]

All right.

[Sergeant Greb]

All right. Move up to the end of the stage. That's right. Keep it moving. Keep it moving. All right, now turn and face front. Hands to your sides. Look straight ahead. Number one. Alex Polk, breaking and entering. Where do you live, Alex?

[Charlie]

718 East 108.

[Sergeant Greb]

On the night of November 16th, you broke into the house of R R Foster, 2243 South Rockford Street.

[Wayfair Voice]

I didn't take nothing. Nothing?

[Sergeant Greb]

Well, you don't have to in this state, Alex. Just breaking in is enough.

[Charlie]

Yeah, what do you know? As long as I didn't get nothing. I should have rang the doorbell, I guess.

[Sergeant Greb]

Number two, Peter Machinsky, narcotic suspect. Where do you live, Peter?

[Wayfair Voice]

Fairmont Hotel, Madison Avenue.

[Sergeant Greb]

That's a pretty nice hotel, Peter.

[Wayfair Voice]

Service ain't so good.

[Lieutenant]

How about it, Shelly?

[Charlie]

Where do you.

[Sergeant Greb]

I'm working right now, Sergeant. Peter, stand still.

[Wayfair Voice]

I'm sorry. I'm nervous.

[Sergeant Greb]

You got a monkey on your back?

[Wayfair Voice]

No, no, Sergeant. I put the junk down a long time ago. A year, anyway.

[Sergeant Greb]

Number three, Nicholas Garcia, Disorderly conduct. What's your business, Nicholas?

[Wayfair Voice]

I work for the city, Sergeant.

[Sergeant Greb]

This is your first offense, Nick.

[Charlie]

Yes, Sergeant.

[Sergeant Greb]

You were pretty drunk.

[Charlie]

My wife left me. Ran off with a guy.

[Sergeant Greb]

He wasn't a policeman, was he?

[Charlie]

No.

[Sergeant Greb]

You used some pretty luffy rough language on Patroman Death.

[Charlie]

I don't remember. I'm sorry.

[Sergeant Greb]

Well, watch your language the next time. Some of the boys are sensitive. Number four, Oscar Cook, narcotic suspect. Where do you live, Oscar?

[Wayfair Voice]

Live?

[Lieutenant]

How about that one, Charlie?

[Charlie]

Any one of them.

[Wayfair Voice]

Well, it's a frame.

[Charlie]

The pig slipped it on me when he picked me up.

[Sergeant Greb]

This is your third offense. It's going to be pretty rough.

[Charlie]

I wasn't hauling, see? The coolest, the pig stashed it on me.

[Sergeant Greb]

Look who's calling home a pig. Number five, Ernest Schaefer, narcotic suspect. Where do you live, Ernest?

[Wayfair Voice]

76 East 103rd Street.

[Sergeant Greb]

Where do you work?

[Lieutenant]

How about it?

[Charlie]

I don't work, son. Not that one, either.

[Sergeant Greb]

How long have you been putting it down, Ernest, huh? What are you dreaming about?

[Charlie]

Beats me. It's pretty crazy, though.

[Lieutenant]

Matt.

[Wayfair Voice]

Oh, hello, Ben.

[Lieutenant]

This is Charlie, man.

[Wayfair Voice]

Hello, Charlie.

[Charlie]

How are you, Sergeant?

[Wayfair Voice]

I'm sorry you couldn't identify any of those men.

[Charlie]

So am I.

[Lieutenant]

Take him down and show him the mug file. Maybe you can find one of them there.

[Wayfair Voice]

Yeah, sure, sure.

[Lieutenant]

I'm going up to Narcotics. I'll be in Captain Walter's office.

[Wayfair Voice]

Okay. Come on, let's go, Charlie.

[Charlie]

See you later, Lieutenant.

[Lieutenant]

Yeah.

[Captain]

32, 671 South Lincoln. Attention all units. All units in the vicinity of 45th Avenue and 108th Street. A 211 in a shooting, code three. Attention all units.

[Bill]

Hello, Ben.

[Lieutenant]

Hello, Bill.

[Wayfair Voice]

Relax here, old boy.

[Bill]

Identify any of them?

[Lieutenant]

No, and we'll keep trying.

[Bill]

Well, I'll have the boys keep hauling them in. Charlie can look at every narcotic suspect we've got a package on. Some we haven't.

[Lieutenant]

It's a rotten mess.

[Bill]

Yeah, rotten. You sure this Old bum can identify the three men?

[Lieutenant]

Charlie says he can. I don't know. He was flopped under the bridge. Says he heard the car pull up and stop. Got scared. Couldn't figure who'd be stopping that late at night.

[Bill]

He saw these guys kill Fisher.

[Lieutenant]

No, no, no, no. He didn't see them kill him. He heard the shot and looked up. Saw the three men lift Fisher over the railing and drop him in the riverbend.

[Bill]

And he could recognize three men standing up on a bridge late at night?

[Lieutenant]

He says so. Couple of lights on the bridge. Only 20ft to the riverbend. He says so. I hope he can.

[Bill]

I went over and saw Fisher's family myself.

[Lieutenant]

Yeah, I've had dinner over there. Mom's a great cook.

[Bill]

She took it pretty hard. So did his wife, Jean.

[Lieutenant]

Fisher was a good cop. Boys in the precinct are taking it pretty hard too.

[Wayfair Voice]

We'll get the guys.

[Lieutenant]

Fisher was going to make the contact at 8 tonight.

[Wayfair Voice]

Yeah.

[Bill]

You're supposed to meet a man named Black. Francis Black. My department's been trying to bust this ring for a long time. Fisher was close. Black was a pusher for the stuff. Fisher got his confidence and made a deal to buy 10,000 in heroin. Supposed to meet Black last night at 8:00 in the bar. And then Black was supposed to take him to the Big Boy. We had a stakeout in the bar and across the street Fisher met Black. All right. They got into Black's car and drove to the river where they took the ferry. We staked out a car on the other side.

[Lieutenant]

And they switched cars on the ferry.

[Wayfair Voice]

Yeah.

[Bill]

So we didn't catch on until Black's car didn't drive off.

[Lieutenant]

Had it all set up. Must have known Fisher was a cop before Black met him in the barn.

[Wayfair Voice]

Yeah.

[Lieutenant]

Now, what about Black?

[Bill]

We've got his apartments taken out, but he won't show.

[Lieutenant]

Ben, come on in, man.

[Bill]

Hello, Captain, I.

[Wayfair Voice]

You want to go over there now, Ben?

[Lieutenant]

Yeah, I guess so.

[Wayfair Voice]

I've got Charlie looking at the mugs with Sergeant Quine.

[Lieutenant]

Okay. Well, we'll see you later, Bill. We thought we'd take a few minutes and go over and see the Fisher's family.

[Bill]

It won't make you feel good, Mom.

[Lieutenant]

Fisher's fed the whole apartment at one time or another. She's a fine person. I'd feel a lot worse if I didn't stop by. Well, yeah. Well, go on, ring it. Okay. Hello, Gene.

[Captain]

Hello, Van. Hello, Met.

[Charlie]

Hi.

[Captain]

Come in.

[Lieutenant]

Thanks.

[Wayfair Voice]

Where's Mom?

[Captain]

In the kitchen fixing young Jeffy's Dinner? He'll be back from school soon.

[Lieutenant]

He's in school?

[Captain]

He's already gone before Bill came over and told us.

[Lieutenant]

Jane.

[Narrator]

I'm all right.

[Captain]

It won't be bad for a while. Till I get lonesome. Till I miss him. He's kind of numb now. Mom's in the kitchen.

[Wayfair Voice]

Little Jeff doesn't know?

[Captain]

Uh, he was already in school when we heard. I'll tell him tonight after his dinner. After he watches television.

[Wayfair Voice]

Mom.

[Lieutenant]

Oh, Mom. Oh, Mom.

[Captain]

Hello, boys. Matthew. Benjamin. Fixing Jeff something for his dinner. Some cookies, too, for later. Oatmeal cookies. He likes em. Would my two big policemen like some cookies?

[Lieutenant]

Well, we can't stay long, Mom.

[Captain]

I shouldn't have to entertain you in the kitchen, but the little ruffian has got an appetite like you, Matthew.

[Lieutenant]

Nobody's got an appetite like Matt, Mama.

[Bill]

It's your cooking, Mom.

[Captain]

Yeah, I'm a good cook. The men in my family are particular. Jeff's now eight and he's very particular. Jean is a fine cook, too. I guess we spoil our men, don't we, Jean? Oh, Mama. Jean, look in the oven and see if my cookies are done. Yes, Mama. They look done, Mom. Oh, you have to be going, Benjamin. Jean, you take the cookies out of the oven, and I'll go with my two big policemen to the door. Yes, Mama.

[Wayfair Voice]

Bye, Jean. Bye. Bye.

[Captain]

Please come back soon.

[Lieutenant]

Sure, sure.

[Captain]

Jean's a good girl. Fine girl. My son was lucky.

[Lieutenant]

What should we say, Mom?

[Captain]

Say, Benjamin, you have said it without saying it. My two big policemen, you have said it.

[Wayfair Voice]

Bye, Mom.

[Captain]

Matthew.

[Lieutenant]

Mom.

[Captain]

Benjamin.

[Lieutenant]

Oh, what is it, Mom?

[Captain]

The little ruffian, Little Jeff running this way down the block. I'll have to hurry and get him a few cookies so he can eat them while he watch us. Hop along, Cassidy.

[Wayfair Voice]

Mom.

[Styles MacKenzie]

We interrupt this program to bring you an important Wayfair message. Wayfair's got style tips for every home. This is Stiles Mackenzie helping you make those rooms sing. Today's style tip. When it comes to making a statement, treat bold patterns like neutrals go wild like an untamed animal. Print area rug under a rustic farmhouse table. From wayfair.com this has been your Wayfair style tip to get keep those interiors superior.

[Wayfair Voice]

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[Styles MacKenzie]

We interrupt this program to bring you an important Wayfair message. Wayfair's got style tips for every home. This is Nicole Byer helping you make those rooms flyer. Today's style tip when it comes to making a statement, treat bold patterns like neutrals. Go Wild like an untamed animal. Print area rug under a rustic farmhouse table from wayfair.com. oh, fierce. This has been your Wayfarer style tip to keep those interiors superior.

[Wayfair Voice]

Wayfair. Every style, every home.

[Captain]

Yes, Matthew.

[Wayfair Voice]

God bless you.

[Bill]

Oh, Ben. Yeah, Bill, I didn't want to call you over at Mom.

[Lieutenant]

Hey, what's the matter?

[Bill]

I just brought a guy in a 211 shooting. Francis Black.

[Lieutenant]

Oh, dead.

[Bill]

Very. Four slugs them. I was just going to get that old bum for an identification.

[Wayfair Voice]

He's down with Sergeant Quine. Yeah.

[Lieutenant]

Yeah. Let's go get him. Where'd they find the body?

[Bill]

45Th and 108th Street. Witness say he came out of a hotel and somebody opened up across the street with rifles. Man who runs a jewelry store caught a wild shot in the hip. How was Mom?

[Wayfair Voice]

Oh, magnificent. I feel terrible.

[Lieutenant]

I want to get those guys, Bill.

[Sergeant Greb]

Fine.

[Charlie]

Matt.

[Sergeant Greb]

Yeah?

[Wayfair Voice]

Bring Charlie here.

[Charlie]

He found something.

[Wayfair Voice]

Charlie found something.

[Lieutenant]

He spotted one of them.

[Charlie]

I found one, Lieutenant. I found one.

[Lieutenant]

You sure?

[Wayfair Voice]

Charlie says this is one of them. I just take it. Just going to call him.

[Charlie]

Yeah, that's one of them, all right. That's one of the fellows that pushed that guy off the bridge.

[Wayfair Voice]

Here's his package.

[Lieutenant]

You know him, Bill?

[Wayfair Voice]

Yeah.

[Bill]

Joseph Boer, FBI.

[Lieutenant]

Kickback here.

[Bill]

We've had Bojer before. Are you sure this is one of them?

[Charlie]

Yeah, I seen him clear. Him and two others.

[Lieutenant]

Charlie.

[Charlie]

Yeah. Lieutenant.

[Lieutenant]

No mistake?

[Charlie]

No, sir. I mean it, Lieutenant. That fellow right there is one of the men.

[Bill]

I'll put out a picker.

[Lieutenant]

We'll be in the morgue.

[Wayfair Voice]

Come on, Charlie. We got another one for you.

[Lieutenant]

Another one down in the morgue. He was mixed up in it. Might have been one of the three who pushed Fisher off the bridge.

[Narrator]

Hi, Matt.

[Wayfair Voice]

Lieutenant. Hi. The one you just got in, George.

[Bill]

211 shooting Francis Black.

[Lieutenant]

Yeah, that's right.

[Bill]

Right here.

[Lieutenant]

Come here, Charlie.

[Wayfair Voice]

Stand right there. Okay, that's it.

[Lieutenant]

Pull it back, George.

[Wayfair Voice]

Sure.

[Lieutenant]

Well? Know him?

[Charlie]

I.

[Lieutenant]

Well? Yes or no?

[Charlie]

I think so.

[Lieutenant]

You do?

[Charlie]

It's hard to tell with him lying down.

[Lieutenant]

Set him up.

[Charlie]

Oh, I would. Look.

[Wayfair Voice]

All right.

[Lieutenant]

Set him up, John.

[Wayfair Voice]

Sure. Well, Charlie, that's one of them.

[Lieutenant]

Sure?

[Charlie]

Yeah, I'm sure. Lieutenant.

[Bill]

I've got a dragnet out on Joseph Bulger.

[Lieutenant]

Well, if Charlie's identifications are right, we've tagged two of them, Bill.

[Bill]

Pretty easy to figure why Francis Black was killed. Guys with those rifles didn't like him getting mixed up with a cop. Knew we had him spotted, so they blasted him before we could pick him up?

[Wayfair Voice]

Yeah.

[Lieutenant]

You said that Fisher made his contact with Francis Black in a bar. What bar?

[Bill]

A place on 73rd Street. Angelo's. We've got a man watching it.

[Lieutenant]

What about the guy who runs it?

[Bill]

No record. Name's Angelo Giuseppe. We talked with him, showed him Black's picture. Never saw him before. Didn't remember him coming in last night.

[Lieutenant]

Has he seen the mug on Joseph Bolger?

[Bill]

Not yet. You want to take it over?

[Lieutenant]

Yeah, long shot, but I don't want to sit around and wait.

[Bill]

I don't blame you.

[Lieutenant]

Let me know if you get anything. I don't want to miss it.

[Bill]

Nobody does. Everybody wants in on this one.

[Narrator]

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[Charlie]

Sure, Lieutenant. I talked with some of your boys this morning. They showed me the picture of some guy named Francis Black.

[Lieutenant]

Angelo?

[Charlie]

Yeah. Yeah, he was supposed to have been in my place last night. Supposed to have met that couple that got killed, but I never saw him.

[Wayfair Voice]

I see.

[Lieutenant]

Well, how about this guy?

[Charlie]

Let me get my glasses.

[Wayfair Voice]

All right.

[Lieutenant]

Name's Joseph Bulger.

[Charlie]

Let's see.

[Lieutenant]

Yeah, Joseph Bolger.

[Charlie]

Hey, Lieutenant.

[Lieutenant]

Yeah?

[Charlie]

This one. This one's been in my place many times.

[Lieutenant]

Joseph Bulger.

[Charlie]

Well, he don't call himself Joseph Bolger, Al, I think.

[Lieutenant]

And when was the last time he was in Angelo?

[Charlie]

Oh, two, three days ago, I think. Comes in once or twice a week. Been coming in once, twice a week for about a year. Once or twice a week, I said.

[Lieutenant]

Well, how well do you know him?

[Charlie]

Well, not too well. He don't say much. I know he calls himself Al. I don't know something.

[Lieutenant]

Never said where he lived.

[Charlie]

Well, never said nothing. No, I. I heard a couple of guys call him Al one time or another. Yeah, I always said hello, Al when he came in. It's a good policy. Yeah, customers, names make them want to come back.

[Lieutenant]

Look, Angelo, you haven't seen him in two or three days?

[Charlie]

No, but probably. And I'm sure he lives around here.

[Lieutenant]

Oh, why are you sure?

[Charlie]

Well, a guy don't keep stopping into a bar once or twice a week for a year in the evenings. Don't live close by, you know, you. You go out of your way to a real classy joint, maybe, but not to my place. It's nice. It's comfortable. I don't water my drinks. But class I ain't got.

[Lieutenant]

Angelo.

[Charlie]

Yeah, yeah, look.

[Lieutenant]

Then this is Sergeant Grab. Angelo.

[Charlie]

Hello, Sergeant.

[Wayfair Voice]

Hello, Angelo.

[Lieutenant]

Angelo. Starting now, there'll be two offices in your place from the time you open in the morning till you close at night. Sergeant Greb and I'll take over for today. Tomorrow there'll be probably two others.

[Charlie]

All right, L.C.

[Lieutenant]

Now, look, if Joseph Bulger comes in, try to act like there's nothing wrong, understand?

[Wayfair Voice]

Yeah, but.

[Sergeant Greb]

Get out of the way.

[Wayfair Voice]

Go to the back room or something.

[Lieutenant]

And we'll try to take him without any shooting.

[Wayfair Voice]

Yeah, yeah.

[Lieutenant]

And now we'll sit over at that table. Bring us a beer or something. Okay.

[Charlie]

Glad I paid my insurance last month.

[Lieutenant]

You think Bolger will show? I hope so, man.

[Wayfair Voice]

The captain's got a bunch of boys out with pictures covering this area for about three miles each way.

[Lieutenant]

That's a lot of walking.

[Wayfair Voice]

Yeah. Yeah.

[Lieutenant]

Oh, thanks. Now, just forget about us, Angelo.

[Charlie]

That ain't easy.

[Lieutenant]

We'll try to act like it.

[Charlie]

Well, that I can do.

[Wayfair Voice]

What's the time?

[Lieutenant]

It was 3:40.

[Wayfair Voice]

Cop spends half his time waiting.

[Charlie]

12:00, boys.

[Lieutenant]

Oh, yeah. Now, there'll be two more tomorrow morning.

[Charlie]

Sure, sure.

[Wayfair Voice]

Good night, Angelo.

[Charlie]

Good night. Good night.

[Lieutenant]

Yeah. Hate to do that every day.

[Sergeant Greb]

Yeah, Yeah.

[Wayfair Voice]

I can't think of anything more terrible than sitting all day and half the night watching a perfectly good beer go flat.

[Lieutenant]

Morning.

[Bill]

Good morning, Ben.

[Lieutenant]

Well, three days now, Bill.

[Bill]

Yeah. Quite an Asher in the bar today.

[Lieutenant]

Matt and I go tomorrow again.

[Bill]

Wish we'd get something.

[Lieutenant]

Take it easy. Take it easy.

[Bill]

How close can you get? Got one. Identify the other. My boys have showed Bulger's picture to everybody in that area. Nobody knows him, nobody's seen him.

[Lieutenant]

Yeah, yeah, I know. Too bad more of us couldn't have been to Fish's funeral.

[Bill]

I'm sure mom understood.

[Lieutenant]

Ben.

[Bill]

We've run in every narcotic suspect we can get our hands on. We've sweated stoolies for three days now. We've questioned every hood in the city. We've got all the roads covered, airports, bus stations.

[Wayfair Voice]

Where is Bulger?

[Lieutenant]

I wish I knew. I'll see you later. I gotta go down to the line.

[Bill]

Okay.

[Sergeant Greb]

Ben.

[Lieutenant]

Yeah?

[Wayfair Voice]

Get mad. Just got a call. Bo is in the Bar. Now.

[Bill]

I told Klein not to take him till we got here.

[Wayfair Voice]

How do we do it?

[Lieutenant]

Well, the more of us, the less chance of Bo just using his gun. Now, Matt, cover the alley.

[Wayfair Voice]

Right.

[Lieutenant]

All right, let's go.

[Wayfair Voice]

Bill.

[Lieutenant]

Let me go in first. I'll get next to him. Let's see. Give me about 30 seconds.

[Wayfair Voice]

Okay.

[Lieutenant]

Hello, Angelo.

[Charlie]

Oh, hello.

[Lieutenant]

Hello. A beer, please.

[Charlie]

Coming up. There you are.

[Lieutenant]

Thanks.

[Charlie]

How you been?

[Lieutenant]

Oh, fine, fine.

[Charlie]

Oh, my gosh.

[Lieutenant]

What's wrong?

[Charlie]

I forgot to call my wife. She'll kill me.

[Lieutenant]

Don't move. Bolger.

[Bill]

He said don't move.

[Sergeant Greb]

Look out.

[Bill]

Fine.

[Wayfair Voice]

Asher, go. Let me go.

[Sergeant Greb]

Get him out in the alley now.

[Wayfair Voice]

I got his gun.

[Sergeant Greb]

Open the door.

[Wayfair Voice]

There. Get out there.

[Charlie]

Hey, what is this?

[Wayfair Voice]

Now, wait a minute.

[Lieutenant]

We want the other guy.

[Charlie]

What other guy?

[Wayfair Voice]

What are you talking about?

[Bill]

You know what we're talking about, you lousy cop killer.

[Wayfair Voice]

No. You're going to tell us where he is.

[Sergeant Greb]

No, no, no, no. Wait.

[Lieutenant]

Ball. Jim. You got 10 seconds to make. Hello.

[Narrator]

Hi.

[Wayfair Voice]

What'll it be?

[Lieutenant]

Better make it a Thompson on a shotgun.

[Wayfair Voice]

One Thompson, one shotgun. There's the Thompson. Okay. Who gets the shotgun?

[Bill]

I'll take it. Okay.

[Charlie]

How much ammunition?

[Lieutenant]

Two drums for the Thompson, six rounds for the shotgun.

[Wayfair Voice]

Yeah. Sign up.

[Bill]

Okay.

[Lieutenant]

What's the number on the Thompson?

[Wayfair Voice]

676-12-67612.

[Lieutenant]

One Thompson, a shotgun.

[Wayfair Voice]

645-12-8645128. Yeah. Two drums for the Thompson, six rounds for the shotgun.

[Lieutenant]

Okay.

[Wayfair Voice]

I sure been hopping the last half hour. Everybody's been down here. We've got our lead on the third guy who killed Fisher. Yeah, I heard. Some guy named Shaw. Yeah, well, this is one time I don't mind being busy.

[Bill]

We've got the area closed off. Two men at the alley entrance, cars at the end of the blocks, three cars on the street here.

[Lieutenant]

Where's Shaw?

[Bill]

We talked with a hotel clerk. Says Shaw hasn't come in yet. Usually comes in between seven or eight. Klein? Sitting in the lobby.

[Wayfair Voice]

Do we wait in his room, Captain?

[Lieutenant]

Yeah.

[Bill]

Nearly seven now. Shaw's room is 208.

[Narrator]

Clerk.

[Charlie]

Yes, sir?

[Bill]

Give us the key to 208.

[Wayfair Voice]

Yes, sir.

[Charlie]

There you are.

[Bill]

Quine.

[Wayfair Voice]

Yes, sir.

[Bill]

We're going up to the room. If Shaw comes in, just get behind him, follow him up.

[Narrator]

Right, Captain.

[Bill]

Take the elevator.

[Lieutenant]

Two?

[Wayfair Voice]

Yeah.

[Bill]

Office called Bulger, signed a full confession. Bulger and Black were pushing the stuff for sure.

[Wayfair Voice]

2:15.

[Captain]

2:14.

[Wayfair Voice]

And down this way.

[Bill]

Sean Boer met Black and Fisher on the ferry. Shaw recognized Fisher. As a cop. Drove the bridge, killed him.

[Lieutenant]

Yeah. Oh, here. 208. Bulger still says Shaw pulled the trigger.

[Wayfair Voice]

Yeah. Hey. Hey.

[Lieutenant]

Come on, let's go.

[Wayfair Voice]

Take the stairs.

[Lieutenant]

Matt.

[Charlie]

Captain, Shaw came in and shot that officer.

[Lieutenant]

Yeah. Quiet.

[Wayfair Voice]

Quiet. He saw me start after him and.

[Charlie]

He started shooting his.

[Bill]

Down in the basement stairs.

[Charlie]

Right over there.

[Lieutenant]

Get an ambulance.

[Wayfair Voice]

Go and tell them.

[Lieutenant]

Get an ambulance. Come on, man.

[Wayfair Voice]

Yeah. You, clerk, stay with this man.

[Charlie]

Yes, sir.

[Lieutenant]

Down here, Matt.

[Wayfair Voice]

You want some light?

[Lieutenant]

No, I go around that way.

[Sergeant Greb]

Right.

[Wayfair Voice]

Must have gone through that door.

[Lieutenant]

No, no, no. Look.

[Wayfair Voice]

Service elevator. He's going up. Yeah.

[Bill]

The roof.

[Lieutenant]

Come on, let's go.

[Bill]

He can't get off. He's 10 stories up. Two boys coming up the fire escape.

[Lieutenant]

He's probably waiting for us to come through this door. And I'll stay low, go through one at a time.

[Bill]

What about that Thompson? It'll throw slugs all over the city.

[Lieutenant]

I won't use it unless I have.

[Wayfair Voice]

To keep the door open. I'll go first.

[Lieutenant]

Okay, Matt.

[Sergeant Greb]

Go right. I got him pinned down.

[Lieutenant]

Let's go, Bill.

[Sergeant Greb]

He's behind that row of vents near that big air conditioning unit. Spread out. Look out, Captain. Sure. Give it up.

[Wayfair Voice]

They're all around you. He's coming around your way now, Matt.

[Sergeant Greb]

There we are, Bill. Just a minute.

[Wayfair Voice]

All right, I'll go around this way. He's coming back.

[Lieutenant]

He's circling.

[Wayfair Voice]

Watch it, Ben.

[Sergeant Greb]

Sure.

[Wayfair Voice]

Ben.

[Sergeant Greb]

Okay, boys.

[Wayfair Voice]

You get him, Ben?

[Sergeant Greb]

Yeah.

[Lieutenant]

Let's get him off the roof.

[Wayfair Voice]

Get out of this wind.

[Bill]

I should have worn a heavier coat.

[Wayfair Voice]

Yeah.

[Bill]

Yeah.

[Wayfair Voice]

A guy could catch a bad cold up here.

[Narrator]

The lineup. Where before you pass the innocent, the vagrant, the thief, the murderer. Listen again next week when we again bring you the lineup.

[Sergeant Greb]

May I have your attention, please? You people out there on the other side of the wire in the audience room. May I have your attention, please? Thank you. My name is Greb. Sergeant Nat Greb. I'll explain the lineup to you. Each of the suspects you will see will be numbered. I'll call out my number, their name in charge. If you have any questions or identifications, please remember the number assigned to the prisoner as I call his name, at the end.

[Narrator]

The lineup, starring William Johnstone as Lt. Ben Guthrie and Wally Mayer as Sgt. Matt Grab, was written by Blake Edwards with music by Eddie Dunstetter. Featured in tonight's cast were Junius Matthews, Stacy Harris, Larry Dobkin, Jay Novello, Lou Krugman, Jack Moyles, Eda Reese Marin, Ed Begley and Virginia Gregg. The lineup is produced and directed by Jaime Del Valle. Every Friday night, Broadway's My Beat brings you the latest adventure adventure of Danny Clover, the handsome young plainclothesman who patrols the Great White Way. Wealthy playboys and panhandlers, Apple Annie's and chorus girls, flashy big shots and shoeshine boys. They're Danny's friends and when a crime is committed, their inside stories help Danny to find the thief or killer. Friday night also brings you the CBS famous anti crime series, up for Parole. The hard hitting factual stories of men and women behind bars who seek another chance at freedom. You're sure to enjoy both Broadway's My Beat and Up for Parole. They're heard every Friday on most of these same CBS stations. This is cbs the Stars address the Columbia Broadcasting System.

[Captain]

RA.