Transcript
A (0:01)
Hey, this is Sarah. Look, I'm standing out front of a.m. p.m. Right now and, well, you're sweet and all, but I found something more fulfilling. Even kind of cheesy. But I like it. Sure, you met some of my dietary needs, but they've just got it all. So farewell, Oatmeal. So long, you strange soggy.
B (0:19)
Break up with bland breakfast and taste AM PM's bacon, egg and cheese biscuit made with K tree eggs, smoked bacon and melty cheese on a buttery biscuit. AMPM Too much Good stuff.
C (0:39)
Ladies and gentlemen, we present in dramatic form another of the stories especially selected for us by Edwin Balmer, the distinguished editor of Red Book Magazine. We are pleased to announce that the publishers of Red Book Magazine have given us special permission to. To broadcast these stories. Mr. Ballmer is here with us. And before the story begins, we're going to ask him to tell you his reasons for selecting Elaine Stern Carrington's story the kid. Mr. Ballmer.
D (1:04)
Thank you, Mr. Clementer. Elaine Stern Carrington is distinguished by her unusual ability to present human situations in the life of our day. She writes most sympathetically and with great insight into character. As you will see in her story, the Kiss. It is about a little girl who got in the way of her mother's selfish ambitions. And bravely solved her own problems for herself. Betty is played by Florence Hallis, who is just eight years old today.
C (1:32)
Betty and her colored nurse Alex and her beautiful mother Pearl have been in Hollywood. But now they're in New York. Betty will see her stepdaddy again. Oh, it's been such a long time.
E (1:44)
We're gonna see Jimmy. We're going to see Jimmy.
F (1:47)
Hurry up with those bags, Alex. Betty, will you stop fidgeting and come on? An 8 year old kid ought to know how to act right off that little ground.
E (1:56)
Said I'll take you back. I see Jimmy on the platform. There's Jimmy. Jimmy.
B (2:14)
Well, here's the place. Remember it, Betty. Gee, little kid, you've gone up a mile.
E (2:19)
Hey, Lee.
F (2:19)
Go on.
E (2:19)
Me?
B (2:20)
We gotta get out here. Here we are, Pearl. Say, you look like a million.
