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Vito Corleone
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Narrator
True stories of people and places, priceless treasures or humble keepsakes, each with a beginning, none with an ending. The reason they vanish without trace. The fifth largest country in the world, comprising 1/15 of the terrestrial surface of the globe. An area of 3,275,500 square miles. Three and a quarter million square miles of mystery. But in one of those square miles lies the answer to this story. Where is this unknown square mile to be found? In Brazil? South America. In that unknown square mile of Brazilian jungle lies the answer to a question, to a story that began in the study of Colonel P.H. fawcett, noted British explorer.
Francisco Raposo
So there you are, you see. Now, where are the lost mines? In Murray, wake up. Right here, my boys. Right here on this square of crackled parchment.
Vito Corleone
But.
Jack Fawcett
Well, do you really think it's the genuine thing, Father? I mean, not a forgery?
Francisco Raposo
Now, Jack, you doubt my judgment after all the years I've spent wandering about the globe? Jack could be right, Father.
Jack Fawcett
After all.
Pablo
Well, I mean to say, a document.
Narrator
Sharing the trail Francisco Reposer took when he found the fabulous Mirabika mines.
Francisco Raposo
Well, it could be a fake. It'd take more than words to change my mind. This time. My boy, this is not just an adventure. It's. Well, it's like suddenly finding a pot of gold at the end of the rainbow.
Jack Fawcett
The lost treasures of a complete civilization. And all we have to do is to go and collect it.
Francisco Raposo
That's right, Jack. And all due to the man who drew this map almost two centuries ago. The Portuguese explorer Francisco Raposo.
Narrator
That is how the Colonel Fawcett mystery began in the study of his home in England in the year 1925. But what of the answer to the mystery? Did the Portuguese explorer find the answer 200 years ago?
Pablo
I tell you, Rafuso, if we try the hand of faith one more week, the fingers of destiny will squeeze the very blood from our hearts.
Vito Corleone
Oh, he had one more week to attend your search. It might be the difference between finding this lost city that has been become the legend of the native South Car. You hear?
Pablo
It is a sound again.
Vito Corleone
It comes and it goes. We see nothing, feel nothing. Just this rumble.
Pablo
And if you had doubts about our men before, then regard their faces this very minute.
Vito Corleone
Look.
Pablo
Look at him back there.
Vito Corleone
All right, Pablo. Tell the men we camp here tonight. We can't go any further forward till we find the way around this huge mountain of rock.
Narrator
The men of Portugal, the native bearers of Brazil. Both groups begin making camp with relief. Each man smiling now at his neighbor. The reason for the smiles taking the place of fear. The statement made by Francisco Raposo, their leader.
Vito Corleone
Here's Pablo. We'll turn back tomorrow. After today we shall start putting our adventures behind us.
Pablo
And this unscalable wall of mountain rock, we put that behind us too.
Vito Corleone
Yes, you are right, Pablo. We probably couldn't have found a way around it. And certainly never climbed over the top. Yet the native legends definitely center the last civilization to be in this district. What is to be will be.
Pablo
You need the rest as much as do the men.
Vito Corleone
Perhaps. Now help me erect, my gentle. You take the manpole. Listen to me.
Pablo
That sound coming again.
Vito Corleone
This time it seems closer or louder.
Pablo
Francisco, look. Look at the trees and the mountain shapes.
Vito Corleone
As though by the fingers of a giant wind.
Pablo
But there is no wind.
Vito Corleone
Pablo, look out.
Pablo
The mountain. The mountain is bursting. A thunder.
Vito Corleone
An earthquake.
Narrator
It.
Vito Corleone
Everybody. Come on, all of you, lie down. Keep as low to the ground as you can. Protect your head with your hands. Come on, all of you.
Francisco Raposo
If you value your lives, get down.
Narrator
Before the eyes of the startled men, the entire wall of rock began shaking and burst in quick shivers of terrestrial convulsions. Then suddenly the ground beneath them began to vibrate. The shots increased in tempo, violence and sound. And then, with a nerve shattering roar, a great black line began to cleave the wall of rock. A black line that grew wider as the granite, hard stone wall snapped slowly into a narrow ravine. And with this dramatic performance of nature, the movement ceased. And slowly the sounds of the earthquake fell faded into the lost echoes of the jungle around them.
Vito Corleone
You talk of leaving, Pablo. Leaving one of the greatest adventures we could possibly attempt.
Pablo
You're going to walk into that canyon. You're going there now from beginning to end.
Vito Corleone
It's a chance in a lifetime. Don't you see, Pablo?
Pablo
I can only see the writing on the wall on that wall of rock when the mountainside closes the gap with our feeble bodies inside it to be crushed like so many eggshells.
Vito Corleone
Oh, but that Is the talk of a Portuguese washerwoman. Pablo, one thing I must do before I go. Draw a map to show where we are and to mark the location. Well, hand me that parcel from the sack over there.
Pablo
Do you know the location?
Vito Corleone
Almost to a mile. Remember, the Rios Mortis flows less than two miles from here. So, George, I. So.
Pablo
Yes, I know, Francisco. And I know also what the name of the river means. River of Death.
Narrator
Step by step, the two men feel their way through the twilight shadows of the narrow ravine. A gigantic crack in the side of the mountain. A 2000 foot slit that could close up as suddenly as it had opened.
Vito Corleone
Hello. Hello. You feel the rock face here? See how warm it is? So hot to the touch.
Pablo
Ah, keep walking, Raposo. I will feel happier when we are out in the open again.
Vito Corleone
It is almost suffocating in here, isn't it? The air is so hot, just so thick. Pablo, did you feel that?
Pablo
You mean the. The cool breeze?
Vito Corleone
Come, Pablo. Canyon bends a little up here. No, it can't be.
Pablo
Can't be looked on the other side of the mountain. A big wide valley. So beautiful, so green.
Vito Corleone
Yes, Pablo, So you see it also. A ruined city broken by the giant hand of an earthquake. But not by the earthquake of today. One perhaps thousands and thousands of years ago.
Pablo
It is the lost city of Muriveca.
Narrator
Rapposo wrote of the strange discoveries of his feet treading the ancient streets of black cobblestones, of the huge buildings constructed from tremendous blocks of mortalist rock, of the elaborate carved porticos, the strange shaped obelisks of black stone. And of the temple and palace, a massive structure to an unknown God, a personage the people had worshiped and paid their tributes in silver and gold. Francisco Raposo had in his hands the entire fortunes of a lost people. A fortune he couldn't possibly entirely carry away. And 200 years after Raposo's discovery, another man is making the final plans to find the same square mile lost in the Brazilian jungle.
Francisco Raposo
Well, now that we're here, what do you think of it, my boy?
Jack Fawcett
Oh, Rio de Janeiro. It's beautiful, father. Like a page from a travel book.
Francisco Raposo
Yes, well, you take your fill of the Rio tonight from the hotel window, because it's the last you'll be seeing over for a long time. Who knows how long.
Jack Fawcett
You mean everything set for the expedition?
Francisco Raposo
Yes, my boy. We move out tomorrow.
Narrator
So, in the year 1925, just 182 years after Raposo's discovery, Colonel Fawcett leads his party into the green darkness of the Brazilian Jungle days stretch into months, but still the narrow cleft of rock eludes them. And then, on 29 May, while his father is writing a letter home, Jack Fawcett enters the lean to tent.
Francisco Raposo
Oh, hello, my boy. Anything you want me to mention in my letter home?
Narrator
No, I'll.
Jack Fawcett
I'll write later this week.
Francisco Raposo
Something on your mind, Jerry?
Narrator
Just.
Jack Fawcett
Well, I don't know. Perhaps. Well, perhaps you'd call it a premonition.
Francisco Raposo
Premonition, eh? A what?
Jack Fawcett
I don't know really. Just. Oh, that's silly, I suppose.
Francisco Raposo
No, not at all. I've seen some very strange predictions amongst my adventurers.
Jack Fawcett
Well, it's just that I think the canyon we're looking for is definitely within walking distance of this camp.
Francisco Raposo
What's the date today?
Jack Fawcett
May 29th.
Vito Corleone
Why?
Francisco Raposo
I just wanted to date this letter for home, that's all. Well, now, that's my duty done. I give it to the native bearer leaving for Sour Polo. Then you can post it to England. You can take a walk before supper. Which way would you like to go first?
Jack Fawcett
Well, just before we stop this afternoon, I thought I saw a dark shadow on one part of the cliff road.
Francisco Raposo
A shadow, eh? Well, that could possibly be the entrance to a narrow ravine. All right, Jack, this time you lead the way.
Jack Fawcett
I'll just get my helmet.
Narrator
What happened on that quiet twilight walk can never be answered. For the letter he wrote was the last word ever received from Colonel Fawcett and his expedition. He and his son had walked into the green shadows of the jungle. The simply vanished without trace. No effort was spared to discover the whereabouts of the missing English expert expedition. Varied and sometimes distorted information only added to the mystery. All further attempts to find a narrow canyon into the lost city of Murray Vaca have failed. Some reports indicate Colonel Fawcett may have actually found and entered the canyon, only to have nature twist the face of the mountain into another earthquake, closing his only exit. Perhaps Colonel Fawcett did find his lost civilization. Perhaps he discovered his dream too late. Only the Brazilian jungle knows the answer. For to the rest of the world, Colonel Faucet's expedition had simply vanished without trace. Listen again to another fascinating adventure in this series, Vanished Without Trace.
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Podcast Summary: "Vanished Without Trace"
Harold's Old Time Radio
Release Date: May 16, 2025
The episode "Vanished Without Trace" delves into one of history's most enduring enigmas: the disappearance of Colonel P.H. Fawcett's expedition in the Brazilian jungle. Set against the backdrop of the early 20th century, the story intertwines exploration, mystery, and the relentless pursuit of legendary lost cities.
Narrator [00:44]:
"True stories of people and places, priceless treasures or humble keepsakes, each with a beginning, none with an ending. The reason they vanish without trace."
This opening sets the tone, highlighting the allure and peril of exploration during an era when radio was the primary medium for storytelling and information.
The narrative kicks off with Francisco Raposo presenting a crucial element to Jack Fawcett—the map to the fabled Mirabika mines.
Francisco Raposo [02:05]:
"So there you are, you see. Now, where are the lost mines? In Murray, wake up. Right here, my boys. Right here on this square of crackled parchment."
Jack, skeptical yet intrigued, questions the authenticity of the map, introducing an element of doubt that adds depth to their quest.
Jack Fawcett [02:16]:
"Well, do you really think it's the genuine thing, Father? I mean, not a forgery?"
Francisco remains steadfast, emphasizing the significance of their mission beyond mere adventure.
Francisco Raposo [02:34]:
"This time. My boy, this is not just an adventure. It's. Well, it's like suddenly finding a pot of gold at the end of the rainbow."
This dialogue underscores the high stakes and the transformative potential of their discovery.
Fast forward to 1925, Colonel Fawcett prepares to lead an expedition paralleling Raposo's earlier endeavors. The integration of historical figures with fictional dialogue enriches the narrative, blending fact with creative storytelling.
Francisco Raposo [09:25]:
"Well, now that we're here, what do you think of it, my boy?"
Jack Fawcett [09:28]:
"Oh, Rio de Janeiro. It's beautiful, father. Like a page from a travel book."
This exchange not only sets the geographic scene but also hints at the emotional and psychological landscape of the explorers as they stand on the brink of uncertainty.
The expedition faces numerous obstacles, both natural and psychological. Navigating the dense Brazilian jungle, they encounter treacherous terrain and the ever-present threat of the unknown.
Vito Corleone [04:39]:
"Yes, you are right, Pablo. We probably couldn't have found a way around it. And certainly never climbed over the top. Yet the native legends definitely center the last civilization to be in this district. What is to be will be."
This moment captures the tension between human determination and the overwhelming forces of nature and legend.
A pivotal moment in the story occurs when the explorers are besieged by a devastating earthquake, dramatically altering their journey and sealing their fate.
Vito Corleone [05:19]:
"The mountain. The mountain is bursting. A thunder."
Narrator [05:23]:
"Before the eyes of the startled men, the entire wall of rock began shaking and burst in quick shivers of terrestrial convulsions..."
The vivid description immerses listeners in the chaos and fear experienced by the characters, highlighting the unpredictable dangers of their quest.
As nature asserts its dominance, the expedition is forced to retreat, leaving the mystery of the lost city and the fate of Colonel Fawcett unresolved.
Vito Corleone [06:21]:
"You talk of leaving, Pablo. Leaving one of the greatest adventures we could possibly attempt."
Pablo [06:26]:
"You're going to walk into that canyon. You're going there now from beginning to end."
The dialogue reflects the internal conflict between ambition and survival, encapsulating the human spirit's resilience in the face of insurmountable odds.
The episode concludes by reflecting on the enduring mystery of Colonel Fawcett's disappearance, leaving listeners pondering whether the lost city of Muriveca was ever truly found or if it remains forever hidden within the Brazilian jungle.
Narrator [09:35]:
"For to the rest of the world, Colonel Fawcett's expedition had simply vanished without trace."
This ending invites contemplation on the thin line between myth and reality, and the eternal human fascination with the unknown.
Francisco Raposo [02:34]:
"This time. My boy, this is not just an adventure. It's. Well, it's like suddenly finding a pot of gold at the end of the rainbow."
(Timestamp: 02:34)
Vito Corleone [05:19]:
"The mountain. The mountain is bursting. A thunder."
(Timestamp: 05:19)
Jack Fawcett [09:28]:
"Oh, Rio de Janeiro. It's beautiful, father. Like a page from a travel book."
(Timestamp: 09:28)
"Vanished Without Trace" masterfully blends historical intrigue with dramatic storytelling, offering listeners a captivating exploration of one of history's great mysteries. Through rich dialogue, immersive narration, and the seamless integration of fact and fiction, Harold's Old Time Radio delivers an episode that is both entertaining and thought-provoking, inviting audiences to ponder the enduring allure of the unknown.